Tag: Jamie Foxx

Ready for that new movie, Spider-Man: All the Hype in the World?

Oh, it is called No Way Home. Fine, that is fine. It could have also just been called “Print Money for us Please” because a lot of people are going to see this movie and they are going to see it fast. This is arguably the most excited people have been for a movie since Avengers: Endgame. After all, in our last Spider-Man movie, we were given a very strong credits scene. [Note: I hated that this was a credit scene. That scene was really important for the film. It made the ending really work. The fact that it was “credits” scene and arguably less important really bugs me]. It helped build up the hype.

I personally am hoping that this movie does…something to help establish what the actual fuck Marvel (even if Sony is helming this film like always) is doing with their time. If I see one more “Present Day” tag line in the MCU this year I will lose it. No one has any clue when any of these movies are taking place, because they all are in the future based on the Thanos Snap.

Is this one in 2024? 2025? Who knows. Will the movie know? Doubtfully.

Is she enjoying this ride? Spider-Man: No Way Home takes place basically right after the end of Long Way Home. Mysterio’s last trick. Telling everyone Peter Parker’s (Tom Holland) identity and blaming the bad stuff on Parker.

Now everyone knows! Now everyone knows about his friends and his girlfriend (Zendaya) and that causes issues. Some still love him, some now hate him. Some just want to make his life miserable. Hell, it is even affecting his ability to get into college. Because they know his name, and they aren’t sure if they want that publicity or trouble. Is he a MURDERER?

Needless to say, Peter feels like shit about this. And he hates it more that it is affecting those who love him and he loves in returns. So he wants things to change. Maybe time travel? Maybe people can just forget the whole thing happened? Maybe magic can be involved?

Well, once magic gets involved, and potentially unstable magic at that, it seems like the reality Peter knows is not going to be the same forever. Time to face old villains for the first time.

Also starring some other people you know from these movies. Tony Revolori, Jacob Batalon, Angourie Rice, Jon Favreau, Marisa Tomei, Martin Starr, J.B. Smoove, J.K. Simmons, Benedict Wong, and Hannibal Buress. Also (checks trailers to see what is and isn’t a spoiler) Alfred Molina, Willem Dafoe, Thomas Haden Church, Rhys Ifans, and Jamie Foxx!

Anyone else? Maybe! Maybe we also get other villains played by Paul Giamatti, Dane DeHaan/James Franco, or Topher Grace? Maybe we get villains in the last two movies showing up, like Michael Keaton and Jake Gyllenhaal. Will we have past Spider-Men like Andrew Garfield and Tobey Maguire? Will DONALD GLOVER appear as old Miles Morales?

This isn’t a spoiler, this is the main advertisement! 

Spider-Man: Oops! All Villains! edition. Frankly, I wondered if this would feel crowded. Crowded is what they were going for after all. And arguably, crowded villains helped kill the last two Spider-Man franchises. “But no! This time we will do it better!” And how is that? By giving us previously established villains so we don’t need an eight hour movie. Sure, it requires a five film commitment, but they figure if you are watching these new ones, you probably already committed to the over 20 that is the MCU at this point.  So why not five more, assuming you didn’t already have them?

It works though. For those without the previous films, I wouldn’t be able to tell you. I can’t get myself in that headspace. It is a risky move, and a ridiculous move, but damn it, trying new stuff is one of the reasons I watch movies. To see those that make risks, and this film is so risky. I don’t care what the past has told us, MCU printing their name on it doesn’t always guarantee success. Having a likable cast can help a lot.

This is the most emotional we have seen Holland as our web crawler before, and that includes the time when he didn’t feel so good in outer space. From the villains, Molina brings the same despair and anger he had before. Foxx felt better and more confident than the shit they gave him in his original. Ifans/Church were very underutilized, in more ways than one. I just assume the actors couldn’t really be involved that much with the film.

