Tag: 4 out of 4

I’ve noticed that since 2016, (so five years ago), I have rated Disney Animation Studios higher than Pixar Studios movies. It is an average of 2.8 versus 1.8 out of 4. That is a whole number grade! Here is my table for comparison.

Now sure, Pixar has churned out more, but it has the only zero, and has a lot of 1s. The only reason Disney is so low due to disappointing sequels. Pixar also has disappointing sequels, but also disappointing for me original movies.

That is all. We will see how the charts look after Luca comes out this year.

But for now, as you can see, I loved Raya and the Last Dragon, a new Disney princess (maybe?) movie, that also features zero songs, which is not just rare, but a first.

You see that dragon? It won’t sing at all. Shocking. Raya (Kelly Marie Tran) is your typical daughter of a chief. Her father, Chief Benja (Daniel Dae Kim), is training her as a warrior to protect a magical orb. What does this orb do? Well, lets go back into the history.

Five hundred years ago, there were these evil spirits named Druun that multiplied quickly and turned people into stone. There was also a lot of dragons. This was not fun. So all of the dragons banded together, made this cool orb thing, and it banished all of the Druun! And somehow, turned all the dragons into stone in the process. Very sad times.

Anyways, the orb still does its thing, but the other tribes think that the orb gives the Heart tribe extra power and success for their lands and people. They want the orb for themselves. Chief Benja wants to reunite all the tribes to one glorious nation, and not continue with this otherism.

Well, sure enough, something bad happens, the orb breaks! Each tribe grabs a piece, but now the Druun are now back and that makes things worse. Raya is going to have to fix the orb, and get her people back to normal, and maybe even find a dragon along the way. You know, the last one (Awkwafina).

Also featuring the voices of Benedict Wong, Gemma Chan, Sandra Oh, Izaac Wang, Lucille Soong, and of course, Alan Tudyk, as an animal that only makes sounds.

If you train for hours to fight, then you are going to want to fight. Raya and the Last Dragon has music, but is not a musical. Did that take away from it? Well, fine, probably not. But I would have loved some songs regardless. But I can’t take away points because I would rather a movie be a musical. I would rather all movies to be a musical.

Raya still kicked ass. She is definitely the strongest fighter of any “Disney princess” before her. Not sure if she is a princess yet officially, but she was the daughter of a chief, so, you know. There isn’t a lot of competition amongst the princesses who can fight or do magic,  but Raya is like a goddamn ninja (yes, different cultural term than this film, but I don’t know a better word). She is quick, and arguably deadly, but doesn’t always use her fighting skills to get out of jams. But that is almost always her plan A.

And having her so driven and technically violent is great, because throughout the film it is technically seen as a flaw, especially from the dragon’s point of view. Why not try friendship, and trust, and things that involve stabbing someone? (No, we don’t see a lot of dead people in this movie who get stabbed, mostly statues. We can’t have a Disney film with a high body count for real).

I love Raya, she is strong and flawed. I am fine with the dragon. She is consistent and not just a humorous sidekick. What I didn’t expect is all of the other side characters that along the journey would also show up and be important to the rest of the story. Great side characters, all full of personality and interesting. They made me cry at the end. I did cry I believe twice, or just one long slow cry, depending on how you break them apart. I will go with two cries.

The movie becomes a bit typical, when it comes to “go to next region that is very different, and then find the next piece.” But each one does have new characters and the orb fragment is protected in different ways. And the ending, while a little predictable, I think is done in a nicely unpredictable way, at least when it comes to the order of events.

Bring on all of the Raya Halloween costumes.

4 out of 4.

Is is both very easy to make a sports movie, but very hard to make an excellent sports movie.

There are so many ways you can go with them, but many paths have already been traveled. How do you also make them feel unique and worth it versus an older film that probably goes over the exact same themes and emotions?

You could do a sports movie about a real athlete or a real team. But is it about their road to a championship, or the players themselves? And what is just another real story of a team winning something. Real teams win every year, every sport, at every level. There has to be a winner, so there are always choices. And it is easy to be inspirational in these films, real story or fake story, so what can they do to offer something actually new? Bigger struggles to overcome? Bigger comebacks? More shenanigans? 

Well for the movie Boogie, it is going for a high school basketball story. Not one about overcoming all the odds to win the state championship, or even a district championship. But just a single player trying to earn a scholarship. Where his own cultural upbringings and his own assimilation into the America he knows can come at odds with what he wants and what his parents want. Oh okay, that is something new for sure. 

The shot on the other side of the fence is not new, however. 

