Gorgon Reviews

Cats.

I was looking forward to Cats! When the trailer dropped, I was giddy with how ridiculous it looked. People bad mouthed the CGI designs, which I can see, but I figured I’d get used to it.

I love musicals, so I was excited to see a new musical on the screen, especially from an established property. I knew very little about it, except some cat names, and the song Memories.

But most importantly, I saw the movie Six Degrees of Separation, based on a play of the same name, with Will Smith in one of his first film roles. Why are they related? Because there is a long discussion about the musical cats being made into a movie, how it could not be done, and with Ian McKellen‘s character trying to get a role in the film.

It took 26 years, but he finally got that role!

Cat Boobs

Alright, so in this movie about cats, there is kind of a plot?

It takes place in the alley’s of London, where every year, these cats gather together and do a singing competition, where one of the cats is chosen one! The chosen cat gets to arise into the heavens and be reborn. There is a lot they could do about that plot if they wanted to, like questioning motives and stuff. Maybe something like Logan’s Run!

But they don’t, we and they accept all of this. We get to be told their story, because a new cat, Victoria (Francesca Hayward) gets thrown into their ally from a bag, abandoned on the same night of their festival. So we get some narrator cat Munkustrap (Robbie Fairchild) to take her under the wing and introduce people.

These cats are all about their names and having a purpose in their lives. There is a cat for a very specific focus, and I guess that is it. Only some cats want to be reborn though, and for what reason is mostly unclear.

Anyways, a lot of cats get together to sing about themselves, and one cat, Macavity (Idris Elba) is a bad guy cat who wants to eliminate the competition so only he remains.

Starring a lot of weirdly named cats. Like Danny Collins, Naoimh Morgan, Mette Towley, Laurie Davidson, Jennifer Hudson, Jason Derulo, Taylor Swift, Judi Dench, Ian McKellen, Rebel Wilson, James Corden, Ray Winstone, and Steven McRae.

More Cat Boobs. Assumption: I will get used to these CGI looks for the cats and maybe the trailers weren’t just super polished.

Reality: Oh my goodness, these CGI looking cats look terrible. Why did they not do cat costumes!?

Yes, it is really distracting/off putting. I can see a lot of work done on most of their faces, but the rest of them, neck down, just feel like poor animation for the most part. When they are doing elaborate dance numbers, taps, or flips…it does nothing for me. I don’t know if there are real people behind them doing that. They might be! They probably are! But it also feels like it could be completely animated and just a face, which makes it zero levels of impressive.

It makes sense that the main song people know is Memory. It is probably the only song in the entire musical that isn’t very repetitive and full of a cat’s name over and over. Wanna know which song is sung by Rum Tum Tugger? The one with his name a whole lot. Shit, Pokemon execs probably saw Cats and thought them saying their name a lot was a good idea and launched the biggest multi-media franchise of all time.

This is a movie that is just a lot of introductions, and eventually it ends. It is visually appalling to watch not amazing CGI cat bodies dancing in front of pretty bad CGI backgrounds.

And one final note, how many times do they sing Memory in the musical live version? I feel like it heard it three times, or maybe one of those times was extra long. It did not have an amazing impact on me at the end when I already heard the thing 40 minutes prior. Such a strange decision.

Easily one of the worst films of the year, and a shocking (because of my naivety and love of musicals) one at that.

0 out of 4.

Jumanji: The Next Level is the sequel to the sequel/reboot that was actually the second sequel to a movie that is based on a book from the 1980’s.

But this one has characters from the last one, and is also in a video game, so people like that.

Honestly, Jumanji: Welcome to the Jungle was better than I expected, even with dumb video game inconsistencies that movies just refuse to ever get right when we have real people sucked into video games.

And knowing that this movie had Dwayne Johnson pretending to be Danny DeVito? That was really enough for me to make sure I could see it!

Seems like some glitches have affected the Avatars!Alright! Time for more video games!