But Dafoe? Holy shit Dafoe. He has had like, twenty years to forget how to be the Green Goblin, and I was honestly worried about him the most. I know he is a fantastic actor, but even early on into his scenes in this one, I was skeptical, but that dude NAILED IT so hard. That is some real good review writing right there. What an absolute madlad he is. Why did they kill him off in that first film? So sad.

Honestly, people will get mad at me if I say much more. So in order to keep things vague and mysterious, I will. Let’s just say, I cried once, and it is not likely a moment you would fully expect. There is obviously an early credits scene, and an end credits scene. Feel free to leave early after the first one, in my opinion. The post credits scene is trash.

4 out of 4.

At the time of writing this introduction, Baby Driver was listed on Wikipedia as a British-American action crime comedy jukebox musical film, and when I first read that my heart skipped several beats. I am now dead. [Editor’s note: I have gotten better, and the Wikipedia article has since been shortened.]

Those genre’s together just seemed too good to be true, and it was. Because a jukebox musical means, 1) It is a musical, and 2) That the songs that the character sing already exist and come from the charts. But I knew this wasn’t a musical, just a film that really, really, really, loved music. Music that yes, at different times, may have hit the charts. And even if the main character sings some of them, they still don’t qualify it as a musical.

Which is sad, but I am mostly certain no one will turn a plot like this one into an actual musical. Or at least, not for film, but you never know with Broadway turning out 2 or more “Movie title, the musical!” films a year.

“Elevator, the musical!” is coming up and down this fall.

Baby (Ansel Elgort) loves music. It is a major part of his identity, there are always earbuds in his ears with an iPod playing a song to help the situation. When Baby was a kid, his parents got into a car accident with him in the back seat. They died, he survived, and he gained an ever persistent noise in his ears that won’t go away. The music helps dull it out.

Baby unfortunately got into some trouble. He became very good at cars, being one of the best drivers around despite his young age. But one day, he messed with the wrong man, Doc (Kevin Spacey), and lost a lot of his merchandise. And now, to pay Doc back, Baby has been the driver for several bank robberies in the greater Atlanta area, with his share always going towards his payment. But as soon as he pays off Doc, he wants out. He just wants to drive and be free, he definitely doesn’t want to hurt anyone.

Baby works with criminals, however. And criminals can be erratic and put his family in danger. His family being his foster dad (CJ Jones), who is now in a wheel chair, deaf, and needs a lot of attention. And Deborah (Lily James), a waitress at a diner he frequents who shares his passion of music and is generally a free spirit. So when the criminals start doing bad things, it is Baby’s duty to get out of it while protecting those he cares about.

We have quite a few criminals played by actors like Jon Hamm, Jon Bernthal, Jamie Foxx, Eiza González, Flea, and Lanny Joon. Also featuring Sky Ferreira and Hal Whiteside.

Everyone knows that diners are the best place to go for music and pie.

Baby Driver, from start to finish, will keep you on the edge of your seat and the edge of your car seat as well when you are heading home. Don’t watch this movie during the day, because you will want the roads empty so you can blast music and drive (responsibly) maybe a little bit faster. It will take over you, especially if you are a movie goer with varied music tastes.

Elgort has been in quite a few teenage romance / young adult films. The Fault in our Stars, Paper Towns, Divergent, even the Carrie remake. But Baby Driver is finally his jumping off point into something greater than all of his parts before combined. He is now part of a cinematic masterpiece, playing a role unlike his other characters, and hopefully will lead him to a lot of better roles in the future. Elgort might be a star, especially lucky after he didn’t get the Star Wars gig.

The cinematography, the action, the variety of characters, the dialogue, and of course, the music, make Baby Driver a must see film. I especially appreciate at how diverse the music ends up being, from all sorts of decades and genres. In addition to that, having the action FIT the music is an incredible achievement and allowed me to sit in my seat in awe.

I can’t talk enough about how wonderful an experience Baby Driver was. It is a film that I want to see again in theaters and will pick up on Blu-Ray day one of its release.

