Tag: Adventure

I really don’t have to spend a lot of information on this intro, do I?

Avengers: Infinity War (originally called Avengers: Infinity War Part 1, but people were nervous about half movies, and now the next one’s title is a secret because of spoilers or something.

I was an ecstatic little girl when the first Avengers film came out, waiting for it as soon as the first Iron Man film finished. Since then, things have been a bit more middling. My reviews have generally always been positive, none of them ever received under a 2 out of 4, and some of which are maybe too highly rated. Not everything I am extremely excited for, but most I definitely have a higher interest.

Last year, no superhero movies made my top of the year list (although one of them was about a super hero, sort of). This year, I already had Black Panther as a 4. And yet this film, this one right here, has me just as giddy as the first one for so many reasons.

So let’s just get into it.

Oh yeah, look at these folks. Maybe this is just Guardians of the Galaxy Vol. 3?

At the end of Thor: Ragnarok, we had a surprise for Thor and his crew. This film takes place right after that point. Bad news for the Asgardians, Thanos (Josh Brolin) is here. At this point he has one of the infinity stones, out of six total. His goal? To wipe out half of the life in the universe.

Now presumably this just means sentient life forms who walk around and have languages. I don’t think he has anything against puppies. Or plants. He isn’t doing it out of spite, he is calling it mercy. It is sort of his thing. He has been doing it manually with his own crew for a while, but he wants the stones to do it instantly, so that the survivors can flourish. You know, by having more resources, more space, less crime, whatever. He is a benevolent God.

It turns out some people have some issues with him wanting to do this though. And with two of the stones (that we know of) being on Earth, he is going to have to come crashing down, where a few people down there are decently strong and going to have to put up a little fight.

Starring every goddamn person ever. You know, Chris Evans, Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Don Cheadle, Karen Gillan, Danai Gurira, Bradley Cooper, Letitia Wright, Winston Duke, Benedict Wong, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Tom Hiddleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Pom Klementieff, Dave Bautista, Vin Diesel, Chris Pratt, and Benicio Del Toro.

Also featuring some newbies, like Peter Dinklage and Carrie Coon! Two whole people! Wow! And some technically regular people like Gwyneth Paltrow and William Hurt. Damn, did I get them all?

What is this a crossover episode?

What’s to say that isn’t already all over the internet?

Avengers: Infinity War is a fan pleasing romp across the universe, adding most of the cast we have come to love into a few surprising show downs, where the stakes have never been higher. It is certainly one of the darker and serious Marvel films at this point. People are going to get hurt, people are going to be sad, and people are going to cry. Well, maybe. I know I cried near the end, and almost another time before then.

Acting wise, a lot of the stars gave their A-game. Shout out to Cumberbatch who really felt like a leader of this group, despite being one of the most recent additions. Holland was brought in for his acting ability, and it really showed by the end. A lot of pain was on Evans’ face throughout the film. Hemsworth is so goddamn Thor-y, its fantastic, and I am glad we got so much of him in the last few movies. And finally, Saldana, who is normally a low point from the acting carried a lot.

Of course I also have to talk about Brolin as Thanos, a role we have been waiting for for years and it really paid off well. This is a goddamn villain right here. It is really great writing when you sympathize with someone who is trying to kill half of the universe.

I don´t entirely know where Marvel is going with its ending, but I do have a feeling I will be incredibly annoyed by it in the next film. I think they are going to take what they did great here and ruin it with the second part, but that is just a gut feeling.

Avengers: Infinity Wars has some of the best fight scenes and team ups yet, and is just pure fan service through and through while giving an incredible story as well. I wish this film was longer.

I don´t have to tell you to go see this one, I know you will, and I can´t see anyone who likes the series to be disappointed with this milestone achievement.

If there is anything to be disappointed in, it is Marvel´s poor decisions to not include their other people. I haven´t seen Agents of S.H.I.E.L.D. in forever, but it seemed to react to the movies but never impact them, but someone from there might have been involved. And the Netflix shows? Come on, there was stuff happening in New York. If the Netflix shows ignore this event (which they didn´t ignore the first Avengers movie…) then they are just making poor decisions.

