Gorgon Reviews

Circle Circle. Dot Dot. Everyone knows that is what you need to get your cootie shot. Except for my wife, who asked why I drew boobs on her arm.

No one wants Cooties. They are gross and carried by other gross kids. Fuck those asshats, trying to spread their germs on you. Or worse, COOTIES.

When I heard they were making a horror comedy about actual cooties and how the outbreak starts, I will admit I was interested. Zombie movies are trying very hard to be original now, so why not make a whole lot of kid zombies? That adds a new dynamic, morally and comedically, with lots of room for potential. It makes sense, if you think about it. Kids in general have potential, so Zombie Kids should have potential as well!

Although, with their shorter arms the whole thing just might be child’s play.

Clint (Elijah Wood) is a fancy book author who used to live in NYC. But times are tough, and he is living with his mother. It is the start of summer and he has lucked his way into a summer school teaching gig, as a substitute. Anything to pass the time, I guess. If anything it can get him out of his slump. He is trying to write a horror book about a possessed boat and he is only about a chapter in.

Needless to say, the kids at summer school are kind of dicks. But at least the teachers are mostly not dicks.

Well, Wade (Rainn Wilson), the athletic director is a dick. But everyone else is eccentric or fine. Oh hey, there is Lucy (Alison Pill), who he went to school with. She seems relatively normal.

Other teachers include people played by Jack McBrayer, Nasim Pedrad, and Leigh Whannell. And let’s not forget the crosswalk guard Jorge Garcia and the janitor Peter Kwong!

Anyways. Some sort of infected chicken nugget causes it all. Girl eats it, starts getting sick. She bites another kid, and soon, kids are running around the school, biting and attacking anyone in site. Fucking kid zombies.

As for some of the kids, we had Patriot (Cooper Roth), the biggest dick in the school, Dink (Miles Elliot), his lackie, Tamra (Morgan Lily), patient zero, and Calvin (Armani Jackson), a kid who didn’t get bit and gets to hang out with the adults! There was another girl that hung out with them, but I forget a name. And of course, Ian Brennan as the normally vice principal, but for summer, principal! He wrote the narrator of Glee.

Here’s what you missed last time on Cooties: Fuck these little fuckers!

Cooties ended up being a lot more graphic and violent than I expected. Horror Comedy usually means a lot more comedy and horror is more of a sub genre. Like, “Oh yeah, there are zombies, so there is a horror element, but we are all just hear for the laughs.” No, the zombie kids end up being a bit scary and definitely very gruesome in their attacks on the teachers and parents at Fort Chicken. Add in the booming loud noises department and I was constantly taken aback. Yes, they made loud noises to scare you, and yes, that is lame. But they were still unexpected.

I actually had a mostly enjoyable time with this film. The banter in particular between Wood and Wilson was the highlight of the film, along with one of the teachers being ridiculously smart in biology out of nowhere. A lot of it however falls apart with the ending. They just don’t stick it. It is as if the writer/director didn’t know where to take the story. With only 10 or so minutes left, our characters were in a new situation. No real time to fully appreciate the situation, just enough time to showcase something cool and end with a cliffhanger.

The movie is also afraid to kill off the teachers. Anyone who seems to have lines is encased with plot armor. The kids lose any real scare when they turn into just things that run at them just as doors are closing. At least early on there was mass chaos, kids chasing other kids, teachers getting fucked over who were outside, etc.

Despite everything, Cooties was entertaining in ways I didn’t expect, and pretty decent on the joke department. I would watch a sequel in the future, should it happen, with some amount of optimism. But in all honesty, despite unresolved story lines, I don’t think a sequel has anywhere it could go that would set it apart from other zombie films.

“You know what your website needs?” I hear these words all the time. People offering suggestions for genres, or movies to review. I like suggestions, so this is great. “Your website needs more horror films from other countries.” Well, that is a very specific request. But let’s do it.

Now the person who requested that most likely meant something Asian. They have a lot of crazy scary horror films, if I am to believe my friends. Since I am afraid of scary things, I never really jumped into that subset. So instead, let’s take it slow and dive into European Horror. Specifically, Austrian.

Oh hey, look at that. Austria’s official submission for Best Foreign Language Film in the next Oscars is actually a horror movie! That means it is either really good, or Austrian cinema is really lacking.

That is why I am looking at Goodnight Mommy, or, Ich Seh, Ich Seh (which of course does not mean Goodnight Mommy in German). I assume the name change in English is because they didn’t want their film compared to Foghorn Leghorn.