If you are losing a basketball game to a proud Asian American who happens to also be super into Rap culture, then don’t try to blame it on other external factors. Don’t blame it on the sunshine, don’t blame it on the moonlight, don’t blame it on the good times, you need to blame it on the Boogie (Taylor Takahashi).

Boogie is working on getting a college scholarship. He is great at the sport, but he is a bit selfish and full of himself. His father (Perry Yung) cooked up a scheme to transfer him to a slightly worse school for basketball. Because that school goes against some really good schools, and if Boogie can carry his worse team to beat actual good teams and elite players getting scholarships, he might get one too.

Technically his mom (Pamelyn Chee) is indifferent from the methods, she just needs to make sure that he gets a scholarship, and not a bullshit walk on offer. Or maybe gets a job making money in basketball. Either way, whatever needs to happen needs to happen. 

Boogie is trying to balance what both of his parents want for him. They both are negative people in different ways, yet he was also raised to be honorable and listen to them. He also wants to explore his love life, make some choices for himself, and prove that he is something great. 

A clash between cultural norms, in a new cultural setting, and just trying to make sure Boogie himself is able to represent himself.

Also starring Mike Moh, Taylour Paige, Domenick Lombardozzi, Jorge Lendeborg Jr., and Pop Smoke in his only acting gig, coming out after his shooting death in 2020. 

I prefer the Blame it on the Boogie from Pitch Perfect, to be honest.

The director and writer of Boogie, Eddie Huang, is pretty famous for writing a book and turning it into a successful sitcom. Fresh off the Boat is a sitcom based on his own experiences of moving to the south, while dealing with cultural problems in a new setting that also seem to go against the cultures and upbringings of his family, set in the late 1990’s.

And hey look, this movie, NOT based on his life specifically, has the same themes. Isn’t that interesting? No? Well, I found it interesting.

And I found this film extremely interesting and compelling. Despite personally having really nothing similar to the lead in terms of background or story, it was easy to latch on and root for him. It was also easy to be angry at him when he did asinine things. I wanted him to succeed and I wanted him to grow. This sports movie is about a person learning to be better and making his own destiny, and yes, we got some sports along the way as well. If you don’t like basketball, you will be annoyed because we do get fair amounts of basketball, and of course a conclusion that is set around basketball.

I feel like I learned a lot. Representation matters, not just for people finally being able to identify with people on screen that look like them, but for everyone else to dive into new experiences and settings. Sure, Boogie isn’t a real story, but aspects of it are real based on Huang’s own life and the stories of people he know. The fact that there isn’t this specific basketball player means nothing when the stories are grounded so much in reality.

Hell, I even cried once. It was a small cry and an unexpected one, but it was there.

Boogie is the real deal and a good change of pace from traditional sports films.

4 out of 4.

Apparently Malcom & Marie is the first “Hollywood” film to be made in Pandemic. Huh. I thought that was Locked Down. But that was filmed in October and this one was filmed in June and July in secret, so I guess I will believe it.

It is a lot easier to make a film like Malcolm & Marie, because it is about two people and stars exactly that. They are in a house together, and I am sure there some other staff, but it is very small film in regards to locations and needs. It is a bottle episode of a movie.

And I will be honest, I was a bit suspect going into it, as I generally am for movies that feel the need to be in black and white, and delayed watching it for a little bit. And, for the short answer, I am glad I got over that initial hump finally.

The crew were told to stand back, so all the shots are this far away.Marie (Zendaya) and Malcolm (John David Washington) just got back from a movie premier of Malcolm’s latest film and then they talk a lot and go to bed. The end.

That is the short version.

Malcolm is indeed a movie director and they did just get back from a premier. Marie, his current partner, is an actress, and was not part of the movie he directed. It seems a lot of people really enjoyed the movie. Malcolm is worried about the critics. What they will say about his film. Will they say is a story about race, when he was just trying to say a regular story?

But Marie is upset. It might be just one thing or it might be something that is signs of a much bigger problem in their relationship. And one thing is for certain. They are going to talk this thing out and hear each other, regardless of the events going on around the world.

And we might get a little bit of sexy time too along the way.Like I implied in my intro, I am very excited that I got over that worry I had with this film, because it is definitely one that after the slowish intro really drew me in to the story.

This is one of those where it is not just the problems they had to discuss, or the reviews that were had for the film, but how they went about their arguments with each other. At times their words and sayings were far too harsh than they needed, and I can’t wait for them to break up because of that selfish shit. It seems like it is likely a toxic relationship, and I don’t honestly think they will work through their issues that they have hope for by the end of the movie.

The acting for Zendaya and Washington is incredible, as it has to be given they are the only elements. We get monologues, we get arguments, we get real emotions from them.

