Tag: Action

Sync up your William Tell Overture Finale folks, it’s The Lone Ranger time.

Although I never listened to the original radio series, or watched the TV series, or other movies, The Lone Ranger himself is pretty ingrained in American Pop Culture. A hero to the old American West, and a franchise that Jerry Bruckheimer has decided to take under his wing. After all, if it proves to be a success, he could release a new Ranger movie every three years, similar to his current Pirates of the Caribbean trek. Just think of how much money Johnny Depp will make from both franchises, too.

If explosions were dollar bills…

In Colby, Texas, the great American Railroad is coming through, bringing prosperity and happiness to the small town. Their goal is to connect the East with the West. John Reid (Armie Hammer), a district attorney from the big cities, is returning to his hometown to reconnect with his brother and brother’s wife, Rebecca (Ruth Wislon).

What poor John did not know, is that also on that train was famed bandit cannibal Butch Cavendish (William Fichtner), who is finally going to be hanged for his crime. There is also this Indian named Tonto (Johnny Depp), but he is a bit more mysterious. After a train robbery, Butch is back on the run, and it is up to John Reid, his brother, and a gang of lawmen to bring him back for justice.

Until something goes wrong. Terribly, deadly wrong. Somehow, John is saved, and Tonto explains to him that he is a spirit walker, who cannot be killed according to his beliefs. Tonto also wants to bring Butch to justice, so they team up to right wrongs and save the day! Speaking of trains, Tom Wilkinson plays Cole, the railroad tycoon, and Helena Bonham Carter a bordello mistress. Fun fact, this is the first time Carter and Depp have been in a film together that was not directed by Tim Burton.

It is also the first time Depp has worked with this horse.

After watching The Lone Ranger, I really just want to listen to famous, old classical music. Major props to Hans Zimmer for rocking out another great movie soundtrack, something I don’t bring up a lot in my reviews.

I will start with the negatives first. This movie is 149 minutes long. What! A lot of the film is set up, in order to introduce us to the character before he dons the mask, a little bit about Tonto, and a whole lot about his brother and his old town. It is necessary, I guess, but it could have easily been shortened. The film uses the method of unreliable narrator, as a much older Tonto is telling the story on how he first met John. The idea itself is a neat one (and allows for more crazy situations) but the method of delivery just feels hokey to me.

Thankfully, the positives far outweigh the negatives. Hammer and Depp have great chemistry. Tonto is not just a secondary character but an equally important one. They have the appropriate throw backs to the original series while also doing their own thing.

But the best part of the movie is by far the climactic train ending. The final chase is incredibly long, but so meticulously planned and detailed that it was hard to stop smiling the entire time. The director had many gorgeous shots of the landscape, like a classic western, including setting parts of it in the Monument Valley as a different type of throwback.

The movie will also give you plenty of screen time with Armie Hammer, who is currently rumored to be the new Ant-Man or Dr. Strange, upcoming heroes/movies Phase 3 of the Marvel Universe.

Although this film has had many negative reviews, I’d say give it a chance. Especially if you have three hours (movie and preview) to waste on these hot summer nights.

 

3 out of 4.

Happy America Day, for Americans! I had my review of White House Down yesterday, because sometimes there are better things movies to do for a day such as this.

God. Bless. America.

Maybe the movie was chosen on the title alone. Maybe the movie has nothing to do with extreme patriotism, and it is going for irony? We will just have to wait and see.

Well, it certainly looks American so far.

Life is raining down shit on Frank (Joel Murray). He is divorced, his kid doesn’t want to visit him, he works entirely with mouth breathers, he has brain cancer, and there is nothing intelligent on TV. I wrote about those things in order from least important to most important. But seriously. TV is the worse. All singing competitions making fun of special needs people. People like Steven Clark (Aris Alvarado) who will be the unfortunate talk of the movie for being a bad singer.

We got reality shows, “news shows” that belittle their guests and are just mean. But lets not forget bratty teenage girls. The. Fucking. Worst. Like what his daughter will probably be.

These bitches all just deserve to die. Especially before Frank.

So Frank goes and kills a teenage girl.