“Ah see, I see, sons, why are you wearing those masks?” – Foghorn Leghorn playing the mother.

Lukas (Lukas Schwarz) and Elias (Elias Schwarz) are twins, let’s say 11, living in a secluded and rich house in the Austrian countryside. There are farms nearby, woods, a lake, some caves, everything they could want. And eventually their mom (Susanne Wuest) comes home! Yay!

Or…or does she? Their mom was involved in some sort of accident. She had a lot of surgery on her face. So her face is wrapped up in bandages, with just her eyes and mouth visible. But the boys believe that something is different. Their mom is meaner and more distant. She has created a lot of rules that keep the boys mostly in home or right in the yard.

She doesn’t take them to town. She orders in food so they can just be alone for a good long time while she heals. They are alone and they are pretty certain that the lady is not their mother under the bandages. But with a dad out of the picture and no real ability to talk to anyone, what are a couple of kids supposed to do?

Also featuring Hans Escher as a priest and Elfriede Schatz and Karl Purker as two Red Cross workers.

“Why the hell aren’t you showing any faces in these pictures?” – You, the reader.

On the comment card after the film, I wrote “I am completely unsettled.” That wasn’t descriptive enough though. I should have also mentioned that my jimmies were in fact rustled as well. In all honesty, the best way to describe my emotions after the film can probably only be described as an emoji, but I don’t use those and I don’t want to find the appropriate one.

This is not a typical horror. It isn’t full of scares throughout, but a good chunk of the film is instead just a bit eerie. The directors spend a lot of time building the mood before things really start to hit the fan. There are glimpses of madness, but they are in short bursts, or told through dreams, letting the creepiness build.

But the in the entire third act, we reach the level of things you come to expect from the drama, and it pays off wonderfully.

Two aspects of this movie I really enjoyed. One, it is a mystery of sorts technically. But the mystery doesn’t seem to be that important. I imagine most people will “figure it out” before they finally reveal what is going on, but that doesn’t take away from the film. Once I had my guess, I enjoyed watching the film to look for hints or clues to see if what I thought was right. It was still a good experience.

Two, the directors used a lot of silence which is a lacking sound from most modern horrors. Silence is a wonderful tool that can be used to make a situation far more tense. And I don’t mean “Silence, followed by loud scary noise to make you jump!”. No, just silence to make the gross or scary a bit more realistic and thus a bit more darker.

I don’t want to see Goodnight Mommy again. My body couldn’t take it. I hope some of the more graphic scenes eventually leave my brain completely because of how brutal they were. Goodnight Mommy has to be a good horror film, because it scared me into wanting to see it a second time.

Today we are going to flash back to the year 2010. Animal Kingdom was nominated for a shit ton of awards, including an Oscar for Best Supporting Actress. Not only was it nominated for a shit ton of awards, it also won a shit ton of awards. It is a highly decorated, Australian crime drama film.

Fast forward a years, to the end of 2011. I saw Animal Kingdom in a Blockbuster on Blu-Ray for sale. I bought it, thinking it looked interesting and determined I would watch it shortly. I mean hey, it won awards, it must be good!

About a week later, I was about to make good on my promise, put it in the PS3 and started to watch it. Twenty minutes later, I had to stop the film as I realized I had no idea what I was doing, I was too busy multi tasking, and then I got tired and said I would get back to it eventually.

WELL EVENTUALLY IS FINALLY HERE TODAY, FOLKS! I have owned it on Blu-Ray for almost four whole years and I have wanted to watch it since I bought it. Clearly, there is no better film I could have picked to showcase on the last day of my Fucking Finally week.

Given the title, it should come to no surprise to you that everyone runs around on all fours.

This is a story about a family. A family who all happen to be criminals.

J (James Frencheville) lives with his Mum. Or at least he did until she OD’d. Now he is going to movie into a home with his grandmother, Smurf (Jacki Weaver). Don’t worry, that is just a nickname.

Also in the house are a few of his uncles! There is Baz (Joel Edgerton), good at robbing places. There is Craig (Sullivan Stapleton), who sells drugs and makes quite a living off of them. The oldest uncle, Pope (Ben Mendelsohn) is not in the home, he is in hiding and wanted by the police. And the youngest uncle is Darren (Luke Ford), who kind of just exists and does what he is told.

