Gorgon Reviews

I am happy to say that I was able to go into Sicario with a blind eye. I knew nothing about the plot and I was happy about that fact. Hell, when I first saw the cover and name, I just assumed it was some random horror film.

But what I was unable to avoid was the hype train. The hype train drove through my city like a…well, train. Praise from all sides about the acting, directing, cinemetography, plot, you name it, people loved it.

That sucks. Now I went into the film expecting greatness. The important note here is that I did, in fact, go into the film. I was supposed to see 99 Films this night. I convinced myself otherwise, to avoid the free pre-screening, and pay my hard cash money to see the movie so I can review it and compare it to its hype. I might have had to wait until a DVD release if it wasn’t super hyped, and who the hell knows when that would be. I can’t miss out on potential Oscar greatness for Andrew MotherFucking Garfield!?!

Some say Garfield is living his post-Spider-Man life as an immigrant on the run from the law.

Kate Macer (Emily Blunt) is an FBI agent living in Arizona and she is pretty dang good at her job. She is currently working on a string of kidnappings in the area by a Mexican Cartel lord. The guy pretends to be a legitimate business man, but they all know he is running the gangs secretly and taking orders from Mexico. Kate and her partner, Reggie Wayne (Daniel Kaluuya), also find out that parts of the house were rigged to explode. Well fuck. These assholes are going to start booby trapping their hideouts to smuggle people places. This means every future job just got that much more dangerous and things really really suck.

But have no fear, every day American citizens. The government is on the case!

Kate is hand picked to join a larger, inter-department task force, lead by the CIA. She doesn’t know a lot about the mission. Just that it is lead by an asshole, Matt Graver (Josh Brolin), who only slightly works or the CIA, and his mysterious friend, Alejandro (Benicio Del Toro), someone who isn’t even American, nor is he CIA. He is a “consultant.”

Next thing Kate knows, she is whisked away to El Paso. She was told the overall mission of the task force was to bring own the kidnappings and drugs in that area. To actually hurt the cartel from the top and not through their lackies.

What she didn’t know is how many laws would be broken in the process. Not including murder, crossing borders, torture and kidnapping. Lovely. What’s a moral girl gonna do in a situation like that?

Also with Victor Garber, Jon Bernthal, Maximillia Hernandez, and the best Miami Spy, Jeffrey Donovan.

You can’t fool me with your hipster glasses and fake mustache. I know it is you, Michael Weston.

Sicario was one of those perfect movie experiences. Outside of the two dudes who literally had phone calls during the showing. This is what I get for going to a non-screener, non-drafthouse like setting.

Why was it perfect? Sicario was like a slow burning wine. It was dark, realistic, slow, beautifully well shot, great characters, tense moments, and with a bit of moral ambiguity. Not a lot, but a bit. Someone should let me know if what I said about wine makes any sense, because I don’t know anything about wine, but the saying seemed natural enough.

Acting on all fronts were great. We got Brolin being a dick, pretty standard. But the obvious and clear stand outs come from Blunt and Del Toro. Blunt has been having a heck of a career with her last few movies. She seems to always give it her all and seems to be getting even more dramatic roles in the future thanks to it. Blunt gets to play our law abiding character who doesn’t know what really goes on, the one the audience gets to relate to.

Del Toro isn’t introduced until later in the film, but by the end he definitely becomes a true co star and almost another main protagonist. I once had a friend who said he would watch anything with Del Toro in it. But that was in 2010 and he was trying to justify being interested in The Wolfman. I knew he was in a lot of good movies, but I wasn’t a megafan. But hell, this is the type of performance that could make someone a megafan. His character is very rich and the movie does a nice job of slowly unraveling his mystique. He is one of the most BAMF characters in film this year, while at the same time you never really know if you are supposed to be cheering for or against him.

I wouldn’t be a good reviewer if I didn’t further talk about the cinematography. Denis Villeneuve likes pretty movies and he wants your eyes to be ecstatic. You’d know that if you saw his recent movies, Enemy and Prisoners. That is why with this film and Prisoners he used the legendary Roger Deakins to set up his shots. So much attention to detail was put into every frame, the only thing that could ruin it would be mutilated bodies and dead nudity.

Oh.

Yeah. Some of that is in here too I guess.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

I won’t make a sad intro about the death of Robin Williams. I have already had to talk about that with World’s Greatest Dad and Night At The Museum 3.

No, let’s talk about how Boulevard, good or bad, is going to be his last official film that was released. Actors don’t always leave with the best of films. Recently, James Gandolfini gave us Enough Said, but also The Drop! Philip Seymour Hoffman gave us Mockingjay Part 1. Yuck.

I think I accidentally made this intro sad again. And now that I have stars at the top of the review, you can see where this score is going.

And fuck, right there, there it is. A sad Robin Williams.

