Tag: Comedy

This is my fourth movie this year reviewing with Anna Kendrick in it, and it hasn’t been a great year. Mike and Dave Need Wedding Dates was on top, above Mr. Right and Get A Job, all very mediocre to poor. Sorry, I haven’t hit The Accountant yet and The Hollars looks good too, but that is still six movies this year.

After the year she had been having, I wasn’t super surprised to see her starring in Trolls as well. Trolls is probably one of the most least anticipated animated movies of the year for me, after Sing.

I mean, I get it. Getting rights to old toys to make new movies for is in right now. The Smurfs movies did okay, why not create a world about Trolls? Gotta get that merchandising money back somehow right? Fuck new risks!

Sorry, I almost complained about films these days. Trolls just seems like a lazy cash grab, and they have been hyping it since Timberlake released that song like, six months ago at least. I am trolled out already and I haven’t even been forced to see a real advertisement for it.

One of those trolls is a fucking giraffe what is going on here?

The Bergens are large, basically ogre like entities that are disgusting and sad, lives devoid of happiness. The Trolls are tiny creatures full of color who are always partying and full of happy. The Bergens hate them and are jealous of them and also found out that when they eat Trolls, they get to feel happiness inside of them and it is kind of a big deal. So they captured all of the trolls and every Bergen eats one on a holiday called Trollstice.

Except this year they have escaped underground, thanks to King Peppy (Jeffrey Tambor), saving every last troll, including his baby daughter Peppy (Anna Kendrick). This gets the Bergen Chef (Christine Baranski) into quite a big trouble, because King Gristle (John Cleese) cannot feed his baby, Prince Gristle (Christopher Mintz-Plasse). So the Chef gets banished from the kingdom. The Trolls find a new place to live and they party for ever after.

Until twenty years later. Princess Poppy is throwing a huge party to celebrate being free of the Bergens. Everyone is going to be there, everyone but Branch (Justin Timberlake). The weird troll who is grey, doesn’t sing, doesn’t dance, doesn’t HUG. He warns them not to do the party like that or else the Bergens will come. And sure enough, the Chef Bergen finds them and takes all of Poppy’s friends. All of them, even the spiritual one (Russell Brand). So Poppy decides to get the rest of the Trolls into hiding and trick Branch into coming along with her to rescue them!

Back at Bergen Town, the Chef is getting back into business with the handful of trolls she captured. The king is dead, so the new king is that poor Gristle Jr. who never got a Troll before and he decides to restore Trollstice to make his kingdom happy! There is also a small maid, Bridget (Zooey Deschenal), who likes the king. This plays a part in the plot.

So yeah, get into the town, save the friends, and you know, survive. Whoa re the friends? Well, a lot of them are played by famous people, but if you asked me their character names I would have no fucking clue, as they kept them kind of hard to figure out and match. But we have Gwen Stefani, James Corden, Ron Fuches, Aino Jawo, Caroline Hjelt, Kunal Nayyar, Quevenzhane Wallis, Walt Dohrn, and Rhys Darby! Oh okay, fine, I could figure out who Guy Diamond was based off of his name.

They live in a scary place where literally everything has a mouth and eats something.

Oh hey, Trolls. Of course it was a Jukebox Musical in some regards, and I hoped to see something creative. Instead, for the most part, the songs were bad mash ups with a loosely related theme and just choruses to get the little kids moving their feet. I don’t hate Jukebox Musicals, I just hate bad music ones. It was overall a lesser Happy Feet in that regard, but better than Strange Magic.

Overall there were two really good musical moments, one was the song Get Back Up Again which is technically the only original song in the musical (Does the JT one count as original?), and another song near the end that captured the emotions of the moment extremely well. It might have made me cry, but crying does not mean I give the film a passing grade. There was also a very awkward song moment with Deschanel’s character. She gave a unique voice for Bridget, but when Bridget sang it was uncomfortable as the voice did not transition at all into the song.

The colors are bright and kid friendly, but the animation style on its own felt quite dull. It felt too fuzzy and well, doll like. Again, their intentions I am sure to sell toys, but it wasn’t too visually pleasing.

The world they created was an incredibly scary place, as there is a recurring joke of how almost everything eats something else. It frightened me and not in a sexy way.

Plot wise, about 20-30 minutes in it was pretty easy to figure out how the whole thing would end. And yeah, it was true. The love plot between Bridget and the King, although arguably necessary, felt like it was taking too much time from the rescue plot. There are not a lot of surprises in this film, nor intellectual humor. They have a character who farts glitter, and another character who shits cupcakes. Yay butt humor.

Overall Trolls is just okay, which is better than I expected. There are only a few more cartoon movies to go this year and the only place this one will make an impact in the awards is nominations for Best Song, I imagine. It is unfortunately also really dated. They decided to make the Trolls super modern, so they are saying YOLO, OMG and more terms to connect to the youth of today, meaning no one will give a crap about it in ten years.

