Tag: Comedy

Bad Grandpa, Bad Grandpa, Bad Grandpa…

Well, it is presented by Jackass, and I can say I have never seen one of those movies in full, or the TV show, just random skits before that people have gone out of their way to show me. And this music video by Andrew W.K.

I literally have no desire to see people hurt them selves and do stupid things for amusement. Like, none. I am not high brow at all, not in the slightest, it just doesn’t seem appealing to me.

But this movie is different. So much different.

Like, this kid, who was the best part of Fun Size.

The “plot” of the movie is that Irving Zisman (Johnny Knoxville) is old, his wife just died, and he is stoked. Too bad his only daughter is going to prison, and her son, Billy (Jackson Nicholl), needs someone to watch him and take him to visit his daddy in Raleigh, NC.

But Irving lives in Lincoln, Nebraska. That is far away. Fuck all that noise.

Well he does it anyways, and that is the backbone for this roadtrip film, which has the main goal of just doing ridiculous things and providing shock value to real people and our enjoyment.

And some stunts too.

Or fabricated little girl pageants in Raleigh just to confuse and bewilder people.

In case you can’t wait for the ending, I am giving this a 2 out of 4 for a few reasons.

Yes, it is at times entertaining. Some of the stunts/interactions are really creative. Nice moments. But a lot of the time they feel too far in between, or the joke takes too long to set up (so instead we are just given a lot of diatribe between Johnny Knoxville pretending to be a mean old man.

Speaking of that, this may be the only time I say this in a review but…

This movie has too much plot.

To be more entertaining, we need more skits, more hilarious interactions between real people and the actors. We have a lot of scenes just between Knoxville and Nicoll who in the car talking. And it is all bullshit, all stuff we would expect to see in a real movie, that feels just completely unnecessary in this film.

Similarly, because a lot of these scenes are so detailed, like the pageant, and that machine that crashes through a store window. That wasn’t just random, other people had to be in on it. So some of those other people are in the shots too, doing reactions as if its real, but you know they know its about to happen.

So to recap, this movie would have been a lot more entertaining overall if they just made more of it be real skits and less plot, and reduced the number of people who knew what was going to happen. Here is one thing I learned from the movie: The Guardians of the Children, a bikers gang, is incredibly fucking awesome, and they really believe in their cause.

Here is a true story. I was slowly trolling down the aisle at the local video store, when I ran into the movie Crazy Enough. I saw that there was only one copy, despite being a “new release,” saw who was the star, saw the ridiculous of the cover and thought “Hey, I should totally watch that movie. Right away!”

This is how I learned that when I walk near movies, I get controlled by a puppeteer and make awful decisions.

I saw this cover and thought “THAT’S THE ONE!”

Fred Mulberry (Chris Kattan) is a psychiatrist, has a doctorate, and a loving family. He is kind of spazzy though, and his kids might not look up to him.

Either way, he has to head over a few hours to a mental hospital to sign some forms for a new patient to go there. Tough part of the job. Well, as fate would have it, his identical twin brother Teddy, is a resident at that hospital. They were both adopted at birth, one raised to be a scientist, one who unfortunately went a bit insane. Luckily for Teddy, everything works out perfectly for him to steal Fred’s wallet and items while he isn’t looking and make it out of the hospital, making the hospital think it Fred is Teddy and lock him back up instead.

Hooray! Oh what zany adventures they can get in to, a sane man trying to get out of a hospital that assumes he is crazy, and a crazy man trying to act like a dad and raise his family.

Hyuck hyuck hyuck. Susana Gibb plays the wife, Brooke Anna Leedy is another patient at the hospital who claims she doesn’t belong. There might be some fishy stuff afoot here, it turns out!

I can’t believe a movie starring Chris Kattan twice could be considered bad.

I am not going to bore you with more words than are necessary at this point.

I didn’t laugh once. Parts made me more sad, because shit, being improperly imprisoned in a place where people assume you are not all there in the head. That sucks. It could be used for comedic purposes, but it was just done badly. On the other side of the coin, crazy guy in the real world. Some shenanigans, but most of them fall flat too.

There is also mixed messages. While he is trapped inside, he realizes that these people are nice people, and most of them could easily live in society and not be shunned. But the other side of the story, Teddy, yes he is nice guy, but they kind of imply that he really cant function in society and the hospital makes sense for him. Well, minus the cheesy ending where they ignore it all.

