Gorgon Reviews

I haven’t had a big chunk of foreign films to review at my disposal this year, but honestly, that is probably my fault. The fact that I haven’t yet seen RRR is a goddamn travesty. I assume that because of what everyone has said about it.

For Emergency Declaration, I was finally given a big foreign release film to review ahead of time! And its a plane disaster film! Great. I am sure subtitles isn’t enough for me to call it uniquely different than other plane movies. I hope the plot really feels different as well. But I don’t think there has been a lot of plane movies either, since the pandemic.

I wonder if the Big Plane industry has been controlling Hollywood, to prevent plane movies from being released. You know, to build up trust in the airlines again after the pandemic and those scares. This conspiracy probably doesn’t have legs because I am sure there have been quite a few plane movies released recently, that I just don’t remember.

Dude its raining. Protect your phone man. The rice thing is a myth. 

Planes can be fun. But they can also be…not fun. In-ho (Song Kang-ho) is a detective! His wife (Woo Mi-Hwa) loves to travel, but In-ho does not and always cancels on planned trips, so she decided to go to Hawaii with her friends. Oh well. But it turns out in this area, there was someone posting a threat to kill people on a plane soon. In-ho found himself investigating these events, and found a really gross and deformed body in the potential terrorist’s house. Including experiments and data on rats, about some biological weapon.

But the terrorist is nowhere to be found! Shit, he is on a plane. And we even get to see him to buy a ticket and get on the plane. He just wants to go somewhere far, with a lot of people on board. Somewhere like Hawaii.

And now, with bioterrorism in the sky, and let lose on the plane, how are they going to help those passengers who don’t have a place to land? How will they navigate the geopolitical landscape when people wouldn’t want to help them if they have an unknown, deadly, and contagious virus on board? How will they find a cure in a small amount of time? And how many will die along the way?

Also starring Lee Byung-hun, Jeon De-yeon, Nam-gil Kim, Si-wan Yim, So-jin Jim, and Park Hae-joon.

“How do I fly this plane with people bleeding everywhere?” “That sounds like a real sticky situation you got there.”It turns out, I loved Emergency Declaration. And it is hard for me to really point out which moment or scene sealed the deal for me.

One notable component about this film is that it is pretty damn long for a plane disaster movie, rocking in at 2 hours 20 minutes. A lot of plane disaster films can’t get a runtime like that, while keeping up the tension. And yet, this film keeps up the tension.

Anything that could go wrong does go wrong in the plot. When there seems like a reasonable out for them to get help, there becomes good plausible reasons for that to not work. When the plane at one point has to turn around to head back home, the look of absolute defeat in the characters eyes as they feel the turn and see the sunset change sides of the plane just really reaches deep into your soul. Speaking of soul, one moment near the end, when plane riders are finally able to get usable signal with their devices to video chat with their loved ones is completely heart wrenching. Did it make this movie reviewer cry? Of course it did.

And honestly, the plot outside of the plane, with our detective discovering initial clues with his fear building up, to the dealings with the Biotech company, and other countries government responses to their plight, along with various types of protests at home, all helped extend the tension in new and wonderful directions.

In terms of how topical this film feels, of course this film would make people think of COVID. People traveling, getting sick from an airborne virus, and people around the world trying to protect themselves from getting this virus as well. Because it is a weapon, it acts very fast, and is pretty deadly, and strangely enough, this film was written and started some level of production before COVID was a thing. So good on them finishing it anyways, even if one would assume it was inspired by recent events.

A lot of the side plots in the film will feel like clichés potentially. But if you have enough of them, and cram them all in, it gives a really compelling picture, with a large interesting cast, of various personalities all trying to do one thing. Survive.

4 out of 4.

Did John Lasseter fuck around with employees and sexually harass people while working for Disney/Pixar?

Well, most assuredly yes. He even admitted to it and called them missteps. That is pretty poorly worded. What a fuck. So he got booted out of Disney/Pixar, which makes sense. But damn it, he has /talent/ so he can’t not have a job. How will he live off of his previous riches?

So Skydance Animation was made! Okay, it was made before that controversy. But they hired Lasseter to run it, because they wanted a big name I guess. And that is the intro you get to have for their first animated film, Luck! Which is premiering straight to Apple+.

Oh, but this movie has dragons. Why isn’t it on HBO?