You’d think with three group shots I’d have gotten all the heroes. But nope.

Lara Croft first entered our lives in 1996, with giant pointy boobs, and a woman hero that has never been that defined ever in video games. Them polygons.

A strange video game feminist and sex icon, she raided the fuck out of tombs, and in some versions of the story, fucked the raiders in the tombs. It led to more female protagonists, more hybrid shooter puzzle games, and was a real win for the genre defying starlet.

Well, many years later they decided to reboot it a bit. They had Lara change her body type and her motives, and we got more polished games, more puzzle focused, but with a strange and many easy ways for her to die terrifying deaths. Not as bad as Dragon’s Lair, but relatively similar.

So why not also have a movie reboot as well? A new Tomb Raider. Get someone up and coming, get her in her first real action movies, and get her on the big screen.

Oh, and get her some abs and some muscle.

Laura (Alicia Vikander) grew up in the lap of luxury. Her father (Dominic West) was basically this perfect specimen of a man, who treated her well, trained her to be a model citizen, was into charities, being rich, and of course, cultural secrets. You see, he was sort of absorbed with the idea of finding a missing tomb of an ancient Japanese queen who was said to bring death to the world. Why did he want to find it? Well, it is a goddamn challenge, lost in history. That’s why!

But when he left on that fateful afternoon, he never returned.

Now, many years later, Laura is working, being athletic, doing things, but refusing to sign the papers acknowledging that her father is dead. No, he must be out there. If she signs the papers, she inherits the fortune, but she would rather struggle on the street and hope than admit to his death. She would rather starve, damn it.

Well, eventually she almost signs it, so she is given a puzzle key and that leads her to a secret message from her father. Following the clues, she is led directly to his research, with information on where he went, his goals, and learned about a bad organization and what they wanted to do with that information.

Oh no Laura, what are you going to do? Follow your father’s wishes and destroy all the evidence? Or go on a trip to complete his mission once and for all? Well, we know the answer to that one.

Also starring Walton Goggins, Daniel Wu, Alexandre Willaume, Derek Jacobi, Nick Frost, and Kristin Scott Thomas.

Everyone knows that girls like to play with bows growing up. In and out of their hair.

The original Tomb Raider film was pretty okay. For the 12 year old budding reviewer, it was beyond everything I had hoped for, well, almost. The sequel I didn’t watch until years later and don’t really recall much about it.

If I had to describe this reboot in two words, the words “pretty okay” would be perfectly acceptable towards this film as well. If you want action/adventure, you will get a decent amount of it. Most of it takes place after she leaves London of course, outside a thrilling-ish bike race scene. It seems that after we got to the island, a scene where she escaped capture seemed to last for fucking ever. I was just waiting for her to finally die, or just get caught. Of course neither would happen, but I knew those scenarios would finally let the movie chill out a bit.

The ending parts with the tomb really didn’t let the movie shine. A lot of silly things occur, with puzzles that don’t feel smart or anything, just inconvenient. I want the obstacles they overcome to be actually well written is all.

Overall, there is a lot of hope for this movie. Vikander does do a wonderful job as the new Lara Croft, I believed in her ability to do awesome things. It is still a bit cheesy with mostly lazy thrills and stunts though. An adrenaline junkie might have a good time, but this is still not the video game movie savior.

I probably first heard about the Ready Player One four or so years ago, as a book recommendation from a friend. I figured I would rush right out and read it, due to their very appealing sell, but I also had found out that no, they are going to be making a movie out of it. Eventually.

So I did the right thing, and knowingly did not ready the book, knowing one day, Steven Spielberg was going to make the movie. Years later, it appeared!

Now I did hear eventually a general plot synopsis. And I did get to see parts of the book. Especially cringe worthy scenes of nostalgia for nostalgia sake, or lines that were very transphobic. All of it certainly turned me off from the book, knowing I would probably hate it at this point if it wasn’t very well written.

Sign. Somehow I became a book snob when it comes to prose. Blame Patrick Rothfuss. And let’s get on with the nostalgia.

Our star is living in a van down by the river?

