Tag: Drama

Oh, it is the spring time. Is it time for an inspirational sports movie? Shit, I didn´t know. I wasn´t ready.

The more and more inspirational sports moments they decide to turn into films, they more obscure or recent they have to grab them. When we had Million Dollar Arm a few years ago, it was literally only a couple years after the event. We used to have to wait 10+ years to get a film about the sports event in question. Hell, we finally got a Tonya Harding movie just last year.

I honestly don´t know if The Miracle Season is a current event or something really old. I just know it is a volleyball film, which is not really common at all. So it is an inspirational volleyball film to get people excited about that sport, and winning and stuff.

Want to know the last inspirational volleyball film I remember watching? Phat Beach.

Holy shit, did they find a missing Mara sister for the lead role?

First of all, get ready, this film is set in Iowa. Now, everyone is not white in the movie, but they probably had to add some people of color because reality is too scary and they want to imagine it not so intense.

The main two white girls that this movie is about are Kelly (Erin Moriarty) and Line (Danika Yarosh). She was Caroline, but hated it, so she want by Line or Liner. They were BFFs since 3 years old, and their families have been close. And now they play volleyball together, going into their senior year of high school. Their team won the state championship in volleyball the previous year, and now they are ready to repeat!

Well, the coach (Helen Hunt) is. The rest seem to be cocky and goof off, even after losing their first game. Long story short, Line dies in a scooter accident, and now the team is even more fucked. She was the captain, the center, and the life force of their program. Her dad (William Hurt) is going through the most, because his wife died of cancer a week later, but her condition the knew about.

This is a true story again, so you know most likely how this story is going to end, or else, why would the movie exist?

Also starring Jason Gray-Stanford, Burkely Duffield, and Jillian Fargey. A few other girls on the team that stand out include Lillian Doucet-Roche as the freshman, who isn’t blonde, Tiera Skovbye as the most athletic one, who you can tell from the other blondes by her hair band, and Nesta Cooper, who is someone who isn’t even white like the rest of her team.

There we go. There’s that classic sports ending movie shot.

First of all, let me note that originally I was going to rate this lower, because I was annoyed at how they were “Hollywood-ing” up a real story, which happens very often. Creating a bit of extra drama in order to keep things going, instead of sticking to the truth. Well, then I watched a 14 minute special on the events, and every part I assume was extra was real. My bad.

Secondly, here are some coincidences. This film is about the death of Line of course, and the team coming together to repeat. It is also about Kelly, her best friend, coping with their loss and turning into a leader for the team to rally behind as well. Kelly after the events of the film went on to college at Iowa State from 2011-2015, where she probably played some volleyball too.

Well, I was at Iowa State from 2012-2014 for graduate school. I was a Geophysics graduate student, and she was a microbiology student, and those two sciences shared the same relatively small building on that campus, so there is a really good chance I have walked by or seen this real life person before. Heck, I had even bought things from the Microbiology club for their fundraisers. I find it a bit bizarre that this person who went through these crazy life experiences was near my own personal existance for so long without knowing, and now they have a movie about them.

Well, Kelly went on to graduate school to be a PA, and is currently in Houston, Texas trying to finish that. Hey. I am in in Houston, Texas.

Cough. Okay. Sorry. Moving on. To talk about the actual movie? Well, the acting is really average to below average. Yarosh was insufferable as Line. Way too much, and that may have been Line in real life, but it sort of just irritated me. I was ready for her to die. They loved spending time on their grief, so they didn’t spend as much time as I would have hoped on actual volleyball.

Outside of the occasional montage, the volleyball games were basically described by the first 1-2 serves and the last 1-2 serves, without much in between. Most of the characters don’t have any discernible personality. The freshman player has the next most personality after Kelly, and that is because of her fresh-ness only.

The Miracle Season is an okay film for its accuracy to the story and its ability to make you feel a bit compelled. It is not one where you will be blown away by the acting from any party involved. It has minor issues occasionally like one near the end where the server changes in between points at a time when that totally wouldn’t happen. But again, this is our only volleyball movie for the next 20+ years probably, so it will have to do.

Lara Croft first entered our lives in 1996, with giant pointy boobs, and a woman hero that has never been that defined ever in video games. Them polygons.