This takes place I guess about two years after the events of our first film. All of our heroes went off to do things. Spencer (Alex Wolff), our main kid I guess, went off to NYC for college, while the girl Martha (Morgan Turner) whom he started to date, went to a different school. She seemed toooo cool for him now and he broke up because of his anxieties and low self worth.

But the four of them still agree to meet up over the holidays, Spencer, Martha, Bethany (Madison Iseman) and Fridge (Ser’Darius Blain), a strange Breakfast club that didn’t end.

This time though, Spencer doesn’t show up, despite coming back home. So they check for him at home and only see some old dudes, Eddie (Danny DeVito) and Milo (Danny Glover). It’s his grandparent and old business partner!

Turns out Spencer went back into the game Also turns out that Spencer even has the game again, despite being all broken. So they agree to go back in, but uh oh, old people get sucked in instead of Bethany! Now they have to explain it all to people who are bad at video games. Not only that, but the game seems to be a sequel, and a new quest!

Ack. Okay. Find Spencer. Finish the game. Don’t die. Also starring the same avatars of Karen Gillan, Dwayne Johnson, Jack Black,  Nick Jonas, and Kevin Hart. Also Awkwafina, Rhys Darby, Rory McCann, and Colin Hanks.

In this new level, it takes place in Australia! Clearly.

I came for the Rock as Devito, but it turns out the real star was Hart as Glover. It is already hard to see Kevin Hart as anyone besides Kevin Hart. Even in the last film, it was still basically Kevin Hart. But when he was imitating Glover, his voice was deeper, his voice was more thoughtful and slow. And sure, the slower speech was important enough to the plot so that everyone would notice it, doesn’t mean I can’t appreciate it.

The Rock as DeVito? Honestly, a bit more disappointing. At first I thought it must be my own hype ruining it, and maybe DeVito wasn’t as obvious as I thought. But later in the movie, ANOTHER character had to act like DeVito for long periods of time and they nailed it. It was exactly what I was hoping the Rock would do, and he didn’t deliver. And for spoiler reasons I will keep it vague, great job other acting person. You and the previous mentioned Hart description knocked it out of the park.

Now on the other fronts, the plot of this one is really weak. Not just the video game plot, which is part of the point. The real world plot. The old guy anger isn’t worth our time. The plot to get Spencer and friends into the game was terrible this time around. Why does it happen? Because they want a sequel to exist, I guess.

This film still has some fun, and some tricks up its sleeve. And still, like the first, it ends up being just okay.

2 out of 4.

Where you been, Eddie Murphy? What you doing, pseudo-retiring on me like that?

Sure your last two real films, Mr. Church (2016) and A Thousand Words (2013) were bad, but that is probably…uhh, your fault. Trying to do some spiritual family stuff instead of letting your real humor out.

Surely, giving yourself a role where you get to talk and swear and joke is just the role for you.

Telling a true story of a different stand up comic that influenced his whole career seems like a good tribute to that actor/comedian, while also getting Murphy back on his feet again. Dolemite is my Name? Well, make me laugh and I’ll call you anything.

No, I won’t call you daddy though, even with that suit. Rudy Ray Moore (Eddie Murphy) is the baddest motherfucker around. Or at least he is in his own eyes.

He wants to be famous, he knows he can do it, and he has tried it all. He has released songs, has done stand up, and he is now middle aged and still nowhere. He can’t get a damn thing going.

But while MCing at a local club, he decides to try a little bit of material he has taken from older homeless people in his neck of the woods. He asked them their stories, and listened to their jokes. They spoke rhythmically and told ridiculous stories, and he thinks that audiences might really enjoy it with the right delivery.

And this content takes off. He builds the character Dolemite, and people love his swears and graphic humor. He is able to sell records of his material, mostly on his own, and get popular in the hoods all over the world. And after all of that, he still wants more. He wants to make a movie. Who cares if he has never made a movie before.