RPO takes place a few decades in the future, in 2045. Life sucks by now, overpopulation, war, all the reasons you can imagine. People are living in stacks of trailers to get by and deal with the number of people. Columbus, Ohio is one of the central hubs now! Why?

Well, Halliday (Mark Rylance) and Morrow (Simon Pegg) created a game called Oasis. It is a completely VR experience, where a user is transported into a digital world where they can live their fantasies. They can be anyone. They can be tall, short, strong, fat, boy, girl, something more fluid, whatever they want. The way to buy gear and get better is through in game currency, through leveling up. If you die in game you lose all your items and go back to level one.

Anyways, everyone loves Oasis. It helps them escape their bleak miserable worlds. Wade (Tye Sheridan), our hero, is one of the people in the game hoping to find the three hidden keys to unlock and easter egg. Before Halliday died, he inputted a secret competition, so that the best of the best would compete his crazy challenges. The first one to get all three keys would gain a controlling share of the Oasis, money, and worldwide honor and praise.

But one company, IOI, is hoping to find them first, to change the Oasis into a money making ad tool, and also, do this thing with people slaves. Just general bad stuff.

Also starring Ben Mendelsohn, Olivia Cooke, Hannah John-Kamen, Lena Waithe, Philip Zhao, Win Morisaki, and T.J. Miller.

Hello, totally not Kratos thing!

Ready Player One is a CGI-fest film, taken to the next level, and is animated enough to qualify for Best Animated Film, should they want to go that route. It has obvious references to pop culture throughout it, using the fact that the main creator was a very autistic pop culture junkie, who wanted all of the biggest things in his world. Pop Culture knowledge was supposed to be some sort of saving grace for the characters in the movie, but only one example really helped save the day. Or at least, one non common example.

There is a lot of problems with this film. It is going for a pure popcorn flick, so it isn’t really trying hard on certain levels. Acting is never really believable, and they turn Mendelsohn into a cartoon villain, quite literally with his behavior. It just feels so juvenile.

A lot of artifacts are brought up and clearly used later in the film, but one has to wonder why they exist. Why would they put in an item that kills everyone in the game so everyone goes back to level one? Why? Why would someone make special real life suits for you to wear to feel everything that happens? Most people would just feel pain and hurt in the constant warring atmosphere, its popularity doesn’t make sense.

The game makes you wonder who are the real people behind certain avatars, and well, yeah, for the most part they are all average to attractive looking people. No uglies in this VR world, despite their fears. Come on, almost 30 years from now, in a land where most people just play video games all day? Where are the fatties at?!

One thing that Ready Player One had going for it is that it didn’t feel like a 140 minute film. It was relatively interesting to watch, but it is not something that made me very excited or happy or sad while watching. I just felt indifferent. Throwing a quick scene of a character I recognize into a film isn’t going to increase its grade, it is just going to distract me from the story that is relatively weak.

Ready Player One is a convenient movie (one where things just keep lining up nicely), that relies on nostalgia and an average story and flashy effects to sell the tickets. Easily something that can be better watched at home.

Fantastic Mr. Fox came out in 2009. It was not my first Wes Anderson movie, but it was the first Wes Anderson movie I really, really loved. Not saying I hated everything before it, no. In fact, at that time, I only had seen one of his movies which was The Royal Tenebaums. I maybe saw it too young and was not ready for its quirks, and still haven’t seen it for redemption, but I didn’t love it. The fox though? Yes. Every one of his movies since then? Yes.

But this is something different and special. This is 9 years later, and another goddamn animated stop motion movie. Can he recreate the magic of Fantastic Mr. Fox but with Isle of Dogs? More talking animals?!

At least with his last one, it was based on a previous book. But this is a new idea, based on dogs, a culture that isn’t his, and a sort of throwback to a cinema that he loves. I was certainly excited again, especially given how much shit 2017 gave us for the animated category.

Can I have all of these doggos? Please tell me no doggos actually die.

