Gorgon Reviews

American Dreamer was watched as a screener. It is now out on Digital!

When it comes to the American Dream, usually it involves money, family, a house, and fun. Probably even a green yard and space to frolic.

For Phil (Peter Dinklage), he is a college professor of Economics, so he has served his time well and went to school. He should be able to afford that American Dream everyone talks about? Hell no, he lives in a small apartment, with an old car, and dreams of owning a home, but the price of that has skyrocketed beyond ability. Everything is lost.

Thankfully, Phil does see an ad for a very large mansion like building, with a giant yard, and lake access. It has a hefty fee, out of his range, but there is a secondary, cheaper fee. He can buy it for half of the price listed, if the current owner can stay in it until her death, then he will own the whole thing. He just has to keep to his portion of the house and lawn until then.

Unfortunately for Phil, this dream opportunity can become a nightmare. He has to get rid of everything to afford his share, things keep going wrong, and the live-in woman, Astrid (Shirley MacLaine), might have actual children. This is going to create a will dispute and he might not even get any part of the house once she passes. Fuuuuuuuuuuuuuuuuuu.

Also starring Danny Pudi, Matt Dillon, Michelle Mylett, Kimberly Quinn, and Danny Glover.

I too get that look when I find myself living with an old lady. It happens so often!

This movie had a bigger slapstick nature than I thought. Sure the poster shows him looking beat up, but I still didn’t expect to see my man Dinklage slip out of a shower and fall ass up onto the floor.

It was a highlight to see the cameos throughout the film. I enjoyed Glover praying a private eye who was incredibly good at his job, and offended at the same time. Pudi as some sort of HR/Dean/something at the college felt like a good fit for him.

The movie had an interesting plot line for a story, but the main issue is how little the main plot seemed to really get going. I felt no real chemistry between our main character and his housemate. I didn’t feel much between them and the antagonizing daughter. The plot with the grad student just sort of fizzled out into nothing. And I never really understood why Dinklage’s character just gave up so much over his dream, and so quickly.

Regardless, the movie has its interesting moments and decent enough twist to it. It is not a turd, or anything, it just could have use a lot more polish.

2 out of 4.

Hello readers of the site!

Normally, well before now, I would have had my posts for the top and bottom 15 films of the previous year. Unfortunately, the start of the year was very hard with me, losing a family member unexpectedly, and I have had a hard time really getting into that writing mood for something like this. I already had made my lists, and I don’t want to wait until late Spring to write it up and detailed. I need to just have a quick post about it, so the records have my notes, and then next year go back to the previous way of announcing.

In retrospect, I could have done this over a month ago, but, well, you never know how long things last.

So without commentary,

Worst Films of 2024

15) The Front Room
14) Mufasa: The Lion King
13) Madame Web
12) Harold and the Purple Crayon
11) God’s Note Dead: In God We Trust
10) The Garfield Movie
9) Unfrosted
8) Irish Wish
7) Despicable Me 4
6) Reagan
5) Borderlands
4) Uglies
3) Am I Racist?
2) Megamind vs. The Doom Syndicate
1) Dear Santa

——————–
Best Films of 2024

15) Heretic
14) The Last Stop in Yuma County
13) A Complete Unkown
12) Nosferatu
11) Sing Sing
10) Nickel Boys
9) Better Man
8) Wicked
7) Bob Trevino Likes It
6) Red Rooms
5) Saturday Night
4) Conclave
3) Daughters
2) Hundreds of Beavers
1) The Substance

Fist Bump was watched early while it was being shown at the Slamdance Film Festival.

At some point, fist bumping became all of the rage. It was cooler than hand shakes or waves. It gave a physical bit of touch, and some people did fun extra stuff after the fact, like explosions. It was already big before Big Hero 6 came out, but I do think that movie knocked it up another level.

In this aptly named documentary, we get to meet Marcus Knight, who was born early after just 22 weeks. This lead to a hard start for Marcus, who also was diagnosed with both cerebral palsy, and autism. Now, despite any setbacks from this, Marcus has lived his life to the fullest. In high school, he had friends, went to prom, played sports, and was well liked. The model, happy student. He even received a full scholarship to Saddleback Community College, which was close to his home. Going and getting a college degree was certainly one of his dreams.

And you know what? It started out okay.

But within a week of going to classes, the college let him know of complaints reported about him. About making an unsafe or creepy environment. Some people were uncomfortable with him. The complaint seemed to come about him asking someone for a fist bump.

You see, Marcus loves giving fist bumps, but he is never harasses people about it. He offers them to lots of people, and if they say no, he doesn’t push it. That is annoying of course for this to happen to him, because they then require him to bring an aide with him at the school, which he has not needed.