Also featuring Keegan-Michael Key, Mike Epps, Craig Robinson, Tituss Burgess, Da’Vine Joy Randolph, Kodi Smit-McPhee, Snoop Dogg, T.I., Ron Cephas Jones, Barry Shabaka Henley, Chris Rock, and Wesley Snipes.

Fact: Snipes and Murphy have never been in a movie before together.

Dolemite is my Name is one of those films that comes along that you didn’t know you needed until you had to see it. I never knew anything about Rudy Ray Moore. I knew about the blaxploitation films of the 70’s and 80’s, only a tiny amount, enough to enjoy Black Dynamite. But I didn’t know who the real precursor to all of that was.

And sure, as research, I watched Dolemite just to really get the whole picture, which is not necessary for those who don’t want to have to go searching for it.

I haven’t seen Murphy this on fire in quite a lot of time. Over a decade probably. This is a great return to form and it is like he was never gone in the first place. Snipes was also on point in the film, and similarly, haven’t seen him like this in a good while, but part of this is thanks to prison I guess.

A large cast of characters bring their own quirks and fun moments, but this is the Murphy show and they are all just a part of it. A funny comedy and a good story overall.

3 out of 4.

When it comes to cartoons that needed a live action remake, Nickelodeon knows where it is at, not Disney. In a year where Disney did it four times, Nickelodeon did it one time, and off a tv show, not a previous film.

Dora the Explorer? Loved by trillions.* It also involves going on an adventure, following maps, doing puzzles? Shit, this is just going to be Tomb Raider but for kids.

Dora and the Lost City of Gold is exactly what we deserve at this point for putting up with these Disney remakes.

And let’s hope it doesn’t get ruined by creepy pedos.

Dora (Isabela Merced) wants to be an explorer! Like her parents (Eva Longoria, Micahel Peña), she has lived in the jungle most of her life, learning its ways and wanting to find more new things! She is not a lousy treasure hunter, she is an explorer, damn it.

But her parents send her off to the city for high school to socialize. Ugh. She can reunite with her cousin Diego (Jeff Wahlberg), but school is weird, people are mean. And in a museum trip, she is tricked by the staff into getting shipped back to the jungle! Some bad people want to use her to find her parents an the lost city of gold! So now, with the help of Diego, her friends (Madeleine Madden, Nicholas Coombe) and a friend of her parents (Eugenio Derbez), she is going to have to combine their wits, outsmart the baddies, and not allow any more swiping.

Also starring Natasa Ristic, Christopher Kirby, Temuera Morrison, Pia Miller, Joey Vieira, Madelyn Miranda, Malachi Barton, and Danny Trejo as Boots the monkey and Benicio del Toro as Swiper the Fox.

Tenn power can solve all problems in the world!

Dora was a great family film, with jokes for everyone to get involved with. Some quick fart sounds when necessary, but the scene didn’t last too long. Some songs and many show references for those who have seen it, but still a cute adventure story for teens to get behind.

It points out problems of movies like Tomb Raider, keeping it all tongue and cheek, while also doing a lot of its own thing. The puzzles are in the way to be solved quickly by our heroes, and just a stepping stone. The real purpose is the adventure and the jokes.

Many times I was laughing out at scenes different from my own kids, while they got enjoyment from more of the slapstick stuff. And hey, whatever works.

I think the next appropriate follow up for Nickelodeon is to make a movie about Stick Stickley. If Forky can get big, why not their OG piece of trash?

3 out of 4.* – No source to back up this stat. 

Oh X-Men, how much we weep for thee.

X-Men so bad now, they took X-Men out of the title.

X-Men so bad, they are trying to remake their previous worst main X-Men title with the same writer.

X-Men so bad, they make a movie called Dark Phoenix and don´t have Phoenix in the movie at all.

X-Men so bad, this movie killed the X-Men.

And no amount of Albinism can save it. 

X-Men: Apocalypse took place in the 1980´s, and this one takes place in the 1990´s and features no real aging of any of the mutants. That is the real superpowers here.