This is a story about a man who has lived a very simple life. Nolan Mack (Williams) has worked in the same bank for the last few decades and no, he doesn’t even own the place. After work he goes home to his wife, Joy (Kathy Baker), and they sit around and do old people things. They actually sleep in separate beds now. There is no sexual chemistry between them and they just seem to exist in each others company. Hell, Nolan’s only outlet on life seems to be hanging out with his friend, Winston (Bob Odenkirk), but that is only occasionally.

Things change when his dad (Gary Gardner) goes into cardiac arrest. This is a life changer for Nolan. He realizes he is getting up there in age and isn’t doing a whole lot with his life.

So he actually goes down a shady…boulevard, and ends up meeting a male prostitute. He gives Leo (Roberto Aguire) a lift, but with no real idea of what he is doing. Eventually he takes him into a hotel room and they talk. They just talk and hang out. Nothing sexual, and sure, Nolan will pay him for his time. Nolan seems to just want someone to listen to him, someone he can listen to as well. Nolan wants someone he can help out and buy things for and try to fix. And yes, Nolan too is totally gay. Has been his whole life. He just could never accept who he really was deep down.

Also featuring Giles Matthey as a bad guy pimp!

“Get out of the streets, and into my car. Get in the front seat Leo, get into my car!”

Boulevard has a simple message about a relatively simple man. It is never too late to truly be you. If you have been hiding your whole life and are 70 years old, you can still express yourself and come out, so to speak. And it doesn’t have to be just about being gay or transgendered, it could just be doing what you have always wanted to do before it is too late. Boulevard says you can teach an Old Dog new tricks.

That’s a nice message. Probably a good story. It did not feel as good in the actual movie.

That is because the movie is extremely slow. Most likely deliberately, but still, slow. I don’t end up caring about Nolan’s personal journey, or Leo’s life. I kind of just felt bad for his wife the whole time. I am not saying Nolan should have kept lying. But it was just awkward and uncomfortable, the whole situation.

The acting isn’t that great, the atmosphere is melancholy, and just…well, damn. This might be a great inspirational movie for some. But to me, it is just a bad film and thankfully won’t be the lasting impression on William’s legacy.

Everyone knows that James Cameron really loves the ocean. He is stupid rich and just wants to conquer it.

In some ways, I am starting to think that Matt Damon is like a James Cameron-lite. He doesn’t like water, but he is starting to love the shit out of outer space. Three films in three years have featured a Mr. Damon spending time away from Earth. First in Elysium, he went from the slums to the orbit. But you know, he was just there for a little bit. In Interstellar, he was in space for a long..long time. And he was alone!

Think of it like a Three Bears situation. In Elysium he was in space for a small amount of time, in Interstellar it was too long. But maybe in The Martian, Damon will find his “just right” amount of space time. You know, then he can go back to Earth and start doing political things again. Or Boston things. Or maybe, just maybe, fingers crossed, he can go back to voicing Bill the Krill.

Damon had a lot of time alone to reflect on his career while pretending to be on Mars.

Set somewhere in the future, NASA has successfully put people on Mars! Yay! We rock! Speaking of Rocks, there are a lot of them on Mars. And sometimes there are dangerous rock storms. When a particularly powerful storm begins to develop, Commander Lewis (Jessica Chastain) decides that they need to evacuate the planet. There is a chance their escape rocket could tip over and then they’d be stranded! During the storm though, Matt Watney (Damon), a space botanist, gets hit by some debris and goes flying. All of their suit flashy devices say that his suit has opened and he has to be dead.

So Lewis and the rest of the crew (Michael Pena, Kate Mara, Sebastian Stan, Aksel Hennie) escape Mars to begin their flight home a few weeks ahead of schedule.

But it turns out, against extreme odds, that Matt is actually alive. However, he is now stranded. The mission only was supposed to last about 30 days, and they had made it to 17, so his rations aren’t that plentiful. He has a huge checklist of responsibilities suddenly that are all vital to his survival. He has to figure out how to grow his own food on a desert planet. He has to make sure his equipment doesn’t break, so he doesn’t run out of water or oxygen. He has to figure out a way to communicate with NASA. And of course, he has to figure out how to get himself home. Even though Matt wants to survive, he openly acknowledges his impending doom and realizes that almost everything he does is just prolonging his most likely catastrophic death.

Eventually, obviously, he isn’t 100% alone. Or else it would be an impossibility. Back on Earth, thanks to satellites, they are able to eventually note the differences of the site and realize he must be alive and kicking. This is where I can sneak in all the rest of the actors.

Who is involved in the mission to get him back? Well, of course, the Head of NASA (Jeff Daniels), a different head of NASA type guy (Chiwetel Ejiofor), head of the Mars program (Sean Bean), head…engineer…of the shuttle? (Benedict Wong), an Astrodynamics guy (Donald Glover), head of NASA PR (Kristen Wiig), and Mindy Park (Mackenzie Davis) who controls a satellite. Or something.

This unfortunate scene reminded me too much of Fantastic Four and now I am undergoing PTSD.

