Tag: Comedy

Cha Cha Real Smooth

If there is one thing we like here at Gorgon Reviews, it is a good title. And I certainly refused to look up anything about the movie, Cha Cha Real Smooth, once a poster and description was released, because I didn’t care. I just wanted to see the movie on its own, with no knowledge at all going in.

Now, for everyone else, here is some knowledge going in after the fact.

Like that the director, writer, and main star is the same guy, Cooper Raiff, and this is his third film. His first film was Madeline & Cooper, but it isn’t even an hour long, and his second film is Shithouse. Yes, both of them are also directed, written, and starring him.

For whatever reason in Raiff’s life, he found himself in the position to be able to make movies and star in them, so good on him. You know, assuming they don’t suck. And I am trying to manifest positive energy that this title isn’t wasted on a poor film.

meat sticks
Mmmmm. Meat Sticks.

Back when Andrew (Cooper Raiff) was a kid, at a Bar Mitzvah, he was in love. It was with a party starter. A person employed by the parents of the party to successfully get individuals to be dancing and make sure everyone had a good time. She was everything to Andrew. And she turned him down, you know, age difference.

Now, years later, Andrew is an adult! He has finished college and has a job at a local fast food joint and moved back in with his parents. He wants to go to another country, to chase the woman he loves, but he is broke. Instead, he finds himself at another Bar Mitzvah party to chaperone his little brother (Evan Assante), and hang out with another girl (Odeya Rush) he knows. For reasons, and alcohol, Andrew finds himself the life of the party! He makes sure everyone has a great time and now finds himself potentially landing into his own business as a party starter during this busy Bar/Bat Mitzvah season.

Also at that party, he meets Domino (Dakota Johnson), a woman who seems far too young to have a kid at this party. But yep, she has a kid, Lola (Vanessa Burghardt), who was older than the others, and autistic, and hard to actually get to dance and let go. So Andrew makes that one of his missions. It doesn’t hurt that he likes Domino too. Even if she has a fiance.

Cha Cha Real Smooth is about a man finished with college, constantly falling in love with women older than him, who is having a hard time accepting his home life, his social life, and trying to find an eventual direction moving forward.

Also starring Brad Garrett, Leslie Mann, and Raúl Castillo.

headphones
Why do we even test for Autism, when we all know that headphones is the main giveaway?

I want to get one thing noted right away. Did you know that the girl playing our Autistic character is actually Autistic? It was apparently a big concern of the filmmakers, to make sure we had some good representation here, and not some gross minstrel show of offensive stereotypes. I don’t even think it was something that was hard for them to accomplish. I am starting to think Sia didn’t even try for the movie Music. I am thinking she lied to us!

Raiff is entirely charismatic and adorable in this film. He has a Ben Wyatt like smile and glow to him when he is excited. He seems to really care about his brother and mother, even if he is still overall drifting. I think it would be awfully hard to not be invested in his story, even when he is making obviously poor choices and going down uncomfortable paths.

The story itself is relatively strong, piecing together the subplots in a nice way to coincide with our main story of a young adult drifter. The dialogue itself is also well thought out. The family bonds felt believable. The tough situations for many characters didn’t always have easy answers, even if the morals were technically easy to sort through as a viewer.

This is a comedy/drama that does a good balance of both. It made me sad, it made me guffaw, and it made me feel. Unrelated, I did go back and see Shithouse because of how much I liked Cha Cha Real Smooth. I definitely didn’t like it as much as this one, but it still had great emotional scenes so it was a good building block to his third directed film for sure. I look forward to Raiff’s next film, and I hope he keeps directing and writing them!

4 out of 4.

The Bob’s Burgers Movie

As of this posting, Bob’s Burgers just finished its 12th season a few days ago, on the 22nd of May. The film, The Bob’s Burgers Movie, came out on the 27th of May. I appreciate their timing on this matter, that is some good planning.

Now, I am not expecting anyone to have to see 12 seasons of a decent animated cartoon to have to get this movie. Maybe a loose familiarization with the characters, but it isn’t like those episodes all lead to very specific plot developments and a lot of growth. For honest bias reasons, I will point out I need to I have for sure seen at least half of the episodes of the show, but not gone out of my way to keep up with it lately.

I am also surprised they decided to go with a movie this early. Family Guy still hasn’t made a theatrical film. The Simpsons waited 18 years before finally coming out with a movie. I know there are lots of cartoons that decide to do a theatrical film, but those feel like the notable ones given the same station and night of new releases for their content.

More importantly when it comes to cartoon shows to film, the film has to feel necessary. A larger than a multi-part episode plot. Something to make it stand out and look different. The last thing we want is just what feels like 2-3 more additional episodes.

family
Yes Bob, I said that is the last thing I want. Don’t be so surprised.