Somehow, with this noble family of thugs, a bad thing happens. Baz gets shot and killed by the police, for “no reason.” This pissed off the brothers. They wanted to get even and kill a couple cops. And using J to steal a car, they set up a trap and got their revenge.

Well, now J is involved with his family way deeper than he ever planned. Suddenly, a detective (Guy Pearce) is investigating them. They have a family lawyer (Dan Wyllie) telling him to not say a thing, everyone assuming he will be the weak link that gets them nailed.

J just wants to hang out with his girlfriend, Cole (Laura Wheelwright). And more importantly, he doesn’t want to die from crooked cops, angry family, or AIDS. He didn’t mention the last one, I am just assuming.

She has the grandma sweet guilt look down pat.

[Editor’s note: The ending of this review was lost hours after I originally wrote it. The ending of this review might be shit as I try to badly recreate it. It just sucks ya know?]

First and obvious question, was the film worth the wait? Yes, thank goodness, it was still an enjoyable film. Now I will admit, one of the main reasons I still wanted to watch it was because of Edgerton. I didn’t know who Edgerton was when I first tried to watch this movie because I hadn’t yet seen Warrior. But now that I know him, I want to see more of his movies. Little did I know his character would die in the first 15 minutes. Oh well.

Acting wise, everyone did a pretty good job. I am happy it focused a lot more on the drama aspects instead of an action movie. The first 45 minutes were a bit slower than I’d like, but the last hour was still captivating despite the lack of “pew pews.”

I am happy to report that I don’t regret buying the Blu-Ray. It adds some prestige to my shelf, as I don’t have many Australian films anyways.

Man on Wire is another documentary I have inexplicably just avoided. I blame the year it came out, 2008. Right now I am only watching things from 2010 and on! A five year window is very important for my website to feel modern and fresh. If you ever google recommended good documentaries, Man on Wire will be a relatively recent one always recommended, along with Grizzly Man.

Needless to say, it has almost always been on Netflix as well. A very easy documentary to get access to. There is also the ticking clock element here, with The Walk coming out in a couple weeks. You know, the movie version of this same old story that was probably only made because of how allegedly good the documentary was. I have to watch this, because a film based on a film is totally something I should do as a reviewer. Nothing like reading a book before the movie. And that is why I chose Man on Wire for my 4th day of Fucking Finally week.

The documentary is about Philippe Petit, an eccentric French man, who is really confident in his balance.

And he had dreams. He had dreams of showing the world how good he could balance. He was just a guy who had a type rope and would walk it in the park, getting better over time. But he wanted to reach for the stars. He wanted to tight rope walk on national land marks.

Kind of like my own goal to take a poop in every National park in America. It is just something that can drive someone to do weird things.

Hey look. A dude on a string!

How weird? Well, homeboy went and tight roped on top of the Notre Dame chapel thing. Kind of cool. But not that impressive. Then he went to Australia and did it on top of the Sydney Opera House. Boring. Gravity works differently in Australia because they are all upside down. We all know that.

Those things were all for the kids though. His real life long goal was the Twin Towers in NYC. He knew it when he first saw a picture of them in a magazine before they were finishing being built. That would be his greatest life moment. One day.

So he did it! Before they were even finished. With many months of planning, sneaking, with a group of friends and acquaintances to help him pull of the best art crime of the century. Man on Wire is his story, told by him and his friends (yes, still alive!), through reenactments and real footage.

And despite knowing the outcome (success, good job!), it is still somehow unbelievably tense. The music department does a fantastic job, along with the reenactments of keeping away from the guards in their many trips to make their plan work.

But the reason this documentary works is Philippe Petit himself. This man has a huge ego and is clearly in love with himself. But he is also giddy and excited in the telling of his own story (I would be too if it made me world famous and helped me not have to really work much again). His enthusiasm is contagious. He doesn’t even sit still for the interview, getting up several times to make a point more clear by acting things out.

Petit is the kind of guy you invite to a party, assuming you don’t care if it becomes all about him.

Petit is the kind of guy who can make a really good sandwich, and will share it with you, but only one type of sandwich.

Petit is the reason this documentary is so well loved and a fantastic thing to view and listen to. I hope Joseph Gordon-Levitt can pull him off!

Movies in 2014 brought us some incredibly new and wonderful experiences. Boyhood took 12 years to film, doing a little bit each year to watch the actors grow old. Birdman was edited in a fine way to make it seem like just one long continuous shot. Both fantastic films, my 1 and 2 from the year.

