Tag: 4 out of 4

Alex Gibney is a big name in the documentary community. He has been doing this for quite a few years and seems to love the pursuit, as both a director and a producer. He directed such documentaries like Enron: The Smartest Guys in the Room, The Inventor: Out for Blood in Silicon Valley, Going Clear: Scientology & the Prison of Belief, and Citizen K.

And now he is back with a surprise documentary, Totally Under Control. Seriously. It is a huge surprise. The trailer dropped in early October and announced it would be out that same month. It is going straight to VOD and will be available for everyone on Hulu starting October 20th. It is an incredible quick turnaround, no one knew it was coming out.

Well, the people interviewed knew, and the people behind the camera knew, but that was about it. So why the secrecy?

Well, the topic is dealing with the Coronavirus threat, and its impact on the United Sates, and dealing with how the current administration completely fucked over a whole lot of Americans.

One of these men wants to save and protect you. The other does not.So who do we talk to in this documentary? Oh you know, people who were parts of the pandemic response team, both before the pandemic stuff started, and after. People who helped predict models and were in data analysis groups as information started coming out. We also have a person who was a part of a volunteer task force, officially run by the White House, that had a lot of light to shine on the process. Heck, we even got a guy who was the only major face mask producer in the USA who warned about this scenario as well.

They also go out of the way to show how safe the interviews are, in case you are curious about that.

This film has a big time frame to focus on, but honestly, most of it is from December 2019 to March of 2020. The early parts of the pandemic and the US response from it. We do get some information about the 1918 pandemic, and the past big health scares during the Obama administration and what they did to make things be better in the future.

And. It. Is. So. Detailed. I would have swore this would have gone basically from just February to August or so, but it ends so much sooner to that. I am already expecting a sequel.

Obviously this one was put out now to make sure voters are aware of some of the actions their government took this year, and honestly, this feels like a documentary everyone should take. If you have access to Hulu, take a couple hours to give a gander next week. It is important, it is detailed, and it is perhaps more eye opening than you expect.

4 out of 4.

When Palm Springs hit Hulu, I will admit, I hadn’t heard of it. I knew nothing going into it either, outside of a few key members of the cast.

I’d like to say that the cast was enough to get me to watch it, but that isn’t true. I literally only watched it because I heard good tidings from others about the story and the acting behind it.

This looked like a very skippable movie. Some sort of Rom Com? Let’s just say that I think going in totally blind is definitely a worthwhile endeavor for this one. I do describe what the movie is about and why it is unique in the plot description below, so feel free to ignore that if you’d rather just run in. This is a good time to just check my rating and decide on those merits alone!

Trust? In swim trunks like these? 

Nyles (Andy Samberg) is at a wedding in Palm Springs, California. His life is aloof, he seems weird, he is wearing non fancy clothes to the wedding His girlfriend (Meredith Hagner) is freaking out about his strange behavior, but he doesn’t care. Nyles has his eyes on on Sarah (Cristin Milioti), the maid of honor. And before he can seal the deal, he gets shot with an arrow by Roy (J.K. Simmons) and that is pretty damn annoying.

After the arrow incident, Nyles crawls towards a mysterious glowing cave with Sarah following, despite his best attempt to get her to leave, and then the next morning, Nyles wakes up to relive the day over again. But this time, so does Sarah.

You see, Nyles has been living this time loop of this wedding he barely cares about for a very, very, long time. Every death, every sleep, no matter what, he goes back to waking up the same bed with his same girlfriend. But now, Sarah is stuck in the loop with him (and so is Roy, which is why he is pissed at Nyles). Well, now at least there are two of them to try and figure out how to get out. Two people who can make the day feel less meaningless. And maybe they can figure out a way out eventually.

Also starring Jena Friedman, Jacqueline Obradors, Dale Dickey, Tongayi Chirisa, June Squibb, Chris Pang, Tyler Hoechlin, Camila Mendes, and Peter Gallagher.

It took them 400 days of shooting to get the beer spray lined up so perfectly. 

So given the genre and type of film it is, why is this one worth the 4 out of 4?

Well, despite it being a famous type of a movie with a really famous and cherished example of the plot line in movie history, it isn’t that overdone yet. I bet you can’t think of more than five examples of that plot line being used (although there are more than five, but not too much more). People just feel it had peaked early. Well, by having two characters go through this plot, it allows a lot more room for growth and potential, because we have more people who are in on the secret.

It is a brilliant idea, and one that I am surprised (as far as I know) not been done before. It lets us get to know our leads as co-stars and not just one person surrounded by the supporting actors. Samberg is his usual self, but maybe a bit more darker with his tone, because he has been at this for awhile and has practically given up. Milioti was a delight, and watching her journey at the beginning all the way through the end, as a strong independent person, to get things fixed, was great. And it featured a cameo from a professor at Rice University who I know, so that was cool too.

Palm Springs is a unique concept on an old plot, and a refreshing take on it all. Add in two fantastic leads and a great moment from Simmons, this is a top tier film for 2020 (given how awkward this year is) and one that should be experienced.

4 out of 4.

Oh my goodness, some more theaters are opening up and things are getting “national releases” at this point, depending on where you are in the country.