The black and white doesn’t end up being distracting at all. It makes it seem like a basic, simple film, which it certainly is in terms of size, location, and scope. It definitely does add to the atmosphere and the angst between the two lovers.

Malcolm & Marie is the type of film that you would have to assume is just a one act play first with two characters, so it is a big surprise that it is just a film. Usually I can catch those. Very sneaky movie. Very sneaky.

4 out of 4.

With this review, I think I am mostly set for the Oscars. Those nominations don’t get even announced until mid March this year, with a ceremony in April. But because of their dumb rules we got the confusion of what is 2020 and what is 2021 in movies. I know there are still things that I haven’t seen that will probably get nominations, but, Judas and the Black Messiah is the last one I was looking forward to for the last couple of months.

Known star talent, plus, a real story, and a fantastic name for a film, means a lot of hype for me.

So although this might get nominations for Oscars, and I ended up loving it, so you might not hear me talk about it again until the next best of the year list. Or hell, forgotten about and never heard from again by the end of the year. Who knows!

I will remember this one all year for its acting, and its hats.Fred Hampton (Daniel Kaluuya) is the charismatic leader of the Illinois Black Panther party in the 1960’s. Charismatic, because he is damn good at speaking, in a decade with quite a few good black activist speakers. But he was in Chicago, a large city, and focused on his community, and uplifting the community. And people had problems with that.

Quite famously, the FBI had a problem with him. Just like they had a problem with Malcolm X and Martin Luther King Jr. They needed eyes and ears on these activists, worried about uprising, or worse, a demand for equal rights and treatment. The horror.

So they did what any manipulative and sneaky government group would do. They put a mole on the inside. Enter Bill O’Neal (Lakeith Stanfield), who is not some trained FBI agent. He was caught doing crime! He isn’t tainted by the FBI cops. And that means if they blackmail him, he can go into the Black Panther group and let them know what is going on. Yeah!

Good job FBI. Going to war with Americans, one group at a time. Anyways, Fred Hampton was a pretty righteous dude. And the FBI wronged him, and this is his story and the aftermath of it.

Also starring Jesse Plemons, Dominque Fishback, Algee Smith, Ashton Sanders, Darrell Britt-Gibson, Lil Rel Howery, and Martin Sheen.

Although cropped out, you can probably imagine what is happening with his hand. Alright! Kaluuya! Phenomenal. Absolutely phenomenal. Damn man. I have never seen him go this much into a role before, with obviously a limited pool for me to pick from so far. I just found out as I wrote this that he is going for a supporting actor role and not lead, and, uh, okay, fine. Although him and Stanfield are basically equally present in this film, fine. I hope Kaluuya wins that.

(Technically, if that happens, and Chadwick Boseman wins for Ma Rainey’s Black Bottom, then that would be the first time that both male acting categories went to black men and that has a good chance of happening this year. If not Kaluuya, then probably Odom Jr. for One Night in Miami).

The story is told in an easy to follow and strong way. A lot of the side actors give their moments to shine, it is not juts the Kaluuya/Stanfield show. The FBI is not seen as a misunderstood entity that was doing its best, they are shown to be the bad guys in this situation which better reflects reality. The FBI always knows exactly what they are doing.

Judas and the Black Messiah is one of those very important films that tell an important part of American history that is pretty fucked up. And it sucks, that it is fucked up. But we have to know about the fucked up things America did if we hope to ever embrace it. This movie gives us the details of the events that were talked about midway through The Trial of the Chicago 7, which was happening at the same time. It is a good companion piece to this movie.

4 out of 4.

We all have a friend, you know, that friend , who knows you inside and outside. Your bestie. Your ride or die. Your compadre. I mean, hopefully we all have one of those. Unless you are lonely and have no friends, then shit, maybe stop reading. Go get a friend (when appropriate in the pandemic).

Our Friend is sort of about that friend. It is definitely the friend you can count on, the friend who goes out of their way to help you, even if you didn’t expect anyone to love you that much. They show up when they need to, and they do what needs to be done.

Also, this one is a true story too. Based on an article made by one of the people in this story. A story that was about life, marriage, but really, the friendship that strengthened everyone involved.

Quick! Someone call the cops! These are not his kids!

Cancer sucks. You know it, I know it, the media knows it. It sucks.

This is definitely a movie about cancer. Namely Nicole Teague (Dakota Johnson) getting cancer, one that is likely to kill her (it will, this is not really a spoiler). It is going to deteriorate her health, it will change her life going forward with the days she has left, and it will affect her family. Her already somewhat distant husband, Matt (Casey Affleck), who wants to be a journalist who reports on things that actually matter to people, hasn’t been the best husband or father, but he is going to have to be now.

