Tag: Comedy

Here’s a totally non surprising confession.

I. Love. Plays.

And musicals. But that live shit, on a stage? It is great. I especially love plays because the entire focus point of the play will generally always be people conversing with one another. No amazing special effects. Just acting and great dialogue. Mmm, great dialogue. I fancy myself a shitty writer. The only good part about my stories is the dialogue, so I think I need to write plays.

This is me blabbering on, and not talking about August: Osage County, which won the 2008 Pulitzer Prize for Drama. So of course it was turned into a movie. Of course it was nominated for awards. And of course, I watched it.

If you look closely, you will see a confused and bewildered Benedict Cumberbatch.

The year: Who knows. The month: Probably August. The location: Osage County, Oklahoma.

Why? Well, Beverly Weston (Sam Shepard) has flown the coop, and left his house without notice. Known for being a drunk, he at least hired a maid (Misty Upham) to clean up the house. His wife, Violet (Meryl Streep) is extremely distraught. She has mouth cancer, and is addicted to a lot of pills, so she calls in her family during this time of woe.

We do have a big cast of people coming over. Of course her sister, Mattie Fay (Margo Martindale), is there, with her husband, Charles (Chris Cooper), and their son Lil’ Charles (Benedict Cumberbatch). Her youngest daughter, Ivy (Julianne Nicholson), still lives in the town, so of course she is there right away too.

The eldest daughter, Barbara (Julia Roberts), who left for Colorado, has brought her husband, Bill (Ewan McGregor), and 14-year old daughter, Jean (Abigail Breslin). Her middle daughter, Karen (Juliette Lewis), has brought along her new fiance, Steve (Dermot Mulroney), from Miami.

Lot of faces, lot of family, and a lot of time apart. It doesn’t help that very early on (not a spoiler), Beverly is found dead after he wandered away, so the family is now grieving. Perfect opportunity to air out grievances, abuse drugs, and tell people what is really going on, no matter who it hurts.

“Oh, he died! Ha ha ha!” Creepy women, yo.

Let’s keep this short and simple, self. I gotta remind myself to not go overboard with these analyses sometimes.

I loved every character in this play. A lot of them are horrible people. But I loved every single one. Every person had a reason to act the way they acted. The movie explained the reasons for everyone eventually, and not much was left open by the end. Sure, there was a general “Where do they go from here?” but that one is completely fine and worth being left open ended. I loved every character, so of course I loved every person acting in this movie as well. They all brought something to the character, and conveyed information with more than just words and loud noises.

That’s right, this is a movie for people who like great acting and a decent plot, nothing more. The plot itself is of the dysfunctional family variety, and even by the end I was surprised to find out some of the secrets that were kept hidden. Sure, they made some plot lines a bit obvious and easy to figure out, but others came from quite far out of left field, it was a joy experiencing them all.

My only issue with the movie is that the beginning felt a tad bit slower, up til the funeral. Post funeral is where the movie really kicks it into high gear, and then stays at that level of intensity until the credits roll.

Way back in July, I had to write a synopsis of the upcoming year of movies, from August to April. 2014 at that time barely had anything listed still, so it was mostly a crapshoot. Of the little that January had, I remember thinking that Ride Along had the most potential. Two actors who I tend to enjoy, a buddy cop (ish?) movie and it’s an action comedy. Buddy cop-ish, because only one of them is actually a cop in the film.

As January grew closer in closer, it was still one of the potential bright spots, because January itself is where they just tend to dump a lot of bad movies. So I hope Ride Along ends up being brilliant, or else I am just stuck relying on Zac Efron to save the month.

Relying on Zac Efron is a pretty common theme in my life.

In Ride Along, Ben Barber (Kevin Hart) is a short nobody. He is a security guard at a high school, but he really wants to be a cop someday and is trying really hard to get into the police academy. He thinks he needs to become a cop in order to finally marry his long term girlfriend, Angela (Tika Sumpter).

But really, all she wants is for him to stop being in a war with her brother, James (Ice Cube), who he might have accidentally set on fire. But hey, now that Ben has gotten accepted into the police academy, maybe James will like him and give him his blessing for marriage. Hah.