Luck is a story about Sam (Eva Noblezada), whom you might have already guessed, is unlucky. She is clumsy, she is late, her stuff stops working, she falls, she gets pains, but damn it she is 18 now, and about to live life on her own. Her own apartment, her own basic job. Why is that? Oh yeah, because she was also in a foster home. Yep, her unluckiness meant she was also there for years and never got taken in by a “forever family”, and just had to live a sad life alone. Yep, we are going depressing with this real quick.

But leaving the home meant that that Hazel (Adelynn Spoon) is now alone. A newer foster kid in the home. Sam makes sure she should still visit so often, so she won’t be alone, and hopes she has better luck.

Sure enough, she runs into a black cat, who drops a coin (ah, must be a lucky penny), and then Sam has good luck! She blames it on the coin of course, and wants to give it to Hazel so she can be adopted (fuuuck, that’s too depressing for me). But, once again, she is unlucky and loses it after intentionally setting it down.

That is when she runs into the cat again and….well, the rest is history. You know, after she follows it to a secret Luck world where Good Luck is created and fostered, with a polar opposite Bad Luck side that brings bad luck into the world, with a smorgasbord of diverse characters.

Also starring Colin O’Donoghue, Flula Borg, Jane Fonda, Lil Rel Howery, Maurice J. Irvin, Simon Pegg (as the cat!), John Ratzenberger, and Whoopi Goldberg.

Oh shit, emotions rising. Characters are hugging!

Honestly, this movie made me cry. But it is seriously hard not to. The first ten minutes are extremely sad. I feel so bad, that the took something kind of whimsical like having good or bad luck and equating it to something so serious like having someone fucking adopt you. Normally the stakes for this type of thing are missing a shot in a big sports game, or question in a competition. But sorry, your unusual unluckiness prevented parents from wanting to have you in their life? And often not show up at all for visits? Goddamn, calm down movie people.

Honestly, writing that makes me a bit more annoyed as it all comes together.

For the film itself, it is pretty damn basic. It feels like a lot of other generic kid fantasy films. Go to a magical realm. Have a diverse cast of different characters and magical beasts to look at. Have to go from point to point to collect things, to get closer and closer to a goal. And learn a lesson, that is really obvious from us the viewer. Just a standard, unimaginative story line. Even if it is in a new world we haven’t been before, it doesn’t do anything particular shocking with that world.

Overall, Luck is really lazy. For a child, it might be nicely distracting. But its tone is off, and honestly leaving a bad taste in my mouth to cheapen foster kids and adoption into good and bad luck. Sure the film made me cry, like twice, but it did so by being very manipulative with some real tragedies that didn’t actually matter for a lot of the story.

1 out of 4.

How you feeling? Good? Fine? Adequate? Not Okay?

Not Okay could be a lot worse. It isn’t actually bad, but it is still undesirable as a state of being. It could still be a lot better.

I assume a lot of people out there are in general feeling not okay a large part of the time, but hey, we can still function without crying in stairwells. Or at least crying in them daily?

Not Okay is another film going straight to streaming, this time, Hulu, and features an acting reunion months in the waiting!

 

Hey look, my favorite thing about French food!

 

Danni Sanders (Zoey Deutch) is not a good writer. She is also, arguably, not a good person. Both of those things will matter. You see Zoey works for a website (Buzzfeed-esque), and wants to make articles for them, but she is not a journalist. She is an art editor. And her writing is bad. So of course her boss isn’t going to let her write for them.

But damn it, she wants to be an influencer. But she doesn’t have a lot of followers either. How can she gain street cred when no one will listen? Well, apparently by going on a vacation trip/retreat to Paris, and taking a lot of cool shots. Except those are exclusive and hard to get into, so fuck it, she will fake it. She took off of work for a week, and hid in her apartment, and took a lot of shots pretending to be in Paris.

And as expected, a terrorist attack happens in an area Danni claimed to be. Now she is getting a lot of traffic on people wondering if she is okay. If she survived. And so now? Well, might as well role with it. Pretend to be a survivor. Get some good press. And starting writing! But how long can she keep up the lie, and who will she hurt along the way?

Also starring Mia Isaac, Dylan O’Brien, Nadia Alexander, Luca De Massis, Dash Perry, Embeth Davidtz, Sarah Yarkin, Brennan Brown, and Karan Soni.

 

Therapy can really help dealing with trauma. Assuming you have trauma.