He does this in front of Roxy (Tara Lynne Barr), another sixteen year old girl, who thinks it is basically the best thing ever. But he shouldn’t stop there. No. They need to rid the world of everyone who is lame. Like people who say rockstar. Or give high fives. He just dislikes people who are mean. They are the real ones who need to get shot.

Like mother fuckers who talk in the movie theaters. The worst of the worst.

Or people who profit billions by making fun of bad singers on television and just being unlikable assholes. Yeah. Let’s make that the main goal.

Mission Accomplished.

If anything, I can say that God Bless America is definitely an experience unlike one you have ever…experienced before. From start to finish, I was both surprised and taken aback at the lengths that the Frank and Roxy went through to just deliver a little bit of justice.

Sure. You could argue that this movie was made just as a long long rant by the writer/director. Frank goes on many monologues about what is wrong with society, and they go to great lengths to show you all the worst aspects of TV and put you on par with the character. People might get annoyed, but I found myself captivated by the dialogue.

The violence is also pretty great. Sure, most of them are just people getting shot with guns, but some are done in quite creative ways.

There are negatives, sure. The ending was a bit more anticlimatic, in terms of how it was filmed, not the result. It just seemed a lot less epic than I would have thought (which could be on purpose). I might be a bit disappointed that not enough people died in their spree either. But I am just a violent American, so that doesn’t matter.

Either way. Go America, go Independence, go this movie.

3 out of 4.

Some people enjoy eating competitions, fireworks, and BBQs for their Fourth of July celebrations. Not me. As a heavy movie consumer, I tend to spend a lot of time watching patriotic movies. You know which ones I am talking about. The kind that cause you to get out of your chair and start chanting U-S-A at the top of your lungs, or maybe even run down your street with an American flag (usually reserved for the Olympics). I am talking about the big heavy hitters, like Top Gun, Rocky IV, The Mighty Ducks II, Red Dawn, and of course Independence Day.

Which is why I’m glad we have new movies coming out around the same time as the festivities, that only want to help us express that pride we have deep down inside ourselves. What is more patriotic than a movie involving an attack on the White House, by Americans, for Americans? My fellow Americans, I give you, White House Down (Trailer).

(PA-PA-PA-PA-PA-PA-PA-PA-PA-PA-PA-PA)
“I’M SORRY, I CAN’T HEAR YOU OVER MY FREEDOM BULLETS!” – Tatum

The movie takes place in a time when America is dealing with a lot of conflict in the Middle East. AKA, modern day America. President James Sawyer (Jamie Foxx) wants to be a great man and known forever in history. He has decided to pull all of the troops out of the Middle East and also offer up a peace treaty for around twenty countries in that area. It is a pretty bold move that has a lot of people angry, including the vice president who will quit if it goes through.

John Cale (Channing Tatum) might not think too highly of the new order either, after all, he served three tours in Iraq/Afghanistan himself. But now he is back to living in DC, working as a body guard for the Speaker of the House (Richard Jenkins). His dream is to work for the secret service, the highest honor in the land, especially since his daughter Emily (Joey King) is obsessed with politics, and he wants to get back on her good graces.

But while on a tour at the White house (lead by Nicolas Wright), a bomb explodes on the Capital building, putting most of DC on lock down. Too bad a group of mercenaries have all infiltrated the White House to take the president prisoner. Why you might ask? Plenty of reasons, just pick one. Surely it isn’t just for money though. Either way, it is time for John Cale to prove himself capable of being a member of the Presidential Guard, or else there might not be a country to save.

We also have Maggie Gylenhaal as a head secret service agent, James Woods as the Head of the Presidential Detail, Jimmi Simpson as a big bad hacker, and Jason Clarke as a mad mad mercenary.

Yep. Everyone in this picture will kill someone by the movies end. For America.

I am not allowed to review White House Down without mentioning Olympus Has Fallen, which I loved. It had great action, it was tense, but it still had its weak moments. Olympus Has Fallen was a much more serious film, whereas White House Down is going for Action/Comedy and is much closer to being a Die Hard variant. It isn’t rated  but even the smallest details seem to be throw backs to Die Hard. Just look at Tatum himself. His garb mimics Bruce Willis in the first film, with the white tank top and ruffled hair as seen here.

