Tag: Jemaine Clement

Don’t Make Me Go, by its name, can only be one of two things. Either its some comedy film about an introvert. Or it is a drama film, that is definitely tear jerky in nature.

And sure enough, it is a tear jerking film! And because of that, the title of course makes me think of Never Let Me Go, which is a difference context, about holding on (/not giving up on someone). And that film is incredibly sad and beautiful.

I have the highest expectations for Don’t Make Me Go, and I demand at least three cry events.

Learning to drive? Okay, that one won’t make me cry. I think.

Max Park (John Cho) is doing the best he can. He is a single dad, working a job, trying to date, and trying to make sure his daughter is safe from boys and drugs and parties. Max also went to the hospital recently, and sure enough he has a brain tumor.

(Those aren’t good).

If he doesn’t do surgery, he will die. If he does surgery, he has a good chance still of dying and so that sucks. His daughter (Mia Isaac) has literally no one else to take care of her if he goes…except for…maybe…her mother?

So Max gets the plan to go to his high school reunion, while bringing his daughter along on this road trip. He can teach her things, in case this is his last chance. Like how to drive. And sure, when he gets there, he can introduce his daughter to her mother, who is still alive, but did not want a kid or a family. Maybe this time has been enough. Maybe this will help him pass in peace.

Also starring Kaya Scodelario, Josh Thomson, Jen Van Epps, and Jemaine Clement.

Holy shit! She put fingers above his head! In the selfie! So that, omgomg, he looks like a bunny rabbit! Holy shit that’s funny ohmga.

I was ready to cry, the plot sounded so sad and emotional. And yet. It never came. The film did a bad job to make me connect at all emotionally with the characters. There were a few close chances of course. But let’s see…

It started with a scene randomly 2/3 of the way through the movie, though no real need to do that for a movie like this. One of the bigger moments was my first almost, a first meeting with the mom. But it didn’t last long enough. And once the information was shared about the tumor? Almost, maybe. But we are so far in the film that I am still surprised at how little I connected.

After all that, unfortunately, we got an ending to the film. The ending was absolutely poop. It took what could have been a strong movie and wanted to go for surprises that it sort of abandoned any hope of being considered a great film. To me, the ending turned this film from an average film to a bad film. I can’t recommend this movie, because I don’t wish the disappointment on anyone.

The acting from Cho and Issac? Great, wonderful, fine. But the story needed a lot more work, and they are wasted because of it.

If you are new here, I have rallied against animated films so far this year. We just had a summer with Cars 3 and Despicable Me 3, both incredibly bad to super bad films. And these are our tent pole films for the year more or less!

There is very little hope of animated films saving it by the end of the year, but I openly acknowledge that I had not yet seen The LEGO Batman Movie. I know a lot of people enjoyed it, our first LEGO movie since The LEGO Movie.

But I am one of the people who only gave The LEGO Movie a 3 out of 4, it was no where close to being my favorite animated movie of the year, but it was quality and hilarious, I give you that. Despite that, I was never looking forward to this movie. I was disappointed to hear it as a sequel.

I want some new original LEGO content, not relying specifically (mostly?) on pop culture content from a single established franchise. I also acknowledge that the previous LEGO film was FULL of pop culture content, but it wasn’t entirely. This just feels…well, unoriginal.

Now that brightly colored chap, he seems like a great way to take any brooding franchise.

Ah yes, Gotham, city of villains and crime and 1 super rich dude and some vigilantism. Batman (Will Arnett) is the best and everyone loves him! But he lives a life alone, mostly hanging out in his house, sometimes interacting with Alfred (Ralph Fiennes). But you know, just being a lone with all his money, cool gadgets, and lobsters.

He is still really good at fighting crime though, and even when the Joker (Zach Galifianakis) gets a shit ton of villains to work together to blow up the city, Batman still stops them. Even worse, Batman refuses to acknowledge the Joker as his greatest villain, his foil, his reason for Batmanning. So now the Joker feels bad. Batman just shuts the door on everyone!