But there was another movie that was unique last year that interested me. The Disappearance Of Eleanor Rigby. On its own, it doesn’t seem like that innovative of a film. However, it is collectively three films in one.

On the surface it is just about a relationship. Specifically, the three versions are called Him, Her, and Them. Him is the plot from mainly the guy’s point of view and Her is the girl’s point of view. Them is a more typically told story, telling bits and pieces of their sides and is a much more standard film.

And I wanted to see it all of 2014. I wanted to watch it as soon as it hit Blu-Ray. It has been on Netflix for months, all three parts! Welcome to Day 3 of my Fucking Finally week.

First comes love…

Conor (James McAvoy) and Eleanor (Jessica Chastain) have had a long relationship. They even married! Serious stuff. But no one would describe their lives as remarkable. Eleanor came from an academic family, but left her PhD program in Anthropology, when she got pregnant. Conor is the son of a restaurant God in NYC, who also has bad relationships, and is now attempting to run his own restaurant without his dad’s help.

But then one of the worst things happen. They lost their baby boy, really young. Their grief came in different ways, driving a wedge between them. After a few months, Eleanor wants to take a brake from their relationship, frustrated where things are going, and that is really where our story begins.

In Him, we mostly get to see Conor flailing about trying to deal with his emotions by repressing them like a motherfucker. They still come out in bursts, like when he has attacked unruly customers. His best friend and chef (Bill Hader) is even getting sick of his shit.

Conor sort of starts to stalk Eleanor a little bit as well, following her around but never having the courage to talk to her until he resorts back to a kid in middle school and passes her a note, quite creepily. His story also features Ciaran Hinds as his father, and Nina Arianda as an employee who has feelings for him.

Then comes stalking after heartbreak and sadness…

In Her, we don’t even see Conor for the until the awkward scene above. James McAvoy is barely in this film and it is definitely all about Eleanor.

It starts with her injury and then her going on her own to the hospital. Eleanor decides to go home with her parents and sister. The mom (Isabelle Huppert) is French through and through, always seen with a glass of wine. Her dad (William Hurt) is still a psychologist at the local university, and her younger sister (Jess Weixler) has a little boy of her own, but no man or boyfriend in her life. She was already living with the parents still. Her family tries to get her help, but can’t seem to provide enough help on their own, the awkwardness of the whole situation. Some psychology degree, am I right?

So she does go to the local college to take a few classes. There she develops a nice bond with another psychology professor (Viola Davis), who is able to talk to her like a real person about normal things, since she knows nothing about Eleanor’s last few months. Her time alone allows Eleanor an attempt to find herself, and interact with Conor on her own terms in her own ways. Slowly, surely, and eventually full of hope.

In Them, it is the longest of the films at just over 2 hours. However, it is literally just everything you seen before. You still get the scenes between them, but this time you also get some of their individual scenes.

Them is packaged in a way so that it can be their complete story in a regular time frame for a regular movie. A movie about sadness and grief and how two different people cope. Technically, some of the scenes between them we see from a few different angles, but it is just a cram packed version with less individual detail on each character. Although, when watching it, it still felt like it featured a lot more of Her than Him.

Then comes alcohol to end all of the sadness!

Five hours, twelve minutes. That is how long watching these three movies took overall. That is if you want the full experience. The good news? You don’t have to see all three for the full experience!

In fact, you shouldn’t watch all three, and definitely not in the same week. You should only watch Him and Her, or Them, not all three. If you just watch the first two, you will get a very unique experience and you will get it in three hours, nine minutes. A much more reasonable amount of time. If you are feeling lazy or want a very regular saddish drama, then just go for Them. Its like a not very effective cliff notes.

Now, I watched them in Him, Her, and Them order because it just seemed to make sense. I knew the films were about the woman leaving, so it makes since to keep some mystery and watch Him before Her. Doing so allowed the film to answer questions are different times and felt like the best experience.

This only matters if you care about my recommendation of course. The best experience would just be Him and Her, no Them, because it is mostly repetitive. It sucks that I cannot wipe Him/Her from my memory before Them to give an unbiased review of it. But Them on its own didn’t feel like a great movie. Obviously I had the issues of it being full of scenes I had already seen (does that sound weird?), but it also cut out a lot of other scenes that I felt were necessary.

That’s right. Watching the condensed two hour version felt lacking. Shocking discovery, I know.

Them is Shit. Him and Her combined are a good experience. If you were going to watch just one of Him and Her, it won’t be good. It would just be odd and you don’t want to be odd.