Roland Emmerich is used to bigger disaster films, so I am surprised he was able to contain the destruction to basically only two buildings. Despite the small scale, I found myself at the edge of my seat as Tatum and Foxx were running around the White House trying to be action stars. Foxx’s character wasn’t as much of a bad ass, as he is the President, but he has a few moments.

But here is what I didn’t like. The run time is over two hours, far too long for this kind of movie. I think the main problem lies in the pre-explosion intro, which dragged on and on, trying to set up everyone’s story. None of the twists are really too surprising, as it fits a very common formula. I didn’t see the last twist coming, only because a twist there felt nonsensical. The final twist was also a bit rushed and a bit anti-climatic.

Regardless, I am willing to state that both White House invasion films from 2013 are probably worthy of a watch, at least once. This one has a limo chase seen on the presidential lawn, while Olympus Has Fallen has a limo fall into an icy river of death. The difference in limo usage probably highlights the main differences in the films. I wouldn’t describe this as a “dumber” version of OHF like other critics, but it definitely takes itself less seriously.

I am looking forward to 2014 when I get to see two versions of Hercules. (Hint: You can already tell which one will be better).

 

3 out of 4.

It is a strange time for zombie movies, with the last few serious ones never really living up to the “George A. Romero” Standards. Who decides these standards? Well, fans of the old stuff, who hate everything new, basically. Thankfully with films like Warm Bodies, zombies that break the mold are becoming a bit more accepted by movie watchers.

However, the fact that World War Z (Trailer) has really fast moving zombies doesn’t seem to be the major concern with most viewers. It is the fact that the movie is almost nothing like the book (According to book author Max Brooks) that the name comes from.. I never tend to care about source material with reviews. If a movie is good on its own merits, it should be judged on its own merits. But even I can admit that making it nothing like the material and only borrowing the name is just a bit scummy.

I tried to tell Brad Pitt that I was disappointed in that fact, but with a face like his, how could I stay mad?

Let’s not even get into the luscious hair that he sports for this film.

The movie begins with a series of news reports letting the viewer note the currents state of the world. After that, we are introduced to the main family in this story. Gerry Lane (Brad Pitt) is now a stay at home dad, with two young daughters and a loving wife Karin (Mireille Enos).

About seven minutes into the film, they stop with all the boring drama nonsense, and get straight into crazy zombie madness! All around the world, zombie outbreaks are occurring, with many major cities falling. The Lanes are in Pennsylvania and find themselves on the run with the world crumbling beneath them.

However, it turns out Gerry used to be a pretty big deal in the United Nations, a smart guy, very tactical, and good at the surviving in extremely volatile locations. His former boss John Garang (Fana Mokoena) is able to lift him out of Newark, New Jersey, giving his family a space on the fleet in the Atlantic. Far away from any mean old zombies. Unfortunately, this lift to freedom doesn’t come without a price. Gerry has to go with a small team of seal soldiers and a scientist to help figure out the cause of the outbreak, or you know, the end of the world.

Let’s also not forget that Matthew Fox is in this movie as the important role of “Paratrooper.” Arguably a big name actor, he has less than a minute of real screen time I’d estimate. Danielle Kertesz plays a female Israeli soldier!

They would make great mindless cheerleaders. Dat pyramid.

Did I mention I loved that the action in the movie started so dang early? I thought I was going to be left with a lot of family drama, worrying about protecting the kids, but within the first half hour they are dropped off on the aircraft carrier and only a minor nuisance after that. When watching this movie, you are not going to care about his family, or any other character. Really the only important person in this movie is Brad Pitt. His youngest daughter is particularly distracting early on, mostly because she is a nine or ten year old girl acting like a four year old.

Another potential issue is that this film is only PG-13. The lack of blood and decapitated bodies seems to be a problem for the die-hard zombie fans, but it was a problem I could ignore. My biggest issue is with the sometimes sub par CGI. The mass hoards of zombies would often appear more blurry, which just ruins otherwise fantastic action scenes.