Turns out James still hates him, but he does agree to give Ben one day to try and change his mind. He will invite him on a ride along, see if he can make it on the streets, while making his life a living hell.

John Leguizamo and Bryan Callen play other cops on the street, and Bruce McGill as their Lieutenant. Oh, and Laurence Fishburne is in this movie. Yeah, Laurence Fishburne!

I decided to include no pictures of anyone actually riding along.

You know what I like most about this movie? Ice Cube said that today was a good day. I get that reference. Well done Ice Cube.

I also laughed a couple times at Kevin Hart. More so later on near the end of the movie.

But not a lot, unfortunately.

For an Action/Comedy, the action was sub par, and the comedy felt extremely sparse. It is a huge shame that I found this movie so disappointing because I really tend to at least find their work enjoyable. Maybe Ice Cube was just too much of a hard ass, trying to pretend he was a BAMF, but really being a bit meh.

The acting wasn’t too great, and unfortunately all of the twists and turns you could see coming a mile away.

If About Last Night in February doesn’t end up being impressive for Kevin Hart, I might have to rethink actually liking him. Good at stand up, bad at movies.

The Nut Job has the honor of being the first animated movie of 2014, which also means it is both the worst and best animated movie of 2014 so far.

Bask in that position while you can, The Nut Job, because your time on top will fall. It will cascade downward into oblivion, becoming worse and worse as the year goes on, until May. At that point, Legends of Oz: Dorothy’s Return comes out, so it will take the last spot so that you will have some shoulders to climb on. There you will be the second worst until July, in which we see Planes: Fire & Rescue. Whether or not you end up better than the “third worst animated film of the year” is left up to debate. But as of right now, thinks are not looking good.

Seriously, those things on the right look like beavers without the tails?

Surly (Will Arnett) is a purple squirrel, and thank everything he isn’t fucking named Squirrel. I mean, it’s still close to it, but its not Squirrel. Hate lazy family films like that. He lives in the cities park, but he is on his own, with his mouse friend Buddy. He doesn’t believe in collecting food for winter with the rest of the animals. No he wants nuts for himself.

Well, after a freak accident, involving a flying nut cart, the park’s food supply gets burned up in a fire. They blame it on him, despite it not really being his fault either. So the leader of the park, Raccoon (Liam Neeson) wants to avoid a trial and holds a vote for banishment of Surly from the park forever. Also, what in the fuck. Damn it, damn it, damn it. Raccoon named Raccoon? Fuck that.

So Surly has a bad time in the city, but he runs into the holy grail of buildings. A nut shop, with nuts! He could live there forever! But he can’t do it alone. Thankfully, due to the food storage, Raccoon has sent out Andie (Katherine Heigl) and Grayson (Brendan Fraser), the Park Hero, to find more food, and they will help! Also there they bring in a mole, named mother fucking Mole (voiced by mother fucking Jeff Dunham, ugh), and some beaver or something. Definitely bigger rodents.

So yeah, breaking into a nut shop, like a classic bank heist movie. But while this is happening, the “owners” of the nut shop are actually working on robbing the bank across the street by digging under the streets. Mob boss, typical story, everything going nuts. Also, Maya Rudolph voices a dog named Precious.

There is so much wrong with this movie, I don’t know where to begin.

Alright, first, the animation. It isn’t the best quality of CGI in any sense. It has its moments, but mostly it feels like a very strange…video game feel to it? Like they had no heart in the animation and it was something that they had just lying around. I don’t even know how to describe it. It never felt great to me though.

The puns. I like puns. But there are only two groupings of puns here. Referring to things as “nuts!” over and over again. And the Mob Boss talking about how much he hates “rats.” They can be clever, but they both get overused to the point where it doesn’t matter anymore.

The idea of the plot is a good one, but it barely followed any part of the traditional heist movie format. All of the plot is through miscommunication and people being dicks to each other. I am a bit happy to hear Fraser say “Shut the FRONT DOOR” in a PG movie though. That was a bit surprising.

