Tag: Bob Balaban

Seven years, Wes? SEVEN YEARS?

No. Don’t blame this on the Pandemic. The French Dispatch is your first live action movie in 7 years. Honestly, I thought The Grand Budapest Hotel came out earlier than that, so 7 years is a little shocking, because it certainly feels like a decade. Yes, I know we had Isle of Dogs, but that was stop motion.

Come on Wes. You used to churn out these films like buttah.

And it took a long time for this quirky little number to get made and released. This should not have been a 7 year wait. Did you have to wait for Timothée Chalamet‘s schedule to clear up?!

That Timothee, so hot right now.

The French Dispatch is sort of about a newspaper insert from a small town in France, that tells news of the world and Europe in their periodical, specifically for the people in Kansas, due to very specific plot reasons. You know. Quirkiness.

The writers for the paper are great though, and the main editor, Arthur Howitzer, Jr. (Bill Murray), has been running it for 50 years. He wants his writers to not be unlimited in their potential and will not try to limit their word count or cut sections out if it ruins their vision. As long as their articles sound like they wrote it that way on purpose and they don’t cry in his office, he will be fine.

This movie is actually about its final issue, because with Arthur’s death, in his will was to dismantle the paper and cease operations completely. This movie is about the final three main stories of the paper, a smaller city piece, and of course, an obituary.

Starring literally ever actor ever a Wes Anderson movie and more, a whole lot of people are involved in these three stories. Benicio Del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Steve Park, Owen Wilson, Bob Balaban, Henry Winkler, Lois Smith, Tony Revolori, Denis Ménochet, Larry Pine, Christoph Waltz, Cécile de France, Liev Schreiber, Willem Dafoe, Edward Norton, Saoirse Ronan, Elisabeth Moss, Jason Schwartzman, Fisher Stevens, Griffin Dunne, and Anjelica Huston.

A lot of people close together staring towards the camera. Classic Wes shot. Alright, so was the wait worth it? Or did I overhype it?

I probably overhyped it. I went in not knowing anything about the film, and honestly, a few smaller stories is not usually what I hope for in a film. A bigger plot with subplots, sure.

Technically there is one bigger plot, but it is also relatively minor compared to the three main stories. So why do I care if it is three main stories? Well, if two of the stories are great, and the other is okay, then the whole film doesn’t feel really great anymore.

I definitely feel the stories weren’t even in quality or whimsy. The middle story in particular left a lot to be desired for me, despite elements I liked. My favorite would be the first one, in the prison, although narratively, I don’t know how this person became a normal writer for the paper, and why they are telling this story in their issue that is so far in the past. The third story was fine, but confusing for a bit and that is…less fine.

Overall, this might be the most Wes-Andersy film ever that he has made, and it is incredibly weird. Probably his most black and white and just…strange. He did try a lot with this film, and I guess wanted to tell stories he didn’t think were strong enough for a solo film.

The cinematography, colors, and dialogue are superb of course, but that was to be expected.

3 out of 4.

Fantastic Mr. Fox came out in 2009. It was not my first Wes Anderson movie, but it was the first Wes Anderson movie I really, really loved. Not saying I hated everything before it, no. In fact, at that time, I only had seen one of his movies which was The Royal Tenebaums. I maybe saw it too young and was not ready for its quirks, and still haven’t seen it for redemption, but I didn’t love it. The fox though? Yes. Every one of his movies since then? Yes.

But this is something different and special. This is 9 years later, and another goddamn animated stop motion movie. Can he recreate the magic of Fantastic Mr. Fox but with Isle of Dogs? More talking animals?!

At least with his last one, it was based on a previous book. But this is a new idea, based on dogs, a culture that isn’t his, and a sort of throwback to a cinema that he loves. I was certainly excited again, especially given how much shit 2017 gave us for the animated category.

Can I have all of these doggos? Please tell me no doggos actually die.

Set in the fictional future of some world that is similar to our own, we have to go to Megasaki City to find our story. In this city, the new mayor, Kobayashi (Kunichi Nomura), is from a family with a long hatred of dogs. They are cat people and want to get rid of dogs forever! Well, that is great, because these dogs are gaining some sort of dog virus and snout flu, which has the ability to transfer over to humans! He declares that all dogs in the city must be sent over to Trash Island, in order to quarantine them until a cure can be found. Speaking of cures, Professor Watanabe (Akira Ito) thinks he is really close to getting a cure and hopes everyone will wait. But mobs be mobbin’, yo. And the dogs start getting sent that very night.

And now, a few months later, the island gets a non furry visitor. Atari Kobayashi (Koyu Rankin), a young boy who is ward of the mayor, has crashed a tiny plane in the island, in hopes of finding his old dog Spots (Liev Schreiber) location. Although dogs cannot speak any form of human language, we the viewer are happy to note that the film translates their language into English! Yay!