Blah. Just blah. Dang it Chris Kattan. Dang it Chris Kattan. That is for both of him in this movie.

I only saw the trailer for The Spectacular Now once, but I knew immediately I just had to see it. So many reasons really, but I could tell ahead of time it might be something that I would enjoy.

Damn it, now my bias is showing. I am so embarrassed.

Not as embarrassed as these two when they realize that car is rolling down hill.

Teenage romance. A typical film plot line, but maybe not so typical in this film.

We have Sutter (Miles Teller), life of the party, everyone’s favorite joker, he lives in the NOW. Oh hey, movie title. He could apply to college, but that can happen later. Not like college is anything special. His girlfriend Cassidy (Brie Larson) was one of a kind, and everyone loved them and they loved each other. Until his easy goingness got him in trouble and she dumped his ass, this time for good.

So Sutter does what Sutter does best. He drinks away his problems, and has the night of his life, maybe. He passed out, waking up on a lawn thanks to Aimee (Shailene Woodley) with his car no where in sight. Also, who the fuck is Aimee?

Some girl in his grade, he doesn’t really know her, but she knows him. Life of the party. Well, Sutter is on the rebound, and thinks he is a nice guy, so he starts to hang out with her and invite her to things. But that dang alcohol keeps going down into his stomach, so next thing you know, he has kissed her and invited her to prom. Did I mention he still kind of likes Cassidy still? Yeah, he is a jerk.

Broken homes, broken dreams, Sutter has a lot of growing up to do. He is going to be eighteen soon, and his life needs to change for the better before it is too late.

His family is played by Jennifer Jason Leigh, mother, Mary Elizabeth Winstead, older sister, and Kyle Chandler, missing father. Shit, even Bob Odenkirk is in this movie, but just a little bit.

Huh, I wonder if she made her prom dress out of the same material of that shirt? Or I guess she really likes yellow.

Ughhh. Fucking movies these days going for realism. A different amount of realism than they were back in the day. Back in the day, actors might have mumbled their lines, or messed up their words, and they would keep them in the take, because that shit is natural. That doesn’t happen as much anymore.

No, this is realism in a different way. I am sure each take took multiple times, but more ad libbing or something is now allowable for these actors. There is no way a lot of these dialogue scenes were read word for word, it just can’t be true. They flow really well and they all seem like things people of that age would say. I know its hard to understand, but it is hard to explain. I smiled throughout the film, due to the realism of the characters and the dialogue.

The film shows drinking in a negative light, but they also explain why the drinking happens, and you don’t hate the main character, you feel sorry for him, and you understand. Until he is a dick to Aimee, no, then you hate him again. So much rage.

The film doesn’t follow the standard path films of this description tend to take. There are some obvious moments, but there are other moments that come out of no where, like a bus from Mean Girls. The acting by our leads was fantastic, and I was also impressed with Kyle Chandler in his smaller role. Shit. It had a lot of stuff going for it. I am worried I might start thinking Miles Teller is a real actor now.

Small Apartments is another example of a film I picked to watch merely on the bizarre cover. Nothing really out of the ordinary in terms of subject matter, it was just faces of a few cast members. But those faces? Those faces were weird looking.

A bunch of actors I recognized, just all slightly off. I was ready for a dark comedy, or just strange film. Or at least, I thought I was ready for that jelly.

Basically the first scene of the film. I WASN’T READY!

Franklin Franklin (Matt Lucas) lives alone in his apartment, in an apartment complex of weird people. He isn’t any different. He really loves Switzerland, wants to go there, has the giant fucking horn thing and everything. He also is hairless. Relevant? Not sure. He also has the dead body of his landlord (Peter Stormare) on his floor.

He is surrounded by other odd folk, like Tommy Balls (Johnny Knoxville), a junkie with an almost philosophy degree (who is banging Rebel Wilson on the side). There is Simone (Juno Temple) who sometimes spies on Franklin, and flirts with the local convenience store employee (DJ Qualls). Let’s not forget about Mr. Allspice (James Caan) who I guess is just mean. That’s not really weird.

Shit, I could tell you more, but its just…Weird stuff. Weird stuff happens. Conspiracies, and investigators. Burned bodies and burned bridges (that second part is a metaphor, but the first part is literal). We also have James Marsden, Billy Crystal, and Dolph Lundgren.

I never realized Knoxville had the eyes of an angel.