Ridley Scott has been not putting his best foot forward recently. Exodus: Gods and Kings and The Counselor were terrible, and Prometheus had a lot of issues. So I have to go into every new movie of his with a bit of a hesitation.

Thankfully, Scott did not disappoint this time and knocked The Martian out of the park.

The absolute best part of the film is its attention to detail and scientific accuracy. I don’t know how hardcore they went into it, but I will be checking Neil Gegrasse Tyson’s twitter to see if the stars on mars were at least accurate. But everything else is so damn sound and smart. I almost stood up in the middle of the movie to chant U-S-A and show off my Science Boner. That is a bit graphic, but the metaphor is necessary to emphasis how sexy it all was. It isn’t dumbed down and they just go full on smart people talk on the viewer.

After the science, we have to talk about the Damon. Damon plays what has to be the greatest Botanist ever on the silver screen. I don’t know how praise worthy that statement actually is. The writers made him smart, charming, witty and a guy with a morbid sense of humor. He tells jokes to logs where he notes everything he is doing, with the caveat that it probably won’t matter since he will most likely die. And he even got to say “Fuck” twice in the film, despite the PG-13 Rating!

Basically everyone in the cast was great in their roles. Even Stan, Mara, and Hennie, the crew members who people don’t care much about. I want to give special shout outs to Glover, who had a small role but was extremely convincing, and Wong, who was an important side character who for some reason didn’t even make the IMDB credit list.

The film is of course also visually wonderful. Mars, the future Houston space center, outer space, all of it is great. I don’t think 3D added much to the film, and it should be a good experience without it. It isn’t as necessary as Gravity.

Despite how much I liked the film, it only has one issue. There is a sort of epilogue after the events, so you can find out what happened to characters. It seemed off to me. It was also a bit sudden of a tone shift. The previous scene I was almost at the point of tears (You don’t get to know if from happiness or sadness, sorry), but they ended it too quickly for all the emotions to rile up in me. And the last few minutes were just…meh.

Oh well, 99% of a film is still pretty damn awesome.

Divorce sucks. No way to sugar coat it. It breaks up families, people start having trust issues, children get fought over, you know.

There are some pros I guess. For the kids, they get two Christmases, and everyone knows that means more toys. And you don’t have to spend much time ever with someone you presumably hate!

But, in America, getting a divorce is actually very hard. From alimony to child support, from splitting of assets, to the legal code, it can get very confusing very fast. In fact, a lot of people out there seem to be making assloads of money over the break up of couples.

It isn’t a bad thing that people make money off of doing a job, that should be expected. What is unexpected is the lengths the entire system goes through to make sure your divorce hurts you in the wallet as much as possible. Which is really what Divorce Corp. is all about.

So what kind of shady shit is going down? Glad you asked. Obviously the documentary goes into extreme amounts of detail and personal anecdotes, so watch it for the full picture.

See? It is a giant office building behind a church? Fuck your subtle metaphors.

First of all, the family court law has gotten very complicated over the last few decades. It used to be relatively simple, but due to increase in complexity, for really no reason at all, it is basically impossible to represent yourself in court. You are basically forced to hire a lawyer regardless of how amicable your divorce will be. And of course, the divorce court lawyers can cost anywhere between 500-1000 dollars an hour.

If children are involved, Child Support isn’t a set in stone amount, it is based purely on the difference of income and how much custody the parents have. So, if someone has 100% custody, the other parent has to actually pay a lot more. This actively encourages couples to fight it out. Fighting it out makes the trial take a long time, which racks up the hourly fees, in order to earn money to probably just pay off your lawyer fees. The two lawyers probably know each other or are friends, and they both know the longer they take, the longer they get paid.

It is a shitty situation to be in. But that isn’t the end of it.

The court can appoint people to come in and monitor both households/parents. I don’t remember what they are called. These people have a fee as well, and the judge can force a couple to pay for them. These people aren’t neutral, can be friends with one firm, and can say whatever they want to make one parent seem bad. Of course, they have also been shown to accept bribes and more. Yayy.

These things are just the bottom of the barrel. I actually had to pause the documentary 20 minutes into it, sort of shocked with how fast and hard the information was coming at me. The whole thing is kind of disgusting and can make you just afraid of stepping outside.

Why only a 3 out of 4? Well, it is definitely dense and very detailed, but at the same time, it still just felt a bit one sided. Most of the anecdotes they showed have a lot of the “he said, she said” element, and for all I know, the people in these situations were bad. The evidence at times could easily have been hidden from the viewer.

Clearly the documentary has an agenda, and the agenda seems like a good one. But I feel like things can’t 100% be as bad as described everywhere. Maybe some parts of the country are just worse than other parts. Maybe. Hopefully.

I am happy to say that before I watched The D Train, I knew absolutely nothing about it. I had only briefly seen the poster/DVD cover. Enough to recognize the two leads.

I actually thought this was a war movie. Again, quick glance at the cover, I thought the arm in the background was like, a gun strapped to the back. I thought they had just won a war!