And still, it is overwhelming. The bills. The stress. The kids. The jobs. The hope that it might eventually lead to a remission. They need help. And they have a mutual friend, Dane (Jason Segel) who is extremely loyal and dependable, and willing to put his whole life on hold, for not just months, but maybe even years, just to help out his best friends. Nanny, driving, chores, cooking, you name it.

And this is their story.

Also starring Denée Benton, Isabella Kai, and Violet McGraw.

Quick! Someone call the cops! We all know people aren’t allowed to read in their beds!

Yes. Yes I did cry. Thanks for asking. Like, at least three times. Maybe four. Not just the end (but near the end as well), but sprinkled throughout. It really diversified the sad times. It didn’t just start happy and build up to the biggest sads. Because the film takes place across various points in time, out of order, before and after diagnosis (which the film makes clear). We can see happy and sad, happy and sad, happy and sad and even angry. One notable argument really got me, which made the whole thing even sadder and explained a whole lot.

Acting though is the name of this game, not just my tears being jerked. And fuck yeah we get some acting here.

Now, I want to mostly talk about Johnson and Segel here, because they are the best parts, but real quick on Affleck. He is fine here too, he reminds me of his role on Manchester By the Sea, so not a whole lot of range along the way, but good. Yet, he had those sexual assault claims that kind of did nothing to him, so fuck giving him praise for this.

Johnson? Well, she found her “post franchise amazing acting movie” to get her back on her feet. And let’s note that she has done great acting since 50 Shades, but nothing really big or that great enough to sort of overshadow 50 Shades. This one totally would and should. She is phenomenal.

Segel is playing his best acting role to date. He has been toying for at least a decade of these more serious, yet still goofy, roles for him that match him so well. I loved him in Jeff Lives At Home, but this one is better. This one is most definitely better. Hell, he is the title of the movie, he is the friend. He carries his own sadness and guilts, while just trying to help the only people he has considered his friends, even if they have had a rocky past, and it just shows.

Our Friend is the film version of an article of a true story. It is a familiar story of loss and fear of the unknown. And yet it is still a powerful one despite that.

4 out of 4.

HONORABLE MENTIONS:Here are not only the films that made 4 out of 4 on my website from 2020 movies, but also ones that I struggled to see if I could include on the list. Surprisingly, three of these are documentaries (with two documentaries also making the top 15).

The Prom, Feels Good Man, Words on Bathroom Walls, The Fight, and Boys State.

15) The Wolf of Snow Hallow Why is it on the list? The second film from Jim Cummings, it reflects and carries on many of the themes from his first film, Thunder Road. It is doing it in a different genre this time, but it feels like the same character, experiencing some amount of growth, with still a big set of issues. If you want to experience a long panic attack along with the main character, this film really makes you feel antsy.

Favorite moment? The townspeople interrogations and the many breakdowns.

Any Best Awards? Best film starring the guy who wrote and directed it also of 2020. [Surprisingly not the best “werewolf” movie of 2020?]

14) Over the MoonWhy is it on the list? Despite being a film I thought I would just brush off, it took me away with its passion and heart that it presented in the beginning of the movie. The loss and the longing felt by the lead was so strong, I was captivated the rest of the film. It goes into basic animation territory in the middle, and I don’t love the graphics on the moon too much, but it also nails the emotional payoff of the ending, and the reason for the entire journey.

Favorite moment? The Rocket to the Moon scene and montage.

Any Best Awards? Best film-I-thought-would-be-terrible-but-I-actually-loved-and-cried-during-multiple-times and best film featuring a song about ping pong of 2020.

13) Collective Why is it on the list? I love documentaries. I am less likely to say I love foreign movies, but I do like watching foreign movies in theaters. I didn’t get to see this one in theaters. But it still captivated me from beginning to end. A sports magazine did some reports on a tragic event, and this hero journalist for them kept up with it, finding layers of governmental corruption? Holy shit. Is this made up? This is their watergate scandal. Good job Romania. Well, bad job for the corruption, good job for the journalism.

Favorite moment? Every new reveal and escalation as things grew more corrupt.

Any Best Awards? Best foreign film and best foreign documentary film of 2020.

12) Palm Springs Why is it on the list? Palm Springs, to me, was a breath of fresh air. It took a couple of months during quarantine for movies to still start to come out slowly on streaming services, and I know that Palm Springs came out in a pretty busy weekend. I expected nothing and would have never known of its existence without others letting me know, and what it did to the genre was very unique and worth the set up to discover. Our leads were wonderful together, and it also hyped up science, so what is not to love?