4 out of 4.

Horrible Bosses 2 came to theaters in November, and I didn’t get to go to a screening because I went to see Rosewater instead.

I actually wanted to see this one more, but I opened it up to a vote, and it was something ridiculous, like 15-1 in favor of Rosewater. Too bad Rosewater wasn’t that special.

I really liked the first Horrible Bosses, despite its ridiculousness. But I also liked at least 2 of the 3 main actors, so it made a bit of sense. However, when I heard about this sequel, I definitely thought that it didn’t make a lot of sense. They had a potential of making it like The Hangover 2, where they told a very similar story and it just felt like a bad rehash. But at the same time, if it has nothing to do with with Bosses being Horrible, then why is there a sequel at all?

And can they make everything sexier this go around? I doubt it.

Nothing sexier than showcasing your package in a business meeting. I’ve heard…

Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) are now in a business together! They made some sort of Shower Buddy item, that not only is a new nozzle for your water to come out of, but also automatically dispenses the shampoo and conditioning when with a timer or something. Yeah it sucks.

Either way, a big company has took notice. Rex Hanson (Chris Pine), CEO or something, wants to buy it all from them for a lump sum. But they don’t want to sell their company. He is a dick to them. Then his dad shows up, Bert Hanson (Christoph Waltz), and offers instead to buy 100,000 units, they just have to get their company off the ground. Hire workers, make the product, and they have a deadline.

And guess what, they do it! But of course shenanigans occur, and they might lose their whole business for nothing instead and get screwed out of all their product. What dicks, these pseudo bosses have been! So they eventually get a plan. Kidnap the son, ransom him for a ton of cash to the rich as fuck dad, save the company, and get away with a new crime. Yay!

Oh hey, and of course, Jennifer Aniston, Kevin Spacey, and Jamie Foxx return as their old characters too. For various humor intended reasons. And Jonathan Banks as the FBI guy trying to solve the crime! Life has been decent to him post Breaking Bad.

I assume the telescope is innuendo.

I think Horrible Bosses 2 found a nice balance between keeping to the theme of the series, but also giving us something new. Last time they all had different people that they wanted to “kill”. This time, they are united against the same two guys and they don’t want them to die. Killing is scary business. So instead a very complicated plan with many moving parts is the real ideal.

I will admit I haven’t seen the first Terrible Supervisors film since it came out, but I think I enjoyed that one more than the sequel. This one wasn’t necessarily bad, as it definitely had quite a few hilarious moments, but I also think it didn’t as great of a plot behind it. There were scenes that produced no laughs at all.

But the most important aspect of a buddy comedy is the chemistry, and it is pretty darn good between these guys. I have talked before about Bateman fatigue, but even he wasn’t too terrible, although it was clearly Sudeikis/Day’s movie for the maximum lols. You might not trust my word on that, because I love almost everything Sudeikis does. I think he’s the best part of SNL the last few years.

Also, I practically died laughing every time they used their fake voices. Just it is probably more forgettable unlike the first movie where they did the…things. And stuff.

2 out of 4.

Welcome back to Musical Week!

The realest reason for Musical Week is that this December had two musicals coming out only a week apart, which meant I only had to find 3 more. Into The Woods was yesterday, and Annie is today!

When I first heard there was an Annie remake, I was mostly indifferent. I didn’t know if we needed a new one, but hey okay. But when I heard she wouldn’t be a tap dancing ginger, but a BLACK GIRL? I was still mostly indifferent. At least there was a change for the remake so that it wasn’t just rehashed material. It would allow them to do a more modern version, not one set in the way back early times.

But then I saw the first trailer. I knew something was weird and different and off from it. And it is an unfortunate change. But one I will clickbait tactic and wait to talk about at the end of the review.

And it isn’t just that when I do this dance, I always look like I have to take a pouty poop.