Words on Bathroom Walls was scheduled to come out in late July, but never really moved when the rest of the exoduses began to happen, and then just creeped back barely a month, to find a time it can come out and be appreciated at a social distance.

So this review was written quite awhile ago, is what I am getting at.

Words on Bathroom Walls is a book from the last decade, about high schoolers dealing with issues. That isn’t specific. I think I have noticed a bigger trend lately on high school literature is that they might be able someone who has a maybe misunderstood illness, to give these protagonists a better shake on how their lives run and understanding. Sure, these things have been done before, but they were often not well researched, or went extremely basic with the issues, becoming offensive on their own.

That is one of the main things I will look for with this movie. Does it explain things beyond the stereotype? Does it feel fair? Does it educate and still tell a good story? Has the research been done?

And of course, most importantly, will there be a prom?

Adam (Charlie Plummer) is a senior in high school, and he has now had a real big old panic attack. It happened in Chemistry. It causes a friend of his to get hurt. He started hearing and seeing things that were not there, it was very frightening, and all of his classmates were witness to his meltdown.

You see, it turns out that Adam has schizophrenia, and it all sort of just hit him at once. He can see and hear three main different people in his life. There is Rebecca (AnnaSophia Robb), a free spirited girl, there is Joaquin (Devon Bostick), a horny friend from a 90’s film, and there is a bodyguard (Lobo Sebastian), an intimidating person who is just trying to protect him. And there is a fourth darker voice that he can hear occasionally, and is especially dreadful.

But this isn’t the only thing going on in Adama’s life. He is a senior in high school, and would still like to graduate on time. So he has to start at a new private school. His mom (Molly Parker) was raising him on his own for a long time, so Adam became a good cook to help their family unit out, and eventually she got a new spouse to help out (Walton Goggins), but Adam doesn’t like or trust him.

Adam’s biggest worries are trying to ignore these voices, to appear normal to his new friends and classmates, and survive until graduation. Then he can go to culinary school and be happy. He also has to deal with experimental medication that can clear the voices but might effect him in different ways. And he also has to deal with Maya (Taylor Russell), the smartest girl in school who has taken an interest in him and him to her.

Eventually Adam will realize everyone has baggage, and his just might be harder to cope with.

Also starring Andy Garcia, as a priest,

oh, I also need my teenage fiction to include a graduation ceremony.

Okay, a movie dealing with schizophrenia, at the high school level, with a cast of characters that include different/voices in a characters head (and appearing around him from his mind) to offer advice throughout it. My immediate thought is, oh no, this is going to be wacky, and they will be a constant source of shenanigans or voices, and this feels stereotypical schizophrenia.

But! They are not throughout the film. Because he is taking trial drugs to help deal with the voices, so they do in fact leave for large chunks and it still can tell a compelling story about living with schizophrenia by making it also a film about dealing with the need to use a drug to better function (and the side effects those drugs can bring). I feel like the schizophrenia was handled with a large amount of respect. When I researched if the author researched enough for their book, I found no complaints by any schizophrenia organizations. So if it is schizophrenia approved, I have to assume it got things right and avoided potential offense, great job team.

Watching this movie actually made me want to read the book, and I still plan on it if I can find a local copy (I do not want to use Amazon to buy it). The book is written from the point of view of Adam telling about his life and stories to a therapist, and so you take the role as the therapist in the book. They do acknowledge that in the movie, and have a few therapist scenes where Adam is talking to the camera instead, to get that same feel, but I am sure it is not as strong as the book, because we get to actually see events.

I thought Plummer was a really good lead for this film and Russell was a great co-lead, with her own problems to deal with, and their relationship felt like it grew at a realistic pace, with realistic pitfalls.

Another shout out goes to Parker, for being a great mom dealing with all of this, and also Goggins, playing an extremely normal role based on what he has done in the past. That of a step-father trying to be supportive of his step-son and doing the right thing, without being able to get really close.

Honestly, this movie packed a lot of punches in the right spots for me emotionally. It told a good story, about schizophrenia, without also only being about schizophrenia. It was relatable for other reasons, and hit me emotionally. I don’t think my high rating is just because of the lack of good films this summer, I hope not, but I definitely fully recommend people giving this movie a chance. Maybe not in theaters, depending on your safety concerns, but whenever it is available at home.

4 out of 4.

I am not throwing away this review, but I am going to keep it short and sweet.

Bless Lin-Manuel Miranda, who decided in 2016 they needed to shoot their musical with the original cast. They could have held on to this for over a decade and waited and waited. They said it would come out October, 2021! And then? Then pandemic.

And now it is out much, much, much earlier. On Disney+ so most people don’t have to pay much at all to see it, versus the theaters (Which it should still go to when it is safe, I would buy that ticket).

Thank you for spending three days getting this filmed, including the off-Broadway day for all of the cast and crew, putting in extra shows to make this thing out there.

It’s Alexander Hamilton, singing on the screen for you.

Wait for it! The entire original cast and crew is in this picture!

Anthony Ramos, Chris Jackson, Daveed Diggs, Jasmine Cephas Jones, Jonathan Groff, Leslie Odom Jr., Okieriete Onaodowan, Phillipa Soo, Renée Elise Goldsberry, and Sydney James Harcourt.

