Tag: 2 out of 4

Uh oh. This is the second movie I have reviewed with the name Aftershock. The first one, Aftershock, was an amazing Chinese drama film from 2010, over two hours long, on netflix, fantasticles. I could not say enough good things about it.

This one? Well, it was made 2 years later, and is a disaster/horror film, written by Eli Roth. You know, the Bear Jew on Inglourious Basterds. I mean, technically this one is foreign too, kind of. So maybe it will be just as good?

Maybe, just maybe, this one will make me cry?

Hooray, parties!

Apparently Chileans really love to party. That is why Gringo (Eli Roth) is hanging out with his two “Friends”. I actually don’t know why he knows them, but he came down from California to visit and live it up. Maybe even get laid. Ariel (Ariel Levy) and Pollo (Nicolas Martinez) are is guides around town. The only thing I really know about them is that Pollo is disgustingly rich, and has a famous dad, who is also rich yo. So they get all of the hookups.

Later, they are at a literal underground nightclub. Seriously underground, with all of the cool kids. There they meet up with some chicks they talked to earlier, some of which are siblings, models, and friends. Monica (Andrea Osvart), Irina (Natasha Yarovenko) and Kylie (Lorenza Izzo).

They try to split them up for hooking up, but drama blah, OH FUCK BIG ASS EARTHQUAKE. Shit starts falling everywhere, people dying under the rock, and lots of people getting trampled. Ariel is such a good guy, he helps a girl escape from the bar, but loses his hand in the process. His mother fucking hand!

It turns out, getting out of the club into the open isn’t actually too hard. Surviving on top, however. Shit. Looting, turned over buildings, transportation all but gone, no phone service, and the aftershocks which knock down even more shit. Is that a tsunami warning? You bet your ass it is! What is that? The prison in the area had its walls knocked down, so prisoners are running around town, killing and raping things? Shit. That is bad.

Good luck random group of unlikable people! Watch your holes.

Beard guys is the rich guy. He literally has everything going for him.

What can you say really about a disaster horror movie? Well, the only thing you can really hope for, is that it is entertaining enough, and people die in creative ways.

And boy do they!

So many people die, a variety of ways. Crashing infrastructure, fire, bullets, axe to the back, falling from long distances, and of course drowning and pounding.

I felt dirty writing that sentence.

Needless to say, the acting is kind of shit, and it takes maybe too long for the earthquake to occur, but once it does, it is kind of entertaining. Also pretty gross and graphic I am surprised how far they went. They made tons of allusions at the beginning of the film, and by golly, did they deliver them later.

So it gave me what I can hoped for. I wish the jokes they attempted worked out better. Maybe less subtitles too, but I am just lazy. It was decent for what it was going for, and entertaining just a tad bit. But I do work on earthquakes for my job, so maybe I just find the subject appealing.

2 out of 4.

Fuck.

Sorry, didn’t mean to alarm you. But I should note that now that I don’t write reviews for every theatrical movie release, I can now post some of them quicker and with less edits. Yay multiple reviews for the newspaper! So I threw in a fuck, because I don’t have to self censor myself for this review. I just type endlessly about random shit, because it really doesn’t matter when it just on this website. Quality be damned!

See, I haven’t even said the movie title yet, 85 words in. I am such a shithead.

There is no need to be upset.

Insidious: Chapter 2 takes place immediately after Insidious. So, spoilers, yo.

Well, Elise (Lin Shaye) is dead and strangled, but by who? A ghost? Preposterous! I bet it was Josh (Patrick Wilson) back from Astral Projection, so do the cops, minus the astral part. His wife, Renai (Rose Byrne) isn’t sure what to think, but she is happy to have her child (Ty Simpkins) back.

Either way, they decide to go live with Lorraine (Barbara Hershey), Josh’s mom, after the incident. Different house, same shit.

It is almost as if the evil demon spirits are attaching themselves to a person and not the house like we learned in the first film. Hmmm.

Because Elise had to go and die on us, we are introduced to Carl (Steve Coulter), Elise’s assistant from way back when Josh was a kid. Leigh Whannell and Angus Sampson still exist too, as the younger, yet also technically formerly assistants of Elise.