Despite the narrative flaws and less than stellar effects, the movie kept me interested throughout its almost two hour run time. I jumped out of seat on multiple occasions, often surprised how much fear was in the movie. Yes, it is zombie based, but the trailers made it seem like it would be action/adventure oriented. Brad Pitt survives some ludicrous situations, almost making me laugh at how ridiculous it all is. But he is a big movie star, I know he is going to survive inconsequential things like airplane crashes and stab wounds.

As a zombie movie, it is actually pretty tame, but I think it adds something unique to the genre.

3 out of 4.

If you have talked to me about superheroes before, you will have found out I prefer Marvel to DC. Marvel sets its characters in real cities in the real world, generally makes their characters relatable, and almost always gives them character flaws, like Tony Stark and his alcoholism.

If you had to ask for my least favorite (popular) superhero, it would definitely be Superman. The idea of his character is boring. He is hardly relatable, being an alien from another planet who has ungodly powers compared to the rest of us. He is generally unstoppable, unless somehow an even stronger force appears, or a very rare substance from his home world magically shows up. Not even Five For Fighting could convince me otherwise.

Regardless, I was still excited about Man Of Steel (Trailer). It looks like their main goal was to make him a bit more relatable to us normal folks, which is one of the harder tasks out there. So if we can get some good drama, and for goodness sake, some good action in this movie, I might just like Superman again. Basically, make it the opposite of Superman Returns. Although it only barely fits, this is also part of my Apocalypse Week, because technically it could involve the end of the world?

I like to picture the helicopters as his Angel/Devil counterparts, telling him what to do. Of course, they are helicopters, so they are both telling him to fuck some shit up.

The movie begins on the planet of Krypton! You see, the elders there have expended all of the planets natural resources, so the planet is kind of doomed, threatening the entire race. General Zod (Michael Shannon) is attempting a military coup to fix the mess the elders have caused, while Jor-El (Russell Crowe) has an alternative answer. He believes his newly born son has the answer to their future, and sends him off to Earth to live and grow, while the rest of his kind perish.

So, Kal-El (Henry Cavill, eventually) finds himself in Smallville, Kansas. He is raised by the Kents (Kevin Costner, Diane Lane), taught to be a good person and to hide his powers from others, who might be afraid of him or use it against him. It isn’t until much later in his life, when he is on odd job #35, that he is able to find an ancient alien space craft. There he finds the answers to his past, his race, and his purpose.

This unfortunately also sets off a beacon into space, allowing General Zod and his crew to find his location. They’ve been amassing a giant army and are looking for a new home. Thanks Kal-El, you doomed the Earth.

They show up, demand Kal-El turn himself over, or else the planet is kaput. Surely he is a man true to his word and will actually leave Earth alone, right? We also have Amy Adams as Lois Lane, Richard Schiff as random scientist FBI guy, Laurence Fishburne as The Daily Planet editor, and Christopher Meloni as bad ass army man.

Not to ruin the movie for you, but the entire time I thought Zod looked a bit like Geoffrey Arend.

I’ve already wrote a lot about the movie, but hold on to your butts, I have a lot more coming.

Zack Snyder is the man who brought us 300 and Watchmen, both of which I love on their own right, and is a man fully ingrained into the superhero world now. He has the ability to make a movie visually pleasing, but sometimes relies on too many film filters to take me out of it.

I hated the filtering for Man Of Steel, but the fight scenes are quite worthy of praise. They mostly involve aliens who move much faster and hit a lot harder than we can even fathom, yet Snyder was able to create fight scenes that could both A) Be followed and understood by an audience and B) show off really cool visual effects. Often times in fight scenes, you will be stuck with blurriness in the action, just not in this movie.

It was great watching Superman doing actual super things, whereas in Superman Returns, the whole movie was him lifting progressively heavier objects.

In addition to Snyder, the film also features Christopher Nolan as a writer and producer, so he can hopefully add some deeper elements to the story that Snyder usually lacks. Unfortunately, I thought the plot and characterizations were probably the weakest part of the film.

General Zod is an interesting villain, mostly because he isn’t Lex Luther. However I think they spent far too much time on Krypton early in the film, which seemed to exist just to give Crowe even more screen time and show off lots of CGI explosions. Unfortunately right after that, we had a series of awkward childhood flashbacks while Superman is an adult hiding from the world, making the early movie feel disjointed and odd. I have to admit, I think a lot could have been cut from the 143 minute storyline to make a bit more exciting movie.

