Tag: Jeffrey Tambor

Josef Stalin was a dude who a lot of people respected, a lot of people feared, and lot of people hated. But at least he got the trains running on time in Italy, right?

Wait, that was Mussolini? And Mussolini was in Italy?

Stalin was in goddamn Russia? Oh, well, fuck, close enough. Communists are communists, am I right?

Either way, The Death of Stalin is a satirical look at his death, and the power vacuum that existed in the Soviet Union after the fact. A topic you (like me) probably know next to nothing about, and after you see a film like this, will assume you know a lot that is probably not true.

He peed his pants. That is smelly.

In 1953, in the Soviet Union, everything was nice and grand. People are alive, until they are not. People are living their lives normally, until their not. Josef Stalin (Adrian McLoughlin) is a generous man who rules with an iron fist, sure, but hey, its a hard job being in the top. He has a big cabinet of faithful advisers, from Georgy Malenkov (Jeffrey Tambor), Nikita Khrushchev (Steve Buscemi), Vyacheslav Molotov (Michael Palin), and Lavrenti Beria (Simon Russell Beale).

He also has death/torture lists, that are frequently updated. You know, traitors and such. The army runs out, grabs them, imprisons them or kills them just because Stalin heard a whiff of untrustworthy behavior. Not too fun to be caught up in that.

And then? Well, then Stalin just had to go and die. And now, we have a group of men who all want to be leaders, while also want to be sure Stalin is dead before they take over the power vacuum. This cabinet of individuals has to try and work together to make sure their country doesn’t fall apart, and that they don’t backstab each other before the best man actually gets the job.

Also, while dealing with the religious fanatics, the normal people, the army, the special army, the prisons, and lists, and ugh, the family of Stalin.

Also starring Andrea Riseborough, Jason Isaacs, Olga Kurylenko, Paddy Considine, Paul Chahidi, Paul Whitehouse, and Rupert Friend.

If they all stand around the casket, then the only one that can backstab them is Zombie Stalin.

The Death of Stalin is a strange movie to come out, one that is really hard to describe. Because it is weird. It is sort of Monty Python-esque, sort of silly, while still maintaining a very strong and serious vibe. I am laughing out loud in the theater due to how absurd the whole thing feels and how awkward the characters are.

It is quite obvious that there is no way the events are accurate as shown in this movie. It is very wonky and similar to maybe the Three Stooges, with a bit less slapstick. At the same time, it still felt realistic and natural for these men to be freaking out and being awkward, given the situation they are in. They know everyone of them is ruthless. They have been living in a ruthless time. They are used to a period where people would die for saying the wrong thing, and when you want to be on top, you might end up saying the wrong thing.

Overall, this is not the sort of film that everyone would love. A bit bizarre, a bit funny, while also maintaining a lot of deadpanning and dry humor. And somehow, still, piss humor.

This film has definitely intrigued me about this moment in history and it has wanted me to learn more!

I am thankful that I waited to review The Accountant. If I reviewed it months ago when it came out, it would have been so less…relevant.

What? Reviewing a movie when it comes out in theaters is LESS relevant? How crazy.

But yes. Because now I can say that regardless of the films topic and plot, this film should actually be about the 2017 Oscars. The two men responsible for the envelopes, the accountants at PricewaterhouseCoopers, have lived their lives up to that night probably in perfection. Never flubbing a number, never getting BBQ sauce on their beards, just perfection.

And then they fucked up at the biggest award and took a little bit of time to fix it. It wasn’t a smaller technical award (which would have been equally devastating for those involved), but the Best Picture, which affects large groups of people.

Just fucking insane. I want their story. But this one will have to do.

Ah good, numbers, now we know it is an intense mystery film.

A lot of threads in this film, so I will try to keep it simple and brief.

Ray King (J.K. Simmons), some head of a treasury department, is looking for this Accountant dude, who might behind all these various…accountant things. And crimes. He gets some underling, Marybeth Medina (Cynthia Addai-Robinson), to look into it. Some blackmail was involved too.

Chris Wolff (Ben Affleck) is of course our Accountant in question. He is a high functioning autistic dude, so he is good with numbers, but he was also trained to fight and stuff as a kid by his dad, because why not.

He is called into some company to look up financial irregularities. Turns out a lot of shenanigans are going on, we get some action, we get some mystery.

Starring Andy Umberger, Alison Wright, Anna Kendrick, Jon Bernthal, Jeffrey Tambor, John Lithgow, and Jean Smart. The A’s and J’s of the Hollywood complex.

