Tag: Drama

The male stripper film sensation has really taken off. Three in just a few years! What an exciting new genre. I can only imagine that soon these will be marketed towards teenagers and driving big summer franchises based on “novels” and produced by Lionsgate!

Why did I want to see Chocolate City? Well first of all, I try to watch all the dance movies. Even after seeing the disgusting Battlefield America.

Second, come on, it is basically being advertised as the Black Magic Mike. Outside of bad Marlon Wayan parodies, if your film can be described as the black version of another film, then generally it could be very entertaining. Because it isn’t just an actor swap, it is a complete genre shift, with different issues and different goals.

They can create something wonderful. Or they could create something forgettable, like Peeples.

Or they could stare deeply into your soul and take it when you are most vulnerable.

Michael (Robert Ri’chard) is in college, on a partial scholarship, and working at a local diner as a chef. He has friends, rides a bike, and does good in school. And he can dance. That is important. But things aren’t looking super good at his house. His mother (Vivica A. Fox) is struggling to pay bills, and his older brother who lives at home (DeRay Davis) doesn’t have a job either. So funds are barely coming in, but he is told not to worry, he needs to work on his school work.

Despite his mom’s wishes, he gets some overtime at work. But in a bathroom, he also meets a man named Princeton (Michael Jai White), who offers him some working gig. So Michael grabs his brother and they meet up with Princeton at his club. They expect to be in line for bouncer or server or something, but sure enough, he runs a male stripper club, and it is amateur night. Since they already came all this way and Michael has muscles, he hits the stage, and makes a ton of dollar bills.

This is something he can really start to enjoy. All the attention, even if he has a girlfriend (Eurika Pratts), the money to help his family, and the money to help himself. He can be Sexy Chocolate, a terrible dancing name, but it is what it is. He just has to lie to everyone about where it is coming from and make sure people know it isn’t drugs. Hooray!

Also starring Tyson Beckford, Darrin Dewitt Hensen, Ginuwine, Ernest Thomas, Carmen Electra, and of course, Jean-Claude La Marre.

They had to train for a big group dance. Because Magic Mike.

Chocolate City knows it is the “black Magic Mike” and they run with it. Hell, they make two references to the film, one almost instantly. Which again, is not an issue as long as they tell their own story and make it believable or entertaining or decent.

But they didn’t. They went one of the cheap routes, and gave us a lazy movie hoping to monetize off the success of another film. Damn.

First of all, the dancing in this film was lackluster and mostly missing. A lot of shots show their dancers only from the waste up, especially our main character early on. I can’t imagine him becoming a big success, when we never really get to see him show off his moves. They have him and the other dancers starring straight at the camera, in order to make you few like a patron I guess, which is more awkward than interesting.

Some of the non-star dancers we can see dancing, but even then, the choreography is lame or very simple. The ladies in these clubs apparently just rain down the dollar bills for barely anything as if they have endless purses.

Say what you will about Magic Mike, but the excellent dancing was half the point.

I have no idea what is up with this director, Jean-Clause La Marre. He has directed and produced a lot of films, all low budget, and a lot of them where he stars in them as a Pastor Jones character. He really likes to play a preacher I guess. It is comical looking at his IMDB page and quite clear he might not be the most qualified person to direct an entertaining male stripper film.

Our characters aren’t really relatable. The main star is a dumb ass who lies to everyone. And eventually, of course, he sees the light and realizes he should stop. Of course. Except the very last scene ruins any amount of character development he might have gained by the end, turning the whole film into a quick “just kidding!” joke.

I am disappointed with Michael Jai White too. I enjoy him for the most part, and he is playing the Matthew McConaughey role, but it never really pays out or has that level of professionalism.

I guess I will just see where it goes, because coming this year, Chocolate City: Vegas!

The hardest part about understanding Krisha, before watching it, is pronouncing the title correctly. Did you have an “n” in the title? I called it Krishna for days before watching it and realizing I was wrong.

Krisha is also apparently a name. What a time to be alive!

And uhhh. I uhhh. I have nothing else to say about this movie. Let’s just get into it.

First scene unfortunately reminds me of Army of Darkness.

Thanksgiving is a wonderful time where people eat food and watch football and get ready to shop before and after. The most American holiday. More American than Christmas, because Christmas is mostly about spending money, and only somewhat about eating, with zero football. Some people also spend time with family, but they are weird.

This is one of those weird families!