Set in the fictional future of some world that is similar to our own, we have to go to Megasaki City to find our story. In this city, the new mayor, Kobayashi (Kunichi Nomura), is from a family with a long hatred of dogs. They are cat people and want to get rid of dogs forever! Well, that is great, because these dogs are gaining some sort of dog virus and snout flu, which has the ability to transfer over to humans! He declares that all dogs in the city must be sent over to Trash Island, in order to quarantine them until a cure can be found. Speaking of cures, Professor Watanabe (Akira Ito) thinks he is really close to getting a cure and hopes everyone will wait. But mobs be mobbin’, yo. And the dogs start getting sent that very night.

And now, a few months later, the island gets a non furry visitor. Atari Kobayashi (Koyu Rankin), a young boy who is ward of the mayor, has crashed a tiny plane in the island, in hopes of finding his old dog Spots (Liev Schreiber) location. Although dogs cannot speak any form of human language, we the viewer are happy to note that the film translates their language into English! Yay!

He finds a group of alpha dogs to help him on his quest. These dogs include Chief (Bryan Cranston), Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray), and Duke (Jeff Goldbloom).

Can these dogs find the missing dog for this little human boy? Can they also cure the dog flu, and put an end to this corrupt mayor? Well, maybe. I don’t know. Or if I did, I wouldn’t tell you.

Also starring the voices of Courtney B. Vance, Tilda Swinton, Yoko Ono, Ken Watanabe, Akira Takayama, Greta Gerwig, Frances McDormand, Scarlett Johansson, Harvey Keitel, and F. Murray Abraham.

The human has thumbs so he can do some interesting things with them.

I loved, loved, loved Isle of Dogs. A lot, very much so. Before I get into those details, lets talk about the controversy.

You see, there is a lot of talk of white savior complex, cultural appropriation, and more going on with this movie. It is set in a fictional future dystopian-esque Japan, or at least one city in Japan. And coming from a place of white privilege and all of that, I can honestly say I really don’t see it at all. The white savior thing just seems like it would be assumed by people who read a plot outline, not watched the film, because it is no where close to the normal problematic levels. The other issues I just also really can’t see well. I can’t say that they aren’t true, because I certainly don’t speak for Japanese people or their culture, but I can say that I didn’t really get that vibe at any point, and didn’t affect me negatively either for this movie.

Back to the film! Holy shit dogs!

What a totally immersive story. There were little quirks here and there that could remind you of it being a film, especially when it came to the various translation methods, but I just wanted to live there and run around and frolic despite all of the bad things that were going down. The dogs in particular all have their own personality and jokes that surround them, for good quick laughs.

I really enjoyed that I couldn’t understand the entire film. The Japanese characters spoke Japanese, and didn’t always have a reason to be translated or subtitled, and during those times, well, if you knew Japanese you could follow 100%. The audience was required to watch the facial expressions and to hear obvious key words to make sure we could follow. It was great to not get everything super dumbed down.

Isle of Dogs is an interesting adventure, a unique tale, and a story that just seems to have so many tiny perfect details that it would be fun to watch over and over again. Until though, I will just settle for a rewatch of Fantastic Mr. Fox.

I was relatively excited going in to watch Star Wars: The Last Jedi, even with them deciding to drop the iconic episode numbers. For Star Wars: The Force Awakens, it was clear it was a step in the right direction, even if it wasn’t too original. And Rouge One was great.

But the people who let me see things early switched to a different PR company, specifically to the one company that I didn’t have. I found out late November when the change occurred, which made it clear that I wasn’t going to be seeing Star Wars 8 early at all. And at that point, all the pre-sale tickets had already happened for early showtimes.

So if I was going to see it, I knew I would have to wait at least a week after the fact, maybe longer. And then I waited longer, I waited to see how many times I could keep putting it off. I didn’t see this movie until mid-February, still on a nice big screen. And that is why it was never reviewed, and why I decided eventually to wait to put it as the final movie in my “2017 Movies I should have seen last year” list!

“I’m a Jedi master, bitch!“

I don’t feel like tagging all of the many characters who are in this film, at least naturally through this review, so I will post them all at the end.

Yay Luke Skywalker was found by Rey! Boo, she is avoided because Luke wants to be alone and doesn’t think the Jedi should be apart of the world anymore. He wants to die and let the Jedi order die with him.

While she convinces him that he is stupid, the Resistance are getting fucked over by the Empire, First Order. A lot of ships are running around, people dying, pew pew pews. And the resistance has to run and get away to not die.