Ohhhhhhhh Kevin Smith. A man who has embraced the Cartman Whatever, I Do What I Want mentality that so many kids eventually grow into and hopefully out of.

I like Kevin Smith, I do, but almost every time I see his name in the news I cringe. It is generally a rant about something in pop culture and an article is made about that. Kevin Smith doesn’t know everything about everything, as a fan and a person, I understand that. So I’d rather just see articles about upcoming films and work and casting like a normal director.

His films are getting weirder and more specific. They used to speak for a generation and now, backed up by his own words, they kind of just speak for him. He wants to make films for him and him only, the critics be damned. Except I really liked Tusk. I was very worried about Yoga Hosers, given a trailer I saw, but damn did I like Tusk.

I don’t care what he does with his free time (and I acknowledge his films have gotten weaker since he discovered marijuana). I just eventually want to see Hit Somebody, Clerks 3, and MallBrats, damn it.

I did not ask for Smith dressed up as a German sausage, but I can see where he got confused.

Set a year or so after the events of Tusk, we return to our small town and our clerk employees who are now sort of famous. That’s right, because Colleen McKenzie (Harley Quinn Smith) and Colleen Collette (Lily-Rose Depp) helped lead the authorities to finding the missing American turned Walrus, they were in the paper once and their lives are just as uneventful.

Like, you know? They are just sophomores in high school, working a crummy job that Colleen C’s Dad (Tony Hale) got them. And his new girlfriend (Natasha Lyonne) is now their manager, ew yuck. They just care about their instagrams, their yoga (with a private instructor played by Justin Long), their band, and cute guys.

You know like Hunter Calloway (Austin Butler), a senior! And he has invited the Colleen’s to a senior party on a night they are not supposed to work, omg! As long as life doesn’t throw a hockey stick in their plans at least.

The Colleens just want to be normal girls, doing normal things. But un-normal Nazi related things are brewing in their neighborhood and it might just be up to them and their yoga to put a stop to it.

Also starring Jennifer Schwalbach Smith, of course, Adam Brody as a creepy drummer, Harley Morenstein as toilet paper man, Tyler Posey as annoying senior guy, Jason Mewes, Ralph Garman, Haley Joel Osment, and Johnny Depp returning as Guy Lapointe.

They weren’t even supposed to be here today.

When I say critics be damned, I really mean that. Smith refused to screen this film for critics. No pre-screeners for the press, no press copies online or in the mail, nothing. Just people who wanted to give him some money. And there is a reason behind that besides the obvious. At two points in the film, including a major part of the climax, are anti-critic. They go decently hard into and its the reason for the bad events in the film.

And, I dunno, am I supposed to care? This isn’t the first time there have been jokes about something that has represented me in a film. If a film makes fun of men, or white people, or nerds, or teachers, or geologists, I don’t rail against it and call it trash. If it is done in a funny way, I will find it funny, laugh and move on.

They were done in okay ways, but given the director’s actual statements, it makes it just come out as childish.

Related, the film is entirely childish. It doesn’t mean there aren’t amusing parts. Oh no, I laughed at a few. And I laughed at some small bit parts just for a quick joke. But the film is also all over the place. The trailer that turned me off so long ago? It was one part of the movie and that part took a long time to get to. The ending included a cool creation, but its demise wasn’t worth the time invested to get there.

But you know what? Johnny Depp as Guy Lapointe is still one of my favorite things ever. I will watch 10 more of these Canadian Smith films just to go on his adventures. Lapointe is Depp’s best work in years and that is why Yoga Hosers is worth a watch. Too bad it is out of all theaters by the time this review comes out.

Ladies and gentlemen, I present to you my 1700th (ish) movie review. Yes, a Milestone Review!

Except this is also technically my 1702th review. I have been quite busy lately and I forgot this grand milestone was coming upon us. Technically my review of Central Intelligence was the 1700th posted, but hey, close fucking enough, right!?

Anyways, Looney Tunes: Back In Action. Do you remember it existing at all? I doubt it. The first movie after the wildly cult success of Space Jam, I remember avoiding it at all costs. It looked bad, it looked different, it wasn’t Space Jam 2. Fourteen year old me knew it would be bad, and after it came out we basically all agreed to stop talking about it.

But to continue with a different theme. Is this the movie that helped kill Brendan Fraser‘s post Mummy career? I already did a milestone review of Journey to the Center of the Earth, but that didn’t kill his career as it was already on the decline in 2008.

Can a duck bring down a jungle boy, a caveman, and a rock star?

In this world gone mad, Looney Tunes and other cartoon figures roam the streets and live throughout the world, because they are just strange animated actors. Yes, they can still ignore physics and have other cartoon perks, but they are just…real. And in this real world, Warner Brothers is about to fire Daffy Duck.

He is being a dick, demanding rewrites, tired of getting shot and so on, so they just say screw him and kick him out of the studio. They don’t give a fuck, people want to see Bugs Bunny anyways, not the other cast and crew.

