Tag: Drama

After the very recent disappointing musical that I saw, I quickly began looking at the other musicals to come out this year that might be of interest.

So Begin Again is a smaller musical coming out this year. I am not getting my hopes up that it will be a traditional musical in any way, because it is begin directed by John Carney. Carney brought us Once about five years ago, and although it was turned into a Broadway musical, the movie version is very musical lite. Just a few songs and a lot of emotion.

I can only assume this will be similar.

Try to say the movie title five times fast. Hell, just try to say it once.

Begin Again is a story about love, music, and losing it all.

Like Dan (Mark Ruffalo) who has lost it all, his love and music. He is getting outted at the record company he made with friend Saul (Mos Def) for not being able to bring in a successful act for several years. He also is living alone, his ex wife (Catherine Keener) has custody of their teenage daughter Violet (Hailee Steinfeld). He has lost everything he has ever loved, until he hears a sound…

Like the sound of Greta (Kiera Knightley) reluctantly performing on an Open Mic night because her friend (James Corden) forced her too. She is having a rough time as well. She moved over to New York with her boyfriend Dave (Adam Levine). Dave and Greta are song writers together, but a song Dave sang was featured in a popular movie, so now they want to sign him to a contract. Yay success, but boo the price that fame brings.

Dan hopes that Greta will be able to get his life back on the right track in every direction.

Maybe they will also make some sweet and sexy music too, along the way.

Also, CeeLo Green is in this movie for a small part, so we can have half of the original The Voice judges in here.

Just like how they totally didn’t make this scene for Apple product placement, I am using this picture for the same not reason.

As expected, in this movie music plays a central role in almost every scene, but it isn’t a standard musical. No one is singing and dancing throughout the streets (kind of). Although, there is copious amounts of singing, dancing, and listening to music in the streets, it is all completely natural. All performances are performances, whether on a stage, in a “sound studio” or at home with a small recording device.

The music is also really fucking good. I don’t remember how much music was in Once, because I mostly just remember that one famous song, but Begin Again has a crap load of songs. And it is more than just artsy fartsy indie music too! I am not saying it is completely diverse, but it is there. Each song felt great. The soundtrack of regular background music also felt pretty unique.

Basically, I am saying that I am mad the soundtrack isn’t out yet because I want it hard.

The acting was pretty good as well. I mean that in regards to Knightley/Ruffalo/Steinfeld mostly. I am happy that Steinfeld is finally in a good role that can showcase her talent, unlike her last few movies. Ruffalo did give off a kind of creepy vibe for about half the movie to me. And this is completely different side of Knightley that we haven’t really seen before. I mean, singing songs!

I wouldn’t describe anyone else as being that spectacular. Most of the other side roles could have been anyone, including Levine’s character.

Overall, this is a fantastic movie, and personally, I liked it a lot more than Once. But then again, I only saw Once once, and I was way more immature then.

The main reason I wanted to see The Railway Man was because of the song they used in the trailer. You know the one. From The Thin Red Line.

“God Yu Tekkem Laef Blong Mi” . Seriously, put that song in a trailer, I am going to try and watch your movie. I will also be pissed if your movie isn’t epic enough to warrant the use of that song. Thankfully, Mr. Nobody used it in its movie, and it deserved it.

So, just saying, The Railway Man. A lot of pressure on you to not fuck this one up.

They get bonus points for making a World War II movie without Nazis, though.

Eric (Colin Firth). He’s got a secret. He’s been hiding. Under his skin. Wait, no, that is Mr. Roboto. Sorry.

Eric really likes trains. He always has, likes to ride them, knows what makes them tick, knows a lot of trivia. He also served for Great Britain in World War II. While on duty, his company had to surrender to the Japanese military and their unit was taken to work in camps. What did they have to work on? A railroad! The Burma Railway, to be historically accurate. How zany.

Speaking of coincidences, he also met his now wife (Nicole Kidman) thanks to the trains. Trains are really a big part of this guys life.

But he actually does have some pent up secrets. Some things happened to him while he was in that POW camp. Things done to him by Takeshi Nagase (Hiroyuki Sanada), the official translator for the Japanese that he would rather keep buried. But it turns out that Takeshi is still alive, in Japan, and wasn’t taken as a war criminal like the rest of Japanese soldiers from that camp.

This is good, if Eric was the kind of guy to enact revenge. But he wouldn’t do that at his age, would he?

Also starring Stellan Skarsgard as one of his old friends, and Tanroh Ishida and Jeremy Irvine as the younger Takeshie and Eric. I will let you figure out who goes with who.