Krisha (Krisha Fairchild) hasn’t had a Thanksgiving with her family in ten years. She is old though and they have invited her back after some problems. She isn’t even the oldest one there! Her mom (Billie Fairchild) will be there too.

And well, most of it is normal Thanksgiving things. A big ass turkey. Food prep. Horse play. Watching pornos. The normal stuff.

And a lot of talking. But eventually, in the final 20-30 minutes, some drama will happen and yelling and bad things.

Also featuring, well, fuck it, here is the whole cast: Atheena Frizzell, Augustine Frizzell, Bill Wise, Bryan Casserly, Chase Joliet, Chris Doubek, Olivia Grace Applegate, Rose Nelson, Alex Dobrenko, Robyn Fairchild, and Victoria Fairchild.

Yep, just talking and smoking. Thanksgiving is the best.

I posted the full cast list for a reason. First of all, I don’t really remember the names of the family members that were actually important. Most of them do not have IMDB pictures so that makes it difficult to really figure it out.

And secondly, at least half of the cast is related. Half of the cast play characters with their same first name. It is clear for the most part this film is about a real family that, for all I know, is actually experiencing these same issues. So the director or writer did this to add realism to the film. That could be considered genius, I call that lazy.

Half of the cast are not actors, so realism aside, this type of thing shows. Most of them are the background characters, but it is still just a very strange experience.

As for the film, the drama all comes at the end, so most of the first hour of the film is just waiting. Watching people do normal things and have normal conversations. Waiting and waiting. They don’t have you waiting too long, because the film is only 80 minutes, but an hour is still incredibly long.

This movie was based on a short, which I imagine got to the point in a much smaller amount of time. And frankly, they should have kept it this way. Because when the bad things started to happen, and the screaming, it was too little, too late. I lost interest. The acting was fine from our main character, but it didn’t even seem like a big deal.

Krisha is a very forgettable experience, both in terms of story and who is even involved in the project.

Hello, My Name Is Doris first premiered at the Austin, TX SXSW festival in 2015. And it took a whole damn year to come out. Literally, the 2016 SXSW is closing as this film is starting to get its nationwide release.

Some film companies really like to take their time I guess.

I didn’t know a whole lot about the movie going into it. I just knew it had Sally Field, who has barely been in anything lately. Outside of a TV show, she had three recent movies, a couple Spider-Man films and Lincoln. Her last movie before that was all the way in 2006. I have to assume she is getting close to retirement, or she doesn’t need the money and only wants to work on things that look interesting to her. Not Spider-Man though, because she apparently only did it for a friend and didn’t for the films that much.

But hey, at least she isn’t going the Robert De Niro route and starring in every shit film known to man.

Love can do strange things to a little girl.

Doris Miller (Sally Field) is in her mid-60’s and she has just lost her mom. She has lived with her mom her whole life in the same house on Staten Island. It is a bit inconvenient, as she has to take a ferry to work because of it. According to her brother (Stephen Root) and his wife (Wendi McLendon-Covey), their mom was a hoarder and it makes Doris a hoarder too. They also want her to move out of the house, the one she has lived at for over 60 years taking care of their sick mother on her own, so that the junk and house can be sold. She can get a cheaper smaller place in the city and not have a huge commute to work! Well fuck that.

Speaking of work, she is an accountant/data processor type person, in a fresh hip magazine company thanks to some mergers and acquisitions. On the stuffed elevator, she meets John (Max Greenfield), a friendly person who happens to be squished up against her, and sure enough he is a new art director in their company! And he is so dreamy. She starts to day dream about him, despite the serious age difference. She wants him.

And after meeting a self help guru (Peter Gallagher), with her best friends Roz (Tyne Daly) and Val (Caroline Aaron), she decides that anything is possible and she should work for it. She deserves love after all this time, and she deserves John.

Smaller roles are played by Natasha Lyonne, Beth Behrs, Isabella Acres, Kumail Nanjiani, Rebecca Wisocky, Don Stark, Rich Sommer, and Elizabeth Reaser.

He is so god damn charming in this movie. The opposite of his New Girl character.

Squeee, what a cute and cringey movie. Doris is the best character Sally Field has played in YEARS, and no just because she has barely had any roles over the last decade. It has been so long that I have forgotten that Field has won Best Actress twice in her life (in the 70’s and 80’s) and just now associate her as a once great actress who shows up every now and again. But she wasn’t just a great actress in the past, she is still a great actress now. Doris is an amazing character and she is brought to life by Field in an almost magical way. Her performance was funny and sad at the same time. Not super realistic for the most part, but the situations she was in and how they were handled were realistic. It would be impossible for a viewer to not join her on the roller coaster of emotions and feel the way she feels.