Or you know, a movie about trains or something. A lonely New York meet up that turns into friendship. Fuck it, let’s just go into it.

Quit yelling. I’m trying to relax on my couch, far away from war and trains.

Dan Landsman (Jack Black) is a weird dude. But we will get into that. First let us talk about his normal tendencies.

Dan has a wife (Kathryn Hahn), a 15 year old boy (Russell Posner) and a baby girl. He has a boring job doing something and has been there for awhile. It isn’t particularly rewarding, but it pays the bills. His boss (Jeffrey Tambor) is an older guy who doesn’t like new technology and is generally swell.

And he is the self-appointed head of the Alumni committee for his high school class. The others (Kyle Bornheimer, Henry Zebrowski, more) don’t agree with a head, but whatever, they have a 20 year old reunion to prep for. No one seems to give a shit and turn out is looking low. Things turn around when Dan finds out that the coolest kid in school, Oliver Lawless (James Marsden), has finally made it after all this time. He was an actor and wanted to be a big star and now he is in a national television commercial about sun block!

OH MAN SO COOL. He thinks if he can convince Oliver to come to the reunion, more people will show up, and he will be a hero! He just needs to fly out to LA to convince him in person. So he lies about it as a business trip to his boss and wife, just to hang out and party with Oliver.

And Oliver is a great dude. They get drunk, they get happy, they dance, they flirt with women and Dan is able to convince Oliver to show up!

And also, something very different happens. Something that has never happened to Dan before. Something that will make his trip home and subsequent weeks leading up to the reunion very weird and uncomfortable.

Enough to drive a mediocre middle aged man to drinking? You betcha!

From the description, it looks like The D Train can be a very uncomfortable movie from start to finish. An average dude in a boring life, put into a super liberal party setting, with a man he has strangely idealized for decades. He has always wanted to live vicariously though him, but now he has the opportunity to seem cool and actually celebrate with the man. Life is wonderful!

Unfortunately, it wasn’t an uncomfortable movie, just a boring one. Sure, there was that one scene. And like, a good scene at the reunion, and maybe another good joke. And that is it.

The best thing really about this movie is that it was a different sort of character for Jack Black. Not different like Bernie, but more just regular dude. So good job Jack, diversifying your resume. That will be good help in the future assuming you need it. Marsden unfortunately adds nothing to the film. Hahn does a pretty good exasperated housewife though, sick of her husband’s shit.

The plot isn’t even that bad. With some work, better dialogues, and better…just scenes in general, it could have been a solid movie. Instead this movie is about a nickname and a dream gone wrong, and is completely forgettable.

Surprise, surprise. That was my emotion when I left The Maze Runner movie last year. Going into it, I thought I would hate it. I thought it would just be another terrible young adult movie adaptation that a company wanted to film to get that sweet post-Twilight money. It had a laughably bad trailer with some cringe dialogue, but I left it excited and wanting more.

Sure, I knew that whatever happened, there should be no more mazes after the first one, so calling it Maze Runner anything afterwards doesn’t make a lot of sense. Blame that on the author not coming up with a better series name.

This time, for Maze Runner: The Scorch Trials (dropping the “The” was a solid choice), I am going in basically blind. I haven’t seen trailers for it or TV spots. I just want it to surprise me with whatever else is going to happen. This review is also so late because I wasn’t able to attend the press screening for the film, because I instead saw The Visit. Regardless of what has happened, this franchise has gotten some money out of me.

They don’t have to tie me up like these poor saps. Besides, I don’t carry loose change.

Remember where we left off? We got out of the fucking maze, that’s what. The evil Corporation WCKD (Wicked) who was testing on them have been killed and resistance group has saved them. Yay!

Or are they really the good guys? The first film already implied they were bad, so things shouldn’t be too weird to assume they are indeed bad. Even though they are being taken care of by the wonderful Janson (Aidan Gillen). The surviving crew is immediately debriefed, checked up physically, and welcomed into the facility. Forget who we have? Well, there is our main dude Thomas (Dylan O’Brien), the certifiable GOAT Minho (Ki Hong Lee), the minority, Frypan (Dexter Darden), and the sweet one, Newt (Thomas Brodie-Sangster). Yeah, I too am surprised at how few of them made it out. I really thought there was more.

Oh yeah, and then there is the woman, Teresa (Kaya Scodelario). She doesn’t have a lot of personality so I forget about her.

Needless to say, bad things happen at the new facility, so Thomas and Crew end up escaping. They gain the help of Aris (Jacob Lofland) and Winston (Alexander Flores), who helm them realize this place isn’t good. They are collecting kids from all over these mazes for some …wicked…reason.

Now they have to go into The Scorch, the name for the desert, and survive against the elements. And against the Cranks, which are like the infected humans that they are immune to. Basically zombies. Then they basically go from area to pre-established area, each with their own notable leader, who have their own new world agendas. They are kind of like a fleeting Rosencrantz and Guildenstern.

