Tag: Kevin Spacey

Rebel in the Rye

Before Rebel in the Rye, what I knew about J.D. Salinger could fit inside of an index card. Along with the first 200 digits of pi, I am sure. I knew he died, I knew he wrote Catcher in the Rye, and that is it.

Well, I also knew that he came out of hiding at some point recently and made the game show Hollywoo Stars and Celebrities: What Do They Know? Do They Know Things?? Let’s Find Out!, but that is a different story, one that this film surprisingly chooses to ignore.

Needless to say, I have never read Catcher in the Rye. Never came up in my schooling and clearly wouldn’t be a book I rush off to read on my own. I like that fantasy stuff. The only reason I rushed to see this movie as a prescreener was due to the Hurricane hitting Houston and having no films in weeks. But hey, if anyone asks, say I said it was for the lead.

And I can get pissed off watching someone write when I have not been writing for the same amount of time.

A long long time ago, when the earth was still green, a young J.D. (Nicholas Hoult) wants to be a writer. He is a wise alack, and from a rich house, and he has gotten kicked out of multiple colleges already for being a dick. But he gets to try again, thanks to privilege and wealth, and heads off to Columbia University. There, besides meeting with young ladies and party goers, he meets Whit Burnett (Kevin Spacey), a professor who gets J.D. to reach his potential and actually write good short stories. He also runs a small short story publication and ends up publishing Salinger’s first work! Hooray! He is a professional writer!

But he wants more. He wants to be published in The New Yorker, the cream of the crop in terms of short stories. And when he finally gets a story good enough for them? Well, they go and offer notes and suggestions. They need his story to have a happy ending, not the dismal one he created. Well, that’s shit.

Other people love the short story though. They enjoy the character he created in that story, and Burnett himself suggests he needs to turn that character into an entire novel. Unfortunately, before that novel can happen, World War II and Pearl Harbor happens, so Salinger instead goes off to war! He sees some shit, he barely survives, and changes as a person. But he kept writing, and after overcoming some PTSD, finally publishes The Catcher in the Rye.

The rest? Well, the rest still isn’t so easy either.

Also featuring Sarah Paulson, Zoey Deutch, Victor Garber, Brian d’Arcy James, and Celeste Arias.

Oh the joy of two men just giggling about words on pages.

Rebel in the Rye is the type of movie made for those who really want to know more about the author of a book they love. Salinger was known as a bit of a recluse, so seeing his story and why he became one is a journey on its own. However, without the context of Catcher, a lot of the film was lost of me.

The good news? I kind of want to read The Catcher in the Rye now, so I guess it cane make money off of me that way.

The beginning of the film took a real long while to get going. The whole thing was full of cliches really up until Salinger finally became a published author. It doesn’t stand apart from any generic 1930’s rich elite story. The acting from all of the side characters isn’t anything special.

However, when World War II happened, the film definitely started to turn. I could no longer imagine the lead as Hoult acting, but as a Salinger type person, so the transformation was working. It also became a lot of a better story, especially with the dealings of PTSD. At that point though, it was too little too late to turn this film into something amazing.

2 out of 4.

Baby Driver

At the time of writing this introduction, Baby Driver was listed on Wikipedia as a British-American action crime comedy jukebox musical film, and when I first read that my heart skipped several beats. I am now dead. [Editor’s note: I have gotten better, and the Wikipedia article has since been shortened.]

Those genre’s together just seemed too good to be true, and it was. Because a jukebox musical means, 1) It is a musical, and 2) That the songs that the character sing already exist and come from the charts. But I knew this wasn’t a musical, just a film that really, really, really, loved music. Music that yes, at different times, may have hit the charts. And even if the main character sings some of them, they still don’t qualify it as a musical.

Which is sad, but I am mostly certain no one will turn a plot like this one into an actual musical. Or at least, not for film, but you never know with Broadway turning out 2 or more “Movie title, the musical!” films a year.

“Elevator, the musical!” is coming up and down this fall.