Don’t just assume races stay consistent, is all I am sayin’.

I don’t think the entirety of The Railway Man lives up to the song. It’s sad, but true.

The ending is fantastic. The encounter between the two older men, combined with flashbacks during World War II. It was very dramatic, tense, and even a bit beautiful. It really kept you glued to the screen.

On the other hand, the first half of the movie tended to drag on. I think it is because see the meeting of Eric and his wife play out, then they are married. They have to give us that whole story. Then we have to have flashbacks of the POW camp. Finding out that the guy is still alive doesn’t even happen until the second half of the film.

It was quite a bore, and ruined the much better ending a bit for me.

This is a true story, but things were changed enough to ramp up the dramatic elements. I don’t care about that. I just care that presumably the beginning wasn’t changed enough to make it more interesting, just the ending. Come on. Enhance All is a way better option than Enhance End.

James McAvoy is a fun Scottish man. He has risen pretty well into fame territory, but he doesn’t let that get to his head (I think). He still does the indie movies. In fact, it seems like half of his movies are big Hollywood numbers, and the other half are indie. He really loves that shit. He is a man who loves to get into a character, a man who will work with a low budget, just to tell a story.

Maybe he was just humbled after Wanted though, who is to say.

But despite his recent performance as Professor X, again, he has now given us Filth, which is a perfect name to describe this bat shit insane movie.

How insane? Well, let’s just say you wouldn’t want to smell his finger anytime soon.

Bruce Robertson (James McAvoy) is a man who knows what he wants, and gets what he wants. He is a Detective Sergeant in the Edinburgh police force, but there is a new spot opening for Detective Inspector, a big promotion. There are quite a few people competing for the spot (Jamie Bell, Imogen Poots, Brian McCardie, Emun Elliott, Gary Lewis), but they all have faults. Exploitable faults. Faults that Bruce can use against them, playing a massively deceptive game to showcase their faults to his boss (John Sessions), making them all inept to fill the highest role.

The good news is he has been tasked with finding out who killed this Japanese student, who was beaten mercilessly on the streets. Great. Shouldn’t be too hard, and will allow him to set up his multiple schemes to destroy the lives of everyone around him.

Even his friend Clifford (Eddie Marsan), who he tends to bully. He has been calling his wife harassing her sexually, just to get a ruse out of them. What a guy right?

A lot of this can be “blamed” on the fact that his wife, Carole (Shauna Macdonald), took his daughter to visit families during the holidays. Because of course this is around Christmas time. If there wasn’t a lot of pressure for Bruce to solve the case and get promoted, he’d be able to take a vacation and all. Blamed is sarcasm here guys. Because he is a scumbag, he does scumbag things.

And Jim Broadbent is in here, so you know he has some sort of comical zany role.

No, nothing about this looks comical OR zany.

I am trying not to fill this review up with adjectives that all mean the same thing, so instead I will reiterate how insane this movie felt. The Bruce character seemed to have no rhyme or reason for most of his actions. He was rustling jimmies just for the heck of it. But this movie isn’t just some sick guys fantasy about hating his coworkers or something. No. There IS a point to the madness, and it was explained very well with hints throughout the end. I really enjoyed the ending. In fact, the ending actually has a similarity to Wanted, go figure.

It was hard to look away for most of the film, a definite plus, mostly because the viewer would have no real clue with where it was going. Thankfully, when it had to be dramatic, it did a decent job at those scenes as well.

Outside of McAvoy, I am a bit surprised at how well Eddie Marsan did. He is generally a side character in most movies, much like this one, but this performance of his was quite different from his other roles. He also had enough make up that it took me awhile to even recognize his (normally) very recognizable face.

Overall, Filth is definitely a unique movie, telling a unique story, but not something everyone may appreciate. Still not even sure if it is the type of film I could comfortably watch again. Well, maybe once. But no more after that.

Looking over the musicals that were coming out in 2014, I figured that Jersey Boys would be the clear favorite for the entire year. I saw the Broadway version of the musical and it was fantastic. It had everything: music people already knew and enjoyed, exciting stage work, humor, drama, gangsters, you name it.

It is one of the easier movies to make too. Slap on some period piece appropriate clothing, get some guys who performed the musical already, and record that puppy. I was first weary when I heard that Clint Eastwood was directing it, but then I figured if the people who made the initial musical are helping, Eastwood can just focus more on getting the singers to act the drama parts better and really amp up the crime element to a higher potential.