Hell, the film even did a good job at subtly letting the viewer really see how hoarding takes place. She says at one point that every item has emotional value and a story, but we are allowed to see that play out naturally with just a single broken pencil. One woman’s junk is another woman’s purpose.

The supporting cast was also noteworthy. Greenfield showed that he can play non-douchey roles and can be a multi dimensional character. But even more of a stand out was Daly as Doris’ best friend. She was about as unique as Doris with her own weird quirks, but together they made an incredibly believable performance of two women who have been best friends for over half a century. You could tell they both cared about each other and it was an exciting side arc to see along side the main story.

Field was great in this film. She deserves an acting nomination most definitely, despite coming out so far away from the awards ceremonies. You will laugh, you will almost cry, and you will cringe from all of her mistakes.

Miracles From Heaven is the latest close to Easter Christian film release to happen this year, the first being Risen, and the next one after this being God’s Not Dead 2. I figured I should tell you that these all exist, because it is easy to get lost in it all.

Miracles is by the people who brought us Heaven Is For Real from a few years ago, also based on a book based on a true story. And of course, Heaven is in both titles. They want you to know right off the bat what you are getting in to.

Sure, I almost never rate Christian films highly, because they are all pretty similar. Overacting, cheesiness, non realistic situations, straw men, whatever. But what annoyed me in particular about this one ahead of time was the marketing. I barely saw anything for it, but I did see a viral post on the Facebook. At the risk of giving this random person more views, here it is if you haven’t seen it.

Now, first of all, yes it is just the trailer. And the trailer is cut off on the left and right due to the actual size of the post. But this trend of having text on the top and bottom of gifs or videos is incredibly annoying. First of all, it takes away from the original creators of the gif/video, and puts someone else’s mark on it. It usually changes the distortion of the video and makes it smaller. But lastly, what an annoying thing to even write on just a trailer to get people to share. It feels underhanded and deceptive almost. I hope I don’t start seeing more of these, because people will fall for this way of advertising apparently and not realize how crap it is.

And of course, you also have to see the trailer for this film, which tells 100% the whole damn story of the movie.

Oh hey. That guy. I like that guy. Never mind, I need to see this movie!

Let’s journey back in time to a few years ago to Texas. Near Ft. Worth, not near Dallas. We will meet the Beam family, which is a strange last name to hear a lot as you will assume bean half the time. The patriarch is Kevin (Martin Henderson), a veterinarian, who recently convinced his wife, Christy (Jennifer Garner) to let him open up a bigger clinic. They have a lot of animals on their large farm, but also three daughters: Amy (Brighton Sharbino), Anna (Kylie Rogers), and Adelyn (Courtney Fansler).

Anna is our main girl though, the middle child, because she has stomach pains and no one knows how to help her. Eventually they figure out that her intestines are not working, they are basically bloated and paralyzed, so she cannot eat any solid foods. She has to switch to liquids. It is a disease with still no known cure, so it is mostly about making her comfortable through all the pain and living with her for the few months or years she may have. But Christy will not accept it. So no matter the cost, no matter the strain on her family, she will help her daughter. They even get her into the best doctor who works with kids with these sorts of problems. Dr. Nurko (Eugenio Derbez)! Except he is in Boston with a long waiting list.

Well, they will get through this. No matter who loses faith. No matter who gives up on life. No matter what strange accidents that might occur eventually and cure the disease surprisingly despite no known cure.

Also featuring some smaller roles from Kevin Sizemore, Queen Latifah, Bruce Altman, and John Carroll Lynch as the preacher.

Damn this family just looks perfect.

Okay here we go. Miracles From Heaven was not as bad as most other Christian cinema. It wasn’t overly cheesy, nor was it overly preachy. The acting was average to good, only poor acting coming from some random extras. It also did a lot better at connecting to the viewer on an emotional level. It doesn’t make it a great movie, it just makes it better.

Now of course, I am still a relatively new father. So movies that are about the potential (or actual) loss of a child, especially a girl, really get right up into my brain and make me feel the sad feels. So yes, Miracles From Heaven made me cry. Not just once, or twice, but several times. Just getting caught up in all of the emotions, the sad and the happy. After all, once you start flowing, it is hard to really stop. So obviously the film did a wonderful job there of jerking the tears.