Unfortunately, later, again he gets a complaint, about harassing, even sexually harassing, a fellow classmate. Because another thing he enjoys doing is taking selfies. And when he took one with another classmate, someone else in the room had a problem with it and submitted a complaint. This lead to bigger issues than before.

Honestly, I prefer their other name, Respect Knuckles.Now see, at the time of the next incident, there were other witnesses, including his aide, who would all say nothing went wrong. But the college took it seriously, and was issuing a real complaint against Marcus, and threatening to kick him out of the school. The woman in the picture originally signed on, due to some convincing to of the complaint, but had dropped it by the time the hearing came up over the incident. And due to no witnesses to testify against Marcus, they decided to drop the complaint.

No, not completely, they dropped it to a Title IX complaint against him on his record, that would stay with him wherever he went, despite no one on record to file a complaint at the point. He got to stay in the school, but it seemed like a school who did not want him.

This documentary is telling his story, and how the school system tried to punish a kid with disabilities, because he didn’t fit in with the standard way other students fit in at the university. And it includes the legal fights after the fact, in the courts, to remove this mark from his record.

Now I will admit, I was a bit worried going into the documentary, because I saw it was about someone defending themself from sexual harassment, and it would be from his point of view only. Very suspicious, especially post Me Too. I was worried about this thing being biased and one sided. Like of course his mom and friends would say he would never do something like this. But thankfully, it also comes with facts, and knowledge, with there being no one to officially even have a complaint about the incident. Unless she was coerced after the fact and threatened to drop it (which, wouldn’t really happen in real life with these people I imagine). That sort of evidence is enough to believe his story, and well, puts the school in a really bad light.

These stories are very important. It is not the first time a college would try to wipe its hands of a student/incident, and act like nothing could be done. And these organizations can be real shit heads. The more people hear about this, the better we can get about stopping these incidents. And the fact that it appears this college was trying to bully a student with disabilities, while also patting itself on the back for inviting him to their campus is really deplorable.

3 out of 4.

Flow was watched early from a screener. It is being released in Seattle on December 6th, 2024.

Who doesn’t love a good animal adventure? This one is about a cat (none of these animals have an actual name in the movie, but, my own kid referred to the cat as Felix, so now you have to know that as well). This cat likes to chill by itself, and eat fish that some dogs have fished up, quite rudely. The area has no humans at all, but there is a house of a woodcarver, who really loved cats. Maybe it was this one? So there are several cat statues around, some quite large.

And…then a flood happens! A large flood, with the water keep growing, and growing, and growing.

Well, the cat doesn’t like water, and is a bad swimmer, but thankfully…a small sailboat appears nearby and saves it! And it has a Capybara in it? What the hell is a capybara doing steering a boat? Will it eat the cat? Better to be in the boat, than in the water. Soon, other animals join the boat, a whole misfit crew situation, as they try to navigate this flooded world, with food scarcity, not much land, and shiny baubles.

There is not enough pro-Capybara media out there. There is not enough anti-Capybara media out there, either. Where is all of the Capybara media??

Flow feels like a cutscene of a PlayStation 2 video game, and a short turned feature length film, all in the best ways. It is Cel-shaded, but also, something else? It reminded me about the short Paper-man, sort of. A highly stylized art style that was unique, and maybe still a little old and retro, while clearly being better than the technology 25 years ago.

What the animation did was allow the film to be looked at with curiosity and pleasure. The other aspect that should be highly touted (And again, reminiscent of an animated short), was that it had no dialogue. These weren’t talking cartoon animals, they are just regular cartoon animals, trying to live their animal lives in a world that seemingly was abandoned by humans. I love me a no dialogue film, if it works for the plot and story, which this one absolutely does. The story we can tell through their interactions. The story of what happened to the humans can only be guessed and theorized, which is itself fun. And the story of how these animals learn to co-exist and try to survive in their new environment is one worth seeing.

I think Flow is an animated film that takes risks, and in a year where there are some big budget releases that realize they can put out lesser products, and still make bags full of money, it is great when these smaller films show that the genre (animated) is one still worthy of your time.

3 out of 4.

Greedy People was sent to me early as a screener.

Money money money, makes the world go round, and can make people act very differently. Will (Himesh Patel) is on his first day on the job in a new area. He just moved here recently with his wife (Lily James) who is pregnant. Oh, and this job is of course being a cop. Oh man.

His partner, Terry (Joseph Gordon-Levitt) is an old hat at this job and really tells him on what he needs to know about the area. Truth is, its a very low crime city, so they aren’t going to have to do much at all. And make sure he doesn’t kill anyone! Well. Unfortunately due to events, and Terry not being that great of a person, Will accidentally kills someone! And while deciding what to do about it with Terry, they also…find a shit ton of cash!

