Tag: Kodi Smit-McPhee

Where you been, Eddie Murphy? What you doing, pseudo-retiring on me like that?

Sure your last two real films, Mr. Church (2016) and A Thousand Words (2013) were bad, but that is probably…uhh, your fault. Trying to do some spiritual family stuff instead of letting your real humor out.

Surely, giving yourself a role where you get to talk and swear and joke is just the role for you.

Telling a true story of a different stand up comic that influenced his whole career seems like a good tribute to that actor/comedian, while also getting Murphy back on his feet again. Dolemite is my Name? Well, make me laugh and I’ll call you anything.

No, I won’t call you daddy though, even with that suit. Rudy Ray Moore (Eddie Murphy) is the baddest motherfucker around. Or at least he is in his own eyes.

He wants to be famous, he knows he can do it, and he has tried it all. He has released songs, has done stand up, and he is now middle aged and still nowhere. He can’t get a damn thing going.

But while MCing at a local club, he decides to try a little bit of material he has taken from older homeless people in his neck of the woods. He asked them their stories, and listened to their jokes. They spoke rhythmically and told ridiculous stories, and he thinks that audiences might really enjoy it with the right delivery.

And this content takes off. He builds the character Dolemite, and people love his swears and graphic humor. He is able to sell records of his material, mostly on his own, and get popular in the hoods all over the world. And after all of that, he still wants more. He wants to make a movie. Who cares if he has never made a movie before.

Also featuring Keegan-Michael Key, Mike Epps, Craig Robinson, Tituss Burgess, Da’Vine Joy Randolph, Kodi Smit-McPhee, Snoop Dogg, T.I., Ron Cephas Jones, Barry Shabaka Henley, Chris Rock, and Wesley Snipes.

Fact: Snipes and Murphy have never been in a movie before together.

Dolemite is my Name is one of those films that comes along that you didn’t know you needed until you had to see it. I never knew anything about Rudy Ray Moore. I knew about the blaxploitation films of the 70’s and 80’s, only a tiny amount, enough to enjoy Black Dynamite. But I didn’t know who the real precursor to all of that was.

And sure, as research, I watched Dolemite just to really get the whole picture, which is not necessary for those who don’t want to have to go searching for it.

I haven’t seen Murphy this on fire in quite a lot of time. Over a decade probably. This is a great return to form and it is like he was never gone in the first place. Snipes was also on point in the film, and similarly, haven’t seen him like this in a good while, but part of this is thanks to prison I guess.

A large cast of characters bring their own quirks and fun moments, but this is the Murphy show and they are all just a part of it. A funny comedy and a good story overall.

3 out of 4.

Oh X-Men, how much we weep for thee.

X-Men so bad now, they took X-Men out of the title.

X-Men so bad, they are trying to remake their previous worst main X-Men title with the same writer.

X-Men so bad, they make a movie called Dark Phoenix and don´t have Phoenix in the movie at all.

X-Men so bad, this movie killed the X-Men.

And no amount of Albinism can save it. 

X-Men: Apocalypse took place in the 1980´s, and this one takes place in the 1990´s and features no real aging of any of the mutants. That is the real superpowers here.

At this point, they are accepted by the public, a weird timeline indeed. And after the crew was sent into space to safe a spaceship disaster. And sure enough, some space dust gets absorbed into Jean Grey (Sophie Turner) making her feel all funny inside.

It turns out Xavier (James McAvoy) may have been lying to her about her past, and hidden some of her own memories from her. That makes her sad. And mad. And willing apparently to turn her back on all of the X-Men, even killing a few of them, just to showcase how mad she is.

Also aliens.

Featuring of various amounts Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, Evan Peters, Halston Sage, Brian d´Arcy James, Lamar Johnson, Scott Shepherd, and Jessica Chastain.

X-Men so bad, their faces are breaking and not the box office records.

X-Men so bad, they keep having their greatest enemy be themselves.

X-Men so bad, that kindness saves the day, like they are care bears.

X-Men so bad, this is not the first time actors have asked for their characters to be killed in order to leave the franchise.

X-Men so bad, that they used time travel to fix the bad movies and still made more bad movies (and time paradoxes).

X-Men so bad, they have failed multiple times to make a hero turning bad in no way compelling for the viewers.

X-Men so bad, they are their own Greek tragedy in terms of a rise and fall of successful films.

X-Men so bad, their film qualities would make a better roller coaster than anything at the Island of Adventure.