In all honesty, a lot of me just seemed to feel bad for Kevin, who had to try and hold everything together, working long hours, still taking care of the kids and missing out on events, while trying to be an emotional rock for his family.

But enough about that. This movie did feel too long. And if you saw the trailer, there is not a whole lot of reason to see the movie outside of an emotional experience, because you see how she even gets healed. There were a lot of unnecessary scenes without any real payoff, like Queen Latifah’s character. You could cut her out of the movie easily and you wouldn’t miss out at all. It felt like there were several potential ending points, which kept me feeling tied down. And of course story wise, there isn’t a whole lot of plot.

Only one “prayer” scene felt really awkward or out of place, and that was when Christy was losing her faith and yelling at the sky. There was also a heaven scene that got really strange, but I guess it was required to happen.

Oh well. A decent recounting of the true story of a girl who had issues who then lost them after getting into an accident. What it doesn’t try to do is prove that Jesus is real through the story. It is only a small part. Unlike Heaven Is For Real, which is all about trying to prove it with terrible evidence, this is a story about a family going through a tough time and becoming stronger on the other side. Miracles is now the new film that I will compare all future Christian films to.

It took me so long to watch Sleeping With Other People, because I made a lot of assumptions based on the title.

I assumed it was about two people in a relationship who were going through a tough time. Their sex drives were low but their love was high and that was making them frustrated. So they agreed to let themselves sleep with other people. Just to spice things up.

I didn’t feel like seeing it, because I already saw that movie in The Freebie. And hell, I also saw Hall Pass which was similar enough and shares a main actor.

But I was wrong, and the assumption made us all assholes. Or something like that.

Shit, here they are sleeping with each other. What the fuck movie title?

Let’s start out in 2002 or so. I forget the year. Early new millennium! Lainey (Alison Brie) is banging on a dorm room door, trying to get some sex with some loser. Before she gets kicked out, Jake (Jason Sudeikis) says she is here as his guest, so they hang out and talk about her issues. And they have sex, both of them being virgins after a long night of getting to know each other.

Then you know, they lost touch over time. Now it is modern day. Jake is addicted to sex, full on. He has sex a lot, is known as a player, and has even gotten around to his job. He is trying to sleep with his new boss (Amanda Peet).

Lainey is addicted to…love! She breaks up with her boyfriend whom she has been cheating on with constantly. With Matthew (Adam Scott), a gynecologist, the guy who she tried to sleep with in college so long ago. Except he has a pregnant wife, but she can’t get over him.

Either way, Lainey and Jake eventually meet up and go on a small date. They both open up with their relationship problems and agree that sleeping with each other would be a bad thing. They should remain just friends, avoid sexy talk if possible, and just help each other with their issues.

But you know, this is romance thing. That’s all I will say.

Also starring Anna Margaret Hollyman, Jason Mantzoukas, Natasha Lyonne, and Andrea Savage.

Taking off shirts at a kids birthday party is one way to avoid sexy time.

Sleeping With Other People is one of those strange movies that doesn’t even show some sexy times occurring. I am not clamoring for penetration in film or anything ridiculous, just that the sex they show looks very unnatural, with the characters wearing all their clothes still and usually just collapsing at the end. Yes, this happens all the time now it seems, especially with the PG-13 Rating. But this movie is rated R. Let’s use the old internet sexist phrase, “Tits or GTFO.”

Sorry to be crass. But just an annoyance and a strange step away from realism that has been growing.

There are amusing moments in Sleeping With Other People, but I think the downfall of the film is in its dramatic moments. They tended to feel a bit more nonsensical than the comedic ones, which is normally opposite. I could never fully connect with either character, who both were living lies for months. They needed Mike Tyson to just walk up to them and say “Now Kith” to get it over with.

This analysis is dull, because the movie is just so damn average. It is a mediocre plot, with average acting, an occasional funny moment, and many without. Watch it if you like the actors, ignore it otherwise.

Cloverfield was a very polarizing movie back in 2008. Most people you would talk to had strong feelings one way or the other, but if you went on the internet you will find almost universal praise. Time changes everything.

Now imagine everyone’s surprise when the first trailer of 10 Cloverfield Lane appeared a mere three months before the release date. No one knew it was coming, nor did they know what it was about. Produced by J.J. Abrams, he described this film as a “blood relative” to the original Cloverfield. Again, a vague statement.