Now, after seeing the film? Well, maybe Muppets Most Wanted will be the best “musical” of the year.

Don’t even get me started on the new Annie and Into The Woods.

The original story is based on the (at the time) three surviving members of the Four Seasons, Frankie Valli, Bob Gaudio, and Tommy DeVito. They gave the information to the musical writers, who put on the show, with the first two having veto rights if they didn’t like what was going down. So presumably a lot of the events are actually true.

This is a story about how a few guys from Jersey were able to make it out of their home cities without joining the military or joining the mob. Just kidding, the mob is here too, with the local boss played by Christopher Walken.

It is about how Tommy DeVito (Vincent Piazza) and his buddy Nick (Michael Lomenda) helped teach a then Frankie Castelluccio (John Lloyd Young) how to train his voice to perform like an angel. Then their eventual finding of Bob (Erich Bergen), who could write them hits, play the piano and sing as well.

The story of four guys, rising to fame, how certain songs were conceived, and how they all began to crack and break apart thanks to home pressure, mob pressure, and money pressure. And two women who Frankie apparently slept with, played by Erica Piccininni and Renee Marino.

I like my lines of men like I like my computer. Shining and playing music.

Ahhh, musicals. What better way to put that song in your step as you leave the theater and go about your day? I love them so.

However, this movie really isn’t a musical. Sure, there are songs in it, but it is definitely feels a lot more like a generic biography film of a band, that features music the band did, than a musical. Something VH1 might have quickly thrown together. Only one real element of the movie is like a standard musical at the very end. When the story is over, but they sing and dance to two songs while walking down the street before the credits role. That is where we finally get to hear one of the more famous songs by The Four Seasons. A song that takes place much sooner in the story/broadway version, but they cut it out to save it. A time where they can actually use a song to help tell the story, instead of just being the guys singing in a club, and they push it to the end.

If that isn’t proof of them trying to take the musical out of the Broadway hit, then I don’t know what is.

I am not saying Jersey Boys ended up being terrible, it just ended up terribly disappointing as to what it could have been. So many things just felt off while watching the film. The story and plot were good. The music was good. Maybe the acting was off? They at least had the original Frankie Valli from the play reprise his role for this film, just none of the other guys.

They decided to go with a shitty brown filter over the whole film, to give it an old style, 60’s look. But it felt distracting to me. I would have definitely preferred instead a really nice polished looking movie, not the fake grittiness that made me compare parts of the movie to a Lifetime special.

I feel as I am being really hard on the movie, but it is just harder to point out the amazing parts versus its flaws. In all honesty, I think this is completely Clint Eastwood’s fault as a director. He meddled far too much in the musical side, making this into a more generic feeling movie. A lot of the charm was lost in the film making process, but thankfully this story had an over abundance of charm to work with.

So there are still fantastic moments to go along with the story, and not just the musical performances. For example, Lomenda did fantastic as the role of the bassist, really made it easy for the audience to feel his frustration and get on his side.

It just. It just could have been so much more.

I knew something was up when I went to my screening of Obvious Child. Two things were of note.

One, I was invited to a free screening of a film, that technically was already released in theaters the week before. Most of the time free screenings are before they are out, to build hype and stuff, but this could just be an indie movie thing.

Two, the tickets I had were sponsored and given out by a Pro-Choice group. Huh. That is an oddly specific group to sponsor a show time. I guess…this movie…is about abortion?

That isn’t an issue or something. But it is basically all I knew about the movie going into it. Like Citizen Ruth.

Obviously.

This movie is about a few months in the life of Donna Stern (Jenny Slate). She is a stand up comic, works at a hipster book shop in NYC, and isn’t doing too much with her life. Just telling jokes about how it is. Well, her boyfriend doesn’t like this path and doesn’t like to be talked about in front of strangers. So he breaks up with her. And then she finds out her book store that she works at is closing.

So she does what anyone would do, get really drunk and avoid her problems. If by avoid her problems, I mean talk about it on a stage, of course. Either way. She sexes up a guy, Max (Jake Lacy) who is very nice, and apparently the rubber wasn’t used. She gets pregnant, has a few panic attacks to add to her problems, and wants an abortion. The abortion isn’t even the scary part. It is the telling of her mom (Polly Draper) and getting the money together when she is already losing her jobs. At least she has friends (Gaby Hoffman, Gabe Liedman) for support.

But why does that fucker Max have to be such a nice guy?

Richard Kind is in here as her dad and David Cross as an old friend.

