Tag: Comedy

Watching the trailer for We’re The Millers, it is clear that it could be hit or miss. There are moments in there that make me laugh every time I see it, and those that make me think it will be the worse film ever.

I like Jason Sudeikis as a comedy actor. The problem is, he hasn’t proven himself yet as a leading man in a comedy movie. He is fine as a side kick, or part of a trio, but his only real venture as leading man was in A Good Old Fashioned Orgy, which ended up being less than stellar.

If anything, this film might just cement Eustace from The Chronicles of Narnia: The Voyage of the Dawn Treader as a young comedic genius. Stranger things have happened.

“We’re not even a real family. She is just a washed up actress from a 90s Sitcom!” Whoa, Jason. That’s cold.

David (Sudeikis) is a guy in his mid thirties, still dealing pot. It’s a good life for him. But when he gets robbed of his stash, cash, and back up cash, he finds himself in a pile of trouble. His boss Brad (Ed Helms) doesn’t care and sort of wants to kill him! Unless he heads down to Mexico, grabs a shipment of drugs for him, smuggles it across the border. Sounds easy when the other option is death. Plus, he will earn an extra $100k. Nice!

The problem is, he looks like a drug dealer and in no way can smuggle it across the border on his own. Until he realizes that white middle class families on vacation never get searched! He just has to rent and RV and a group of people to play his family.

He hires the weird kid downstairs, Kevin (Will Poulter), the homeless girl on the street, Casey (Emma Roberts), and the stripper down the hall, Rose (Jennifer Aniston) to play the various roles of the Miller family. Nothing could go wrong!

Sure they get to Mexico, and find out that they are actually stealing the marijuana from a Mexican drug lord (Tomer Sisley). Sure, the amount of drugs is several thousands of pounds worth. But they can probably still pull it off.

Hitmen, spiders, engine failure, dogs, DEA, and another RV family (Nick Offerman, Kathryn Hahn, Molly C. Quinn) are just some of the other problems they will face on the road.

I’d let Nick Offerman sexually wet willy my ear any day. Even Tuesday.

After viewing We’re The Millers, I think that Jason Sudeikis was able to run this movie like the comedy veteran I always knew he could be. It works. It really does.

Yes, this movie has a lot of foul mouthed humor. Cursing, sex jokes, genitalia jokes, incest jokes, it has them all. The unfunny scenes I alluded to in the trailer mostly turned out pretty decent, which is a big relief.

Almost every time Will Poulter was on camera, I found myself laughing. He used to be an annoying asshole kid in a bad Narnia movie. But now he plays the awkward teenager so well, that everything the put him through just tickled my gills.

It wasn’t a perfect movie. Sitting there, a lot of character actions and decisions seemed illogical. If the script was stronger overall, they could have avoided those type of moments. I don’t think they really knew what to do with Emma Roberts as her role in comparison was really limited. Such a shame.

Now if you excuse me, I am going to go blast my old TLC records up and start planning my own fake family vacations.

3 out of 4.

This just in. The director of Percy Jackson: Sea Of Monsters is named Thor Freudenthal. What a bad assname.

He has done a few kids movies before (Hotel For Dogs, Diary of a Wimpy Kid), but that is it. Hopefully directing this movie is a sign of changes for this man. With a name like that, I want him involved in most action movies from now on.

Back to the movie, I am pretty excited for this sequel. I actually enjoyed Percy Jackson, The Lightning Thief. As an undergraduate, one of my majors was Ancient History, which of course gave me a love of mythology as well.

No, I don’t hate that these films change the Greek Mythology meaning and stories around. Because this is just another case of a movie not being identical to the source material. If I am fine with what happened in Iron Man 3, I will be fine with whatever they can throw at me here.

Besides, these mythologies are basically dead. I love it when anything can attempt to spice them up a bit. This one is promising to add a whole sea of monsters! Hooray!

Look! There is one right now! It looks nothing like a rainbow version of The Water Horse, either!

Percy Jackson (Logan Lerman) is no longer a big deal in the demigod camp after the first film, as teenagers are fickle. Who cares if he just saved Olympus/the world. What has he done for them lately? For fucks sake, Percy.

His friends, Annabeth (Alexandra Daddario) and Grover the Satyr (Brandon T. Jackson) believe in him, but everyone is else is obsessed with Clarisse (Leven Rambin), daughter of Ares. She wins all the events and challenges at camp.

