Tag: Drama

What is going on with Chadwick Boseman?

For the most part, he is relatively new to the movie scene. He has had a bunch of temporary roles in TV shows, mostly one offs. But then he got to play Jackie Robinson in 42. Then he got to play a highly sought after draft pick in Draft Day. And now? Now he is doing another biography, but this time not an athlete.

He is going to play James Brown, because of course, Get On Up is his story.

Damn Chadwick. James Brown and Jackie Robinson? Who will he play next, Oprah Winfrey?

James mother fucking Brown (Boseman). A cultural icon from the 1900s, a man who seemingly was around and performing forever, and in the news for sometimes less than glorious reasons. He came from humble beginnings, living in a small shack in the woods with his mom (Viola Davis) and dad (Lennie James). After that, he was working for Ms Honey (Octavia Spencer), a madame. After that? Prison.

That is where he met Bobby Byrd (Nelsan Ellis), not a prisoner, but a local singer, and James impressed him with his own unique sound. Next thing you know, he is part of a gospel group dabbling in that R&B, and eventually the dabble takes over and James Brown and the Famous Flames become a thing. The rest? Well, you know. Drugs. Wars. Marriage. Kids. Drugs. Friendships. Drugs. Egos. The story basically writes itself.

Featuring a bunch of people, who I will try to write in order of importance: Dan Aykroyd, Jill Scott, Craig Robinson, Fred Melamed, Brandon Smith as Little Richard, and two small cameos with Allison Janney and John Benjamin Hickey.

And this isn’t even his final form.

When I left Get On Up, I felt good. I didn’t know that I would. I felt nice too. Not sure how to describe the nice feeling, maybe sugar and spice? Hard to say.

Either way, if I can say anything about Get On Up it is that it is certainly entertaining. A lot of energy was put into the film, especially early on where it seems to go everywhere hard and fast. The movie isn’t told in a linear order, splicing in scenes from his childhood through a slight narrative of events, and finishing those events when the film felt like it. It also featured some breaking of the 4th wall, allowing Brown to narrate his own story to the audience and explain things.

But the real stars of the film are, well, the stars of the film. Chadwick Boseman and Nelsan Ellis. Holy shit. First off, Boseman, knocked it out of the park (its a baseball metaphor, get it?). When he was Mr. Robinson, I thought he did okay, but it didn’t seem like a lot of acting going on. He acted the shit out of James Brown though. He had the voice, he had the moves, he had the charisma. I was a little bit skeptical, but he did a really amazing job.

Nelsan Ellis? I don’t watch True Blood, so I don’t know a lot about him, but the amount of heart in his role was incredible. He looked so sincere about everything and my emotions tended to match whatever he was feeling versus Brown’s emotions.

Some aspects of the film were disappointing of course. All of the music in the film is actual James Brown recordings, so no we don’t get to hear Boseman try out that voice. Probably impossible, I guess.

It didn’t go a lot into his troubles with the law in the last decades of his life, but gave you enough to figure it out.

This film doesn’t make out James Brown to be a saint (probably because everyone knew he wasn’t) and mixes the good with the bad and a whole lot of soul.

Under The Skin is a movie that was on a lot of people’s radars. Why? Well, because a lot of people are perverts.

Because the main star of the movie is naked in this movie, and arguably a lot of people have wanted to see that. First time ever, and to those who wanted to see it just for the titties, here is some advice: Don’t.

Under The Skin is a very artistic and carefully planned film. It is eerie, and a bit bizarre, almost in attempt to punish those who would watch this movie for that one reason. The nakedness is definitely in most ways non-sexual. You will have to get your jimmies off some other way.

Although that nondescript black liquid is kind of arousing.

Somewhere in Great Britain, let’s say Scotland, some shit is going down. An Alien is on our planet.

That alien is in the form of Scarlett Johansson. Not actually the actress, just a random female in Scotland. This alien feels they are the epitome of beauty.

And now she is on earth. To study.

And uhh, yeah, that’s all I can really say. I can’t even tag really any other characters, because no one has a name, not even Scarlett. There are other characters too, some quite mysterious, but it is really hard to describe the movie other than that.