Oh yeah, for whatever reason, the movies end differently. I have no idea why this happens, but Her has the best ending, in my ever so humble movie reviewer opinion.

Joe Dirt: Cult Classic, Classically Bad, or just a shit movie?

Hard to say, depends on who you ask. I would argue that it had a few redeeming jokes, could have been good, but overall, just a shit movie. Which is sad, because I tend to just feel sorry for David Spade more than anything. I liked Dickie Roberts: Former Child Star. Or at least a few redeeming jokes/scenes. Fuck. So I guess I just feel bad overall. He probably just misses Chris Farley.

And then we got Joe Dirt 2: Beautiful Loser. Was it wanted? Hard to say.

But it exists and it was released exclusively on Crackle, because Sony went and financed the film. So you can watch it in all 480p glory with commercials, right now. Which is why this is day 2 of my “Fucking Finally” review week.

480p, because if any higher, you could tell that the hair is not actually a wig, but his real hair!

This sequel takes place not at all directly after the first film, and not just because I don’t remember how the first film ended. But Joe (Spade) and Brandy (Brittany Daniel) are still together and they even got married. Yay! You knew that from the picture above.

Things were going well, technically. He even got Brandy pregnant to make a little Dirt. Turns out Brandi was actually popping out triplets though, all girls. Oh well, life is still fine. Even if Dirt just gets farted on at work and his family thinks he is a loser. To prove he is not a loser, he runs back to the trailer during a tornado to get something for one of his daughters. This makes him Wizard Of Oz it up and get transported to another place, where it lands on the leader of a gang!

Hey, that makes Joe the new gang leader, according to the second in command, Foggie (Patrick Warburton). Also, it is now 1965. Time travel, just because.

The rest of the movie is literally Joe Dirt existing in the past, doing past stuff, like meeting Lynyrd Skynyrd, before they are famous, doing a Cast Away parody, and other stuff. Heck, the whole thing is really a bigger Forrest Gump parody.

Also you can find Mark McGrath, Dennis Miller, Tracy Weisert, Christopher Walken, Rhonda Dents, and Kevin P. Farley stomping around at various points in this movie.

Feast your eyes upon this image and know pain itself!

Look at that image above. Look at it hard. Does it make you feel bad inside? Does it make you hate yourself? Does it make you wonder how could an image like that appear in a movie that doesn’t have “Movie” in the title?

That’s it! Joe Dirt 2: Beautiful Loser does what no one thought possible. It created something on par with Scary Movie 5, The Starving Games, and Meet the Spartans. Shitty parody movies with barely a theme that have one unrelated scene after another to make terrible pop culture references and call them jokes.

However, Joe Dirt 2 doesn’t even have a theme. It just makes terrible references, not jokes, just references, and moves on. The picture above is trying to make it seem hip and cool, by putting a gif meme directly in the film to appeal to the youth of today and just seeming terrible. It literally came out of nowhere and didn’t even make sense in the scene it was in!

Honestly, I found maybe two scenes slightly amusing. The Skynard scene and the nickname scene. However, like every “joke” in this movie, they both still go on too long and make me sick of it before it is through. In a way, that describes the films as a whole. Joe Dirt could be considered an amusing movie. Joe Dirt 2 elongates the joke too far, making me hate 1 and 2 collectively more than I did before.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

Fucking finally. Those are the words I said when I sat down to watch The Interview. I mean…fuck! What month is it? September? 2015?

The Interview was supposed to come out on Christmas of 2014 (after being pushed back from October to re-edit a little bit to make it better for NK), and I first saw a trailer for it way before all this North Korea bombing controversy happened. I was stoked to see it. I was sad when my screener was cancelled. I cheered on the good fight from Alamo Drafthouse saying that they would still show the film. And then it was on VOD like, right away and Netflix probably within a month of that. So it has been easy for me to consume and watch an review for over 9 months.

And I am just now reviewing it. What the hell happened? Why did it keep leaving my point of view and get pushed back? As a real answer, January I specifically put a lot of effort into finishing my best/worst of 2014 year lists, then I had to worry about watching all the rest of the Oscar nominees. Then I just forgot.

So without to much more delay, I am presenting you with a review of The Interview to kick off my “Fucking Finally” review week! Not just a bunch of movies I should have watched a long time ago, but movies that have been super available to watch and I somehow just didn’t do it.