Don’t remember her from the first movie? Well, presumably she was there somewhere. Maybe she just sick the two or so days that Percy visited in the first film, since at that point, Annabeth was the best warrior in the camp. Maybe they can’t handle two great female fighters at the same time.

Well, it turns out the protective barrier around their camp is falling, and it is all thanks to Luke (Jake Abel), son of Hermes, villain from the first film. Of course! He wants to do the unthinkable, and resurrect Chronos, the Titan, so that he can kill all the gods and ruin the world.

Classic villain strategy.

But that is not as important. They just want to restore the barrier to their camp, and to do that they have to find the Golden Fleece! Anything else is just gravy.

Oh, Percy also has a new half-brother Tyson (Douglas Smith), a young cyclops. His dad Poseidon just gets lonely sometimes, I suppose. Poseidon, Zeus, and Hades do not make any actual appearances this movie, but we do get Hermes (Nathan Fillion, technically a recast), and Dionysus (Stanley Tucci), who for some reason didn’t get to drink wine. Chiron is also back in this movie as the camp mentor, but he is played by Anthony Head (of Buffy fame), and not Pierce Brosnan. Boo recasts.

I would have raged the hardest if Brandon T. Jackson was replaced.

I would say that overall, Sea of Monsters is not as good as The Lightning Thief. But one major improvement was getting rid of the “& The Olympians” part out of the title. That title was long enough to be comical.

Here is one of my biggest issues. Luke as a villain doesn’t make a lot of sense in this movie. To resurrect Chronos, he also needs the Golden Fleece. Unless he didn’t think he could get it himself with his band of mighty demigod soldiers, it is silly to break the camp barrier, causing them to go after the fleece as well. Instead, he could have not done that, and succeeded in his plan as no one even knew he was alive.

Instead we have a movie where there is a ton of buildup for the great and powerful Chronos, who then gets easily “defeated” in a matter of minutes. It happens in a lot of fantasy films. I am surprised more people don’t get angry when they are teased about the destroyer of the world coming, but when he finally does, its a whimper. The Sorcerer’s Apprentice is another recent example of that.

It does have a lot of cool effects still. Caribdis was gorgeous and they had a manticore! However, the manticore went out in a single hit. Caribdis ended up being comparable to the whale from Pinocchio. I didn’t feel scared for any character, because the solution was always immediate or obvious. Plus, you’d think there would be more monsters in the sea of monsters. At least more than one. Maybe.

They did have some good attention to detail for the minor mythologies though. I loved the gas in the Oracle scene. There are many references to The Odyssey. Just showing Caribdis without bringing up Scylla is unique. Tyson the cyclops seemed like a horrible addition early on, due to the awkwardness of his CGI’d eye, but I got over it, and he became a funny/sweet character.

Overall on its own, it is a decent family movie. Minor continuity issues arose, but they can be ignored easily by most movie goers. The ending was cliffhanger-ish, which generally feels tacky when used in movies.

I mean, what if we started allowing cliffhangers in everything? Like songs, movie reviews, and

2 out of 4.

Do not go see the movie Planes.

Fuck Planes

This won’t be a typical movie review, thus the use of quotation marks in the title. Normally I do a little bit of research about a film before I watch it, just so I can lay down some fun facts in these reviews. But what I discovered about Planes I found to be so unacceptable, I didn’t feel right telling everyone about it. But first, a little bit of back story.

For the main poster and Trailer for Planes, we see that it takes place “From Above the World of Cars.” Remember Cars?

Cars came out originally in 2006 as a Pixar movie. I linked to my original review of it, but if you are lazy, basically I describe how the movie is bad morally for children. In Cars, your job in life is based solely on what car type you are. The only exception is if you want to live below your means.

Cars 2 came out five years after that, also made by Pixar. This time they changed the main character and turned it into a strange Bond parody. More importantly, we should look at the villains. The main villains for Cars 2 are lemons, aka cars that were built badly and break down all the time. These cars only wanted more equality, but instead they are the butt of everyone’s joke.

This is all even more twisted when you realize that these cars were all created somehow. These cars age and live a life, so presumably more and more cars are created every day. These lemon cars in particular were created with the sole purpose of being lesser quality than their peers. Yeah, I’d be pissed off too.