Oh yeah. And everyone is blurry. That is a fact.

Did I mention this movie was artsy? There isn’t actually a ton of dialogue in this movie, just once in awhile. Sure, people converse, don’t worry, but there is a lot of silence and music instead of interactions. After all, a lot of the time people are also alone. Talking to themselves would be weird

This movie is also incredibly uncomfortable. There are some twisted scenes that happen in this movie. Things that I wouldn’t want to describe, least the desired effect is ruined on you.

It is definitely a smart movie in that it doesn’t feel the need to explain, well, anything really. A lot of it could be open to interpretation and some of it is a bit beyond my own scope.

It is also, despite a well crafted indie movie that conveyed the messages the director wanted to convey, a movie I never want to watch again. Ever, really. It had some disturbing elements, but that is not the main reason I want to see it never again. I also think that knowing everything that happens in the film might take away from future experiences.

So to me this film is a one and done type of affair. Should you watch it? Probably, eventually, when you think you are ready. I just don’t think there’d be a reason for me to buy it because it would never get opened after the fact. Shrug. Oh well, I just need a few more explosions I guess (that’s a joke).

I FUCKING LOVE RICHARD LINKLATER.

It is a real love too. A similar love is only felt like that by me towards my future wife, my cat, and my movie collection. I cannot thank him enough for the Before trilogy. Another recent movie was Bernie. This man is a genius director, for sure.

So when I heard about Boyhood? I dang near shat my pantaloons. There are a lot of films about male adolescence and the pains of growing up. But never before has a movie like this been attempted. The movie took TWELVE years to film. TWELVE. The boy in question was 5 at the beginning, and finished with him becoming an adult at 18. It isn’t a documentary that shows his life or anything like that, he is an actor. But the story is based around the kids own experiences, cutting no corners as we see him in every grade before college.

If your mind isn’t blown by the shear magnitude of this movie, then you might enjoy Planes.

This movie has more family fun, because it has families, and they have fun.

Mason (Ellar Coltrane). Mother fucking boy wonder. Five years old, he could be anything he wants. His whole life is in front of him. He has an older sister, Samantha (Lorelei Linklater) by one or two years, is a brat and smarter than him.

He’s got a mom (Patricia Arquette), single and trying to raise two kids. Her ex husband, his dad (Ethan Hawke) is working in Alaska, away from their lives and late on child support. But he wants to come back into it, because he likes the kids, but hates the mother.

12 Years is a long time and a lot of things change. There are friendships that come and go and loved ones that come and go. Heck, there are step brothers/sisters too at one point. The mom wants to go back to school and make a career, but it is really hard with kids and no support, so some other lovers come into the scene (Marco Perella, Elijah Smith (That may be the wrong person. Trying to figure out his name, no imdb picture.)). They also have at least one grandma (Libby Villari) to help.

And Mason is kind of just along for the ride.

Through his twelve years you will see him gain and lose relatioships, struggle and excel at school, deal with the assholes that his mom brings into their lives, deal with his dad changing through the years and never always being there when he needs them. And you know, other growing up experiences like college, graduations, birthdays, first jobs, first cars.

Young Ethan Hawke. We don’t miss you that much.

Shitty plot descriptions aside, Boyhood was everything I could have hoped and more. I mean, how do I describe watching a kid grow up and make it seem exciting.

Well, IT IS. Knowing that it was pieced out and planned in such a way does enhance it as well, as we get snapshots of a life through 12 years. But the movie is not merely a nostalgia trip (although it does a good job of that, making sure the music is set to the right year with other events/cultural references being relevant in the filming). It has something almost anyone who is over 18 can find a connection with. Not just boys either. For a long period of time, the sister is also in the movie with him, so while not the overall focus, there are relatable characteristics in her as well.

The movie also doesn’t go to enormous lengths to create additional drama. It shows us what we need to see, but not excessively, especially in the later chapters. There are quite a few tense moments when the audience collectively gasped, thinking a few bad things were about to happen. But you know what? In real life, bad things like that don’t happen as much, except for in the movies. It knows what we would expect, and it sometimes delivers, sometimes does not. In that regard, it made it incredibly realistic, and amusing after the fact that when “Oh yeah, that would be silly, wouldn’t it?” thoughts ran through our head.