I think this scene is a metaphor for birth. But I think that about all boxes.

The main selling point for Obvious Child is its realness, and it really excels at that point. Really.

Everything in this story feels like something that could actually happen. That is where it gets all of is charm and humor from. The humor is pretty funny, both in a “ha ha funny” way, and a “I am uncomfortable by their awkwardness” kind of way.

And really, there isn’t much more to say about it? The film is funny and incredibly awkward. It is about abortion, but doesn’t make it a big life changing event, just turns it into something that has to happen. And hey, it involves that guy who joined The Office for its final season, so that was cool too.

Today I review a movie called Words and Pictures, which are the exact two things that make up my reviews.

For all intents and purposes, that is also probably the best sentence in this review, so you might as well stop reading these words and looking at these pictures now.

“Oh shit they kiss? But they are such rivals throughout the film! Why would you spoil that?!” – GorgView reader.

Somewhere in the North Eastern part of the USA lies a high school where people have to wear uniforms and is somewhat special. How special? I dunno. Special enough to feature two teachers who work there. One is Jack Marcus (Clive Owen) who teaches English, is an author, and an alcoholic. He hasn’t written in awhile, is late a bunch, and thinks his students don’t care anymore. He also has an estranged relationship with his son (Harrison MacDonald).

But we have a new teacher at the school! Dina Delsanto (Juliette Binoche), a famous artist from NYC who is moving here to teach advanced art instead. Why? Because she got that rheumatoid arthritis, so making great art that she is used to kind of sucks. She is also a mean lady, for that reason.

They butt heads and argue, but also flirt kind of. They set off a war at the school, debating which is more important, words or pictures. Mostly because Jack is trying to save his job and remain relevant, and Dina is the type who always wants to win.

Also starring some people as teachers (Bruce Davison, Navid Negahban, Keegan Connor Tracy) and some students who have a plot line in this movie too (Valerie Tian, Josh Ssettuba, Adam DiMarco).

It only takes about ten minutes I think for a Dead Poets Society reference.

Hearing about the plot, I thought the movie might be okay. It sounds like a terrible competition, especially since I knew it would involve high school students, which are like non cool college students. Speaking of high school students, the side plots involving the girl and the guy were kind of terrible. It was awkward to watch, even more awkward at how people reacted to it, and took away from our leads. So it kind of just made the movie overall weaker for having basically all of it go down. In my reviewing opinion of course.

Owen and Binoche however do fantastic at their roles. Owen has an advantage, where he was given an really charismatic character to work with (After all, he knows a lot of words in the English language and loves to use them), so he was incredibly entertaining to watch. Binoche seemed to have real chemistry as well. Very real feeling characters.

But at the same time, this felt like a pseudo-intellectual euro-trash movie, that thought it was better than everyone else, while not really ever elevating its game. Just because it is set in an elite setting, doesn’t mean it is an elite movie.

Good acting, kind of shitty plot. Okay for a watch, then probably wont see it again.

Richard Ayoade is most well known as being the not Chris O’Dowd character from The IT Crowd.

He has had the occasional other gig, but that is where most people know him. But hey, he also wants to be a director, so for his (up to this point) biggest release, he has given us a movie called The Double, which is lighting up the indie film circuit.

The Double is described by some people as a black comedy. But fuck that, this is a drama thriller.

Which is shown clearly by the use of camera lens and creepy stalking.

Let’s talk about Simon James (Jesse Eisenberg). He is a nice guy, does his job, does it well, but rarely gets acknowledged in his company. His boss (Wallace Shawn) practically ignores him despite his record, but whatever.

But a series of events leave him feeling a bit frazzled. He loses his ID badge, and gets a lot of crap for it. He has to tutor the bosses daughter. And a new hire at the work, James Simon (Jesse Eisenberg) looks identical to him. Even his voice. Other people don’t seem to notice, but it is uncanny.

James Simon, the new guy, is good at social skills which Simon James is not. However, Simon James is good at the job and doing his job. They do some of that twin switcheroo stuff to help each other out, but when James Simon starts to take things for granted, Simon James is going to find himself struggling just to feel like he exists.

Also, there is a girl involved too, of course. Mia Wasikowska, an employee at the company.

Just two dudes, not talking to each other in a public restroom. As it should be.

The Double is one of those film titles that is pretty common. This is the second The Double, I have reviewed, the first one being an absolutely terrible thriller and should promptly be ignored.