And that is the movie.

Starring, of course, Mark Hamill, Carrie Fisher, Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Andy Serkis, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Frank Oz, Billie Lourd, Joonas Suotamo, and Jimmy Vee.

Also starring newbies to the galaxy, Kelly Marie Tran, Laura Dern, Benicio Del Toro, Amanda Lawrence, Justin Theroux.

Yeah, but how many of those dozen plus names can wield a light saber and shoot out red dust!

Star Wars 8 clocks in at around 2.5 hours, because apparently we can never get enough Star Wars. It is the longest Star Wars film yet, cracking the other top place holders by about 10 minutes. And boy did it sure feel long.

You see, it is made apparent from this film that this trilogy is in no way planned out. We have a lot of plots that were set up from the first film that end completely out of nowhere in this film. Characters die off, questions get answered, and most of it is extremely disappointing.

The worst part of the film is a subplot that has a few characters going on a mission alone, in order to find a character in a casino. It lasts very long in terms of the overall movie and again, none of it feels justified or worth it by the end. It felt like this movie had filler, which is inexcusable given its rather long run time. That isn’t even getting into the really awkward Leia scene.

The only reason this film didn’t get a 1 out of 4, is because the ending was pretty rad. It still seemed to have a lot of poor plot developments, making what felt a side plot last the entire goddamn film. It was very character focused, even though a lot of the characters they decided to kill off. I just cannot help but think of the poor merchandise that was sold for the first two films that never really amounted to much.

Justice League promised to be The Avengers, but for the DCEU. Obvious comparisons are obvious.

Unfortunately, unlike Marvel, most of the films that led up to Justice League were either shit or average. The only one to break the mold a bit was Wonder Woman, but it still couldn’t fully escape the terrible grasps of these franchises by having a completely shit and eye sore ending.

So I didn’t go out of my way to see Justice League. One of those fool me four times, shame on me sort of things. It didn’t help that it had behind the scenes director changes, a lot of issues with reshoots, and extreme studio interference. Clearly another great film to fit the theme week of ones I should have watched last year.

Is this the whole team? Eh, close enough.

Batman (Ben Affleck) really wants to bring all these super people together, to fight off giant threats that they cannot do on their own. Remember Superman (Henry Cavill)??? He totally died, but didn’t die as they made clear at the end of the last movie, so they gotta work together to beat future gods.

Wonder Woman (Gal Gadot) is generally on board. They just have to find more people. These people beings who will eventually go by their names of The Flash (Ezra Miller), Cyborg (Ray Fisher), and Aquaman (Jason Momoa).

Unfortunately, the next biggest threat is just some god dude from the Wonder Woman mythos. His name is Steppenwolf (Ciarán Hinds), who is maybe where the band got their name from. He was here a long time ago, got defeated by the races of men, Amazons, and the Merfolk. There were some power cubes that they all split up to defend, and now he is back, wanting all three cubes, to have so much power.

So their goal is to prevent him from getting all the cubes, and once he still gets them, then hopefully defeat them and split up the cubes. Pretty basic plot.

Also starring Amber Heard, Amy Adams, Joe Morton, Jeremy Irons, J.K. Simmons, Connie Nielsen, and Diane Lane.

It was hard to find a good picture of the villain. Clearly I still failed.

When it comes to Justice League, there are so many places you can point to in order to determine what went wrong. And you’d be right! All of those reasons are why this movie was so poor!

First of all, Steppenwolf. What a goddamn terrible villain for us care about. Some CGI’d dude who is just super strong, and oh no, he might destroy the world. He has no great backstory, and he doesn’t even feel threatening on any scale. Sure, they show he is strong, but also, he doesn’t feel like a real threat. Not one bigger than Ares in Wonder Woman at least.

The CGI is a travesty. And so much of the film is just drenched in it. From the terrible Amazon horse fight scene, to the climatic battles, this one just reeks of cheap graphics.

Our characters come together and never feel like a team. It is clunky. Aquaman is shown as badass and strong, but never really embraces the powers unique of Aquaman. I have no idea if I care about Cyborg still, which is less a human with powers and more a…robot. But then again, Batman is on this team, so whatever.