Needless to say, this is not a sequel to Cloverfield. The Director admitted just days before release that it technically didn’t even take place in the same Universe as the first film. No relation at all. Unfortunately, these quotes aren’t plastered on the commercials and posters. I predict a lot of people going into this film and being upset at the lack of monster. Abrams also said he intended for the Cloverfield name to be a sort of anthology of similar-esque films, but each unique and on its own. Like a Twilight Zone movie franchise, without a narrator.

However, I’d watch all three of these actors play board games for two hours and rate it a 5 out of 4.

Michelle (Mary Elizabeth Winston) is leaving her fiancé/husband Ben (Bradley Cooper). You don’t need to know why, but she is moving out, grabbing only a few things, and hitting the road. Hell, you don’t even have to know about the weird power outages affecting the coast. You just need to know that Michelle is now alone and driving off somewhere that no one knows about. Which is why when she gets into an accident and ran off the road, her friends and family will have a hard time finding her.

Especially when she wakes up in a room, full of scratches and hurt knee. She is down to her underwear and handcuffed to the wall in a mostly barren and locked room. Shit.

Her captor is Howard (John Goodman), a gruff man who claims he saved her life. They are in a bunker because something bad has happened on the surface and the air is toxic. So he claims. He wants her to treat him with respect, saving her life and all. He is totally the best guy right? And he just so happens to have a shelter with tons of locks, food for years and a social room, just in case anything goes down. Surely he isn’t a bad guy. He just luckily found her in the wreck and helped her, for sure, right?

Well, there is another guy in there too. Emmett (John Gallagher Jr.), who claims he helped build the shelter and broke his arm trying to get in. He was not kidnapped like she might have been.

Either way, the dynamic is fucked up, lots of secrets, who the fuck knows what is going on outside, we just know that they will be together in there for some time.

So better get used to staring at Howard’s fat ass dancing.

10 Cloverfield Lane, as I already mentioned, with upset a lot of people because it won’t feature the monster from Cloverfield in any way, and that is appropriate backlash given the secrecy and vagueness of it all. That should only affect this film, and not any future planned movie in this franchise-lite universe thing they are planning.

The movie on its own is tense as fuck. Twists, turns, and maybe even a pitfall or two. It traps the viewer in this bunker along with our main character, creating a dense atmosphere of hopelessness and confusion. Our heroine is particularly fun to watch because she isn’t just a held captive. She is resourceful, smart, and takes an active part in her own life, attempting to both escape and figure out what the hell is going on.

Winstead does a fantastic job of carrying the film as the main protagonist, but almost equally important is Goodman. He acts the fuck out of this movie, walking the fine line between concerned father figure and potential sociopath. The viewer can never really determine with any certainty just what he is thinking, as the whole film is generally from Winstead’s point of view. He is unnerving and also a bit sympathetic.

It is important to not overlook the third member of the bunker, Gallagher Jr. His character provides some comic relief and sense of hope. This movie would be much darker and a horror film if his role wasn’t in it.

Finally, what helped amplify the movie into complete crazy territory was the sound effects. Everything was loud and jarring and the sound made every scene ten times better. The people behind it in this movie were outstanding and deserve a lot of the praise into making this film feel so unsettling.

10 Cloverfield Lane is good thriller/drama/sci-fi (maybe!) film that leads the viewer on a strange journey. Monsters do come in all shapes and sizes after all.

I cannot stand Terrence Malick films. No I haven’t seen a lot of them. I haven’t even seen The Thin Red Line.

But I have seen The Tree of Life and To The Wonder. The former I couldn’t get behind at all, despite some lovely visuals, and the latter was just a complete train wreck from my point of view.

Some people call him pompous, some just refer to him as art house, and I just cannot stand his movies as of right now. So sure, I will give Knight of Cups a chance. But I am going in with a huge bias on my shoulders that I cannot shake. I will never get the time I lost from To The Wonder. Never.

Given the director, you have to assume every shot, no matter what, is actually a metaphor.

Also given the director, describing the plot of the film can be a bit tricky. So let’s run to IMDB for some help:

A writer indulging in all that Los Angeles and Las Vegas has to offer undertakes a search for love and self via a series of adventures with six different women.

Our writer is of course Rick (Christian Bale), whom is apparently good at his job and sought over, but he cares not about his job that much. He cares about his past and who he is going to fuck next. And that means he has more than six relationships in the film, as there are a lot of unnamed girls without speaking roles.