However, with a new commissioner in Barbara Gordon (Rosario Dawson), they are going to focus less on Batman and more on actually catching these bad guys who still terrorize the streets. And you know, maybe focus on getting them fixed instead of just imprisoned. And shit, it starts to work, so Batman has even less to do and no one to hang out with in his increased downtime. Except for Dick Grayson (Michael Cera), whom he accidentally adopted.

Of course eventually some stuff happens and things get really bad, but Batman has to learn to work with others if he is going to defeat this new threat!

Featuring an incredible slew of famous people doing extremely minor voices, because YOLO. Seriously, most of these people have like, 1-2 lines, or grunts, or one scene.Again most, there are like two people thrown in here who have slightly more lines. Totally pointless for the most part still, so, whatever. We got Adam DeVine, Billy Dee Williams, Channing Tatum, Conan O’Brien, Doug Benson, Eddie Izzard, Ellie Kemper, Hector Elizondo, Jason Mantzoukas, Jemaine Clement, Jenny Slate, Jonah Hill, Kate Micucci, Mariah Carey, Riki Lindhome, Seth Green, and Zoe Kravitz.

And just think, that wall of text is just the famous people you know who did voices.

Right away in the film, we get introduced to the Joker and his plans to take over Gotham once and for all, with a giant team of villains on his side, which are all presumably real Batman villains. Action, fighting extreme. I was shocked it happened so early, but since this film mostly deals with Batman’s loneliness, we needed to just get him doing Batman stuff, so we could see him existing waiting to do more Batman stuff.

And that part was just…okay. It didn’t connect with me on an emotional level or anything, because this is a film focused on comedy, so it went for quick jokes instead. And to contrast the opening, the ending is long and even more action packed. Even more villains, many more than you’d expect in a Batman movie, and explosions, and action and…

Being overwhelmed. That is what this movie felt like. It went to the extremes early on, then it went to the extremes in the end. In the middle, it is mostly lowkey, plot stuff. My body didn’t enjoy the “rollercoaster”. It failed to find a middle ground, and frankly, basically all of the action felt so excessive that it was not enjoyable from my point of view.

The best parts of the film were just Batman interacting with Robin and Barbara, regular dialogue for regular jokes. But the majority of the plot was off, along with my earlier complaint. It was an okay film when it comes to entertainment, but not one I am rushing off to buy and talk about over and over, like The LEGO Movie.

And now, also this year, we have The LEGO Ninjago Movie? This is based on their own IP, so hopefully they stick to their own stories to give a good film and don’t rely so heavily on other franchises pop culture references.

And this is where we stand. This is where all of the marbles fall. This is where the plot thickens. Finally, Moana is now out, and we can almost fully discuss the potential for Best Animated Film this year.

I was excited for Moana since it was first announced. Every announcement was met with excitement. Character actors. Lin-Manuel Miranda helping with the soundtrack. General plot lines. Just excitement and happiness.

And this has been a decent year for animated films in America. Zootopia, also a Disney film started off strong. Kubo and the Two Strings changed the game. And Moana is the final heavy hitter. (Pixar and Dreamworks faltered this year, with Finding Dory and Kung Fu Panda 3. The later decent, but the worst of the series). And sure, there was a lot of other filler, but no one expected a lot from them, just like I don’t expect anything from Sing or Storks.

Needless to say, the hype was there, and I was hoping it would deliver.

Starting off a film with potential baby drownings is a surefire way to hold my attention.

Moana (Auli’i Cravalho) isn’t a princess damn it. She is the daughter of a Chieftain. There is a difference, she has talents. She also feels drawn to the sea. They live on an island, but outside of their local reef, the sea is rough and scary, so her father (Temuera Morrison) forbids her to really go into the water, because she has more important duties to prepare for on the island.

But everyone knows there is a lot out there. Moana’s grandmother, Gramma Tala (Rachel House), makes sure they know the tales. The tale of the demigod Maui (Dwayne Johnson), who made the islands. He stole the heart of a goddess a thousand years previous, to give the power of creation to man. But his plan backfired, evil and decay started to lurk and grow, he lost his magical fish hook and was never seen again.