And its the Hamilton musical, damn it! This is my plot outline. It is about Alexander Hamilton and some more people. There.

The room where this whole thing happened was actually in a theater in Broadway!A phenomenon greater than most other phenomenon, I can die happy now that this is available. I never could see it on stage, and I likely wouldn’t now anytime remotely soon thanks to pandemics. This is a blessing and we should cherish it.

This counts as a movie for the year? I’ll take it. Now I have given two 4 out of 4s so far this year.

What are you waiting for, what do you stall for? It’s available now, go see it.

One last time, this musical is love.

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My wife said I needed some more review aspects to this, fine. I cried five times despite hearing this musical so many times, some of my cries were new, some where at the same time I cried during just the music.

A few songs were enhanced thanks to the visuals. Like Satisfied, and seeing King George in more scenes. The use of moving stage was used wonderfully. The ending is so much better (of an already awesome song) with the dancers and background.

I will note that Odom Jr.’s Burr uses a much more lispy voice in this recording versus the original cast recording. I assume that was done in the main show way before it, maybe it is easier to sing with that voice in the long term, maybe it is to make him seem a bit more sneaky, but it is noticeable and completely acceptable.

4 out of 4.

One Cut of the Dead is a Japanese independent film from the last year or years, it is hard to say. It has had a weird road to distribution.

Made with mostly unknown actors and for a ridiculously cheap budget, it made back over 1,000 times its investment, which is a pretty goddamn unheard of percent for movies. I know it was hitting festivals and getting a lot of good buzz, and then at one point it was…put on Amazon!

But, it wasn’t supposed to be put on Amazon. Someone had an older unfinished copy, and just put it on Amazon prime for free. Did you know you can just do that? It is apparently really easy. And one it was on Amazon, many people rushed out to see it, and tell other’s to see it because it was a critical darling. The same day, news came out that the people who own it didn’t upload it, it was unfinished copy, and to please not watch it while it was worked out.

Well shit. That kind of screwed over a lot of things.

Anyways, at this point it is on amazon again, but for money, and the right version. So you can watch it and feel confident someone involved is getting money for it.

Like this guy who is holding the camera!

One man had a vision. Director Higurashi (Takayuki Hamatsu) had the idea for a zombie film, an idea that would be so scary and amazing. But his shitty actors were not giving him enough emotion.

We are talking take, after take, after take, and it just is not good enough for the director.

So while he went to go cool down, and the actors relaxed and got to know each other, normal stuff between takes. But something odd happened. Some sounds from the outside. Some…limbs from outside. Oh shit, real zombies! in the middle of their zombie film!

Now the director can get some real emotions out of his cast.

Also starring Yuzuki Akiyama, Harumi Shuhama, Kazuaki Nagaya, Hiroshi Ichihara, and Mao.

Those zombies aren’t going to double kill themselves!One Cut of The Dead is a unique film, there is no one who can deny that. In fact, it is so unique, it is also equally hard to even talk about it because it is a film that should be discovered, not spoiled.

And yes, the idea of spoiling can be kicked around enough, but trust us, the critics, me, when we say, just gotta go in some times to see the journey.

I couldn’t believe what the film managed to do and convey. It is extremely impressive, given the lack of budget or names involved, even from a Foreign film perspective. It required a lot of work. It required planning. And it required people who were creative as fuck. People who really had a vision and executed it perfectly.

One Cut of the Dead is a comedy more than a horror, and it will be hard to find something more unique than it before or after for awhile. Not even an American remake will likely be as unique. [As of writing, no plans for American remake, but sorry for jinxing it should it change in the future].

It is definitely an experience, and I watched it directly after Train to Busan! A very different foreign zombie film that is top notch in very differeny ways. And yet, this one still was able to stand out on its own.

4 out of 4.

 

Oh what is this? A new theatrical release but on VOD? This is the first? 

Sure, Trolls World Tour (which comes out on April 10) is a much bigger movie that was meant to come out in theaters and is instead going straight to video for families. And there have been a lot of recent movies that were in theaters for a short time having VOD releases way early to make up for the money lost.

But Never Rarely Sometimes Always hadn’t made it to theaters yet and it was supposed to, and is now getting released digitally instead. So it is the first to really do this. 

And that is brave of them, even if they are a much smaller project. Especially a project with a theme like this one that would have maybe sparked protests anyways, and we don’t want protesters to protest, because then they’d be in groups. Even if they have dumb opinions. 

Me judging people with dumb opinions. 

Autumn (Sidney Flanigan) is just a girl, living in a world, that isn’t the nicest to teenage girls. She has a job as a grocery clerk, where she and her cousin, Skylar (Talia Ryder) are definitely getting harassed by a boss.

Autumn is mad a lot of the times. Her parents (Ryan Eggold, Sharon Van Etten) don’t seem to give her a lot of attention due to their plentiful amount of kids, and her dad is a full on ass towards her. She has emotions, is getting bullied, and doesn’t know why she is so angry.