Yes, I am claiming large parts of the Man Of Steel were boring, a sad conclusion. Great action scenes, okay acting, boring overall plot and set up. I really disliked Costner’s character. That guy was an idiot and I felt nothing during his biggest emotional scene of the movie. Heck, you’d think people living in Kansas would also know that when a Tornado is coming an overpass is NOT the best place to run and hide. I know that, and I’ve lived in the Midwest less than year. That isn’t why the film got the rating, but it really grinded my gears nonetheless.

Overall, Man Of Steel is a decent showing for a DC character I hate, but it still isn’t enough to fully love.

2 out of 4.

Hooray, review 800! Are you excited? Well, too bad. Because I am excited. Like normal, you can check out the rest of my Milestone reviews by clicking that link that I just provided.

Because Twilight is over, I have decided to go the “Movie So Awesome, it must be talked about in more than 500 words,” and this one was suggested by a reader.

Shoot ‘Em Up. Have you heard of it? You should have. It came out in 2007 and basically attempted to make one of the most over the top, most ridiculous, gun shooting based movie. More ridiculous than Smokin’ Aces even. Although this movie doesn’t feature a dead Ben Affleck. I also am going to give a lot of spoilers for this movie, but really, I doubt words and straight pictures will ruin the experience for you.

Let’s talk about Smith (Clive Owen). He really likes carrots.

If you don’t eat your vegetables kiddy. Or we might have to force you.

The movie begins with Smith sitting on a bench. A very pregnant woman (Ramona Pringle) runs by, panting heavily, and scared, and it becomes obvious she is being chased by a hitman off to kill her. That doesn’t seem fucking nice at all. So Smith kills him with that carrot. Fuckin’ A.

This freaks out the woman, who goes into labor. Too bad a SMALL ARMY OF PEOPLE attack the shit out of him. So he has to play doctor, easing her through the pregnancy, while shooting the bad guys. This is literally five minutes into the film.

\
Seriously, eat the carrot. It will help your vision, and help you shoot people.

Well fuck, while breastfeeding, the mom gets shot in the head. By fucking Paul Giamatti, who really wants that baby dead. He even has a special pistol that requires a thumb print to fire, so do all of his men. That doesn’t help Smith, when he wants to use it. Unless he cuts off someone hand that is.

Oh yeah, this whole time he has a baby in his hands too, just trying to survive. Because they want the baby dead!

Babies are important. Why in this movie? We are not sure. Maybe he will grow up to be president?

Why is a gun better than a wife? Because you can put a silencer on a gun. Hyuck hyuck hyuck hyuck. Paul Giamatti is hilarious.

Either way, eventually Smith doesn’t give a shit anymore. He wants to get rid of the baby, deciding to just leave him in a park on one of those playground merry go round things. Well, they try to snipe the baby. Fuck. So he does what he has do, and SHOOTS THE FUCKING PLAYGROUND ROUNDABOUT THING to make it spin, so the baby can’t be sniped. What! What! What!

Yeah, fine, let’s get the baby, and let’s find a way to feed it. He needs milk.

“Fuck you, ya fucking fuckers”. Actual line during this scene.

To the brothel! Why? Because they have fetish stuff going on. Including a lactating whore. Donna Quintano (Monica Bellucci). Great, now the baby can survive later. I guess. In fact, she turns out to be double useful, hooking on the street to get some money to get the baby a bulletproof vest. Because why the fuck not.

Babies need protecting. Spoilers, they end up having sex later. Guess what? People attack them during it, but is Smith going to stop the sex? Hell no. He is going to finish, and shoot some bitches.

That was a double joke there. Talk about shooting your load.

They also go back to his normal hideout. Oh yeah, I am totally telling this out of order. Not even mad yo.

Well, it turns out they try to kill him there too. So he hides the baby and woman in the dumbwaiter. More deaths happen, but even more so, his entire staircase is full of people ready to take him out and he needs to get downstairs. How do you take them out? Dominoes? Nope. Too simple. You need a rope from the ceiling to the ground, you need to slide down that rope, and AK shoot everyone in a killer fucking spiral of doom.