The six women include: Nancy (Cate Blanchett), his ex-wife, Elizabeth (Natalie Portman), a museum enthusiast, Helen (Freida Pinto), a model, Della (Imogen Poots), a free spirit, Karen (Teresa Palmer), a stripper from down under, and Isabel (Isabel Lucas), who, I dunno, likes beaches I guess. They all like beaches though. Beaches are kind of a big thing here.

Oh and he has family! Wes Bently plays his brother, Brian Dennehy his dad. Antonio Banderas has some role of significance, if you can call it that. But I don’t know what or why. Some rich guy.

There has never been a more metaphor-y beach.

I tried, I really did, to understand this movie from a different light. To think about the bigger themes that he might be getting at. To imagine the scenery as its own character. This was all advice people gave to me about Malick movies. Despite my hatred for the last two movies, I knew I had to watch this one do my best to review it fairly, because only watching movies I will probably like does not make me a great film critic.

But this movie just felt like a waste of time. It is two hours long and it felt like it was over three hours. The film felt like it was about to end three separate times before it finally showed the credits. The story that was told could have ended at any moment, because it is hard to say that there really was an actual ending they had in mind. It was all very spiritual and airy. Rarely do you see any character actually talking. Most of the dialogue is spoken over scenes of characters living and interacting with each other. And of course other dialogue is made by never seen characters, some talking poetically, or telling random stories, or…just who the hell knows.

Knight Of Cups is a confusing film. It is broken down into sections named after Tarot cards, which is also where the title comes from. And if you try hard, you might figure out why a section with the characters in it is called The Moon, or Freedom, or Death. Knight of Cups is presumably made so that you can derive your own opinions on the film based on what you get out of it.

And what I get out of it is a big waste of time. Sure, there are some well shot scenes. A whole lot of beaches, and some Californian mountains and death valley. But if I cared about well shot pictures of nature, I’d be watching Planet Earth, not a film that should have a basic story.

In 2013, our main Doppelganger films were Olympus Has Fallen and White House Down. The former was mostly serious with some jokes, the latter, full on action comedy in the middle of summer.

And you know what? I liked both of them. They had their charms and were unique enough from each other that I didn’t mind their similarities. They both worked and did what they needed to do to make an entertaining product.

But the Movie Gods have spoken, and Olympus Has Fallen has a sequel now, London Has Fallen, meaning it must have been the superior film. After all, the best films always get sequels, right?

And that was with Olympus Has Fallen having a shitty president. I could write a whole review on just why his character is stupid, but no one wants me to rant about fiction. The real presidential situation is crazy enough for us to not need that in our movie lives.

In order to take over London, you first must kill its rivers.

Two years before the events of this film (probably before Olympus Has Fallen? Or right after? Who knows), America did something stupid, as they tend to do. Aamir Barkawi (Alon Aboutboul) was a weapons dealer in the middle east, and he sold big boomers to lots of bad guys. He was a high target and so we drone striked his ass. Of course we also did it at his daughter’s wedding, during a huge celebration with a bunch of bad guys, but who cares, we got him!

And now, a prime minister in London is dead. He died young in his mid-40’s, with a heart attack over night. So now world leaders from all over are heading to London for his funeral with not a lot of time to plan it out. Mike Banning (Gerard Butler) is thinking about quitting the secret service, because his wife (Radha Mitchell) is about to give birth and he wants to be there for his kid. The president is still Benjamin Asher (Aaron Eckhart).

Guess what? Terrorists! They had killed the prime minister and set a huge trap throughout London to kill most of the world leaders. This is of course orchestrated over two years by Barkawi, who didn’t die, just all of his family. Joy. Leaders from France, Italy, Japan, Canada, and more all die, but they can’t knock America down. Now Banning has to lead Asher underground and around London, until the bad guys can all be shot and he can be extracted. Barkawi wants Asher, and he wants to execute him live on the internet for the whole world to see.

Returning characters are still played by Morgan Freeman and Angela Bassett. Jackie Earle Haley is a dude in the war room, and we have MI-6 agents now to help and hurt, featuring Patrick Kennedy, Colin Salmon, and Charlotte Riley, who happens to be married to Tom Hardy!

I bet if Tom Hardy was here, they would have escaped right away without all the death.