I just couldn’t handle the fake smiles and forced friendships

Dave Skylark (James Franco) is the host of Skylark Tonight. He is very outspoken, in your face and not much of a professional. The good news is that he doesn’t have to be professional, because all he does is interview celebrities and talk gossip. He is an entertainment journalist, the lowest of the lows. Kind of like being a movie reviewer!

Aaron Rapaport (Seth Rogen) is his very good producer who has recently reached 100 episodes with the show. Wow, 1000 episodes of making technically shit TV, but it used to be even bigger shit before he came along. He never thought he would be doing this. He thought he would be a serious producer for serious news programs that actually made a difference in the world.

That is when they find out that North Korean leader, Kim Jung Un (Randall Park), is a big fan of Skylark Tonight! He also recently secured nuclear warheads and is waving them around like a metaphorical dick to the rest of the world. By just making a few phone calls, they are able to set up an interview with the Supreme Leader and a free trip to North Korea! Sure, they have to ask pre-approved questions and are limited what they can talk about, but it might elevate Skylark Tonight to be an important news program! Sure this interview will suck, but other political people will have to accept their invites if they interviewed friggan Kim Jung Un!

Enter the FBI (Lizzy Caplan, Reese Alexander). They want them to kill Kim Jung Un, using advanced poison technology that will in no way bring it back to them or the USA. Oh what a fun trip this will now be!

Also featuring Diana Bang as the NK Chief Propagandist, and Timothy Simons as a worker on the show who is just a super yes man.

Radio communication devices are always 100% effective next to each other.

If there is one thing The Interview had going against it, it could in no way ever live up to the hype that began to surround it. North Korea allegedly threatening to bomb movie theaters if they showed the film? (This of course, unconfirmed, as it was a message from the Sony Hackers, who probably weren’t actually North Koreans and just fucking with people). I mean, we had the POTUS speak out about free speech and wanting the movie to be shown! If a movie threatens the security of America, it better be the funniest, most crass piece of work ever done!

And guess what? It wasn’t. When boiled down to the essentials, it is only mildly offensive (barely) and average in humor. People judge comedy films much harsher if they aren’t full on spectacles, so an average comedy is generally seen as bad or a waste of time. Remember The Guilt Trip? Of course you don’t. That was an average comedy forgotten by time. The Interview won’t be quickly forgotten thanks to the months of free press the film got. But it definitely wasn’t a huge Sony conspiracy either. They lost millions upon millions over the hack and probably didn’t make all the money they had hoped for The Interview either. Although, it is their biggest movie in terms of money made through online distribution, so it has that going for it.

Ahem. Where were we? Oh yeah. The acting in the movie is fine, Franco was a completely different person (or a more exaggerated Franco, hard to say). Rogen was his normal self. Park did an interesting Un (is that the last name? I have no idea how it works in North Korea). Bang was pretty good in her role and the FBI was more or less irrelevant.

There are a lot of long scenes, a double edged sword. If you don’t find the current joke funny, it will stand out and be awkward. I don’t have to finish the second half of that statement I think. You get it by now.

Either way, I think the main reason I avoided it for so long is because I knew it couldn’t live up to the hype and knew I might not like as much as I had hoped.

I don’t get it. I don’t know why it is called Z for Zachariah. None of the main characters are named it. I could have easily missed it if someone said their brother/dad/whatever was named Zachariah.

It sounds biblical in a way, and there was a Zechariah in the Bible AND Quran, making him a big deal. But he was just the father of John the Baptist, and I have no idea why that matters.

Damn it. Someone smarter than me should eventually comment why. It might be more obvious in the book version, but I will definitely never read it.

They are watching where the TV would be. You know, if channels worked. 🙁

Guess what, everyone is dead! Boooo! Nuclear war fucked everything up and radiation is a bitch.

But guess what. Ann Burden (Margot Robbie) is alive! Her farm was located in a small area that the radiation was able to avoid. You know, in the mountains in a valley and stuff like that. In fact, her whole family survived, their church and all.

But the parents felt it was their duty to go look for survivors, and they never returned. So her brother also left to look for them. So she is all alone, with her dog, running a farm and struggling to survive.

However, she comes upon a man in a radiation suit and a cart, Loomis (Chiwetel Ejiofor). He has been searching for a radiation free zone for a long time, being in a bunker when all the bombs went off. She saves his life, and they learn to live and love each other. Even if he isn’t religious.