Movie is full of random other bullshit that I noticed. For instance, the bank is across the street from the park. We learn that early on, because that is why the nut cart is there, for surveillance. But also, the nut shop is across the street from the front of the bank too. Some how. What? Fuck you. Makes even less sense when they show the people going on a long journey to stumble upon it, when it should be visible from the park.

More inaccuracies. A dam gets blown up that leads to the city. Explosions, cracked walls, big danger. Doesn’t affect the city at all. The water goes in two directions, one down a lazy river to the park, the other goes down a HUGEEE waterfall where we assume people/animals died. Surly goes down the dangerous waterfall, yet somehow that brings him…back to the park also. Geographically inconsistant.

They have major plot points that are either obvious, or used in terrible unclever ways (re: everything related to the dog whistle).

It was a mess of a movie.

As a side note, people who forgive a movie for being lame might say “Hey, it’s a kids movie, you are being too hard on it!” Kids movie should not be an excuse for poor quality. Pixar proved that a long time ago. Unfortunately, the theater was packed when I saw this. Many families. So many kids. Rarely did any of them laugh. Yeah, a shitty kids movies that kids don’t even enjoy.

Let’s all take a moment to cry about the fact that we lost James Gandolfini this year.

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.

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Are you feeling better? No, me neither.

It does suck. He played a similar character in most movies, but there was some talent there too. Even if he didn’t do anything else, he at least gave us The Sopranos, and that is all we can ask for.

So that is why I went to see Enough Said, his last major role/film release, before, you know. Let’s just get into it.

We will always remember him as a man who loved to eat.

Eva (Julia Louis-Dreyfus) is a massage therapist, and living a lonely life. She has a daughter, but that daughter is about to graduate high school and move off somewhere to college, and she her ex husband is now newly married while she hasn’t found anyone.

So Eva goes to a party, that her friends invite her to, where hey she can hopefully meet some new clients or a guy, even if none of them look attractive to her. At the party she meets two unique people. Marianne (Catherine Keener), a real life poet for money, who might need a masseuse. And Albert (James Gandolfini), a single man, works at a TV history museum, and live a quiet and simple life.

He asks her out on a date. Aww.

Eventually Eva realizes that her two new friends/lovers aren’t strangers, but ex husband and wife as well. All she can hear from Marianne is negative thoughts and attributes of Albert, which seem to be affecting her own relationship with him! Of course she also keeps this knowledge a secret, as she feels bad for Marianne not having any friends. Coupled that with her daughter leaving, she reaches out to the younger friend of her daughter to really bond with, quite awkwardly.

Also featuring Ben Falcone and Toni Collette as her friends.

What? He also loved movies I guess. That’s good. He used to be in them.

Damn it. His final starring role, and it is not the best movie of the year.

It is awkward sure, awkward enough to make a decent movie. But it follows a pretty obvious path, and there aren’t many surprises in store. The plot line with her daughter never really felt finished, but once it got to the weirdest point, it just stopped mattering I guess?

The acting was good from the three main leads, everyone was a basically normal human being, so it wasn’t too difficult. I guess it is worth noting that Gandolfini wasn’t a gangster, so he must have been acting here too right?

The story is a decent one, but it basically just stays there. Just a decent, okay movie, nothing special. I guess, I have said enough about this movie now. Har har har.

Without a doubt, Her was one of my most anticipated movies of 2013 to watch. That is why I was disappointed I had to wait until 2014 to see it! It is one of those rather annoying ideas by the guys trying to win Oscars. They release a movie on a limited run near the end of the year, then wide release in early January after it has built up steam.

Living in the middle of Iowa, where they have zero movie previews, you will always get the short end of the “limited release” stick.

Despite the wait, Spike Jonze has made some great movies in the past (Being John Malkovich/Adaptation), so I was hoping he could deliver on his first major release that he both wrote and directed.

Especially with a topic as serious as this one.

Her is set sometime in the distant future. In this world, human interaction is basically nonexistent. Everyone is attached to their computer devices that they carry around with them, more extreme than it is now. In fact, Theodore (Joaquin Phoenix) works at a job where he writes hand written letters for people, because people really don’t know how to do that anymore. They’d rather leave their intimacy to strangers.