Insidious: Chapter 2 delves deeper into astral projecting. But also, shaky cams, possessions, abandoned creepy hospitals, and more back story than you knew was necessary. PLOT PLOT PLOT. Imagine those plot words came at you with a loud shrieking noise, like the title INSIDIOUS did in the first movie twice…and in this movie…twice as well.

A lot of similarities between part 1 and 2, is all I am sayin’.

James Wan likes to make some weird movies, that is for sure. If you saw Insidious you may have found it scary, but you definitely would have also called it unique. It was doing stuff that had not been touched before, just to ensure it stood out.

Well, Chapter 2 continues with the weird, but potentially fails to deliver any real fears or tears. Seriously. I was in a packed theater opening night, and I don’t really remember the audience reacting in any way outside of laughter. Not the “I’m too cool to be scared, so I will laugh” laugh. But Chapter 2 has lots of jokes in it, and some slapstick humor, thanks to the bumbling assistants.

But no scares, which seems fundamentally flawed as a horror film.

The story itself was interesting though. Stylistically, it felt like Wan didn’t know what kind of horror film he wanted, and kept changing a few things. Like, suddenly, a wild abandoned hospital appeared. Who the fuck has one of those in their cities, just taking up space? Astral Projection of course eventually returns, and almost reminds me of the time in Bill and Ted’s Bogus Journey when they went to Hell and ran through their past fears. A lot of it was kind of clever, just unexpected for this movie.

Major props to Lindsay Seim who had to play “Young Elise” in this movie. Shit, she looked and seemed like Elise, my mind was freaking out about the excellent make up. Well done no name.

Overall, I’d say it is less scary than the first Insidious, and thus technically an inferior film. Other parts were better overall as the the universe was expanded. The ending was stupid though. Fuck that ending.

2 out of 4.

Magic Magic. I like magic. I hope this movie is about magic.

You know, I sometimes watch movies just because there is magic in the title. That is why I watched Magic Mike, obviously. So this has double the magic, which is why I doubly chose to watch this movie.

But in all honesty, you know I am actually watching it for this creepy mother fucker right here.

Chile is a strange place, and that is what Magic Magic has really taught me.

Alicia (Juno Temple) is a young woman traveling to Chile with her cousin Sara (Emily Browning) who she hasn’t seen in some time. Alicia isn’t from the area, but Sara is going to school there, and even has a boyfriend, Agustin (Agustin Silva).

Well, as soon as they set off on a mini vacation to a cool house on a lake, Sara has to leave. She apparently has a test that she has to take, or she will fail the class. Bad timing. Alicia wants to stay with Sara, because she doesn’t know any of these people, but they all convince her to come along and it will be fun. Sure.

Alicia does not have a fun time. She drops Barbara’s (Catalina Sandino Moreno) bag in the water early on, so Barbara might dislike her. Brink (Michael Cera) keeps hitting on her, but she thinks he is a sadist.

Basically, everyone is out to get Alicia, and she doesn’t feel like they are the best sorts of people. And her friend has abandoned her! For more than a day like she promised. What the hell Sara. THESE PEOPLE MIGHT TRY TO KILL HER. AND YOU ARE GONE. FOR FUCKS SAKE SARA.

NO. FUCK SARA AND AGUSTIN AND BARABARA AND BRINK. ESPECIALLY BRINK. HE IS PROBABLY A RAPIST. NO DEFINITELY A RAPIST.

Look at him, staring into her back like that.

Sorry, I went a little bit off the edge there at the end of that plot outline.

Kind of like how Sara starts freaking out. First small gradual freak outs, but over time, full on freak out mode. See, I modeled it after the movie, you’re welcome.

This movie is pretty weird, and it really doesn’t have magic in it, and definitely not two forms of magic. Allegedly psychology classes watch it to try and determine what is wrong with Sara, but I doubt that. This movie literally came out mid August, 2013, so as of now, they can’t possibly have that info to back it up. Wikipedia is lying.

I think the acting from Juno Temple and Michael Cera here are incredible. Cera is creepy while also maintaining a nice guy attitude towards things, while Temple feels like her life is crumbling away from her. She is only on vacation for like three or four days, to give the movie even more context.

The ending was surprising, but if you pay enough attention to the details, you can see how and why it happened. However, it still felt a bit cut off and left unfinished by the end, bugging me pretty hardcore. There is also a lot of Spanish in this movie, but no subtitles, so maybe it is meant for the viewers to relate better to Sara throughout, in an unfamiliar area.