Little Orphan Annie (Quvenshane Wallis). No, wait, fuck that. She is just a foster kid, not an orphan. She has parents, she just doesn’t know who they are or when they will be back for her. She just knows that maybe, one day, she will see them on a Friday night at a local Italian restaurant eating cannolis.

But while being chased one day by some jerks, she falls in the street and almost gets run over! But thankfully, a man is there to pick her up and chastise her. That man is Will Stacks (Jamie Foxx), the owner of a NYC based phone company that is hugely successful, so he is totally rich, and he is also running for mayor! He isn’t doing that great though. He is super behind. Well, footage goes out of him saving Little Foster Girl Annie on the internets, which gives him a bump up. His campaign manager (Bobby Cannavale) convinces him that if he temporarily takes Annie in and make him seem more charitable.

Annie is a free going individual who understands this is just for publicity, and she is cool with that. Getting to live in a rich house for a few weeks? Hells yeah. She doesn’t want him for a dad anyways, she wants her real parents, who will totally come eventually. Maybe tomorrow even. Or the tomorrow after that.

What could go wrong? Also featuring Rose Byrne, Cameron Diaz, David Zayas, Adewale Akinnuoye-Agbaje, and Stephanie Kurtzuba.

No, trust me, I counted them. Definitely 76 trombones.

Let’s talk about…pop music. Some of it is good, a lot can be bad, even more of it is catchy. That is what this version of Annie is, for the most part. Just pop music broadway. And that is my major complaint. The songs don’t feel as natural as musicals usually strive for. It didn’t have that extra bellow or personality behind the notes that made me care about the lyrics and not just nod my head to a tune. Kids in general like all kinds of music, so a different sound to all of the sounds doesn’t feel warranted.

This is the second thing I have seen Wallis in, the first being Beasts Of Southern Wild, which I kind of hated. She is fine as Annie. She really is. She has charisma and she is charming and she carries that strong independent feeling with her the whole movie.

Everyone else? Ehhh. Byrne did decent. Diaz only annoyed me.

And Foxx. Come on, Foxx. I know you can sing. I remember Gold Digger quite vividly. Was your role in that song fake? I am starting to believe it. You had passion in your lines and feeling in your voice. Every song with Jaime Foxx is terrible. His voice is ridiculously soft for most of them, so I felt like I had to strain to hear him and there is just nothing of substance behind any of them. I kind of felt he was just talking his lines. Maybe they accidentally put in the mumble take? They are just down right terrible.

But you know what bugs me the most? The finale, when they re-did Tomorrow? Despite how terrible I thought the music was in the movie and thus how bad the movie was, it still made me tear up. Just a little bit. Great lyrics can do that. Balloons help.

So who is to blame for this? Will Smith and Jay-Z. They are producers, must be their fault.

1 out of 4.

The Amazing Spider-Man 2 is technically the first big budget movie of the summer, because April doesn’t count as summer. Take that, Captain America: The Winter Soldier. And what a packed summer it is! Or at least this month, in which we see two Marvel franchises, neither currently owned by Marvel.

Either way, the first one I thought was a good reboot. I was still shocked like everyone else when they announced that there would be at least four movies in this franchise, one released every two years. So you can look forward to The Amazing Spider-Man 4 in 2018. It also will have two spinoffs at least, Venom and Sinister Six, presumably in the off years. Although they will just feel like more of the same I assume.

I have absolutely nothing to follow that informative, yet boring intro.

Spider-Man! It is a few years after the first film, now time for graduation. Peter (Andrew Garfield) is conflicted over his love for Gwen Stacy (Emma Stone). He promised to not get her involved, it could hurt her. Sure, at the end of the first movie he didn’t care, but apparently now he does.

So, a yearish after that, he is still saving the day, but now in college. I assume a community college or something, maybe online classes, because you never really see him doing work for it. Some would say he is wasting his potential, but those people don’t know he is Spider-Man.