Favorite moment? The initial reveal with what the hell was going on, the physics montage, and the J.K. Simmons home visit.

Any Best Awards? Best science fiction film of 2020.

11) Promising Young Woman Why is it on the list? This is an interesting movie for me, because honestly, I went back and fourth which how much I liked it. Part of me was upset about a few aspects, part of me loved everything. And that is really why it dropped out of the top 10. I love the performance from Carey Mulligan, I love how the story goes against expectations of the plot line and really keeps the viewers guessing. The ending is completely unbelievable as well.

Favorite moment? The daughter abduction.

Any Best Awards? Best film surprise third act of 2020.

10) Sound of Metal Why is it on the list? If I didn’t first hear about this film from other critics, I would have assumed not much going into this film, and probably skilled it. I loved Riz Ahmed as the lead, and his journey from sound to lack of sound. The meanings of the title, how they incorporated hearing loss, and the use of sign language make this a film

Favorite moment? The audio tricks and the real deaf actors.

Any Best Awards? Best film featuring sign language and best film featuring metal in 2020.

9) Minari Why is it on the list? Minari comes in quiet, and stays relatively quietly throughout the picture, but feels like an old friend you haven’t seen in a long time. It is familiar, but it has a unique air to its story. It is well acted, without having to be showy about how well acted it is. It tells a story about hope, success, failures, and relationships and growing up in a specific place, in a specific time. Most of us can probably say we don’t have the same experiences as the main character in this film, and it gives a unique look into a unique story of history.

Favorite moment? The fire and the crop successes/failures.

Any Best Awards? Best film that uses subtitles occasionally, and best film set in Arkansas of 2020.

8) Spontaneous Why is it on the list? Spontaneous is certainly not a movie I expected to be on my top list when I started it, nor did I know about it going into it. I saw a single post about its existence, months after its release date and just decided to give it a whirl. And what a whirl it was. I’ve only seen Katherine Langford in other projects, never as the lead, and she absolutely blows this movie up with her performance. And it was nice to see Charlie Plummer as well, in his second movie based on a YA romance novel released this year. Damn, he made me cry in both films as well.

Favorite moment? The entire romance and the dwindling class size.

Any Best Awards? Best YA novel adaptation and best romance of 2020.

7) One Night in Miami Why is it on the list? Although about a fictions conversation, the men in equation where all real and presumably pretty accurate towards their thoughts and feelings on various topics discussed in the film. I wouldn’t have ever dreamed about bringing together these four names for a night of conversation and camaraderie, but that is one of the many reasons I am not a playwright or screenwriter. The discussions they had in the film resonate with today, and it becomes a wonderful learning and emotional experience.

Favorite moment? When the power went out at the show.

Any Best Awards? Best first time director and best discourse of 2020.

6) The Trial of the Chicago 7 Why is it on the list? At this point, it’d probably be really hard for me to not absolutely love an Aaron Sorkin movie. He is directing more so that does add some potential problems, like Molly’s Game wasn’t his best work. But this is some of his best work for sure, carried by the strength of the actors and the dialogue. Like Molly’s Game, some of the problems lie with the director choices, and he should hopefully get better.

Related, and cheating this onto the list, this film pairs really well with Mangrove, also available on streaming, and something you should see as well.

Favorite moment? The mistrial scene and the grammar epiphany scene.

Any Best Awards? Best ensemble cast and best Aaron Sorkin of 2020.

5) Wolfwalkers Why is it on the list? First of all, have you seen their previous work? The Breadwinner and Song of the Sea? Both amazing, with wonderful animation. This one takes the cake and is their best work. From the cinematography to the story it is so full of wonder and magic. The main characters are both strong and unique in their own rights, but lets go back to the ANIMATION oh my goodness, gorgeous. Like stained glass windows some times. Fuck, Wolfwalkers blows out all of the animated competition this year, by far.

Favorite moment? The split scene cinematography and the art style in general.

Any Best Awards? Best animated film, best foreign film (Irish), and best fantasy film of 2020.

4) Totally Under Control Why is it on the list? This one is pretty easy to talk about and explain. Hey look, a documentary about the 2020 pandemic, and the lack of leadership from the American government. It has first hand accounts from people involved in teams that were supposed to work and repeatedly got hindered for reasons. This only deals with a few months of the response too, and can’t wait (unfortunately) for the sequels that give us the informed part two and or three of these chucklefucks in charge who have no regard for human life.

Favorite moment? The dirt on the white house planning team volunteers who were told to stop the virus.

Any Best Awards? Best political documentary (there were quite a few this year…) and best documentary of 2020.

