Tag: Timothée Chalamet

Seven years, Wes? SEVEN YEARS?

No. Don’t blame this on the Pandemic. The French Dispatch is your first live action movie in 7 years. Honestly, I thought The Grand Budapest Hotel came out earlier than that, so 7 years is a little shocking, because it certainly feels like a decade. Yes, I know we had Isle of Dogs, but that was stop motion.

Come on Wes. You used to churn out these films like buttah.

And it took a long time for this quirky little number to get made and released. This should not have been a 7 year wait. Did you have to wait for Timothée Chalamet‘s schedule to clear up?!

That Timothee, so hot right now.

The French Dispatch is sort of about a newspaper insert from a small town in France, that tells news of the world and Europe in their periodical, specifically for the people in Kansas, due to very specific plot reasons. You know. Quirkiness.

The writers for the paper are great though, and the main editor, Arthur Howitzer, Jr. (Bill Murray), has been running it for 50 years. He wants his writers to not be unlimited in their potential and will not try to limit their word count or cut sections out if it ruins their vision. As long as their articles sound like they wrote it that way on purpose and they don’t cry in his office, he will be fine.

This movie is actually about its final issue, because with Arthur’s death, in his will was to dismantle the paper and cease operations completely. This movie is about the final three main stories of the paper, a smaller city piece, and of course, an obituary.

Starring literally ever actor ever a Wes Anderson movie and more, a whole lot of people are involved in these three stories. Benicio Del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Steve Park, Owen Wilson, Bob Balaban, Henry Winkler, Lois Smith, Tony Revolori, Denis Ménochet, Larry Pine, Christoph Waltz, Cécile de France, Liev Schreiber, Willem Dafoe, Edward Norton, Saoirse Ronan, Elisabeth Moss, Jason Schwartzman, Fisher Stevens, Griffin Dunne, and Anjelica Huston.

A lot of people close together staring towards the camera. Classic Wes shot. Alright, so was the wait worth it? Or did I overhype it?

I probably overhyped it. I went in not knowing anything about the film, and honestly, a few smaller stories is not usually what I hope for in a film. A bigger plot with subplots, sure.

Technically there is one bigger plot, but it is also relatively minor compared to the three main stories. So why do I care if it is three main stories? Well, if two of the stories are great, and the other is okay, then the whole film doesn’t feel really great anymore.

I definitely feel the stories weren’t even in quality or whimsy. The middle story in particular left a lot to be desired for me, despite elements I liked. My favorite would be the first one, in the prison, although narratively, I don’t know how this person became a normal writer for the paper, and why they are telling this story in their issue that is so far in the past. The third story was fine, but confusing for a bit and that is…less fine.

Overall, this might be the most Wes-Andersy film ever that he has made, and it is incredibly weird. Probably his most black and white and just…strange. He did try a lot with this film, and I guess wanted to tell stories he didn’t think were strong enough for a solo film.

The cinematography, colors, and dialogue are superb of course, but that was to be expected.

3 out of 4.

Ah, is it happening now? Finally? The Dune movie?

Oh okay. Well, I got two Dune related stories to tell then!

The first is when I first heard about the book when I was in early High School. I was working that summer as a camp counselor, and one of my friends talked so fondly of the book Dune and wanted us all to read it. He never relented and eventually wanted to read it out loud to us one night to show how good it was. I was definitely asleep by the second page, woken up, and then again by page three. Nice.

Story two? Oh yeah, I actually saw the other Dune movie, in theaters, a few years ago, knowing nothing about the plot. It was a very strange experience, a weird film, but probably worth it on some level for pop culture history.

I have not been waiting on my knees for this version to come out, but I do like Denis Villeneuve films for the most part. The only one I didn’t love was Blade Runner 2049, which was visually pleasing, but a story I didn’t care about at all. Hmm, that was a sequel to a film from the 1980’s. This one is a movie remake that was first done in the 1980’s. I hope there is no more similarities.

Definitely more sand in this movie than Blade Runner 2049. 

We are still dealing with humans in this movie, don’t worry, it is just set like 8,000 years in the future.