But that is all a story! No way that is real. Until, you know, the crops begin to fail on their island. The fish leave the reef. And their people are worried of being able to feed their families.

Moana isn’t just going to sit around and let her friends, family, and loved ones suffer. No, fuck that. She is going into the see. She is going to find Maui, demand he restore the heart, and fix this blight for good. Sounds like a nice afternoon adventure.

Also starring the voice work of Jemaine Clement as a crab monster, Nicole Scherzinger as Moana’s mom, and Alan Tudyk as a chicken.

There is a joke here about a tiny canoe and wood, but I can’t just quite put my hand on it.

Thankfully, there is a lot going on with Moana. So much that I really don’t even know where to begin! But hey, I will try.

Animation style, it is a gorgeous film. Just like Frozen, I initially sort of had a problem with the character animations compared to the background, but quickly grew into it. The ocean was beautiful, the island so full of background life, and I especially loved the lava demon. It must have taken ages to fully animate that creature and it paid off extremely well.

There weren’t too many annoying characters either. There were small pirate coconut things, they were more amusing than annoying and felt like a reference to Mad Max. For the most part, adults weren’t super dickish in the film, like in other similar adventure stories like How to Train Your Dragon. Our lead was fierce, independent, and stereotype breaking, while Maui was funny and interesting. We still had stereotypical older sage lady, but she at least danced a bit to give her something new.

Music! Music music! What a fantastic soundtrack. Miranda’s influence is super strong in this picture. The first few songs feel very similar to the style of Hamilton songs, including the use of extra chorus members and multiple tunes. Where You Are, How Far I’ll Go, We Know The Way, You’re Welcome, and all the various reprises (There are several) are just great. Only one disappointing song in Shiny, which is sad given it being sung by Clement in a strange Bowie-esque voice. It was hard to understand and his character was lack luster, which is a funny joke given the song title. But hey, Disney movies have to have at least one bad song I guess. Soundtrack was put on Spotify last Friday and I have listened to it a few times.

Finally, we reach the story, and yeah. It is a good one. Sure, cliches here and there, but it is about empowerment and following your dreams, a good message to rehash. I can honestly say I didn’t fully predict everywhere it would go, making it another nice breath of fresh air.

As for which is better, this or Kubo? Well, I don’t know yet. I should re-watch Kubo, but obviously Moana has it beat on actual story and music numbers, but Kubo’s animation and heart are very strong.

Nacho Libre. Napoleon Dynamite. Gentlemen Broncos.

Two of these films are well known. Both of them are universally hated or loved, with barely any room for middle ground. And Gentlemen Broncos was unfortunately never widely known on the radar, despite it being the strongest movie of the three for me. I also hated Dynamite, and loved Libre.

Well, now Jared Hess the director is back after a six year directing absence. Don Verdean. Bringing back a few actors he directed in Broncos.

And honestly, this should be enough information to give it a shot regardless of what it is about. Just for the experience. Just for the really quotable lines.

Surveillance does. I hate those

Don Verdean (Sam Rockwell) is a world famous Biblical archaeologist. He made his fame finding actual places and items from the Bible, helping Americans ignore faith and base their religion on facts! Like the scissors that cut Samson’s hair!

I should have said “was” instead of “is” because times are hard now. He is mostly now just selling books and touring churches around the US, with his assistant Carol (Amy Ryan). That is until Tony Lazarus (Danny McBride) a pastor self proclaimed back from the dead, with his reformed stripper wife (Leslie Bibb), want to finance Don Verdean!

You see, they are losing followers and they need something big and splashy in order to get people back into the faith. So they will pay for his next expedition, the wife of Lot! But that is just the tip of the ice berg.

Either way, Verdean has the right frame of mind. He wants to help people, even if it involves lying. Then he gets too involved in his lies, and one of his Israeli workers (Jemaine Clement) finds out the truth, extorting Verdean. At the same time, a local priest, who used to be a Satanist (Will Forte) and his scientist friend (Sky Elobar) don’t believe any of it. They want to prove he is a faker.