3) Ma Rainey’s Black Bottom Why is it on the list? Strong strong strong. This film is led by Viola Davis who transformed herself to play the lead, and Chadwick Boseman, who shined brightly as the smooth talking upstart looking to advance his own career. Based on an August Wilson play, quite obviously, the many cast members work together to tell a quick story but one with passion and justice in mind. I don’t know who will be nominated for best actor, but if Boseman is, I have a good chance of supporting it, despite his unfortunate early passing.

Favorite moment? The stutter success and fail and the conclusion.

Any Best Awards? Best play to film, best non-live musical performance, and best dialogue of 2020!

2) HamiltonWhy is it on the list? This is definitely a film I didn’t expect to be on this list early in 2020, because damn it, this was supposed to come out in 2021. But thanks to other delays, they decided to release this one really early, and, It. Is. Perfection. I saw this the most out of movies released last year, and I’d watch it again in almost any moment (assuming I had the time for it). Something that can always pick me up, and the result of years of hard work, it deserves everything and more.

Favorite moment? One Last Time, The Ending, and Farmer Refuted (so much better visually).

Any Best Awards? Best soundtrack, best musical, best taping of a live show (sorry David Byrne), and best Lafayette of 2020.

1) Never Rarely Sometimes AlwaysWhy is it on the list? For sure, this one was a hard choice, and yet, an easy choice. I saw this movie in February of 2020 and it absolutely blew me away. It was my number one pick halfway through the year, and it maintained that status despite a good onslaught (eventually) of other films. It did that by telling a realistic and heartfelt story, a powerful story about a struggle many women have or attempt to go through.

The crying questionnaire scene hit me SO HARD and the whole thing wrapped together and made so much more sense. And it did it without having to directly tell you what happened prior to the film, but the pieces are there.

And sure, if anything, this serves as a good antithesis to my 2019 worst film of the year.

Favorite moment? The questionnaire scene where the title comes from.

Any Best Awards? Best drama of 2020, best realistic fiction of 2020, best woman power film of 2020, and best film of 2020.

Thanks for reading! If you disagree with part of this list, let me know. If there is something I missed, let me know (but I probably saw it and reviewed it on this very site!

And as always, I accept hate mail via the post office, email, or tweets.

A lot of people like to go to Miami as a place to let go, its a place with the bass and the sunset low.
You know, a place where everyday is like mardi gras, everybody party all day, no work, all play, okay?

Can you feel me? Miami has all ages and races, with real sweet faces.
Every different nation, Spanish, Hatian, Indian, Jamaican.
Black, White, Cuban, and Asian.

But this movie isn’t about regular Miami, that parties all day and all night apparently (When they aren’t dealing with every mob organization on the planet), but specifically just One Night in Miami. A fictionalized night in which, Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke gathered to celebrate and to discuss current events, their lives, and their futures.

And it basically is a party too. A party of ideals, friendship, and togetherness.

Ain’t no party like a friendship party, because a friendship party can probably do magic.

February 25, 1964 was definitely a real date in the past, and not some simulation. And on that night Cassius Clay (Eli Goree) defeated Sunny Liston in a boxing match surprising a lot of people, and it was a pretty big deal. Cassius Clay was an up and coming boxer, and not sure what to do in regards to topics like war or even his own faith. He believed he would join the movement to become Muslim, but he also knew that it had to help capitalize the movement, to help spread equality, and black power.

That is where his friend Malcom X (Kingsley Ben-Adir) comes in. And other friends, like singer Sam Cooke (Leslie Odom Jr.), and NFL player Jim Brown (Aldis Hodge).

The four gentlemen spend a night talking about religion, their lives, racism in America, what they can do to help, and what they can do to help each other. With alcohol and the stresses in all of their lives, things do become tense, but the honest keeps them real, and the struggle keeps them (mostly) focused.

Also starring Beau Bridges, Christian Magby, Derek Roberts, Joaquina Kalukango, Lance Reddick, Lawrence Gilliard Jr, Michael Imperioli, and Nicolette Robinson.

I’ve seen enough movies to recognize the Copa.

This is one of those movies that I watched without knowing it was actually based on a play beforehand. And I didn’t realize that fact either while watching it. A lot of movies you can tell were likely plays before a film from watching it. But now that I have found out that fact, it totally makes sense when looking back and reflecting on the film as a whole. For sure, a play, about four famous men talking and getting deep, that makes perfect sense. The play came out in 2013, so relatively modern, but this film version was directed by Regina King, her first time at the director’s helm, and she definitely makes sure this story is brought on screens to life.