Overall, it is just okay, and would be best seen for the pretty good acting. The plot and ending could have been a bit better.

2 out of 4.

Remember Me?

What have YOU done lately for me to remember, huh? Okay, one of you I guess was in Lost awhile ago. Went all crazy, had a baby. Then had some small pointless role in Once Upon A Time. So I can only really remember you from TV shows.

The other one? Well, you were just in Cosmopolis, and who knows what happened in that movie. You also gave Water To Elephants and kind of went passive Vampire for five movies.

Seriously. Not much to remember.

Oh wait. No. I will always remember you, Cedric Diggory.

The movie begins in 1991. A little girl, and her mom, waiting for a train in NYC. Muggers. Mom gets shot. Daughter is sad. Her dad was on the job, and could not save them.

FLASHFORWARD TEN YEARS LATER.

Ally Craig (Emilie de Ravin) is still living with her dad, Neil (Chris Cooper), who has been a NYC cop this whole time. There is some guilt there, I bet.

Meanwhile, at a different part of town, Tyler (Robert Pattinson) has moved out of his parents home. His parents are divorced. His dad, Charles (Pierce Brosnan), works in some really big building/workplace in NYC, is super rich, but has no time for his family. That is why he and the mom (Ruby Jerins, who really isn’t in this movie much), got divorced. Also, because one of their sons ended up killing themselves. Eek. Now Charles is ignoring his youngest child, a daughter, and it really pisses off Tyler.

Two attractive people in broken homes in 2001. Of course they meet each other. Well, only because Tyler gets arrested by Neil, over a silly dispute. Tyler and his friend hate Neil now, so the friend finds out he has a daughter. So Tyler should totally go out with her, sex her up, and break her heart. That will show that lame cop. Yeah. Yeah.

But love, though. Love.

See? Love.

I reviewed this movie on purpose today, and I think I left enough hints. So if you missed them, you probably were skim reading and not paying attention to details. Probably not even a scientist! Either way, by now, you might realize something that happens in this film.

In fact, that something is basically the ending. Like a secret twist, that they were hinting at throughout.

Overall? I thought it was kind of lame, the ending. The event happens, they decide to not show any of it, and then we flash forward a year or so, to watch how all of the characters lives have changed in the meantime. It felt almost like a copout to me. I wanted more, damn it.

The rest of the film before hand I didn’t think was that bad. Sure, I didn’t feel too sorry for either characters situation. Neither actor really fit the role they were given, in my mind, so it was hard to believe.

But I did like the acting. Actually, I thought Robert Pattinson did incredible in this movie. Better acting from him than any other movie I have seen him in, and I have now seen NINE of them. Nine fucking movies with Robert Pattinson, holy shit. This is his top one. I think he had top notch emotions and really felt his anger over his father and family, despite not believing his role on its own.

Yeah, I don’t get it either. So unfortunately, despite his great acting, I probably will not remember him for this movie, because his other roles are just too gosh darn famous. But I’d say overall, it is okay on its own, if not a little bit slow. Sorry for ruining the ending. But not really.

2 out of 4.

Watching random horror films is almost my go to now. Since I am so far behind, I look for one with a shitty or silly cover, and just go for it.

Smiley? That shit creeped me out. Dude has some sort of skin face, with eyes and a smile face stitched in, no real other features.

What is more surprising, regardless, is that the director of this film is Michael J. Gallagher, who you haven’t heard of. Why? Because as of Sept 1, 2013, he is only 24 years old, directing Smiley when he was 22/23. He has been directing shorts and other things since 2005, when he was 16, so the dude knows what he wants. It is just strange to see a movie at all directed by someone younger than 40, more or less. Kevin Smith directed Clerks when he was only 24, and look what happened to him. Can this guy be the next K. Smith?

That smile is like, mocking me. Go away creeper.

Trololololololol.

This movie takes place in a super modern world, where teenagers and college kids actually know about the internet. They have 4chan, Reddit, Anonymous hacker group and all of that shit. They also have a strange version of Chat Roulette. Okay, it is identical yo Chat Roulette minus the name. However, there is an urban legend going around that there is a dark entity that can kill people over video chat if you summon him.