Either way, his old friend from middle school or so, Harry Osborne (Dane DeHaan) has returned home. His father, Norman (Chris Cooper) is dying of a genetic disease, so Harry is going to get it too probably. That isn’t Harry’s only problem. He is also now head of Oscorp, the board hates that and wants to get him ousted as soon as possible.

Lot of shit going down. Not to mention a poor nobody Max Dillion (Jamie Foxx) is killed while working at Oscorp, his body being electrified in a horrible accident. Oh what’s that? Electro. And he has a beef with Spider-Man and the city too. Oh hamburgers.

Also starring again Sally Field as Aunt May, Campbell Scott as Peter’s dad, and Paul Giamatti as a Russian criminal turned Rhino.

I think I actually got shocked during this fight scene. 3D Effects are amazing.

Just like the previous film, this franchise just seems to “Get it”. They get what it means to be Spider-Man, how cool it is, and the entire strength of his character. This is mostly portrayed in two points of the film.

Point one: His wit. Spider-Man talks with the public and the bad guys as he swings around, offering the quick joke or two and not taking life too seriously until it gets dire.

Point two: The fights. Holy crap the fights. The action in this movie is just so fucking incredibly Spider-Man. So good, so good. We get to see Spider-Man use his agility and webs to maximize his chances of victory, against stronger and slower foes, and against quick foes too. He has to use his brain to develop strategies for beating enemies. He uses Science! We get to see his Spider Senses help determine his plan in a combat. It is just so gleeful. Maybe worth the price of admission.

But this movie has a lot of faults too. The plot is a lot thinner than I would have hoped. Too much of the movie is Peter moping around, not being awesome. We just had the origin story, the sequel is supposed to allow for a lot more action and awesome. Since it is over two hours, having two big villains shouldn’t be an issue, as it is closer to the comics that way anyways. But still the ending villain fights feel a bit rushed.

I knew how the ending would go I guess, and man, it still rocked me. I thought it was a well done interpretation. That is all I will say on that note. The movie feels a lot like a comic too, and I don’t know how to describe that better. But the plot also moves sometimes at strange paces. Somehow Peter finds out a secret laboratory that his father had made. But the clues that lead to it seemed completely random, and they didn’t really have a good way of explaining how he made those leaps of logic.

Oh well. The action? Really really fucking good. The plot? Ehhh. I do like how they started the Electro character. That way feels pretty new. The Goblin could have used a bit more work and time I think.

2 out of 4.

Rio 2. Did it need to happen? The first film, Rio, told a complete story. I don’t remember how I felt about the movie initially, but I quickly grew to hate it.

That’s right, I now hate the first Rio. The songs are terrible, the story is dumb. The songs are really really terrible. After one listen, I knew I could live without hearing them again (but of course I did hear them again). But whatever, I don’t have to dwell on it.

But it got a sequel because it made money, makes sense. Now they have a family of birds, doing family stuff, and living in Brazil full time. At least this time the plot won’t be an inability to fly.

No, this time it is an inability to be fly.

Tulio (Rodrigo Santoro) and Linda (Leslie Mann), the humans, are off doing human things. Roaming the Amazon rain forest, looking for cool shit. They stumble on some cool shit, but also some bad shit. I am literally done talking about them.

Needless to say, the bird type that Blu (Jesse Eisenberg) and Jewel (Anne Hathaway) are have a huge home in the middle of the rain forest, away from humans. I mean, after all, they had to come from somewhere right? That’s right, Hathaway actually voiced the same character for the sequel, unlike the travesty that occurred for Hoodwinked Too.

So they take their family and friends to find the lost tribe. Or whatever. Living in the Amazon! Yay! There they meet Jewel’s dad, Eduardo (Andy Garcia) and former lover I think, Roberto (Bruno Mars). Now that Blu knows how to fly, he has to learn how to really be a jungle bird if he wants to make sure his wife still loves him…?

Oh, and uhh. Nigel (Jemaine Clement) is back, wanting revenge. He also has a poisonous frog friend named Gabi (Kristin Chenoweth) who really loves him for whatever reason. And there are loggers. And there are parrots or something that share the forest with the Blue Mckaws.