Along the way they will meet Rosa Salazar, Giancarlo Esposito, Alan Tudyk, Barry Pepper, Lili Taylor, and of course, Patricia Clarkson.

But first, they are going to get sand in every nook and cranny.

At over two hours, The Scorch Trials thankfully tries to fit as much as possible onto the screen for us viewers. So much that it is hard to imagine the film as a whole. I’d rather break it down, which means I am going to make another Likes and Dislikes list. Last time I did this was with Avengers: Age of Ultron!

Likes:

• Right off the bat, things get tense and there is quite a lot of action in this movie.
• The soundtrack can keep you mostly on the edge of your seat!
• The Cranks/zombies are an interesting add on to the series. They are fast zombies basically and it was totally unexpected. Some of there scenes were quite terrifying, helping blend this into a more hardcore Dystopian future film.
• For the most part, beautifully shot with great camera work.

Dislikes:

• The intelligence of the characters would not be consistent. They would do something really smart, but then something terribly stupid just so the plot could lazily move forward. The standing around during the sewer scene is a prime example.
• There continues to be very cringeworthy dialogue.
• The film feels like it doesn’t have a cohesive story to follow. Just a bunch of small barely connected parts. And like I said, the main characters don’t feel special, they just feel like they are meandering in the middle of something way bigger than themselves and they are insignificant.
• One scene in particular where a character does a “Noble Suicide” because he is going to turn into a Crank. How? By shooting himself in the head and telling everyone to leave him alone an keep walking. Not only was I pretty sure they were out of bullets by then, but also what the fuck, you are about to die, you don’t need to keep the gun. Just kill yourself so they can get the gun back. There are fucking zombies out there.
• The glass breaking window scene was as nonsensical as they come.
• Teresa was so useless. She was like an emotionless blog used to move the plot forward, usually thanks to Thomas trying to do something for her.

This may read as being a bit nitpicky, but in all honesty, there were a lot of cool moments, and a lot of bad minor or stupid moments. After a second movie I feel like I should actually know more about what happened on this planet. If there is one movie left I feel like I should know more about their overall end goal by now, instead of running around like headless chickens.

I was pretty sure I would have given this film a 2 when I started writing it, because at least I was entertained in the film and I was even scared at points. But a disappointing finale, along with a lot of scenes that made me tilt my head in confusion, leads me to realize this is poorly put together. When your film starts to break down once you think back on events and plot points, that is never a good sign.

Hell, this is the same reason why the last Transformers movie got a 1 instead of a 2. Plot doesn’t hold up. Hopefully the third movie can restore some sort of awe and greatness to this franchise. And, you know, not just be a spray painted golden turd.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

When I grew up, I feel like I went and did sleepovers all the time. Probably just selective memory happening. And you know, barely remembering elementary school things anyways.

I didn’t realize until later that it is probably used as a way to give the parents a break from their kids for a whole night. And then the other parent would pay it back later and watch the kids overnight at their house. Plus, the kids think it is awesome. It is a win-win-win.

The Overnight is about a sleepover for little kids. And by that, I mean a kid sleepover from the parents point of view. And by that, I mean the parents are also sleeping over. And by that I should clarify that no actual sleep happens. In fact, the kids aren’t actually relevant at all in this movie. The beginning of my intro was merely a red herring to fill up space. Suck it!

This photo is also a red herring, as no one in the movie is actually Amish.

Being an adult in a new place is weird. Making new friends can be weird, because no one knows how to do it as an adult. Your friends become people you work with or that you somehow meet due to your kids knowing. You can’t just show up to a group of people in a bar, say you are new in town, and be instantly accepted. Like a kid could do on a playground. You just can’t.

That is the situation Alex (Adam Scott) and Emily (Taylor Schilling) find themselves in. They have a young boy and have recently moved to California. They have no friends, which is especially bad on Alex who might just be a stay at home dad. I can’t remember. Either way, AJ does get invited to some kids birthday party, so they attempt to go and meet new people to have new friends.

Well those people are dicks and Alex doesn’t talk to them. But a boy starts playing with his kid, so that is good. And the dad of the boy notices Alex and Emily so he does the responsible adult thing and introduces himself. Kurt (Jason Schwartzman), who thinks Alex and Emily are just swell, so he invites them over on this very same night for a pizza dinner they had planned. That way their kids can be better friends and Kurt can tell them about the area. Yay play dates and pizza!

They soon after meet Charlotte (Judith Godrèche), his French-esque wife, and everyone hits it off great! Good food, drinks, and conversation. But Charlotte and Kurt realize that our newbies are overstressed from the kid at home and recommend letting him sleep for a bit while they have fun, that way they can get a nice break for awhile. Sounds good. But as the night goes on and the alcohol continues, things get a little bit weirder and a little bit naked-er.

Yep, we’re about to talk about penises everyone.