X-Men so bad, I put off writing this review for months due to complete and utter apathy.

0 out of 4.

Welcome to a Movie Roundup! A movie roundup features a few films that I didn’t feel like making full reviews for, but needed to get basic reviews out there for completionist reasons. It also helps me deal with my backlog. It may have a theme, and today’s theme is Mainstream 2018 (Part 1)! Basically, the popular movies I had missed, and need to really review, or else.

Being on a movie round up doesn’t mean a movie is inherently bad, or good, or meh. I can feature any rating on here! So don’t assume the worst! I will also just post the reviews in alphabetical order.

Mainstream 2018 Part 1

Alpha

In the face of this movie, I expected the worst. I thought this movie had to be a typical January release, something similar to
10,000 BC. But alarmingly, it came out in September, and when I finally got to see the movie it mostly met my expectations. It was surprisingly not amazingly bad, just regularly bad.

Gross CGI landscapes to recreate the before time, and a pretty uninspired storyline about the bringing together a “dog” and a man. The other sad aspect of this movie is that people might watch it and go, “Oh, so that’s how it happened! Domestication!” and take this movie as fact. That would be a shame. And I don’t know if people actually say that, because I barely know people who have seen it, but this straw man stands in my mind. A forgettable film, like most dog films.

1 out of 4.

Waiting for Mufasa to show up takes forever.

Crazy Rich Asians

When I first heard this title, I really assumed it was sort of a joke. I didn’t know it was based on a book of the title, or why it was called that, but it just felt off. I thought it would be some sort of exploitative film that was a comedy no one would watch, and hey, it feels good to be wrong. A romance more than anything, this is a film about an outsider being brought into the world of ridiculously rich Asian people in Singapore. So we get all of the wealth, luxury, and snide comments with some back stabbing.

On its whole, it could have been a forgettable romance film. But the lavish sets went all out to display a lifestyle most of us can only dream about, while also bringing in new cultural elements to American cinema. Having the lead be the mom from Fresh Off The Boat was great, and showed she has at least some range. The ending teared me up too. And damn it, it is great in general to see different people on our romance movies. Bring on this wave of Asian-American films, damn it.

3 out of 4.

Out of the three adjectives in the title, I’d prefer the middle one myself.

Mission Impossible: Fallout

“More Mission Impossible? I thought we were done with those,” said no one really ever. Or at least said people who hadn’t been watching them. I will go on record and say the only one I didn’t get enjoyment out of was the second one, and that one has a lot of stranger things going on. I just didn’t see them until I was already an adult, so it took me awhile to appreciate them. Because lets face it, there isn’t another successful American action franchise that is going into this level of detail and craziness for its stunts. It wants Cruise to do most of the work.

He is never going to be the level of some of our older or past martial artist stars, with the long choreographed fight scenes, but its at least a step in the right direction. This film is still exciting, but overall, it feels uninspired. It just isn’t as good as the last two modern MI movies. The stunts aren’t as sexy, even if they have bigger overall stunts. It doesn’t fill me with as much awe, and the story line just gets excessive as it attempts to continually top itself. The ending also feels really clunky and I never really feel that sense of dread that it is going for. A good attempt at an action movie, I just expect a bit more now from the franchise.

2 out of 4.

The biggest stunts are helicopters? Eh, I’ve seen helicopters before.

Ocean’s Eight

I am a huge Ocean’s Trilogy fan, and a huge Steven Soderbergh fan, and so even if the director wasn’t really involved, I was hoping to love this one. Heck, the stars are there too, with a lot of big names.

I will say it feels gimmicky, and not equal, to just go the opposite direction and make it an all female cast. It doesn’t feel natural, just like an all male heist would be with the large numbers (which is why technically the two sequels had…one woman in on the heist). In the movie, it does seem to make a lot more sense, given just the nature of the crime and the talents they needed to pull it off, so that is the good news. The biggest issue overall is just that the movie feels forgettable when it finishes. No one person stands out in acting, and the various twists to show how it was pulled off are for the most part guessable, especially thanks to the title.

I still hope they can do more. Go for it. Just lets raise the stakes.

2 out of 4.

Yep, eight people, like most of the advertising, spoiling a twist.

Tag

Finally, a film people maybe thought initially was a joke. A high budgeted comedy (and slightly action?) movie, about people playing tag, that has gone on with very specific rules for decades, and one person who never, ever gets tagged. So many stars, so little time, and such a ridiculous concept (based loosely on a real story). I wanted to enjoy it and was intrigued by the trailer. But like a lot of modern comedies, I think it really just needs a group of people or slight inebriation to really fully enjoy.