He is also going through a divorce with Catherine (Rooney Mara), but he is reluctant to sign the papers because he doesn’t want that part of his life to end.

Regardless, Theodore decides to upgrade his computer’s operating system, as it comes with a new artificial intelligence software that will adapt and learn over time. His new operating system, which gives herself the name Samantha (Scarlett Johansson), immediately makes his life more organized and better. In fact, he now has someone he can talk to who seems real. Yay, human-ish contact!

Then, Samantha and Theodore fall in love.

The only other main character is Amy (Amy Adams), his long time friend (who he once dated), who is also currently married (Matt Letscher). She provides an actual human constant experience to his life. Chris Pratt and Olivia Wilde also make appearances.

I bet overall, Theo is actually in love with himself.

The basic concepts of Her are not entirely unique. Futuristic society and very smart computers who have human personalities. See, even Disney had a made for TV movie, Smart House along the same lines. But rarely is love touched upon.

Phoenix, like we have come to expect, did phenomenal in this role. He was a dreamer, but alone, a lover, but afraid. The movie is mostly dialogue based, most of which is between Theodore and Samantha, leaving the camera on Phoenix for most of the film to react and talk. Since Samantha doesn’t have a face, the film just falls on his shoulders. Despite his crazy good performance, he will probably fall short of Best Actor Oscar thanks to Leonardo DiCaprio and Chiwetel Ejiofor.

I thought the writing and dialogue in the movie felt incredibly realistic for what was going on. It was also quite beautiful. You could tell that the main character had a lot bottling up inside of him, so every time he started to talk with Samantha, he could let it all out and be real to himself. The love between him and the operating system was by far one of the more heart felt performances of the year.

Because the subject matters of Her are so serious, I can say that after one viewing I don’t think I was really able to understand and get everything I needed out of the movie. This is the type of film that might require multiple viewings, not because of plot twists or surprise endings, but to really capture and appreciate everything that happens subtly through facial expressions and dialogue.

Her is by far one of the more relevant films of 2013. I don’t even have to go into detail about how it relates to modern day life. I’d suggest watching with an open mind and an open heart.

Sometimes, the best publicity for a movie is a battle with the MPAA. Just ask Harvey Weinsten and the movie Bully. That is what (intentionally/unintentionally) happened with The Wolf Of Wall Street. It was supposed to come out on November 15, but after being given an NC-17 rating by the board, Martin Scorsese had to go back and cut some more material out of his three hour biopic of of one Jordan Belfort.

Which is why it was pushed back to Christmas (pushing back Jack Ryan: Shadow Recruit to January 17. Same distributor, didn’t want to compete against itself). I couldn’t be happier that it got pushed back, either. Compared to last years Les Miserables and Django Unchained, this year’s releases needed a kick in the butt to be anywhere close as good.

A raunchy, naked woman filled hard kick in the butt.

Jordan Belfort (Leonardo DiCaprio), for all intents and purposes, was a self made man. His parents were accountants, and he wanted to go to Wall Street in the late 1980s to become a stock broker. He quickly got a job, became good buddies with the boss (Matthew McConaughey), and was taught all of the ins and outs of the business. Including the not so legal ins and outs.

Well, his first actual day as a stock broker, Black Monday happens, and the firm he works for quickly goes under. Back to being on the bottom, Belfort finds out about “penny stocks,” companies too little to be sold on the actual stock market, where the commission for a broker goes from 1% of the sale to 50% of the sale. If he can land some big fish on these worthless stocks, he could probably make fat cash quickly, with everyone none the wiser.

But that illegal activity is just the tip of the iceberg. Drugs. Money laundering. Drugs. Drugs. Prostitution. Tax fraud. Bribing officials. You name it, this guy did it. With the help of his very awkward buddy, Donnie Azoff (Jonah Hill), there ain’t nothing they can’t accomplish, or at least nothing that can’t be bought.