Ben-Adir, Goree, Hodge, and Odom Jr. could talk all night and I’d want to listen. Okay, that is technically the point of the movie. Fine, they can talk all week. They have wonderful chemistry together, each bringing so much personality to their characters, making them feel unique and respectful to the real men they are playing. Honestly, I didn’t even realize it was Odom Jr. until writing this review (unlike it very obviously being him in something like Harriet), so it is great to really see him grow into these roles and become someone else.

The topics talked about where conversations I never even considered along with some more obvious and important ones as well. It was just so easy to get lost in the story, after the introductions.

One very powerful scene that spoke out to me involved the Sam Cooke character telling a story about a concert gone wrong due to some artist interference, and yes, it involves music, those scenes are my favorite. It was chilling and really crept into the feels.

One Night in Miami is a movie that made me discover not just a play but a modern playwright who has some goddamn great writing chops under him, and I cant wait to see more from him in the future.

4 out of 4.

Screeching, loud, the most awful noises you have often heard, that is likely the Sound of Metal. Oh, this movie means metal music? Fine.

Screeching, loud, the most awful noises you have often heard. Har har har. Okay, I don’t like Metal, but in reality, I just don’t like screamo-metal, it does nothing to me, but it does put me to sleep which is strange given how intense it is.

In this film, the Sound of Metal it turns out will mean more than one thing as well, but I won’t get into that fact. I will say that it definitely feels like a combination of The Sound of Music and The Sound of Silence, which are famous “sound of” things. I think by the end of all of this, Sound of Metal will and should be as famous as those two as well.

The sound of drums go buhbuhbuhbam.

Ruben (Riz Ahmed) is a metal man, not a robot, just a guy who plays metal. He is a drummer, he goes into clubs, he plays it loud. He is in a band with his girlfriend (Olivia Cooke) of a few years. They live their life in an RV, traveling the US, playing gigs, getting money, and moving on. They are working on making a big name for themselves, and eventually, it might work.

But one day, Ruben wakes up with ear problems that don’t seem to go away. He can’t hear well. He tries to perform a gig, and it goes like shit, and so he sees a doctor. Apparently his hearing loss is so bad, and getting worse, they suggest he quits rock altogether. He needs to rest his ears before they can properly diagnose it, and stop it from going even lower, before even considering things like cochlear implants.

Another note about Ruben? He is a former addict. Basically all drugs were his drugs, and he has been clean for four years, but this is the type of thing that will cause a man to break, and his normal sponsor can’t do much if he can’t really hear. So he gets set up in this little out of nowhere place, for addicts, who yes, also happen to be deaf. Joe (Paul Raci) takes him in, to start his process into the deaf community, to learn sign language, even though Ruben doesn’t want any aspect of it. He wants the implants. He wants to continue his rock journey with his love (who cannot stay with him for these weeks).

What is a potential rock star to do? Also starring Mathieu Amalric.

Congrats to the make up team for making Olivia Cooke look extremely homeless.

Sound of Metal is incredible. It gives us a story that isn’t done much, if at all, and really drives into the implications of the events around it. Obviously one person losing their hearing, and trying to cope with it, doesn’t affect a lot of people besides their band mates and friends/family, but there is a lot going on in Ruben’s life and lifestyle that is being uplifted. It is a scary situation for anyone to be in, despite the deaf community being very open and loving community.

In the deaf community, things like cochlear implants have a lot of divisiveness amongst it members, for plenty of fine reasons. This movie doesn’t say one choice is good and the other is bad, because that is clearly up to individuals, but the discussions are still heard and the problems that arise from these decisions are still important.

Ahmed gives a wonderful performance, wearing a lot on his face. We still get to hear him speak, but going through his trauma and potentially career ending injury, either caused by his career or something genetic, can change a lot of people. I also enjoyed Cooke, in the limited screen time she was given, and watching her own transformation. Raci was wonderful, and was a great person to lead the commune given his own real life experiences and deaf traits.

I also have to give it up to the sound editing/mixing teams. They let us go through Ahmed’s journey with him, more or less, and I love that for the most part sign language when used was not given subtitles.

Sound of Metal is hardcore, well acted, and surely one of the better movies of this year.

4 out of 4.

Despite loving the crap out of it, I never ended up reviewing Thunder Road for my website. In fact, I am re-watching it now to get an overall sense for it and how the director/writer/star has evolved.

Let’s back up. Jim Cummings created a movie called Thunder Road, and it was way better than I imagined an indie movie directed, written, and starring the same person could be. Especially if it is someone I hadn’t know at all. Cummings has dealt with a lot of shorts before this film, and has been a producer on various works, and apparently did a movie eight years prior, but this is the first one that likely anyone saw.

It was good, and we wanted more. Apparently the more we get was two years later, with The Wolf of Snow Hollow.