“HOW DO YOU SUMMON HIM?” you ask, quite loudly. Well, you just have to type in the magic phrase three times.

“WHAT IS THE MAGIC PHRASE?” stop yelling.

I did it for the lulz.
I did it for the lulz.
I did it for the lulz.

Yeah. I am serious, this is true for the movie. You also have to want the person to die, it won’t work if you don’t believe. But when some college kids start testing its limits, they begin to freak out when they realize that Smiley knows what they look like, as he can see them through the other webcam. What if, after he kills for you, he eventually comes for you?

Starring Caitlin Gerard as our heroine, Melanie Papalia, Shane Dawson, and Andrew James Allen as other college kids, Keith David and Toby Turner as cops, and Roger Bart as an ethics professor.

Wait. Roger Bart? That dude. He was the singing voice of Young Hercules in Hercules. Weird as fuck.

I did your mom for the lulz.

Smiley is beyond ridiculous. You can tell from my description I hope. A young director does mean we get to see a movie about things that teens and college people know about today, so that was interesting.

The ending featured a twist I can say I didn’t see coming, but I loved, even if it didn’t really make sense. What they were trying to get at was pretty cool, and the implications of it in the real world can be felt. Sorry, trying to not give away the twist, but I am just sounding like a Vague Valerie.

Shit, just watch it maybe. Or let me spoil it for you. Or look it up. Either way, kind of a shitty movie, but it was a bit entertaining.

2 out of 4.

Vin Diesel is living out every stereotypical nerds dream. Most people know by now that he loves roleplaying. No, not just acting in a movie, but pen, paper, and dice. Heck, he wrote the forward to a book celebrating 30 years of Dungeons & Dragons. So the Riddick character is basically living out his childhood fantasies, with him as the star, and kicking major butt the entire time.

The movie Riddick, follows Pitch Black and The Chronicles of Riddick, while switching genres once again. The first film was Sci-Fi Horror, the second film was Sci-Fi Action Adventure, and this new film is Sci-Fi Action Thriller. Basically a cross breed.

This third project was over nine years in the making, and has gone through financial woes and rewrite after rewrite. Diesel had to put up millions of his own money just to keep filming when the cash ran out and also leveraged his own house. Let’s just say, he really loves the Riddick character, and is willing to put all of his eggs in one basket.

“Take these shackles off my feet so I can dance.“

Another day, another fight for survival.

Riddick (Diesel) finds himself trapped again on a desolate and unforgiving planet, stranded and alone. Left for dead, the Necromongers betrayed their new leader after the events of the second film, and Riddick has no idea how he is going to get off the world. He soon learns to adapt on this new planet, figuring out the meanest creatures and their weaknesses, while also taking in a pet of his own.

But a storm is on the horizon. A literal storm, I mean. It is slow moving, but the water appears to awaken a force buried in the ground, one that he cannot survive on his own.

So he decides to lay a trap. He lets the universe know where he is hiding, so he can ambush the crew and take a ship before it is too late. However, two bounty ships appear, both with very different motives behind them. One ship is lead by Santana (Jordi Molla) with six men (including Dave Bautista), looking for the bounty. The other crew is lead by Johns (Matt Nable) and second in command Dahl (Katee Sackoff), and they are looking for answers.

Dude. Who gave him a cape?

The Riddick movie has two main acts associated with it. The first is his survival on a new planet, with little dialogue (but some voice over). It moves at a slow pace to really make us feel for his character. The second act introduces a variety of characters who bring with them guns, dialogue, and opposite motives for capturing Riddick.

Although the film attempts to give a few of them personalities, the only two bounty hunters who end up standing out are the leaders from both sides. I did get some chuckles out of Bautista, but I knew that was his sole purpose in the film.

I’d say I liked the first half a lot more than the second half. They took their time with combat and death felt like it was actually possible. The action became choppier and less scary when they introduce darkness and guns. Strange, I know. They probably had to rush filming the ending, along with the budget concerns, so that must be to blame.

On its own, I found the movie possibly more entertaining than the other two films in the franchise, but there is one drastic problem with it that cannot be overlooked, and something I don’t think I have harped on before.

Riddick has so much rampant sexism in it, that I almost got sick during the actual movie. That’s right, the excessive gore didn’t sicken me, just the Riddick-ulous amount of sexism.