Somewhere near an ocean somewhere lives the Belcher family. Bob (H. Jon Benjamin), the father and main cook at Bob’s Burgers, a restaurant he named after himself. His wife, Linda (John Roberts), who also works at the shop, and is full of love and hope. They have three kids. The oldest, Tina (Dan Mintz), is almost in high school and obsessed with butts. The next kid, Gene (Eugene Mirman), is the only boy kid, who wants to be a musician and creative. And lastly, we have Louise (Kristen Schaal), a girl who acts older than she is, with wild plans and ideas and a dark sense of humor. Together they live in an apartment above their restaurant. The kids go to school, help out with the shop, and hijinks.

So, that would be the plot for the show. But also basically the movie!

The movie itself, the restaurant is going through a bad time! You see, they are behind on their payments to the bank for their loan for restaurant equipment. And when trying to get an extension, no dice. Instead they now have 7 days to get all the money for it, while also still paying off their rent like normal. Thankfully the wharf has a big event this week, so there should be increased foot traffic. And unfortunately, a giant hole has decided to appear right in front of their store, blocking the entrance.

Dang. How are they going to make the money now?

Oh, and there also happens to be a murder mystery thing, but the kids are more involved with that one.

Also starring David Wain, Gary Cole, Kevin Kline, Larry Murphy, and Zach Galifianakis.

hole
What a messy, messy hole that is.

The Bob’s Burgers show writers really do love their musical numbers, and put songs into their show a lot. A lot more of my favorite and memorable episodes also feature songs! It felt pretty clear that this would likely be a musical, but it was only a light musical unfortunately. From my count, it only features three unique songs, with an additional reprise of a song. There were other instrumental tunes that started up and I thought would lead to a song, but ended up just being some quirky background music. It is maybe four songs, but I don’t really remember if the final concert song had like, actual lyrics, as it was unforgettable.

Three songs is hardly enough to get a buzz from. The best song was the Carnie one. I do love the extremes in the animation they put into the characters movements. They really want to emphasize real and actual dances, and these movements highlight how awkward their bodies are actually drawn. And it really adds to the extra musical feel of these numbers, like they are really big spectacles.

Some of my least favorite episodes of Bob’s Burgers though are the ones that go heavy on the landlord, Mr. Fishoeder, and his family, which is definitely true for this plot. And honestly, even though that this movie had a MuRdEr, it did still just feel like a two or three part episode.

I won’t take away from the animation. The animation was definitely better and richer than a normal episode. The songs were longer than a normal episode. But the plot line didn’t seem to match the standards that should necessitate in a change of format for an established television show. It didn’t use the extra time to give us more music, or really more hijinks. This is just the type of movie that exists to make the fans happy with more content. Not sure if anything here will affect the TV show in the future either, but that is something that will be really shown whenever their next season starts.

2 out of 4.

The Bad Guys

What’s this? An animated film from Dreamworks that I was actually looking forward to, that didn’t have anything do with Dragons or Pandas? This must be a mistake. Dreamworks has been given me trash for years!

The main reason I was a little bit excited about The Bad Guys as a film, we because I knew it was based off of a popular series of graphic novels for kids. I only knew that because I think I own half of them. I haven’t read them, but I heard it was funny. Characters that were perceived as bad, trying to do good, and failing along the way, but hey, at least their heart was in the right place. That seems like a nice story.

Also, after watching the trailer, I enjoyed the animation style they went with. Not a standard CGI, but something maybe inspired by Spider-Man: Into the Spider-verse. It is kind of like cel-shading, while being very active and distinct. The characters certainly pop.

The last time I cared about a new property from Dreamworks was Home, strangely enough, and that one ended up only being okay.

panic
I can already tell this film will get into some kinky shit.

Set strangely in real life Las Angeles, California, we are in a world with both humans and anthropomorphic animals coexisting together. There are also regular animals I guess, but we won’t talk about them right now.

We are going to talk about a group known entirely as The Bad Guys. Mr. Wolf (Sam Rockwell), Mr. Snake (Marc Maron), Mr. Shark (Craig Robinson), Mr. Piranha (Anthony Ramos), and Ms. Tarantula (Awkwafina). Yeah, their names are just their animal name for whatever reason. They are notorious for stealing things, but the newly elected Governor, Diane Foxington (Zazie Beetz), decides to announce that she feels bad for the Bad Guys, as they are clearly just misunderstood animals who need help.

Huh? How dare she take that approach with them! Time to steal a really famous award, given out specifically to NICE members of society. This next one is going to Professor Rupert Marmalade IV (Richard Ayoada), a pretty swell guy. Unfortunately, while going for the trophy, Mr. Wolf accidentally is put in a position to…HELP someone. Ugh. And strangely enough, it feels good. It is a feeling he wants again, to chase.

After they get arrested, Mr. Wolf convinces the authorities that they can be taught to be good, and enlist the help of Rupert to show them the way. Mr. Wolf also convinces his friends that they can do it just to have a bigger and better heist later. But Does Mr. Wolf want to actually turn over a new leaf?