Also featuring Steve Park as a rich Chinese Christian man who also wants to get in on the action.

McBride seen here is of course discussing the size of Goliath’s dick.

This is the type of movie where you should know exactly what you are going to get. If you saw any of the last three, it is very similar in terms of exaggerated characters and ridiculous lines. And for the most part, I loved it.

I was cackling to myself as I watched it, both due to the “clever” lines and the “clever” situations. Just seeing McBride as a pastor makes me laugh, because the casting choice is that brilliant. I was surprised by Ryan’s character, because she did the timid/obedient Christian thing very well, and honestly, she rarely has big roles in what she works.

Clement made me laugh the most. It might be the first time a New Zealander has played an Israeli, taking his already strong accent and morphing it into an even stranger Israeli accent. It as so think, basically everything was comical. Rockwell did a fine job in the leading role, although I feel like his motivations were shaky throughout. I couldn’t tell if he was intentionally lying every time or not.

My biggest gripe with the movie is unfortunately the ending. When things became more chaotic and things began to unravel, it just didn’t feel like the same movie. It started to lose a bit of my interest and seemed to focus less on the funny characters and more on the “action.” Quotes of course, because there isn’t actually a lot of action, but it was still higher stakes and running and a couple of gun shots.

I don’t think you want to know what I do in the shadows. Usually it involves lurking, dodging sunlight, or cooling off.

Now that I think about that, two of those three descriptions are very vampire-like. Hey, what a perfect title. What We Do In The Shadows is, after all, about a few dudes sharing a flat in New Zealand.

And they are vampires.

And this is a true story. You know, because this story was definitely made, truly.

And they started the hippest band in New Zealand too!

Vampires! They sometimes need roommates. We have Viago (Taika Waititi) who set up this documentary, I guess. They all had to sign waivers to not eat the camera crew, but it should work out. He is only 317 years, so a bit of a late middle ages vampire. They have Deacon (Jonathan Brugh), 183 years old, a baby, and the most brash of these vampires and more of a pseudo ladies man. Let’s not forget Vladislav (Jemaine Clement), aged 862. He used to be a much bigger deal, but his age is getting to him and he is losing a lot more of his powers. He doesn’t impale people people as much.

And don’t forget about Petyr (Ben Fransham). He is about 8,000 years old. He has basically lost it, looks super un-human, very savage. He freaks everyone out but he has basically earned it.

And this is their life! They still drink human blood, they have some human groupies who help them do certain tasks, but they are incredibly behind times in terms of technology.

We learn of past loves, why they prefer virgins, their interactions with other supernaturals (zombies, werewolves, witches).

Also featuring Cori Gonzalez-Macuer, Stuart Rutherford, and Rhys Darby, because of course Rhys Darby.

“Oh. My. GODDDD! I LOOVVVEEEEE Rhys Darby!”

New Zealand and Flight of the Conchords. Although it looks like Bret McKenzie had nothing to do with this movie, it is easier to describe as vampires meet FotC. Because that type of awkward uncomfortable humor is very prevalent throughout the whole movie. This movie had a ridiculously low budget, I am sure most of the guys being friends working for next to nothing and splitting the profits. It is a great business model for them too, as with kickstarter and word of mouth, it has spread slowly throughout America for people to see.

Blah blah blah. You don’t care. Is it funny? Heck yes it is funny. I personally would have liked a lot more of Petyr, thought he was underused, but I guess you can’t tell an 8,000 year old vampire what to do.

I am also glad that with the different types of Vampires that Twilight didn’t make the cut. At first I thought I wanted it, but realized how quickly it would have just fallen into a a one trick pony to be referenced occasionally, and not had any real characterization or goals behind it.

Also, this movie has a lot of great quotes associated with it. I don’t remember a lot of them, but I do remember laughing.

Either way, if this movie comes to your area, give it a chance. You will probably have an enjoyable uncomfortable night.