A strange video game feminist and sex icon, she raided the fuck out of tombs, and in some versions of the story, fucked the raiders in the tombs. It led to more female protagonists, more hybrid shooter puzzle games, and was a real win for the genre defying starlet.

Well, many years later they decided to reboot it a bit. They had Lara change her body type and her motives, and we got more polished games, more puzzle focused, but with a strange and many easy ways for her to die terrifying deaths. Not as bad as Dragon’s Lair, but relatively similar.

So why not also have a movie reboot as well? A new Tomb Raider. Get someone up and coming, get her in her first real action movies, and get her on the big screen.

Oh, and get her some abs and some muscle.

Laura (Alicia Vikander) grew up in the lap of luxury. Her father (Dominic West) was basically this perfect specimen of a man, who treated her well, trained her to be a model citizen, was into charities, being rich, and of course, cultural secrets. You see, he was sort of absorbed with the idea of finding a missing tomb of an ancient Japanese queen who was said to bring death to the world. Why did he want to find it? Well, it is a goddamn challenge, lost in history. That’s why!

But when he left on that fateful afternoon, he never returned.

Now, many years later, Laura is working, being athletic, doing things, but refusing to sign the papers acknowledging that her father is dead. No, he must be out there. If she signs the papers, she inherits the fortune, but she would rather struggle on the street and hope than admit to his death. She would rather starve, damn it.

Well, eventually she almost signs it, so she is given a puzzle key and that leads her to a secret message from her father. Following the clues, she is led directly to his research, with information on where he went, his goals, and learned about a bad organization and what they wanted to do with that information.

Oh no Laura, what are you going to do? Follow your father’s wishes and destroy all the evidence? Or go on a trip to complete his mission once and for all? Well, we know the answer to that one.

Also starring Walton Goggins, Daniel Wu, Alexandre Willaume, Derek Jacobi, Nick Frost, and Kristin Scott Thomas.

Everyone knows that girls like to play with bows growing up. In and out of their hair.

The original Tomb Raider film was pretty okay. For the 12 year old budding reviewer, it was beyond everything I had hoped for, well, almost. The sequel I didn’t watch until years later and don’t really recall much about it.

If I had to describe this reboot in two words, the words “pretty okay” would be perfectly acceptable towards this film as well. If you want action/adventure, you will get a decent amount of it. Most of it takes place after she leaves London of course, outside a thrilling-ish bike race scene. It seems that after we got to the island, a scene where she escaped capture seemed to last for fucking ever. I was just waiting for her to finally die, or just get caught. Of course neither would happen, but I knew those scenarios would finally let the movie chill out a bit.

The ending parts with the tomb really didn’t let the movie shine. A lot of silly things occur, with puzzles that don’t feel smart or anything, just inconvenient. I want the obstacles they overcome to be actually well written is all.

Overall, there is a lot of hope for this movie. Vikander does do a wonderful job as the new Lara Croft, I believed in her ability to do awesome things. It is still a bit cheesy with mostly lazy thrills and stunts though. An adrenaline junkie might have a good time, but this is still not the video game movie savior.

A few years ago, Oscar Winner Guillermo del Toro directed a fun little giant monster movie named Pacific Rim, that was meant with not real acclaim, but most people admitted it was at least a bit fun.

I remember going to the opening night release, a theater full of guys, and my now wife being the only (presumed) lady in the audience. It was a fun experience. It had a lot of fun characters and great actors, some of which hammed it up sure, but they put an end to the goddamn apocalypse.

This next film, Pacific Rim: Uprising, has no del Toro directing it, was put off of the line up indefinitely a year back, and is just now finally coming back. It is set later, so we can have a mostly new cast, and uhhh, I dunno. I guess it is about monsters and robot stuff still.

I think I will just refer to them now as battlebots.

Set ten years after the first film, the humans have won the war, no more alien sightings, and they are just living their lives. Some areas have never been rebuilt on the coast, others are back to normal. The Jaeger program is still kicking around, building a few machines and training new recruits just in case another attack comes. But for the most part, they don´t do a lot.

Jake Pentecost (John Boyega) thought about living up to his father´s legacy, but instead he would rather live in an abandoned city, stealing Jaeger parts and other items for junk food and dollar bills. Hey, YOLO and stuff.