House Atreides is our heroes? Well, at least our main family of character. They are some level of nobility and GREAT NEWS. They have been granted mining rights of the Spices from Arrakis. The Spices are the key to faster than light travel and longer life, and they can be rich from doing this.

The prince (?) Paul (Timothée Chalamet) has been having interesting dreams that seem to come from that planet, featuring a girl (Zendaya) that he can’t get out of his thoughts. Paul can also do mental suggestive thought things to make people obey him, which is cool. His dad (Oscar Isaac) is leading the convoy to Arrakis and his mother (Rebecca Ferguson) is mostly just trying to make sure Paul is ready to take over some day.

Needless to say, once they get to the planet, there are more shenanigans than they imagined. Stuff happens, people fight, people die, and sand worms.

Starring a whole lot of other people too, and even with 2.5 hours of screen time, a lot of them still don’t get a lot of screen time but might get more later? Well, if they didn’t die. We have Babs Olusanmokun, Benjamin Clémentine, Charlotte Rampling, Chen Chang, Dave Bautista, David Dastmalchian, Jason Momoa, Javier Bardem, Josh Brolin, Sharon Duncan-Brewster, Stellan Skarsgård, and Stephen McKinley Henderson.

This book invented sand worms right? Not Beetlejuice?

Ah yes, Dune, clocking in at 2 hours and 35 minutes. Is that enough time to tell some epic story that was 412 pages long? [Editor’s note: Wait, 412 pages long only? That is it? The audiobook is only around 21 hours?] Well, if you ask Villeneuve then that answer is heck no. Apparently he only agreed to do it if he could do two full movies and not cram it into one. Oh okay.

But…but…They didn’t really make this into a two part film? If they did, they would have likely filmed them at the same time. They would have officially made this movie called Dune: Part 1. [Editor’s Note: This movie is called Dune: Part 1 only on the film itself near the start, but not on any advertisements, or posters, or just…officially]. And you know what? A regular film going customer shouldn’t have to look for interviews with the director and others to see that this movie is only just half of a story. I think I saw one where someone involved said it feels like a complete story still, but I have determined that to be a lie.

This movie definitely just ends in what feels like half of a story. And part of that is extremely frustrating given how long it feels like it takes to just get to the planet itself. It is not like I had a watch to look at the whole time, but it is a significantly large percentage before our characters go to the desert land to start learning and doing desert stuff. So to me, this film feels dragged out. You know, like The Hobbit films.

Just a quick note. I am okay with the concept of two part films. Sure. But the parts should still feature complete arcs and feel like storyline elements were resolved and natural enough and not just cliffhangers or, worse, plateaus that gradually decrease over time. Lord of the Rings film feel like three complete films despite one overarching story. Breaking Dawn Part 1 and Part 2 and Hunger Games Mockingbird Part 1 and Part 2 both feel like one film’s worth of plot badly stretched over two.

I am now worried Dune will feel like that, IF the second part gets made. I certainly don’t feel appreciative that the film producers are using such guilt riddled tactics to ensure they make enough money so that their story could be finished, when they could have also just trusted their product enough to make the films and release them when appropriate. If they don’t ever release another one, then we won’t get a full film. If they do release another one, then we likely get one full film over two movies with arguably a lot of filler.

But yeah, sure, it is pretty.

2 out of 4.

I first read Little Women probably when I was ten years old. I remember it fondly. It was over Winter Break. I was in fifth grade. And it was worth more AR points than anything else in our system at the time. It was worth like, 35 points maybe, and most books were only worth 3-5 at the most! What a mammoth!

Later I also read Treasure Island for a similar reason, but never got enough incentive to try Crime and Punishment.

Either way, I didn’t remember a lot about Little Women earlier in the year. I knew it existed and I read it and four sisters and maybe 2 or 3 plot points, but most of my recollection has been replaced with facts about Jane Austin books.

So I was a bit excited about visiting a relic from my past, and see what memories can be returned to me.

Get those women a beach. Women love beaches. Four sisters, four girls with passions and dreams! We have Beth (Eliza Scanlen), who is good at piano, being quaint, and being sick. We got Amy (Florence Pugh), who wants to be like her older two sisters but gets pushed back against, likes to paint, and hates being in second place. We also have a Jo (Saoirse Ronan), who likes to write and not fill in typical gender roles for the time, while also being our main character. And of course have Meg (Emma Watson), the oldest, the actress, the dream child, and the one who has a pure heart.