Also starring Alex Borstein.

running
Yep, still looks like a kinky film.

While the animation for The Bad Guys was certainly a plus, the plot is what ends up making this mostly an okay movie. The plot is standard, and pretty obvious, and I am not sure if it is entirely based on the books. This movie serves as an origin film for them I guess, as it is about The Bad Guys when they choose to be bad, and then eventually, choose to be good, whereas the books are about them already trying to be good.

The twists you can see coming, and honestly, most of the conclusions.

And then here is where I can get nitpicky about the world building. This is a world where animals and people coexist as…humanoids. Sure. But I find it uncomfortable that the leads all just have generic names. Mr. or Ms. and their animal name. That is completely ridiculous, because we know there are more Wolves and Sharks in the world, it isn’t just one of each kind. There’s no reason for the generic names, outside of code names for their team, but they literally just have those names no matter what. The only other two main animals have regular names, so there is no reason for that distinction.

On that note, this world also has regular animals. What? Huh? How can that seem to be? The story of Wicked tried to tackle that similar idea, of both bipedal talkative animals along with regular animals, and they did a much better job than this film, because it was just ignored. How are there regular Guinea pigs when there is a main character that is also a Guinea pig. I am uncomfortable with this.

I am also uncomfortable that there are apparently scientists who do testing on animals, when again, see the above point. I believe all the scientists are shown to be human. I definitely am pretty sure every single cop in the movie, of which there are hundreds, is also a human. This film could go into some pretty deep places with this territory, but it is just all background and not important, despite the strange and uncomfortable implications.

Another plus though, is the voice work. I thought Rockwell and Maron knocked it out as the main two villains. I was surprised Ramos and Robinson used very different voices in the movie too. There was an attempt to be a character, not just featuring their normal way of talking. It is great when actors, you know…act.

2 out of 4.

The Unbearable Weight of Massive Talent

Nicolas Cage. Is he a man, or an aberration? Is he a great actor or a bad actor? Many people have struggled with this question for decades, and it is a question that has brought Abed down to his knees in humility.

Regardless of what you think about Cage, you have certainly heard of him. A lot of people have strong opinions about his acting and his choices, especially recently. He has been in some straight to DVD nonsense, but that is also generally known to be due how one of his financial advisors screwed him out of money and he was stuck paying the bill with his wallet missing. But in the last few years, the bad choices have seemed to drift into weird and interesting choices. Wally’s Wonderland, where he plays a literal silent protagonist and speaks not a single word of dialogue. Mandy, and all of the fucked up movie that is. Pig, a surprisingly amazing drama that looks like a John Wick rip-off that does so much more.

And then I heard about The Unbearable Weight of Massive Talent. The first description blew me away with what it wanted to do. I knew I had to see it. I went out of my way to watch what I felt were the most essential Cage films I hadn’t yet seen before in my life, leading up to this movie. Just to catch more references and have a better frame of mind for this NickCage-fest. Give me your weird ass films. I need them.

I. Need. Them.

panic
The different people seeing this film. One who knows and likes Cage movies, the other very confused at who Nick Cage is.

What does a magnificent actor need to do when he finds himself under appreciated and maybe even mocked by friends and fans alike? When your debts are piling up, when your family won’t talk to you, and you see a big film break coming up that will revitalize your career as a major player? After all, maybe the big break will you get you bigger roles, and more clout, (not that you went anywhere), and you can go into the tail end of your career flying high.

That is what is going though Nick Cage’s (Nicolas Cage) head. He has bills to pay, debts, and he can’t land the lead of a new film that he thinks will be a box office and critical success. But his agent (Neil Patrick Harris) had another gig for him, although embarrassing. He just needs to go to another country and go to some super fan’s birthday party. Make an appearance, talk to guests, and easy million dollars. Cage feels desperate, so he takes the gig, but he feels like he is going to also have to retire from acting, that he can’t keep up with the charade.

Of course when Cage gets down there, he makes things awkward. Javi Gutierrez (Pedro Pascal) is not just a super-fan, but he also wrote a script and wants Cage to star in a movie. Cage doesn’t know about that, and thinks that Gutierrez is a worker at the mansion. Not to mention that Cage gets intercepted by the CIA (Tiffany Haddish, Ike Barinholtz) because they believe Gutierrez recently kidnapped the mayor’s daughter, in order to threaten him before an upcoming election. Gutierrez is awkward, but is he a bad guy? Now Cage has to stay longer than expected, to check the compound, and become a spy, which is basically just acting anyways. Cage is probably the perfect person for this job. Sometimes it is easier to hide with a beacon on your face.

Also starring Alessandra Mastronardi, Jacob Scipio, Lily Mo Sheen, Paco León, and Sharon Horgan.

running
But really, I just want to watch Cage watch real movies with his fictional family. 