But during a theft gone wrong, he ran into a younger girl, Amara Namani (Cailee Spaeny) who built her own very tiny Jaeger on her own stolen parts, small enough to be run by a single person, not two! They get into trouble, arrested, and now Jake has a choice. Join the Jaeger Pilot program (again!) or, you know, jail. His older ¨sister¨ Mako Mori (Rinko Kikuchi) is sort of leading the thing again, so she gave him that totally not forced option.

Long story short, this movie has a lot of cadet training, and worrying about the future of the Jaeger program. Will they switch to drones? Why waste money at all? What did the Kaiju want? And why is there a rouge Jaeger running around, kicking ass and killing people? Oh wait, what?

Also starring Burn Gorman and Charlie Day reprising their roles, along with other newcomers like Tian Jing, Jin Zhang, Adria Arjona, and a loaf of bread. I mean Scott Eastwood.

Well, if anything Eastwood is an incredibly attractive looking loaf of bread.

¨Hi, my name is Pacific Rim: Uprising! Allow me to make a film full of boring cliches and not a lot of fun action!¨

Boring cliches you say? Well, we got a son who doesn´t want to associate with his dad´s trade beside his knack for it. We got in general, cadet training programs of teenagers (with attitude!) who aren´t doing as well as hoped. But you know by the end, those same kids are going to have to be the ones who save the day. The band of misfits who struggled and grew together, not only learning how to be heroes, but to…love.

Other mistakes this sequel wanted to make was killing off old characters in dumb ways just so we can focus on the fun spunky youths more. It took WAY too long to get to some goddamn robot versus monster fighting action, which is what we signed up for in this film franchise. We had to see robots fight for each other for awhile, and obvious plot twists instead. Timing was very strange throughout the film, with the implication they did a lot of things fast that felt like weeks of work, despite having a huge time crunch to do it.

But hey, I won´t completely shit on it. Here are some pros. 1) The final fight was long (and really our only robot/monster battle), but entirely during the day, so you know, you could mostly understand what happened. 2) The Jaeger battle armor to control them didn´t have boob plates for the ladies. And, 3) There was a bit of talk about geology! Not a lot of it, and not necessarily accurate, but still, geology, what fun!

Blade Runner is often considered one of the best science fiction movies ever created, and it came out in the 1980’s. Oh well, back then we had a lot of classic films that people love forever, so what do I know.

I didn’t see it until over a year ago, mostly because I knew that this sequel, Blade Runner 2049 was coming out, and I wanted to make sure I got it. Well, I knew why Blade Runner was considered a great film, but not my cup of tea. I was a bit excited about Blade Runner 2049 as well, because of the director only. After many great films like Sicario, Prisoners, Enemy, and Arrival (one of my top films of 2016), I would watch anything that Denis Villeneuve touches.

So why did I wait so long? I don’t know, because I suck. But I did wait so long, and then it got nominated for boatload at the Oscars. I did watch it before the ceremony, and wrote this review, but wanted to save it for my theme week, where I finally reviewed things I should have definitely reviewed in 2017.

In the future, we will have robots that look like Ryan Gosling!

K (Ryan Gosling) is a Blade Runner, not an agent who works for the Men In Black, but I can see why you get them confused. K is a replicant, and he knows he is a replicant, and his job as a Blade Runner is to find older models of replicants. He has to hunt them down, sometimes to kill them, sometimes just to bring them in. I have already almost hit my quota of saying the word replicant!

On a mission, K finds the remains of a replicant child. Like, not one that was created, but one that was birthed out. People didn’t know that replicants could birth replicant children. This is a game changer. Now K is told by his boss (Robin Wright) to find the baby and hide the truth, b ecause if this gets out, people will start warring again.

Of course with a secret this big, different sides are going to come together after this knowledge. Some toe hide it, some to let it out to the public, some to steal the technology for their own nefarious slave making purposes.

And K is starting to question what it means to be a replicant. He wonders if he can deny orders. I mean, he is called a replicant, not a repliCAN, so you’d think he would accept his limitations.

Also starring Ana de Armas, Barkhad Abdi, Carla Juri, Dave Bautista, Edward James Olmos, Harrison Ford, Jared Leto, Lennie James, Mackenzie Davis, and Sylvia Hoeks.

“Wanna know why they call this place the Brown Town?…Racism.”