It is hard to convey my emotions about this movie. Especially in that it wasn’t one that made me cry a lot. I only almost came to tears once. But it was still quite emotional throughout the entire journey.

I mean. Shit. We got to know these characters for a long period of time in our lives. We got to see 12 years ago Ethan Hawke, who looked notably younger. It almost creeped me out.

Whether this is the movie of the year or decade, it is hard to tell. But it tells such a wonderful story that people can relate to, without any excessive Hollywood shenanigans, allowing for a realistic portrayal of life and getting older.

Brendan Gleeson is one of those actors who took a really long time to get noticed. He had nice dramatic roles and a sweet Irish accent, but lets face it. His looks probably held him back. But now that he has a distinguished old guy look, his talents are more noticed and he is getting leading roles.

A few years ago, he got The Guard, and now he gets the movie Calvary. Both black comedies / dramas in a way too. I guess it is okay to have a genre niche.

I am surprised the “Movies With Scenes In A Meat Locker” genre hasn’t taken off more fully, either.

Let’s pretend you are Father James Lavelle (Brendan Gleeson). You are an old man, running a small Irish Catholic church in a tiny community. There are only a few other priests in the area, like Father Leary (David Wilmot). That means a lot of soul saving falls on one man.

During mass on a Sunday, in confessional time, a person says that they were abused by a Catholic priest when they were younger and goes into great detail. The priest has since died, but the man is still angry. He wants to get back at the Catholic Church, and to do that, he wants to kill a good priest to send a strong message. He wants to kill Father James Lavelle. In exactly one week he will come back to kill him, in order to get his affairs in order. Then he leaves.

Huh. That is terrifying. There are only a few people in the area, so it can only be a few people. But who?

Here is a vague list of actor names of characters, instead of talking about all of them individually. I even threw in a woman, too. (Chris O’ Dowd, Aidan Gillen, Dylan Moran, Isaach De Bankole, M. Emmet Walsh, Domhnall Gleeson, Marie-Josee Croze).

Oh yeah. Let’s not forget that he also has a daughter, Fiona Lavelle (Kelly Reilly), as part of his marriage before he became a priest.

As the story gets closer and closer to Sunday, more and more sinful activities seem to take place in his town, as if the whole world is going to Hell, and there is nothing the Father can do about it.

In true Irish fashion, his daughter of course is a ginger.

Despite the similar genres, The Guard and Calvary aren’t very similar. This film is much heavier on the drama and symbolism, while The Guard has more comedy, lewd behavior, and shooting of guns.

Gleeson puts on a heck of a show though, and even though I recognize his face in plenty of sinful characters from the past, I feel like it fits the best in a Catholic suit garb. Whatever those robes are called. He fit the character really well, including the few times in the movie where he broke down and did non Priesty things.

The supporting cast was especially up there for me, especially Dowd and Moran. Moran in general was just impressive with his character, and Dowd was impressive being in a more dramatic role which is rare for him. I have only seen Gillen in Game of Thrones, but his character is also pretty great. It is also nice to see Reilly in a controversial role after her last terrible role in Heaven Is For Real.

Overall, this is a really great and powerful movie. It might be pretty easy to get lost in some of the symbolism, or really figuring out where it is all going. I know I didn’t understand the whole thing without some additional research (and some of that research feels bullshit). Definitely a movie you might have to watch more than once to get the full impact of it.

Hoo, boy. Here I go. I am about to watch a movie called Nymphomaniac, VOL 1. That tells us that there are two volumes. Oh jeez, this is going to be something weird alright.

Directed by Lars von Trier, who gave us Melancholia, which I hated, and AntiChrist, which I don’t really want to see. This is supposed to be the end of some sort of some Depression Trilogy with the other two movies, so that doesn’t seem cheery.

I also know the original version of this movie was not split into two parts, but five and a half hours long in one go. That is a shit ton of movie. A movie about sex. For the two parts, about 90 extra minutes was cut overall, giving us the 2 two hour films.