Rio 2. Did it need to happen? The first film, Rio, told a complete story. I don’t remember how I felt about the movie initially, but I quickly grew to hate it.

That’s right, I now hate the first Rio. The songs are terrible, the story is dumb. The songs are really really terrible. After one listen, I knew I could live without hearing them again (but of course I did hear them again). But whatever, I don’t have to dwell on it.

But it got a sequel because it made money, makes sense. Now they have a family of birds, doing family stuff, and living in Brazil full time. At least this time the plot won’t be an inability to fly.

No, this time it is an inability to be fly.

Tulio (Rodrigo Santoro) and Linda (Leslie Mann), the humans, are off doing human things. Roaming the Amazon rain forest, looking for cool shit. They stumble on some cool shit, but also some bad shit. I am literally done talking about them.

Needless to say, the bird type that Blu (Jesse Eisenberg) and Jewel (Anne Hathaway) are have a huge home in the middle of the rain forest, away from humans. I mean, after all, they had to come from somewhere right? That’s right, Hathaway actually voiced the same character for the sequel, unlike the travesty that occurred for Hoodwinked Too.

So they take their family and friends to find the lost tribe. Or whatever. Living in the Amazon! Yay! There they meet Jewel’s dad, Eduardo (Andy Garcia) and former lover I think, Roberto (Bruno Mars). Now that Blu knows how to fly, he has to learn how to really be a jungle bird if he wants to make sure his wife still loves him…?

Oh, and uhh. Nigel (Jemaine Clement) is back, wanting revenge. He also has a poisonous frog friend named Gabi (Kristin Chenoweth) who really loves him for whatever reason. And there are loggers. And there are parrots or something that share the forest with the Blue Mckaws.

All of the random ass bird and dog characters are also back (Jamie Foxx, George Lopez, Tracy Morgan, and Will i Am) and yes, they serve even less of a purpose in this movie.

These two, plus ant eater, plus parrots, plus loggers, means like, 10,000 villains.

Rio 2 is a strange movie. Like I just said, there are so many dang villains, it just felt excessive. Because of that fact, Nigel didn’t have a great send off. When his plan finally came true, it all was super rushed and then the movie ended.

The music for Rio 2 was a little bit better, but not amazing still. This franchise’s problem is singability. I don’t want to go and sing any of these songs later, just like the first one. Just all of them are so erratic. My favorite song was the Poison Love in which Chenoweth goes full Broadway crazy on hitting all sorts of notes. Yes, surprisingly, her character was the funniest of the whole film. She didn’t even have that much time in the movie either it felt like.

I think, somehow they went even more stereotypical than the first movie. There is even a big soccer like match with the birds, including announcers acting exactly as you’d expect.

Everything else was ehh. Was hard to keep paying attention to the film, due to how pointless the plot lines felt. I hope there isn’t a Rio 3 in the future, doing the Olympics or whatever in a couple of years. That will be stupid.

Hello there kiddos!

Remember my last review of The Muppets? No? Well, there it is if you want to click on it. If you don’t want to, I gave it a 2 out of 4. I never watched The Muppets as a kid, so I had no sense of attachment. It was an okay movie on its own.

So when I heard that it was getting a sequel with even more cameos, even more Muppets and an even more ridiculous plot? Well, sure, why the fuck not? Muppets Most Wanted. We got a spy movie folks.

Walter from teh first film still not necessarily important enough to make it into this shot.

So, the Muppets gang has been given a sequel. That must be true. Why else would the cameras still be rolling? They are still voiced by their normal people who voice a shit ton of them, so here they are in a list: Steve Whitmire, Eric Jacobson, Dave Goelz, Bill Barretta, David Rudman, and Matt Vogel.

They decide that the plot of the movie should be the Muppets going on a world tour! The idea is actually suggested by Dominic Badguy (Ricky Gervais), who might have ulterior motives for getting The Muppets around the globe. At the same time, the world’s most dangerous frog, Constantine, has broken out of his Siberian Gulag and has a plan. If he covers up his mole, he looks a lot like Kermit. He can make Kermit look like him, allowing Constantine to steal more treasure and live a rich life.