All of the random ass bird and dog characters are also back (Jamie Foxx, George Lopez, Tracy Morgan, and Will i Am) and yes, they serve even less of a purpose in this movie.

These two, plus ant eater, plus parrots, plus loggers, means like, 10,000 villains.

Rio 2 is a strange movie. Like I just said, there are so many dang villains, it just felt excessive. Because of that fact, Nigel didn’t have a great send off. When his plan finally came true, it all was super rushed and then the movie ended.

The music for Rio 2 was a little bit better, but not amazing still. This franchise’s problem is singability. I don’t want to go and sing any of these songs later, just like the first one. Just all of them are so erratic. My favorite song was the Poison Love in which Chenoweth goes full Broadway crazy on hitting all sorts of notes. Yes, surprisingly, her character was the funniest of the whole film. She didn’t even have that much time in the movie either it felt like.

I think, somehow they went even more stereotypical than the first movie. There is even a big soccer like match with the birds, including announcers acting exactly as you’d expect.

Everything else was ehh. Was hard to keep paying attention to the film, due to how pointless the plot lines felt. I hope there isn’t a Rio 3 in the future, doing the Olympics or whatever in a couple of years. That will be stupid.

1 out of 4.

Some people enjoy eating competitions, fireworks, and BBQs for their Fourth of July celebrations. Not me. As a heavy movie consumer, I tend to spend a lot of time watching patriotic movies. You know which ones I am talking about. The kind that cause you to get out of your chair and start chanting U-S-A at the top of your lungs, or maybe even run down your street with an American flag (usually reserved for the Olympics). I am talking about the big heavy hitters, like Top Gun, Rocky IV, The Mighty Ducks II, Red Dawn, and of course Independence Day.

Which is why I’m glad we have new movies coming out around the same time as the festivities, that only want to help us express that pride we have deep down inside ourselves. What is more patriotic than a movie involving an attack on the White House, by Americans, for Americans? My fellow Americans, I give you, White House Down (Trailer).

(PA-PA-PA-PA-PA-PA-PA-PA-PA-PA-PA-PA)
“I’M SORRY, I CAN’T HEAR YOU OVER MY FREEDOM BULLETS!” – Tatum

The movie takes place in a time when America is dealing with a lot of conflict in the Middle East. AKA, modern day America. President James Sawyer (Jamie Foxx) wants to be a great man and known forever in history. He has decided to pull all of the troops out of the Middle East and also offer up a peace treaty for around twenty countries in that area. It is a pretty bold move that has a lot of people angry, including the vice president who will quit if it goes through.

John Cale (Channing Tatum) might not think too highly of the new order either, after all, he served three tours in Iraq/Afghanistan himself. But now he is back to living in DC, working as a body guard for the Speaker of the House (Richard Jenkins). His dream is to work for the secret service, the highest honor in the land, especially since his daughter Emily (Joey King) is obsessed with politics, and he wants to get back on her good graces.

But while on a tour at the White house (lead by Nicolas Wright), a bomb explodes on the Capital building, putting most of DC on lock down. Too bad a group of mercenaries have all infiltrated the White House to take the president prisoner. Why you might ask? Plenty of reasons, just pick one. Surely it isn’t just for money though. Either way, it is time for John Cale to prove himself capable of being a member of the Presidential Guard, or else there might not be a country to save.

We also have Maggie Gylenhaal as a head secret service agent, James Woods as the Head of the Presidential Detail, Jimmi Simpson as a big bad hacker, and Jason Clarke as a mad mad mercenary.

Yep. Everyone in this picture will kill someone by the movies end. For America.

I am not allowed to review White House Down without mentioning Olympus Has Fallen, which I loved. It had great action, it was tense, but it still had its weak moments. Olympus Has Fallen was a much more serious film, whereas White House Down is going for Action/Comedy and is much closer to being a Die Hard variant. It isn’t rated  but even the smallest details seem to be throw backs to Die Hard. Just look at Tatum himself. His garb mimics Bruce Willis in the first film, with the white tank top and ruffled hair as seen here.