That’s right. The male human penis. Not really a staple of cinema yet, but it definitely appears in comedy probably the second most across all genres. That is of course, after the porn genre. If you haven’t picked up my not so subtle text, I am heavily implying that both Scott and Schwartzman drop trou for the whole world to see in this film.

But that is only kind of true. Sure, in the movie, we get dick. But we get fake, prosthetic dicks. Neither dicks in the movie are the real actor dicks. But they sure are realistic, so it might as well be their real dicks.

Speaking of dicks, this movie is about a bunch of actually good people (not dicks, get it?), but the couples are just experiencing relationship problems. So of course the weird events that begin to unravel involve their bodies and their own desires, but not in the creepy “Wait, is this just a porno?” way. Everything is a lot more natural. I won’t go out and say realistic, but natural.

The Overnight is not a rip roaring comedy with tons of gags and slap stick and poo jokes. No, it is just putting a relatively normal couple of people in what most people would describe as bizarre night of events. At times it is deep, loving, and sensitive — none of those are supposed to be read as innuendo.

Overall it is a well acted film and my only major complaint would be that not enough ended up happening throughout the film. A lot of personal conversations, a good amount of amusing moments, and enough real moments to let this film be a relatively unique experience.

Good news everybody! Another 50 reviews down on my website, another Milestone Review ready to announce.

Some people tell me, “Hey, Gorgon Reviews, why do you do a longer ridiculous review to celebrate every 50 reviews? No one gives a shit about 1450 or 1100.” Well, first, that is harsh. And 50 reviews, at 5 a week, means I just did 10 weeks of hard work and I’d like to do something fun.

Sure, once I get to 1500, I could start doing them less often. But there are so many supposedly bad movies from the early 2000’s that I haven’t gotten to watch, and they deserve my attention and love! Which is why I will treasure review 1450 (that is today), just as much as review 1500 (in about ten weeks).

Today I am looking at The Adventures of Sharkboy and Lavagirl, a film I knew was ridiculous when I was a kid. Spy Kids was one thing, this one was just sillypants sillypants. But I realized that there is a connection between this film and some of my other Milestone Reviews, and connections are fantastic. That’s right, a member of Twilight is involved in these films, which is all the more reason to watch this movie.

And I will dissect it like the strangest most unethical science experiment.

Max (Cayden Boyd) is our hero, and he is neither shark nor made of lava. No, he is just a boy in middle school or something. He keeps a dream journal. And sometime early into the school year, let’s say first week, he tells his totally true story about summer vacation.

You know, how he met Sharkboy (Taylor Lautner). A boy who was raised by sharks since he was like six, letting him gain gills, fins, claws, crazy teeth and everything. Self proclaimed King of the Ocean. He is friends with Lavagirl (Taylor Dooley), from Planet Drool. She is made of Lava and can shoot lava from her hands.

Anyways, they went back to Planet Drool at some point in the summer and he hasn’t seen them since.

Foreshadowing.

Guess what. His class totally doesn’t believe him. Because he is of course full of rotten cow shit. Mr. Elictricidad (George Lopez) wants him to redo the assignment I think. And this kid named Linus (Jacob Davich). He is a dick and picks on him with other kids and they steal his dream journal.

Don’t worry. One kid believes him, Marissa (Sasha Pieterse), so they are practically dating. She is also Mr. Electricidad’s daughter.

But if he bangs the teacher’s daughter, how will he also get with Lavagirl?!

Needless to say, his parents are also sick of his shit. His dad and mom (David Arquette, Kristin Davis) are probably going to get divorced because of his shitty dreams and how much he thinks they are real despite being 11 or something. They ignore his pleas in regards to his dream journal and told him to forget that stuff.

Next day at school, giant electrical storm hits and everything gets scary. No worries. Sharkboy and Lavagirl show up, much to everyone’s surprise. So they take Max on a shark rocketship up to Planet Drool, openly acknowledging that he should know how to get there since he made it all up.

Yes, Sharkboy and Lavagirl know they exist purely in Max’s head, in his day dreaming world, and they aren’t having an existential crisis. Even with this knowledge, Max doesn’t realize that everything that is happening is hogwash.

Not even magical hogwash, just normal dream based hogwash.

Oh hey, Planet Drool. Things are not as they should be. This is where all of his dreams and goals live, including the unfinished ones. Guess one, there are electrical storms here too!

Oh no! A bad guy, with a TV head named Mr. Electric (very original dreams) is ruining the place! He even has all the other kids on a roller coaster forever, keeping them awake. If they sleep, they can ruin dream world with their own dreams.

So they save the kids and battle Mr. Electric and lose terrible, putting them in the Dream Graveyard. I wish I was making this shit up.

“Okay, Mr. Lopez, just say all your lines really close to a camera lens. Trust us.” – Producer

With the help of a never finished robot named Tobor (Also Lopez), they escape there and go to a happy place of milk and cookie dreams. They realize that someone else’s dreams must also be in Planet Drool making things go to shit. Mr. Electric isn’t the only bad guy.