 

Surprising cast notes! That long waited reunion I talked about was mostly just a joke, because Deutch and O’Brien worked together on The Outfit from earlier this year. Also another surprising note, Mia Isaac is in here with her second movie role, the first one coming out two weeks ago, Don’t Make Me Go. 

Real early on in the movie I found myself laughing, which is usually a good sign. And honestly, it kept me chuckling about random parts throughout. It did this while still managing to keep the serious parts serious, especially in talking about traumatic events, survivors, PTSD, and coping mechanisms. Isaac was the best part of this movie. Her character was strong and honest. 

This movie also began with a scene out of order, near the end of the movie, so our narrator can tell us how she got to that low point in her life. It is a really boring beginning, but at least it helps you know what will come from her lying on social media. I bring that up now, because I absolutely loved the end of the movie. It was a hard ending to predict. It could have went a lot of ways. And what it left was something powerful and moving. And a little bit sudden by the time the credits rolled. It left the film with a perfect ending, one that I want to see over and again. And it dealt with a lot of real issues in that ending, that I would love to talk about but you know, spoilers.

Not Okay is a film that deals with a strange subject and feels like a movie that will be just regular trash. But it deals with important topics, in the lens of a privileged white lady realizing the world isn’t about her. 

 

3 out of 4.

 

You know, I think Billy Porter might have some sort of deal with Amazon.

Last year we were given the jukebox musical Cinderella, where he played the fairy godmother. This year, he is directing his very first movie, Anything’s Possible. Both of which were straight to Amazon Prime!

As long as the outcome, is income.

I was going to ignore this one, honestly. But once I read the plot description, I figured Porter would be a pretty good director to tackle this subject, and I was excited to see where he would go with it.

A romance story, with lots of ups and down. Hyuck hyuck hyuck.

Kelsa (Eva Reign) is a senior in high school, not sure what she wants to do when she graduates. And sure, yes, she is trans. But she just wants to live her life, and at high school, not just be known as the “Trans girl.” She does have a YouTube channel where she goes over problems that happen to her in life, but it isn’t publicly known in her school, just for people on the internet. People on the internet are different, ya know?

Khal (Abubakr Ali) is also not sure what to do next year when he graduates. He wants to do art, his parents want big success for him and a big fancy school. He is on reddit a lot too, and answers love advice for people, while they help him out as well. And it turns out he likes Kelsa.

Her brains and beauty drew him in, but he is afraid of what others might think. Especially when it turns out that one of Kelsa’s friends like’s Khal, and people know that. Ugh, love triangles.

Also starring Kelly Lamor Wilson, Courtnee Carter, and Renée Elise Goldsberry.

Shitty initials though for their coupling. 

I don’t know how many teen romance movies have a trans main character in them. This feels like the first one? Maybe? Or at least first mainstream one. And usually when we get to the first of a kind of a genre, they rely a lot more on stereotypes, because it is easier to be lazy. They are already original because they are the first to do something!

And yet, the best part of this movie is that it does an amazing job of avoiding stereotypes and avoiding the obvious plot lines. I went in highly expecting very specific lines of dialogue and events, and the movie surprised me. So props to the directors, and writers, and everyone involves for not going a basic route.

Now, despite its own originality, the story is still a high school teenage romance story. It falls into normal pitfalls of that genre, making it hard to keep my interest. It also rushes through quite a lot of the regular plot as well, and by the end I was a little bit just lost at who was angry at who and why.

Not to mention, Khal’s plot line is definitely one that has been done before. Someone who wants to go to /art school/ but his parents disapproves, no matter how good they are at art? Seen that a thousands time.

While Anything’s Possible gives me something that is unique to the genre, and avoids pitfalls, it still fails to provide an overall good story at the same time.

2 out of 4.

Don’t Make Me Go, by its name, can only be one of two things. Either its some comedy film about an introvert. Or it is a drama film, that is definitely tear jerky in nature.

And sure enough, it is a tear jerking film! And because of that, the title of course makes me think of Never Let Me Go, which is a difference context, about holding on (/not giving up on someone). And that film is incredibly sad and beautiful.

I have the highest expectations for Don’t Make Me Go, and I demand at least three cry events.

Learning to drive? Okay, that one won’t make me cry. I think.

Max Park (John Cho) is doing the best he can. He is a single dad, working a job, trying to date, and trying to make sure his daughter is safe from boys and drugs and parties. Max also went to the hospital recently, and sure enough he has a brain tumor.

(Those aren’t good).