Surprisingly, The Unbearable Weight of Massive Talent is not the zaniest film I have seen this year. Not even the weirdest. It didn’t even make me cry. All of those titles, at this point, would go to Everything Everywhere All At Once.

But this movie is still incredibly fun! I don’t know how to talk about it as someone who doesn’t know much about Cage, so I do apologize in that regard. But if you are familiar with his work and generally receptive to a lot of his films, I can’t imagine now appreciating this fictional version of his life. He pokes fun at his perceptions, while also playing hard into them. It is just so silly, it is infectious. Despite being a film that is a love letter to Cage, it doesn’t completely hog the spotlight, while giving shout outs to other great films in cinema history from The Cabinet of Dr. Caligari to Paddington 2.

Sure, the plot is pretty weak. It is going for meta humor so hard that it doesn’t always land. The CIA plotline, although necessary for the story, feels detracting by taking us away from the funnier moments, which is when Cage and Pascal share the screen.

This is one of those movies for people who love going to the movies. A movie that is mindless fun that doesn’t need you to turn off your brain in order to enjoy it. Cage is living his best life, and we are all just people in the world getting to witness this rebirth of his movie choices (not that he went anywhere), and this is a film about just having to learn to accept it. While not being one of the best movies ever made, it is an enjoyable one, and definitely a film we need in our lives during this time of weary and stress.

3 out of 4.

Father Stu

From the poster of Father Stu, it seems like a movie that definitely deals with religion, but is probably not a religious film. Like, it won’t have a lot of plot lines where the true believers get what they want, and cheesy sappy music. But good humor. And even though it will be set in church settings, and not necessarily poking “fun” at a religion, it will still acknowledge some of those weird things.

I did not know how much of a personal project this was for Mark Wahlberg, the lead. Father Stu was a real person, that Wahlberg might not have even met. But he heard about his story, and thought it was inspirational and it touched him, so he wanted to get that story out there.

And apparently that too was a struggle. Hard to get financing, people didn’t want to make this movie. But Wahlberg did, and this movie now exists, because he had to personally finance large portions of it. Why is that? Mel Gibson apparently convinced him to do it. To “bet on himself”, where Gibson was said to have spent $30 million of his own money on The Passion of the Christ. So Wahlberg said if Gibson can do it, then he could do it, I guess.

Gibson
Gibson is not really the person that Wahlberg should be emulating in his private life though.

Stuart (Mark Wahlberg) does not have a whole lot going good in his life. His brother died when he was young. His father (Mel Gibson) was a drunk and left the family to work in another state, abandoning them. His mom (Jacki Weaver) is helpful and cares about him, but she is more out of it for the same reasons listed above. But now Stuart is a boxer! He is relatively good at it. But it has led to more problems with his health. Not normal problems that boxers face. Clearly, it must be changed, though.

He figured out the perfect job. He is going to move to Hollywood and become an actor! That is where his dad lives, but it is not about him. It is about Stuart becoming a big celebrity actor. And working at a grocery store until he can get a job. But while at the store, he meets Carmen (Teresa Ruiz), a person shopping who definitely doesn’t care about Stuart. However, he decides to stalk and harass her until he can meet her at her Catholic Church, despite being raised atheist.

So sure, his new goal is to woo her over, and become baptized, and Catholic. Yadda yadda yadda, this somehow leads to him deciding to become a Father himself. Yep, this is where his life really should be headed. And that ends up leading to even more issues it turns out.

Also starring Malcolm McDowell, Aaron Moten, and Cody Fern.

panic
Oh hey, Mark, you got some stuff on your forehead. Did you know that? 

I guess on one note, the movie is exactly what I expected based on my earlier guesses. On a different note, I didn’t realize how awkward the story and movie choices would be.

For example, Gibson is a terrible person and I have been trying to avoid his movies, for obvious reasons. So to have him be an emotionally distant father, and known atheist to our main character feels intentional. The one notably non-religious character is a bad character and father. And they also give him a redemption arc at the end. It felt like the movie was doing that more for Gibson, than the character. “See, people can get better.” Sorry, just because they can get better doesn’t mean I need to watch them acting.

As for Stuart? I also don’t like his character. Notably, he is meant to come from a rough past, and a rough middle, to lead to his eventual conversion and holy days. You know, to be a Father who knows how to talk to the community and is okay with swear words. But…I don’t like him for being a scum bag. So the real life Stu stalked a woman whom he met at his job, when she just wanted to shop, and let him know that she had no interest in him. He went to her church to start going, and being awkward the entire time, to suddenly convert for her. That just feels like months of harassment. Especially when, after a series of events, he convinces her finally to break her vow of chastity for sex because she now feels like they will be together forever.

Just to then go and say he wants to be a pastor, who cannot marry or have sex, after taking something that she personally held dear. What the fuck, man.