Surely this decision will not come back to bite Kate Houghton, Vice-President of Comedy (Jenna Elfman), in the ass.

These are the only other non LT cartoon characters shown and hey, it is a funny scene.

DJ Drake (Brendan Fraser) is a sort of stunt man and security guard at WB and he is yelled at to find the Duck and make sure he actually leaves the lot. Of course there is a huge scuffle and the batman mobile ends up knocking over the WB water tower, all over executives and equipment, thanks to DJ and Daffy. So DJ gets fired too, a double whammy firing day!

Those WB executives sure are cold. Looks like Kate didn’t know that he was a special security guard/stunt man. His father was Damien Drake (Timothy Dalton), a really famous movie star for the company. Shit.

She doesn’t care, they ruined her hat!

Speaking of his father, turns out Damien Drake is more than just a movie star. He is secretly a spy (because spies are usually a secretive profession). Damien needs his son to travel to Las Vegas, find his associate, and help find the “blue monkey” diamond. What is that? Good question. DAmien is too busy getting kidnapped to answer though.

And Daffy hasn’t left DJ alone, so he demands to come along for the ride. The studio be damned, he has an adventure to do.

About this time also, Kate realized she fucked up, the movie isn’t as funny without Daffy, so she makes it her mission to find DJ and Daffy to restore her film and restore her job.

That is a different woman with a different job.

They end up meeting up, making it to Vegas and that dancer is of course Dusty Tails (Heather Locklear, shit, how old is this movie?), a secret spy as well. She works at a club run by Yosemite Sam because he works for the ACME corporation, the big bad guys of this world.

Wanna know why they are bad? Good question. But they are the ones who captured Damien! Dusty gives them a Queen playing card with Mona Lisa’s face and they are chased off by Yosemite.

They also find out that the evil ACME corporation wants the blue monkey diamond to…turn everyone in the world into monkeys! Oh, okay. Mr. Chairman (Steve Martin), is that really your goal?

“Of course it is, why else would I be stretching??”

The gang heads to Paris, France, as they are basically now spies and fuck it. They go to The Louvre because The Mona Lisa painting is there and they know how to read obvious clues.

Using secret card technology, they discover that behind The Mona Lisa is a map of Africa. And it doesn’t look to detailed, but it is the best they got. Elmer Fudd also shows up, turns out he was secretly working for ACME as well, oh no! Fudd chases our duck and bunny through a series of paintings because they are cartoon characters, whatever.

And you know what? It annoys me. They go from famous painting to famous painting. Like The Scream painting. And the god damn Scream painting isn’t at The Louvre, never really was, but the movie goes lazy. Sure, they can get the Mona Lisa right, but then they decide to skirt the details?

Come on assholes. Anyways, as expected, they escape and head to “Africa” to find the next clue.

Hopefully there isn’t another art museum there. It’s best paintings will have been stolen b The Louvre.

In Africa, they awkwardly find the Jungle Temple like. Really quickly. The Grandma and Tweety bird show it to them, because they know things too. Inside is the Blue Monkey, and then, shenanigans! The Grandma and company were actually Mr. Chairman the whole time!

They transport everyone back to their lair, using technology, and force DJ and Kate to give up the blue diamond when they show Damien as their prisoner.

Mwhaha!

And now, by putting it on the satellite, they can turn the whole world into monkeys!

This picture is entirely out of place, but its strangeness makes it okay.

At this point, a lot of comic violence occurs. They have to fight to save Damien, fight to get the blue monkey back, and more people appear.

Of course they save the day and the only one who turns into a monkey is Mr. Chairman himself, take that fuckers. Daffy had to become Duck Dodgers to do it, but he was successful.

They determine the whole thing was staged to be a film and all of this was meaningless. Makes a bit more sense now. But don’t worry, Bugs is going to make Daffy equal partners from now on, until the credits suddenly appear and a deal can’t be made. Ha ha, suck it Daffy!

Other people I didn’t even bother to mention in this film include Joan Cusack and Roger Corman!

And we have to end the film with a kiss, it just makes sense.

There were so many bad decisions made in this film, it is unbelievable.

In Space Jam, we go from a regular human world with cartoons, where they live in the earth in a magical other realm, to…they just live on Earth and everything is fine? Having all of these characters not together,spread out awkwardly around the world means outside of Daffy and Bugs we rarely get any real cameo time. So it is all Bugs and Daffy and very little else, feeling like a huge missed opportunity.

And the genre shift goes from space adventure sports film to a spy film? Going from Sports film to Spy film is usually not a good genre order, but at least now can understand where Cars 2 got the terrible idea from.

I am not sure if this is the film that killed Fraser’s career, because no one really saw it or cared for it enough to damage his already strange career. Plus, Monkeybone was already a thing at this time. Another film I haven’t seen but could try it for a future milestone given the weird things I’ve heard. It might have damaged Elfman’s movie career before it could really take off, so she basically stuck to TV.