He punched those numbers so hard they turned into tiny booklets and the room emptied.

A couple of days after I watched The Accountant, I realized something powerful. I don’t remember a whole lot about The Accountant.

The experience while watching it had some okay moments, but for the most part, nothing anymore stands out. It is a completely forgettable film, and that is not a good thing at all. If I wrote this review right away after watching it, it would have still only been a 2 out of 4.

But at this point, a die hard Ben Affleck fan, I am just wondering what happened? Is it worth ever seeing again? Shit, should I even watch Live By Night? I feel like I am automatically going to get the exact same reception for that film, and I can’t handle that happening right now. Another recent movie is Batman v Superman: Dawn of Justice, and I don’t think I can handle that much shitty Ben Affleck in a row. I cannot go back the early 2000’s. Gone Girl was supposed to help lead to better roles, not worse!

I am just worried about my friend. Most of his upcoming films involve DC and I don’t want him to lose his acting career. He is lucky he even has one after all those shitty movies in the before time, here is no way he can survive a second falling out.

The Accountant is a forgettable action thriller. It might have smart moments, but it is not anything that I will care about discussing in the future, unfortunately.

This is my fourth movie this year reviewing with Anna Kendrick in it, and it hasn’t been a great year. Mike and Dave Need Wedding Dates was on top, above Mr. Right and Get A Job, all very mediocre to poor. Sorry, I haven’t hit The Accountant yet and The Hollars looks good too, but that is still six movies this year.

After the year she had been having, I wasn’t super surprised to see her starring in Trolls as well. Trolls is probably one of the most least anticipated animated movies of the year for me, after Sing.

I mean, I get it. Getting rights to old toys to make new movies for is in right now. The Smurfs movies did okay, why not create a world about Trolls? Gotta get that merchandising money back somehow right? Fuck new risks!

Sorry, I almost complained about films these days. Trolls just seems like a lazy cash grab, and they have been hyping it since Timberlake released that song like, six months ago at least. I am trolled out already and I haven’t even been forced to see a real advertisement for it.

One of those trolls is a fucking giraffe what is going on here?

The Bergens are large, basically ogre like entities that are disgusting and sad, lives devoid of happiness. The Trolls are tiny creatures full of color who are always partying and full of happy. The Bergens hate them and are jealous of them and also found out that when they eat Trolls, they get to feel happiness inside of them and it is kind of a big deal. So they captured all of the trolls and every Bergen eats one on a holiday called Trollstice.

Except this year they have escaped underground, thanks to King Peppy (Jeffrey Tambor), saving every last troll, including his baby daughter Peppy (Anna Kendrick). This gets the Bergen Chef (Christine Baranski) into quite a big trouble, because King Gristle (John Cleese) cannot feed his baby, Prince Gristle (Christopher Mintz-Plasse). So the Chef gets banished from the kingdom. The Trolls find a new place to live and they party for ever after.

Until twenty years later. Princess Poppy is throwing a huge party to celebrate being free of the Bergens. Everyone is going to be there, everyone but Branch (Justin Timberlake). The weird troll who is grey, doesn’t sing, doesn’t dance, doesn’t HUG. He warns them not to do the party like that or else the Bergens will come. And sure enough, the Chef Bergen finds them and takes all of Poppy’s friends. All of them, even the spiritual one (Russell Brand). So Poppy decides to get the rest of the Trolls into hiding and trick Branch into coming along with her to rescue them!

Back at Bergen Town, the Chef is getting back into business with the handful of trolls she captured. The king is dead, so the new king is that poor Gristle Jr. who never got a Troll before and he decides to restore Trollstice to make his kingdom happy! There is also a small maid, Bridget (Zooey Deschenal), who likes the king. This plays a part in the plot.

So yeah, get into the town, save the friends, and you know, survive. Whoa re the friends? Well, a lot of them are played by famous people, but if you asked me their character names I would have no fucking clue, as they kept them kind of hard to figure out and match. But we have Gwen Stefani, James Corden, Ron Fuches, Aino Jawo, Caroline Hjelt, Kunal Nayyar, Quevenzhane Wallis, Walt Dohrn, and Rhys Darby! Oh okay, fine, I could figure out who Guy Diamond was based off of his name.

They live in a scary place where literally everything has a mouth and eats something.