Then the character became a father, and eventually died. But the movie does take liberties with the story. It adds a lot of setbacks into his graduating into a full Father, given his deteriorating physical condition. But in real life, that didn’t seem to be an issue at all, and is just another strange set back instead of telling his actual story, which is what they set out to do. That is why the ending is so vague with how long he was practicing before he eventually died. Because the movie makes it imply like, a year or two maybe. And not quite a few years.

Father Stu takes a troublesome actor,  to give him a redemptive arc for…reasons. Father Stu is about a troublesome real life person, who eventually did good, while glossing over exactly how troublesome his life was. And playing harassment for laughs.

And yet at the same time, it still seems to go a lot more religious than I initially expected. Father Stu is a lot of things, including amusing occasionally, but a good movie is not one of those things.

1 out of 4.

Everything Everywhere All At Once

I knew I wanted to see Everything Everywhere All At Once when I saw the poster for it. It is full, vibrant, and wild. I didn’t care what the plot was. The title was good. The poster was good. Harry Shum Jr. from Glee was in it. Let’s go, I’m sold, let’s do it.

But then I saw that it was directed by The Daniels (Dan Kwan and Daniel Scheinert). They have only directed one feature film together before this one, and it was Swiss Army Man.

Swiss Army Man was easily one of my favorite films of the year it came out, and was in my top 50 of the decade. It was wholly unique, unlike anything else I had seen before. It took a ridiculous topic and made it WORK. It should be talked about more in cinema circles, honestly.

If that is what they could do on their first try, I was damn near giddy to see what they would do with an ambitious title like Everything Everywhere All At Once.

EYES
The third eye really brings up the extra levels of power.

Everything. A lot is happening to Evelyn (Michelle Yeoh). She is trying to run a laundromat. She is trying to have a Chinese New Year party for the surrounding area and community. Probably an idea to help their laundromat which isn’t doing great. And they are being audited by the IRS and have an important meeting today to show their receipts and prove their business expenses. Her father (James Hong) is here visiting and judges her family and everything about her.

Her husband (Ke Huy Quan) is a nice guy, but he seems a bit bumbling and she has to be the serious one to solve the problems in her eyes. Her daughter (Stephanie Hsu) is struggling with feeling accepted. She has come out as gay and Evelyn has said she is fine with, but refuses to tell the grandpa because she may be secretly ashamed. Evenlyn is also constantly nagging on her daughter, to fix things that aren’t actually big issues.

Things seem to be imploding on Evelyn today. And things get more intense at the IRS building. Because at some point she finds herself in a closet, suddenly an instantly. Her consciousness going between the Evelyn at the desk and the Evelyn in the closet. It seems like it is her husband talking to her, but he claims he isn’t her husband. He says she is needed to help save the universe. Shit is getting bad, and she might be the last hope.

Oh well, just pile that onto Evelyn’s plate why don’t you.

Also starring Jamie Lee Curtis, Jenny Slate, Harry Shum Jr., Brian Le, and Andy Le.

hot dog fingers what about them
I will not be taking questions at this time over this image.

I put off writing this review for so long. Not because I didn’t like it, because I loved it, I did. But because I knew I wouldn’t have the words to do it justice. I didn’t even know how I would go about describing the plot, because I didn’t want to give that much away. I decided to watch the trailer and base it on that, and still told a lot less information than the trailer, so I am comfortable on that front.

Everything Everywhere All At Once is a masterpiece of cinema, that about sums it up. It is an incredible DENSE film for the subject matter, and it doesn’t hold anything back. A common complaint I give for films is when they “don’t go hard enough” and this movie goes hard enough. It goes off the deep end real early on, and gets the viewer to catch up along the way, not boring us with exposition to explain things necessarily before they happen. The actual beginning feels like it is going to be a stressful movie similar to Uncut Gems, but when it gets supernatural, the stress levels are amped up significantly.

It switches between so many time lines and events, and molds things into one that if you don’t pay attention you will be lost. And I love that. I love that the film rewards the audience for paying attention, for looking for clues, and for treating us like we are capable humans of following a narrative.

I can’t say I understand every movie, or that I even fully understand this one, but I get enough of it to love it and want to see it more than once. It is not going to be a movie for everybody, and likely the weirdest film I will see this entire year. It is a shame it is coming out so close to Dr. Strange 2, which will also go for some similar multi-verse themes. But I think Everything Everywhere All At Once will stand up on its own, and it will likely go a lot farther than a Disney backed super hero movie.

Finally, Yeoh is the main character of this film, and she does an amazing job, a character unlike one she ever really plays in my eyes. But Quan and Hsu are a big part of the heart and soul of the film. Because in the end, it is still a very touching family film, and like lots of other films recently, dealing with generational trauma and overcoming the sins of our ancestors. I hope to see big things from Quan especially in the future.

4 out of 4.

Sonic the Hedgehog 2

They call him Sonic! Cause he is faster than sound, he’s always jumping around.
Blue hedgehog Sonic! With Incredible speed, he’s moving his feet.