No matter how you look at it, Cars 2 was a cash grab movie, made almost solely to sell merchandise.

So now, only two years after Cars 2, we are given Planes. One notable difference (that few people realize) is that this movie is no longer done by Pixar, but instead just Disney. You might be thinking, “Hey! Disney CGI isn’t that bad, they just did Wreck-It Ralph! This one might be awesome too!”

Yes. I too am a plane.

Well, Wreck-It Ralph was done by Walt Disney Animation Studios, their normal big movie company. Planes was done by DisneyToon Studios, who are most known for making the lame sequels to popular Disney movies. You know, Cinderella II: Dreams May Come, Cinderella III: A Twist In Time, Pocahontas II: Journey To A New World, and more. The last time they had a theatrical release was in 2006, with Bambi II, and that was only in theaters in Europe. Their last five movies that went direct to video were all based around Tinkerbell.

So why were they given Planes? Well it turns out, Planes originally was going to also be a direct to video release. However, Disney liked the animation enough to let them have a theater release. Great. Since Planes was meant to be direct to video release, it almost implies that they didn’t put a lot of work into it.

The budget for Planes was only $20 Million. To put that into perspective, Cars had a budget around $120 Million, and Cars 2 around $200 million. Turbo ended up at $135 million, and Wreck-It Ralph was at $165 million. CGI animated films are very expensive to make because the technology is expensive and they take years to produce. With a budget that low, either the film was rushed, or the CGI quality is low.I believe the evidence point towards both of these facts being true, since production of Planes didn’t begin until a few months after Cars 2 came out and was originally coming out Spring 2013.

If you want more evidence, they have already announced that Planes will be a trilogy. The first sequel has already been named, Planes: Fire & Rescue. The sequel also already has a release date set for July 18, 2014. Next summer! Less than a year after the first film, I can only assume that it is being rushed out.

To recap, in great detail I have explained why the Planes movie is just a huge cash grab. It has a low budget indicating lesser quality animation and less time spent for polishing/developing. It happens to be a spin-off of another cash grab movie. It is made by a studio who is only known for their low quality sequels to all of our favorite Disney movies. It is also banking on the fact that most people who see it will assume Pixar made the movie.

Unfortunately, by now, Disney has already profited on this film. Why? The same reason Cars 2 has made so much money. Merchandising. With a budget that low, they don’t have to care about quality when the merchandising alone is just pure profit.

So I plead with you, do the right thing, and do not go see this movie in theaters. Do not buy it on DVD or Blu-Ray. Don’t buy any of its toys for your families or friends. Disney should be punished for trying to pull this type of crap on us, making almost a mockery of the entire idea of movies as an art form.

Something something something planes.

Just to keep this legitimate, here is a quick synopsis and review.

Dusty (Dane Cook) is a crop duster from the midwest, who dreams of being a great racer, and joining the race around the world. Unfortunately, he is afraid of heights, which totally makes sense. Well, he qualifies barely and makes it to the race around the world! But certain other planes don’t like him, because he isn’t a racing plane. So with a little bit of can do spirit, he hopes to prove everyone wrong, and he can succeed despite being created for one purpose!

Also featuring the voice talents of Brad Garrett, Teri Hatcher, John Cleese, Cedric the Entertainer, and more.

I’d say that this movie did a good job of breaking the morals given to us by the Car movies. After all, it is a plane doing something beyond its design and achieving greatness. But in the film, in order for him to achieve his dream, he literally has to change everything about himself first. It really brings up the philosophy question dealing with the Ship of Theseus. Can we really say a crop duster has won a race, if he removed his crop dusting ability and replaced all of his parts?

The movie itself offers nothing new. It is incredibly inaccurate in terms of geography, despite making it clear that it takes place on some strange human-less earth. There are plot holes that a jet could fit through. They even showed scenes of planes during World War II, which accidentally makes this film incredibly dark. Is this really a world where planes go to war with other planes, and hundreds of machines die? Well, I guess it makes it more human-like in that regard.

Now remember, please do not support this movie.

0 out of 4.

I almost saw Frances Ha two months ago. For real. I was going to drive an hour to see it and do some other things in the capital city.

It was the only movie at the indie theater that I hadn’t already seen, or knew I was going to see shortly after. It was all going according to plan.