Oh hey, Trolls. Of course it was a Jukebox Musical in some regards, and I hoped to see something creative. Instead, for the most part, the songs were bad mash ups with a loosely related theme and just choruses to get the little kids moving their feet. I don’t hate Jukebox Musicals, I just hate bad music ones. It was overall a lesser Happy Feet in that regard, but better than Strange Magic.

Overall there were two really good musical moments, one was the song Get Back Up Again which is technically the only original song in the musical (Does the JT one count as original?), and another song near the end that captured the emotions of the moment extremely well. It might have made me cry, but crying does not mean I give the film a passing grade. There was also a very awkward song moment with Deschanel’s character. She gave a unique voice for Bridget, but when Bridget sang it was uncomfortable as the voice did not transition at all into the song.

The colors are bright and kid friendly, but the animation style on its own felt quite dull. It felt too fuzzy and well, doll like. Again, their intentions I am sure to sell toys, but it wasn’t too visually pleasing.

The world they created was an incredibly scary place, as there is a recurring joke of how almost everything eats something else. It frightened me and not in a sexy way.

Plot wise, about 20-30 minutes in it was pretty easy to figure out how the whole thing would end. And yeah, it was true. The love plot between Bridget and the King, although arguably necessary, felt like it was taking too much time from the rescue plot. There are not a lot of surprises in this film, nor intellectual humor. They have a character who farts glitter, and another character who shits cupcakes. Yay butt humor.

Overall Trolls is just okay, which is better than I expected. There are only a few more cartoon movies to go this year and the only place this one will make an impact in the awards is nominations for Best Song, I imagine. It is unfortunately also really dated. They decided to make the Trolls super modern, so they are saying YOLO, OMG and more terms to connect to the youth of today, meaning no one will give a crap about it in ten years.

I am happy to say that before I watched The D Train, I knew absolutely nothing about it. I had only briefly seen the poster/DVD cover. Enough to recognize the two leads.

I actually thought this was a war movie. Again, quick glance at the cover, I thought the arm in the background was like, a gun strapped to the back. I thought they had just won a war!

Or you know, a movie about trains or something. A lonely New York meet up that turns into friendship. Fuck it, let’s just go into it.

Quit yelling. I’m trying to relax on my couch, far away from war and trains.

Dan Landsman (Jack Black) is a weird dude. But we will get into that. First let us talk about his normal tendencies.

Dan has a wife (Kathryn Hahn), a 15 year old boy (Russell Posner) and a baby girl. He has a boring job doing something and has been there for awhile. It isn’t particularly rewarding, but it pays the bills. His boss (Jeffrey Tambor) is an older guy who doesn’t like new technology and is generally swell.

And he is the self-appointed head of the Alumni committee for his high school class. The others (Kyle Bornheimer, Henry Zebrowski, more) don’t agree with a head, but whatever, they have a 20 year old reunion to prep for. No one seems to give a shit and turn out is looking low. Things turn around when Dan finds out that the coolest kid in school, Oliver Lawless (James Marsden), has finally made it after all this time. He was an actor and wanted to be a big star and now he is in a national television commercial about sun block!

OH MAN SO COOL. He thinks if he can convince Oliver to come to the reunion, more people will show up, and he will be a hero! He just needs to fly out to LA to convince him in person. So he lies about it as a business trip to his boss and wife, just to hang out and party with Oliver.

And Oliver is a great dude. They get drunk, they get happy, they dance, they flirt with women and Dan is able to convince Oliver to show up!

And also, something very different happens. Something that has never happened to Dan before. Something that will make his trip home and subsequent weeks leading up to the reunion very weird and uncomfortable.

Enough to drive a mediocre middle aged man to drinking? You betcha!

From the description, it looks like The D Train can be a very uncomfortable movie from start to finish. An average dude in a boring life, put into a super liberal party setting, with a man he has strangely idealized for decades. He has always wanted to live vicariously though him, but now he has the opportunity to seem cool and actually celebrate with the man. Life is wonderful!

Unfortunately, it wasn’t an uncomfortable movie, just a boring one. Sure, there was that one scene. And like, a good scene at the reunion, and maybe another good joke. And that is it.

The best thing really about this movie is that it was a different sort of character for Jack Black. Not different like Bernie, but more just regular dude. So good job Jack, diversifying your resume. That will be good help in the future assuming you need it. Marsden unfortunately adds nothing to the film. Hahn does a pretty good exasperated housewife though, sick of her husband’s shit.