I think I already said this, but man, this movie was weird. I really wasn’t prepared for it in any way.

Everyone was so odd, I just had such a huge quizzical look on my face the whole time, wondering what was happening and why. This is based on a book. I am going to assume the book is equally odd.

I am going to say that based on how rustled my jimmies were, the movie did its job. The actors, in particular Matt Lucas and Johnny Knoxville, were really excellent in this movie.

The issue is, because of its weirdness, I never really felt like I could get behind it. It didn’t really interest me in watching for a movie, it just piqued my curiosity a little bit. A movie I will remember for a little bit, but forget unless it is specifically brought up. A shame. And I feel weird saying the only reason I dislike it is because I couldn’t really get into it, but hey, it’s my website, so sometimes I have lame reasons. Hah!

Family Weekend I probably could have gone my whole life without seeing or even really knowing it existed. It wasn’t on my main dvd relese website, wasn’t in theaters, it is a film I’d have to have seen on accident.

So let’ just say that. Yeah. I saw it on accident. (Cough)

But it appears to feature bondage, so it already has that going for it.

The Smith-Dungy family is pretty unique, and yes they are one of those families. You know. Free spirited. Kind of. Alright, everyone has a unique personality that is set to 11. Emily (Olesya Rulin) is the oldest daughter and a champion jump rope speed jumping champion. Just ask anyone, like her crush Chris (Chase Maser), how great she is. She just qualified for states this weekend! But don’t ask her family. They didn’t show up to her competition.

Fuckers.

Her mom (Kristin Chenoweth) is now super busy doing business stuff, always on the phone or texting about work. Her dad (Matthew Modine) is too free spirited, an artist, willing to talk about too much and is just in general forgetful. She has an older brother Jackson (Eddie Hassell), who is gay (/faking gay) and and artists. Lucinda (Joey King), a younger sister, who is really obsessed with acting out as characters from famous older films for some reason, and a younger brother who likes animals and has a perfect memory.

Well, Emily decides that her parents need to relearn what it means to be good parents, like they were before, and must undergo some nice reconditioning, tied up for a few days, before they stop being such dicks. Chloe Bridges is also in this movie.

I always knew jumping rope would lead to adultnapping.

For a random movie requested for me to see, it wasn’t all bad. No, the plot overall went exactly where I thought it would go, and all lessons got learned, but the journey to end had its own twists or turns.

Kind of. Now I am just being vague, and I apologize, but this might be the quintesential 2/4. Not 2 out of 4 for being average, but by having equal parts I liked and disliked, turning it average. The former version is just average throughout, never really fantastic or shitty.

Olesya was pretty believable as an overachiever finally snapping and really wanting to do good, without realizing she has reached almost insanity. Her siblings Joey King and Eddie Hassell are both immediately forgettable, but since they don’t go away, they reach annoying levels. The parents are both pretty unique and interesting in their own ways, but of course they set up the dad to be the cool one and the one who is more willing to change. Despite making him more likable to the viewer, they are (for a little bit) able to allow us to feel some sympathy for the mom.

The unfortunate downside of this film is none of it just feels real or natural. It all feels fake, it just feels like a movie. The acting isn’t incredible anywhere, so I don’t think these characters actually changed, which just ruins the ending for me (which was a let down on its own). Hard to describe, but just doesn’t work on the most basic level. Despite that, I still enjoyed the idea of the premise, and some parts.

How many typos are in this review?

Aw yeah, technically my first review of a stand up special ever.

Why this one? Why now? Well, I don’t plan on reviewing stand up specials pretty often. Not only because they mostly just appear on Comedy Central/HBO first, or some guys website for $5. No. They are just strange to review. I don’t know if I can measure my laughing amount on a scale too easily. In fact, most of these I do laugh throughout, except the occasional odd one out. It would be too difficult.

So why this one? Well, Kevin Hart: Let Me Explain was given a theatrical run, not in my area, but it still got one damn it, and I didn’t get to see it. Like a bitter ex, I have waited for it to finally come out on DVD just so I could review it for this website.

That tight clothing got even tighter when the fire came out.

Turns out the Trailer was very misleading for what this movie was about. It shows he went on a world tour, got into shenanigans, and did comedy. Like most concert films, all of the performances/material are actually taken from one show, and yes, that show is usually Madison Square Garden. But in between songs/performances, we normally get to see the performers doing fun stuff around the world. Not in this film.