If he doesn’t do surgery, he will die. If he does surgery, he has a good chance still of dying and so that sucks. His daughter (Mia Isaac) has literally no one else to take care of her if he goes…except for…maybe…her mother?

So Max gets the plan to go to his high school reunion, while bringing his daughter along on this road trip. He can teach her things, in case this is his last chance. Like how to drive. And sure, when he gets there, he can introduce his daughter to her mother, who is still alive, but did not want a kid or a family. Maybe this time has been enough. Maybe this will help him pass in peace.

Also starring Kaya Scodelario, Josh Thomson, Jen Van Epps, and Jemaine Clement.

Holy shit! She put fingers above his head! In the selfie! So that, omgomg, he looks like a bunny rabbit! Holy shit that’s funny ohmga.

I was ready to cry, the plot sounded so sad and emotional. And yet. It never came. The film did a bad job to make me connect at all emotionally with the characters. There were a few close chances of course. But let’s see…

It started with a scene randomly 2/3 of the way through the movie, though no real need to do that for a movie like this. One of the bigger moments was my first almost, a first meeting with the mom. But it didn’t last long enough. And once the information was shared about the tumor? Almost, maybe. But we are so far in the film that I am still surprised at how little I connected.

After all that, unfortunately, we got an ending to the film. The ending was absolutely poop. It took what could have been a strong movie and wanted to go for surprises that it sort of abandoned any hope of being considered a great film. To me, the ending turned this film from an average film to a bad film. I can’t recommend this movie, because I don’t wish the disappointment on anyone.

The acting from Cho and Issac? Great, wonderful, fine. But the story needed a lot more work, and they are wasted because of it.

1 out of 4.

Thor films are weird. And not just because their current director, Taika Waititi has a weird sense of humor.

Each Thor film, individually, is a little weird and out there. It fits in awkwardly in the MCU, and they are embracing that more and more. He is someone very strong and can handle a lot of issues other heroes might end up solving, so they need to find places for him to be.

Thor: Love and Thunder, was looking to be yet another very weird movie again. A very specific soundtrack and look given the trailer and posters. This is a film that wants to rock. This is a film that is going to have fun. And this is a film that is going to try and close out some earlier stories from the film series, while also introducing more characters, albeit controversially, from the comics.

You know, Lady Thor. In the comics, Lady Thor was also Jane Foster, and it was a shocking reveal at some point. Even when this was happening, people assumed it was maybe done to eventually get Natalie Portman to play her in a future film. Lady Thor comics were met with anger by some comic fans. Was it sexism? Or was it their actual argument about the Thor name? Who knows, probably the former though.

Either way, I know I was excited to see her. Let’s have a relationship dynamic where the power levels are less one sided, for sure.

And she wears that helmet so fucking good. Life has been hard for the Asgardians. Most of them are living in New Asgard, maybe they are poor and weak, maybe not. Depends on the movie’s plot need. Thor (Chris Hemsworth) is actually off planet, and traveling with the Guardians of the Galaxy, helping people out, when appropriate, totally having the time of his life. Totally.

But a lot of calls start coming in from a lot of different areas. Messages of gods that various communities worship being slain by a shadow warrior wielding an ancient, god-killing blade. Looks like some strange entity named Gorr (Christian Bale) is off god-butchering, which is scary for a few reasons, especially for Thor. But who cares about fear? Thor cares about love. 

And love that has got away. Like Dr. Jane Foster (Natalie Portman), who is back on Earth, dying from a cancer without Thor knowing any of it. But Foster has a plan. If modern medicine is going to fail her, then maybe some Viking Space Magic will get the job done? If she can fix and wield Mjolnir, she can have great health and strength, fixing her condition.

But being a Thor comes with responsibilities, not just power. And with great responsibilities and great power, comes great chances of got butchers coming your way.

Also starring: Tessa Thompson, Kat Dennings, Taika Waititi, Russel Crowe, Brett Goldstein, and Jaime Alexander.

And of course, starring somewhat the Guardians of the Galaxy, played by: Chris Pratt, Bradley Cooper, Vin Diesel, Dave Bautista, Karen Gillan, Pom Klementieff, and Sean Gunn.

Oh shit, Gorr butchered the god of color it looks like. 

I love Thor films, I really. He was my favorite marvel superhero (after Spider-Man, of course) growing up. Hemsworth is a wonderful Thor, and he can just do it for 30 more films, honestly. But Love and Thunder needs to be compared to Ragnarok, which most would say is the best Thor film. It for sure should be compared. And I think it would be hard to argue that it is better than Ragnarok.