I’d prefer a comedy I can find historical alone, and this is clearly one meant for you to enjoy with your own group of friends, which is fine, but limited. Again, with a large cast, no one really feels like a standout, and some people seem to be doing the same sorts of character they are always type casted into. The ending also went a really strange place. Unexpected, sure, but something that feels almost like a complete genre switch.

1 out of 4.

Mainstream movies may be a broad title, especially when you compare them to the other quick themes I put together, but hey, its my themes suck it. I originally would have done genre, but too many films are multi-genre that I didn’t want to deal with that hassle.

Here it folks, the big one. The Apocalypse is coming, despite everything Idris Elba did to cancel it.

The recent strange reboot of the X-Men franchise has been wildly successful. I enjoyed First Class and loved the crap out of Days of Future Past (which made my top of the year list), while also fixing some continuity issues that had been brought up. I used to like X2, but honestly, it hasn’t aged well with me, and I am tired as fuck of the Wolverine origin stories.

As a fan of the X-Men stories, Apocalypse has always felt like their biggest and greatest enemy. He is their Thanos or Darkseid. Not their main enemy, just their biggest threat. So to see it finally come to fruition on the big screen is both exciting and frightening. It is obvious why I am excited, but I am also frightened that I am over hyping the film. Days of Future Past did a lot of things right, so it will be hard for them to live up to that film. There are so many ways for X-Men: Apocalypse to go wrong.

But despite all this, I will do my best to not make fun of the way he looks.

He looks a lot less like Ivan Ooze in the actual film!

Ten years after the events of the last film, the world has changed for Mutants. After Mystique’s (Jennifer Lawrence) speech, mutants are a bit more understood and not completely seen as threats. In America, they can look weird and walk around and most people seem to accept them. It helps that Magneto (Michael Fassbender) has gone into hiding in Poland to live a new life, and Xavier’s (James McAvoy) school is a rousing success!

Until shit starts hitting the fan. Moira Mactaggert (Rose Byrne) discovers cults that are worshipping ancient beings believed to be the first mutants. Sure enough, bad events occur, and En Sabah Nur (Oscar Isaac) is out and about after being trapped and asleep for almost 5700 years. Go fuck yourself, Rip Van Winkle. What’s an ancient deity gotta do to get some respect around here? Make a new team of individuals to help him gain more powers and enslave the world of course! That is why we get to see new people, like Psylocke (Olivia Munn), Angel (Ben Hardy), and Mowhawk Storm (Alexandra Shipp)!

Ah, the end of the world. The best time to introduce young new guys to the fold too. Like Jean Grey (Sophie Turner), Cyclopes (Tye Sheridan) who is of course Havok’s (Lucas Till) brother, Nightcrawler (Kodi Smit-McPhee), and Jubilee (Lana Condor).

Also returning: Nicholas Hoult as Beast, Evan Peters as Quicksilver, and Josh Helman as Col. William Stryker. And featuring Warren Scherer, Rochelle Okoye, Monique Ganderton, and Fraser Aitcheson as the original four horsemen.

Something new, something old (Apocalypse), and a whole lot of somethings blue.

With X-Men: Apocalypse, we now have our third 2.5 hour Superhero film of the year, which must the new normal. Please be different Dr. Strange. The timing felt good for Civil War, but it was too much of a run time for this film. Plenty could have been cut out to give a more straight forward and less clunky film.

Here is the good stuff though! I almost gave this a 3 out of 4, because what worked really worked. There is a scene that actually made me tear up in this film. It was then immediately when extra lives were somehow lost without making a whole lot of sense. I will say that Magneto’s reason for getting involved seem almost completely justifiable, and like normal, Fassbender and McAvoy basically carry the film. Lawrence isn’t bad in her role, although Mystique’s arc seems just a bit weaker. In terms of new characters, Smit-McPhee as Nightcrawler does a fascinating job and Turner as Jean Grey grew on me over time. Quicksilver was a lot more involved in the plot and his moments were some of the highlights of the film again. It is great that they made him more integral to the plot and confirmed some of his backstory.

And finally (a vague spoiler) we have a film where characters can actually die from these extremely powerful individuals doing battle. Thank goodness.