The inevitable has finally happened, we have been given Sonic the Hedgehog 2. And hey look, it doesn’t have a subtitle. How nice of it to name itself after the second game exactly, while also having a poster look very similar to the game cartridge.

The first film, which released right before pandemic things, came out to VOD services faster as a result, and was one of those early bright spots for movie watchers with families, along with Trolls: World Tour and Onward. And for sure, the film did fine, especially when compared to other video game movies. After they fixed the CGI monstrosity that was the original, they put a pretty good story, despite the increased human elements to the plot (which every film always has to do). I was relatively excited to see what they would do with a sequel, and continuing on with the franchise.

stashe
How annoying would drinking anything with froth be with that ‘stashe?

Set…some amount of time after the first film, Sonic (Ben Schwartz) is still hanging out in Green Hills and living a calm life of quiet. Except when he goes to random cities to attempt to fight crime real quick, causing damage in the process. Tom (James Marsden) and Maddie (Tika Sumpter) are now surrogate parents for him, and want to steer him into good decisions, to make sure he uses his great power responsibly. They also wish he could have any friends that are similar to him.

Good news! A fox with two tails shows up, and his nickname is Tails (Colleen O’Shaughnessey), and he is here to warn him of a threat. Oh okay, bad news. Crap. It turns out Dr. Robotnik (Jim Carrey) has found a way to get off of that mushroom planet. With the help of a strong Echidna nicknamed Knuckles (Idris Elba), they have returned to Earth. Robotnik wants revenge on Sonic, and Knuckles has his own reason to hunt down the hedgehog.

Can. Sonic. Become. A. True. Hero. And save the day, again? With a bigger threat than the last time?

Also starring Natasha Rothwell, Shemar Moore, Adam Pally, and Lee Majdoub.

stars
Oh yeah, here is an image of the film’s stars doing some exciting standing.

Honestly, as expected, the sequel to this movie was mostly just okay. Here are some plusses though! For those who are big fans of the game series, this film has a lot more references to the series and its lore than the previous film. It is jacked up with more. Including special moves between the various characters. The Chaos Emerald and its various parts. And a couple more that I won’t say for spoilers, but were very exciting for the audience. The last credit scene in particular, despite being really predictable, made the audience behind me go crazy with excitement. I hadn’t heard sudden cheers so loud sine Avengers: Endgame.

I also like that they were able to better downplay Marsden/Sumpter’s involvement by having more Sonic characters show up. They now got less screen time, which is preferable. They aren’t bad, but they aren’t what anyone cares about in a Sonic film. Carrey, however, could play Robotnik for 10 more movies and I won’t get sick of him. I hope his mustache gets bigger and bigger with each subsequent film.

Schwartz continued to be excellent as the Sonic voice (and I was surprised that they put in a Parks and Recreation reference due to him, but I loved it). It was awesome that Tails was voiced by his current voice actress, and Elba as Knuckles brought a lot of sexy to the role that he claimed he wasn’t going for, but still happened. Knuckles as a character was strange. Because we know he isn’t really the bad guy. So we know his arc will change in the movie. But at one point he became basically Drax from Guardians of the Galaxy with how he handled things literally, but yet it still felt funny.

The plot itself is the weaker elements. I still think there was far too much of a human element. The Hawaii scenes felt like filler, waiting for it to get to the good stuff. I don’t care about the government and its response to Sonic. That was last movie, move on. It didn’t have a lot of action sequences for something that should have had quite a few. A lot of them also feature prolonged chase scenes. Maybe that is just because of Sonic needing to be a speed force, and thus a lot of chases. But several of them involve him being in or driving a vehicle. I am not here to watch a fast running creature drive a truck. What? Why would Sonic do that?

Sonic the Hedgehog excels when it goes into the gaming lore and references, and lets us down when it focuses on the human characters and their drama.

2 out of 4.

Adventures in Success

You might be wondering what a documentary mockumentary with the name Adventures in Success is about. Is it about getting a job? It is about running your own business? Is it about bettering your life to achieve all of your goals/

Or, is it about achieving a 12 hour orgasm?

Well. Arguably they would say if you can do that latter, you can maybe do anything in life.

This group in the Catskills, who definitely don’t consider themselves to be a cult, want to live in their own special community, with love, growth, and harmony. They do have a woman founder, of course. Peggy (Lexie Mountain) preaches to them about discovering who they really are and how they can grow, and of course, how can they experience an orgasm for several hours. Not the men, just the ladies. The men don’t need to be orgasming up in this group, that is selfish. They all need to learn what Jilling Off really means.

And this group is still fresh and new and recruiting members. They are trying to grow their numbers and get the message out there, by designing pamphlets, and maybe even going to a conference or two.

Will they succeed, or will their efforts flatten out like a penis post orgasm?

Also starring Alec Jones-Trujillo, Asia Lee Boostani, Drew Freed, Khan Baykal, Mo Stark, Nell Sherman, Nina Tarr, Robby Rackleff, and Yaz Perea.