Then I ran out of money and said nope. Also, the prospect of watching the movie didn’t appeal to me. I knew it had Greta Gerwig, who is in like, every indie movie now. But it was also in black and white. Ehhh, black and white…

Frances Hi!

Frances (Gerwig) is a 27 year old woman living life in the NYC! Yah! She lives with her best friend, Sophie (Mickey Sumner). They are basically the same person in different bodies and hair colors. Good times are had by them all. Until Frances has to leave her boyfriend and also can no longer live with Sophie.

Shit.

This movie takes place roughly over a year. It is her trying to survive in NYC, without her confidant, as they drift farther, and closer, and farther apart. No one likes losing a friend. But she is getting less work at the dance company, and times are tough.

She ends up finding a room with two men, Lev (Adam Driver), who tried to sleep with her and every other woman, and Benji (Michael Zegen), who would describe Frances as undate-able. She lives temporarily with a fellow dancer Rachel (Grace Gummer, currently on season 2 of The Newsroom). She also will have to move back to California, live in another country, and live in the woods and her old university before she gets back on her always dancing feet. Maybe.

At the same time, Sophie is getting very serious with her boyfriend Patch (Patrick Heusinger) who may be a good guy. Not really sure. We see everything from Frances’ point of view.

Frances Ho?

Fun fact. Greta Gerwig cast her parents as her parents! Ahh! What fun!

Description for the movie was hard. A woman in NYC. But the plot moved really fucking fast. The movie itself is under 90 minutes, so it has a short time frame, but it feels even shorter than that. It flies by so fucking fast.

Why is it fast? The way the movie was cut. Many short scenes, all spliced together to show a passing of time. That’s right. It is basically a shit ton of montages. Without the sports. Whether it be awkward dates, or awkward dinners, everything is quickly paced, and still conveys the appropriate emotions to the viewer.

You will feel awkward, uncomfortable, and sad. Which is great.

It didn’t end up being super artsy. The art direction and black and white was some sort of love song to Woody Allen probably. More importantly, I think that most people who watch this will find their time well spent.

3 out of 4.

To answer the first question on everyone’s mind, yes I did dress up like a Smurf for the premiere of The Smurfs 2. It was smurftastic!

Initially, watching the trailer, I was enraged at the plot. In a nutshell, Gargamel (Hank Azaria) tried to create a couple of Smurfs, but they turned out grey and evil. He needs to know how to make them blue, to extract their essence and then become a powerful sorcerer. But they can only get the formula from Smurfette (Katy Perry), who they have to convince to be naughty and join their force.

NAUGHTY. NAUGHTY. NAUGHTY.Why does that upset me? Because I know that Smurfette was a Gargamel creation in the first place (Despite the first movie contradicting that statement). He wanted to create chaos in an all male Smurf society, by introducing a woman. That makes sense. So why did he have problems creating more Smurfs? Oh, because the movie changed things up a bit. More importantly, they explained it all and made it completely reasonable.

In this world, Smurfette was also originally gray, until Papa Smurf (Jonathan Winters) turned her true blue and into a happy go lucky Smurf. Yay! Now everything is okay! Only her and Papa Smurf know the formula, which is why they steal her back into the real world to beat it out of her…with kindness. It is also Smurfette’s birthday, and as the Smurfs tried to keep the party a secret, she assumed no one remembered and felt quite sad. Poor Smurfette.

Due to some miscalculations, the rescue team consists of Papa Smurf, Vanity Smurf (John Oliver), Grumpy Smurf (George Lopez), and Clumsy Smurf (Anton Yelchin).

Oh, but they aren’t alone. No, they have human friends from the first film! Patrick (Neil Patrick Harris) and Grace (Jayma Mays), their son, and Patrick’s step-dad, Victor (Brendan Gleeson).

Can this rag tag group of Smurfs find and convince Smurfette they love her before time runs out? Or will the Naughties, Vexy (Christina Ricci) and Hackus (J.B. Smoove) get to her first?

But let’s not forget about dat cat.I actually left out a lot of the minor plot points in this one. You’re welcome, that means the movie will be a bit more surprising if you head out to see it. Honestly, it might be worth it if you have a family.

You don’t have to see the first film to understand this film, you just need to know that they have some human friends. Pretty standard for a family film.

What can you get out of the Smurfs? A lot of smurfin’ puns. Smurf this, smurf that, puns everywhere. Hank Azaria continues to be a smurfing excellent Gargamel. The work he puts into the voice and that character is beyond phenomenal. It is smurfing nuts!