And fucking Superman is in this movie. Once he finally shows up, he basically does most of the work on his own. They point out that he is indeed faster than The Flash, and the strongest, and can do no wrong. Steppenwolf is a villain who can kick most of the Justice League’s ass. Unfortunately, the one he cannot can also do it on his own.

Justice League is just a farce of a great movie. It is amazing how the DCEU just hates its characters so much that it continuously pumps out these mediocre or worse films.

A Wrinkle In Time is a very famous Science Fiction book, written in the 1960’s. It was a historic achievement when it comes to the genre, because it was written by a woman, and it was even about a girl.

Not many books in the genre, especially at that time, catered to women at any level. It would take decades for them to get any sort of real success in that area.

Now, so many decades later, it is being haled as a film celebrating those beginnings by trying to do the same thing for the genre. Avu DuVernay, famed director of Selma (who many feel should have been nominated for Best Director for that film) and 13th, is getting her hands on a big budget fantasy/sci-fi romp. And she is going to make sure it has people in it that will speak to people of all ages, of all colors and creeds. She is getting diversity across all the levels, and it is honestly a great move on her part.

No matter how good or bad the film is, the movie is an experiment gone right when it comes to casting. She wants to make sure girls out there have more diverse people to look up to, because everyone has the right to see themselves in the media they consume.

And look! A character for those gingers out there as well.

Meg (Storm Reid) was a happy go lucky girl, good at math and science, lover of life. Her dad (Chris Pine) worked for Nasa and mother (Gugu Mbatha-Raw) also was a scientist. They were smart, and happy, and about to adopt another child, Charles Wallace (Deric McCabe). Things were great.

And then her dad disappeared, without a trace. The parents had pretty strong scientific opinions on space travel and time travel, but most people did not take them seriously. Either way, with her dad gone, Meg has gone on hating her life, becoming a shell of her former self.

But things are about to change. Life is about to get a bit weirder, thanks to her younger brother. He is very trusting and wise beyond his years. And he starts to introduce Meg to the “Misses”, including Mrs. Whatsit (Reese Witherspoon), Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey). They are denizens of the universe, much like Meg, but more in tune with its frequencies and have heard a cry of help from her father.

So these ladies are going to take Meg, Charles Wallace, and Calvin (Levi Miller), a nice friend of Meg, on a journey across space and time, to see just where her father went.

Also starring Zach Galifianakis, Michael Peña, André Holland, Rowan Blanchard, and the voice of David Oyelowo.

Ah, here he was, the last place I would expect. A very orange room. Yuck!

A Wrinkle In Time is supposed to be a fantastic book, part of a pretty good series, and tells a story across space and time. And based on who I have talked to, that is believable. This movie is unfortunately not the book.

This movie is surprisingly under two hours, but it has a lot of hardcore concepts it wants to talk about and use in the movie. Instead of explaining them in a nice wrapped box, the movie just runs with these ideas, you either understand or you don’t, and blasts off into its plot. It is so fast and high energy early on that it is hard to keep up and understand where it is going.

The only part of the film that takes its time is the ending, which is a bad move for a few reasons. At this point, a regular member of the audience who didn’t read the book is so lost and confused that having a more explained ending won’t fix that. A lot of people watching will have already lost interest, and then get annoyed when the pace finally slows the fuck down.

We have some scary stuff by the end too. Stuff that should have large impacts on the audience based on who is involved and how drastic the changes feel. But without the proper build up, it feels very wasted.

At the end of the movie, I cried. There are still emotional points. I get the final purpose of the film, what it says about growing up and the pains associated with it. But I felt like I was just along for a ride that didn’t care if I needed to stop to pee or eat along the way.

There are so many concepts that you are just forced to accept. Hell, we have a character who is brought along they say for diplomacy reasons, and then fail to include any sort of diplomacy scene. A Wrinkle In Time is probably a good film if you include what was cut out in the editing room. But this is the type of movie that might only be understood if you have read the material before hand, which is unacceptable, especially with a budget and scope of this size.