There is only one woman character in the film who is given a name, and her name is Dahl. You might have realized on your own that it is pronounced just like Doll. I’d say over 90% of the lines said by her, or said to her, are sexual in nature. Literally, the character exists merely as a sex object. Sure, she is able to hold her own in combat, but she is also the only character to be given a small (and surprising) shower scene. With only one topic coming out of her mouth, it is hard to take any part of her role in the film seriously.

Her character also is a lesbian, because that is apparently the only reason she would be a mercenary and always talk about sex. However, it turns out her sexual orientation is no match for Riddick’s charm (And hornyness after being on a planet alone for a few years). Who does Vin Diesel think he is, Ben Affleck? (Affleck “turned a lesbian straight” in two films, Chasing Amy and Gigli).

I think if her character was more than some strange sexual fantasy, this movie could have been a lot better. The “brown filter” I thought would annoy me, but I was able to get over it. The not so amazing CGI I thought would annoy me, but I got over it. The rushed second half and treatment of women I really just can’t forgive or ignore.

 

2 out of 4.

Since 2009, we have been blessed as a culture and as a nation to receive a summer concert movie every year. In 3D, no less!

At first we were given the Jonas Brothers: The 3D Concert Experience. Unfortunately, I can’t think of a single song I have ever heard from them, so I never even considered watching it. This one confuses me the most.

Then we were given Kenny Chesney: Summer In 3D, which is the only country artist to be given this treatment. I guess they were experimenting early on.

In 2011, we received the mac daddy of concert movies, as they kicked it up a notch with Justin Bieber: Never Say Never. If anything, we learned a valuable life lesson from his title alone.

In 2012, I can honestly say we were given the best 3D Concert movie yet, Katy Perry: Part Of Me. I laughed, I cried, I was entertained. I even became more of a fan.

Now, in the year the Mayans could not predict, we are given One Direction: This Is Us, a foreign band who I really don’t know anything about. From my research, these concert movies have been getting better and better each year, so I expect this one to make the most noise and win all of the awards.

They are in order of most important to least important.“Oh my god, a boy!” These are not the words I expected to hear when I entered the theater a few minutes before the movie began. What I saw was one entire row full of middle school girls. They quickly informed me that they didn’t know each other, and were all fans who just met. There was also one mom sitting behind them already asleep.

“Hey, who is YOUR favorite?!” Well, crap, I am not at all prepared for this! I make up a lie, and try to go back to blending in, but that is practically impossible. It ended up being 19 middle school girls, 1 mom, and a neck beard movie reviewer.  Apparently I was not the target demographic?

“Hey, you don’t care if we scream and yell during the movie right?”

Go ahead. Go crazy.

3D has really made leaps and bounds since Avatar, but little did I know that they would go to these lengths to improve the overall concert experience. From what I can tell, they decided to put a row of screaming middle school girls in every 3D showing of One Direction: This Is Us. What better way to enjoy the songs, than with a gaggle of girls singing and screaming every time a member of the band removes his shirt? What I really wonder is how they are going to include this feature with the eventual Blu-Ray 3D release?

Actual shot from the movie. No one is shirtless, for your dissatisfaction. One Direction is made up of five boys from the United Kingdom, who all auditioned for The X-Factor, and they decided to put them into a boy band! Plucked by Simon Cowell personally, Niall, Zayn, Harry, Liam, and Louis became an overnight sensation that rocked their island, then the world. They didn’t win The X-Factor, but that didn’t matter.

In this movie you get to hear a big selection of their catalog performed live and on stage for your enjoyment, while also hearing a few numbers acoustically while they practice. I will note, the 3D used during these concerts were incredibly well done, and high quality. You also get to see them with their families from their small home towns, superimposed with them wandering Europe, Asia, and more.

One Direction: This Is Us is definitely not the best 3D Summer Concert movie I have found, just the second best. Katy Perry made me cry, after all. Given the screaming girl fan base, I don’t see this movie bombing in any way, as it probably only took $10 million to make. As the great Drake once said, as long as the outcome is income, na’mean?

To answer your question little girl, I guess my favorite One Directioner is Zayn. He clearly has the most talent singing wise. I would follow that up with Niall, just because I feel bad for him. He has a strange name, doesn’t get to sing as much, and is (probably) the only one that can play guitar. Poor Niall.