That’s what you need to do.

This is like The Boondock Saints scene, but 23x greater.

They eventually find out the baby was part of some sort of genetic testing. Not a super soldier. But at least one man is supplying all the sperm. Kinky.

This is all wrapped up in a conspiracy of course. Maybe an anti-gun senator? Maybe going against Hammersmith (Stephen McHattie), a gun supplier? Either way, it will lead to a shootout in a gun factory. WHICH MEANS A SHIT TON OF GUNS FOR EVERYONE TO SHOOT. YEAHHHH.

But it would be too simple to just shoot all the guns. No, he needs to set gun booby traps, all attached by strings, letting him just take out everyone. DOES THIS MAKE ANY SENSE? NO? Well it shouldn’t. Because SHOOTING YEAH!

Not a relevant picture to this part of the plot.

I am running out of time. Here is a list of more ridiculous shit that happens in this movie.

A gun is used as an engagement ring.
Everything can be used as a weapon.
Babies are fucking doable.
A plane ride and an assassination.
A SKYDIVING SHOOTOUT.
And lets not forget shooting bullets out of your fingers by sticking your hand in flames.

Fucking fuck.

MORE CARROT BASED DEATHS. There are at least five.

Like I said above. Shoot ‘Em Up is one of the wildest movies I have ever seen. The action is always there, the one-liners are very one-liney, and the deaths start over the top and only escalate. There are no real normal deaths in this film, everything is ridiculous.

I don’t even have anything else to say. I described some stuff, you should see this thrill ride. It is more ridiculous than a video game.

3 out of 4.

Yeah! War! Modern War! None of this sissy Vietnam movie crap.

We need an updated war movie. Preferably not one with people in deserts either. A sexy war movie, with a new opponent that isn’t a country, but maybe a small organization or a single terrorist? Something that you wouldn’t send an army after, but instead an elite fighting group of soldiers to take out and handle. Maybe, just maybe, you could send the Navy SEALS after them? They are exiting. They got Obama.

So why not make a movie designed to show off how cool they are? Like what Act of Valor does. Outside of the main unheard of actors, it has real Navy SEALS in the background to get people pumped up for war and the navy.

Actual Navy SEALS? Bonkers! But look look, there are actual GUNS as well!

The movie begins with a terrorist attack in the Philippians. It is a fucked up one too. Sure it takes out a US Ambassador, but also a dozen or more school kids. Whoa. Kid deaths. You know this is not a Spielberg movie. Who is to blame? A Chechen terrorist (hmmm, topical) named Abu Shabal(Jason Cottle).

You know what? I am already bored as fuck going over this plot summary. They have to go get him. There might be some drug smuggling stuff going on too. One of the seal team members is going to be a dad soon, so we know we have to watch his story closely. It’d be a shame if he died.

I don’t even want to tag any of the main people in this movie, because they are all SEALs. You know what that means? It means we are getting an action movie with shitty acting. Okay, that is probably normal for most action movies, sure. But this is even more shitty, as it is just regular people trying to convey emotion on camera.

Thankfully they focus more on the fighting and stealthing around. I guess.

Fuck the guns. This is an actual swamp. ACTUAL SEALS IN ACTUAL SWAMPS.

They should have used real actors for this. I don’t buy any of this bullshit of “the filmmakers realized that no actors could realistically portray or physically fill the roles they had written and the actual SEALs were drafted to star in the film.” That’s crap, actors do that all the time. It is called acting.

So instead we get a movie with a bunch of literal no names (I can’t tell if the names in the credits were changed to protect identities, or if they are their real names but no one cares) in the most generic feeling action movie ever. Honestly, maybe because they were going for realism? It just bored the crap out of me. You can read the very detailed plot description on its wiki link if you want, I just get so bored beginning to talk about it, I’d rather link you to my biggest competitor. Shh, wiki is so a competitor.

Maybe I am even more bugged out that the SEAL team members were basically forced to do this film. To use as a promotional campaign. A really fucking long promo ad. Maybe it will get people excited, but I doubt after the Somalian Pirate incident they needed more press.