These women live in Connecticut, with their dad off helping with the Civil War for the North. They have reasonable wealth to get by and have rich relatives and lessons in the arts. Times are tough, but they aren’t starving.

And hey, their neighbor is this boy right around Jo’s age, Laurie (Timothée Chalamet), who is like the manic pixie dream boy of his time. Rich, not a care, and a lot of a weird. He is going to marry one of the March sisters, damn it! 

And uh yeah, this is their life growing up, the trials and tribulations, and everything in between.

Also starring Jayne Houdyshell, Meryl Streep, Chris Cooper, Louis Garrel, James Norton, Bob Odenkirk, Tracy Letts, and Laura Dern.

What a beautiful wedding! What a beautiful wedding says the Little Woman to her sister. As a reviewer, I try to remain unbiased by never reading the book before the film, but 5th grade me didn’t know there’d ever be a future in my writing or movie watching skills.

But I will say that some of the joy from this movie came from these memories flowing back into me, remember plot points I must have haphazardly rushed through as a kid, knowing that I never had a book as big as that one before. And it feels so familiar like we were distant friends in the past, and not distant cousins. It was a good feeling throughout.

It did take me awhile to get into the movie, but I loved the changes Greta Gerwig made with the film. It is told in a non-linear manner, combing elements from the first parts of the book with the end to maximize emotional response, especially when it came to marriage arcs and Beth. I wouldn’t know if they make the story hard to follow, because unfortunately, I remembered the story.

Ronan continues to be great at her very spunky time period self. She loves films that are not set in the present, and Gerwig clearly loves working with her. Pugh showed good range here, especially when compared to the other major films she had come out this year. Watson was okay, but it isn’t her fault that Meg is the boring one. And of course, Scalen brought a lot of heart for someone unknown to the saddest role.

Little Women is charming and done in a way to increase its already heavy feminist angle. It brings fresh light into an old story, and is worth being seen.

3 out of 4.

When you think of Hostiles, you think of a group of angry people. Knowing that this movie is set as a western, with cowboys and American Indians, it sort of brings Pocahontas to mind. I know, it wasn’t cowboys, but close enough. And famously in that movie we had the song Savages. Throughout history, generally Savage was used when the “white” side ran into natives in another land. But in this song, they both saw each other as savages! Equality because both sides were different and didn’t trust different things.

Except you know, the part where in Pocahontas, the white people were actual terrible invaders and the bad people and that was it. So they tried well, but still failed in that regard.

Anyway, I think of that song when I hear Hostiles (and probably also for the movie Savages). Going into it, I assumed that every side and every new character was probably a “hostile” individual, and that no one should be trusted or given a gun.

When everyone is this aggressive, you just need to have the gun out at all times.

Set in 1892, we find ourselves in the Western United States. The Civil War is over, but the Spanish-American war had not yet happened. Soldiers at this point didn’t have a lot of responsibilties. Mostly keeping the peace, in forts across the country.

Captain Joseph J. Blocker (Christian Bale) has been in the army for about 25 or more years at this point. He has seen and done a lot of things. He was at Wounded Knee not to much longer before. And he hates the Native Americans. He h as seen what they have done to “honest, Americans” and is disgusted by that fact. Hell, most of his career has involved killing them or rounding them up, but he also has only done what he is told.

And now he is being told to do something unthinkable. He has to return Chief Yellow Hawk (Wes Studi) and his family (Adam Beach, Q’orianka Kilcher, and more) to their homeland. He has been imprisoned for seven years and it has been long enough, especially since Yellow Hawk has the cancer. It has turned into a big deal for their government to send him home to die with his people and forgive past crimes, hell, even the president has signed off on it. The press are involved!

Blocker doesn’t wan this job. And it will be his last one before retirement. He has his crew (Jesse Plemons, Jonathan Majors, Rory Cochrane, Timothée Chalamet), he had his weapons and supplies, and he had a terrible mission.