And then she finds out she is pregnant. About ten weeks. But she lives in Pennsylvania, in a small community, and the only place that was free for her to use was an organization that would never let abortions happen, complete with all the lie filled propaganda. And a parent would have to be involved.

So Autumn does what any girl would do. Sets an appointment in New York City, steals money from her dipshit bosses, and along with her cousin, go to get the deed done quickly and quietly, with hopefully no problems along the way. (There will be problems along the way).

Also starring Théodore Pellerin.

Just two teenage girls on a fun filled middle of week NYC trip to get an abortion. I’m surprised this jolly movie wasn’t made decades ago. 

 

I had this thought when I first saw the movie, I swear. It isn’t hyperbolic because of the closing of theaters. But this is my favorite movie of the year. So far.

And yes, the last few weeks have had movies pushed out, some of which already pushed to next year. There is going to be a big lull in films for the rest of the year, so I have no clue what this sort of landscape will bring for cinema. This might remain my favorite movie of the year, the only one that I have given this rating to so far.

Now, this movie is not funny. It is a realistic take on the subject, it is serious, and some not great things happen. The scene where the title comes from definitely wrecked me emotionally. And that is why my intro wasn’t spent making fun of it like I originally planned.

I love that this film comes out the year after the terrible, propaganda induced Unplanned movie (sponsored by Ted Cruz). That one made my worst of the year list (spoilers). It took everything from the anti-abortion list playbook and tried to make it seem like a true story in incredibly deceptive ways. 

This film is quiet. It is just a story. And yes, an abortion happens. Does that make it pro abortion? Maybe. What it really does is highlight how shitty these various state by state laws are that make it incredibly hard for people to get out of a tough situation. And that isn’t cool.

4 out of 4.

 

10) The Grand Budapest Hotel 2014

Why? Wes Anderson is a director that took me a long time to appreciate. I didn’t really know much about him and his earlier work, but wasn’t a fan when I was younger. After Fantastic Mr. Fox, I was a fan, and it took a couple more to bring me to this one which made me fall in love with its insides.

After seeing it for the first time I have seen other films he did, still not all of them, and this is just the most spectacular to me. A larger cast, full of oddballs, love, and life lessons. And hell, the main character is not a great man, but Ralph Fiennes goes completely into this hotel madman and leaves nothing behind.

It is a film that is visually stunning and funny enough that it is easy to revisit over and over again with similar tummy bellows.

Favorite moment? The punch outs.

9) La La Land 2016

Why? Musicals are hard to make and hard to make well. Slap some songs in a movie and we don’t always fall in love. Have choreography? Who cares, so do music videos. I need a good story, I need acting, and I need songs to move the story forward and not feel awkward.

La La Land feels like an attempt to make a more low key realistic musical, while still having the same show stopping type numbers. The first couple of songs in it are full on flash and color, but after that, we get our slower song for both leads to dance, and then it slows the hell down. It lets them breath, we get our main theme with reprises and add-ons, and it lets the story work.

I feel like I get the best of the both worlds, along with an ending I can hate while still respecting at the same time. Gosling and Stone, you are beautiful people who keep coupling in our movies. Thank you for that. This is my favorite musical of the decade. 

Favorite moment? Another Day of Sun.

8) The Social Network 2010

Why? Here is a film a lot of people have called the best of the decade, and it is a wonder that it came out at the start of the decade. It is a film many say should have won Best Picture and are still annoyed by that fact today. And I get it, I love it too.

We combine David Fincher and Aaron Sorkin, so of course we get some amazing creation they can call their own. Add in a great score, actors who were sort of just coming into the game, and some boy band experience, and it is a hard film to top.

It still feels timely, and likely will be for quite a long while given how little our online interactions have actually changed. It is the type of film that I feel I will always be down to watch, and was peak Eisenberg (but thankfully not peak Garfield or Hammer).

Favorite moment? The ousting of Eduardo.

7) Scott Pilgrim vs. The World 2010

Why? A lot of this list could be seen as “What films does this guy think are better than The Social Network from the 2010s?” And I will do you one better. What film from 2010 itself do I think is better? Scott Pilgrim, that’s what!

I will say this is a film where I had read all of the source material before the film, and it completely delivered six books in one film. You know, the type of thing books try to avoid since then. They wanna stretch it out. Edgar Wright instead filled it with action, game references, and totally captured the nature of the graphic novel. Sure, a lot is missing, and that is okay.

This is a stone soup of younger actors and actresses to piece together this strange story that is really just a complicated metaphor that tells us that people have baggage. Relationships are hard. And it can be difficult to let things go that have helped define us up to that point. And its funny. This is my favorite comedy AND comic book movie of the decade. 

Favorite moment? CASUAL SEX! Okay, that’s the book. The Chris Evans and Vegan fights.

6) Warrior 2011

Why? And now onto more serious things. I didn’t hear about Warrior until it was coming out on DVD as a recommendation from my brother. I wasn’t expecting anything, just another “boxing movie” but instead I got an extremely heartfelt story about two brothers, no longer in each other’s lives, both overcoming their own hardships and difficulties in life to do what they do best. Fight.