For most of the other players, everyone else feels underutilized. Psylocke is only really used in one fight, we get a decent amount of Angel but it isn’t great, and Storm doesn’t have many great moments. And if you were one of the dozens excited to finally get Jubilee in film, then quickly suppress that excitement, because she does diddly squat. And of course we have the wonderful OSCAR ISAAC to play the big bad guy, but for half the film his voice is distorted and there is never really a moment where he can really display any great acting, which makes the casting feel a bit wasteful.

It could have been the 3D and theater settings, but the CGI felt weaker than Days of Future Past. Apparently Apocalypse’s powers involve turning items into sand and sand into items for the most part with the occasional cool purple thing. Add in Magneto’s electric field near the end and we just get a used over and over again ugly look to the whole film.

This movie is not as good as Days of Future Past, and maybe not even as good as First Class. It is still decently enjoyable though, but it features a clunky plot with a lot of underutilized characters. The good news is that for the parts that work, they work really damn well. I mean, who doesn’t enjoy some nice fan service?

2 out of 4.

Rise of the Planet of the Apes did something miraculously a few years ago. It was able to bring back a cherished series, put its own stamp on it, and not suck completely.

You know, like what Planet of the Apes couldn’t do a decade and a half ago.

But still! Well done Rise. It relaunched a series and gave us a good story. Outside of a really terrible forced romance, it was an exciting movie that I have watched many times.

So, no pressure Dawn of the Planet Of The Apes.

Pressure is Caesar’s middle name. Wait. No. That was Julius.

Dawn is set ten years after the events of the first film. The virus spread throughout the human race, killing most of them. Sure, there were people immune to the virus who are now survivors. But their numbers are few in small cities across the globe, running low on resources and technologies that once were plentiful.

Caesar (Andy Serkis) and his band of merryapes are living peacefully in the red wood forests outside of San Francisco. They haven’t seen humans in years. They hunt deer, protect their own, have rules, are teaching the youth. But then? Humans.

A group of them, including Malcolm (Jason Clarke), Ellie (Keri Russell), Alexander (Kodi Sit-McPhee), and Carver (Kirk Acevedo). They are to go to the nearby dam to try and turn it on. Supplies are low.

However Ape/Human relationships are quite tense. Caesar is willing to trust them and forgive, but other apes in the vicinity, like his general Kobo (Toby Kebbell) might not be as trusting. Add that with the human fear of the apes, lead by the San Fransisco ex-military leader Dreyfus (Gary Oldman) and you got the potential for quite a boondoggle.

Also, Nick Thurston plays Blue Eyes, the son of Caesar (because Augustus would be silly).

I know what you’re thinking, human. You’re thinking “did he fire six shots or only five?” and “Does that Ape know how many shells are even in a shot gun” and “Does he think that gun is candy?”

I will definitely give this movie one thing. It did a great job at world building after the events of the first film. Of course, we only get to see a small area, San Francisco + forest. It would have been cool to see more of the world. For instance, just how many humans are there? I assume that will be answered in future parts.

Caesar / Serkis was also really cool. Everything about him was awesome. Speech, movements, plot line. What a baller guy/ape.

But other than that? This movie disappointed in some ways too. At times the CGI was really jarring, standing out, and even looking kind of shitty. Some of the characters looked awful and I was taken out of the experience. When the Apes and Men clashed for the first big fight? That looked terrible. The other fire scene? Didn’t really work for me either.

The film also dragged on at different times. All of it part of the world building and getting used to this new civilization. And I kind of just wished it would get to the point closer. The ending itself felt a bit predictable too, offering not a lot new minus the fact that it involved apes.

The movie had a lot of good, and a lot of average going on for it. So although parts were awesome and the movie had a good vibe, I couldn’t help leave feeling a bit disappointed. Also for those who hate reading, 1) thank you for still reading my reviews, and 2) there is a bunch of subtitles.

2 out of 4.

Mannn.

Fuck Romeo and Juliet.

There, I said it.

The story is terrible. People think it is a romance, and a story about eternal love, when it is a dang tragedy. So then people overly romantisize it. Then we get the fiftieth movie version of it. And…and…and for SOME REASON. ALL OF THE MOVIE VERSIONS ARE THE SAME.

Well. Most of them. Some take the basic tale and put a unique spin on it. Thank you, Romeo + Juliet, West Side Story, and Warm Bodies.

Everything else just feels like the same dang thing every time, and this remake is abso-fucking-lutely no exception. Shit, even Gnomeo and Juliet tried to do something different.

100% of this is all the same and boring at this point.