At this point, they are accepted by the public, a weird timeline indeed. And after the crew was sent into space to safe a spaceship disaster. And sure enough, some space dust gets absorbed into Jean Grey (Sophie Turner) making her feel all funny inside.

It turns out Xavier (James McAvoy) may have been lying to her about her past, and hidden some of her own memories from her. That makes her sad. And mad. And willing apparently to turn her back on all of the X-Men, even killing a few of them, just to showcase how mad she is.

Also aliens.

Featuring of various amounts Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, Evan Peters, Halston Sage, Brian d´Arcy James, Lamar Johnson, Scott Shepherd, and Jessica Chastain.

X-Men so bad, their faces are breaking and not the box office records.

X-Men so bad, they keep having their greatest enemy be themselves.

X-Men so bad, that kindness saves the day, like they are care bears.

X-Men so bad, this is not the first time actors have asked for their characters to be killed in order to leave the franchise.

X-Men so bad, that they used time travel to fix the bad movies and still made more bad movies (and time paradoxes).

X-Men so bad, they have failed multiple times to make a hero turning bad in no way compelling for the viewers.

X-Men so bad, they are their own Greek tragedy in terms of a rise and fall of successful films.

X-Men so bad, their film qualities would make a better roller coaster than anything at the Island of Adventure.

X-Men so bad, I put off writing this review for months due to complete and utter apathy.

0 out of 4.

Add another to the list. The Farewell was another screener I actually wanted to go to, but real life got in the way. Amusingly, this time I couldn’t go because my own wife was about to go on a week long trip, so I had to help her on her own farewell.

But I was happy in that I knew I’d have time to see it before the end of the year. It would eventually come out and be watchable.

And it looked sad, and if it could provide a good cry, I am all for it, any day of the week.

That’s a lot of people not crying who clearly want to cry. 

Billi (Awkwafina) is an aspiring writer and a Chinese-American immigrant. Her family moved her down to the states form China when she was a little girl, and she has been in America since then. Despite this, she has still maintained a good relationship with her grandmother, Nai Nai (Zhao Shuzhen). She will call her often, update her on her life, and you know, give her a good chance to practice her Chinese.

Well, she finds out sometime soon a few things. One, her cousin is getting married in China very soon, and two, her Nai Nai has terminal cancer and is not going to last long.

However, in their culture, they do not like to tell people when they are going to die. They believe that the fear of the disease is worse than the disease itself. It is what really kills. No, they should just tell them everything is fine, so their last days are peaceful and not worrying.

Well, Billi has grown up in America. She doesn’t like that. American doctors wouldn’t lie and keep secrets like that. She should tell her. In fact, the wedding is just being rushed so that the family can gather and have a good time with Nai Nai before she passes. And despite trying to keep her away, Billi shows up anyways.

Billi promises that she will not tell her grandmother the truth, but she has to struggle with this the whole time.

Also starring Tzi Ma and Diana Lin.

Oh? Oh? Ohhhhh? Is then when the crying begins?

Gosh darn it. Here I am, in 2019, trying to be all mad at China. You know, for the President being a dictator, the poor workers rights, the former one child policy nonsense, the Hong Kong anti-protest measures. All of that.

And yet, then I have to go and watch a movie that makes me sad for China in a different way.

Awkwafina gives the performance of a lifetime for her, which might not mean much if you knew she has a rap song titled My Vag. She hasn’t been in that many movies technically, but she has been in a lot more recently, and it is great to not see her typecasted into these strange comedic roles.

This feels like a personal film for Awkwafina, and it is based on someone else’s real story, but her and all of the other actors in this film have to carry on so many emotions without easy outlets to express them. After all, they have to hide the truth from a perceptive older lady. So we get to see a lot of inner battles.

The Farewell is an intimate look at a culture that will seem unfamiliar and wrong to your likely non-Chinese eyes. And yet the glimpse into their lives cannot be called wrong, but bittersweet, and with its own pros and cons.

4 out of 4.