I laughed quite a bit at some of the jokes. The fact that the plot made sense in this universe only made it better. However, there were a few smurf problems.

Vanity Smurf? I wish they killed off some Smurfs. As one of the three main personalities on the trek, being narcissistic, he ALWAYS talks. Unfortunately, everything he says is the exact same vain pun, over and over again. It got smurfing real fast. At least Grumpy Smurf had an interesting plot line. Clumsy Smurf was ignored completely. They had the chance to branch out and give us some newer Smurfs to highlight, but they didn’t.

Really, if they make another Smurfs movie, I hope they keep them in their own world. If they want, bring NPH and the other humans to them this time. Their world has plenty of lore, magic, and fun to be a great setting. Most of all, it has more than a handful of Smurfs, so everyone can fight for the metaphorical spotlight.

 

2 out of 4.

I miss Twilight. Twilight made everything easy. I knew what I would do for my Milestone Reviews, and everyone would get why they received the extra attention. It made sense.

I worry a bit, just a little bit, you guys don’t see why these things are a big deal.

So for milestone #850, I knew I had to do Journey To The Center Of The Earth. This 2008 remake was an early use of the 3D craze that hadn’t yet fully formed in American cinema. In fact, it may have been in red/blue 3D, but I can’t confirm that.

But more importantly, I am a graduate student in Geophysics, if you missed that in other reviews. Or you know, you are someone reading this who actually doesn’t know me in person. So examining movies that I know will be very nonscientific is something that I just can’t resist! Especially those about the Earth.

And with that, let’s trash the fuck out of this movie.

Yep, that face is just asking for some movie fucking. This movie is not a remake of the book or movie. No, it takes place in a universe where those movies and books exist. Fucking Jules Verne meta up in here. But we will get back to that later.

Trevor Anderson (Brendan Fraser), is some sort of Volcanologist. Like a legit one, works at a university, (college?) teaches geology, and has a shitty lab to measure seismology. Only three sensors still work. He is continuing his brother’s work, but he hasn’t been seen in 10 years. Sucks to suck.

Even worse, his lab is going to get shut down and turned into someone else’s lab. Someone higher in the university, someone played by Seth Meyers! Oh no, life sucks!

This photo doesn’t fit anywhere. But hey, good clean family fun is upcoming.Speaking of his life sucking, he forgot his sister-in-law is bringing her kid over today. Fuuu. So messy. Sean (Josh Hutcherson) is there for ten days and about to be bored shitless. So Trevor looks for child toys to entertain Sean and finds an old box in his attic. What is in it? Why, Journey to the Center of the Earth of course!

But it is all covered with notes. Huh? Crazy. This must have been his brother’s. Strange strange. Apparently he thought the book was real and a guide to go under the Earth! Where crazy shit is, yo. That’d be surprising. Fuck it, let’s go to Iceland to check it out!

Still not at the part for cool pictures. So here is a big fucking plant. Iceland! They try to meet an old professor. Nope, he ain’t there no mo’. Just his Icelandic, hot daughter, Hannah Ásgeirsson (Anita Briem). Nice. Apparently her dad is gone too, he went with Max into a Volcano. Seems silly. Because it is silly.

Turns out they were “Vernians”, people who thought his books were real, all of them, not fiction. Huh. Okay. So that is enough reason for them to go check out a volcano.

“Yep, this is definitely a hole! Trust me, I know holes!” – TrevorFuck yes. Volcano. Abandoned caves. MINE TRACKS. Abandoned mines? Yes, abandoned mines. Mine cart racing. Yes. All this stuff. Eventually they find a shit ton of diamonds and jewels. Hurrah. But then they fall down a hole. A really long hole.

Seriously, he really knows a lot about holes. Aw shit, even though they fell for miles and miles, they didn’t die! Because water started to appear and that eased their fall? Who cares how fast they were falling. Water doesn’t hurt when you fall on it, not a bit!

But the good news is, the book was right. They found a completely different mini-earth where life is thriving and stuff exists at the center of Earth. Literally, at the center. Wait, they made it to the center? That is like, 4,000 miles down. How fucking far did they fall and not die?

Never fucking mind.