But here is the most important question I have. The subtitle is Back in Action. What the fuck at they back in action to? Like, if this was a direct sequel to Space Jam that might make sense. As they return to Earth to do things (spy things unfortunately, but things nonetheless). But no, it is talking about a return, but there is no return at any point in this movie.

If it should have a title along these lines, Looney Tunes: Now in Action might make sense as this spy adventure is not their normal cup of tea.

This movie is a disgrace. Space Jam might not actually be a great film (according to lame people), but this one is far below Space Jam.

I didn’t know The Wild Life was coming out this year. I didn’t know it even really existed, to be honest. The Wild Life is a Belgian animated film, that has now been given some English voice actors and slapped down to America.

But this film had no advertising. I never saw a trailer, I barely saw the poster, and I would have never really known it was released today if it wasn’t for the fact that they sent me an invite to a screening.

Here is my guess. I just assume that this involves a group of 4-5 animals, who talk and go on wacky adventures together. You know, stuff from the first decade of the millennium.

Shit, there is at least six animals in this picture already, so I am already wrong.

This movie starts off with a group of pirates led by Long John Silver (Dennis O’Connor), seeing a signal fire on an island, taking the one man to their boat to find out his story. But screw that, the parrot, Mac (David Howard) has the better story.

Mac was living on a small island, bored out of his mind. He was friends with everyone on the island. Suspiciously, the entire island only had one of every animal only, except for bugs and fish. There is Rosie the Tapir (Laila Berzins), Epi the Echidna (Sandy Fox), Scrubby the Blind Goat (Joey Camen), Carmello the Chameleon (Colin Metzger), Pango the Pangolin (Jeff Doucette), and Kiki a blue bird thing (Marieve Herington).

Mac believes there is a world outside of the island, and when a ship crashes onto the island he finally has proof! And what is on that ship? Well, a dog (Doug Stone), some cats (I don’t know most of their names, but Kyle Hebert did one of them), and a man named Robinson Crusoe (Yuri Lowenthal). There they learn to live in harmony and trust, build sweet stuff and have good memories.

Oh and the cats are the jerk bad guys, because cats are assholes as we all know.

Yep, that dude is totally about to join an animal orgy.

I did not know I was watching a secret Robinson Crusoe movie. If I did, I might have been even more reluctant to go, and yes, I am comparing that to generic diverse talking animal adventure film. But it was called Robinson Crusoe in its original release and went for a cooler title, but one that really doesn’t describe the film at all now.

And technically this really has fuck all to do with the book. We have the character and a shipwreck, but everything is just a unique story at this point.

I ended up enjoying the animation style, the animals were all very detailed with their own basic personalities. I very much appreciated that the animals were basically given real names and not just called Goat-y and Tapira or shit like that (Pango aside). And even more exciting was that these characters were all voiced by non celebrities. Some of them are real voice work artists, some of them have only one IMDB actor credit, but none of them are big actors just to sell the movie, regardless of voice work talent. That is a nice change of pace.

The issues with the film are that the story is simple. Like, beyond simple. Survival wasn’t a real issue in the movie. Pirates barely mattered. No, it was all hunky-dory. The main issue was mean cats trying to survive off more than bugs, so you know, eventually they try to kill everyone. I fell asleep early on because it took so long to really get to the point. The decision to make 95% of the movie as a flashback is a poor tool, why not just start in the damn beginning.

And yes, I do get annoyed that this small island apparently has the most fruit food ever. And that it is never addressed why these six or so animals live here and none of them have mates or a real way to have gotten to that island. All of the nitpicking really boils down to is that they just didn’t really think this whole thing through or care about the holes that might exist.

The Wild Life will probably not be successful, because it isn’t Pixar and Disney. The animation was cool, the voice work was nice, but the story was too basic and not exciting enough to see again.

It has been well noted that for every movie, there is an at least equal if not better movie out there that would exist if Dwayne “The Rock” Johnson was included in that film. Just look at any franchise that didn’t have The Rock in it, then added The Rock to it. It is pure, unadulterated science, like Mathematics.

At the same time, films that add Kevin Hart as a co-lead tend to suffer. Sure, maybe they make some money, but basically everything that has Hart at co-lead has been mediocre at best, and generally terrible. The only films that excel with Hart are those that limit the Hart to a supporting actor role.

So this begs the question. What about a movie that has both Dwayne Johnson and Kevin Hart in it, as co-leads? Which side will win out? Can Johnson elevate it to greatness, or will Hart drag it down to mediocrity?

Central Intelligence was made just to answer that one question.

Just imagine averaging the two and seeing whose size is more extreme.

Back in 1996, The Golden Jet, Calvin Joyner (Kevin Hart) was king. Homecoming King and the coolest kid ever, and a nice guy. During a final pep rally, some bullies threw a fat kid, Richard (Dwayne Johnson), naked into the gym and everyone laughed at him. But Calvin gave him his coat to cover him, Richard ran away and was never seen again.