And along the way he will also pick up Rosalie Quaid (Rosamund Pike) a very recent widow who lost her family and house to a group of Native American horse thieves, and (Ben Foster) a former soldier, turned prisoner for doing unthinkable crimes and trying to run, who needs delivery to a fort for a court marshal.

Also featuring others, like Stephen Lang, Peter Mullan, and Robyn Malcolm.

Shit, everyone gets a gun in this movie.

Hostiles is a film that is just a little bit over two hours, but one that feels much longer. The first scene grabs you and the film refuses to let go the entire time. It keeps your attention by gripping characters, extremely great acting, authentic everything, and slightly terrifying plot.

It doesn’t keep your interest like a modern cartoon, by flashing shit at you every few seconds. No, the scenes are long, detailed, and showcase real human emotion. Hard decisions don’t just come naturally, but they are often decided in between scenes. But in this film, we have to watch actors think through their moral issues and figure out what they need to do. And on its own, that might not seem too appealing, but it just shows the amount of attention to detail that went into this film.

Scott Cooper directed this film and I will be honest, I haven’t really enjoyed anything he has directed before. That is from Black Mass, Out of the Furnace, and Crazy Heart. All films that are known for one reason or another, some good, some not so good. But none of them really reached me.

Hostiles reached me something fierce. Bale has a good chance of getting nominated. Watching Pike play such an unhinged character gave me flashbacks to Gone Girl, she does such work here as well. All of the other side characters are clearly their own individuals. The film kept me guessing with just how scenes would play out. The characters are complex individuals, so their actions won’t always be obvious from earlier in the film.

Hostiles is just a great film on all fronts. The soundtrack, the acting, the story, the pacing, the cinematography, shit, even the costumes. Westerns are rare, but it seems like every western we get is basically gold at this point.

4 out of 4.

I have been reviewing for over six years, but only over the last three or so have I gone hard into getting those Oscar nominated films in as well. And every year we have movies hyped throughout the year about their chances, for their actors, directors, and so forth.

I usually can always get to the super hyped films early enough to not feel so late in the conversation.

That feels less true for something like Call Me By Your Name, which has been hyped consistently for so long this year. It feels like this is the only film people are talking about, on multiple categories. And yet, it took me so. damn. long. To see.

I didn’t even get to see it in theaters, but instead a dinky screener, because it turns out an invite was lost for me over a month ago. Oh well, I did get it, well before Oscar nominations were announced, this has just been one of my bigger fears of a film I thought I’d never get to see.

To avoid uncomfortable moments like this, I generally opt to be on the “shirts” team.

In the early 1980’s the world was a wonderful place, now that Nixon and Vietnam and Disco were done. The sun was shining, but the globe wasn’t too warm, and people tended to chill a bit more. In 1983, and in Italy, it was a wonderful, quaint place to be. Elio Perlman (Timothée Chalamet) recently turned 18 and was living with his parents (Michael Stuhlbarg, Amira Casar) in the Italian countryside. His dad was a professor of archaeology, so he was there for statues and pots.

And this summer, we are getting Oliver (Armie Hammer) to join them for a few months. He is a graduate student and he is going to assist the professor in work and writing. Sounds way better than my summers in graduate school.

Elio and Oliver are very different people, as Elio is a quiet person for the most part and a lover of playing music, while Oliver is far more outgoing. Elio has a girlfriend, Marzia (Esther Garrel), an actual Italian girl, and things are getting serious. But Elio is young and unsure of himself. In fact, he is starting to find Oliver mesmerizing.

But what does he know about love? Is he gay? Is Oliver gay? Does any of this matter in the 1980’s?

Where the shorts are always short and the cafes are always cafe-y.

Call Me By Your Name is a film that is talked about so much due to three reasons, and all of them are guys. Chalamet carries this film despite his actual real life young age and has had an inedible year all around, also having parts in Lady Bird and Hostiles. He gives off this aura of insecurity and realness that makes it easy to love his performance.

Hammer, the co-lead but going for supporting actor nominations, is always an acting force, and his normal bravado in his roles still comes through with this one. His arrogance and superiority are extremely intentional given his characters age and experience compared to Chalamet and is no wonder he starts to swoon over him. Hell, everyone who watches this film will swoon over him.