Roland Emmerich is used to bigger disaster films, so I am surprised he was able to contain the destruction to basically only two buildings. Despite the small scale, I found myself at the edge of my seat as Tatum and Foxx were running around the White House trying to be action stars. Foxx’s character wasn’t as much of a bad ass, as he is the President, but he has a few moments.

But here is what I didn’t like. The run time is over two hours, far too long for this kind of movie. I think the main problem lies in the pre-explosion intro, which dragged on and on, trying to set up everyone’s story. None of the twists are really too surprising, as it fits a very common formula. I didn’t see the last twist coming, only because a twist there felt nonsensical. The final twist was also a bit rushed and a bit anti-climatic.

Regardless, I am willing to state that both White House invasion films from 2013 are probably worthy of a watch, at least once. This one has a limo chase seen on the presidential lawn, while Olympus Has Fallen has a limo fall into an icy river of death. The difference in limo usage probably highlights the main differences in the films. I wouldn’t describe this as a “dumber” version of OHF like other critics, but it definitely takes itself less seriously.

I am looking forward to 2014 when I get to see two versions of Hercules. (Hint: You can already tell which one will be better).

 

3 out of 4.

The last of the movies to come out on Christmas for me to review, Django Unchained is unlike really any other.

It isn’t random holiday fluff, and it isn’t based off of previous work/book/musical. Sure, there was the movie series Django. But those stories aren’t at all related, all it is is a name share.

But outside of that, you know its a Tarantino movie, so you know, there will be blood.

Along with stylish threads, and stylish walks.

Django (Jamie Foxx) is a slave. A slave walking through Texas. He had a history, hell, he had a wife, Broomhilda (Kerry Washington). Too bad she got sold to another plantation owner, who knows where.

But as luck would have it, a man has freed him from his bondage. Dr. King Schultz (Christoph Waltz), a bounty hunter and former dentist. He is looking for a group of brothers who have gone on the run, changed their name, and he knows that Django knows what they look at.

So of course he will help him out! Killing white people for money, what could be better? Obviously. Not to mention if he helps him out, he can get cash, and find out where his wife is. Because we have all seen the preview, we know she is with Calvin Candie (Leonardo DiCaprio), and under the watchful eye of her owner and head slave Stephen (Samuel L. Jackson).

And in this movie, the hammer is an actual hammer, and not his penis.

I think I can say, universally, that Django Unchained basically is firing on all cylinders. It was a classic Tarantino movie, despite being his first western. It had it all. Dramatic tension, thanks to a few scenes between DiCaprio/Waltz, comedy, action, and a lot of gunfights.

This is now the third movie I have seen Waltz in and I love his character so much. The high level charisma and witty dialogue will make the long movie length fly by in an instant. Foxx, despite the main character, does a lot less of the talking, which makes sense given his position and role he has to play.

Despite not showing up until the second half of the movie, once DiCaprio and Jackson hit the scene, they make their presence known and make it count. There is a specific scene in question where DiCaprio accidentally cuts himself by breaking a glass, but doesn’t break character making it all the more intense.

Really, this movie is just a great movie. The “controversy” over word choice isn’t a controversy at all, it is just Spike Lee being a jack ass.

In addition to that, you not only see breasteses, but also a penis. Pretty sure though that a stunt cock was needed.

I don’t wanna sound queer or nothin’, but…

4 out of 4.

Although Jarhead is just outside of my range of reviews, I wanted to review a war-like movie for Memorial’s Day, and it is not only decently new but also a few people I have talked to about it haven’t ever seen it.

And damn it, I got it on Blu-Ray pretty cheap last Black Friday, so I wanted to see it, damn it.

Taking a new spin on the giving nature of the Marines.