Baby (Ansel Elgort) loves music. It is a major part of his identity, there are always earbuds in his ears with an iPod playing a song to help the situation. When Baby was a kid, his parents got into a car accident with him in the back seat. They died, he survived, and he gained an ever persistent noise in his ears that won’t go away. The music helps dull it out.

Baby unfortunately got into some trouble. He became very good at cars, being one of the best drivers around despite his young age. But one day, he messed with the wrong man, Doc (Kevin Spacey), and lost a lot of his merchandise. And now, to pay Doc back, Baby has been the driver for several bank robberies in the greater Atlanta area, with his share always going towards his payment. But as soon as he pays off Doc, he wants out. He just wants to drive and be free, he definitely doesn’t want to hurt anyone.

Baby works with criminals, however. And criminals can be erratic and put his family in danger. His family being his foster dad (CJ Jones), who is now in a wheel chair, deaf, and needs a lot of attention. And Deborah (Lily James), a waitress at a diner he frequents who shares his passion of music and is generally a free spirit. So when the criminals start doing bad things, it is Baby’s duty to get out of it while protecting those he cares about.

We have quite a few criminals played by actors like Jon Hamm, Jon Bernthal, Jamie Foxx, Eiza González, Flea, and Lanny Joon. Also featuring Sky Ferreira and Hal Whiteside.

Everyone knows that diners are the best place to go for music and pie.

Baby Driver, from start to finish, will keep you on the edge of your seat and the edge of your car seat as well when you are heading home. Don’t watch this movie during the day, because you will want the roads empty so you can blast music and drive (responsibly) maybe a little bit faster. It will take over you, especially if you are a movie goer with varied music tastes.

Elgort has been in quite a few teenage romance / young adult films. The Fault in our Stars, Paper Towns, Divergent, even the Carrie remake. But Baby Driver is finally his jumping off point into something greater than all of his parts before combined. He is now part of a cinematic masterpiece, playing a role unlike his other characters, and hopefully will lead him to a lot of better roles in the future. Elgort might be a star, especially lucky after he didn’t get the Star Wars gig.

The cinematography, the action, the variety of characters, the dialogue, and of course, the music, make Baby Driver a must see film. I especially appreciate at how diverse the music ends up being, from all sorts of decades and genres. In addition to that, having the action FIT the music is an incredible achievement and allowed me to sit in my seat in awe.

I can’t talk enough about how wonderful an experience Baby Driver was. It is a film that I want to see again in theaters and will pick up on Blu-Ray day one of its release.

4 out of 4.

Nine Lives

Hey, everyone love’s cats. Just go onto the internet. But the love for cats comes from being cute, or seeing them do derpy things. They don’t love all cats.

Which is why the concept for Nine Lives is so bizarre. The plot comes straight out of a film from the 1990’s (Or a Rob Schneider film from any decade). Guy goes into a cat. The only way it could be really worse is if the cat itself could talk in English and spoke to the cast, but alas, it just has to meow at them.

People don’t like those sorts of films anymore. Those are the films that get mocked and burned at a stake. And here it is, 2016, with Nine Lives coming out. Sure, yeah, I did think Keanu would be a movie about a talking cat, but ended up just being a regular cat and pretty decent.

I don’t think the same sort of change can occur here while watching.

He is going to stare a whole through that cats head.

Tom Brand (Kevin Spacey) is what his name suggests, a walking brand. He is all about his image and his companies success. As CEO, he wants to do fascinating things and leave a permanent mark on society. And he decided that permanent mark would be the tallest building in America. Now that it is almost completed, it turns out another building in Chicago being built will easily beat theirs in height, ruining his dreams.

One of his workers, Ian Cox (Mark Consuelos) was supposed to know about this sort of thing, but he didn’t care. He wanted to take over the company and sell it for money.

All of Brand’s success means his family had to suffer a little. His new wife (Jennifer Garner) and daughter (Malina Weissman) don’t see him a lot and he forgets things, like birthdays. And his daughter wants a cat, but he doesn’t want a cat in his house. But eventually he just gets the cat.