And of course we have Greatest Small Role Actor Ever, Stuhlbarg, who the last few years has been in so many amazing roles with various screen times. He gives a wonderful speech near the end and just feels so wise throughout that he does a wonderful job.

The countryside is a good location, as are all the details about the time period. But if I am being honest, I don’t see what really sets this apart from any other forbidden romance type film. It is very well acted, it doesn’t rely on sex to sell it (Hammer notwithstanding), and yet I don’t think it needs the long run time. It drags in some areas early on for me and well, shit. I can acknowledge it is a good film, but certainly not one that I have fallen in love with, nor will it make my top of the year lists.

Every film can’t be for everyone, but this one is still pretty good with some fine acting samples.

3 out of 4.

Greta Gerwig is one of the modern queens of the independent film. I don’t know if she has even starred in anything main stream yet. She is like Lena Dunham, if Lena Dunham didn’t have Girls as a breakaway success.

I knew it wouldn’t be long before she broke out of just starring and writing into the directing game, but little did I know that she actually directed a movie in 2008, before I knew who she was. That is how indie Greta Gerwig is, people. Something called Nights and Weekends, that she starred in, wrote, and directed. It didn’t really get noticed, and so it took almost a decade later before she tried again.

This brings us to Lady Bird, a probably pseudo autobiographical story about her growing up, but this time she isn’t starring in it at all! Just focusing on the directing and the writing. Looks like Gerwig has grown up after all, allowing someone else to get some of that indie spotlight love.

Although from the looks of it, Gerwig could have played both of these roles.

Christine ‘Lady Bird’ McPherson (Saoirse Ronan) is a young girl, just 17, a newly senior in high school, and she needs to make her mark. She lives in a poor family, with an overburdened mom (Laurie Metcalf) and a chill and happy father (Tracy Letts). Also in their small home is her older and more pierced brother (Jordan Rodrigues) and his girlfriend.

Lady Bird, who decided that is her new name several years prior, goes to a private Catholic school thanks to a scholarship. Most of the kids there are rich, except her best friend Julie (Beanie Feldstein). Lady Bird wants to get out of Sacramento, a hell on Earth to her. She wants to go to the East Coast, where there is some culture. A nice liberal arts place. Except she is poor, she doesn’t make good grades, and doesn’t have discernible talents really.

Guess she will just have to experience life on her own before then. Finally dating, maybe having some of that sex, maybe living out her other wild fantasies while she has the chance. Screw everyone else, Lady Bird is in it for herself for once!

Also starring Stephen Henderson, Bob Stephenson, Odeya Rush, Lucas Hedges, Timothée Chalamet, Lois Smith, and Jake McDorman.

Apparently these dreams involve a house with shutters and freedom.

Oh, I only guessed it was maybe autobiographical, but honestly a lot of elements in this just scream out Gerwig Gerwig Gerwig. Ronan isn’t playing Lady Bird, she is just playing Gerwig, a free spirited individual who is bigger than her body and station in life. Lady Bird eventually grows up into the character that Gerwig plays in Damsels in Distress, after she has moved on, gained that confidence, and is ready to inspire others.

So Ronan is acting as Gerwig in this movie. Now that it is obvious, we can all move on and just examine the rest of the film.

The movie itself is very funny, with more than one eccentric cast member. I don’t even know how I feel about Chalamet’s character, but I am very glad he is in there, while enraged at him almost every single time. This is only the second film I have seen Hedges in (After Manchester By The Sea), and thankfully his characters are very different so he can show some range. And Metcalf is downright stunning as the mom character. Sort of like a more intense Lois from Malcolm in the Middle, who also has less assholes to deal with.

The film lives and dies with Ronan, who of course delivers everything. It is great again to see her doing such different roles, from the recent Brooklyn and The Grand Budapest Hotel. If I had any issues, it did feel like it just went on a bit too long, starting to tell a story that didn’t feel as necessary.

Overall still a solid comedy, a good coming of age story, and a bunch of quirky weirdos from 2002 ready to entertain.

3 out of 4.