I’d say about the first 15 minutes or so started off with a skit, and then went into travel the world mode, where we saw him for a few minutes, do zany things around the world. Then the next 60 minutes is his stand up routine presumably uncut, all in one go without any breaks, then the film ends with some more running around in the credits. That is it.

So basically, it is just another stand up special. There is very little not stand up special, and I don’t get to see what the trailer is about 50% of. So those scenes in the trailer? Most of them appear in the dang credits, so as the movie was ending I was more confused than anything.

As for Kevin Hart‘s stand up, sure it was funny. Most of this hour was dedicated to really long stories about his fame and overreactions. Some hit hard, some missed. Oh well. After it is over, I can only really remember a few that I truly laughed at, but for a comedy special, having those moments is still gold and still worth it.

I am just disappointed there is nothing really unique about this whole affair, despite being in theaters, and the misleading trailer.

Machete started out as a fake trailer in front of the Grindhouse movies, Death Proof and Planet Terror. Robert Rodriguez decided that the fake trailer needed to be made into a real movie and Machete was born! A movie that was made on purpose to be bad, it had plenty of potential, but to me just felt boring. I wasn’t impressed.

I basically forgot about the franchise until they announced both a sequel and a third film coming down the pipelines. The sequel, Machete Kills just hit theaters, but the third film really caught my eye thanks to its title of  Machete Kills Again…In Space. With a name like that, this franchise can’t be that bad!

Yeah, it looks like he is about to kill it here.

After the death of his partner (Jessica Alba), Machete (Danny Trejo) finds himself at the wrong end of the law, blamed again for a murder he did not commit. To get out of the jam, the President of the United States (Charlie Sheen / Carlos Estivez) has asked him to go on a suicide mission into Mexico. His mission? To stop revolutionary/mad man Mendez (Academy Award Nominated Demian Bichir) from sending a nuke straight to Washington DC.

Sure, a simple enough mission, but there are a lot of factors that stand in his way. Million dollar bounties, crazed heart monitors, multiple personality disorders, priests seeking redemption, a hitman called El Camaleon, brothels, space scientists that know the future, a madam with a grudge, former friends, and clones stand between him and his goal.

There are so many celebrities, trying to list them all would be insane, but I will do it anyways. Telling you their role in the film almost seems like a disservice, and plus, you probably wouldn’t believe me. The movie includes Mel Gibson, Amber Heard, Michelle Rodriguez, Sofia Vergara, Lady Gaga, Antonio Banderas, Walton Goggins, Cuba Gooding Jr., Alexa Vega, and Vanessa Hudgens!

One of the best “jokes” in this movie is having Alexa Vega in close to nothing. Since he worked with her on Spy Kids 12 years ago.

As I mentioned before, Machete was trying to make a good/entertaining “bad movie,” in honor of all the poor quality B-movies of the 70s/80s. It is pretty hard film type to make correctly, the last one I really enjoyed being Black Dynamite. The first film had a lot of appropriate jokes for genre, but the overall plot and tone bored the crap out of me.

Machete Kills corrects these mistakes and more. First off, it was actually entertaining. Over the top action from start to finish and nonsensical plot lines that will cause you to stare at the screen in confusion. Normally that would sound terrible, unless terrible was the goal, in which case it sounds great! Machete Kills put a lot more detail into purposefully editing the film in a sloppy way to increase its humor potential. The film has a rampant disrespect for obeying the natural laws of our reality: where a broken car can drift 500 miles in mere hours, and where several days can pass in only 20 minutes.

Most of the jokes are smaller references or in the background, outside of the absurd characters themselves. Despite how outrageous everything is, the characters themselves for the most part are incredibly serious. After all, their lives are on the line. The movie sports a lot of death and violence, which is all packaged in creative ways.

Machete Kills improved a lot from the first film, but I think it still has a lot of untapped potential that it just hasn’t reached yet. Assuming the third film actually gets made, it might finally cross into the “So Bad, It’s Amazing!” territory that the series is striving for. As for now, it is not a must watch, but more of a watch eventually (maybe) type of movie.

Joss Whedon is a sly bastard.

While working on post production for The Avengers in 2012, he had to take a vacation via his contract. What did he do on his vacation? He fucking filmed this movie, Much Ado About Nothing, in twelve days. TWELVE! A WHOLE MOVIE! In secret!

Who makes a film in secret? That guy does.