I will admit I don’t really like Nick Nolte in most films the last 20 years, but him being a hard to decipher mess of a human actually works for this movie. One of my favorite aspects of this film is that this basically introduced me to Joel Edgerton and Tom Hardy in movies, and they have continued to show why they are both highly sought after actors.

UFC is new to the sports world still, and it found a way to take what would normally be just a boxing story and change things up, with different styles mirroring their lives and attitudes. And of course, when I see the ending, I cry every time. This is my favorite sports movie of the decade. 

Favorite moment? The four second fight, the final fight, the Marines song.

5) Nightcrawler 2014

Why? Another film I never got to see in theaters, and I blame poor advertising on that. I blame the advertising on its lack of awards as well, because Jake Gyllenhaal should have been nominated and won those acting awards for his scary portrayal.

This film takes morals and completely throws them out of the window. Gyllenhaal rarely blinks and talks in a charismatic rapey way like he was born to be that person. But hell, Gyllenhaal has been one of the most consistent actors this decade, so it makes sense.

Nightcrawler is unsettling and questions our fascination with the news and what people want to see and hear. If anything, it predicted what people have started to do with features like YouTube/Facebook Live when it comes to unthinkable crimes, and hopefully if enough people see it and take its messages to heart, we can put to end to this nonsense. So, probably never. This is my favorite Thriller of the decade. 

Favorite moment? The home invasion and fallout.

4) The Perks of Being A Wallflower 2012

Why? When I saw this film in theaters, I remember just sitting there in the theater, watching regular credits with music blasting, and finding myself unable to get up and leave. I had to deal with the emotions and thoughts running through my head. I had to wipe away tears and make sure I wasn’t a wreck of a man walking into the lobby. I noticed the few people in the theater were also not getting up right away. It seemed like a universal feeling.

What starts out as a story about a loner who wants to be accepted but is too introverted and shy to get out there turns into something bigger. Coming out of your shell is risky, and so is accepting others into your life. But even if we bring others in, there is still a lot hiding under the surface that they can never know about, to know what you are going through and subconsciously dealing with at all times..

The reveal about our protagonist and his past comes along shockingly, but when rewatching the film the hints are right there. Logan Lerman and Ezra Miller are great leads, and Emma Watson in this film helps break out of her Harry Potter sphere. It is so well acted with a kicking soundtrack, it should be a staple of its genre for hopefully decades to come dealing with timeless problems. This is my favorite coming of age story of the decade. 

Favorite moment? Truth or dare.

3) Colossal 2017

Why? Colossal is a hard film to fit into any genre. It is a film that has plot holes and doesn’t try to explain all of its quirks. And that can rub people the wrong way.

But when taken as a larger metaphor for emotional abuse and substance abuse, and trying to overcome these issues with your body and past, it is a shining example of how someone can feel. Full of depression and anger in their own lives, it sometimes feels like there is a monster inside of them that is destroying others. And that can be literal if the monster completely consumes the individual.

Thankfully, this movie also offers hope. And I love that the answer isn’t just another man or a relationship. It is about fixing yourself and not relying on others to handle your problems for you.

Anne Hathaway I enjoy in most films, and she feels very vulnerable in this film Jason Sudeikis I also love, but plays the bad guy in a creepily realistic way. The twists and turns are wonderful. This is my favorite…uhh…fantasy film (?) of the year. Maybe romance? I don’t know. 

Favorite moment? The introduction of the Robot.

2) Arrival 2016

Why? In 2016, this movie was the third on my list, right a different Amy Adams movie and a musical, and in those years since I have realized that Arrival is the better film. At this point I was more familiar with Denis Villeneuve and still blown away with the story put together in this film. Sure, it is based on a story, but the visual work and cinematography, and the alien design and the ORDER this story gives is mind blowing. It is a mind blowing film.

Amy Adams is probably the best actress of the decade. Just look at the number of nominations, the quality of films she has been in year after year, even the more silly and family friendly roles are above the curve. And I don’t think she has ever been better.

This film is a major gut punch when the whole story gets revealed and told and deals with a complicated timeline, but not shying away from complicated stories is a good thing. When we get original stories that don’t feed you through a straw the plot, we need to reward them and celebrate them. This is my favorite science fiction film of the decade. 

Favorite moment? The death of the alien.

1) Steve Jobs 2015

Why? And finally, the shocking moment, the one that will make people say huh. But probably not people who know me. When I made my top of 2015 list it made 4th, with the two above it not making my top of the decade, and the other one being The Big Short, further down this list. So HOW could a film like this move all the way up to my number one spot?

First of all, repeatability. Since I bought the film I have seen it probably twice a year always on a whim. I get a feeling, I want to see Steve Jobs again, so I do it. It being a film in three acts that mirror each other and grow is a rewarding watch, to see the connections, to connect it to history, to see how people grow.

Secondly, I can still tear up usually near the end each and every time. Having it be about a very mean and modern myth filled man, but actually a story about learning to accept your responsibilities as a father? That is a twist, and movies that deal with father/daughter relationships always get me now.

Thirdly, Aaron Goddamn Sorkin. I love the hell out of his dialogue, and the words come out at a pace with such passion that it is like an action movie…with words.