Time to cover this up and make it look like a break in. The two agree to hide the cash in a storage unit, until things die down, and then start living life a little bit better. But of course, that is NOT what is going to happen. You see, the victim’s husband (Tim Blake Nelson) was actually already planning on ordering a hit on her that same day, so things just start to escalate from there, as more and more people get involved. That’s right. We are going to get a body count, because damn it, piles of money are just so exciting.

Also starring Jim Gaffigan, Joey Lauren Adams, José María Yazpik, Nina Arianda, Simon Rex, Traci Lords, and Uzo Aduba.

Just think of how much cash you could fit in JG-L’s mouth right there. Honestly, as a movie watcher and movie writer, and dare I say, movie critic, I get asked a lot about my favorite movies and least favorite movies. I also get asked about my favorite genre of movie. I think I finally have an answer for that, as I have hemmed and hawed in the past of various umbrella terms. I think I finally have a very specific answer. “Dark Comedies where things spiral out of control for regular people and a lot of people die.” Yeah, that might be my favorite drama.

From things like Fargo or Heathers or more recent bizarre ones like Arizona and The Death of Stalin. I almost always have a great and silly time. So, that is all to say, the same was true for Greedy People. A lot of people involved, mostly normal individuals, living their life, finding themselves a victim or a perpetuator of violence for one reason or another.

Patel is the lead of this film, but he ends up playing a mostly straight guy role throughout the proceedings. The remaining cast of characters is what really drives this movie forward. James, a pregnant and worried wife, amazing. Gorgon-Levitt, who has to play a lot of timid characters, was really let off of his leashes for this role. His character starts off as a normal shitty cop, sleazy, but becomes a scary force later on, with a just strong growling voice at times. Nelson, getting up in age, still can kick it like a Coen Bros film and give us a weird side character with special motives. Heck, Gaffigan played a literal hitman. I won’t say it is a role that is definitely suitable for him, but I will say it was notably different role for him, so its good to see him branch out and try something.

If you want main characters dying. This is the movie for you. If you like spiraling in a slightly comedic and deadly way. This is the movie for you. I had a lot of fun with this.

4 out of 4.

Art of a Hit was sent to me early as a screener. You can see an interview I had with two of the stars, here!

What happens to yourself if you get a little bit famous, but can never surpass that level? And you both plateau, and then fade away into obscurity? You were so close to greatness, and yet it is all gone.

That is what happened to our band. They had a few hits in the 90s, things were okay. But then their bass player (Rob Raco), who had all of their personality and star potential (weird for a bass player…), got offered a solo gig and took it to grow his career, and the rest of the band had…nothing!

So now here it is over a decade later, the band is sort of together, but not really. They never quit, but that doesn’t mean they play together as much. They have side projects, they still make music, but they aren’t together. But with their record label, they get an offer to head to France, to work with a mythical record producer (Charlie Saxton), to see if they can get their sound back. To see if they can make a hit song or a hit record with him. And maybe taste that sweet sweet glory.

While this happens, the band leader, Ryan (Ryan Donowho) has to manage all of the personalities, the producer, and the record label (who actually dropped them and isn’t paying for this, whoops!). While finding himself mentally, and literally, haunted at this daunting task in front of him at this spooky castle.

Also starring Allie MacDonald, David Valdes, James Earl, and Tim Jo.

“This is going to ruin the tour.”
“The what?”
“The world tour.” This film is labeled as a horror, but really it is not. First, it is far closest to a drama. There are scenes that suddenly get…gorey? I guess that is the right way to describe it. Accidents, self mutilation, being literally chased. But those scenes are few and far in between, and they are almost all in the band leaders head or dreams (not a spoiler). So if anything, maybe its more of a thriller, because of all of the uncertainty they are dealing with, and how most of it manifests in terms of fears of failures.

Honestly, the real scary stuff is happening at the end, and it is literally indescribable. Indescribable because of a spoiler, and I don’t want to get into that, but the ending is definitely horror in a non traditional sense of the genre.

Instead what I am mostly watching and interested in, is the band dynamics, the secrecy of their former bandmate who left, and how natural the group feels. And hell yeah, the band feels like a real band, with baggage and history. Exactly like one would hope. Only one member was awkward with them, and that was because he is new to them for the plot. I think Donowho carries a lot of weight in his face, with his fears of mediocrity, and it shows.