I will try my best to be a grown up about all of this.

It was also pretty hard to find some PG pictures. Gotta have some standards.

Joe (Charlotte Gainsbourg) has done a lot in her life. Sometimes, multiple people at the same time. That’s right, Joe, a woman, liked sex. Get over it prudes.

But now she has found herself lying homeless in the streets. Thankfully, Seligman (Stellan Skarsgard), a local, has taken her off the streets to get her some food and help, in exchange for her life story.

So that is exactly what we get, or at least half of it in this first volume. We learn about her family, in particular her father (Christian Slater). He was a nice guy, and stop it, stop where your mind is going. A movie about sex doesn’t mean everything is about sex, he could just be nice.

We found about her experiencing sexuality as a kid, losing her virginity to Jerome (Shia LaBeouf), as a teen (Stacy Martin) entering public sex competitions with her friend (Sophie Kennedy Clark), breaking up marriages making irate wives (Uma Thurman) and even being a prostitute for awhile.

All of it being told, while Seligman relates his own stories and tales he has heard to her experiences.

Although his experiences don’t involve too many train gang bangs.

Hey, this movie has a lot of intense subject matter, so I will try to break it down.

At least in volume 1, they are not making an argument that her life is horrible due to her addiction to sex. Or at least, not from what I can tell. She doesn’t get shunned for being promiscuous, she is just able to more or less live out her life. Sure, she gets upset and sad over events and some are related to sex, but it isn’t the cause of all of her problems.

It also isn’t a porno. Sure, there is sex in the movie. And some of it graphic in nature. You might watch it and go “Holy shit, that is real sex. In a movie! I saw penetration!” Well, apparently all of the sex scenes were done through CGI stuff. So all of the sex scenes were set up very specifically, needing certain angles and shots for what was planned. And then it looked really real, making it a bit uncomfortable, but it wasn’t.

So how about the movie? Well, as a stand alone volume, I think it had some strong moments and some weak ones. There are five to six stories that are told, so of course not all of them will be hit or miss. But yeah, about 50-50 for me.

Kind of interesting film, didn’t go super hard in the first volume, so wondering where the rest of her story is going. By itself? It’s okay.

Rise of the Planet of the Apes did something miraculously a few years ago. It was able to bring back a cherished series, put its own stamp on it, and not suck completely.

You know, like what Planet of the Apes couldn’t do a decade and a half ago.

But still! Well done Rise. It relaunched a series and gave us a good story. Outside of a really terrible forced romance, it was an exciting movie that I have watched many times.

So, no pressure Dawn of the Planet Of The Apes.

Pressure is Caesar’s middle name. Wait. No. That was Julius.

Dawn is set ten years after the events of the first film. The virus spread throughout the human race, killing most of them. Sure, there were people immune to the virus who are now survivors. But their numbers are few in small cities across the globe, running low on resources and technologies that once were plentiful.

Caesar (Andy Serkis) and his band of merryapes are living peacefully in the red wood forests outside of San Francisco. They haven’t seen humans in years. They hunt deer, protect their own, have rules, are teaching the youth. But then? Humans.

A group of them, including Malcolm (Jason Clarke), Ellie (Keri Russell), Alexander (Kodi Sit-McPhee), and Carver (Kirk Acevedo). They are to go to the nearby dam to try and turn it on. Supplies are low.

However Ape/Human relationships are quite tense. Caesar is willing to trust them and forgive, but other apes in the vicinity, like his general Kobo (Toby Kebbell) might not be as trusting. Add that with the human fear of the apes, lead by the San Fransisco ex-military leader Dreyfus (Gary Oldman) and you got the potential for quite a boondoggle.

Also, Nick Thurston plays Blue Eyes, the son of Caesar (because Augustus would be silly).

I know what you’re thinking, human. You’re thinking “did he fire six shots or only five?” and “Does that Ape know how many shells are even in a shot gun” and “Does he think that gun is candy?”

I will definitely give this movie one thing. It did a great job at world building after the events of the first film. Of course, we only get to see a small area, San Francisco + forest. It would have been cool to see more of the world. For instance, just how many humans are there? I assume that will be answered in future parts.