Just stare at the pretty looking mini planet or whatever the fuck is going on here. Well, they think it’s awesome, but they don’t want to die down here. Like assholes. So they want to escape and thankfully have a map like thing to get out. They just have to wait for an eruption and another giant tube. They will make a boat and ride the steam to the surface. Which is very, very doable. Why the fuck not?

They also have to sail across a giant underground ocean to get there, during a storm, with killer giant fish coming at them!

Just thinking about it all is getting me really wet.Well, in the ocean they lose the kid, he flies off. But thankfully they all somehow still meet up somewhere. WHILE GETTING CHASED BY A GIANT DINOSAUR WHAAT AHHHH! What the hell is it eating down there? We’ve only seen plants, fish and small birds. Da fuq?

They escape, but get to the tube too late. Oh no, water is gone. And no boat!

Thankfully a dinosaur skull can make a boat. And they can crack the wall to bring down a stream of water to the magma, to force them up before the volcano explodes to safety!

Safety? Fuck that.

Evolution worked almost identical to the earth thing. I guess. Just bigger everything else. And glow birds. They escape, life is good, and eventually we get another and another movie.

Yeah! More movies! But they won’t let Brendan Fraser be in them? That seems fucked up. Who let Josh Hutcherson stay?

The first few scenes in the movie made me realize I wasn’t going to have a good time. Trevor seemed pompous and elitist, with no reason to back it up. He gets lucky and thinks he is the hottest shit ever. He probably works at a community college, not a distinguished University.

Well, hey I don’t care for pompous people. He makes us look bad.

Okay, I am pompous too, but I feel like I deserve it. I run a successful movie review website!

If you have to watch any movie, watch the one from the 1950s. It is actually a lot better and not super fucking meta.

1 out of 4.

Jim Rash and Nat Faxon wrote The Descendants, and graced our screens with its presence in 2011. It was nominated for Best Picture and eventually won Best Adapted Screenplay. It basically made these writers pretty hot commodities.

That is why I was excited to see The Way, Way Back, their next film. No George Clooney this time, but they have plenty of other actors to fill his void.

Look, here are three now!

Summer can suck. Especially if you are Duncan (Liam James). Your parents are divorced, your dad just moved from NY to CA, and your mom (Toni Collette) is dating the biggest douche in the universe, Trent (Steve Carell). Unfortunately for Duncan, he has to head out to Trent’s summer beach house to pretend to give this new family idea a chance.

Did I mention Trent is a douche? He talks down to Duncan, constantly goes off with his friends (Rob Corddry, Amanda Peet) to get drunk or high or both. It is basically his personal summer vacation, where Duncan and his mom are afterthoughts.

But eventually, Duncan finds friendship in the local Water Park. Slacker manager Owen (Sam Rockwell) has decided to take pity on Duncan, give him a job and help him find a purpose in this long dreadful summer. With the help of Owen and the other workers (Maya Rudolph, Faxon, Rash), Duncan learns that there are non sucky things out there in life.

That is great, sure, but will this new found joy in life at all help him with his horrible home situation? Will it help him woo over the neighbor girl (AnnaSophia Robb), who has to deal with her constantly drunk mother (Allison Janney)?

Oh god. He is staring into my soul. What do I do!? Just act natural. Ho hum…AHHH!

Comedy/Drama movies are actually quite hard to pull off successfully. After all, even the strictest of dramas tend to have some minor elements in comedy, and vice versa. But most movies labeled in this category are clearly still one genre over the other, or even worse, weak in both areas to try and find a balance. One of the best examples I could list of a real comedy/drama would be 50/50, a film that made me both laugh and cry.

Nat Faxon and Jim Rash wrote a decent comedy/drama with The Descendants, very enjoyable, but it could have been more dramatic. For The Way, Way Back, they decided to amp up their game, and created a much better film. Not going to lie, I cried three times during it. I can’t say I relate specifically to the scenes in this film, but thanks to an excellent build up with terrific acting from everyone on the cast, the emotions quickly took over.

Steve Carell had to play the biggest jerk in the world, and he pulled it off well. It was quite surprising. Sam Rockwell and Allison Janney carried the comedy for me, while at the same time their characters felt real. Everyone felt real. I love real, even though real characters lead to uncomfortable moments.

Major props as well to Liam James. I can’t say I recognized him in anything before, however he pulled off the awkward/lonely teenager role really well. But hey, apparently he was Young Shawn in the Psych flashbacks, so that is kind of cool.