When I first heard they were doing this new new new version (which no one gave enough shits about to even let it go to most theaters before getting its DVD/Blu-Ray release), a blurb described it as “The Romeo and Juliet for the Twilight generation!”

What?! Oh god no.

That means it for sure would be heavily romanticized, with like, darker filters to make them seem so dang tormented. But I had hope with that description. I had hope that it would mean that this movie is slightly different. Maybe it won’t take the actual Shakespear script, and just have people talk normal? Maybe it will put it in a more modern setting and relate to the kids of today.

Haha. Hahaha. That’s another big fat nope. This is just another dang Romeo and Juliet, same dialogue, same plot, just slightly different production value. Nothing new or redeeming.

Hailee Steinfeld plays Juliet and Douglas Booth plays Romeo. Paul Giamatti the friar!

We got a Tybalt (Ed Westwick), a Mercutio (Christian Cooke), and a Nurse (Lesley Manville).

We got the Capulets (Damian Lewis, Natascha McElhone) and the Montagues (Tomas Arana, Laura Morante). We even have a Benvolio (Kodi Smit-McPhee) and I definitely don’t remember his importance.

Shit, even Paul Giamatti looking creepy is still the same.

Dang it, Hailee Steinfeld. You were so so good in True Grit. You were. Then you did this movie. And 3 Days To Kill. And a pointless role in Ender’s Game. You are probably one bad movie away from losing any of your acting cred.

To everyone else involved with the making of this movie, fuck you guys. Seriously. You are who people are talking about when they say Hollywood has run out of ideas and try to defend you guys. This shit is unacceptable. All of it.

And yet it is still a 1 out of 4. Why? Because despite my outrage towards its existence, I still realize it isn’t bottom of the barrel stuff, it is just entirely pointless stuff. The acting wasn’t super bad, it was mostly just indifferent. I can’t complain about the plot, because its Shakespeare. I can say however that it is worthy of being avoided just for contributing nothing new to society.

This might read as a big rant, but I won’t even edit this one. I am done with this damn movie.

1 out of 4.

It has been a few years since we have had a stop motion scary movie, the last of which was three years ago in Coraline. But this year we have two! ParaNorman, made by some relatively unheard of directors, and Frankenweenie, a remake of a 1984 short film by Tim Burton, king of the slightly creepy.

Yep, ParaNorman is the underdog in this fight but hey, it is at least in color!

All white people, but color nonetheless.

Norman (Kodi Smit-McPhee) can see dead people. Ghosts at least, who are stuck on earth because their time and tasks have not been completed and cannot move on. So you’d think Norman would go around helping all the ghosts move on, but instead he just befriends them and acts like its not his problem. That isn’t the movie plot, they never even bring up Norman helping the ghosts, he is just a dick kid who never thinks to help out his ghost friends. Just an observation!

He doesn’t keep the ghosts a secret either, so everyone thinks he is a freak. His parents don’t know what to do (Jeff Garlin, Leslie Mann) and his sister (Anna Kendrick) thinks he is a loser. Outside of the ghosts, so far just a normal sounding life. His only friend is a guy named Neil (Tucker Albrizzi), who has no friends because he is fat. True story.

In this town, their claim to fame is that they once burned a witch. But before the witch was burnt, she hexxed her seven accusers into a zombie fate once they die, meaning that  she is actually a witch and really they did nothing wrong. You can’t just let witches free and running amuck! Years later, the curse still has not occurred because of people like crazy uncle Penderghast (John Goodman) who delay the curse. But once he kicks the bucket, it is up to Norman to make sure the zombies don’t rise up and take over, with the help of Neil, Neil’s older brother (Casey Affleck), his sister, and the local bully (Christopher Mintz-Plasse).

SO MANY ZOMBIES. SEVEN OF THEM. AHH.

Personally, I found the movie to be a bit boring. It is hard to classify just what kind of movie this was, and for who it was meant to be enjoyed by. Most of the good jokes were given away in the trailer and I didn’t understand how this town even felt threatened. I mean, seven zombies? That is a very specific finite number of zombies, in the modern age, a town should be able to handle them. There is a scene where the towns people try to destroy them and end up killing exactly zero. Despite multiple guns, they actually just end up beating them up with umbrellas and clubs and let them get away. Well then.

I could talk a lot about the actual movie, but this one has controversy which is more exciting.