Now, twenty years later, Calvin didn’t go and do anything sexy. He is an accountant (a good accountant), but not one that leads his own company or anything. He is still with his wife, Maggie (Danielle Nicolet), but they never had kids. And tomorrow night is his 20 year high school reunion. He is just not feeling it though.

Then he gets a Facebook friend request from someone named Bob Stone. Turns out it is Richard, from high school, and he wants to hang out! Sure! But now Bob is ripped as fuck. Quirky and weird, sure, but he got fit and he got tall.

But it also turns out he is in the CIA. Or used to be. He might have killed a man. He might be framed, he might be crazy. Either way, Calvin is now involved with Bob, and they are on the run, finding clues, and dealing with international finances. All before the reunion!

Also starring Jason Bateman as old bully Trevor, Amy Ryan and Aaron Paul as CIA people, Ryan Hansen as office coworker asshole, and Thomas Kretschmann as potential terrorist.

A moment of silence for the CGI crew who lost their lives to create this fat Rock.

And who won in the Rock Hart showdown? Well, apparently a positive beats a negative and I laughed an unreasonable amount of time in this film. That Johnson is just so damn entertaining. And since he played against his normal tropes, it was better than normal. Yes, it was technically the same joke over and over again. Big strong guy, but nerdy and super optimistic and putting Hart on this pedestal. But he went to the extreme and kept it and it totally worked.

And as a comparison, it reminds me of Terry Crews‘ character on Brooklyn Nine-Nine, but only in the strange strong man role.

Hart wasn’t terrible either, because despite being the main character, he still felt limited. His character was just along for the ride (not like Ride Along), so he was a very supporting lead character.

The plot? Not the best, but it wasn’t terrible. I was incorrect with my guess on the twists technically, so it got me there.

This isn’t a movie you watch for that. You watch it for laughs, decent action, and because everyone has a crush on that big manly Rock like man.

A24 has decided that they want to take risks. That they want to deliver amazing content, or at least weird and unique content. And sometimes both, like when it comes to Swiss Army Man!

But with also The Witch and The Lobster, they have been having a pretty good 2016 so far and are looking hard into award season.

That is why I decided to give Morris From America a chance. A movie that might deal with racism but in a very non-American light. A movie that might have strong comedic or dramatic performances. And a movie that could give me a patriotism boner.

Eating ice cream and owning the sidewalk? Yeah, those are Americans.

Morris Gentry (Markees Christmas) is from America, but now he lives in Heidelberg, Germany with his single dad (Craig Robinson). His dad has a job working for a Futbol team, which is why they now live here. He had a mom, but she died.

Needless to say, Morris is having problems fitting in. Right now it is the summer time, he has no friends and only small amounts of German. So he has a tutor (Carla Juri) to help him with the language and just getting him to open up. But she suggests he goes to a local youth center, to meet people his age and make some friends.

Well, of course, everyone there is super white and super German. And most of them are a bit racist. Some of it comes from just not seeing black people before. Some of it is curiosity. Morris sees a girl, Katrin (Lina Keller) and actually gets a crush on her, so he decides to give this youth center a shot, despite the overwhelming weird feelings.

And well, those weird feelings are real. He gets blamed for things he didn’t do, pressured and bullied and more. But hey, he just wants to be able to free style and express himself, and they are just giving him more material to work with.

Also featuring Patrick Güldenberg and Levin Henning.

That face is right, Morris. This looks like a trap.

Morris From America is one part coming of age story and one part fish in a foreign pond. I am not sure if that last part is a saying, but right now I am running with it. The idea makes a lot of sense too. There are tons of films about an American going to a new place and learning customs and the language, whether it be a drama or full of laughs. But for whatever reason it is always a white person. Why not have a black guy do the same thing?

This is not a zany movie by any means. All of the spare humor moments just come from normal human interaction, mostly father and son. I tend to feel bad for Morris when he is interacting with the German teenagers, basically 95% of time.

The movie drives home some points, but they aren’t too powerful. Apparently Germany is still super white and not the best towards people who look different. But hey, what society really isn’t like that? It is a hard balance to break.

Some of his situations are uncomfortable, some are slight, but overall, not a lot happens over the journey of the film. This is just a snapshot of his life, a small experience over a small amount of time. And well, it is just okay in that regard.

When they first announced The Angry Birds Movie, you couldn’t have paid me to see the prescreening of it. That is because I was steadily employed when it was first announced. Now, when the actually prescreening occurred, I would have gladly accepted money to go to it. Alas, if I went I would have had to go for free and that still wasn’t good enough.

Now I played Angry Birds before. Yeah, like, in 2010, really early after it came out. I had an Android phone and it was 100% free, with a lot of components to it, so yeah, I played the shit out of it. Then I eventually stopped caring. I hated the space game, hated the star wars one, and well, just stopped caring, and never looked back.