He finds a group of alpha dogs to help him on his quest. These dogs include Chief (Bryan Cranston), Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray), and Duke (Jeff Goldbloom).

Can these dogs find the missing dog for this little human boy? Can they also cure the dog flu, and put an end to this corrupt mayor? Well, maybe. I don’t know. Or if I did, I wouldn’t tell you.

Also starring the voices of Courtney B. Vance, Tilda Swinton, Yoko Ono, Ken Watanabe, Akira Takayama, Greta Gerwig, Frances McDormand, Scarlett Johansson, Harvey Keitel, and F. Murray Abraham.

The human has thumbs so he can do some interesting things with them.

I loved, loved, loved Isle of Dogs. A lot, very much so. Before I get into those details, lets talk about the controversy.

You see, there is a lot of talk of white savior complex, cultural appropriation, and more going on with this movie. It is set in a fictional future dystopian-esque Japan, or at least one city in Japan. And coming from a place of white privilege and all of that, I can honestly say I really don’t see it at all. The white savior thing just seems like it would be assumed by people who read a plot outline, not watched the film, because it is no where close to the normal problematic levels. The other issues I just also really can’t see well. I can’t say that they aren’t true, because I certainly don’t speak for Japanese people or their culture, but I can say that I didn’t really get that vibe at any point, and didn’t affect me negatively either for this movie.

Back to the film! Holy shit dogs!

What a totally immersive story. There were little quirks here and there that could remind you of it being a film, especially when it came to the various translation methods, but I just wanted to live there and run around and frolic despite all of the bad things that were going down. The dogs in particular all have their own personality and jokes that surround them, for good quick laughs.

I really enjoyed that I couldn’t understand the entire film. The Japanese characters spoke Japanese, and didn’t always have a reason to be translated or subtitled, and during those times, well, if you knew Japanese you could follow 100%. The audience was required to watch the facial expressions and to hear obvious key words to make sure we could follow. It was great to not get everything super dumbed down.

Isle of Dogs is an interesting adventure, a unique tale, and a story that just seems to have so many tiny perfect details that it would be fun to watch over and over again. Until though, I will just settle for a rewatch of Fantastic Mr. Fox.

4 out of 4.

Finally, it is February, which means theaters are allowed to show good new movies again! Both The Monuments Men and The Lego Movie are out the same weekend, which adds some credit to the theory that studios literally wait to release their movies right outside of January, to separate themselves from the junk.

This movie in particular has an all-star cast, directed by George Clooney (his fifth overall), and a World War II story. Yeah, it has a lot going for them.

Typical rag tag group of men to save the day.

The Monuments Men tells the true story of a group of seven men, mostly art historians, curators, and museum directors, who join up with the Allied forces to preserve culture and art that might be destroyed during World War II. Most of these men are old, or out of shape, but they believe in their goal, and convinced the men in charge to let them help.

They were brought together by Frank Stokes (George Clooney), who had the idea after they almost lost The Last Supper when the UK bombed a city. His hand picked team included James Granger (Matt Damon), a painter, Richard Campbell (Bill Murray), an architect, Walter Garfield (John Goodman), a sculptor, Preston Savitz (Bob Balaban), a historian. They also have Donald Jeffries (Hugh Bonneville) and Jean Claude Clermont (Jean Dujardin), a British officer and a French man, for culture purposes. They are later joined by Sam Epstein (Dimitri Leonidas), a German translator.

These men split up around the war front from 1943-1945 searching for lost and stolen treasures. The Germans hid the art in their country and intended to destroy them should Hitler be killed. They also are racing against the Russians, who have lost so many men in the war that any stolen art they find they will steal right back and keep for themselves as a sort of reparations.

Also starring Cate Blanchett, as a very convincing French art curator, who really enjoys a nice painting. Like. A lot.

Bill Murray looks like a fucking giant in this movie.

Well drat. Turns out, The Monuments Men ended up being the antithesis to That Awkward Moment. If you remember, That Awkward Moment looked bad, but turned out to be decent.

Clooney took an interesting piece of history, put in great actors, and gave us a mediocre movie overall. It is incredibly disappointing that this movie wasn’t amazing, but I have to make sure my review still accurately reflects the overall quality, and not just say it is bad because I am feeling betrayed.

This movie did surprise me in a few ways. One, I saw Murray give a real and convincing cry, which I definitely did not see coming. I don’t think I have ever seen that man cry, it was heartfelt, and I almost teared up as well. Two, I did learn about some famous art pieces in Europe, and it is awesome how close they came to being destroyed/lost forever. Three, there isn’t a number three.

All of the funny moments made it into the trailer, leaving not a lot more for the movie. That is incredibly disappointing, as it was advertised a comedy, with not a lot of laughs. The rest of the movie was slower and more dramatic, but most of the times I didn’t really care enough about the individual characters to care what was happening to them.

The Monuments Men will be forgotten with time. It was a decently acted movie, certainly not bottom of the barrel in terms of quality, it just didn’t have a lot more going on for it.