Strangely enough, I am in no way an Apple fan boy. I have had an iPhone for one year before they got rid of the Aux, so I went back to Android. I had an iPod way after they were cool and that is about it. I just can acknowledge that Steve Jobs was an interesting individual and did a lot of good with a lot of bad.

Fassbender should have won best actor over DiCaprio that year. Rogen was great. Winslet completely became a different person. Daniels molded his suave from the Newsroom into something similar, but different. And the other people involved are equally fascinating.

If it wasn’t for the several F-bombs, it is a film I would show my gifted students every year, so they could understand that being smart doesn’t mean one has to be a dick. A play that never was a play, Steve Jobs is my favorite drama, favorite “biopic”, and favorite movie of the decade. 

Favorite moment? It’s not binary.

Thanks for reading! Hopefully you check out the other parts and can tell me in the top 50 why I am stupid and missed your favorite film, or why you think Steve Jobs isn’t a great film. I might not listen, but I will still “listen.”

Click here for Part 1 (50-41)!
Click here for Part 2 (40-31)!
Click here for Part 3 (30-21)!
Click here for Part 4 (20-11)!

20) Margin Call 2011

Why? Earlier in the list I already had The Big Short, which talked about the 2008 Crisis in a much different way than Margin Call. Margin Call did it dramatically, with a fake company, to showcase the ineptitude of those at the top, and how they could still screw over other people on the way to trying to save themselves.

I rated this higher featuring some good performances from various actors involved, and just in generally it is really thrilling for such a bland sounding topic.

Favorite moment? The day after.

19) 1917 2019

Why? You try to pretend your movie is done in one take, and I am going to enjoy it. Flex away your cinematographic and directorial skills to put that together. The story is a simple one, and through it we get to see the realities of the trench, just how much they worked like any movie before.

We see a lot of the biggest aspects of WW1, including the fear, the excessive death, and how hard it was to find an eventual resolution. This is my favorite war movie of the decade. 

Favorite moment? The night time escape.

18) Baby Driver 2017

Why? Another movie with Kevin Spacey in the same article, ack! This was really hard to place in its original top list, due to scandals, but honestly, I still love this movie very much. Edgar Wright pieced together a high energy film, with a unique soundtrack that made me want to speed down the highway myself. Okay, that’s bad.

But a heist movie where things go bad, the bad guys are various level of bad, and a journey for redemption? What a hero arc.

Favorite moment? Hocus Pocus Focus escape.

17) Parasite 2019

Why? Come on, of course right? I mean, come on. Many are saying Parasite could be one of the best films of the decade, and there is a lot of reason for that. I often worry about getting caught up in “current year hype” and knowing how well 2019 films compare to the previous 9 is really hard. But I think Parasite is one of those keeper films. This movie will likely be fast tracked to some sort of American remake and it won’t be as good.

Thankfully, this version is so good, without going into too much detail, about Korean class warfare, that it feels universal regardless of where you are from.

Favorite moment? What’s in the basement?

16) Waves 2019

Why? See above. I don’t know if Waves should be this high, but it was my number one in 2019. I haven’t been able to rewatch it, and don’t know if it has staying power. But like Parasite, it told a classic tale of a rise and fall, but also included the potential rise again after the fact. After tragedy, we need to cope and move on, and Waves makes sure to focus equal attention on that aspect as well.

Beautifully shot and acted, it brought me to tears several times.

Favorite moment? The party aftermath.

15) Swiss Army Man 2016

Why? This film is one of the greatest and most original films I have seen in my life time. It is bananas to the wall, hell, to the ceiling, complete and utter madness. Paul Dano can practically do no wrongs when it comes to films in his career, and although Daniel Radcliffe is more hit and miss, this one is certainly a high hit for anyone who decides to accept its weird and give it a chance.

If it takes a lot of fart and masturbation jokes to discover what it means to be human, then sign me up for this evolved life.

Favorite moment? The soundtrack.

14) Les Miserables 2012

Why? No! Not the french remake that isn’t actually based on the book that came out in 2019, the goddamn musical! I had never seen the stage musical before seeing this film and was only slightly familiar with one of the songs, so I wasn’t sure what to expect on that Christmas morning in 2012. This film made me cry four times my first time in theaters, and from that I went on to watch it at least three more times in theaters. It was a day one buy when it hit Blu-Ray and has been seen several times over.

The songs have complexity, and it just hits you over the head over and over about how shitty this time in France was. Time machine? No thank you. And by having the actors sing live for the movie added such a personal touch that can only be recreated in real life.

Favorite moment? One Day More and Javert’s suicide.

13) Goon 2011

Why? It took a little bit for Goon to leak its way out of Canada into an American release, and I was excited to give it a shot. Little did I know it would become something I needed to see again after watching it by myself. I remember showing it to my dad later the same day due to how ridiculous it was, and funny, and strangely heart felt.

Seann William Scott made his career out of being a lovable idiot, and this role is another iteration of that, which he executes perfectly. An extremely quotable movie at points, it takes some extremes in the sport of hockey without breaking out into a musical.

Favorite moment? The Ross Rhea showdown.