I said it before and I will say it again. Tron is not a good movie. Tron: Legacy is definitely not a good movie. Avatar obviously wasn’t a good movie. But they were all very pretty movies (for their time). Some both pleasing to look at and to listen to, while offering mostly shitty plots and maybe shitty acting.

Blade Runner 2049 has a shit plot. It is long, not too exciting, not as deep as its predecessor, and a bit convoluted for my tastes. But it is really pretty to look at.

It is visually stunning. Its cinematography is gorgeous. Its choices were so well thought out and given a loving touch that it is hard to look away. Well, it would be if I ever felt engaged. Because the acting was poor, the twists were mostly expected, and it doesn’t feel incredibly original. But it was still pretty to look at.

I don’t really understand how this made best of the year lists for people, maybe they were just blinded by the flashy lights and visuals, or riding the hype of one of their favorite films over the last few decades. But Blade Runner 2049 is all flash, no substance, and an incredible waste of my time.

Ghost in the Shell came out a whole year ago, March in 2017. The oldest film on my list of things I should have totally seen last year. And reviewed. And this time there are just no excuses.

I mean, it came out on DVD and Redbox in the summer. Plenty of time to catch up to it. The only reason I didn’t see it was straight up apathy.

I didn’t see the original anime, but the controversy behind it makes sense. Good old white girl playing an incredibly Japanese role. Well, she is a robot, but that barely makes it okay. I went into this film not too stoked, but hey, maybe it is pretty.

This is the strange robot nakedness that gets certain jollies off.

In the future (!), humans have started to add robot parts to their bodies. Or special programs. Things to make them stronger, smarter, better eye sight, whatever. Normal helpful things. But one corporation decided to go further. They made an entirely awesome robot body, all the strongest best technologies. They just need a human brain to put inside of it to make it work.

Mira Killian (Scarlett Johansson) is almost killed in some cyber terrorist attack, her body mangled beyond repair, but she is still alive. Heck, her parents were killed in the same attack. So Dr. Ouelet (Juliette Binoche) think she is a perfect subject to put into the shell, to keep her alive.

And they can’t just let anyone be in this fucking amazing body. They decide to make her part of the counter-terrorism force. To hunt down crime and put a stop to it with her sexy robotic body. Basically, a sexy RoboCop.

Anyways, Mira doesn’t remember a lot about her past. But she is now going against a hacker with her small team, so you know she is totally going to get mind fucked.

Also starring Pilou Asbæk, Takeshi Kitano, Michael Pitt, Chin Han, and Peter Ferdinando.

Sort of hard to find an actual Japanese element in this film at times.

Sure, yeah, Ghost in the Shell is a pretty film. Not like gorgeous as fuck, like Blade Runner 2049, but not ugly either. Instead, it is mostly just a mass of CGI and lights and technology. It is technically pretty, but it feels empty. Like…like a shell of a movie.

In terms of plot, it is very hard to follow and specific. It is certainly not entertaining. It feels like a goddamn chore to get through it. I obviously watched it in the comfort of my home, so I was able to pause it and do other things multiple times, because I didn’t want to just pass out throughout the whole film.

I wanted to sleep during the movie, but I knew I needed to know how bad and pointless it was.

Another film that wants to be deep, most likely shitting on the source material all the way through it, and just feeling like a waste of time. How much of a waste of time? Well, less than two hours thankfully. But this film is a travesty to science fiction.

Red Sparrow is one of those films that seemingly comes out of nowhere and feels like it is part of something bigger. Like, is this an extended universe? It is certainly based off of a book, although I would have guessed a graphic novel.

In fact, from the trailers, one might just assume this is the Black Widow standalone film we have been waiting for. Russian school to train girls to be assassins and to use their bodies as weapons. Secrets. Yeah, this is just Black Widow.

But instead of Scarlett Johansson, we got Jennifer Lawrence, so that Disney doesn’t try and sue anyone’s ass off.

And if they sue anyone’s ass, they would potentially think twice before taking hers.

Dominika Egorova (Jennifer Lawrence) is one of the best ballerina’s in Moscow. She has risen up by her boot straps to train hard and become the best. Her mom is sick and relies on her job for doctors and a place to live. Oh, Dominika is also the niece of Vanya Egorov (Matthias Schoenaerts), someone high up in the Russian politics/military ladder, so maybe not entirely by her own bootstraps.