Mwhaha! The perfect plan! Especially when Kermit is back in Siberia, with a mean old guard Nadya (Tina Fey) watching his every move and a bunch of evil criminals (Ray Liotta, Jemaine Clement, Danny Trejo).

Oh, and they have an Interpol agent on their trail kind of. He is played by Ty Burrell.

Is all the celebrities? Oh fuck no. We got a lot of them. Hell, some of these guys I didn’t even recognize before. A lot of them are only up for a second or two. So I would list them, but that would ruin some of the surprise.

Man, this plot was super simple.

It is impressive how well they sing in those frigid temperatures!

Smiles. I had a smile on my face more or less the entire movie. Everything about it felt cute and wonderful. I only remember one of the songs from the last movie, while this time, a bunch of the songs will end up sticking with me. I mean. I really really enjoyed the movie.

Then the credits rolled and I saw that Bret McKenzie wrote it all! That’s right, we got the entire Flight of the Conchords crew working with this movie. Jemaine as an actor, Bret as the song writer. Last film he was only the music supervisor, not the writer. Also, the director James Bobin directed like, half of the FotC episodes. That’s a lot of quality humor going into this movie.

Which is why I smiled the whole film. It was completely ridiculous but it just seemed to work. The cameos were great and plentiful. The plot was absurd, but interesting. And shit, it was funny.

The last movie, again, I thought was okay and admitted I never really grew up on The Muppets. This time, some how, I loved the sequel and want more Muppets in my life.

Definitely go see this quirky movie, a new clear favorite of mine for the month of March. At least, for the films that came out as wide releases.

Here’s something I have learned today. Men In Black 3 is the first movie Will Smith has done in four years. FOUR YEARS.

Isn’t that weird? Someone who used to do action movies every other year on average since ID4, with a drama or two thrown in? I only looked this up because Will Smith was not tagged on my website yet. Just found that shocking.

But now on his IMDB, he has like, 6 things in production or rumored. So I guess he just took a little break. Work on his daughter’s singing career. Stuff like that.

Maybe instead of a movie review, we can just talk about all of the achievements of Will Smith.

Needless to say, I would suggest you have seen MIB and MIB2 before this movie, even though MIB2 is dumb and isn’t necessary for this movie.

But in MIB3, we have a new head of the department, Agent O (Emma Thompson). Don’t remember her? Well she has totally been there forever, shh. Long story short, Boris the Animal (Jemaine Clement) has escape from the moon prison, and is coming back to earth. He is the last of his kind, and missing his arm, thanks to Agent K (Tommy Lee Jones) from 40 years earlier in the past.

And he does! Agent K is wiped out of existence, and the only one who can remember him is Agent J (Smith). Why? Because Spoilers. Either way, Agent J gets the idea to go back in the past as well, a day prior, kill the original Boris, so the future can be even better than it was before. Just needs help from a pot head time jumper (Michael Chernus).

Needless to say, going back in time doesn’t work out as planned, and despite being told not to, he teams up with the past version of Agent K (Josh Brolin) to save the future, and the world. Also Bill Hader has a small role as Andy Warhol. a

For the first time, their main villain actually looks and is pretty bad ass.

First things first: entertaining? Yes. Dealing with time travel tricky, pretty sure they dealt with it badly, but hey, I’m fine with that right now. Was a fun story, good action, good humor.

And Josh Brolin. Josh Brolin as young Tommy Lee Jones as Agent K was astounding. That dude had TLJ from these movies down to a T, and it was just crazy to watch. He really felt like a younger version of himself, which was pretty great.

This movie also lacks a forced love component for Will Smith’s character like the other two. Is there some love? Sure. But not really. Instead a good movie with some pretty awesome acting

Hey, I bet by the name alone that you will think Eagle vs Shark is a super weird comedy?

Yep.

I don’t usually want people to judge the movie by its cover, but using the cover to help get yourself in the right mood has never been a bad thing.

Yep, it is going to be one of those kind of movies.