Buys it from a weird guy (Christopher Walken), and sure enough, an accident happens putting Cox in a coma and his spirit or mind or whatever in the cats body. Knowing that the last thing he did before the accident was to actually get a gift for the daughter was a good thing, they take the cat in while he recovers. This allows Brand to try and bond with the daughter and convince them that he is a man in a cat’s body.

Also starring Robbie Amell as the son who is trying to help Brand’s company while he is in a coma, Cheryl Hines as his ex-wife, and Talitha Bateman as his ex-wife’s new daughter.

Oh ho ho, the human is on all fours. What a role reversal!

Jennifer Garner almost had the worst year ever. She had three movies come out, and I have seen two of them. Nine Lives is beyond terrible and Mother’s Day (which I haven’t seen) was blasted by critics as well. She is down right lucky that Miracles From Heaven ended up being a relatively decent Christian film, and not a standard tacky/corny over the top Christian film. It would have been real close to being just a complete fail of a year.

There isn’t a whole lot to be said about Nine Lives that isn’t already out there on the internet. What the hell was everyone involved thinking?

There are very little surprises in this film. Spacey, Garner, everyone just phones it in. When things start feeling the bleakest, it was because they made the son character a passive, dumbass. He seemingly refused to fight and it didn’t make sense. So why did it happen? Oh, so the son could do a bigger distraction near the end of the film, in order to end on a bigger note. So yeah, temporarily changing how a character works, because the writers don’t know what the hell they are doing to get to the finale they want.

The cat looked terrible when it had to switch to CGI, which was whenever the cat had to do anything special. So a giant chunk of the movie.

Walken was in this movie, and he has been in mostly shit for years.

There is just nothing really positive to note. It has a weak script, weak plot, weak acting, and at under 90 minutes it still feels too long.

0 out of 4.

Elvis & Nixon

Presidents in the modern era meet with almost everyone. Celebrities, athletes, civil rights leaders, union leaders, foreign leaders, gym leaders, you name it. So it isn’t weird to see a picture of Obama hanging out with Justin Bieber.

But maybe back in the day it was a bit more odd. Like, a famous picture of Elvis Presley shaking hands with Richard Nixon. One of the biggest entertainers of the last few decades and a president with a lot of…well, character, I guess. It was a really famous image and sort of set the country into jubilee at just the thought of these two larger than life men in a single room talking about who knows what.

And just what led to this monumental meet up and what did they talk about?

Well, it would take a movie named Elvis & Nixon to get to the bottom of it I suppose!

This really just feels like fanfiction. Who wrote this? When do they get undressed?

In 1970, the US was in disarray. There was a war going on that not everyone loved, the parties were divided, drugs were big in the news and in our suburbs. Basically, not too different from today.

But one man was sick and tired of it all. His name was Elvis Presley (Michael Shannon). He was tired of these drugs, these gang fights, people stoned at concerts. He was in the army before and people loved him, so he figured he could go undercover as himself, into their events and protests. And maybe convince them to say no to drugs and put an end to it all. He could be a really big help, hell, he knew karate!

So he wants to head to the White House. He has a damn plan. He will talk to President Richard Nixon (Kevin Spacey), he will convince him to swear him in as a federal agent at large to work secretly for the Bureau of Narcotics and Dangerous Drugs. Brilliant, great, wonderful. Except Nixon didn’t care to meet with him. Even if a meeting could boost his popularity with the youth and the south. Except Elvis doesn’t want to hold a concert, he wants it all to be a secret, no publicity.

Sure, these men might not see eye to eye, but they want similar things, so maybe they can work together. Or maybe their assistants and staff can force them to work together. On Elvis’ side, we have Jerry (Alex Pettyfer) and Sonny (Johnny Knoxville), with Jerry trying to get out of working with Elvis to focus on his own life and maybe engagement. The president aides include Krogh (Colin Hanks) and Chapin (Evan Peters), both people later involved with the Watergate scandal, fun fact!