The Wolf Of Wall Street has a huge cast of characters, most of them actually quite important and memorable. Rob Reiner plays his dad, an angry accountant, and Kyle Chandler the FBI agent trying to bring him down. Cristin Milioti plays his original wife, and Margot Robbie plays his new wife. Jon Bernthal plays a drug dealer, and Jon Favreau his lawyer. Finally, last but not least, P.J. Byrne, Kenneth Choi, Henry Zebrowski, Brian Sacca and Ethan Suplee play his original start up friends and workers who carry him to the top.

I don’t think I need to say anything for this one.

The Wolf Of Wall Street can best be summed up by three words: Unforgiving, Real, and Amazing.

I initially groaned at the three hour run time, and although it can be difficult to make it through if you drink a lot of fluids during the movie, the viewings at home when you can pause will be easy peasy. The three hours are full of so much tension and energy (while also constantly moving the story forward) that it all flies by in a jiffy. In the last twenty minutes or so, the extreme length became noticeable as the movie slowed down. But slowing down makes sense at that point in the movie, to fully understand that Belfort’s bubble had finally been burst.

The acting performances by everyone involved was incredible. DiCaprio, despite looking like himself, felt like a completely new man. Every time he got up on the microphone, I was in awe at the intensity and heartfelt that he showed. The second “chest bumping song” scene is unforgettable. On the other side, Hill didn’t look or sound like his normal self at all. Dare I say, he has actual acting talent?

The movie definitely earns its R rating, and it is pretty clear why originally it was given the NC-17. It was incredibly dark and funny, so much that I couldn’t tell if I really wanted to laugh or run and hide from the screen. It is a twisted version of the American Dream, a train wreck that somehow rampaged through the country side, and something that I could not take my eyes off.

Although I doubt it will be considered the best film of 2013, it can certainly be considered the most ambitious.

Every year on the Christmas releases, there tries to be that who gives a fuck “family”-ish film. Last year it was Parental Guidance. A movie that everyone can enjoy without thinking much.

Unfortunately for this year, two movies tend to fit the family genre, with one of them clearly leagues above the other. Sure, The Secret Life Of Walter Mitty requires some thought, but all the families are going to flock to it over Grudge Match.

I mean, sure, take the guys from Raging Bull and Rocky and make them box. Sounds like a good idea, but oh man, the execution.

Why do movies have to show montages whenever a video goes viral? That shit is dumb.

Basic premise: Razor (Sylvester Stallone) and Kid (Robert De Niro) were both Pittsburgh area boxers, who used to be a big deal in the 1980s. Their first match against each other went 15 rounds, with Kid coming up on top. They battled again a few years later, when Razor knocked out Kid in only 4 rounds. Before a rematch could be made to give them the best 2 out of 3, Razor mysteriously retired from boxing, and left Kid without a chance to redeem himself.

Now, many years later, they are both hurting. Razor financially, and Kid with his ego. They agree to pose for a video game from business man Dante Slate, Jr. (Kevin Hart), but once they meet, their feelings take over and they fight it out on the spot. The video goes viral, and there becomes a demand for them to finally have their rematch, 30 years later, despite their age and condition.

Their rivalry goes deeper than just a few boxing matches, when it is found out that Kid also slept with Razor’s girlfriend at the time (Kim Basinger), knocking her up. So Razor wanted to get back at him by never giving him the chance to fight him again. The reason this matters so much is because their son, B.J. (Jon Bernthal) finally learns the identity of his real father, and wants to help Kid train to get in shape for the big game, and introduce him to his grandson.

So who is going to win? A man fighting for the love of his life and money, or the man fighting for redemption and his new family?

Alan Arkin plays Razor’s old and trusty trainer, while LL Cool J plays a very successful trainer.

The supporting cast deserve their own video, for saving this accidental disaster flick.

During the very cliche and simplistic ending, the entire theater was booing at the screen, almost in anger at how much it felt like a cop out. It didn’t give us a real ending, is how it felt. Of course, I was the only one in the theater, so I can say things like “everyone there agreed with me” and it be correct.