The plot isn’t even that bad. With some work, better dialogues, and better…just scenes in general, it could have been a solid movie. Instead this movie is about a nickname and a dream gone wrong, and is completely forgettable.

The Hangover series is a bit of an enigma. Here is why!

The original is about four men on a bachelor party in Las Vegas, where they all black out, one goes missing, and they have to retrace their steps through the wildest night of their lives before the wedding. So what’d the sequel do? The Hangover Part II gave us another wedding, another night of blacked our memories and regrets, but in Thailand. Like most sequels, in contained the same theme and a similar plot. After all, it is called The Hangover and is about being hungover, and it is not called “Some Guys Get Into Shenanigans!” I don’t know if people complained about the similarities between Die Hard and Die Hard 2.

But for whatever reason, audiences hated it and voiced their displeasure. Which is why we now have The Hangover Part III! (Trailer) Learning from their mistakes, we now have a movie about a few guys getting into shenanigans and no hangovers.

Classic elevator scenes are classic. Those sheets are suggestive as fuck.

A few years after Part II, Alan (Zach Galifianakis) is still a madman. He is off his medication and causing accidents, overly stressing his father (Jeffrey Tambor) and giving him a fatal heart attack.

Which is why his friends decide to give him an intervention. Doug (Justin Bartha), Stu (Ed Helms), and Phil (Bradley Cooper) convince him to drive down to the rehab center to get his life back on track! But along the way, they are hijacked by Marshall (John Goodman), a drug dealer and international criminal, who claims Chow (Ken Jeong) stole $21 Million in gold bars from him.

Of course the only person to be in contact with Chow since Thailand is Alan. So he kidnaps Doug, and they have three days to find Chow and his money, or Doug dies. Swell!

This film also brings back Mike Epps as “Black Doug”, Heather Graham as Jade, and introduces Melissa McCarthy as a pawn shop owner.

Yep, the whole gang is represented in this poster. Wait…

I think I am going to put this blame on the writers. In terms of plot, this Hangover actually tells a decent story. There is betrayal, redemption, and a group of guys that can’t fix their larger than life problems. But instead of focusing on the entire group, it is almost a if Stu and Phil get pushed out of the way for the Alan and Chow show.

Alan is an annoying character, which Zach G. tends to to play a lot (With mixed results). He is the type of character that is good for a comedy, but shouldn’t be the main focus. Chow was also a secondary character, but  it feels like he has more lines than even Stu, who in turn is just a punching bag for Alan this movie.

The writers intended this to be a redemption movie for Alan, and thus  gave him the leading role. After all, everyone else has settled down besides his character, so this is just his turn to settle to end the series. But it feels very forced. The film on the whole has less humor than the previous two, focusing more on the intense plot lines. In fact, the scaffolding scene from the trailer made me jump from my feet in fright. Not that the seriousness was a bad thing, but it is framed as a comedy and not an adventure/action film.

I know it is a strange thing to blame the writers yet talk highly of the plot.I wish they were able to have the same overall storyline, without cramming two (Arguably) secondary characters down our throat. It shouldn’t be hard to give Bradley Cooper or Ed Helms bigger roles in the film. They felt like replaceable cast members, which is unacceptable.

That being said, Part III wasn’t horrible, it just wasn’t amazing either.

Hellboy II: The Golden Army made one of the worst mistakes ever. The worst being releasing your movie the same date as The Dark Knight.

So instead it id the second or third worst mistake ever. It released in theaters the week before The Dark Knight. Sure, all the fanboys would go to see both. But people who only watch once a month, or random viewers who had to choose between two “comic book movies” meant Hellboy II would lose every time.

This is a shame, because Hellboy II ended up being better than Hellboy in every way. (If I had to review Hellboy, I’d probably give it a 2 out of 4. Interesting, but not my favorite. Cool concept, falls short.)

That outfit? All make up, no CGI. What!?

Hellboy (Ron Perlman) is up to his same antics. He hates being locked away, wants to be free. Liz Sherman (Selma Blair), who can ignite herself and other objects on fire, is now his “girlfriend”, but they are fighting as they live together. Why? Because she is pregnant (awkward). It is causing things in the B.P.R.D. to be quite a mess. Abe (Doug Jones), the fish man and Tom (Jeffrey Tambor), the director, are worried the antics will cost them jobs.