Caesar / Serkis was also really cool. Everything about him was awesome. Speech, movements, plot line. What a baller guy/ape.

But other than that? This movie disappointed in some ways too. At times the CGI was really jarring, standing out, and even looking kind of shitty. Some of the characters looked awful and I was taken out of the experience. When the Apes and Men clashed for the first big fight? That looked terrible. The other fire scene? Didn’t really work for me either.

The film also dragged on at different times. All of it part of the world building and getting used to this new civilization. And I kind of just wished it would get to the point closer. The ending itself felt a bit predictable too, offering not a lot new minus the fact that it involved apes.

The movie had a lot of good, and a lot of average going on for it. So although parts were awesome and the movie had a good vibe, I couldn’t help leave feeling a bit disappointed. Also for those who hate reading, 1) thank you for still reading my reviews, and 2) there is a bunch of subtitles.

Finally, the moment everyone has been waiting for. A comedy biopic about the life of Paul Potts!

What? You don’t know who Paul Potts is? I mean, come on, he is… uhh. Shit. I never heard of him either. This is a real story? I just thought it was a comedy about a guy wanting to sing Opera and people getting in his way.

So this guy got famous for winning Britain’s Got Talent, which is the first iteration of that show, and thus the first ever winner. I guess that makes him special? Sure.

One Chance is a reference to the show being his only opportunity to make it big and stop selling cell phones, and I guess the name of his first album.

And who can really hate a sad clown?

Before Britain’s Got Talent, Paul was just a fat kid in a choir. He sang like an angel, typical of kids, and got beat up for it, also typical for kids. Yet somehow into his early adult life, Paul (James Corden) was still getting beat up by local yokels every once in awhile. Bunch of savages…

Well, things are about to change. A girl he was talking to on the internet is coming over to visit! Julz (Alexandria Roach), and she was a real woman! Internet success! His job as a cell phone salesman is okay, but the manager (Mackenzie Crook) is inept. Either way, they like each other, and he just recently won a talent competition for cash. This will let him travel to Venice and take a real Opera class and maybe meet the Pavarotti.

I have been told this Pavarotti is a real big Opera name.

Either way, he does good there too. Performing with Alessandra (Valeria Bilello), he is able to earn a chance to perform for Pavarotti. But the theme of this movie and his life is that something goes wrong.

Paul is hit with injury after injury, with some freak accidents, to always take his career steps back before he gets his next “One Chance.”

Then you know, eventually Britain’s Got Talent does something.

His parents are played by Julie Walters and Colm Meaney.

Oh shit, he wins! Surprise!

Once he auditions for BGT, the movie quickly recaps that he wins and becomes famous, tours, sings for the queen, and then end.

Huh? What? But how did fame change him? We don’t get much of that story. I guess being a success isn’t as interesting?

One Chance is an incomplete biography that is comical in nature, in that bad things keep happening to him. Unfortunately, while watching it I could help but wonder who the hell care? Knowing how he got famous, and knowing that it was produced by the same people who did BGT, it just feels like an awkward advertisement to make their show seem relevant.

“See? We are awesome. We saved him!”

Yeah. Who cares?

A guy who is unlucky does not on its own an interesting movie make. I don’t know if James Corden was actually singing, but it didn’t seem like it, and felt pretty awkward.

I feel like this film could have been a lot better, but after viewing, the trailer makes for a much more enjoyable and time saving option than the film itself.

It took a few years, but today I finally get to finish a trilogy of reviews on this site. I don’t know why it took me so long to see The Way Back, as I got it probably two years ago. Just needed the right moment.

Although un-officially, The Way Back is the second movie of a trilogy. The other two are of course The Way and then The Way, Way Back. I know I watched them out of order, my bad. But those two movies made me really excited about this one, mostly for the fact that I gave them both 4 out of 4.

I don’t necessarily enjoy watching bad movies (despite the number that I do see), so anything to give me hope that a movie might be amazing is fine in my book. Even if the logic is absurd.

If I remember correctly, no other movie in the “Trilogy” uses the word Gulag.