Now if you will excuse me, I need to go back to youtubing all of their songs.

 

2 out of 4.

When I put Kon-Tiki in my Blu-Ray player, I found out that Norway is a cocky country. Look at this picture. I took it myself. (No it is not my penis).

I won’t describe it because I want you to see it. But Damn, that is some serious ego shit. Who would do that to start a film? Someone who has too much pride in a language, I tell you what.

Or just pride in their original movie. Ohhhh, pretty.

Thor Heyerdahl (Pål Sverre Hagen), besides having a bad ass name, grew up to be a scientist. He is an ethnographer, so basically he helps figure out how humans moved throughout history, and where certain cultures evolved from. In a nutshell.

He has spent a long time in Polynesia, working on his theory that the culture came from South America. There are many similarities in statues, and they have a tale of a tribe who came from the sea. He has all this evidence! No one will publish his work, because no one would believe it. No way could primitive people have gone from Peru to Polynesia. No way. And he can’t prove that they could, either.

Or could he?

He decides to build a boat, calling it Kon-Tiki, and sailing the journey himself with a small crew, just as they would have built it 1500 years ago without the aid of technology. No, it will be strictly ancient. Can he make it across the ocean in a small raft, over three months? Yes.
Yes he can. Some of the other crew members were played by Anders Baasmo Christiansen, Tobias Santelmann, and Gustaf Skarsgård. Shit, those are all super Scandanavian.

I haven’t seen this many bearded Norwegians since prom!

So I found out why the DVD menu went super egotistical and language-ist. The mother fucking Weinstein Company did it again. They cut out like, 17 minutes of the original movie for the English movie. What?

To make matters even worse, every scene that needed it was filmed in both Norwegian and English, so that they could release the same thing in both places. They are identical. It isn’t bullshit dubbing. The words that come out of their mouth are English. So yes, I watched it in English, not knowing that so much was cut out, and I just feel wronged.

It is the exact same thing they are going to do for Snowpiercer. They want to remove 20 minutes of material to make it so the people in “Iowa and Oklahoma” will go see it. Fuck you fuckers. They are calling Americans stupid. And I live in Iowa.

That all has nothing to do with this movie, but everything. Since I haven’t seen the Norwegian version, I really cannot compare.

What I can say is the version I watched felt lacking in some way. Sure, it was beautiful as fuck. Gorgeous. Well shot. Sexy almost. So many beards. But it wasn’t completely interesting. Their story basically paved the way for many adventurers back in the 50s, and probably helped inspire the journey to the moon. But their accomplishment isn’t as powerful feeling because we have already done crazier things to surpass it.

It is still an interesting and awe inspiring story. But not as exciting as I would have hoped.

2 out of 4.

I sometimes watch the worse movies. Today’s excuse was going to the rental store, finding out what came out on DVD that day, and picking the weirdest looking one. Shit, I used to watch /every/ new movie that came out on DVD, regardless of how low budget or weird, so I need to do it every so often to get back to my roots.

Well, this time I picked StreetDance. It looked like some bad cross between You Got Served and Step Up. That’s right, a cheap knock off of those two. You know its going to be ridiculous. Or cliche. But as a dance movie, it could secretly be the grail we are all looking or.

These are the bad guys. You know it, because they wear (and are?) black.

Oh yeah. This movie is totally British. Set and filmed in that UK.

A street dance crew, called Jay 2.0 (I believe) is attempting to become the best street dance crew in the UK. Seriously. It opens with their audition to the contest, or whatever. The Surge is a dance crew that has won the last few years, and they are the bad guys. Grr them.

Well, after their performance, they find out that Jay (Ukweli Roach), their leader and obvious name inspiration is going to quit dancing. He has too many responsibilities, and decided to quit right after they qualify. Da fuq? His girlfriend in the group is shocked, and then becomes the defacto leader. Unfortunately, Carly (Nichola Burley) also loses their rehearsal space, and has very little money, so they are basically screwed.

Well, Carly finds herself accidentally in a big ballet studio to inquire about renting space and the cost. Well, Helena (Charlotte Rampling) is worried about her students losing passion in their dance. They can ballet the shit out of some dance, but they don’t have that desire anymore. After watching the crew perform, she agrees to let them use the space for free, only if she will take on five of their dancers.