Basically a superliminal version of Yvan Eht Nioj.

0 out of 4.

Whew, this might be one of the longer reviews I have put off writing. After I saw Pawn, I meant to write it later that night. Then I probably wandered off and fell into a movie coma.

Then I kept watching more and more movies, so although Pawn was on my list to write I kept just picking different movies to write about instead.

Well, eventually laziness catches up to all of us. Not to mention making sure I write it before I forget basically everything.

Hover over this image. What do you see? You see that I am really fucking clever.

Basically, Pawn tries to turn a simple robbery into a complicated game of cat and mouse. Like Derrick (Michael Chiklis) is British. That on its own is pretty complicated. He has a group of thugs, and for whatever reason they are slowly robbing a night time diner. They came in early, but the safe is time sensitive so it will only open at a certain time every night. Shit. Looks like they just have to play it cool.

Hard to do that when customers are frightened, and random cops (Forest Whitaker) come strolling in. There is also Nick (Sean Faris), who is on parole, and looking to get his life back on track for his wife (Nikki Reed) and kid. Last thing he wants to do is get mixed up in any wrong doing. We also have Charlie (Stephen Lang), the owner who is getting far too old for this shit.

And who can forget fucking Ray Liotta? Ray Liotta is some sort of evil guy, but just who he is working for is the bigger question.

Basically, everyone is an asshole, and everyone might have secret motives for either being there that night, or what they are out to get. There are some things far more important than money.

Like good old fashioned bromance.

Well, in movie terms, this one has plenty of twists and turns, but not enough to make you annoyed. Again, everyone seems to be playing a game, except for our hero Nick (good name), who is unfortunately caught up in this. Doesn’t help that his brother works in Internal Affairs. Lot of cops hate those guys. Lot of crooked cops in this town too.

I actually enjoyed parts of this movie for what it was, but overall it is just an average movie. Chiklis had a pretty bad British accent. The ending is hard to remember, mostly because it seemed really silly. Similarly, not all of the plot twists made complete sense.

I do think this film could have used more chess references though.

2 out of 4.

After Fast Five premiered, there was a lot of talk about the future of the franchise thanks to the scene in the credits. It left many people confused. How could Letty (Michelle Rodriguez) be alive, when she clearly died in The Fast and The Furious?

We will get to that later. More importantly, the time line of the films became more clear.

They mentioned that Fast & Furious 6 (Trailer) would follow 5, and part 7 would be set AFTER Tokyo Drift. Basically, films 1, 2, 4, 5, and 6 of the series are in the correct order, and 3 is set after 6, but before 7. They also went through a little bit of development hell, where they were going to break 6 into two parts, but thankfully went back to just one film. Either way, the questions you have at the end of 6 will be answered next summer when part 7 comes out.

I don’t give a fuck about any of that, because HOLY SHIT A TANK! Long story short, there is a highly tactical gang of drivers out there in Europe, who are trying to assemble a device that can shut down an entire city for 24 hours. That is a pretty dangerous weapon and could kill a lot of people. Hobbs (Dwayne Johnson) and his new partner Riley (Gina Carano) know the only people who can help them out are a group of lesser international criminals on the run from the law.

Dom (Vin Diesel) and Brian (Paul Walker) obviously refuse to help, but when Hobbs shows pictures of Letty, his love who they thought died years ago, they assemble the team (Tyrese Gibson, Ludacris, Sung Kang, and Gal Gadot) to find out how this picture exists and if she is really alive. Saving the world isn’t on their mind, just finding the girl.

But with Shaw (Luke Evans) being a criminal master mind, always a few steps ahead of the authorities, can their rag tag group even follow in their exhaust fumes?

Of course the women have to fight each other. Gender equality people, let’s see some. Fast & Furious 6 is being lauded as one of the best films in the franchise, and action movies in general. I will give the movie that. There is action throughout the movie, from car chases, to scenes completely void of cars. It doesn’t apologize for anything in the film, and goes at completely ridiculous lengths for an explosion or two.

But personally, it completely changes the genre of the film, which grinds my gears the most.