Life during WW2 was probably hard. Not too much Freedom in Europe, people dying, and if you were really unlucky, you might have been sent to the middle of nowhere Siberia to live in a Gulag. A Gulag was a nice labor camp where people had to work and eventually die. You may have saw one in Muppets Most Wanted. They aren’t too hard to get out of either, because there is generally no way someone could survive the harsh weather and get anywhere safe. There are many animals who would kill you, and communities all around know they will get a bounty if they return any escaped criminals.

But that’s not to say that people didn’t try anyways.

Like Janusz Wieszczek (Jim Sturgess), a Polish POW who was sent to the gulag and definitely doesn’t want to be there. After some cruel conditions, lack of food, and harsh weather, he finally gets a group of people to escape with.

We have an English engineer Mr. Smith (Ed Harris), an actor Khabarov (Mark Strong), Zoran (Dragos Bucur) a Yugoslavian accountant, Voss (Gustaf Skarsgard), a Latvian Priest, Tomasz (Alexandru Potocean), a Polish artist, and Kazik (Sebastian Urzendowsky) a Polish man with night blindness. Hmm. Who else who else. Oh of course, Valka (Colin Farrell), a Russian criminal.

I would like to thank Wikipedia for giving me their ethnicity and work information because there is damn no way I would remember most of that.

Unfortunately, after traveling through the winter storm areas, with some men dying along the way, they find that Mongolia seems to be under Communist command. That is just escaping into more enemy territory. No, it looks like they might have to walk even further from Siberia. They may have to walk to India, through the Himalayas and Tibet, through a grueling desert and treacherous mountains. Oh boy. That is a long way back.

Also, at some point they meet Irena (Saoirse Ronan), a young Polish girl with questionable back story.

My theory is that she used to be that stick.

The Way Back is not run of the mill action escape movie. It also isn’t necessarily about the initial escape either, so there isn’t an hour of lead up before they break out. The movie is about the journey after they escape and their long walk to freedom.

It could be considered an Epic of sort, because it is literally a hard drama about people trying to survive in harsh conditions. Everything felt so realistic with their journey as well, from blisters and swelling, to dry caked lips. It was hard to watch at times, knowing that if I was in a similar situation I probably wouldn’t have made it out of Siberia.

I see it was nominated for an Oscar for Best Makeup and it was extraordinary. That, coupled with the excellent cinematography and scenic views really draw you into the film and make it a memorable experience.

At the same time? Eh, it lulled a few times in the movie. I can’t tell really if this is supposed to be a true story, but it is inspired by a book. I think the film suffered from too many characters early on. They might have needed them just to kill some people off and showcase more the harsh conditions, but it became a bit harder to tell who was who (when they were all bundled up and frost bitten) and who would just be movie fodder.

Overall a really well done film though.

Movies that examine the human condition and push “normal people” to their breaking point tend to excite me and scare me at the same time. Whether those are based on real or fictitious events. For example, one of the better known examples of a movie I am talking about would be The Experiment, a fictionalized retelling of the experiment that was actually done with similar results.

That is terrifying.

Exam isn’t based on a real test, but it takes elements from those sorts of psychological thrillers.

It could also be considered a bottle epi-uhh. Bottle movie.

Eight people are looking for a job. After passing grueling tests/tasks, none of which are shown or explained, they are the final eight people who are in consideration. There isn’t a lot of knowledge about the job details, but it requires being a leader, making tons of money, and changing their life forever.

We don’t know their real names, each candidate was just given a number, a desk, a paper, and a pencil. One of the candidates decides to call each person by their descriptive name of skin color or hair color and they seem to stick. So we have White (Luke Mably), Black (Chukwudi Iwuji), Brown (Jimi Mistry), Deaf (John Lloyd Fillingham), Asian (Gemma Chan), Blonde (Nathalie Cox), Brunette (Pollyanna McIntosh), and Dark (Adar Beck).

There is one man who tells them the rules, The Invigilator (Colin Salmon).

1) No trying to communicate with him or the guard (Chris Carey) at the door.
2) No spoiling their test.
3) No leaving the room.

They have 80 minutes to answer one question and one question only. Then, you know, the movie plays out.