Then one day, an accident occurs, her leg gets broken on the stage, and her dancing career is done. That means her mom’s life is in jeopardy. Thankfully, her uncle knows a program that she can join. If she can find herself helping the Russian government, then the Russian government can find themselves helping her.

This is unfortunately a Sparrow program, to train young men and women officers to seduce anyone to get information needed, along with the ability to kill them should it come up. Oh good, selling his niece’s body to the government, what a swell family.

All of this ties into a separate plot, about American Nate Nash (Joel Edgerton), a member of the CIA who was also in Russia, dealing with a mole in their government, who accidentally put a target on his and the mole’s back.

Also starring Charlotte Rampling, Mary-Louise Parker, Bill Camp, Jeremy Irons, Sakina Jaffrey, and Ciarán Hinds.

See, I could probably withstand one Jennifer Lawrence. But two? One in mirror land?

Red Sparrow is one of those films that is going to appear to be much smarter than a normal movie, and it is unashamed about that. Because after all, the viewer has to be tricked and sold lies as well so the bigger reveals are more exciting.

However, before things could be revealed, I was left annoyed and bored with the movie already. It has layers and layers and layers of plot. Characters coming and going with some importance to the story. And you have to suffer through it all in order to get to the “cool ending.”

But it tries way too hard to be layered. It is so easy to get lost in it, that interest is unfortunately lost. I just didn’t care by the end about any of the characters. I didn’t care who would get quadruple crossed, who the mole was, or how people would get out of their tough situations.

It is over two hours long and full of itself.

It still had some decent moments early on, when I cared about where it was going. Some very different acting from Lawrence, and Schoenaerts does an amazing visual Putin. But this film is now forgettable for me, and not the Black Window solo film we deserved.

Finally, finally, finally! The final foreign film of the Oscars, The Insult, and yet I could not fit the review before the Oscars aired. I watched it before it aired, I wrote this review before it aired. It might have won! Hell if I know. I hope On Body and Soul wins but it is probably A Fantastic Woman, another solid choice (Edit: And it did).

This film is out of Lebanon, another first for me. I love hitting all of these countries around Asia and the middle east. Watch enough movies and you can get jaded about everything being so stupid in America, and forget that other countries are trying their own thing and telling their own unique stories. Enough stalling, here we go.

Oh, or, maybe, we should wait a second. Ponder the idea of film. Then watch it.

Tony Hanna (Adel Karam) is just a man trying to get by. He works, he lives in a shitty building, he has a wife (Rita Hayek jiiiiu), and she is pregnant, a girl coming along the way. He is Lebanese, and he is Christian, and he has a lot of strife with Palestinians coming over. You know the story. Refugees and immigrants coming over to take their jobs. A common tale everywhere.

Yasser Abdallah Salameh (Kamel El Basha) is a Palestinian construction worker, who does generally the right thing, and what he is told. When he finds out that Tony´s drain is all fucky and not working, he offers to fix it, Tony says no. Racism. Yasser does it anyways. And Tony flips his shit, destroying the work, because he said no. Yasser calls him a name, and thus, the argument begins.

Tony goes over Yasser´s head to make sure he could get an apology. But an apology never came. This led to more arguments, physical assaults, and hard tales. Eventually this lead to a real trial, causing a national sensation as both sides rile up their respective religious groups, bringing up memories of when they were at war with each other. Oh bother.

Also starring Kamel El Basha, Diamond Bou Abboud, Camille Salameh, Christine Choueiri, and Talal Jurdi.

How bad can an insult re — holy shit is that a tank or armored vehicle?

I feel like a lot of foreign movies go a bit slower with their dialogue, knowing that they want to appease the American audience who will vote for Best Foreign Picture. If they go too fast, then the subtitles will fly across the screen, and maybe the critics won’t pay enough attention. Or even worse, turn it off. The Insult does not have these qualms at all. It is fast paced dialogue throughout. Arguments, legal and otherwise. The lawyers themselves are fun with their own added twists to the story.

If you are unfamiliar with Lebanon’s history, like most of you must be (hey, me too), then some parts will not make a lot of sense. Why are they so angry? The film references two real life events and how they affected the fictional characters on screen as part of their defenses for their actions, and it added a lot to the film. Hey, I knew nothing about Lebanon history, and now I can say I know a little. Learning is great.