The film takes place a few decades ago, and the war components during Operation Desert Shield. But earlier we get to see Swofford (Jake Gyllenhaal). It’s okay, nothing great. Lot of yelling. Eventually he gets invited to try out for a Sniping unit for the Marines, where Sgt. Sykes (Jamie Foxx) is not only the trainer, but the leader in combat too.

Regardless, he makes it to the final cut of 8 people, and even gets to be a shooter. Because yeah, unluckily, 4 of the 8 just get to be spotters. Like his new partner, Troy (Peter Sarsgaard). Then eventually off to combat! Hooray!

Or not. They then get to live out in the desert. Bored. Very bored. Trying to become accustomed to the new environment, but also boredom. Due to alcohol and changing of the duties, a fire breaks out and Swofford is demoted all the way back down to Private. Where the boredom remains, but the daily jobs are worse. The only thing for them to do is masturbate, which they make that pretty clear. But hey, even more eventually, they get to go to combat! Or at least get to go through the desert and be mobile.

One of the members, Fowler (Evan Jones) seems to be increasingly losing his sanity, having a more and more extreme sense of humor. Everywhere they go seems to be in the path of destruction that the airforce has already cleared, tons of burned Iraqi vehicles and people. Once they reach the Oil fields, the oil spurting up from the ground literally rains down on them (and eventually, is a constant jet of fire going into the air).

But when they get into a territory with the enemy in sight, will the finally be able to pull the trigger and prove their worth to the Marines?

My normal suspense method leaves very little suspense.

I should note that that picture above scares the crap out of me. Oil raining from the sky, caking the desert, (where they are digging holes in order to sleep in) while also different spewing oil areas are on a constant state of fire. That shit was real, and lasted for up to 10 months in 1991 Kuwait. Holy shit. It’d be the closest thing to Hell on earth, and I never heard of it before this movie.

During the first half, there was a lot more comedy than I would have expected in a “modern” war movie, but people do comedic things when faced with isolation and boredom. There isn’t a lot of open firing in this movie against any ‘bad guys’. The real enemy in this situation is just keeping sane and keeping your friends sane. Which in itself seems crazy!

Although the soldiers did exhibit their own personality, I didn’t even see Jake Gyllenhaal as Jake Gyllenhaal for most of the movie, just saw him as a real soldier. True for all the actors, EVEN Jamie Foxx (somehow).

I thought the acting and plot was good, and it was definitely heart wrenching in all the right places. The scenery was probably spot on, and vivid enough to make the viewer get irritated by the conditions we’d endure if we were there.

3 out of 4.

I shouldn’t have to describe this plot to you but I will anyways.

Charlie Day, Jason Bateman, and Jason Sudeikis are all friends. They all hate their bosses, but for different reasons. But more or less they are all Horrible….Bosses. Jennifer Aniston is sexual abusing Charlie at work, and he is engaged! Kevin Spacey is a crazy psycho and won’t give Jason Bateman his due promotion. Colin Farrell is an incompetent cokehead boss, who got the job over Jason Sueikis.

Also Jamie Foxx is a black man, and thus a murder consultant.

Sorry. I don’t make the rules of the movie.

Wait, murder consultant?

Oh yeah. Because they want to kill their bosses, fixing their lives completely. As long as they don’t do it stupidly enough to get caught, and get help.

The comedy in this I really enjoyed. The plot line, although ridiculous, somehow works out at the end. Do any of the bosses actually die? That would be a spoiler. But it is R rated, if you know what I fucking mean. Jason Bateman plays the role he always seems to play. Charlie Day freaks out and does his fast talk like normal. I am confused by how funny I find Jason Sudeikis, as he is generally a side character. But his characters have been funnier in other recent movies too. Farrell doesn’t add much to the film, but Kevin Spacey easily adds enough to make up for the both of them. Most of you would probably just want to watch this to see Jennifer Aniston in a new light.

As a brunette!

Some flaws, but very decent nonetheless.

3 out of 4.