Do you remember A Civil Action? Or maybe Erin Brockovich? Well, I will say I remember the first one a lot more. Because the latter came out when I was a bustling teenager and the only thing I remember in that film is cleavage being nominated for Best Supporting Actress, or something like that.

Either way, legal thrillers can be really fun, especially when they are fighting against people hurting the environment. Hurting the environment is something most of us can agree is wrong, and it is an easy bad guy. The corporations! And usually people are getting sick, or dying, or the land is getting ruined, and no one wants that either.

The sad news is that these cases are still happening and still real, so they can keep making movies about them. They don’t have to make fake boogeyman stories, they are really out there!

Dark Waters is the next attempt to bring a real story to public eye, so we know there is a bad guy out there, and who is trying to fix it.

And do they also know where this baby is?!Robert Bilott (Mark Ruffalo) just got partner in the late 1990’s at a sweet Law firm in Ohio. They are probably the number one corporate chemical law firm. They protect companies in chemical law suits, from regular folks or other companies. But the number one chemical company, DuPont, has been out of their grasp as a client.

Well, Bilott comes from a small town in West Virginia, and an old neighbor of his grandma shows up at the firm one day with tape after tape of “evidence” that the landfill put up by his farm is dumping/hiding chemicals even though they said they wouldn’t. His cows are dying, their parts are mutating, they are angry, and his own family is being affected. DuPont, the largest employer in their area, is also the one in charge of this landfill.

Fun.

Bilott is not used to representing plantiffs, but he feels like he has to check it out, for his own sense of morality. And sure, after a few levels of checking, it feels like DuPont is still on the up and up. But when he continually digs, he finds out they have been hiding secrets for decades from the community and America about their products, and this quick lawsuit is going to be a several decade long affair.

Also starring Anne Hathaway, Bill Camp, Bill Pullman, Louisa Krause, Mare Winningham, Tim Robbins, Victor Garber, and William Jackson Harper.

Ruffalo does his best impression of a frog pretending to be human in this movie. Todd Haynes directed Dark Waters, and honestly, this is not the topic or type of movie I would have expected from the person who last brought us Carol a few years ago.

To me, this movie had a sort of TV movie special feel about it. The way it was shot, some awkward scenes early on for exposition purposes, it really just didn’t help me get fully into it.

Now, Dark Waters is certainly a story worth being told. It is an important case and I assume most people don’t know about it despite it affecting most households (myself included). It could become must watch material for that reason (or at least, must read for the article this movie is based off of). Maybe even just the Wikipedia synopsis at some point.

Or here: DuPont sucks. Teflon is cancer causing and bad for us. The chemical company lied for decades, helped cause diseases that killed its workers, and tried to hide it and never self regulated what the EPA demanded of it at the time. For profit. And they are still making lots of profit.

But in terms of this film, a lot of great actors are involved and feel wasted. Hathaway is way too great an actress for the angry at home housewife role. I couldn’t tell if Pullman was acting, and Robbins has maybe one good scene. I hate seeing Garber as the villain, but his scenes were pretty by the numbers. Ruffalo is definitely acting weird the whole film, and putting a lot of face work into it. I did love Camp in his role, once I could understand his heavy accent.

The film as a whole is just average. It doesn’t go hard enough and it just feels lazily put together.

2 out of 4.

As a critic of film, I try to not let hype over take me, but for a film like Knives Out it has been quite hard to ignore the praise.

Best murder mystery in decades? Stellar cast where everyone brings their best? Laughs and shocks galore?

It was hard to not get swept up in the rush, so much that just getting ready to watch Knives Out made me appreciate the movie I saw before it a bit less due to wondering if I’d even get a good seat.

Also, it’s probably best to even skip my middle section, because generally the less you know about a mystery, the better!

Unless you a detective, in which case, you want to know as much as possible.

Harlan Thrombey (Christopher Plummer) was found in his attic with his throat cut, blood everywhere. By all accounts, a suicide.