“How does paper even work, really?”

Exam early on was able to keep my interest. There wasn’t a lot of music, it was just people talking and a lot of mystery up in the air. The viewer watching will want to pay close attention to everything going on to try and figure it out before the movie explains it all. It excelled there.

I was disappointed this wasn’t a real time movie. It is 100 minutes long, and an 80 minute test. They had a few minutes before the timer, and a few scenes after it. It would have been so much more creative to just literally give us an 80 minute exam. But no, time was sped up and skipped on multiple occasions, I think creating a more disappointing movie atmosphere.

Secondly? The ending was kind of…well…dumb in my opinion. They will explain everything to you, but even when they do, it still doesn’t make too much sense. It is the result of trying to be too clever and thus potentially just angering your viewers instead of making them feel enjoyment.

So there you go. An okay acted movie, with a lot of build up, but it all just flattens by the end. Still enjoyed the tense moments and human nature, however.

I first heard about Snowpiercer like a lot of people when I was getting insulted by people with a lot of money.

Despite making boat loads of money in South Korea where it debuted, The Weinstein Company wanted to delay its release in the US, like everything they grab. Why? To make cuts to the movie. The original movie is right at two hours, but Harvey said no, 20 minutes have got to go. Why? So that the film “will be understood by audiences in Iowa… and Oklahoma.” If you don’t get it, that means he is saying that the average American couldn’t handle this film and it has to be dumbed down. You know, to take out some drama and story elements and giving us a shorter film that is much closer to a regular run of the mill action story.

Fuck that. Fuck that so much. That is one of the most insulting things I have ever heard from a movie executive. He says Americans are dumb and won’t like the movie that way. Just how patronizing can a person be?

Well, it turns out, as much as they want because the American viewer cannot do a damn thing about it. The director, Joon-ho Bong, was able to hold out though. After months of arguing, he was able to get the full version released to the American market. The only issue is, it is now limited release instead of wide release. Well, sucks for those guys in shitty markets, but as long as I get the full cut, I won’t be mad.

Well, I guess I could still point some blame towards Harvey.

In the future year of 2014, Global Warming is scary. So scientists have made a chemical that can reduce the effects of the gasses and counteract the rise in the temperature. They released too much though, causing the world to go into a very quick ice age, killing most of the life on the planet.

The only survivors are the people who made it onto the Snowpiercer train. It is a perpetual-motion engine so it can run forever. It travels the entire globe and also takes a year to return to a past point. That last part isn’t plot important, just kind of cool.

But life on the train isn’t all peaches and cream. A caste system was quickly formed, with a majority of its inhabitants taking up cramped quarters in the tail of the train. They are fed protein bars and occasionally some kids are taken from them. They have to learn their place. Past riots and attempts to move on have failed. But this time? This time, they are ready.

It will be lead by Curtis (Chris Evans), influenced heavily by Gilliam (John Hurt) an old wise man in the train car. Their plan involves breaking into the train “prison” to release a man (Kang-ho Song) who helped make the security between the cars to help move them through.

Featuring a lot of people, such as Tilda Swinton, Jamie Bell, Octavia Spencer, Ah-sung Ko, Ewen Bremner, Ed Harris and Alison Pill.

How cold is it? Flavor Flav has turned white!

For those that hate cramped conditions, you might feel a bit uneasy in a movie set entirely on a train. However, for those who like trains a lot, like Denzel Washington or that guy from The Railway Man, this would be the perfect movie for you.

For having an entire film set in a train, they did a real good job of not making it feel incredibly repetitive. The train itself is very long, housing a large number of people with quite a few amenities, so there are several different places we get to go.

I thought Snowpiercer was downright incredibly. It has some powerful themes that are pretty easy to relate too, resounding in the United States with the occupy movement still in recent memory. They aren’t anything new, but I really just loved how it was presented in this movie.

The issue with my review is that I just loved so many aspects of this movie, I am finding a hard time using words to describe just what made this movie so great. From the acting, to cinematography, to the action and drama, to the twists and turns. Just all aspects were phenomenal. Tis a good movie. Glad it didn’t get cut up.