And so yeah, the meeting is of course them setting everything up and what their conversation may have entailed in that mysterious room.

Here is a picture of a recreation of that picture!

Two powerhouse men can only be played by two powerhouse actors, and we certainly get that with Shannon and Spacey. When I saw the casting, I was almost flabbergasted with excitement. To repeat, almost flabbergasted, not fully flabbered nor gasted. Despite loving each actor from many of their recent and older roles, I still found both of them hard to see in their collective role.

Now, in this film, they both did great jobs. But Shannon has such a unique face, I never really fully believed he was Elvis, he was always an actor. Basically the same for Spacey. For both of these roles, it could be due to the fact that these characters over time have become very exaggerated and in real life they weren’t so intense, but it just never really fully clicked.

The story itself is decently amusing. The cast of characters while small added a lot to the film. The movie is also under 90 minutes long, so it never drags and a good third or more to it is actually focused on their actual discussion in the white house.

The film just has a lot of build up for this moment and honestly, doesn’t go too many places. Elvis & Nixon won’t take up a lot of time and is pretty amusing. Hell, you will learn a lot about an event that is just all sorts of weird in American history. But one that never really elevated more than cool tidbit.

2 out of 4.

Horrible Bosses 2

Horrible Bosses 2 came to theaters in November, and I didn’t get to go to a screening because I went to see Rosewater instead.

I actually wanted to see this one more, but I opened it up to a vote, and it was something ridiculous, like 15-1 in favor of Rosewater. Too bad Rosewater wasn’t that special.

I really liked the first Horrible Bosses, despite its ridiculousness. But I also liked at least 2 of the 3 main actors, so it made a bit of sense. However, when I heard about this sequel, I definitely thought that it didn’t make a lot of sense. They had a potential of making it like The Hangover 2, where they told a very similar story and it just felt like a bad rehash. But at the same time, if it has nothing to do with with Bosses being Horrible, then why is there a sequel at all?

And can they make everything sexier this go around? I doubt it.

Nothing sexier than showcasing your package in a business meeting. I’ve heard…

Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) are now in a business together! They made some sort of Shower Buddy item, that not only is a new nozzle for your water to come out of, but also automatically dispenses the shampoo and conditioning when with a timer or something. Yeah it sucks.

Either way, a big company has took notice. Rex Hanson (Chris Pine), CEO or something, wants to buy it all from them for a lump sum. But they don’t want to sell their company. He is a dick to them. Then his dad shows up, Bert Hanson (Christoph Waltz), and offers instead to buy 100,000 units, they just have to get their company off the ground. Hire workers, make the product, and they have a deadline.

And guess what, they do it! But of course shenanigans occur, and they might lose their whole business for nothing instead and get screwed out of all their product. What dicks, these pseudo bosses have been! So they eventually get a plan. Kidnap the son, ransom him for a ton of cash to the rich as fuck dad, save the company, and get away with a new crime. Yay!

Oh hey, and of course, Jennifer Aniston, Kevin Spacey, and Jamie Foxx return as their old characters too. For various humor intended reasons. And Jonathan Banks as the FBI guy trying to solve the crime! Life has been decent to him post Breaking Bad.

I assume the telescope is innuendo.

I think Horrible Bosses 2 found a nice balance between keeping to the theme of the series, but also giving us something new. Last time they all had different people that they wanted to “kill”. This time, they are united against the same two guys and they don’t want them to die. Killing is scary business. So instead a very complicated plan with many moving parts is the real ideal.

I will admit I haven’t seen the first Terrible Supervisors film since it came out, but I think I enjoyed that one more than the sequel. This one wasn’t necessarily bad, as it definitely had quite a few hilarious moments, but I also think it didn’t as great of a plot behind it. There were scenes that produced no laughs at all.