At the same time I was annoyed by all the clothing and merchandising that was suddenly existing. It was just a small phone game, why would someone want a backpack with them on it? Oh well, I ignored it and then hey, six years after the game, a movie appeared.

Needless to say, waiting for it on DVD was always a safe bet for me.

Oh yeah, they really captured his anger there.

Red (Jason Sudeikis), is a bird, and he is angry. Everyone else on this island is happy, but not him. He is pissed off. All the minor things really piss him off. And after a series of incidents, he has found himself face first in an egg, so now the chick thinks he is its daddy. So the family goes to court over the incident and the judge (Keegan-Michael Key) sentences him to Anger Management class, the harshest sentence!

At the class, it is run by a white bird named Matilda (Maya Rudolph). He also meets a yellow bird who is incredibly fast, Chuck (Josh Gad), a big black bird who explodes sometimes, Bomb (Danny McBride), and a very, very large red bird who doesn’t talk a whole lot, Terence (Sean Penn).

But wait! A ship appears over the ocean. On it, a large pig named Leonard (Bill Hader), bringing gifts and technology to their small area. Everyone loves them, except for Red, because his house gets damaged in their arrival and he doesn’t let it go. All of the other birds get annoyed at Red’s anger and basically make him leave. Red decides that something must be up, as more and more pigs are arriving every day. He decides to bring Chuck and Bomb with him on a quest to find the Mighty Eagle (Peter Dinklage), famed super bird who can FLY to help save the day.

And if that doesn’t work, well, then maybe they will have to fix things on their own before everything goes sour.

Also featuring voice work from Kate McKinnon, Tituss Burgess, Hannibal Buress, Tony Hale, and Ike Barinholtz.

Oh, that pig is a king too. Royalty. King Leonard, the majestically hammy.

If you couldn’t tell, I went into this movie expecting to hate it. A franchise that has become both forgettable and annoying, about a game with not a lot of plot. It seemed like a cash grab (and regardless of quality, it is still that). Judging from the animation style, I expected it to be just as annoying as most of the Minions movies have been.

And then I laughed. I laughed quite a few times. I was surprised at how much humor they actually smushed into the film. It has a pretty standard 90 minute-ish run time, but there are so many things going on, almost at all times. It was made for the ADHD crowd. Background jokes, frontground jokes, puns, double meanings, and more. And of course globs of reference humor. The last time I saw this many jokes in an animated film was Cloudy With A Chance Of Meatballs 2.

Despite how quick everything went, it still also took its time, surprisingly. It took almost a whole hour into the film before the pigs finally went bad and did the bad stuff, leaving just the last act to chase them down and tear down their city in retaliation, aka, the angry birds game part. Normally that would be an issue but time surprisingly flew by.

Heh, like the birds when you sling them.

The Angry Birds Movie has a shitty title and a shitty franchise, but damn it, it was a pretty funny film and a decent experience. It won’t change the animated world, but it will make you giggle.

I wanted to see Sausage Party, I honestly did. I loved the first trailer, avoided all other spoilers, and wrote it on my calendar. But then real life made me miss it and I had to wait weeks to see it. Having kids doesn’t help.

But I didn’t mean to see Sausage Party for today’s review. No, I went to the theater to see Hell or High Water, everyone told me I had to! Well, word of mouth is powerful and it was in a small dinky theater and sold out. Thankfully, Sausage Party was roughly the same time starting, so I easily went ther and just moved it up my schedule a couple weeks.

Hey. Sweet. Now I can have some laughs and review two animated films in a row this week! And also dick jokes. Dick jokes, sex jokes, death jokes, stoner jokes. Hilarious.

I haven’t seen food party this much since Foodfight!

Frank (Seth Rogen) is a sausage. Not just any sausage. A horny sausage, ready to fuck. He has some other wiener palls, like Carl (Jonah Hill), Troy (Anders Holm), and Barry (Michael Cera), who is a bit deformed and smaller than normal. His package is right next to a nice package of buns, including Brenda (Kristen Wiig), his soul mate.

Or fuck mate. They really wanna screw. They want to get picked together by one of the Gods to go into the Great Beyond, outside of the supermarket. And soon is “Red, White, and Blue” day, so their chances of getting picked are high! And of course, the Gods have spoken, and they were chosen together to live out their wildest fantasies.

But then the unthinkable happens. The Honey Mustard (Danny McBride) was returned and he went crazy. He said the Great Beyond was a lie. Everything outside was terrible. And he caused a cart accident. Food went flying, Disaster. Frank and Brenda were left outside the cart to survive on their own. With Sammy Bagel Jr. (Edward Norton) and Kareem Abdul Lavash (David Krumholtz), who keep fighting.

Can they determine the truth of the Great Beyond? Or were they punished by the Gods for touching tips? How will their friends survive in the outside world? Can I ask more questions about the food sex?

Also featuring Bill Hader as a Native American stereotype, Salma Hayek as a taco, Craig Robinson as grits, Paul Rudd as a nerdy sales clerk/jerk, James Franco as a stoner, and Nick Kroll as a big douche.