That would be too convenient. Him helping her get gas for vehicles, design a water wheel, and all that stuff. Life cannot be easy. Which is why a third person joins the group, Caleb (Chris Pine). He is just stopping through, but Loomis gets jealous. Caleb is a religious boy and Ann likes him too.

When you only know that three people exist, it just seems natural for a love triangle to form. Are one of the guys evil? Are both of them good people? Who knows. Maybe Jesus?

Jesus killed for your sins. So don’t kill one of the three people on Earth.

Seriously. What the fuck does the title mean? Argghhh.

When you have a movie with only three characters, not even background people, you have to hope they are all great actors or else your movie will suffer because of them. Margot Robbie is the assumed weakest link right off the bat, because she doesn’t have as significant of lines of work as the other two gentlemen. She was made famous from The Wolf of Wall Street, she was terrible in Focus, barely in About Time, and was average in Pan Am. Yes, I watched all of Pan Am.

Despite her average film history, that hasn’t stopped people from over hyping her role as Harley Quinn in the Suicide Squad Movie that is roughly a year away still. Just from trailers, the things meant to overhype things! I assume someone won’t be fantastic in a movie until they prove to me they can act great in said movies. Thankfully, Robbie is fantastic and this is easily her best work to date.

Ejiofor, as always gives it his all and gives a wondrous performance. But we expect that from him. Pine might be the only actor I had an issue with. He is supposed to be suspect, being the last to join the group. But he seemed to overdo it and didn’t always act like a normal person. He overacted the role, while Robbie and Ejiofor felt more natural and subtle.

The best part of the film outside of the acting is just the general atmosphere and world they created. No one was ever really happy, everyone they knew was likely dead. Life sucks, but they were making the best of it and trying to create something sustainable. That is great.

The film does seem to lack enough events to really keep the viewer interested still. I am not saying I have ADHD, but damn, let’s get some more important things to occur, outside of working montages and glaring. The ending is also a bit vague, and in this case pretty annoying. This is a simple movie and interpretation is stupid. Just let me know what happened, damn it. It is probably the book’s fault. Boo, books. Just give me fantastic movies, damn it.

I was told I need to watch The Visit, for a few reasons! One, my wife likes a lot of the M. Night Shyamalan films and she needs me to tell her how it is. Good reason.

Two, I have only seen one MNS film in theaters, and that was the terrible After Earth. And come on, that doesn’t count. None of that was typical MNS. And finally, despite thinking otherwise, I have actually seen all of his films but two. I figured I was missing at least 6 or 7 by now, but somehow I have watched most of them. I kind of have to keep going at this point, no matter my preconceived notions.

As for biases, IMDB labels the film as a comedy horror. For some people who have found his recent movies to be laughably bad with terrible twists, this allows him to join in on the joke with him. If he makes things intentionally cheesy, it is a win win for him.

Kind of like how a visit with the grandparents is a win win. They get to feel loved, you get snacks.

Fifteen or so years ago, a woman left her parents house to be with an older man. They had a baby girl, then another kid. Then eventually the man left her to raise the two kids all alone. The whole time the woman would not go back to her parents for help, never communicating with them despite problems in her life.

But then they found her via the internet. They want to see their grand kids! She said no. Grand kids forced it and now Becca (Olivia DeJonge) and Tyler (Ed Oxenbould) are going by train to see them! While they are away, The Mom (Kathryn Hahn) is going on a cruise with her boyfriend to get some well deserved time off.

Becca is a smart girl, aspiring film maker, so she wants to make a documentary about her experiences. This will be used as a project to help her mom heal the past between them all and leave to a better life hopefully. Tyler is the younger brother and a rapper, who enjoys free styling about random topics for “the ladies.”

Anyways, when they get to the farm, where there is no real cell phone signal (of course), they find their Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie, not Luke Youngblood) acting strangely. They were supposed to be a couple who offer counseling to sick people at the hospital that they volunteer at. But Pop Pop just seems to clean his guns and chop wood and stay alone. Nana bakes all the time and sometimes has a wild side.

Also there is the rule that they can’t leave their room after 9:30. That is when Nana starts acting even stranger and they wouldn’t want an accident to happen in the confusion. No, not at all.

At the same time, this oven is pretty nice and big and cozy.

Ed Oxenbould has already been in a lot of things in his very young career. In fact, he was Alexander in Alexander and the Terrible, Horrible, No Good, Very Bad Day. He was also the worst part of that movie. Technically, he was also the worst part of this movie, but in this case, his acting wasn’t bad. Just his actual character had some annoyances.