Lavagirl and Sharkboy feel incomplete. They don’t know where their future is going and are missing parts of their past. They need answers! But Max doesn’t remember everything. What a fuckwit. He also apparently has powers of his own, but again, he doesn’t remember it.

However, they eventually convince him to take a nap, in his dream. Sharkboy sings a terrible song. Dream dream dream dream dream, and note that they are clearly already in a dream, and he has to go to sleep in said dream.

He’s got the magic touch, some would say.

Needless to say, his quick nap gives some answers. They also find out who is behind most of the negativity. Some dick named Minus (Yes, it is Linus), who has his dream journal. Bad news for Minus is that they realized that Max is the Day Dreamer officially, so he can imagine things on the spot and they can come true.

Sure, it took Lavagirl and Sharkboy back and forth going to the brink of death for him to realize this shit, but it happened. So eventually Minus realizes he is being a dick and he is cool again.

This does not save the day. Mr. Electric gives no fucks and he says he will destroy Max where he can’t protect himself. So he goes back to Earth.

Of course he did fuck up the entire dream journal first. Whattadick, Linus, Minus, Bo-Binus.

Back on Earth, Mr. Electric intensifies the electrical storm, causing tornadoes and things start to fall apart. Mr. Electricidad is offended by the creation, since it has to have been Max’s dream come to life. But whatever. Deal with it.

Somehow Sharkboy and Lavagirl arrive to help save the day. They also make Max’s parents realize they still love each other and family is important. All in the same disaster!

I forgot to mention that on Planet Drool, there was also an Ice Princess (Marissa) with a Crystal Heart. Their plan was to find the Crystal Heart to freeze time, to allow them enough time to fix the planet. It turned out to not be too necessary. But Max brought it to Earth, so they use it to defeat Mr. Electric instead.

This is where everyone learns that dreams are what you make of them, and you should make them come true.

If you want to be the lead in an all Shark riverdancing experience, then by golly, make that shit happen!

I have a hard time believing that Robert Rodriguez, director of Planet Terror, From Dusk Till Dawn, and Sin City, thought in any capacity that this movie was decent. Yes, it came out in 2004. Yes, CGI was not as good as it is today. But this is beyond bad. This is like a $10 used bin in Wal-Mart CGI, if that existed.

The main draw to this movie would have been it’s 3D, I guess. But again, 2004 was well before Avatar came out and they changed the way 3D worked in theaters. This was probably shitty red/blue sunglasses 3D, so I am sad that I didn’t get to experience the 3D with my version. It was clear what they wanted to do with the 3D with the cheesy scenes and I am sure it came across just as bad.

Not to over-scrutinize a shitty kids movie but…the plot makes no sense and seems to fall apart the further it tries to play it out. The acting is bad on all fronts, adults and kids alike. Lautner was brought in because as a youth he was really good at martial arts, and all the flipping and jumping was actually him. He still is good at that now, but it was more impressive when he was like ten. Who would have thought that a kid with the shitty rap lullaby video would turn into a weird sex symbol.

If you hate visual messes on the screen, you will also hate this film. The entire dream world landscape was just ugly and bad.

Yeah. I may be harsh on this. But again, Rodrgiuez must know this is terrible, but he did it anyway for the lols. That is the only explanation for this mess of a pointless film.

The internet can be a dark and scary place. And that is based only on my limited experience as a regular person. But in reality, I have only seen the surface of what the internet really offers. So I can sound cool, I will start using the lingo and refer to regular internet as Surface Web for that reason! I watched Dope, which means I know what I am about to talk about.

But there is a darker side of the internet. A deeper side. A Deep Web, if you will. This part of the internet has “non-indexed content”, or pages that cannot be found through simple searching. In this area, a lot of fun stuff can happen, including: anonymity. That is one of the biggest complaints about our lives. If we want to remain anonymous, we have to basically go off grid to do so. Everything tracks us, our phones, our search history, everything. But the deep web is where people can just do things that they want to do without worry.

Sure, some of those things might be very illegal activities, like hiring hit men or child pornography. But there is also less serious stuff, like simple selling of drugs or other contraband, and just a community of people who can be honest with one another. Deep Web is a documentary that explores just what is the Darknet and talks about Silk Road, a famous website for drugs and more, that went to trial recently. And interestingly enough, it was directed by Alex Winter, aka Bill from Bill and Ted. Admit it, you were wondering what he was doing with his life.

To make things even better, the documentary is narrated by Keanu Reeves himself.

Bill and Ted’s Darknet Journey!

Enough joking, this is SERIOUS BUSINESS. After all drugs are bad right? Well, not if you listen to like, 5 of the documentaries I have reviewed (And meant to review). Silk Road was a place founded to buy and sell goods with anyone around the world, using bitcoin, an untraceable (if you do it right), currency. It was the safest and best way to get drugs and is one of the biggest reasons Bitcoins became so valuable.

It then goes into the sites eventual take down by the FBI, how they did it, and how they captured the supposed creator or owner of the site, Dread Pirate Roberts aka Kirk Ulbricht.