For those of you who don’t know, Much Ado About Nothing was also a film in 1993, but it had stars like Denzel Washington, Keanu Reeves, and Robert Sean Leonard (when he was known as that guy from Dead Poet’s Society, not Wilson FROM House M.D.).

That version wasn’t bad in any real way. It was super Shakespeare. It was done well, and everyone did good. Yes, even that guy.

Basically the best actors the world had to offer us in 1993.

Ah love. Love is grand. And sometimes leads to marriage. That is the goal of one Don Pedro (Reed Diamond)! He has fallen madly in love with Hero (Jillian Morgese) and has vowed to win her hand in marriage, but he needs some help from his friends.

Oh wait. That goes on as planned pretty easily (minus some second act shenanigans and mix ups). That is because they are not the main characters of the play/movie! No! It is Benedick (Alexis Denisof), friend of Don Pedro, and Beatrice (Amy Acker), friend of Hero! Both are known for their wit and their disdain for love and fairy tale endings. Nonsense all of it! Well, weddings take some time to plan, so Don Pedro, his friend Claudio (Fran Kranz) and the others get a bit bored with the wait and decide to play a game. They will make Beatrice and Benedick fall in love with each other!

Ha ha, emotions! Hilarious!

Well, yes, other things happen in the progress. But who cares. We got people being tricked into love! Who cares about the rest? Sean Maher plays the mean spirited Don John, Clark Gregg plays Leonato, Hero’s dad, and Nathan Fillion plays Dogberry, the constable.

Oh yeah, it is filmed differently too.

So, why did Joss Whedon choose to make this secret movie? I have a theory. I think he just really likes this story, and damn it, he wanted to do a modern Shakespeare movie. Simple as that. This is one of the clearest definitions of a pet project I have ever seen. He made his first black and white movie, a movie with a script he didn’t write (technically. He wrote a screen play…but you know. Not really), it has a lot of his actor friends, and it was done in secret. I seriously still can’t believe that.

Now, the question I ask is…did this movie need to get remade already? There are a lot of Shakespeare plays, and many that don’t have plays. We are about to get our fiftieth film adaption of Romeo and Juliet (roughly). The answer is no, it didn’t have to get made, but no movie has to get made.

For me to really enjoy this, I would hope that this film offered something new. Well, new wise, it is filmed in black and white, and in a modern setting. There is also one subtle big difference, alluding to the past of Beatrice and Benedick, that I am pretty sure has never been done before. But honestly, it doesn’t feel like enough. Modernizing this really didn’t mean much when it is just a big house party, really. Unlike Coriolanus, which was definitely changed for a modern way, and Romeo + Juliet, which was beyond weird.

The acting was decent. It was a bit weird seeing all these people we know from other things doing Shakespeare, but that is to be expected.

I just don’t think this was different enough or unique enough to be considered really great.

I am now a man on a mission. I really do want to watch all of these shitty dance movies no one has heard of. The only reason is because Stomp The Yard was a better movie than I gave it credit for.

So I had been judging all of these movies, some of which I have heard and most of them I never knew existed, just because of the genre, dance. They can make a good dance movie. I believe in them. The dancing just has to be amazing, and a plot that isn’t stupid. That’s all we want, people.

Which is why I found a list of dance based movies over the last few years, and the first one on that list is Battlefield America. Wow. That movie sounds super intense. I cannot wait.

Wait. Uhh. Erm..What? Kids?

Sean Lewis (Marques Houston) is a lawyer, and pretty good at his job. In fact, he is going to make partner soon! Unfortunately, he gets into some trouble. He has to do community service. He also thinks he is better than just picking up trash, so he wants a better community service.

Well, the judge has officially changed his mind. He can teach kids how to dance. What? He doesn’t dance himself, either. Apparently they just need a leader. Because they are bad on their own.

So he hires a choreographer, and hangs out with them.

So what kind of dance is this? Ballroom? No. Swing? No. Tango? No.

Street battle hip hop. You might be asking yourself, why in the fuck do 10 year olds need to learn that? Yeah. Exactly. Well, in this alternative universe place, there is some competition called Battlefield America, where it is for kid groups to battle dance each other…

…And it is popular and people watch it? And find it exciting?

…

…

I just. I just don’t know really what to say anymore. Tristen M. Carter and Chandler Kinney play two of the main kids, Mekia Cox works at the community center, and Christopher Jones plays the coach of the best dancing crew over the last three years.