It is clear that London Has Fallen isn’t as good as Olympus. The terrorist attack in the first film was plausible, given enough time, sure. But the terrorist attack in this film was make every police, EMS, service worker a bad guy in disguise (all of which totally end up being Middle Eastern, cheers), and blow the fuck out of every major landmark. Not all of the landmark, just parts, to show they mean business. In fact, all of the world leaders who die seem to die mostly by accident, not by planning.

All of the destruction and wanton death happens early on with the President narrowly escaping each time. And then it just turns into a simple man hunt for him. This is after they contacted the White House and said they would stop killing everyone if they had the president. They obviously didn’t turn him over, and guess what? The random killing stopped anyways. There weren’t later attacks, or more death, so the good news is America didn’t have really any more death on their hands. The bad news is the movie is full of scenes like that. They sound intimidating, seem like they will lead to somewhere and don’t do shit.

I mean, apparently they always wanted to capture the president for a live execution, despite blowing him up, shooting at him and such. The president also seemed to know he was wanted for a public execution, despite not knowing who is behind the attack and not receiving any intel.

The worst part about all of this is the drone strike that started the whole thing. One would imagine that this would bring some sort of discussion about drone strikes, killing civilians and responsibility of America overseas. That would make sense. It did cause this horrible event to happen in London as a response, and America gets away with it scott-free (spoilers?). But no. It ignores it. It doesn’t discuss the morality of any of this. Not only that. NOT. ONLY. THAT. But it ends the damn movie (again, spoilers), with another fucking drone strike to get the bad guy again. Literally. No lessons learned. No sign of change. Just a nice fuck you, it’s America time.

The only scene I really enjoyed was when Banning and MI-6 agents were storming the bad guys base. It was full of long shots and shooting and was well choreographed. Everything else was lack luster.

White God is another foreign film, complete with subtitles, which continues to make Gorgon Reviews a place where people can come to learn about other cultures.

It is Hungarian, and actually came out two years ago. That’s right, it attempted to get a nomination for Best Foreign Film for movies in 2014, not the most current one. The last one had Son Of Saul take the award, also Hungarian. However, White God didn’t even earn the nomination.

You see, White God is a dog movie. You know, like the recent shitty Max. Or My Dog Skip. Or Marley and Me.

Although this contradicts what I just said, White God is not your typical dog movie. On IMDB it lists one of the genres as horror! I disagree with that, despite some slightly scary scenes. But it isn’t the level of Cujo. It is a strange mix of everything.

It’s a dog eat dog world out there. Literally at some points.

In Hungary, they have a stray dog problem. Roaming the streets, doing bad things. So they have recently gone stricter with their laws. More dogs are being caught to be killed. If you have a mixed breed / mutt dog, they assume it was one from the streets and you have to pay some sort of heavy fine to keep it. That part seems fucked up, but I don’t want to research everything about it.

Lili (Zsófia Psotta) has a mutt dog, Hagen, and she loves him so much. She has had the dog for awhile when she lived with her mom, but her mom is going away for three months so she and Hagen have to live with her dad (Sándor Zsótér).

That’s right, dog too. Well, her dad hates his ex-wife, but likes the daughter enough. However, he doesn’t like the dog. Nor do the neighbors, who claim the dog bit them despite no problem. He refuses to pay the fee when it isn’t his dog. Presumably the ex-wife paid it, but no one would know that. It makes sense that this would make him angry, but I would assume she would pay him back when they get back. Oh well. Needless to say, the dog causes issues, so despite what Lili wants, her dad throws the dog in the street while they are driving around.

Sure Lili goes back for him, but he is already gone. He ha joined with other stray dogs. He eventually gets adopted by a homeless man, who sells him to a dog fighting circuit. Yeah, that is shitty.

Not to spoil it, but it is important. Some bad things happen to the dog, but eventually he escapes. He escapes with a hundred or more other wild dogs, who then roam the streets, causing mayhem. But they aren’t like a riot, they are like a well organized army, and Hagen has some people to get some revenge on. Just hope he remembers it wasn’t Lili’s fault he was left on the street.

Also featuring Lili Monori, Lili Horváth, László Gálffi, and Szabolcs Thuróczy.

“We like to have a lot of laughs on the racetrack, but today we wanna talk about something serious: Packs of stray dogs that control most of the major cities.”

Look at that above picture. Look at it. That is a whole lot of dogs! Over a hundred! And every single dog in this film is real. There are no dog puppets, or dog CGI, or dog special effects. Each dog, a real dog, and the filmmakers really let lose all these dogs to run the streets for the incredible shots. That is fascinating and risky, but it pays off wickedly.