What?! Ballet and street dance? Can these two art forms interact? Can she teach them how the streets move? Can she incorporate their skillset to make their street dancing even more off the chain? Will she fall out of love with Jay, who is a liar, and fall in love with Tomas (Richard Winsor) the main ballet guy? Yes.

Can you guess if these people are street dancers or ballet dancers?

Fun fact about this movie. It was released theatrically in 2010 in the UK, and came out on DVD by 2011. But not in America. It didn’t come out to the US on DVD until Aug 20, 2013. THREE YEARS after it was released theatrically. I feel slighted by our old country parents.

As expected, a lot of this movie was pretty shitty. Cliches everywhere. They actually ended the movie on a freeze frame of two people raising their arms in the area together, in a moment of triumph. The plot is not unique. They had a food fight when the two groups weren’t friends yet, only so they could throw food for 3D purposes.

But something else happened. The dancing was fantastic. Some of these dance movies I get even more pissed off when I don’t think the dancing is cool enough. This dancing was great. The final dance where they figured out their dances and their knew style to give a unique performance was insanely sexy. It incorporated the street+ballet dance far better than Step Up.

In addition to the great dancing, I liked each and every song on the sound track. A lot of them were mixes with older and newer elements, perhaps creating the theme for the whole film. I enjoyed every song. Here was one of my favorites: Ironik – Tiny Dancer (Hold Me Closer).

Shit. A good soundtrack? Good dancing? Shitty plot and acting. Well. There ya go. Also, the main girl was one of the three chicks in Donkey Punch. I was very amused to find her name already tagged on my website (and shocked).

2 out of 4.

I should have seen Insidious two years ago when I worked at Blockbuster. I have never been great at the horror genre, so back then I didn’t watch them. However, there was a huge lull of no horror movies coming out, so when they would ask for new good horror, I basically had to recommend Insidious for two months.

That’s right. I was recommending a movie without seeing it. For shame. Which is why I had to watch it now to redeem myself, but also because of the sequel coming out in a few weeks, shockingly named, Insidious: Chapter 2.

I don’t even know man. I don’t even know.

The Lambert family has recently moved into a new home, as is the usual for a haunted house movie.

Josh (Patrick Wilson) is a teacher, and Renai (Rose Byrne) is…not a teacher. I guess she is a house wife. They have three boys, and one of them, Dalton (Ty Simpkins), likes to pretend his a super hero who can fly. Silly Dalton. I know him as that annoying kid added to Iron Man 3 because Disney.

Well, he plays in the attic, falls, hits his head, and goes into a coma. A coma that no one can really explain either. Oh well.

Three months later, shit is rough. No sign of Dalton awakening, and their marriage is getting rough. Josh spends more and more time at work, and his wife is freaking out at home. She is starting to see people where there are none. Hear voices over the baby monitor. Shit like that. Her mom is freaking out too. They think they are haunted.

So they get Elise (Lin Shaye) a family friend to investigate the house, since she works with the paranormal. Elise and her lackies (Leigh Whannell, Angus Sampson). They agree. Shit is fucked up in this house.

But that isn’t the worse part. The eerie behavior might not even be attached to the house at all. It might be attached to several family members.

Oh a nice image of a bed room that is p- OH MY GOD WHAT IS THAT THING OVER THERE?

The first half of Insidious is your standard haunted house movie. Things go bump in the night, demons and spirits appear, noises abound, and people freak out.

Then it gets a bit weird.

Like. A lot. Really really really weird.

So weird I didn’t want to expand upon it in the plot outline. It is just incredibly different, which is a good thing. They are starting to think outside of the box and try new things. So it gets all sort of looney and I like that.

What I thought was weaker was the scares. I think this movie was applauded for the lack of jump scares in it, but at the same time, they use loud crashes and piano cords several times, which are just jump scares in noise form. It does benefit from being scary without a big loss of life, or blood, or gore.

I also feel as if the acting was a bit poor from our lead two actors. I haven’t seen Rose in much, but I have seen Patrick in a lot, and I know he could do better. The ending is also a bit strange, but given that we know there is a sequel, I guess it will continue right from where we left off.

Maybe.

TL;DR – Weird unique horror movie. Okayish.

2 out of 4.