Some say a big douche is just the roll that Nick Kroll was born to play.

Sausage Party at its core is an insane film. Apparently it came out just wondering what a film would be like if food had feelings (something Pixar hadn’t touched on yet), and Rogen realized it would be an incredibly fucked up film. And a fucked up film is what we got.

It is basically the most adult animated film since South Park: Bigger, Longer, & Uncut and even has a musical number! And by adult humor, I don’t mean sophisticated tax jokes, but you know, sex, language and drugs. So 14 year old humor, if you will.

It will make you cringe, make you laugh, and maybe make you cry. The references are out of control, including an amazing visual from Saving Private Ryan. It was constantly surprising with the direction it went, including two different turn of events near the end. You know, when they fight for freedom and celebrate their potential freedom.

Because like I said earlier, they just wanted to fuck. That’s life in a nutshell.

Sausage Party is raunchy and honestly a film I can imagine watching and hiding from my own kids for years to come.

Aw yeah, the most patriotic time of the year, where we all get our flags out and scream our dominance at flexibility and water sports and ignore the many sports where we never win. That’s right. Olympics time.

Now, The Bronze came out much earlier in the year, but I knew I had to wait until it was appropriate to review it. Right in the smack damn middle-ish of the Olympics, when we have maybe finished getting out gold medals in gymnastics.

And even more exciting is that The Bronze stars Bernadette from The Big Bang Theory, which of course you would only recognize her from. Outside of some cartoon voice work, I have never seen her in anything else. Oh wait, she was Woman Jogger Yelling at Sydney in I Love You, Man, of course!

This means that The Bronze is her second most famous role now! Too bad it wasn’t third! –

Hope Annabelle Greggory (Melissa Rauch) gave America a lot of Hope and a lot of Greggory. You see, she went to compete in the Olympics as a teenager, their star gymnast, from Amherst, Ohio. And then she got injured during a routine. But you know what she did? She did her next set anyways on the uneven bars, with a hurt ankle and received enough points to still place third. She was everywhere and everyone loved her.

But that was her only time in the big leagues. Now, twenty years later or so, she is still living with her dad (Gary Cole), still wearing her athletic gear and medal, and doing jack shit with her life. She has rode her fame into free food at a local Sbarro and a special parking spot down town, but other than that, no one cares anymore. And then her old coach (Dale Raoul) commits suicide.

Well, according to a letter she sent Hope before ending it all, the coach had been training the young Maggie Townsend (Haley Lu Richardson), completely free, because her mom (Cecily Strong) is single and working alone, struggling to survive. Maggie has a lot of talent and could win it all, and yes, she is from their same small town! Hope doesn’t want Maggie to succeed, because if Maggie does better, the town will forget all about Hope and her gravy train will end. In the letter, it is said that Hope will receive $500,000 if she continues to coach Maggie and get her as far as she can.

Cha-fucking-ching.

Also starring Thomas Middleditch as the local gym owner, shy and shit, and Sebastian Stan as a male gymnast from the same games who actually placed first in his categories.

And let’s be honest, gold comes with a fat cash prize as well.

This is technically the best acting I have seen from Rauch. Of course, her only other character as nerdy occasionally angry hot girl on TBBT doesn’t have a lot of acting involved. Her character was consistent, angry, foul and angry at the world. She was angry for messing up her moment and never getting another moment later (growing boobs messed up her balance and she couldn’t re-qualify). Her character made sense as did most of her actions.

I also enjoyed Middleditch and Richardson in this movie. Middleditch was still playing his nervous self, but he had a much nicer character than normal. Richardson had that teenage girl idol hype going well for her, emotions all over the place, and she looked the part.

Finally, I also feel like I should highlight the scene that gave it the Graphic Nudity part of its rating. It was longer than I expected and all sorts of hilarious (it involved two gymnasts after all!), and yes, body doubles were used.

But throughout the movie I couldn’t help but feel it was lacking. The characters, although consistent, got a little bit dull. We had what seemed like a training montage that lasted forever. It just seems like something that should have had a lot more Olympics and a lot less moping to make a more exciting film overall. But it dragged in areas, and the constant back and forth of the lead definitely got on the nerves.

Good news is, it is definitely entertaining for at least one watch, and the ending doesn’t suck. I said, the ending. Doesn’t. Suck.

I wasn’t always scowling at Suicide Squad. When they first announced it, well, I guess I had to google it just to find out what it was. Villains having to save the day. Sure, alright, cool.

What really made me excited is that Tom Hardy was signed on to play a role in the film! It was stoked. Then he left. Oh, okay. But then they got Jake Gyllenhaal to replace him! Oh shit, yeah! Good going! And then he turned it down as well. Fuck. What in the. Okay okay, then they got Joel Kinnaman, which does nothing for me. But I didn’t get annoyed at the film yet.