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Holding hands always made me orgasm for at least 10 minutes.

I’ve always said mockumentaries are my jam, and we really need more of them. I am surprised we don’t have an onslaught of these as films coming out, with the recent decades success of shows like The Office, Parks and Recreation, and Modern Family, all done in a documentary like setting. Mockumentaries are usually still a different style, but it could be time for a major mockumentary to finally take the world by storm, like all of the Christopher Guest ones and, well, I literally can’t think of more examples unfortunately.

As for Adventures in Success, this comedy film seems like it has some actual good ideas in it, but I don’t feel like it gets fully explored enough. There are some wonderful jokes, including my favorite being the member who didn’t know that men weren’t supposed to orgasm, and kept bringing it up.

It did highlight the confusion and frustration of starting any organization, of course. And its quick descend into disorder was not actually expected in the small time we had with this group.

I guess, if I had to restate the complaints in another way, I would say…Adventures in Success did not go hard enough in its topic, nor was the climax satisfying, but the foreplay was decent.

2 out of 4.

I Want You Back

I Want You Back is by far, The Jackson 5’s best song release, and I will fight you over this statement.

It can be a good name for a movie too, but in 2022, it does have a creepy vibe to it. Winning back someone’s love is really something that should be reserved for a film, and probably not practiced in real life. If someone has moved on, we need to respect that, and they don’t need to be harassed by you.

Maybe I should reconsider the song being their best, given the message and what I know now, today? (Editor’s Note: Nah, I am fine with it being in a time capsule from the 1970’s. And I don’t want ABC to be the best song anyone’s done either).

With a name like I Want You Back, will a film do very creepy things and write it off because woo movie romances, or it will accept that times are a changing and acknowledge the awkward messaging behind that line? Well, let us go and see.

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This is a scene where a break up happens! 

Peter (Charlie Day) and Emma (Jenny Slate) are about to get DUMPED. They are in kind of long relationships, no engagements yet, but their partners are done. Peter’s ex girlfriend, Anne (Gina Rodriguez) acknowledges that Peter is charming and fun to be around, but she wants to have someone who is more experienced in life and is working on improvement, like the new drama teacher at her school, Logan (Manny Jacinto), whom she is going to start dating.

Emma’s ex boyfriend, Noah (Scott Eastwood), is a personal trainer, very athletic and outgoing, and is tired of Emma being at a stand still in her life. She has no direction, no drive, she is fun and funny, but she doesn’t seem to care about her future. The new person he found? Ginny (Clark Backo), has her own restaurant, meets with important people and has a big following.

So their exes have moved on, and Peter and Emma are left behind in a rut they did not see coming. They didn’t know each other, but they ended up meeting when they both went to a stair case to cry at, and hey, a friendship was born. Thanks to their similarities, they do find out about each other’s break up and hatch a plan to help win back their exes. Yep. Good idea. Emma is going to volunteer at the middle school musical rehearsals and seduce the drama teacher, so that Anne will think she made a mistake. Peter cannot do the same thing at all, so he will instead try to befriend Noah, become a client of his, and maybe convince him that his last girlfriend was clearly way better than his new one.

Nothing will go wrong, and everyone will get what they want and no creepy stuff at all, nope nope nope. Also featuring this kid, Luke David Blumm, in a weirdly more important role than anyone would have guessed.

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This is a scene where a breakup happens!

The problematic nature of trying to win your ex back, I do believe, is noted in this film. At no point does a character say, “Oh wait, this is really toxic and messed up, lets stop.” No, not that. However, in the process to try and win them back, a lot of bad stuff does happen. And characters learn that what they did is bad. So for comedy sake, the things did have to occur obviously, but hey, the characters learned lessons, achieved growth in several different ways, in the process. That is a much better story than the classic win back your ex romcom of the 80s and 90s. Success!

Day and Slate are WONDERFUL together. Once I first saw the poster for this, I knew it would just work well. As far as I can tell, they haven’t worked together in the past, but they are both comedians, have played frantic characters, and have gone to the extremes. I knew their vibe and likely improv would play well together.

For the rest of the supporting cast, most of them do a great job as well. Eastwood is given the most time to really show off his own humor skills. This is only my second time seeing Jacinto in a role, and it is very different than his part in The Good Place. Both of the males of the new relationships are the focus, so the other women are given the least amount of time. Rodriguez has to play someone uncomfortable and nervous mostly, so it isn’t as strong as a role to remember as the rest, given her character is meant to not really stand out. And Backo, out of everyone, really plays the “straight” role here, for more context away from Slate, so they barely focus on her at all.

I did not expect there to be so much Little Shop of Horrors in this movie either. So that was a pleasant and welcome surprise. Hell, I cried during one of the scenes, because I love Little Shop of Horrors and because I am a basic bitch. Also one of my favorite jokes definitely came from a pun related to that show and its lyrics.