It is a shame, because this film won’t do great, and the execs might blame it on diversity reasons, instead of the more obvious confusing as heck plot lines. It is still a very pretty movie, with some fun characters. I am just left struggling to really explain what the heck I watched.

¨It only took twenty years, but we finally have a Jumanji sequel…” said no one ever about this movie, Jumanji: Welcome To The Jungle.

Especially since everyone of course remembers that Zathura: A Space Adventure totally exists!

But also because when this movie was announced, a lot of people got pretty angry. Saying things like it would tarnish Robin Williams´ legacy, that it was changing too many things, that it didn´t feel like Jumanji, and everything else. People seem to think that movie studios were sitting on this idea for years, just waiting for Williams to fall over so they could move on. Williams did not own the rights to Jumanji.

When I saw the trailer initially I was actually a little bit excited. Getting sucked into a video game is not a new prompt. It has been done many times as one-off TV show episodes, entire shows have been based on them, and movies as well, but it feels like when it happens it is usually shit. And since I like a lot of these actors, I had a bit more hope for this one.

A diverse cast of characters in a jungle, WHAT YEAR IS IT?!

Don’t worry purists, this film takes place in the same universe as the first Jumanji film! As it starts in the mid 90’s, boardgame found on a beach. However, board games are lame, so the kid doesn’ play it and goes back to his video games. So what’s an evil sentient-esque game supposed to do but morph into a playing system? That is how they will get the kids hooked.

Flash forward to modern times, and we have four kids, very distinct histories and likes, who end up getting detention at the same time. Spencer (Alex Wolff) is our nerd/video game lover, we have The Fridge (Ser’Darius Blain) who is good at sports, Bethany (Madison Iseman) a popular cute girl addicted to her phone, and Martha (Morgan Turner) who also is nerdy but more reclusive. They have a task of removing staplers from hundreds of magazines in a basement, hooray child labor! They of course instead find this old video game, all agree to play, because fuck work, and lo and behold, they get sucked into a video game!

Now, they are all the avatars they chose as their characters. Spencer is now Dr. Smolder Bravestone (Dwayne Johnson), good at everything, while The Fridge is Mouse Finbar (Kevin Hart), the backpack guy sidekick, Martha is now Ruby Roundhouse (Karen Gillan) a fighter good at fighting, and Bethany has become Professor Shelly Oberon (Jack Black), an overweight cartologist.

They must work together to balance their strengths and weaknesses in their new bodies to save the jungles of Jumanji, and also, get themselves back home.

Also starring Bobby Cannavale, Rhys Darby, Nick Jonas, Marc Evan Jackson, and Colin Hanks.

The Rock showing emotion, WHAT YEAR IS IT?

As previously mentioned, most “jump into video game movies” are poorly made. Just look at the third Spy Kids movie. The problem with all of these films or tv shows is they just never seem to “get” video games. They make them awkward puzzle based challenges, but mostly a lot of…non gaming things. The closest we have to a movie understanding video games has been Edge of Tomorrow.

If there is anything you can say about Jumanji 2, it is that it at least understands video games. Our characters have multiple lives, sharing lives, strengths and weaknesses, there are obvious levels, there are boundaries, there are goals, NPCs, weird interactions. It feels like people interacting with a video game world for the most part, that is wonderful.

It is wonderful, until they contradict themselves. For example, one of my biggest issues with this movie is Dr. Smolder Bravestone. He has no weaknesses, and his strengths include Fighting, Strength, Endurance, Speed, and being Fearless. Yeah, he has a bunch. And all the characters in avatar form obviously have strengths or weaknesses that are not normal. But hey, Ruby can actually fight despite being weak in real life. And Smolder can run fast, jump high, and all that.

Except for apparently his Fearless trait. Because a recurring plot point is watching Johnson scream at the slightest and smallest of animals, running in terror, over and over again. It causes one of his deaths. It is such a ridiculous oversight, it really bugs me because everything else was on point and this one felt glaring.

Overall, the movie is just okay still. The video game aspects are fine, the plot is really week. It doesn’t have an overall sense of awe or wonder like its predecessors. Everything is of course just extremely CGI’d and action scenes, with too many of the scenes focusing on human bad guys instead of swell animal problems. We don’t even get natural disasters, despite the several plant or weather based issues that Jumanji gave us.