Shit, I am completely fine with basically everything he did in this movie, except for the terrible, horrible, no good, very bad rapping. He freestyles like, 3-4 times in the film and each one is cringeworthy and awkward. It doesn’t feel like it fits his charterer at all. I assume the actor could really do it and so they included it, but I just wanted it to end immediately each time it started.

The Visit is actually a decent comedy when it needs to be and scary at the other points. As we get closer to the end, the balances shift a bit more to the scary side with a bit of absurdity. Despite the shifts in tone, the movie handles it all really well. It never feels jarring to be a bit scared and then laughing a minute later. That being said, this is not going to be the movie for you if you want an extremely funny or scary movie, as both sides are lessened in order to make the narrative work.

I enjoyed Dejonge as the lead, main narrator and it was refreshing to see such a smart teenager in a horror film. It was also interesting to her talk about the documentary she is trying to make, allowing a strange level of meta awareness to the final product movie that ends up being The Village.

More importantly, Dunagan was fantastic. She played a great Nana, pulling off the crazy, confused, and happy extremes that the character went through. The weirdness of the film relies heavily on her character, and if she wasn’t a great actress, the film would have been complete shit.

That’s right. This film wasn’t complete shit. This was a good movie. A good, new, M. Night Shyamalan movie. That factoid is probably the biggest twist of all.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

How To Change The World will premier in theaters nationwide on September 9, 2015, as a part of Fathom Events.

If there is one thing every kid wants to do, it is to change the world. Or rule it, which would definitely be a type of change. So going to see a documentary called How To Change The World should be something on everyone’s radar. What can be better than a step by step guide that anyone can follow?!

Well, things aren’t that simple. And the documentary in question isn’t meant to be a vague guide, but instead tells the story of how a group of scientists, journalists, free thinkers, and all around hippies, accidentally started one of the largest environmental movements in the world today: Greenpeace.

Now now, calm your britches. Greenpeace is an organization with a lot of controversy and strong opinions. People seem to either love them or hate them, rarely maintaining a neutral stance on the group.

Despite that, the documentary can still be seen as an eye-opener. You see, the founders realized that the media would be important in order for any of their protests to matter. So they filmed everything they did. Every meeting, every decision, every protest in action, every run in with the law. They knew they needed documentation, and How To Change The World shows footage from their most famous early moments, showing how the group was made and eventually how they began to fracture.

This picture is a metaphor, but also something that really happened.

Their basic leader early on is the now deceased Bob Hunter, a journalist from Vancouver. He was the one who kept up their early news presence. Their first goal, as a group of friends, was to sail a Canadian boat from Vancouver to Amchitka, Alaska to protest a nuclear bomb test. They would go straight to the testing site on the boat and just exist offshore, daring the US to set the bomb off. Their boat of course was named Greenpeace.

After that, their next main goal was to help Save The Whales. Yes, they made the phrase. Their goal was to find Russian vessels that were harvesting the whales off of the coast of California, and again, put themselves in the way of their harpoons, hoping to save the whales by risking their own lives. A bold move that definitely put them on the map, allowing them to then protest the clubbing of baby seals and more environmental issues.

Other notable members include Patrick Moore, who has since defected from the group and actively goes against their protests, and Paul Watson, that asshole from Whale Wars who uses ridiculously aggressive tactics because he thinks he is better than other people. I should note, I felt really bad for Moore, because he clearly had good ideas but no one else in the group would listen to him. It makes sense that he hates them now. But then I also found out he is a climate change denier suddenly, so all good faith was quickly lost.

How To Change The World ended up having incredible depth. I was amazed at the amount of footage that actually existed on these first few voyages and the seal clips. And the footage isn’t edited down to make it easy on the eyes. You will see slaughtered whales and see baby seals getting clubbed. It makes its points by showing you the reality.

In all honesty, the organization started off with great ideas and goals and this documentary makes you feel like you are there the whole time with them. But once they began to fracture and have offices around the world, things got out of hand and they have gained a lot worse press.

The main thing I think lacking from this documentary would be addressing some of their controversies that are more modern and in greater detail. The documentary is only about 1:45 in length, and it doesn’t go into the members feuding and other smaller problems until the last 15 minutes, the majority being about their first few voyages. It has a lot of interesting information and will definitely do its job on teaching about Greenpeace.

However, I just wanted more, damn it.