This is a movie about socially awkward people, and love. Lily (Loren Horsley) lives with her brother (Joel Tobeck), who is a cartoonist, while she works at a burger joint. They are devoid of good technology apparently, because after she takes an order from the customer, she apparently has to walk back and tell the kitchen. Fast food joints there are weird.

Either way she was picked “randomly” to have her job cut, because corporate demanded it, so she is kind of meh, and decides to try and get that cute customer who always walks in, Jarrod (Jemaine Clement) on his lunch break. After finally talking with him, he asks her to invite another girl to his “Animal” party, where everyone dresses up as their favorite animal. There is also a video game fighting tournament, which she kicks ass at. Then they awkwardly kiss and have some sex.

Hooray, now kind of dating. But Jarrod is a jerk, yet she still likes him. He convinces the brother to drive them to his parents house (pretty far away). He hates his family, but he is there for revenge, to KILL someone! A bully in middle school, who used to beat him and others up all the time. Well now after all his training (Video games) he is ready to take him on once he returns from afar.

But also his family doesn’t seem to be impressed enough by Lily, so he kind of breaks up with her, in the middle of the stay, with no way to leave.

Yep. More asshole than awkward. Either way, the rest of the trip is super weird and the eventual fight and return. And shit, that is about it.

Looks like Business Time to me.

I can’t say I am expert on New Zealand film, as this might be the only one I have seen. Definitely seen NZ tv shows, if we say Flight of the Conchords counts. But it is definitely a lot dryer and maybe sometimes subtler than other forms of humor.

And it is about 100% of this movie. Sure it has its wtf moments as well, but most of it is relied just on the awkwardness of the two individuals, in the situation they are in and trying to be politer at all times. Very proper New Zealand tactics.

This movie wasn’t any where close to amazing, but it wasn’t horrible either. At least it tried something new, where new is just…mostly nothing.

I first saw the preview for Gentlemen Broncos years ago, but then forgot about it. I remember it sounded interesting, if not fucking weird. Unfortunately the box screams out don’t watch me. After all, its biggest selling point is from the creators of Napoleon Dynamite. Eugch.

Although I like weird movies, I generally prefer some sort of plot to go with them.

Michael Angarano (guy from Sky High. You should know that by now. Sky High may be my most linked to movie that I have never reviewed) is a home schooled student in a small town with strong morals. A simple life he leads, as his dad died a long time ago, and his mom, Jennifer Coolidge, makes night gowns and clothes, for hefty prices. She also has an obsession with making objects from popcorn balls.

Heh. Balls.

Anyways dude likes to write stories! Has his whole life, preferably sci-fi. His best tale is called The Yeast Lords, and is about a futuristic world and you know, lot of weird stuff. His main character is Bronco, played by Sam Rockwell. Mostly because throughout the movie when people read the sections, we get to see the story in all of its (wtf) glory. His mom does an awesome thing and sends him to a very small writing camp for home schooled people, where he meets controlling Halley Feiffer, and her friend Hector Jimenez (from Nacho Libre. HUGE MOUTH) who makes movies/trailers.

Anyways, he enters his story into a contest. The best story is supposed to get a small publishing deal. But famous sci-fi writer Jemaine Clement is in danger of losing his monies, because his last few stories have sucked. He is drawn into Yeast Lords, and changes it up, taking it as his own. He of course changes all the names, and makes Brutus a transsexual, and bam, best seller. At the same time, Mike has sold his film rights to Hector, and they are creating a short film based off of the Yeast Lords as well. Will Mike be able to prove that the Yeast Lords is his own story? Will Jemaine get away with it all? Why does Mike White looks so damn weird?

Just how badass are the Surveillance Does?

As you can probably guess, the parts of the movie starring Bronco/Brutus are amazingly cheesy and poor looking. This just gives them a better charm, because the story is in no way captivating. The films comedy thrives off of the general awkwardness of all the individuals involved that just will not go away. The movie had a believable ending, based on the type of world it set up anyways, and you more or less think everyone got what they deserved by the end.

So I thought it was great but it is definitely a weird one.