So. The first The Double is like Simon James, and this The Double is like James Simon. I am doubling up on The Doubles.

Regardless, this The Double is an incredibly weird movie. Not zany antics weird, but all of it. Everything was done deliberately in this film, from the lighting, to the camera lenses used, the angles. You can tell a lot of work went into it.

This is also the type of movie you can’t half-ass while watching it. A lot will fly right by you if you do, and you might not understand the ending in the slightest. But for those of you who are diligent, overall this movie is a very rewarding experience with some interesting twists. Might even be the type of movie you want to watch…twice.

If there is one thing that has been made abundantly clear over the last few years, it is that teenage based romance novels turned into movies make a lot of money. Why? Fan girls, mostly. But as long as it is teenage and romance, then it will make money. Most of them have seemed to do well, assuming they actually have a big following, unlike random shit like Vampire Academy.

Which is why it should come to no surprise that The Fault In Our Stars was breaking presale records.

Even if the movie ended up being shitty, I can’t get mad at it being made. Because after it gets made, then it is done and over. This is not a trilogy that will have the third book getting broken up into ten parts. Just one complete story, no cliff hangers, no bull shit. And really, that makes this feel a little bit more special for me.

I can see they are also showcasing the Hillary Rodham Clinton look in this movie.

Speaking of being special, Hazel (Shailene Woodley) is a girl who had cancer when she was thirteen, got over it, then had some lung issues. Now she has problems breathing, has one of those oxygen tanks by her at all times, going into her nose. Kind of hard to be a normal teenage girl like that! She can’t make friends, or even a boyfriend.

Until she goes to a support group. There she meets Isaac (Nat Wolff), a guy going blind from his eye cancer. But he isn’t important. His friend, Augusts Waters (Ansel Elgort), who is there to support Isaac is the important one. He had some cancer stuff, lost half of his leg, but now he has survived and wants to live life to the fullest. No worries. No problems. And he wants to do it all with Hazel.

Hazel is of course unsure of this boy. How could anyone like her? She has plastic in her nose!

Well, after finding out he is also pretty smart, willing to read the same book she likes and discuss death in a nice way, then yeah, she kind of likes him.

They have some goals. Like figuring out a way to go to Amsterdam, not for debauchery, but to see a recluse author (Willem Dafoe) and his assistant (Lotte Verbeek) to figure out what happened to the characters after the book ends and to talk about life and death. Augustus wants to be remembered when eventually goes away. Hazel just wants to be loved before she goes away even earlier.

Also starring Sam Trammell and Laura Dern as her very optimistic parents.

It is good to see Dr. Ellie Sattler still getting work. Even if it is awkward.

The first half of this movie, I was sitting in the theater wondering what is the point? It felt extremely basic, and almost a shitty non realistic love story. Bordering on disliking the film entirely.

Then the second half happened.

If there is one thing you hear about this book/movie ahead of time, it is probably that it is sad and to bring Kleenex. Well, that seems to be absolutely true. I can’t actually point out the number of times I cried, just that it happened on multiple occasions, sometimes for scenes that were pretty long. They just kept happening, both from being sad and beautiful/sweet.

And that literally is most of the reason I have to talk about this movie. Very touching and sad and beautiful. A first half that drags, and a second half that is a tear jerker. Does that mean it is great? On its own, it just means it knows how to tug on our emotional strings. Yet at the same time, I loved it for doing so.

I didn’t think the acting was anything special. I hated a few of the plot points. But at the same time, I think this is the type of movie I could watch multiple times and still feel an emotional connection with it, knowing what happens or not. That is a solid enough reason for this rating, in my eyes.

In an attempt to broaden my interests and review types, I set out to watch more documentaries. You know whose documentaries I usually enjoy? Why, those HBO Documentaries! I really only remember one specific one, Hot Coffee, and that one was really good. So why not another?

I picked Miss You Can Do It mostly because I liked the title. I went in knowing that it would talk about the first woman with a physical disability making it to the Miss USA pageant, and that she started a pageant for young girls with special needs as well.

And uhh. Well. That is basically the story I guess. And that is basically the documentary. The girl in question is Abby Curran, who at 20 won Miss Iowa 2008, sending her to Miss USA. She has cerebral palsy, just a milder version that mostly messes up her walk only. She made the Miss You Can Do It pageant actually in 2004 though, when she was sixteen, which is the miraculous part.

People from all over the US come and compete. I can’t tell how often it happens, but it is for young girls, most likely middle and elementary school.