 

4 out of 4.

I often find that when all you do is talk about movies, people tend to suggest them. Of course I will watch a movie if someone suggests it to me, but with Ruby Sparks something even stranger happened. TWO people recommended this movie to me, potentially within a few weeks apart. Well, of course I have to see it now.

I also realized why I didn’t watch it right away. Sparks? That title is too close to the title Sparkle. I hated that movie.

I could write a better movie than Sparkle for sure. It would be about some sort of mythical creature that Sparkled under strange circumstances. I am sure that’s an original concept.

Calvin (Paul Dano) is a genius. Alright, he doesn’t like that word. But he dropped out of high school once he wrote what many consider to be the next great American novel, and he quickly rose to fame and success. But now, almost ten years later, he is in his late 20s and he still has one novel under his belt. He has released a few short stories and novellas, but nothing of any real length or magnitude.

Some genius indeed. It must all be getting to his head. In fact, he has to see a psychiatrist now just to sort through his feelings of loneliness.

But then one magical night, he has a dream. A dream of a girl, with red hair, and a quirky attitude. She is perfect to him. So he writes about his dreams and turns it into its own new story. Yes, this is the one, his next great novel! Who cares if his brother (Chris Messina) thinks the story is dumb.

Calvin really is a genius. His brain is so powerful, that one morning he woke up and found the literal girl of his dreams in his kitchen. Ruby Sparks (Zoe Kazan). In the flesh. Based on everything he wrote about. How can that be? People can’t just be created! Or can they? Truly only a genius (or geniuses, in some cases) could create a person without even trying. It gets weirder when he realizes it is not in his head. It gets creepier when he realizes that whatever he types comes true. Yeah, you know what I’m talking about.

Annette Bening and Antonio Banderas play his mom and step-dad, while Steve Coogan has a small role as “other older writer dude.”

Anyone else find it funny how Ruby is always wearing red? And how she and Superman are never in the same room?

Yeah, so I really fucking love strange quirky movies like this. Pretty easy to learn that given my rating record. Watching this movie made me want to watch Stranger Than Fiction right after it. Another well acted quirky movie about the truth being determined by what someone rights. Who knew there was a whole drama about this!?

I found myself flailing while I watched this movie. My mind raced ahead of itself, so once I was given new information, I always assumed the worse. Having complete and utter power over someone? That can lead to many dark dark places, and I assumed each one would be touched upon. Thankfully, each one wasn’t touched upon, because I didn’t feel like crying that night. But the scene where the power finally got to the head? Shit scared me, and it did it in away without having to go the hard R rating that most of us are probably imagining. Which is great, when I rewatch this movie, I can not flip out as much and STILL enjoy the process they go through.

Besides, this type of stuff is every (male?) fantasy. Since Frankenstein, the idea of creating a person has always been intriguing. So why not?

I think this film is excellent on all cylinders, and exactly the type of thing I’d watch again and again.

4 out of 4.

When it was released, Red received pretty decent reviews from critics but didn’t do amazing at the box office. It made up for it in DVD/Blu-Ray sales though, gaining a small cult following, which is why they green-lit the sequel, surprisingly named Red 2.

The main notable difference between the two is that this one doesn’t have Morgan Freeman. For shame.

Although, as you can see from the picture, it has a lot of John Malkovich being very very John Malkovichy.

The movie begins with Frank (Bruce Willis) and Sarah (Mary-Louise Parker) trying to build a home together. Frank is retired (and still extremely dangerous) but he wants to put his past behind him. Too bad Marvin (John Malkovich) comes prancing in, warning him that he thinks someone is trying to kill them.

Well, it turns out there actually are people trying to kill them! Reports have surfaced that they are nuclear terrorists, who are trying to take out Russia. In fact, the CIA are trying to take them in, including their main man Jack Horton (Neal McDonough, who looks like the white Robert Ri’chard), who has hired the world’s best assassin Han Cho Bai (Byung-hun Lee). The MI6 are sending their old friend Victoria (Helen Mirren), and Russia has Frank’s former fling, Katja (Catherine Zeta-Jones). Sarah doesn’t like Katja.