And our main dog Hagen is played by two dogs in the film. It is incredibly hard to work with animals, so I cannot imagine how many takes some of these takes took. But Hagen did a lot on his own, before wild pack leader, and it is still a sight to be seen.

In case you couldn’t tell though, these dogs kill people. So a few times there are very unsettling attacks, and one scene in particular alluded to it being like a zombie attack. Citizens were just trapped inside, but for the truly bad guys, the dogs found a way.

And really, the film is about a girl and her dog. Both of them outcasts, both lacking love in their lives and feeling like no one cares about them. It is their connections that bring everything together by the end, while also allowing a lot of uncertainty to keep this in the non-typical dog film territory. Or terrier-tory, if you will.

Above all, it is just all sorts of weird. I think I wanted more dog story than Lili story by the end. Her tale (tail?!) felt a bit repetitive and was a much more expected arc. But mostly I just want to remind you to spay and neuter your pets.

Sixteen years ago, in the year 2000, Crouching Tiger, Hidden Dragon was released and changed cinema forever. I’d say it is hard to imagine any other martial arts movie having as much of an impact as this one. It won Best Foreign Film at the Oscars, a few other awards, and was nominated for a shit ton more. It put Ang Lee on the map, who has gone on to direct Brokeback Mountain, Life of Pi, and yes, Hulk.

It was renowned for its cinematography, changing the way a lot of fight scenes were done for the better. Something shaky cam had tried to kill. It has been referenced in TV shows and films, parodied, and is probably just one of the most well known martial arts films of all time, even if most people haven’t seen it.

So a sequel was finally announced, Crouching Tiger, Hidden Dragon: Sword of Destiny, hoping it could recapture all of the magic as the first. And hey, everyone can watch it too, because it was put on Netflix right away and some IMAX theaters. No need to buy a ticket. Can watch in your own home, in Chinese with subtitles or in English dubbed. What a world we live in!

I should note, I totally went the dubbed route. I have been watching a lot of foreign films lately, and I needed a break, damn it.

I’m tired of all these motherfucking Ninjas attacking these motherfucking old ladies.

Set almost two decades after the first film, we only have two characters returning. The first is Yu Shu Lien (Michelle Yeoh), our hero from the first story, and Green Destiny, the sword that people really want, and will want again.

Who wants the sword? Well, everybody.

Including Hades Dai (Jason Scott Lee), a war leader with a large army and a huge tower, looking to take over everything. He is the villain if you couldn’t tell from his name. There is also a mysterious girl, Snow Vase (Natasha Liu Bordizzo) who was trained very young in the cool martial arts stuff, by a mysterious female trainer. And of course we have Tiefang (Harry Shum Jr., yes the dancing Asian guy from Glee), who snuck into Yu Shu’s compound to steal the sword, but who does he work for?!

That’s not it either, though!

We have Silent Wolf (Donnie Yen), who also has a mysterious past and relationship with Yu Shu. He is more interested in stopping Hades, and lucks into his own army to do so! Well, four other people. Silver Dart Shi (Juju Chan), Flying Blade (Chris Pang), Turtle Ma (Darryl Quon), and Iron Crow (Roger Yuan).

Want some magic? Sure, let’s get some magic. We have Eugenia Yuan playing Blind Enchantress.

Ice fighting is a lot like dancing, it makes sense.

In a lot of ways, Sword of Destiny is like a lot of modern products. Actually an old product designed as new in flashy boxes and colorful lights, but of lesser quality so you have to buy another one in a short time.

Practical effects and stunt work are gone for cheaper/easier CGI. Intricate fight scenes are still there, but less impactful than the original and mostly look like a lot of other current martial art films.

The plot is so bad, I can barely even tell you what the hell happened. True, I remember close to nothing about the plot of the first film, but I blame that on time after only seeing it once, and not on it being overly bad.

Yes, some of the fight scenes are still entertaining at least, but they end up being the only occasionally good part of the film. The final battles are laughable, especially the fight scene on the tower. It is so incredibly animated looking, it almost feels like a bad video game.

Hey, at least this movie is free. Too bad if you haven’t seen the first film, for whatever reason Netflix doesn’t have that available to watch. Not that you need to see it to understand the movie. Maybe they realized it wasn’t as good, so they got rid of the better one to force you to see the new one.