 

2 out of 4.

I have about three movies that I have been putting off, all with ice in the title. No idea why I have been waiting. Especially during this horrible heat wave. Maybe watching more movies about snow would be a good thing?

Thin Ice at least sounds like it will have some sort of scary element. No one wants to skate on Thin Ice. Shit can break man, and then what? You are in cold water.

I take sayings seriously.

I would now like to go over the paperwork assigned to this honey theory of yours.

Liability insurance agent Mickey Prohaska (Greg Kinnear) is a hot shot in the sales world. He even teaches seminars to people around the state of Minnesota on how to initiate conversations with strangers at bars and other public outings. Everyone is a potential customer. Everyone should be taken for as much money as possible, no exceptions.

After a rough night, where a con artist woman had stolen his wallet, he just wants to get the heck out of this small town. He re meets Bob Egan (David Harbour), a promising new sales man, and gives him a job from his company to sell in his town. On a routine visit, he joins Bob to an older mans cain to show him how to extort people for the most money. Screw this friendly bull shit. Gorvy Hauer (Alan Arkin) is extremely absent minded, wants to pay in change, keeps forgetting what is going on. After a small deal is made, Mickey finds out that Gorvy holds a potential very rare violin, from a local music shop owner (Bob Balaban). Its initial appraisal puts it a $25,000, but eventually they find out its actual rarity puts it at over a million.

Mickey freaks out, in huge money trouble, and potential divorce from his wife (Lea Thompson), so he sets about on a scheme to take the violin and sell it on his own. But at the same time, thanks to nice Bob, Gorvy gets a security system set up in his house. Shit. Mickey then begins to try and convince Randy (Billy Crudup) to work with him on stealing the violin, splitting some profits potential. But then things get out of hand. Someone dies. Cover up. Bad mojo. Escalation. Everything potentially going wrong. And an ever suspicious office assistant (Michelle Arthur).

No wood chipper? No problem. Can always hide bodies in a frozen lake.

Turns out when this movie was hitting the film festivals, it was called The Convincer. Not the best title, but people thought it was decent. It was sold to a studio, fine print wasn’t read, and bam, lots of things changed. Apparently over 20 minutes of scenes were cut, multiple scenes with the main actors had to be re shot, and other changes. The director was so distraught she wanted her name off of the movie.

But I obviously saw the Thin Ice version, and reserve my right to change my mind should I see The Convincer, but I loved this one.

Why? Well for one, it is basically the sequel to Fargo. People die, its up north, snow, Midwest accents, etc. Involves schemes to make money by screwing other people, and quirky natives. It features no one from Fargo, but who cares? This film was clearly inspired by it.

I thought the ending was pretty great, didn’t really see it coming, and loved the escalation of events. Sucks that the director got wronged, but man, I doubt the other version was that much better or different.

3 out of 4.

This is going to be one of those slightly different reviews folks.

Not only is it based on true events, but most of us know about it all. Okay, I mean we are aware of the events around it, without knowing both sides and all the problems and complications. I am talking about the Recount of the 2000 Presidential election ballots in Florida, the decision between who would be the next President, Bush or Gore.

This is not Bush and Gore.

Not sure what I am talking about? Here is some light reading (and thus plot review of the movie!).

TL;DR Florida done fucked up. Some of their ballots were confusing, some machines didn’t punch through enough, the sheet had a front and back, etc etc. Bush supposedly won the state and thus the election, but according to AP news the votes was too close to call, and Gore canceled his concession. Then lots of court stuff. Lots of stuff no one understood, but man was making fun of it easier.

And the whole thing is explained in this nice Hollywood rendition! Woo woo! So yeah, fictionalization happens, but the events are roughly correct, if I have been told correctly.

Kevin Spacey plays the main guy, some Democratic guy. I could tell you everyone’s role, but really I don’t remember them much since they are all real election political people. The closest thing to a villain is Laura Dern as a Florida Secretary of State.

We also got roles for other people! Roles everywhere! For Bob Balaban, Ed Begley Jr., Denis Leary, Tom Wilkinson, John Hurt, and more.

Major woman character is the biggest villain? Don’t blame Hollywood, blame politics in 2000.

Given that I was 11 or so when this Florida stuff happened, I must say I really didn’t understand it at all. I just assumed Gore was being a baby and demanding recounts, I didn’t know what a Chad was. Easy to joke about, and I guess my perceptions were just based on where I lived. I am glad this HBO movie was done as a movie and not a documentary. It made it a lot more exciting and natural feeling to me.

Technically both sides are shown, but it is clear the Democrats (I think) are supposed to be the good side, when both sides had good and bad people in them. Can blame that one on Kevin Spacey probably. But overall it is very informative and entertaining.

Now I feel like I could answer maybe one more question on Jeopardy, thanks to this movie.

3 out of 4.