I think this movie is an example of a Rom Com that really dives into the comedy elements and goes hard for laughs, and definitely delivers. I chuckled to myself a lot, despite watching it by myself. The only part I really didn’t love is the last, 50 seconds or so. It makes sense for that scene to happen, and it is one of those that you could telegraph and guess before it happens. But still, it is a bit uncomfortable at the same time. Not enough to suddenly dislike the movie, but it is a definite eye roll.

4 out of 4.

Hotel Transylvania: Transformania

Here we go again…again.

Hotel Transylvania hasn’t been a shining example of a good animated franchise. Its jokes are cheap, its concept is meh, its animation is on the lower tier of big releases.

But there is now a fourth one. Hotel Transylvania: Transformania. Why didn’t they just call it Hotel Transformania? The world will never know, because clearly the FOR is meant to indicate the fourth one.

This was set to come out early October last year, same day as The Addams Family 2 (which also wasn’t great), but sold to Amazon before hand. And then everyone was surprised when it wasn’t out. Turns out the release date wasn’t finalized. Early January next year? Fine.

And a lot of people also found out that Adam Sandler wasn’t even involved with this one. Only him and Kevin James cut the plug, every other older famous person remained. Why did they leave? Where did they go? Maybe only Cotton Eye Joe knows.

Unrelated, did they ever say why there are so many of Dracula’s friends at the hotel, all the time? They don’t work there right? Are they on some permanent free vacation at their friends place of business? Honestly, if this was a first movie question, I have forgotten by now. If so, those early movies are a good metaphor for how Adam Sandler’s movies have turned out the last decade.  He admitted that himself that his movies can just be paid vacations for him and his friends.

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Turning Jonathan into a monster is going to make some weird fanart porn now.

So what is up with the hotel of monsters?

Well, the 125th anniversary is happening, and of course, Jonathan (Andy Samberg) is fucking things up. They had a big evening planned, so he did a lot more nonsense to surprise Dracula (Brian Hull), who hates surprises. Honestly, calling Jonathan a clumsy person with a big heart at this point seems ridiculous, since he knows what Dracula prefers and ignores all of his well wishes when it comes to things for Dracula. That means Jonathan is really just doing it for himself, or at least, for exciting Mavis (Selena Gomez).

Dracula was going to announce his retirement and giving the hotel to Mavis (and technically, also, Jonathan since they are married), but they find out early and piss him off again, so he lies and says he can’t give Jonathan the hotel, since he isn’t a monster. Some old made up real estate law. And so Jonathan finds someone who has a transformation ray, that turns someone into monster or human, and sure, goes monster. Dracula knows this will piss off Mavis, so he does the thing he always does, tries to hide stuff and not communicate.

Sure enough, he gets turned human (and his friends do also), the ray gets broken, so Dracula and Jonathan have to go on a long perilous journey for another crystal. Eventually the friends and Mavis and them join too. They gotta switch everyone else back, damn it.

Also starring a lot of returning voices, you know, except for the two who weren’t. Brad AbrellFran Drescher, Steve Buscemi, Jim Gaffigan, Kathryn Hahn, Keegan-Michael Key, Molly Shannon, and David Spade.

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Hey look, it is that scene with the monster ray! How fun. 

I don’t care if it is an animated film, but…characters should be able to grow and change over time? And having four movies in a row where Jonathan does the same mistakes, learns a lesson, then does the same sort of thing again isn’t growth. When Dracula distrusts his daughter making decisions, and lies to friends and family, learns a lesson, then does that same sort of thing again next movie isn’t growth. Adding children to a movie and more characters, isn’t growth.

What the heck is the point?

One of my least favorite parts of the third film was the extended dance sequences they decided to have with each monster doing the macarena. Slowly. Over and over. Multiple times in the movie. That was a bizarre waste of time. This movie tried to test me early on, as they had the Cha-Cha Slide and started to do the same thing. Thankfully, it didn’t last as long as the macarena, but I feel like it was done intentionally to troll me.

The movie itself isn’t great. There is no reason for most of the adventure. It could be saved a lot of time if they just…fly…further. They know a lot of monsters who can fly and travel. Fuck. Mavis in bat form could do most of the work in the country, go to the cave herself, and get a crystal from looking safe without all the danger. It is such a nonsensical journey adventure, that exists purely for the movie, when clearly there are many work arounds for it.

Why the hell did the Slime DJ turn into a jello dessert? The goddamn ray said HUMAN and MONSTER. It didn’t say revert to some non-monster form on it. It can take a non-human and make it human. That is it. They had a giant monster dog get zapped and it turned into a regular dog. That isn’t a human either. These are just fundamental issues that make up a movie of lazy writing.

I will say it is technically better than the third film for me. But only because it has less dance sequences. I guess they are turning this into a TV show, with different animation style. Or already did. I don’t know. I won’t watch it.

0 out of 4.