But the most important aspect of a buddy comedy is the chemistry, and it is pretty darn good between these guys. I have talked before about Bateman fatigue, but even he wasn’t too terrible, although it was clearly Sudeikis/Day’s movie for the maximum lols. You might not trust my word on that, because I love almost everything Sudeikis does. I think he’s the best part of SNL the last few years.

Also, I practically died laughing every time they used their fake voices. Just it is probably more forgettable unlike the first movie where they did the…things. And stuff.

2 out of 4.


This is going to be one of those slightly different reviews folks.

Not only is it based on true events, but most of us know about it all. Okay, I mean we are aware of the events around it, without knowing both sides and all the problems and complications. I am talking about the Recount of the 2000 Presidential election ballots in Florida, the decision between who would be the next President, Bush or Gore.

This is not Bush and Gore.

Not sure what I am talking about? Here is some light reading (and thus plot review of the movie!).

TL;DR Florida done fucked up. Some of their ballots were confusing, some machines didn’t punch through enough, the sheet had a front and back, etc etc. Bush supposedly won the state and thus the election, but according to AP news the votes was too close to call, and Gore canceled his concession. Then lots of court stuff. Lots of stuff no one understood, but man was making fun of it easier.

And the whole thing is explained in this nice Hollywood rendition! Woo woo! So yeah, fictionalization happens, but the events are roughly correct, if I have been told correctly.

Kevin Spacey plays the main guy, some Democratic guy. I could tell you everyone’s role, but really I don’t remember them much since they are all real election political people. The closest thing to a villain is Laura Dern as a Florida Secretary of State.

We also got roles for other people! Roles everywhere! For Bob Balaban, Ed Begley Jr., Denis Leary, Tom Wilkinson, John Hurt, and more.

Female Evil?
Major woman character is the biggest villain? Don’t blame Hollywood, blame politics in 2000.

Given that I was 11 or so when this Florida stuff happened, I must say I really didn’t understand it at all. I just assumed Gore was being a baby and demanding recounts, I didn’t know what a Chad was. Easy to joke about, and I guess my perceptions were just based on where I lived. I am glad this HBO movie was done as a movie and not a documentary. It made it a lot more exciting and natural feeling to me.

Technically both sides are shown, but it is clear the Democrats (I think) are supposed to be the good side, when both sides had good and bad people in them. Can blame that one on Kevin Spacey probably. But overall it is very informative and entertaining.

Now I feel like I could answer maybe one more question on Jeopardy, thanks to this movie.

3 out of 4.

Casino Jack

Casino Jack is the second of “movies Kevin Spacey has been in recently that apparently no one has heard of”. Very specific theme. Only two I was doing, this and Shrink.

Oh how mysterious and …weirdly bordered he looks.

This is actually the true-ish story of Jack Abramoff, the most lobbyist lobbyist in the America.

Dude was making bank, and lobbying up a storm. People in Congress were making bank, him and his family were making bank. Evurrybody was living it up. On what? Indian Casinos. More specifically the SunCruz Casinos, that go on a cruise to “nowhere” but mostly to get into international waters.

Him and his partner Michael Scanlon (Barry Pepper) are getting rich and quick. But they make it seem like Abramoff is donating a lot more to charities, and the betterment of his love one and not “wasting it” as much. His wife (Kelly Preston) is worried about their finances, and then eventually on where they come form.

Their bigger problems start when the help of Mattress Kingpin Adam Kidan (Jon Lovitz), who unbeknownst to the rest of them, has ties with the mob and other bad people.

This eventually leads to a series of events that brings down their decline, and prosecutors having a field day with the amount of people who accepted the bribes. It was a pretty serious deal. Wiki that stuff. Yet somehow no one seems to remember it, despite its large implications. Oh and Rachelle Lefevre is in this movie. But I just forgot what her actually role was. Whoops.

Also, yelling!

Kevin Spacey has turned into the king of mediocrity? No, that’s not right. He is decent in this movie as well. But the rest? Damn, thats mediocre. Like a lot of his last few years worth of movies. I guess he just does what ever looks interesting, gives it his all, and not everyone else can be as good as him.