Well Prince Nuada (Luke Goss), an ancient elf is pissed off. He wants to return to the surface world, reignite the golden army of indestructible robots, and kill all humans. His race disagrees, so he kills a bunch of them. Not his twin sister, Princess Nuala (Anna Walton) though, because if one of them gets hurt, so does the other. So he causes problems and Hellboy uses this opportunity to join the world!

This causes a new director to come in, Johann Krauss (Voiced by Seth MacFarlane), an old being who is now all gaseous and shit. And German. Now they have to run things by the book, and figure out how to find out whats going on with the elves.

More fights happen, unexpected love between fish and elf, giant plant beasts, close deaths, certain destruction, and golden armies.

And probably the best version of “Can’t Smile Without You” of all time!

As expected, I loved this movie. As I said, the action is better, the story is better (general rule in the sequel, since you don’t have to waste as much time with origins), it is funnier, and introduces great new characters.

It might be closer to the comics too, but I still haven’t read them. I am anxiously waiting an ending to the saga with a Hellboy III. It might be a few years from now, but they keep claiming he will eventually destroy the world, as that is why he was summoned in the first place, so that shit needs to almost happen.

Oh yeah, and I am pretty sure Hellboy is how Ron Perlman normally looks, and every other time is him in make up.

Two groups of bank robbers. One sticky situation.

This is the small tagline I saw for the movie Flypaper, and I thought hey! That could be swell. Especially with a pun like that.

Especially if apparently everyone has guns.

The movie begins with Patrick Dempsey walking all up in the bank, looking for change for a $100. He is a weird guy, that Dempsey. Asking for it in very specific amounts of dimes, nickles, and quarters. Ashley Judd, the bank attendant that he is attracted to, is discouraged, but gives him change anyways. He seems suspicious! But right as he is about to leave, he notices weird shit, and OH NO, BANK ROBBERY ABOUT TO HAPPEN!

One very professional group of bank robbers (featuring John Ventimiglia). One made up of two hillbillies (featuring Tim Blake Nelson). Also, among the hostages are security consultant Curtis Armstrong (or Booger, if you prefer) and Jeffrey Tambor.

But when things start to go wrong? Its up to Dempsey and his lack of pills to try and get himself out of this crazy situation.

Now that’s what I call a “sticky situation!”

I laughed a whole bunch in this movie. People were eccentric enough to be funny, but not too crazy to be annoying or completely unbelievable. Dempsey got a little bit crazy in the movie too, with his unknown social conditions making it hard for him to not think about everything going on. One great scene had him on the ground yelling, thanks to other peoples weird actions. The ending might have been a little bit rushed, but I was fine with it. Bunch of people die too, BUT WHO? AND WHY?

It reminded me of, in a weird way, the movie Clue. This one only has one ending, however.

I must say I have actually been bamboozled into watching this movie. I got excited. I didn’t look at the cover, but when I saw the tagline “Even a Serial Killer Can Win The Lottey” and found the first Lucky movie I could find, I found this. Huh. That sounds interesting. Especially if a serial killer DID win the lottery!

Oh. But I got this. Damn it, this is just a regular comedy about a serial killer who also wins the lottery! Oh well.

Colin Hanks plays the lucky man. Which I think we need to examine in itself. He plays a Serial Killer in this movie. While also playing a Serial Killer in Season 6 of Dexter. Is Colin Hanks being typecasted as a Serial Killer? Well. I guess there are worse things to be typecasted as.

Like how Flynn is typecasted as a rapist.
Typecasted by me.

He hasn’t killed many people, but one of the people he does kill has a lottery ticket which ends up winning the big bucks. All of the while, the love of his life not only lives across the street but also is his boss at work. She doesn’t give a flip about Colin, and maybe that explains why every. single. person. he. kills. is similar in height, body type, and looks to her? Maybe. I am not a psychologist.

After he makes it big, she of course falls for him. Using her charm, she naturally gets her way back into his life, so that they can marry and live in luxury! The woman is played by Ari Graynor, who I have seen in other films but never really remembered. To me she made this movie. Her fantastical crazy spirit really did it. From bitch, to fake wooing, to figuring out he is a killer, (to afraid), to crazy. All of the emotions are set to eleven, and it is apparent she is actually working that character.

The ending was kind of unexpected. In a good way. Jeffrey Tambor plays a detective looking for the dead woman killer.

Maybe what I like most is that this film asks the eternal question: Which is worse, a serial killer or a gold digger?

We all know Kanye’s answer.

2 out of 4.