Let’s compare it to another recent fighting rivalry movie…Warrior! Warrior was an incredible movie, one of the best of its year, great acting, and had more than one fight to watch. Both people had reasons they needed to win, like in “Grudge Match”, but they didn’t sugar coat the ending. They fought and a winner was chosen without either side backing down or doing anything but fighting to win. It was emotional and great, and fuck, I really want to watch Warrior now.

Grudge Match went the safe and boring route, and it should be judged as such.

Alan Arkin and Kevin Hart were pretty funny at their roles, but the ending of the movie sickens me enough to not care about any of that.

Get out of here wannabe emotional fighting movie. Just, just go away.

I remember back in the day when I got Straight A’s. Then, I went to a smart residential public boarding school. There I learned that I am not always the smartest person, and learned to accept the B. Unfortunately, that lazy attitude went with me to college, and here I am today, writing movie reviews for you.

Related? Who is to say really.

If I keep it up, this might be me in a few years. And I don’t mean a well paid actor.

If I have learned anything from movies, it is that sometimes brothers compete over the same woman, and it is generally deemed acceptable. This is kind of one of those movies.

Scott (Ryan Phillippe) hasn’t been home in forever, many many years, because he has spent the last decade or so in and out of hospitals. I’m talkin’ rehab. He left home due to everyone hating him for the drugs and alcohols and having a falling out with the rest of his family.

He was dating Katherine (Anna Paquin) at the time, but she wasn’t cool with that lifestyle, even if she was in love with Scott. So she stayed behind, not willing to accept his plane ticket, and decided to get involved with his brother, William (Luke Wilson). They also had many children.

Either way, why is Scott back? Because their Mom died, and a vision of her as a ghost appeared to him, and spoke to him to make amends. Too bad his brother is out of town on a work thing most of the week, so making amends is kind of hard. He only has his ex and her children to work with. And his dad (Powers Boothe), who doesn’t appear to want to talk either. But hey, if he befriends the oldest kid (Riley Thomas Stewart), maybe that will be enough?

Perhaps the hardest adult task: watching a kid perform and trying to pay attention.

I started this a few days ago, and I will admit, I don’t remember a lot of it anymore. I remember I didn’t enjoy it.

This is another issue where the plot might have been a good idea, but the delivery was pitiful. The ending, man, the ending was horrible. All of it felt unnecessary and a bit confusing.

The cool uncle was supposed to help the kids out, and make them do fun things. He wasn’t even that cool. The things they did weren’t cool either.

The chemistry between the leads was basically missing.

I am done talking about this movie. It is dull and lame.

The first trailer for The Secret Life Of Walter Mitty is probably one of the best trailers of the year. Watch it, if you haven’t.

The next one was far more typical of a trailer, but it was still decent. Even better, the song in the trailer was actually used in the movie, a rarity these days.

The only thing I knew about this movie is that it took forever to get made, and it is based roughly on a short story written by James Thurber in the 30s. The next decade, it actually had a movie adaptation as well. I am pretty sure this is nothing like the short story, but eh, who gives a shit.

Look at all the fucks I give about the short story.

Walter Mitty (Ben Stiller) manages the negative assets of the Life magazine department. I don’t know what that means, really, but it involves receiving the print rolls of cameras, and using the negatives to put in the magazine. He only has one employee, Hernando (Adrian Martinez), so it is pretty slow, and only one photographer still uses an actual camera. That photographer is of course Sean O’Connell (Sean Penn), a freelance photographer, and one of the best in the biz.

However, when the announcement that Life magazine is switching to an online only format, with some asshat manager Ted Hendricks (Adam Scott) coming in to handle the downsizing, it is unfortunate that Sean sends what he calls the epitome of Life magazine and an image that must be on the front cover. Especially since he telegrams the heads of the office and inform them of it too. The only reason it is an issue, of course, is because the picture in question seems to be missing from the film.

So what is a constant day dreamer to do? Why, go and find Sean in person of course, even if it means traveling halfway around the world to do so. At the same time, he is trying to build up his online dating resume, to do something cool with his life, to win the interests of one of his coworkers, Cheryl (Kristen Wiig).