12) About Time 2013

Why? About Time felt like it would easily fall into “Creepy movie territory” real quick. A romance where the guy can go back and time and just try again until he makes it perfect? No! Rapey! ack! And then despite starting with those elements, they make our hero the perfect gentlemen, going back to help everyone he can, even if it means setting himself back.

And by the end, with the implications of his travels, it is hard to not cry over the relationship he has with his father and the family he has created. It is an incredibly smart film given the stipulations it put into its time travel and how one should try and approach life no matter their circumstances.

Favorite moment? Ping pong.

11) Blindspotting 2018

Why? My top film of 2018 wasn’t able to make my top ten of the decade, despite being still a great film about an important subject matter. Gentrification is not an easy subject to make a comedy/drama about. So why not two people who have experienced it themselves growing up in radically different ways due to the color of their skin?

Daveed Diggs (who blew up thanks to Hamilton) and real life friend Rafael Casal give an emotionally charged performance in wake up police brutality, harsh sentences, and how felons are treated in our society. 2018 had a lot of social justice films that were top of the line, and this one was just on top of the pile overall.

Favorite moment? Post party arguments.

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30) The Favourite 2018

Why? While not my favorite movie of the decade, this is my favorite of Yorgos Lanthimos, whom was doing really good in the last few years of the decade. A women centric cast, that is a bit absurd, while having some historical truth, it led to a lot of comedic gold moments that could only happen with a great script and great actresses to carry it all out.

Also, the camera work in this film was atypical, and a bit inspiring.

Favorite moment? Don’t look at me.

29) Spider-Man: Into the Spider-Verse 2018

Why? This is my “half” sequel on the list. Technically standalone, but also one of the realities is totally the Sam Raimi Spider-Man films, so it takes place after them. Spider-Verse is on this list as my third (and not yet highest) rated animated film because of how blown away I was with the art style.

It offered something unlike any other animated film of that year or recent years, keeping it still feeling like a comic movie, and with stunning fight scenes and humor throughout.

Favorite moment? Alright, let’s start at the beginning.

28) Sing Street 2016

Why? This is a film I expected almost nothing out of, and should have realized it was something special. The third music centered film by John Carney feels very personal and ends up being more than a strange pre-teen romance film.

It also deals with a strong relationship with brothers and how those older can pave the way for their siblings, taking on more burdens that the younger ones would never realize. And hey, the music is fun too.

Favorite moment? Basically every scene with Jack Reynor.

27) 12 Years A Slave 2013

Why? 2013 called, it wants its number one movie back. 12 Years A Slave is a hard movie to get through. Torture, near death, and obviously enslavement does not equate to a movie you want to see over and over. Hell, I knew it would take me awhile to rewatch it after I saw it in theaters, and only rewatched it for this list finally, never really getting in that mood again.

Well acted, a terrifying real story, but one that is something I will rarely ever see again in my life.

Favorite moment? Favorite is a bad word here, but the “hanging” scene is the most powerful and shocking.

26) Hereditary 2018

Why? I do believe Toni Collette was robbed for he performance in this film, and not given anywhere close to enough credit as she deserved. I knew she was a great actress, and this film really cemented it in my mind. A demented film overall, one that builds the fears inside of you overtime and masterfully at that.

Very few “jump” scares but instead an overall sense of dread and wondering how could things get worse or scarier. This is my favorite horror film of the decade. 

Favorite moment? Dinner time.

25) Whiplash 2014

Why? I don’t know if I need a long paragraph for this one? J. K. Fucking Simmons. There. That’s why.

Favorite moment? Tempo changes.

24) Kubo and the Two Strings 2016

Why? Kubo is an animated film that tried to give me something I hadn’t seen before. Laika has been pushing the boundaries of their stop-motion films a lot over this decade, and I don’t think anything came out as fresh and stunning as Kubo. Combining characters both big and small, we got a fresh lead with an interesting story, and hell, some scary villains to boot.

It still felt like a good film for the family, despite its darker elements. Honestly, the only thing I hated were the names of the sidekicks. This is my favorite animated film of the decade. 

Favorite moment? The magic origami.

23) Birdman or (The Unexpected Virtue of Ignorance) 2014

Why? Another top film of its year that is getting surpassed by others, I will still attest that Birdman is a wonderful film, start to finish, really no faults. I love everything about it, from the meta casting choices, to the long takes and monologues, to the play within a play. The catchy drum beat that wraps up most of the film keeps it moving and on the edge.

It is a great movie and will be celebrated for a long time.

Favorite moment? Edward Norton.

22) Gone Girl 2014

Why? Gone Girl is a thriller where the twist is revealed much earlier on than most thrillers. Hell, the twist turns it into almost a completely different movie, and makes it go places that would be very hard to predict. Affleck is wonderful as the distant husband, but Pike really gives a haunting performance, which elevated far past anything I’ve seen her do before. Mostly TV shows, notably.

Because the twist is so early on, it is still a movie worth watching over and over.

Favorite moment? What happened to Amy.

21) Mad Max: Fury Road 2015

Why? Ah! Many people picked this their top of that year and top of the decade, and I will admit, this is an over the top film unlike almost anything else. The stunt work, the practical effects, the gruesome moments. It is definitely a story that doesn’t hold a lot of equals. And I can acknowledge all of it, and still want more from the actors and plot.