In case you were curious, the main star was of course this kid in Sister, Sister.

The whole time I watched this movie, something felt inherently wrong. It took me awhile to figure out what it is.

For a dance movie, it does show a lot of dancing, just of other crews. At least four times throughout the film, they have these 1 on 1 dance battles, each one featuring the crew that always wins the last three years. They are on the left side of my picture up above, and the underdog crew this film is about on the right. Each of these dance scenes were actually really long, with constant changes from the crowd, back to the dances, to the other dances. It flashed around a lot. It would have been cooler to see it all in one fluid motion, but whatever. The main point is the camera angle for the dance was always placed super low, and aiming up, because these are all kids. It had to be really low.

It felt awkward. It felt uncomfortable. It was a bunch of young kids doing dancing that they shouldn’t be doing yet, pre puberty.

Then I came to the realization. This is a movie for pedophiles. That is literally all I could think about. Seriously. Here is the opening credits scene, about three minutes long. Tell me you can watch it and don’t feel uncomfortable and potentially nauseated.

There is so much of that in this movie, outside of the shitty cliches and similarities to The Mighty Ducks. I am giving it the 0 because of how uncomfortable and awkward it made me feel. I wanted to burn the movie when I took it out of my player, but I didn’t want to have to pay for a new copy at the rental store.

Watching these dance movies is apparently going to take me down a really fucking strange and creepy path, one I don’t know if I am ready for anymore. Just. Just holy fuck, was this movie awkward.

Fright Night 2: New Blood.

Why? Why not, I guess. I mean, I liked the Fright Night remake. I also liked the original Fright Night. It is crazy how that can happen.

The original had a sequel to, called part 2. Did you know that? Of course not, I think no one knew that. I don’t think this is a remake of the sequel though, because the sequel at least had the same characters. This one is completely new out of left field.

But a similar sized and shaped field overall. Just the left side of one.

Honestly, I might mess up some of this plot. Charley Brewster (Will Payne) and his best friend, ‘Evil’ Ed Bates (Chris Waller) are in some strange college program in not-America. They start with a night class, and oh snap, their history teacher is Hottie McHotterson, Gerri Dandridge (Jaime Murray). Charley claims he saw her doing some lesbian stuff across the street before class, but no one believes him.

Well, the pervert continues to look out of his window, and eventually he sees some weird shit, so he goes over to investigate. Oh no. She is a vampire and some fucked up ritual shit is happening.

Even his somewhat new girlfriend, Amy Peterson (Sacha Parkinson) doesn’t believe him. I mean, why would they?

It isn’t until he can finally convince Evil that they decide to get Peter Vincent (Sean Power), famed vampire and unusual being hunter to investigate the teacher. He hosts the show Fright Night, so maybe he can get to the bottom of this. Unless he is a fraud. And unless the teacher doesn’t kill them first.

Please turn to page 7 for a detailed analysis of why this scene pissed me off.

I am having a hard time figuring out what is up with this movie. It has elements that are very similar to Fright Night, yet it is very different plot wise than fright night. Like the vampire is a chick, different. There is a famous vampire hunter guy who isn’t as cool as he seems, same. There is a best friend obsessed with the guy, who later becomes a vampire, same. But everything else is different. So I feel like it was supposed to be a reboot. But they labeled it as a sequel to a remake? My head hurts. Oh, let’s not forget that the main character, his friend, and the vampire hunter share the same name? What in the fuck is going on?

(The plot was worse than Fright Night and the movie was no way near as humerous or cheesy. Lame).

So basically, a generic vampire movie that is just cashing on the…okay success of the last movie.

But what really really bugged me maybe more than it should have was the long ending in a big fountain of blood. It was in a cathedral like area. Either way, cool big fountain of blood, that is feet deep that involves lots of fighting and thrashing about in it? The blood doesn’t look real, it looks like cranberry juice, or red colored water. The blood doesn’t stain any clothing or skin either. It just comes off in small red clear drops…like water. It took me out of the element completely, and I felt like there was nothing that could be done to make up for it. And honestly, I was right.

Just fuck it. Strangely enough, this is the second movie in a week I have reviewed that had nakedness in it, but not from the main female character. That isn’t the weird part. The main female character in both have been naked before in Dexter. THAT is the strange coincidence. The other one was Humans Versus Zombies. (Sorry for perving, it was just really weird).