I believe I have been told all of the people did re-record the music that was made for this film. The band Jets to Brazil wrote the songs for the movie, but the actual actors (who all happen to be musicians), re-recorded it and we get to hear what they actually sound like together, and that is awesome. No weeks of intense strumming camp for these folks.

Either way, Art of a Hit I think would be better if they focused less on these few horror elements, and more on the very real dramatic and scary elements of being faced with fading into nothingness, with people barely remembering your name after you were so close to superstardom. That is a strong story. But I do understand these sorts of movies are harder to get funding for, than cheap horror. You never know when the cheap horror film will skyrocket and become popular, after all. A good story, just with some dumb horror moments.

3 out of 4.

Killing Romance was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 18th as part of the festival, and it was the Seattle premiere of this film!

First, Hwang Yeo-Rae (Lee Ha-nee) gets famous! A viral person, a superstar singer, and an actress, and she is everywhere. She rises so fast, she gets put in the lead of the most expensive film of all time, and it is a dud. Her acting falls flat, she is a laughing stock. Sure, people love her for this, but she thinks this is a tragedy and her life is over.

Then she meets Jonathan Na (Lee Sun-kyun), a very rich, powerful man, who helps her out of a jam, and seems to like her. Perfect. They live away from Korea for so many years, and eventually return, Hwang now a house wife, with the world forgotten about her.

But then she meets Kim Beom-Woo (Gong Myoung). No, this is not a love thing. This is just a guy who happens to be a super fan of her work. Apparently there is a lot of them ou there. Kim is stuck in a house hold where he cannot pass the college entrance exam, and cannot go to Seoul University like everyone else in his family has ever done. He is a disappointment. But he is able to get a script to Hwang when the couple moves next door.

A script? For a musical? Can this be Hwang’s next big break? Well, no, because Jonathan says no. He cancels the whole thing. He is powerful. He is strong. He is rich. He is controlling over Hwang. He can get people killed. Hwang realizes she needs out of this relationship, it is toxic. But to do that, either Jonathan will have to die, or she will have to kill herself.

Also starring Bae Yoo-ram, Pierce Conran, and Shim Dal-gi.

Gosh, I am already in love with this guy myself. I need to of course start this section talking about Lee Sun-kyun, who tragically passed away in December. I won’t go more into the story and circumstances of his death, but they were very tragic from almost every standpoint. He was famously known as the rich dad in the Parasite movie from a few years ago. I don’t know if this is his last movie, but it is certainly now one of the last ones. And it is tragic that this is a movie where the main plotline is to actually try and kill his character.

And he destroyed this role as the toxic mean husband.

Killing Romance is certainly a movie that is indescribable in many ways. It is a BIZARRE film. It is wacky. It is strange. It is an experience.

I think the offput nature of the film, the switching aspect ratios, the switching of quality, the terrible background scenes, the zany nature of Jonathan’s character, are all just certain features that highlight the absurdity of cinema. I know this isn’t a negative of Korean cinema or anything like that. This is just a movie that wants to do its own thing, and is unapologetic in the process.

Is Killing Romance itself a good film? Honestly, hard to tell. I did enjoy my watch overall, and I appreciated the creative output. And again, if this one is Sun-kyun’s swan song, it was certainly a cherry on top.

2 out of 4.

Tenement was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the North American premiere of this film!

Sorya (Thanet Thorn) is a Japanese-Cambodia woman and a Manga artist, who has already hit a wall in life. She likes what she does, but it isn’t challenge, and she wants to make a horror manga. Also, her mom died. That is important. Because of the death, and wanting to make the book, Sorya wants to go back to her ancestral home in Cambodia, to the same apartment complex where her mom used to live, to help for inspiration, and her own life in general.

And heck, this place is a dumb. People seem friendly, but you can tell it has not been maintained in any level, and its just rubble. Her boyfriend Daichi (Yoshihiko Hosoda) joins her on this adventure, and she is also able to meet her Aunt Mao (Sveng Socheata), who still lives there. This surely will be a great place for inspiration.

Unfortunately, they didn’t know how apt the horror would be. With basically cults running around and rituals, it turns out their stay here as tenants might not be that long.

Also starring Sahrah Pich Manika, Rous Mony, and Touch Narady.

Exactly what I like waking up to see. All of my neighbors with candles watching me, for protection. Tenement feels almost meta in a sense. The lead couple wants to go to this complex, specifically to get a horror feel, and of course that is what they get. They get weirdly terrorized in their sleep. They have creepy kids singing songs. They get to worry if everything is just a dream.

But all of these elements just felt like regular horror staples. It was interesting that they were so up front with the horror aspects at the start. They didn’t keep things in the dark and rely entirely on jump scares or anything like that. It just failed to capture me at all on the story. It was boring, with a few interesting scenes thrown in. And, I can also say that I didn’t like the ending that much.