Starring Shirley MacLaine as his mother, Kathryn Hahn as his sister, and Patton Oswalt as an overly helpful E-Harmony customer service representative.

I mean, I am a huge Adam Scott fan, but this beard is terrible.

Well, as expected, this movie sure was purdy. It had scenery from Greenland, Iceland, Afghanistan and more. Beautiful as fuck, really.

Not only was it pleasing on the eyes, both in terms of his fantasies and actual exploits, but it had a great soundtrack as well. Every time a new song played, it felt perfect.

Ben Stiller gets a lot of flack amongst my friends, but I always tend to enjoy him. I mean, did you see him in Heavy Weights? He treated this movie like a child, it being only the fifth movie he has directed. Everything really works together in this movie, and one of the best parts is that once the missing picture is found, it isn’t disappointing.

Sean Penn has only a small role in this movie, but his character was amazing in his only few scenes. Incredible impact for such little screen time.

As the film progressed, the day dreams became fewer and farther in between, and you get spoiled by most of them from the trailers. During the long fight scene between Ted and Walter, the CGI was a bit shaky, I am guessing because there weren’t any other action shots to worry about.

Overall, The Secret Life Of Walter Mitty is a great feel good movie, about living in the moment, and doing something important with your life. Yay happiness!

A lot of hype went into American Hustle and rightfully so. After all, it is the third movie from David O. Russell in four years, with the last two (The Fighter, Silver Linings Playbook) being wildly successful and nominated for numerous awards.

Not only that, but he took the two best people from each of his previous two movies (Sorry Marky Mark), and put all four of them together in this to create some sort of mega-moviestar-zord.

Featuring Bale, who has once again recklessly warped his body for a role.

One reason why I really enjoyed American Hustle is that I could never tell what was going to happen next. They had very descriptive trailers, but the plot was left vague so you could still experience the movie. So I will try to be vague here as well.

Ever since Irving Rosenfeld (Christian Bale) was a boy, he was a con man. His dad owned a glass company, and he broke windows. So he grew up gaming the system and perfecting his craft. Next thing you know he stealing money to give out make believe loans to the crooked and desperate. Easy cash for the late 1970s. But then he meets Sydney Prosser (Amy Adams), and he realizes she is special.

Soon they start scamming together, but eventually they get too big and reach too far and get busted by the FBI. Next thing they know, they are taking orders from rambunctious FBI agent Richie DiMaso (Bradley Cooper), who has big lofty goals of getting even more criminals taken down. The only way Irving and Sydney walk, is if they help out. But Richie has big dreams, can ever really be satisfied?

Oh yeah, and Irving has a wife (Jennifer Lawrence) and kid. That is important, I guess.

Jeremy Renner plays a small town mayor who gets mixed up in the bribing network, with Michael Pena as another FBI agent, and Louis C.K as a local head of FBI. Yeah, really, Louis C.K.

Cooper in Silver Linings Playbook was my Halloween costume in ’13.
Will this be my Halloween costume in ’14?

American Hustle truly was an experience. Despite the fact that it was over 2 hours in length, I still am a bit surprised at how much material was fit into that movie. Tons. A lot. I remember a specific scene that felt like the final climatic show down, that actually ended up being the halfway point of the movie. It blew my mind, in the best way possible, that it continued to go and tell the story. I was shocked that the story continued to build and reach new heights. That somehow, I couldn’t for the life of me guess correctly what would come next.

After all, this is a con movie at its core, so you are going to expect a lot of twists and turns of the plot. The biggest problem with a con movie is that if it all relies on a twist, sometimes future viewings are dampened, already knowing what to expect. American Hustle feels like a film I could watch over and over again, never getting tired of it, thanks to the brilliant acting and writing that went into the movie.

It is based on/inspired by/whatever by the actual Abscam operation that occurred in the late 1970s, for those history buffs out there.

For those of you out there who already like David O. Russell movies, you will probably like this one too. For those of you a fan of any of the actors/actresses mentioned, you will definitely find their role awesome. If you don’t like David O. Russell movies or the actors/actresses involved in this one, well, your opinion is wrong and you will like this movie too.