No, what really killed me is that during filming there were almost daily “leaks” from the set, or quick glimpses from a random persons twitter, or whatever. Too much hype can really bring down a ship, and I hate a constant bombardment of advertisements. Not only that, but of course we have Jared Leto as his edgy Joker, maybe as the villain, maybe on the team, I have no clue. I just know that he was “method acting” and kept giving all of his cast mates shit, playing pranks and what not, to get into character. Honestly, he sounded like he was being an asshole.

That is what made me frown and choose to ignore the pre-screening. That is why I didn’t want to wait hours just to see it. I knew it would wait. I don’t care how good the trailers for it were, because Man of Steel and Batman vs Superman both had amazing trailers and yet they were disappointments. So that is where I am coming from for this film.

So here is a non asshole character and a non asshole actress, giving someone a new asshole.

The US Government is starting to get scared. What if another Superman shows up, but this time, he isn’t friendly? They need to have a task force to bring them down, preferably some of their own strong people who are under their control. Well, they don’t have any, or at least they don’t have any that they can force to work for them. So Amanda Waller (Viola Davis), vague government official, decides that their team will be made up of criminal metahumans, who they have leverage over and who they can kill without too much of a worry.

So she gathers her team. Like Deadshot (Will Smith), who never misses. Like Killer Croc (Adewale Akinnuoye-Agbaje), who…looks like a human crocodile for some reason. There is El Diablo (Jay Hernandez), a former gang member who can control and make fire, but has since atoned for his crimes. Someone named Captain Boomerang (Jai Courtney) who can…throw a boomerang really good and piss people off? And Harley Quinn (Margot Robbie), who has actually no powers at all and really shouldn’t fit this metahuman role they are crafting.

But that is just one prison. She has the mystical heart of the Enchantress (Cara Delevingne), an ancient being trapped in an archaeologist’s body who has to obey her commands. Her main field officer, Rick Flag (Joel Kinnaman) is in love with her as well. And there is Slipknot (Adam Beach), who can apparently climb anything, where his climbing is metahuman levels or something. Finally, there is Katana (Karen Fukuhara), who wields a sword that captures the soul of those it kills. She isn’t even a baddie, she is just helping out while occasionally avenging her husband’s death.

Either way. Shit quickly goes down right after forming the team, good timing. And they are forced to help out of course to clean up a mess that is basically started thanks to the team forming in the first place. Hooray!

And yeah, Ike Barinholtz plays a dick guard, David Harbour a random government official, and some Jared Leto Joker nonsense.

And drinking on the job, I guess that is Boomerang’s other power.

Suicide Squad ended up being a mess of a movie, from beginning to end. The characters, the plot, the pacing, all come together beautifully to make this disaster of a film.

They explain that the Suicide Squad is set up to stop a Superman like being from dominating the world and battling him with other superhumans. Sure, fine. Now explain why Harley Quinn, described entirely as a wild card, on the team? Why is Captain Boomerang? The only ones that seem to have any amount of actual power and ability are the Enchantress, whom yes, is the main villain, and El Diablo, who barely uses his powers. Deadshot and Katana have some sort of powers or gadgets that make them above average, and Killer Croc is basically a mutant, but they are all just really good fighters. And what in the fuck, Slipknot? Can climb anything? Not even power based, but using gadgets? A complete waste of a character and has no purpose in this film (and the filmmakers must have known that).

Harley Quinn is actually in this film just so we can have a Joker connection. When I say “for whatever reason,” the reason ends up being so the writers can move the plot forward without thinking things through. She is there just to be chaos and her character has no point. Sure she is a scene stealer, because they give her the camera time and the personality. And she magically has a cell phone so that the Joker can intervene as well, how helpful.

Katana is an interesting character. The Enchantress should have been an interesting character. El Diablo was an interesting as fuck character. Captain Boomerang was very amusing and should have been able to do something in this movie to not feel so pointless. But these characters are not expanded upon enough, because it is not actually an ensemble film. It is all Deadshot, Harley Quinn, and Amanda Waller.

I picked these three as my pictures as the more interesting characters who didn’t have a lot of time to be important.

So the pacing is also whack. Bad things start happening in Midway City (certainly not New York City). Big portals, scary stuff, mass death. And we find out before they get to the big baddie that it has been three days since it has started. Three days! So little fucks given from anyone in the world, including The Flash and Batman, which are established characters in this film and movie universe.

When they show up and finally confront our villain, oh hey, their spell had just finished and now the world can be destroyed. Your timing is terrible, unless they decided to just wait to finish it until their loved ones were all dead first.

There could have been a good movie in Suicide Squad. It needed to not have earth ending events though, given the people we know who could have saved the day. It needed small scale disasters that actually made sense for the team to accomplish. It needed to not have such a messy plot and so many unnecessary flash backs. And it certainly didn’t need repeat what BvS ended up doing. Killing off a character and ending it with a just kidding. Two films in a row in the same universe? That is far worse than Marvel.