And cops? Is this another cop movie Jim?

John Marshall (Jim Cummings) is a cop. Yes you read that right. A cop. This time in a small resort town somewhere in Northern USA, that does good tourism during the ski season, and is quiet as heck when it ain’t. John is going to be the head Sheriff someday, he has been groomed for it, because his dad (Robert Forster) is the current sheriff, and about to retire. John is a bit more fiery, but he has the heart and spirit to get it done.

And then a woman dies. Not only does she die, but she dies horrifically, with her genitalia ripped out. Oh no. That is graphic. The boyfriend (Jimmy Tatro) reported hearing wolves during that time, and also noted that some local dudes in a bar got feisty towards them, but that is all he knows.

And the town things it was a werewolf. There are people who say they see a two legged wolf running around, and future deaths to more women seem to add more to the mythos. Some in his department believe it, but John does not, and he needs to put an end to this circus quick before the national news jumps on this and makes their town a laughing stock. He also wants to protect his daughter (Chloe East).

With his second in command (Riki Lindhome), John needs to prove that werewolves are not real despite overwhelming evidence, putting his own career and the lives of many on the line in the process.

Also starring Daniel Fenton Anderson, Skyler Bible, Demetrius Daniels, and Kevin Changaris.

Blood is hard to get out of various substances and snow is definitely one of them.

Thunder Road is about a cop having a nervous breakdown on life because he is losing everything he knows and loves: He has lost his mom to death, his wife to divorce, his daughter to divorce, and his job and friends due to his bad ways of dealing with his grief. One breakdown after another.

The Wolf of Snow Hallow is about a cop having a nervous breakdown because of the stresses of the job. He also happens to be a single parent, and close to losing a parent, and lashes out in anger at many things with his rage problems. So there are similarities, but sure, they are different, because the stress of being a cop really didn’t play into Thunder Road, while it clearly did in this movie.

I am weary of someone making roughly the same film over. Jim. Why are you playing a cop again? Do you love cops? Now is not an okay time to love cops. Which they do bring up in this movie too, so it is at least topical in that regard.

But in all honesty, The Wolf of Snow Hollow has a lot going on for it. It gets real stressful, we get long scenes of great dialogue, we get some good montages in this one, especially when it came to a crime happening and the cops investigating the same crime. Jim did grow as a visionary director here and had his movie try new things out.

The story itself is fine, it has twists and turns, but I wouldn’t say it was easy to guess or anything the conclusion towards. Sort of came out of nowhere for me, so I wonder how obvious it was or if I missed anything.

Also if Jim is a cop in the next movie he writes and directs I am going to be pretty sus with him, but still watch the shit out of it.

4 out of 4.

Alex Gibney is a big name in the documentary community. He has been doing this for quite a few years and seems to love the pursuit, as both a director and a producer. He directed such documentaries like Enron: The Smartest Guys in the Room, The Inventor: Out for Blood in Silicon Valley, Going Clear: Scientology & the Prison of Belief, and Citizen K.

And now he is back with a surprise documentary, Totally Under Control. Seriously. It is a huge surprise. The trailer dropped in early October and announced it would be out that same month. It is going straight to VOD and will be available for everyone on Hulu starting October 20th. It is an incredible quick turnaround, no one knew it was coming out.

Well, the people interviewed knew, and the people behind the camera knew, but that was about it. So why the secrecy?

Well, the topic is dealing with the Coronavirus threat, and its impact on the United Sates, and dealing with how the current administration completely fucked over a whole lot of Americans.

One of these men wants to save and protect you. The other does not.So who do we talk to in this documentary? Oh you know, people who were parts of the pandemic response team, both before the pandemic stuff started, and after. People who helped predict models and were in data analysis groups as information started coming out. We also have a person who was a part of a volunteer task force, officially run by the White House, that had a lot of light to shine on the process. Heck, we even got a guy who was the only major face mask producer in the USA who warned about this scenario as well.

They also go out of the way to show how safe the interviews are, in case you are curious about that.

This film has a big time frame to focus on, but honestly, most of it is from December 2019 to March of 2020. The early parts of the pandemic and the US response from it. We do get some information about the 1918 pandemic, and the past big health scares during the Obama administration and what they did to make things be better in the future.

And. It. Is. So. Detailed. I would have swore this would have gone basically from just February to August or so, but it ends so much sooner to that. I am already expecting a sequel.

Obviously this one was put out now to make sure voters are aware of some of the actions their government took this year, and honestly, this feels like a documentary everyone should take. If you have access to Hulu, take a couple hours to give a gander next week. It is important, it is detailed, and it is perhaps more eye opening than you expect.

4 out of 4.