When just comparing the two, Ragnarok is funnier, and has some really great story attached to it, and a lot of surprises along the way. Love and Thunder is sadder overall. I think I cried twice. But at the same time it also tried to be a big comedy, but the jokes didn’t land as well. It also tried to be scary. It wanted the best of every genre here, without doing a great job of really balancing these genres, and the tone was strange throughout the film.

Bale was a wonderfully creepy villain. His speeches, his story, we get it. The black and white planet was probably one of my favorite Marvel sequences. But he was extremely underutilized. We see him kill one god early on, as he gets his power, and then never again. We only hear about his exploits. I expected to see more god-butchering, if they wanted to give him that title.

The Foster story is fantastic, beginning to end. Portman actually looks like she is enjoying the movie she is in. She has a distinct personality change when she has the power. I loved the ending. It made me have some feels.

But, so much of the film just also feels rushed and not living up to its full thortential. Some scenes make me confused on how they really made it into an official MCU film in terms of overall quality. Some jokes are just completely rammed into the ground.

I still liked it, I still had fun, and I still cried. I am still excited for its franchise future. I liked the second Thor film, so of course I like this one as well. I can appreciate them trying a lot of different things. I am just still a little disappointed it didn’t give me enough.

3 out of 4.

An American Werewolf has famously traveled the world. We had An American Werewolf in London and then later An American Werewolf in Paris. Did you know we were going to have An American Werewolf in Rome? I also just now learned that fact.

But what about An American Werewolf in AMERICA? We would probably just call that American Werewolves then.

There are quite a few werewolf movies set in America it turns out. We had The Wolf of Snow Hollow a few years ago, notably, that was one of my favorite movies that year. All of these movies with werewolves in America have two things in common. They have a werewolf in America. And they are fictional films. Completely made up. Story boarded, filmed, with CGI or person in a fur suit or both.

But what about reality? Maybe werewolves are real? In American Werewolves, we are going to hear about real people, who have had encounters that make them think one thing: Werewolves. So now they are believers. And now someone has gathered their stories together, so we can be the judge.

When the moon hits your eye, and that is all you can see, that’s a scary.

American Werewolves directors decided the best way to do this documentary about the supernatural was to provide NO outside influence or editorial to the stories. We don’t have an interview with someone calling any of these stories bullshit. We don’t have supernatural experts. Officially, the people talking on this documentary are only people who have stories where they claim to have seen werewolves.

Are all of these people lying? No probably not. They may have had a weird experience and their mind filled in some gaps. Memories can change and be influenced.

And as expected, most of the people with stories had very unclear views of this beast. Hiding in the bushes. Or no evidence. The final story implied a lot more direct interaction, but again, all it is a story.

I do think that for a documentary, it was a good idea to focus on people’s stories, and not make direct judgements. Let’s get some information out there and see if any of it tracks. I don’t love the stories, and they did no convincing for me, but they are there.

I think the documentary did more disservice though with the imagery and music they chose to use. It felt cheesy, and didn’t give the proper mood at all to me as a viewer. The stories that were told also felt very rehearsed. So many of the story tellers used the same phrasing to describe what they saw, really specific “scientific” like language like canine and bipedal instead of talking like what normal people would probably talk like. And that also brought me out of the stories.

I do wonder if the Sasquatch and the Werewolf legends are about a similar entity. That would be a fun twist. But I’d rather live in a world with multiple types of fantastic creatures, not just one.

1 out of 4.

Who doesn’t love a good period piece about ROMANCE and some spicy aristocrat British drama? Emma came out so long ago. Why did Jane Austen only write a handful of novels for people to adapt?!

Fine. I guess someone else will have to write some. It doesn’t have to be from someone who was living from the time. We know the history of the era, we can add new stories pretty easily.

And that is what Suzanne Allain did. She wrote a book called Mr. Malcom’s List in 2009, and also a screenplay, that took a long time to get going. In fact, once she got some people on board, they still couldn’t finance a film. So they made a short film instead. Except this one isn’t a whole story. It is just like the beginning of a movie, with a note to be continued at the end. To see if there was interest.

And apparently there was interest. A lot of the main cast from the short was signed on to the real film, Gemma Chan was not for whatever reason, and now they hope the fact that people watched a nicely produced intro to a movie on YouTube, that will translate to big bucks at the theaters.