But now, a week later, it looks like there are still questions. Officially led by two local officers (LaKeith Stanfield, Noah Segan), but the main questions are coming from Benoit Blanc (Daniel Craig), a southern detective of notoriety who is being backed by a mysterious patron to find the truth of the matter.

Harlan’s Nurse, Marta (Ana de Armas), is going to be his main go to in order to get the inside scoop on the family, full of people with secrets. So many people, let’s just call them the family (Chris Evans, Don Johnson, Jaeden Martell, Jamie Lee Curtis, Katherine Langford, Michael Shannon, Riki Lindhome, Toni Collette).

But of course, nothing is as it seems, and blah blah blah, til the very end!

Also starring Edi Patterson as the house keeper.

J’Accuse…!

Yes, Knives Out was very creative with its reveals and its pacing. Yes, Craig was magnificent in his role as eccentric detective, with a lot of funny lines. Yes, de Armas carried a lot of weight on her shoulders as well, and was a great leading lady. Yes, a lot of the twist and turns were very much on point and unexpected.

And yet, it still didn’t do everything perfect.

With a large cast, I felt like only three~ people ended up being important. A lot of big names are in there, have a moment or two, but are really wasted. The script does not allow for the large amount of people to shine and it is a bit disappointing in that regard. Hell, I am pretty sure Lindhome didn’t have an actual line of dialogue in this movie, outside of gasps, facial expressions, and argument background noise when everyone is talking at once.

And even if the ending technically works, and the reveals are all laid out, it is so god damn convoluted that it will not only be impossible to guess, it takes a lot of mental work to follow through.

This could be very well be a movie that is best tasted after 2-3 tries, and is still a very enjoyable experience. But if certainly did not dethrone Clue as the best murder mystery movie, in terms of humor, wit, or reveals.

3 out of 4.

I didn’t know anything about Waves going into it except for the vague IMDB description, but I have seen every movie from director Trey Edward Shults. He did Krisha, which I did not like, and he did It Comes At Night, which I loved. So a nice 50/50 going on there.

He is also super, super white. This only matters to me because I read the description for Waves. It begins with “Traces the journey of a suburban African-American family…” wait, what?

I had to ask myself before hand, am I fine with this? I don’t think Shults knows anything truly about the African-American experience. Is it going to be full of stereotypes? Is it going to touch on it at all?

On the other hand, I know that many directors stick to only what they know and that is why we only have mostly White/man stories, since too many directors are just white/men. What we have asked for these directors is to come out of their comfort zone, to tell other stories and represent the real America. And that appears to be what Shults is doing with this movie.

I can’t have it both ways, so I decided to be completely on board with this film and encourage directors to tell other stories.

And eventually, more movies about mer-people.

Tyler (Kelvin Harrison Jr.) is a senior in high school and seemingly has it all. He is fit and loved and popular. He is a star on their school’s wrestling team. His family is rich. He has a girlfriend, Alexis (Alexa Demie), and they are really serious of course. Yep, no problems at all.

Well, his dad (Sterling K. Brown) is sort of intense and involved in every aspect. His step-mom (Renée Elise Goldsberry) is away with work a lot. His sister (Taylor Russell) is nice, but doing her own thing.

But sure enough, one thing goes wrong. And then another. And then another. And then another. And sure enough, emotions, impairments, pain, and sorrow, snowball up until actions can no longer be taken back. Can they recover? Can they move on?

Also starring Clifton Collins Jr. and Lucas Hedges.

Maybe Jesus has the answers? Maybe even…Satan!?

Shults is an interesting director. You can tell he wants to do more than just tell a story, but convey emotions and feelings into the audience. The first 10 or 15 minutes of this movie, I felt like a dream. Good times, music, everything is bliss. I honestly don’t know how long parts lasted, or when changes began, but the shift is powerful and he puts in all the stops to make it obvious.