Our main two actors are wonderful. Each have a lot of passion and/or stoicism (That’s right, I said it) throughout the film. They seem like real people. Extreme, real people, but real nonetheless.

The Insult is a swell movie. I didn’t expect a courtroom drama from Best Foreign Films, because most of the times they are just regular dramas. I love being surprised.

Russia likes to make movies. I have seen quite a bit of Russian films over the years. Not as many as British films, but certainly more than Australian. Probably.

But if you asked me to name any director, I would have just made Russian noises, sneezed, and ran away. I literally know no names. I could only tell you some of the films.

Like Leviathan! It was nominated for Best Foreign Film a few years back. And apparently that director, Andrey Zvyagintsev, is a guy who also directed Loveless. Wow, multiple films in a few years up for Best Foreign Film. That has to be impressive.

And yes, I only accidentally found out this information. I would have easily gone on with my life thinking there was no overlap between the two, except for some fate.

The same fate that brought us this kid, who really hates his life.

Zhenya (Maryana Spivak) and Boris (Aleksey Rozin) are a typical couple in Russia. They have a son, Alyosha (Matvey Novikov), and they don’t love each other. Whoops. That might not be normal.

Boris has a good job, as a sales person in some big company. But the CEO is super Orthadox and would only hire people who were married with a family. People in his company don’t get divorced, because then they’d lose their job. These are things that can happen in Russia apparently. He is really putting off this divorce thing, despite the fact that BOTH of them have already moved on physically and emotionally by finding new lovers.

And he made his lover pregnant already.

Either way, with the arguing, the staying at other places, the two of them were not back at their “home” for almost two days, where they eventually found out that their son was not in school and had been gone for a couple of days. Holy shit. Time for panic, time for resources, time for putting their anger behind them. Even if they didn’t want the kid originally, they have to admit they need him now, right? Right?

Also starring Andris Keiss and Marina Vasileva.

Time to sensually look out this window, naked, to look for their son.

Loveless is a bleak film. You can tell it from the name. Hell, you can probably tell from the Russian name, Nelybov, without knowing the language. This is not some zany film about a kidnapping that brings the parents back together to find each other and end their strife. Hell no, this is stressful as fuck and does nothing for repairing the damages that had already been done.

Sure, they can tolerate each other more, but that is just for the sake of hoping to find their son alive and not dead in a bag in an ally. It took awhile for the plot to get going, as they spent a lot of time about their relationship with their loves, and their general angst, before the boy disappears. But when he does disappear, it ramps up in various layers of story.

There are few side characters in the volunteer search and rescue unit and they just feel so goddamn professional. Not the police force who can’t help, but a group of people who just know how to find missing kids and have had plenty of training. I hope it is based off of a real group in Russia, because it was astounding. These scenes featured a lot of quick and intense dialogue and made me excited about kidnapped children.

Basically, this is a good movie, and Kidnap is not.

A Fantastic Woman is my third (third!) film reviewed for the upcoming Oscars, nominated for Best Foreign Film.

I first saw the trailer at the Alamo Drafthouse, and was intrigued by the plot line. It also had some good music. I knew I wanted to watch it for reasons other than the Oscars.

And I had honestly no idea going into it what the real main point of the plot was. I didn’t know what social barriers it was crossing, what “firsts” were happening when it came to the nominations, or how much of a big deal this film was. I didn’t even figure it out until 20 or 30 minutes into the movie!

And for that reason, I will discuss some of that information later.

That intro had a lot of hot air. Bitches love hot air?

Marina Vidal (Daniela Vega) is a lounge singer and a night life enthusiast. She is also in a long term relationship with Orlando (Francisco Reyes), a much older gentleman. He pays for everything, owns their apartment, and is in it for the wild ride.

Their relationship has put strains on Orlando’s family, but he doesn’t care because he finally feels happy. And Marina is not some gold digger waiting for a pay day, she really cares for him as well.

And then Orlando had to go and do that thing that old people do often. He died. Part of it involved falling down some stairs, so he has bruises. Her bringing him to the hospital comes with its own issues and suspicions. And when his family finds out, they quickly turn on her.

They don’t want her in the apartment much longer. They need his vehicle back. They don’t want her to go to the wake or the funeral.