Maybe Bridgerton helped? Unless that was just due to the sex. 

Who is Mr. Malcolm (Sope Dirisu) and why does he have a list? Well first, what is the list at all? Is it a mystery? No, it is not a mystery his rumored list. You see, it is a list of traits and qualities in a woman that his potential wives must meet, or else they do not deserve him and his money. Damn, pretty shitty.

The last woman he dated and ended a relationship with is Julia Thistlewaite (Zawe Ashton), potentially because she wasn’t smart enough! Well, that devastated her. And Malcolm’s friend, Lord Cassidy (Oliver Jackson-Cohen) is over it as well. So they devise a plan.

Cassidy learns about the aspects of the list, so that he and Julia can set up Julia’s cousin, Selina Dalton (Freida Pinto), as the perfect woman in Malcolm’s eyes. They will make Malcolm fall in love with her. And when he proposes? She will turn him down! And produce her own list of things that he did not fulfill or live up to.

Hooray! No longer will this man ruin so many ladies in his path, he will know what it feels like. Yep. Fool proof plan.

Also starring Naoko Mori, Divian Ladwa, and Theo James.

I think Mr. Malcom’s biggest worry needs to be the tightness of his pants. 

To start off with a good thing, that clearly some assholes will hate, I love the diversity of this cast. This is a made up story, in a real time period sure. But who cares. We got so many people making up this cast from different backgrounds, that it is honestly refreshing to see on the screen. If someone went into this movie wanting historical accuracy when it came to casting, well, I don’t know what to tell you I guess. Get over it.

But lets face it. The people mostly clamoring for the movie (if they are the same people who liked the short), won’t care about that. They want romance and drama. They want witticism in the screenplay. They want to be swooned.

And sure, if that is all that they need for the film, then they will like it, I bet. But this movie doesn’t feel any level of unique. It seems like something I have seen before, in plenty of contexts. Hell, it has similarities to John Tucker Must Die, technically. Nothing in the plot really surprised me, nor did I really feel captivated by the romance. None of the actors did bad, per se, but it was just as expected for the type of movie. I don’t think a single character stood out as someone to really watch for, or any moment that I look back and think “Wow, that was interesting!”

This is a by the numbers Victorian romance film, so don’t expect some new level of art form. The diversity is nice, but not enough for me to care about watching it again.

1 out of 4.

Every two years, I get to start a review talking about how every two years Dinesh D’Souza releases a piece of crap documentary.

It is the only thing getting him money, and it is presumably getting him nice amounts of money too, since he just keeps doing it. Maybe he sells some books and does some speaker tours too, I don’t know, but dumb asses keep throwing their money at him, so this whole thing continues.

I am meant to be a bit unbiased about these things, but the past films of a director totally should influence the future ones. Then you can see growth. Or see if they keep the same bad decisions that are calling cards for them. D’Souza’s calling card seems to be conspiracy theories, creating false narratives, projection, and usually, repeating the same arguments over and over in these documentaries.

Like three of them in a row seemed to pretend that why were different, but kept falling back on the weird same arguments about the history of parties and didn’t offer almost no new material between them. But yet, he made money.

So I will say this about 2000 Mules, the latest effort. This documentary is finally, FINALLY, about something new. Although just because it is new doesn’t mean it is worth watching.

This cover photo is reenacted for maximum fear mongering.

So what is 2000 Mules about? It is saying that at least 2000 people were hired during the 2020 election, to take pre filled in ballots to ballot boxes in states that were going to be close. To then stuff 3-10 ballots at a time in these ballot boxes, before going to 5 or more in an area in one night, early in the morning, whatever. And then doing it again, and again, and again. The assumption being these are people paid by Democrats to push the election in 2020 to Joe Biden’s favor, and is why Trump lost the election.

Sigh.

Okay, first of all, I can’t debunk everything in this review. That isn’t the point of my reviews. What I was surprised to find out though is how detailed the Wikipedia on this movie is, including noting how all these claims are basically bullshit, with sources. So here you go.

Instead, let me just note a few things. One, this thing really likes to attack people who are voting early in the morning or late at night, with the assumption that if you do something late, you are clearly suspect. Which is factually stupid. So moving on.