Look, one of the girls dressed up as a sailor for her casual wear. CASUAL WEAR. That’s how you know their lives are rough.

So let’s get to the real talk. Not a lot happens in this documentary. They show us the lives of ten of the pageant girls. Their home life, school life, interview process, talks with their parents and more. Good insight, some are harassed, we get that. Also over the last decade or more, it has gotten a lot better. Kids/students are being more acceptable of those with differences. You hear every year about how a girl with down syndrome or confined to a wheel chair gets picked for prom queen instead of some popular girl.

But how much of that is fair, really? This might be a tangent, but hey, it relates to the movie. It is now getting to the point that if there is a voting based competition, and someone has a disability, they have a good chance of winning it now. Which is fine, if they deserve it the most, but the ultra PC-ness has lead to people voting that way because they think its the right thing to do only. I feel bad for the other girls who might have been dreaming of this moment their whole life, only due to sympathy.

Is sympathy the right way to vote though? I don’t know. I feel like it might be one of several categories to consider.

I only assume people have these hopes and dreams thanks to movies. My own high school experience didn’t have anything ridiculous like that.

However, like this is awesome and helpful for a self-esteem point of view. Watching this documentary and watching the happy faces of these girls who live lives I can’t even comprehend was joyous. I also might think the sympathy vote is what a lot of girls would use to win a competition.

I don’t know if I fully made any points here actually. The TL;DR is that the sympathy vote is crap, and every time I see a disabled person win a popularity contest, I wonder how much of it was from sympathy and how much was from actually earning. It is the cynical part of my mind, I guess. I won’t go into any further thoughts my cynical mind might have.

This documentary on it’s own doesn’t do a whole lot, just showcases a thing that exists that you might not have known about. No debates, no changing point of views, nothing. So it is okay. Kind of disappointing from an HBO Doc point of view, but okay nonetheless.

The first and only time I heard about the movie Dom Hemingway was as a trailer before The Grand Budapest Hotel. The latter movie was fantastic, so that felt like a good sign for Dom Hemingway.

But the trailer? The trailer made me want to see Dom Hemingway right after I watched my Wes Anderson picture. You should watch the trailer right now. t

So, a few months and a move later, I can watch hopefully a very interesting character driven movie.

With characters who drink in the public with no regards to laws or facial hair restrictions!

Dom (Jude Law) has been in prison a long time, twelve years in fact. He hasn’t said a word about his former boss after the gig went south, but he is still kind of pissed over it all. Dom used to be the best safe cracker in the biz, now he is stuck in prison, missing his wife who died of cancer and daughter who was just a teenager when he left.

But then the call came through. Dom is free to go. So he reconnects with his old buddy Dickie (Richard E. Grant) and demands that he go see his old boss Mr. Fontaine (Demian Bichir) to get the money he is owed, plus interest, and maybe a little bit something extra for keeping quiet for so long.

But Dom? He is a drinker and a drug user. He has a lot of sex and rock and roll to catch up on thanks to the last twelve years, and his mouth and filthy habits might get the best of him. Like when he sees Paolina (Madalina Diana Ghenea), Mr. Fontaine’s girlfriend. Smoking. He wants that. He also wants to re-kindle the relationship with his daughter, Evelyn (Emilia Clarke). He also wants a shit ton of money and to never stop partying.

Good gosh, what will become of this sad little man? Also starring Kerry Condon as a very strange extra role and Jumayne Hunter as a new gang leader who might need a safe cracker.

Whatever it takes. That safe is getting opened. Maybe.

Dom Hemingway started out as everything I had hoped it would. A 1-3 minute conversation from Dom to what appeared to be the camera about his penis and how hard it was. Yes. That is exactly what I need.

But seriously, the beginning of the movie was fantastic. Dom living life up large, all the way to getting to Mr. Fontaine’s house. I thought I was on a wild ride that wouldn’t stop. Then a small twist happened, and the rest of the movie began to change as a result. Dom was left a broken shell of a man who had lost his way, with nothing going right. That part, although still acted really well, just kind of felt off from the first half. The second half definitely had some exciting moments, but it felt a bit slower and less exciting than the first half.

So that is where I am at. Jude Law? Fan-fucking-tastic. Really great. He killed this character and it was great. I want more Dom Hemmingway. I want a movie where he is just hanging out in prison for twelve years. I don’t want any character development, I just want the black comedy that I knew this thing could be.

The movie delivers on some aspects, but the ending just…loses so much interest for me. Hard to describe. But I think it failed to maintain the high bars it set early on.