So Frank, Sarah, and Marvin have to work together and find Dr. Bailey (Anthony Hopkins), a brilliant war scientist who has been kept in the loony bin for over thirty years. Together, they hope to clear their name, and possibly stop a nuclear bomb from taking out a huge populatio of the world.

I decided to not talk about John Malkovich with my second image.

I don’t think you need to see Red in order to understand Red 2. All you have to know is that Frank and Sarah met in the first film, and everyone else has a huge history with everyone else. If you had to only pick one to watch, go with the original.

Red 2 isn’t bad per say, but it just doesn’t seem to care too much. Sure, it is entertaining, and funny at times, but not a lot happens overall. They are framed fugitives being hunted by the top governments around the world, yet they still have time to walk around Paris and go shopping. It just seemed odd and ruined the flow of the movie for me. The ending chase scene ended up being really predictable as well.

Red 2, just like R.I.P.D. had its enjoyable moments and was entertaining, just not something I would ever recommend to see more than once. I think Red 2 is not really based on the graphic novel like the first movie. Instead it is based on whatever the writer felt like. I usually don’t care how close a movie is to its source material, but I think in this case, they really didn’t know what to do with their characters. Because of that, it just felt like a mess.

John Malkovich is brilliant as always, and a bit more insane than normal. Malkovich is the main reason to see Red 2, and the only real reason.

2 out of 4.

Don’t worry readers, I am not about to spend a whole review explaining why R.I.P.D. (Trailer) just looks like a rehash of Men In Black. From the grumbles I heard in theaters during the trailer, I realized everyone had already figured it out on their own.

Technically R.I.P.D. is based off of a graphic novel of the same name, but it didn’t publish until after the first two MIB movies came out. Regardless, it seems like Universal itself doesn’t care about this movie with limited promotion and refusing early showings for critics. Generally when critics can’t get early showings things are going badly.

That facial hair from Bridges is not the something bad though. Nick (Ryan Reynolds) is a member of the Boston PD, and finds himself dead unexpectedly during a raid. Man, dying sure does suck. He gets pulled up to what he thinks is heaven and runs into…a Proctor (Mary-Louise Parker). What? Were you expecting Jesus? She offers him a choice. He can either go straight to Judgement and find out his fate for eternity, or join the Rest In Peace Department, serve for 100 years, and get a recommendation before Judgement.

Given Nick’s somewhat corrupt cop nature, he chooses to join the force. The R.I.P.D. are sent down to Earth to round up those who have died and refuse to pass on, as they slowly corrupt everything around them. Roy (Jeff Bridges) is a lawman from the 1800s, and reluctantly takes Nick under his wing.

Too bad the deadoes are also working on building an artifact to bring all the dead entities back to earth, and end the world. Good thing Nick just died and can try and stop it!

Kevin Bacon plays Nick’s old partner, Stephanie Szostak is Nick’s wife, and James Hong and Marisa Miller play Nick and Roy’s avatars while they are on earth. A joke that most certainly gets old really fast.

This joke might have gotten pretty old real quick. R.I.P.D. is not as bad as the trailers will have you believe. Sure, it has a lot to work on, and it could have been a lot better, but still, it isn’t complete trash. Critics just tend to give lower ratings to movies that they don’t get to see for free.

As for our leading man Ryan Reynolds, I thought he was really weak in this movie. Sure, his character just died, and he has a lot of angst, but I didn’t believe any of it in this movie. He was supposed to be pissed off the entire movie, but he just seemed passive aggressive and pouty.

Jeff Bridges was over the top in this movie, but it really did work. It was strange at first, having his era specific dialogue mixed in with the modern dialogue of everyone else. Once you got over that fact, basically everything he said was gold. I will give props to Mary-Louise Parker as well, who didn’t really have a lot to work with for her role yet still made it her own. She was in two different movies released this week (Red 2), and thankfully her characters were completely different.

The movie felt really short, and the ending was wrapped up pretty nicely with a bow, by ignoring pretty huge plot points. If you have monstrous beings running around Boston, blocking off whole intersections, with giant vacuum like holes appearing in the sky and taking out infrastructure, you are going to have hundreds of thousands of dead. After the initial appearance of bad guys, the streets became miraculously clear and no humans seemed to die. Great!

R.I.P.D. caused me to laugh on numerous occasions, but in general, the plot and acting from Reynolds felt really weak. It is at best a little bit entertaining, but not something I’d ever watch again.

2 out of 4.