Controversy? In a kids movie? Yes! At the end of the movie, one of the main characters turns out to be gay. It was just meant to be a minor joke, but it has caused a lot of parents to freak out. I won’t get into how ridiculous this controversy even is, leaving that up to you.

Overall, I can’t see why this film has received such high praise. I just felt the stop motion wasn’t the best and that most of the jokes fell flat. Feel free to see it as soon as you can and prove me wrong or tell me what I missed, because I am willing to listen. I do understand that the moral of the film wasn’t just destroy the witch/zombies, but that wasn’t enough for me to care.

2 out of 4.

Let Me In is the American Remake of Let The Right One In, a highly rated Swedish movie. I do own Let The Right One In, on Blu-Ray, just haven’t seen it yet. I kept putting it off for no reason, and meant to review/watch it before the American version, but at this point, the American version had to come now with my opening to watch it closing.

But if Hank Hill has anything to say on the matter, he’d say if a foreign film was any good, they’d remake it for America. While kind of an insult, it is kind of also a compliment. So I expected good things with this movie.

Good, probably creepy, things with this movie.

Owen (Kodi Smit-McPhee) is a small young, probably Minnesotan boy. I am guessing the state, but there is snow a lot, and these guys go out to play hockey on a lake once, and Minnesota has a lot of lakes. He is weirder, so he gets picked on by the bullies at school, lead by Kenny (Dylan Minnette). His parents are also getting divorced, so he pretty much only lives with his mom.

Then, one night, a girl, Abby (Chloe Grace Moretz) and her dad (Richard Jenkins) move in next door. Abby tells him they cannot be friends, but they do so anyway. Even talking in Morse code through the walls. The bully problem is getting worse, so she tells him to defend himself and she will help. He ends up fighting back, with a quick swing, and manages to slice Kenny’s ear open…right at the same time a body is found under the ice!

If you didn’t know, Abby and her dad are vampires. The dad character tends to go out and feed and bring back blood for Abby. When one encounter goes wrong, the dad is left badly burned and in the hospital, with the detective (Elias Koteas) very confused and suspicious of everyone. Eventually the little girl.

The ending of the movie includes Owen trying to finally, maybe, overcome the bullies, the realization of vampire-ness, escaping the detective and more. I kind of want to spoil stuff, but wont this time.

Vampires be crazy.

This (remake of a foreign movie) was so very good! It was deep and felt heartfelt the whole time. Kind of a slow paced movie, it is also equally about bullying as it is about vampires, I’d like to think. And yet everyone does so good. Owen was also the little kid in The Road, so he knows a thing or two about being in horrifying situations and not freaking the heck out.

Chloe also did a great job. Despite the fact that their characters were “going steady” eventually in the movie, and that vampires are usually all about sex, I never felt like a creepy “oh god, pedophilia?? (or necro)” thought in my head, even in one “bed” scene. Mad about quotation marks yet? Too bad. It all felt more like child curiosity, even though Abby is a lot older than Owen.

It also didn’t try to change vampire mythos. All of it seems to be based on the facts we knew growing up, which is all everyone wants. Most new vampire movies try to change them. But in this movie, sunlight is bad, holy water is bad, need blood, can’t go into residence without being invited (thus the title), and etc. Since that stuff doesn’t have to be explained, the movie can just be enjoyed and felt. Pretty much, this is like Flipped, but less for kids.

4 out of 4.

Oh man this movie was sooooo saddd. AGGHHHH. And depressing. I cried. I did. Very good. Here are some jokes to take my mind off of it.

The Road, obviously, is loosely based off of Jack Kerouac‘s life (and his most famous work, On The Road). Viggo Mortensen plays for the second time a brilliant role as a man slowly turning into a zombie.

I am pretty sure that is what is going on in this scene.

I heard they were going to make a book based off of this movie, but I hope it doesn’t blow like the last book they made after the other successful Viggo movie. That one with the hobbits. History of Violence I believe was based off of real life events though as well, because, you know, it was history.

But seriously. This movie was great, despite the depressing state of everything. Bring tissues. Check it out. It is a post apocalyptic movie, where despite knowing stuff is about to go down, Viggo and his wife still have a child. Viggo believes it to be his duty to still have a child to help the world through these times, while his wife doesn’t agree, thinking it will just hurt them in the end. Parts of the story is told through flashback, before the child, and his early days when they lived in a house, and the rest is between Viggo and his son as they attempt to travel and survive in this world gone mad. You get to see what people will do in order to survive and protect the ones they love, passing many many moral boundaries.

4 out of 4.