This is the only other sequel on the whole list, which is interesting as this one works very well as a standalone and just uses 1 character.

Favorite moment? The race back.

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40) Me and Earl and the Dying Girl 2015

 

Why? Besides being a solid A+ on the naming department, the title gives you everything you need to know about it. A movie dealing with teens dealing with death, the awkwardness of friendship and love in general, and how one can face the inevitable.

The Nick Offerman and love of movies in it doesn’t hurt it either.

Favorite moment? The movie reenactments.

 

 

 

39) Aftershock 2010

 

Why? Partially picked because of how few people know about this film, Aftershock is one of the first lesser known films I watched that had a great emotional impact on me, and that was when I was still only 21 or so! The hard choice a mother faces can be seen as an allegory to the One-Child policy that China already had.

And the fact that we get to see so much of the events after the earthquake (you know, the Aftershocks) and how it affected so many lives is just heartbreaking.

Favorite moment? Hard to beat the initial earthquake scene.

 

 

 

38) Life of Pi 2012

 

Why? Life of Pi, like The Martian, ends up being one of my go-to movies to show the youth of the world as a teacher when we have time, except I try to say it relates to math because of Pi. Life of Pi changed the way CGI worked in films forever, winning plenty of awards along the way because of how aesthetically beautiful it was.

It deals with a lot of hard topics in a way that those young and old can relate to.

Favorite moment? The “real story” being told.

 

 

 

37) Uncut Gems 2019

 

Why? My first film from this year on the list (which was very hard to place in the decade, mind you) feels like a reminder that Sandler knows what the hell he is doing with the acting game, he just chooses to phone it in for easy paychecks. This film is an uncomfortable two hours, of people making bad and risky decisions for a payoff that may or may not be worth it.

It is excruciating in all the right ways, and a tense experience that is really hard to create.

Favorite moment? The final bet.

 

 

 

36) Inside Out 2015

 

Why? My second animated film on this list, Inside Out hit me like a bag of trucks. First of all, it was led with Lava, which as a short made me cry by itself. But the journey of “emotions having emotions” through the guise of a pre-teen girl was its own a tear-filled experience, at least twice in theaters, and usually again when I watch it on my own or with my family.

It is a wonderfully weird concept, that sure, doesn’t make a lot of sense with scrutiny (see: many Pixar films), but a ride worth taking nonetheless.

Favorite moment? Bing bong bing bong.

 

 

 

35) The Big Short 2015

 

Why? What’s this? My number 1 film of 2015 already on the list? That is okay. The Big Short is still wonderful, done in an exciting and informative way, and made me generally smarter about things I didn’t understand well. Hell, it still has good rewatchability. Just maybe that we are farther from the crisis in general, and there are other movies on the subject I like more (spoilers for this list), this felt like a good spot to land.

Adam McKay‘s heel-turn into Oscar nominated films was a shocker and a welcome one at that.

Favorite moment? The celebrity cameos to explain terminology.

 

 

 

34) Get Out 2018

 

Why? After working on a whole lot of skits, Jordan Peele realized he knew what was missing in the world, and he gave us Get Out. With Us being good (and not as good), he has cemented himself fully as someone to watch. A lot of films in the late 2010’s deal with racial tensions in America, but almost none as creatively do it as with Get Out, in the guise of a regular horror and creepy film.

It fuses the truth, with horror and comedy to get people in the doors and more importantly, get people talking.

Favorite moment? The hypnotism.

 

 

 

33) Before Midnight 2013

 

Why? Before Midnight is the first sequel on this list, and after examining the whole thing, there are only 2, maybe 2 and a half films that are sequels. So this is definitely the only end of a trilogy! The raw emotions that Linklater let these two do, just to talk, about love, and fear, and sadness, and hope. It is inspiring on its own. Add to the difficulty of creating the trilogy in sort of real time with 9 year gaps lets us come back to a couple we adore and want to succeed and cheer for.

There is a chance of a forth film in 2022, but as for now Linklater hasn’t told us anything.

Favorite moment? The argument.

 

 

 

32) Prisoners 2013

 

Why? Prisoners is a movie I went in with no expectations, only a trailer, as I didn’t know who Denis Villeneuve was. Turns out, he is a director I love and is featured many times on this list. This is one of those films that really showed me for the first time how good of an actor Gyllenhaal and Dano really are. Already had my assumptions about Jackman.

A long, mystery, dealing with moral ambiguity and a terrifying conclusion. Prisoners changed the way I saw cinema for the next few years.

Favorite moment? Jackman losing it.

 

 

 

31) Marriage Story 2019

 

Why? Marriage Story deals with a topic we don’t talk a lot about in films. Divorce! Getting married is easy, keeping it and ending it is harder. Two PHENOMENAL performances from Johansson and Driver, this is done in such a way that there are not too many overall scenes, but it is overall very awkward and sad.

I haven’t reseen the movie, but I have gone out of my way to rewatch various parts and I am able to with ease already knowing the full context. This will be a hard movie for me to rewatch and sit through beginning to end, but definitely one that warrants it at some point in the future.

Favorite moment? The court scene.

 

 

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