Again, as this occurred, I really assumed it was just because she was younger, maybe a former prostitute or something. But in reality, it is just because she was a transwoman, they assume she is a perverted freak, and think she corrupted their ex lovers, their brother and their friend.

Ohhhhhhh. Oh. Yes. This changes everything.

Also starring Luis Gnecco, Aline Küppenheim, Nicolás Saavedra, and Amparo Noguera.

Now it makes sense why she was feeling extra blue.

When it comes to topical films that will carry a lot of emotion behind them, few people would look to Chile to carry that flag. Especially when it comes to casting a transwoman to play an actual transwoman. A lot of films are getting that criticism, like The Danish Girl, and Anything, which is maybe not even going to come out now. It is certainly a progressive move and one that really works well with this story.

I can also say that the film didn’t go out of its way to promote the fact that Vega was a transwoman, as I made it obvious earlier. It wasn’t using this fact as a sort of shocker, or a gimmick. This is just a story that a lot of people out there might relate to. The fact that is achieved some firsts when it comes to the Oscars is just a cool side note.

Vega is wonderful in this film. She has to carry most of the film on her shoulders, and deal with the fact that everyone basically hates her just for existing. The sighs, the glares, you can tell the character has dealt with it all before and that Vega herself knows how it feels. It is realistic, and it is sad.

Films are still working on getting transmen and transwomen into roles that have nothing to do with the fact that they are trans, but as we get there, this is a great look into just one person and may help people reconsider some of their bigoted views.

I´ve joked in the past that Chadwick Boseman is being forced to play every famous black American throughout history. You know, Jackie Robinson, James Brown, T´Challa, and so on.

But holy shit. Thurgood Marshall as well?

What is his agent doing? Is he trying to mold the youth of America into thinking everyone in History is Chadwick Boseman? Maybe Boseman is playing some long plan to eventually run for president himself. With his past roles he will seem like a trendsetter, someone with soul, a ruler, and someone who knows the fuck out of some laws.

I don´t know when we should start being scared by all of this. Maybe in two more real bio roles. Maybe if he ever plays Eminem in a biopic.

Will the real Slim Shady please stand up?

Thurgood Marshall (Boseman) is super famous. He did a lot of things as a lawyer, went to the Supreme Court a lot, did the whole Brown vs Board of Education thing, and even decided to move in and live in the Supreme Court.

But this movie is about before all that, just when he was working with the NAACP, looking for any case that might have racial bias to help free innocent men or women. Especially those who could not afford their own council of choosing.

Thurgood is now in Connecticut, where a limousine driver (Sterling K. Brown) allegedly raped and tried to kill his boss´ wife (Kate Hudson). A real shocker of a trial, but he claims his innocence. They imagine they are just grabbing any black gentleman and they have a civil rights case on their hands.

In order for Marshall to get on the case, they need to join the team of someone who has passed the bar on the state, and through some shenanigans, got a local insurance guy (Joah Gad) to take on the case so that something could be done. The judge (James Cromwell) isn´t having any of their shit either, so doesn´t let Marshall do any of the talking, just behind the scenes help.

Yep, this is a battle against racism. A battle against injustice.

Also starring Dan Stevens and Keesha Sharp.

Inconspicuous thugs are inconspicuous.

You know who deserves a movie about their lives? Thurgood Marshall, for sure!

You know what this movie gave us? A movie about Marshall and Sam Friedman, the local insurance lawyer. You see, Friedman later went on to do more civil rights cases too! And he had to do most of the fronting of this trial, due to racism. So it is a movie about how this white dude overcame his personal lawyering fears and branched out to be a better person.

That is cool and all, but I really don’t give a fuck about Sam Friedman. I came to see this movie because it was about Thurgood Marshall. I didn’t expect a double biopic about him and some white guy. This may be one of Marshall’s biggest and earliest cases, but I really do think they did a giant disservice to him. In fact, they mentioned in this film he had already argued in front of the Supreme court multiple times. We know he did it later. And, for crying out loud, he was there for Brown v The Board of Education!

Why the hell did they pick a case where he isn’t really the main star or focus? Why?

Oh yeah, because they needed a white loveable lead to make sure white people saw this movie too. Gotcha.

This movie is very okay. The acting is fine, the case has its moments, and some characters cry. Some people yell, some justice is served. But goddamn it, the focus is so far away from Marshall in a movie that carries his name, it is just unacceptable.