Have you ever wanted a musical to come to film?
Have you waited for a casting and a release date to announce?
Have you ever jumped so much you could shout?
Like you could sing, and everyone would hear?
Okay, to leave the lyric land. Maybe you also found yourself super pumped because Dear Evan Hansen was being directed by Stephen Chbosky, who also directed Rent, The Perks of Being a Wallflower and more. And you were excited that Ben Platt was reprising the role!
And then you saw the trailer and were like, wait, what, no.
That is a big thing going on for this musical. People really hated the trailer because of how much Ben Platt stuck out in it. He looked so old and uncomfortable. He played a high school senior just two years ago in The Politician and it didn’t look that terrible. Why is it so uncomfortable?
Ehhh, most people would probably blame it on the hair. The very awkward curls to make him seem, I don’t know, younger? But in reality, well, it is definitely the hair and it does not work. But something else seemed amiss too, and it was hard to tell, I had to see it to believe it.
I already planned on being uncomfortable the whole time
For those who don’t know why this musical, is really awkward, then hold on to your butts. Evan Hansen (Ben Platt), he has a lot of anxiety and depression issues. It is hard for him to talk to anyone. His mom (Julianne Moore) is a nurse working extra hard so they can live an okay life, still kind of poor, and his dad is away and out of the life. His therapist wants him to start writing letters to himself, from himself, about his life so they can help with strategies during sessions.
Well, Evan prints it out in the library and is waiting to get it, when another student, Connor (Colton Ryan) who is addicted to drugs and a little off, signs his cast as an apology for yelling at him earlier. But when Connor sees the letter, and it mentions Zoe (Kaitlyn Dever), Connor’s sister and a girl Evan likes, he takes the note and storms out, assuming Evan was just another student trying to mess with him.
Evan’s big worry is that the note will be posted on the social medias and he will be made fun of. But Connor doesn’t come back to school. Later, Evan is brought to the principal to talk to Connor’s parents (Amy Adams, Danny Pino), where they tell him that Connor killed himself. And the only note he seemed to leave behind was a note to Evan, since it began Dear Evan Hansen and was signed by “Me”.
He originally tries to deny it, but they also see CONNOR written on his cast, and its big and the only name. They must have been friends. He is uncomfortable, but doesn’t want to disappoint these nice people, so he tells some lies about their friendship to help their grieving. But these lies also make Evan feel like he is gaining a family in their grief. And these lies begin to snowball, until eventually, the truth has to come out.
Signing casts are bigger deals than promposals I have heard.
Will you be found enjoying this musical? Maybe. It might depend on your experiences and love of the Broadway version. At least five songs are cut from the musical and reprises of others. And if you ever listened to the musical, you will find it feeling a bit sparse on music already. Or maybe it is just me, since it came out the year after Hamilton which is to the brim with music so it is hard to really compare it. But this movie at 2 hours and 17 minutes feels musical-lite. Most of the songs are slow and sad ones too.
We open with a famous song (different than Broadway) and then it takes almost another 20 minutes before we get another song. Musicals not having enough songs is a big issue. Its the sort of issue some Disney musicals have where they have only like five or six songs and most of them are in the first half. If you are a musical, commit to it, and give more songs, you know? Two of the songs in here are also original, trying to get that Oscar nomination. I appreciate them actually including them instead of just stamping them on the credits at least. But neither might secure a nom either, unfortunately.
Did I cry? Surprisingly only once. It was with Moore singing So Big / So Small, and I honestly figured that would be cut too, since they cut her other song that would have been a duet with Amy Adams.
I knew going into this movie that the plot was all sorts of fucked up, and just like I thought with the musical (Which I hadn’t seen, just heard the songs from and read outlines), I don’t think it really dealt with the consequences enough. It just filters out near the end. Life moves on, that is fair point, but this is a movie and I would like some better closure.
I appreciate the movie/story dealing with some really awkward and uncomfortable circumstances. Usually if things are uncomfortable, there is a clear solution and way to handle it all, but after the ball was rolling it was hard to find both what should be done and what should happen when it starts to fix. And complications in life and film can be a good thing.
Ben Platt was a good idea to still be the lead, but I don’t know why short haired one from the musical and The Politician wouldn’t have seemed to fit in better. Or maybe just casting a lot of other older high schoolers, confuse us that way you know? Halfway through it, I did forget the weirdness of the look, I will say and let the story better consume me. I think it gets better.
And on that note, a better Dear Evan Hansen musical should have existed, and now won’t.