Now, there can be a lot more to this story that I am unaware of. Like Cambodian history, or the area, and that all might have deeper meanings, but I am just a lost American, looking for scares, and getting a movie that felt disappointing in that aspect.

Oh well. Might still be worth a watch for the visuals, but my overall disappointment in the matter is what judged this rating.

1 out of 4.

We Strangers was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

Ray Martin (Kirby) has a shitty job, that frankly, she doesn’t love. She is a room/home/building cleaner. She works for a service, they provide the jobs and locations, she does the work, she gets paid. It is one of those things where she knows they obviously pay the company a lot and she only gets a fraction of the services, but at least she gets to mostly work alone and not interact with the clients.

After working on an office building that a new client bought, but needed it de-trashed, sees how she did, he wonders if he can hire her personally. Just some rich doctor guy, let her say a much higher value than she normally makes, and he said sure. He just needs his own house cleaned, and is willing to pay top dollar.

Now, during that clean? A neighbor sees her, questions her, and apparently talks to the client about it. Because now she wants a cleaner. The doctor weirdly pays for it, but hey, money is money. This leads her to suddenly more and more clients, who have their own intricacies and secrets that she is going to discover. Like, one of the clients believes in ghosts and mediums. Seems like a great time for Ray to mention she totally can do that as well, and make house calls. Talk to ghosts? For cash? Sure. Why not.

Also starring Hari Dhillon, Maria Dizzia, Paul Adelstein, Sarah Goldberg, and Tina Lifford.

Sometimes you just gotta stare off, to help find those ghost spirits. Yeah, fuck the rich. Spending lavish money on services, but treating the people in those services as lesser individuals. I think that is a big theme at SIFF this year. Fuck the rich.

Kirby does a great role as the lead. She isn’t overacting in any sense. She just seems like a normal person. It is the rich people with the eccentricities who are acting strange comparatively, even when Kirby is talking to spirits. The secrets between the rich folk are pretty obvious to discern, and not as extra as one would hope. You know, me, a movie goer, looking for drama.

Unfortunately for We Strangers, which I can say is well made enough, well acted enough, is just an okay variation of this story. No giant “fuck yous” as the end. Everything remains subtle. Everything stays chill. Just too chill for it to have higher than a 2 rating.

2 out of 4.

Resynator was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

You can trip on my Synthesizer, electronic world for every boy and every girl.

The synthesizer is probably the best new instrument since…I don’t know? What was the last instrument invented after all the drums, brass, woodwinds, strings came out hundreds and hundreds of years ago? The accordion? Who knows. But the synthesizer helped transform music, and how to play music, and gave me a lot of danceable tracks and I appreciate it.

Now, for Alison Tavel, the director and theoretical subject of this documentary, she grew up hearing that her dad invented the synthesizer, and worked with all of these famous people. Her dad whom she never met, because he died when she was just ten weeks old in a car accident. She never knew what to believe, figured a lot of it was just weird lies, and never questioned it. But now that she is in her mid 20s, she wanted to know the truth, and unpacked his creation packed away in a box in their attic, the Resynator.

And this documentary is about that journey. The journey to find out what the Resynator was, why it isn’t famous, what could it do, does it still work, and what happened with her father. And you know, of course, learn a little bit more about herself along the way.

This is when she realized she shouldn’t have lost the user manual. As like any good documentary, Alison is going to find out some harsh things about her dad. Things her mom kept from her, because it wasn’t relevant. But things that were also great and accurate about things he did and accomplish.

And in the journey, she wants the good and the bad, she finds out what stories were tall truths and which ones were mostly correct. That’s how we get sections of this documentary with people like Peter Gabriel, who was said to have bought three Resynators, and he is able to confirm the accuracy of the story and be a nice win.

This is a feel good documentary overall, of a woman discovering herself, and coming to terms with things that were kept from her for good reason. And that is a fine idea for a documentary.

But real life can mimic other things, and sure enough, this just feels like a story I have heard over and over again in terms of documentaries. Someone going off to discover the truth about a relative, who died when they were young, and not liking the overall picture they find. For some reason, they also put this on camera for us all to see. It is a very common type of documentary. And Resynator, with some cool information on a synthesizer machine that did not get to the mainstream as many thought it might, was interesting for sure. And unfortunately the rest is just more of the same.

This is all very strange to say for documentary since it isn’t fiction, but like I said, see enough of these things and you can see the commonalities. Oh well. Plenty of people will watch this documentary and probably love it! So if the topic sounds interesting, it certainly will deliver on that front.

2 out of 4.