Of course, naturally, it then goes into the trial, the investigation, shady things that happened and very shady things that happened. This trial ended this year, so it is recent. The point it makes is that the trial wasn’t fair, and the government did illegal things and broke a lot of real life privacy laws to do what it did. Is that guy really the Dread Pirate Roberts? Hell if I know. Probably. But doesn’t mean that I would be fine with the government stepping so far outside their laws to catch him.

It is just a snowball effect. If it is fine with one person, it is fine with everyone, and it is more fuel for the NSA to keep their sails on course.

Now, despite all of this, I still think the documentary went way too long on the trial information. Halfway through it, I was finding myself bored and more susceptible to distractions. A lot of pauses started to happen as I cared less and less. I can agree something sucks, and I can say it started out great, but I wanted a bit more information on Deep Web and other things going on there. Over 75% of this is actually just about the Silk Road and the trial, but damn it, the documentary wasn’t called Silk Road.

For the most part, I tend to avoid films that begin with the word Love. I did a theme week a few years ago watching a whole lot of films that began with Love, and for the most part I was disappointed. Here’s a snapshot of those films and review ratings as simple reminder. Basically, since I watched Love and Other Drugs, no other Love film got close. A few strange ones did a good job, but for the most part, they were all meh, bad, or shit.

But new movies keep coming out, and occasionally they start with love. I still don’t mean that in a story telling sense. As I review new movies, I will of course still watch them, but I won’t actively seek out a film with this strange specification. Regardless, I was slightly interested to see Love & Mercy.

That is because this bad boy is about the “greatest rock album” of the 20th century, Pet Sounds by The Beach Boys Brian Wilson!

Less surfing, more strange sounds and a journey through one’s mind.
So… mind surfing.

In the mid-1960’s, The Beach Boys were everywhere. In 4 years they had already released 10 albums, a lot of them about surfing. They were world famous, tours, money, all that fun stuff. But Brian Wilson (Paul Dano) wanted something more. None of them actually ever surfed, it all felt fake. He was a composer at heart and had a sound in his head that he needed to record and let the world hear!

So he didn’t tour with the group to focus on their next album. He pulled out all the strings, getting great orchaestra players to figure out the tunes and sounds without any words for most of the music yet. And he did what he always wanted to do, to make what would become the Pet Sounds album, despite all the naysayers.

Also, it is the mid-1980’s. Brian Wilson (John Cusack) is mostly alone, on a lot of drugs, and under the guidance of a caregiver Dr. Landy (Paul Giamatti). He cannot see his kids, he is under constant watch and other people make all of his main decisions in life.

His life sucks. His life might have always sucked. But there is some hope, in Melinda Ledbetter (Elizabeth Banks), a cars saleswoman he meets one day. They start to date and she starts to see how bad his situation is. She wants to get him help because she is starting to like Wilson, who seems to only be a shell of a person at this time.

Oh and I guess some other Beach Boys are in this movie. Played by Kenny Wormald, Graham Rogers, Jake Abel and Brett Davern. They have various speaking parts in this movie and some of them butt heads with Brian when they hear his album concept. And of course, Bill Camp gets to play the dad of the Wilson kids and former manager and not former mean person.

Sometimes you just wake up in the morning and think, “Fuck, even my art is beach themed.”

What is this, the year of the musical biopic? A lot of them tend to be terrible VH1 Behind the Music level films that tell a story we have all heard before with some sweet tunes. But 2015 has given us Love & Mercy, which you know I will call amazing, and Straight Outta Compton, which was definitely amazing. I would like to thank Get On Up from August 2014 for this. It was a good musical biopic, not on the level of the above films, but better than average. It seems like the genre can do no wrong!

Why is this one fantastic? Thankfully it is for multiple reasons. First off, the acting from Dano and Cusack is incredible, yet very very different. Yes, they play the same man about twenty years apart, but they are very different times in his life where he has a very different psyche. In Dano, you can see the artistic genius at show but also see how he starts to crack and fall apart despite the currently good events in his life. For Cusack, he plays a more typical drugged up/mentally ill person trying to make his way in the world. While a good performance, from an acting stand point it didn’t seem to be breaking new ground like it did for Dano.

Again, Cusack was actually really good in this, but to me he was overshadowed by Dano who was really really good in this. And besides, it was a bit hard to imagine Cusack as anyone other than just a bit more out of touch Cusack.

But that is just the first reason! The other reason comes from the plot and accuracy. I, like a lot of people, would love it if the bio films were more all encompassing instead of focusing on a few events. But they picked great (read: sad) times in Wilson’s life to really tell the story of what he has overcome and what he has accomplished. But to tell a coherent parallel story always takes some gusto. This is the first major movie directed by Bill Pohlad, who has produced a lot of great films. It is a very impressive first outing, an incredible work for him and the writers who pieced together this movie.

God Only Knows what we would have done without the Pet Sounds album and eventually this film.