Two, it claims it doesn’t understand any level of selfie/internet culture. Since it attacks people on cameras who would take a PICTURE on their CELL PHONE when putting a ballot in the box, and said it was clearly them proving they did it for pay. Instead of like, you know, the many people who love to vote and take pictures of their vote and encouraging others to do so.

Thirdly, and this one is the most hilarious. They will show a video of someone with multiple ballots for whatever reason they might (maybe they brought in their families, I don’t know, I don’t care). And claim that this person also went to many other drop boxes, and would do this many times. And then they never showed that person in another video again. Like, it seems like the obvious proof of something awkward. Show the same person, in different boxes, or the same box, voting on multiple days or times. And they don’t. Why? Because this whole thing is just bullshit.

Honestly, yes, the Wikipedia does all the work.

This is a documentary that was even talked about in the January 6 public hearing already, and more people noted the dumbness about it.

So congrats D’Souza, you tried something new, and it was worse than before. I always need a good mind refresh after these things.

0 out of 4.

If there is one thing we like here at Gorgon Reviews, it is a good title. And I certainly refused to look up anything about the movie, Cha Cha Real Smooth, once a poster and description was released, because I didn’t care. I just wanted to see the movie on its own, with no knowledge at all going in.

Now, for everyone else, here is some knowledge going in after the fact.

Like that the director, writer, and main star is the same guy, Cooper Raiff, and this is his third film. His first film was Madeline & Cooper, but it isn’t even an hour long, and his second film is Shithouse. Yes, both of them are also directed, written, and starring him.

For whatever reason in Raiff’s life, he found himself in the position to be able to make movies and star in them, so good on him. You know, assuming they don’t suck. And I am trying to manifest positive energy that this title isn’t wasted on a poor film.

Mmmmm. Meat Sticks.

Back when Andrew (Cooper Raiff) was a kid, at a Bar Mitzvah, he was in love. It was with a party starter. A person employed by the parents of the party to successfully get individuals to be dancing and make sure everyone had a good time. She was everything to Andrew. And she turned him down, you know, age difference.

Now, years later, Andrew is an adult! He has finished college and has a job at a local fast food joint and moved back in with his parents. He wants to go to another country, to chase the woman he loves, but he is broke. Instead, he finds himself at another Bar Mitzvah party to chaperone his little brother (Evan Assante), and hang out with another girl (Odeya Rush) he knows. For reasons, and alcohol, Andrew finds himself the life of the party! He makes sure everyone has a great time and now finds himself potentially landing into his own business as a party starter during this busy Bar/Bat Mitzvah season.

Also at that party, he meets Domino (Dakota Johnson), a woman who seems far too young to have a kid at this party. But yep, she has a kid, Lola (Vanessa Burghardt), who was older than the others, and autistic, and hard to actually get to dance and let go. So Andrew makes that one of his missions. It doesn’t hurt that he likes Domino too. Even if she has a fiance.

Cha Cha Real Smooth is about a man finished with college, constantly falling in love with women older than him, who is having a hard time accepting his home life, his social life, and trying to find an eventual direction moving forward.

Also starring Brad Garrett, Leslie Mann, and Raúl Castillo.

Why do we even test for Autism, when we all know that headphones is the main giveaway?

I want to get one thing noted right away. Did you know that the girl playing our Autistic character is actually Autistic? It was apparently a big concern of the filmmakers, to make sure we had some good representation here, and not some gross minstrel show of offensive stereotypes. I don’t even think it was something that was hard for them to accomplish. I am starting to think Sia didn’t even try for the movie Music. I am thinking she lied to us!

Raiff is entirely charismatic and adorable in this film. He has a Ben Wyatt like smile and glow to him when he is excited. He seems to really care about his brother and mother, even if he is still overall drifting. I think it would be awfully hard to not be invested in his story, even when he is making obviously poor choices and going down uncomfortable paths.

The story itself is relatively strong, piecing together the subplots in a nice way to coincide with our main story of a young adult drifter. The dialogue itself is also well thought out. The family bonds felt believable. The tough situations for many characters didn’t always have easy answers, even if the morals were technically easy to sort through as a viewer.

This is a comedy/drama that does a good balance of both. It made me sad, it made me guffaw, and it made me feel. Unrelated, I did go back and see Shithouse because of how much I liked Cha Cha Real Smooth. I definitely didn’t like it as much as this one, but it still had great emotional scenes so it was a good building block to his third directed film for sure. I look forward to Raiff’s next film, and I hope he keeps directing and writing them!

4 out of 4.