A fine film, it just still could have been a lot better.

(Maya Rudolph, T.J. Miller, James Corden, Anna Faris)

2017 has been a shit year for animation. That is basically how I begin everything for animation at the end of the year, by the way.

At this point the only films I gave okay ratings to were Coco and Captain Underpants: The First Epic Movie, which is saying a lot about my opinions on these films.

Well, Leap! was released at the end of last year in France and Europe, but didn’t make it to America until August. I had been waiting for a bit and waiting even more. When it finally came out, no one seemed to care, due to lack of advertising, and even I forgot about it.

It is one of those weird films that is already in English, but has a slightly different voice cast depending on the country. Not many changes were made, but the European version had Dane DeHaan as the boy lead. And honestly, without hearing it, it was probably a good change. We don’t need to hear 12 year olds with extra deep voices as if they are constantly pretending to be batman.

Now if DeHaan had voiced the lead? I would pay extra for that uncomfortable version.

Felicie (Elle Fanning) is an orphan in a small French town, in a Church. She doesn’t want to be there of course, she wants to escape and become a famous dancer! Partially because the only thing she has from her mother is a dancing figure in a music box, her main treasure. Her best friend, Victor (Nat Wolff) also wants to escape with her. He has dreams of being an inventor and is focusing a lot of his efforts on a flying machine.

Well, Victor finds a flyer for a famous ballet school in Paris, so they decide they should run away and make it there! And they do!

But they immediately get separated, so Felicie is on her own to achieve her dreams. She finds the dance hall, sees an amazing dancer, but gets found out by the groundskeeper and almost given to the police, but a cleaning lady saves her. Odette (Carly Rae Jepsen) walks with a cane, clearly having once been a dancer and had her life ruined by something or another. She stays in the guest house of a mansion, she just also has to clean it up as well. And the owner, Regine (Kate McKinnon), is a huge bitch.

She is rich though, so she can be a bitch. She has raised a bitch daughter too, Camille (Maddie Ziegler), who just so happens to be a dancer. And because she is a bitch, Felicie steals her invite to the dance school and pretends to be Camille to get a shot of her dream coming true. She just has to be good enough every day to not be the one person cut, so she can have a feature spot in the upcoming Nutcracker show.

Also featuring the voices of Shoshana Sperling and Mel Brooks.

Oh he is definitely in the “best friend for years until she loves me” role. Silly boy. This isn’t the 90’s anymore.

Leap! tells a very standard story about a girl and a boy running off to achieve their lofty ambitions, and do so, quite easily! How they both fall into their respective positions is meant to be quick and easy, which is part of the comedy and charm, so that is not an issue.

It has its moments, both funny and cute. The animation is fine, Victor makes a good comic relief, and Felicie a great go-getter lead! The film also had some Karate Kid moments, just to keep things interesting.

But the devil is in the details, and this film was a mess. I first noticed it on my own, after three very specific references happened, and I was curious if they all were around the same time. That would be, The Eiffel Tower, the Statue of Liberty, and Sherlock Holmes. The first Holmes story was in 1887, the Eiffel tower started being built in 1887, but the Statue of Liberty was already in America in 1886. So to show it barely built at the same time as the Eiffel Tower was barely built is just wrong. And it had the statue already green, which is also quite annoying.

So I figured it must be set in 1887 and they had one mistake, sure. But apparently the film was set in 1979, years before all of these things. In addition to those facts, the dancers were trying out for a part in The Nutcracker, which came out in 1892. I learned the last fact and more from IMDB’s goof section, after I already found out these inconsistencies. If they are going to set the film in a lively part of the world and go for a realistic story, then it just seems terrible to have so many references just wrong.

Another aspect that just consistantly threw me off was the soundtrack. There five or more pop songs used as montage music mostly, including songs from Sia and Jepsen, and these things took me out of the experience. They never quite melded well with the scenes behind it. Given the subject matter, actual ballet, opera, classical, anything music wise like that would have felt better for the story.

Despite being called Leap!, this film was unable to rise above other animated films this year. It just ended up okay like the rest of the best.