To me, everyone felt like a super hero in this film. There are TONS of hand to hand combat scenes between the two groups, and it felt like watching a live action Dragon Ball movie. Ridiculous feats of strength and long battles where neither side got hurt, when most of these people are just retired car racers. It bugged me to no end that they all basically became invincible just for the sake of a bigger action movie.

On top of that, I don’t think it flowed well. Almost every scene I felt confused due to the plot of the movie. The heroes were constantly doing nonsensical things. Nonsensical to their character and to a normal human being. They wedged a street race into the movie that plot wise didn’t make sense (nor did anything out of that London woman’s mouth before the race). At one point four or five of the bad guys get arrested and end up making their escape, yet one of the group is no longer seen in the movie. I guess they just decided to write him out of the movie.

The climatic plane ending is ruined for me thanks to it apparently being the longest run way known to man, making the ridiculousness too much to bare. It also features an Amnesia plot line, which I feel is one of the laziest plot developments you can ever come up with.

Yes, if you changed the movie to be something completely set apart from the Fast & Furious universe, I would probably enjoy the movie more. But we have five movies that are grounded (mostly) in reality, a shift in genre I can’t get over. It is breaks all the rules of the series, despite trying its hardest to include the previous five films. If it was an original movie (and better acting), I might have loved it.

2 out of 4.

For whatever reason, just like my previous review of Star Trek, I am finding the right words to describe Star Trek Into Darkness.

I feel like a fake, a liar. I am a nerd who knows not a lot about the Star Trek series and never really cared to find out. So as to whether or not this movie fits the Star Trek world, I can’t comment on. But I tell you what I can do. Ignore the source material and just tell you if the movie is awesome or not. Basically what I do for every movie anyways!

I honestly don’t know if this is from the first or second Star Trek. The movie takes place right where we left off. Kirk (Chris Pine) is still captain of the Starship Enterprise, with the exact same crew. Spock (Zachary Quinto) is the first officer, Sulu (John Cho) the pilot, Bones (Karl Urban) the doctor, Scotty (Simon Pegg) the engineer, and Uhura (Zoe Saldana) and Chekov (Anton Yelchin) as whatever they do on the ship.

Well, things quickly hit the fan when a bombing occurs in one of Star Fleet’s libraries, plotted by John Harrison (Benedict Cumberbatch), a former Star Fleet officer. That’s right, someone turning against his own former employers! Must have received a very poor severance package. After a few other attacks, he escapes to Kronos, home planet of the Klingons, the warrior race who wouldn’t mind having a reason to conquer Earth.

Well, crap, I guess they are screwed. Unless…

Clearly the best plan of action is to use long range Plasma Missiles to take him out (no trial needed), while hopefully not starting an intergalactic war. I trust Admiral Marcus (Peter Weller) personally, so I am sure the strategy will work.  Bruce Greenwood also returns as Admiral Pike, and Alice Eve is brought in as mysterious science/weapons expert Carol.

Nope. No Shame at all here at Gorgon Reviews.I saw the sequel in 3D and I am almost certain it didn’t warrant the higher price. The film was made for IMAX and later changed to include 3D, so it was a sort of afterthought. In terms of “rounding” out the picture, it didn’t really work for me, and felt wasted. But hey, some sticks fly at your face in the beginning, and I might have actually tried to dodge them.

I loved Star Trek Into Darkness. It was exciting, it was action packed, and it refilled my lens flare quota for the rest of the year. It is of course beyond perfect. I left out a lot of plot details, but I disliked that problems introduced early in the film were fixed only a few minutes later. It made me wonder why even write those problems in the first place and made me feel like they were rehashing the first movie.

I also hate that they introduced regenerative blood into the series. Regeneration itself is a very tricky subject, as it becomes a deus ex machina. Unfortunately it also appeared in Iron Man 3 and was one of the worst plot fixers in both movies.

I’d stil suggest watching the movie and avoid IMDB/Wikipedia, there are spoilers everywhere.

Despite not being a Trekkie, I am deep enough in this Pop Culture game to understand a lot of the throwbacks and homages to the original series/films. In fact, I liked this film enough that I almost want to try and watch the older Star Trek films, out of curiosity. Almost.

3 out of 4.