The most obvious way is with the aspect ratio of the movie itself, which starts off full, and changes depending on what is going on in the movie. It might not be obvious when it happens the first time, but eventually it is front and center when the biggest disasters are occurring. And not just the ratio, but the use of sounds and music, the silence, the lighting themes, all of these work together to make a perfect movie for the audience. Trent Reznor and Atticus Ross are behind the music and it has been their best work since The Social Network, and probably surpass it in my eyes.

I loved, loved, loved our main family in this film. Harrison has never been better in his short career, and Russell puts a surprising amount of heart into this picture as well. The parents relationship felt real, sad, and it broke my heart watching them work through their issues. 

This felt like a real family who loved each other, despite all of the nonsense that went on in their lives.

I definitely cried about four times, just when I became overwhelmed with emotion or during heartfelt scenes, not necessarily my typical obvious cry moments. 

I still dozens of movies to see this year that are going for Best Picture and weeks before 2020, but this is damn near the top of the list for me at this point. 

4 out of 4.

Seven years ago, Frozen hit the world one Thanksgiving week, and we weren’t ready for it. I don’t recall a lot about the trailers, but I do recall the teaser trailer, and it was very basic.

And you know what? I loved it. Most of the soundtrack was really good. They didn’t use Menzel enough, and Groff was ignored stupidly, but they could have done better. It was still a really good sign of Disney amping up their animation department, and led to the also quite perfect Moana!

And let me say, that for Frozen II, I wasn’t dreading it at all. I loved their first teaser trailer. It made this movie look darker, more plot focused, more adventure full. I was ready to be blown away.

A water horse in water? That makes sense. Land horses are on land.Three years after the events of the first film, everything in Arendelle is going so darn swell. The gates have been open, people are happy and prosperous, and oh golly gee gumdrops, everything will stay the same.

Except… Elsa (Idina Menzel) is starting to hear a strange calling in the distance, and only she is hearing it. And Anna (Kristen Bell) is helping run things, she loves having all these freedoms. Kristoff (Jonathan Groff) is about to propose to Anna, but she is so preoccupied with her sister things keep coming up. And Olaf (Josh Gad) is dealing with his strange existence, getting older and more mature.

All of this only slightly matters. What matters the most is that voice, and all of the exposition the beginning of the film talked about. There used to be an enchanted nearby that the old King saw when he was a boy, and the two groups tried to be friends. But, betrayal! Sadness! And a lot of magic left the world.

I guess Elsa just has that magical adventure itch, because she gets the gang together after a disaster in their city to try and enter that blocked off enchanted forest to see if they can figure out what is going on, or maybe just that voice.

Also starring various voices by Alan Tudyk, Ciarán Hinds, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Plimpton, Jason Ritter, Rachel Matthews, and Jeremy Sisto.

Reindeers rush better than people, Sven wouldn’t you say that’s true? 

Really early on in Frozen II is when I realized things weren’t going to be as good as I had hoped. It started with a scene from their childhood, pre trolls interfering with memory. And it had the long story their dad said about the forest, and a bonus mom song. And the entirety of the movie relies on the scene.

The entirety of a sequel relying on a scene that didn’t happen in the first film? Ugh. There were a lot of plot points they could have naturally done based on the first film. Hell, they could have done most of this film without that scene. But really this just feels like changing the canon. Sure, that kid conversation could have happened in their life and not changed the first film at all. But it now just feels tacked on.

Another downgrade for me is the music overall. Now of course, I love that they gave Groff his own song and parts of other songs, keeping true to his character. They also used Menzel more. But most of the songs don’t capture the spirit to me like they did in the first film. I already listened to the soundtrack a second time and I am not left with whimsy, I’m not wanting to hear and sing a long over and over.

Again, overall, the plot is okay. It has some good parts, some lame parts, some rushed parts, and some tacked on parts. Some of the Elsa and Anna scenes are really strong, but the film overall feels a lot weaker. And that is a shame. It will still probably win an Oscar for animated awards because the Academy is usually really lame though.

2 out of 4.