Maybe if he was worse the movie would seem better because everyone is acting as good as Spacey? This is some serious conspiracy Keanu stuff here.

But why do I say that? Well, parts of the movie were interesting. Parts went above my head. But parts were also pretty uninteresting. Overall just okay, again. Like Father of Invention. Oh yeah. Another recent Kevin Spacey movies.

Just saying. His movies tend to be better with a lot more known leads, like Margin Call, or Horrible Bosses, when he doesn’t have to carry the load on his back.

2 out of 4.


If you guys knew how many lesser known movies Kevin Spacey was making nowadays, you’d be shocked. Shocked!

Because everyone loves Kevin Spacey right? Even when he is in mediocre films, he is usually the best part and everyone is happy. Because yay Kevin Spacey. But why all these films that aren’t advertised? Today I watched Shrink, which came out in 2009. And well, I am sure its probably not something anyone really knows. Tomorrow I will watch Casino Jack, a 2010 movie with him. Heard of it? No. Probably not.

I am sure most would be willing to tell Kevin their darkest problems too.

Kevin Smith is a celebrity therapist in LA. Exclusive and famous clients, who all have problems. No cameos here, but Robin Williams does play an actor who is in therapy for alcoholism (but doesn’t believe he is an alcoholic, and thinks himself a sex addict instead). Unfortunately for him, his wife also recently committed suicide and he is kind of having a rough time with it. He starts drinking himself, avoiding his bed room, and hanging out with his pseudo-relative Jesus (Jesse Plemons) to get drugs and high with.

His dad was also a therapist and it is clear Kevin is having a hard time. After a failed intervention, he gets him to start therapy for a high school girl, Jemma (Keke Palmer) as Pro Bono work saying it would help. Why? Turns out her mom committed suicide too. She wants to be a filmmaker some day, but is having quite a rough time at the moment.

At the same time, he is handling a few other celebrities. Saffron Burrows is an actress, married to a narcissistic rock star husband, who makes her feel insecure about her age (joint therapy, husband the real problem). Dallas Roberts is a talent agent who is a germaphobe and has anxieties, who’s biggest client is Jack Huston, who is also addicted to drugs.

Finally, Mark Webber is his kind of related god son, who is a struggling writer who might finally get inspiration through Kevin’s clients. Also interested in romantically with the assistant to Dallas, Pell James.

Yeah, lots of plot lines going on here. Most importantly Kevin trying to handle his clients (who end up being way too connected for his liking) while also failing to take his own advice to deal with his own problems.

Tackle Box
Jesus wears glasses.

As we learned from The Sopranos, sometimes even a Shrink might need a Shrink. Having to hear others problems for so long can drive a person mad and not feel as important. This isn’t the plot of the movie, just me free balling.

An interesting concept of a movie, but I definitely thought there was a lot of plots going on. I wasn’t sure why there was so many separate stories for awhile. They eventually became more and more connected (or they always were connected, just more and more revealed) but ehh. Still felt weird. Some of the client stories (Robin Williams / Saffron Burrows) seemed to go nowhere by the end. No where exciting at least, nor did they really end.

Everything else was neatly wrapped up in the movie though. Kevin Stacey does good. I thought each of his scenes were decent, but the flip out on TV scene didn’t feel natural at all. But yeah, wooo therapists.

2 out of 4.

Margin Call

Margin Call is “inspired by a true story”, with that story being that financial crisis thing in 2008.

Now, I mention a lot that I am not an expert on blah topic that the movie is about, and this is definitely no different. Money things confuse me. With no basis whatsoever, I personally think if we just spend more money, the economy will be good. Done and done. Thankfully, to really appreciate this movie you do not have to be a financial expert. They do enough explaining to get the gist of the problem, but don’t focus on it. What is instead focused on is the human reactions and ethical dilemmas they now face.

Margin Call Quinto
What I’m trying to say is that this movie is a “thinker”.

The movie takes place over about 24 hours at an unnamed banking/investment company on Wall Street. A downsizing occurs, so unexpectedly a bunch of people lose their jobs, including Stanley Tucci, the head of the Risk Analysis team who has been with them for 19 years. He was almost done with a new project though, but they do not care. His phone is turned off, and sent out the door. Before he goes, he gives a flash drive to Zachary Qunito with the data and says to “Be Careful”.

Later that night all alone, he discovers something horrible. (Here comes the horrible at finances part). The equation they have been using for investments and potential gain has been wrong. The last few days it has been wrong. Everything is about to collapse on itself, but no one realizes it yet, except for him. What follows the rest of the night is a series of meetings and panic as the news travels up the company ladder. First to Penn Badgley, a guy who works with Quinto, to their higher ups Paul Bettany and Kevin Spacey. Then to their higher ups Demi Moore and Simon Baker. And finally the highest higher up, Jeremy Irons.

What happens in the movie is not just a series of “board meetings” or anything, but at least one occurs. Its the emotion roller coaster that the characters experiences as they first find out, almost everyone taking a different path. A few people only worry immediately about their own jobs, some worry about the company, some worry about everyone’s companies (psst, that is Spacey. He has morals!). Then again, some don’t care about any of that, and just getting the information out there and trying to fix it.

There is a lot of down time between the big important decisions, which allows the characters to break off into their group to discuss all the possible repercussions and really branch out their personalities. There’s also smaller sub plot of finding Stanley Tucci, to make sure he doesn’t tell anyone what’s up.

Tucci Margin Call
To which he pretty much responds, “Eat a big bag of dicks.”

I think as a general description, this movie sounds pretty boring. But all the actors do phenomenal jobs. No one really stood out as being a bad actor, at least. The discussions of money became more and more interesting, as the levels of those involved increased. Started out slow for me, but really finished strong. And it also made me mad. Damn you, banker people, for somehow messing up things that I still don’t necessarily understand.

3 out of 4.

Father of Invention

Father of Invention? This just sounds like the modern version of Leonardo D’whatshisface. Not the actor one, the inventor guy.

The title comes from the fact that he is a father, and “invents” things himself. By inventor, he actually means fabricator. Not a liar, but someone who comes up with ideas and puts them together using different pieces. Kevin Spacey plays the (better title) Father of the Infomercial, and makes millions. His products are just two other products put together, such as the nightlight + dehumidifier and the pepper spray + camera.

But unfortunately his ab clicker (a remote control and ab workout thing at the same time) broke a lot of fingers, and for some legal reason, put in jail as a felon for 8 years. He got out early on good behavior, not on good looks.

Kevin Spacey Hobo
Not only should he never have shaved/cut the ponytail off in the movie, but I demand that all his future movies include this look.

Trying to get his life back on track, he has to work at a Family Mart under Johnny Knoxville, while his ex-wife is living with park ranger Craig Robinson, and his daughter (Camilla Belle) is now living with two other women in a poor part of town. One of her roommates being Heather Graham, the rock band loving lesbian.

Camilla was also in From Prada To Nada, a horrid film, and was unknown ish to me then. But now that she has at least two movies that I know where she is a lead character, I have to acknowledge her.

Story of course is of how his relationship with his daughter is ruined, and him trying to make the next big fabrication, which is a watch with games/videos/music on it that is cool to wear, while also employing the child tracking GPS technology for parents. John Stamos plays a very small role as his CEO replacement, so don’t watch it for him. You will have to find some other show out there.

Uncle Jesse
I have no idea what show this picture is for.

The ending outcome is pretty predictable. The movie probably uses the word ‘Tits’ more than you thought it would. Spacey is of course awesome, but Knoxville just came off as really annoying. Could be just the character, but could be the actor. Just didn’t find him annoying in the good way. Characters are mostly believable, just not the redonk products that he movie makes up.

2 out of 4.