Tag: 3 out of 4

What is going on with Chadwick Boseman?

For the most part, he is relatively new to the movie scene. He has had a bunch of temporary roles in TV shows, mostly one offs. But then he got to play Jackie Robinson in 42. Then he got to play a highly sought after draft pick in Draft Day. And now? Now he is doing another biography, but this time not an athlete.

He is going to play James Brown, because of course, Get On Up is his story.

Damn Chadwick. James Brown and Jackie Robinson? Who will he play next, Oprah Winfrey?

James mother fucking Brown (Boseman). A cultural icon from the 1900s, a man who seemingly was around and performing forever, and in the news for sometimes less than glorious reasons. He came from humble beginnings, living in a small shack in the woods with his mom (Viola Davis) and dad (Lennie James). After that, he was working for Ms Honey (Octavia Spencer), a madame. After that? Prison.

That is where he met Bobby Byrd (Nelsan Ellis), not a prisoner, but a local singer, and James impressed him with his own unique sound. Next thing you know, he is part of a gospel group dabbling in that R&B, and eventually the dabble takes over and James Brown and the Famous Flames become a thing. The rest? Well, you know. Drugs. Wars. Marriage. Kids. Drugs. Friendships. Drugs. Egos. The story basically writes itself.

Featuring a bunch of people, who I will try to write in order of importance: Dan Aykroyd, Jill Scott, Craig Robinson, Fred Melamed, Brandon Smith as Little Richard, and two small cameos with Allison Janney and John Benjamin Hickey.

And this isn’t even his final form.

When I left Get On Up, I felt good. I didn’t know that I would. I felt nice too. Not sure how to describe the nice feeling, maybe sugar and spice? Hard to say.

Either way, if I can say anything about Get On Up it is that it is certainly entertaining. A lot of energy was put into the film, especially early on where it seems to go everywhere hard and fast. The movie isn’t told in a linear order, splicing in scenes from his childhood through a slight narrative of events, and finishing those events when the film felt like it. It also featured some breaking of the 4th wall, allowing Brown to narrate his own story to the audience and explain things.

But the real stars of the film are, well, the stars of the film. Chadwick Boseman and Nelsan Ellis. Holy shit. First off, Boseman, knocked it out of the park (its a baseball metaphor, get it?). When he was Mr. Robinson, I thought he did okay, but it didn’t seem like a lot of acting going on. He acted the shit out of James Brown though. He had the voice, he had the moves, he had the charisma. I was a little bit skeptical, but he did a really amazing job.

Nelsan Ellis? I don’t watch True Blood, so I don’t know a lot about him, but the amount of heart in his role was incredible. He looked so sincere about everything and my emotions tended to match whatever he was feeling versus Brown’s emotions.

Some aspects of the film were disappointing of course. All of the music in the film is actual James Brown recordings, so no we don’t get to hear Boseman try out that voice. Probably impossible, I guess.

It didn’t go a lot into his troubles with the law in the last decades of his life, but gave you enough to figure it out.

This film doesn’t make out James Brown to be a saint (probably because everyone knew he wasn’t) and mixes the good with the bad and a whole lot of soul.

Good news! The Marvel Cinematic Universe is finally taking bigger risks with its movies! No longer now is each film headlined by a big and famous cartoon character.

Sure, I thought their first risk would actually be Ant-Man, but who knows if that will ever happen now.

With Guardians of the Galaxy, we are given a franchise that will make a lot of casual comic fans go “Huh?” They are definitely not the biggest or baddest property Marvel still has, which is why it is surprising they are making this movie.

Unfortunately, that risk has come at a terrible price. Backed by Disney, they had a lot of money to throw around. All of this money went into advertisements. Since before Captain America: The Winter Soldier came out (of which I only saw two trailers for), I think I have seen a GotG trailer at least once a week for new releases. They advertised the fuck out of this movie. I kind of got sick of it.

It wasn’t just trailers though. TV spots, giveaways, extended looks. They even had one of the biggest bullshit things I had ever heard, showing 17 minutes of the movie, and advertising it like a special pre-screening. Who the fuck wants to watch 17 minutes of a movie?

They are over saturating the market to help ensure their risky gamble doesn’t fail. Which just pisses me off more. I am still excited for the movie, but honestly I also feel like I am more excited to stop seeing advertisements for it soon.

Except for the poster of this scene. It is hanging above my toilet.

Space. Like, Seriously deep space. Like far from Earth so don’t even pretend that we are dealing with any space shit you are aware of.

Peter Quill (Chris Pratt), aka Starlord, aka an Earthling thought is totally far away from Earth. He was picked up from the planet when he was just a boy, just randomly. And now he is a space pirate! Well, just a junk yard ravager more like it, but also pseudo outlaw-ish. But after going after a mysterious space ball, Peter has found himself in quite a stick situation. A lot of people want this ball and he is hiding it hard to sell.

For instance, Ronan (Lee Pace), the Kree warrior madman wants the ball for some reason, probably to destroy a planet he has some serious ancient beefs with. Gamora (Zoe Saldana), adopted daughter of Thanos is sent to retrieve the ball. Because Peter decided to abandon his ravager crew, the leader Yondu (Michael Rooker) puts a 40,000 bounty on his head. This causes Rocket (Bradley Cooper), totally not a raccoon but a raccoon, and his tree companion Groot (Vin Diesel) to seek him down for that sweet money.

Well, these four get caught up in shenanigans, and they are eventually introduced to Drax the Destroyer (Dave Bautista), who would like to kill Ronan for killing his wife and daughter.

Oh swell! A group of rag tag anti-heroes who, through eventually working together, might have to do the right things.

Also featuring Karen Gillan as Nebula, another Thanos daughter, Djimon Hounsou, a high ranking general for Ronan, Benicio Del Toro as The Collector, Glenn Close as the head of NovaCorp and John C. Reilly as a Nova captain.

I’m a Groot, he’s a Groot, she’s a Groot, we’re all Groots, hey!

Ahhhh, excitement!

There is a lot that really works in this movie and combined, all of the elements make this one of the funniest Marvel movies yet. Let’s talk about individual characters. Starlord? Pratt knocked it out of the house. Felt like a real pseudo-leader and had some emotional moments as well. Gamora? Probably my favorite role that Zoe Saldana has done, felt a lot more believable than most of her characters. Rocket? Hell yes Rocket. Who wouldn’t like Rocket? I couldn’t even recognize Cooper’s voice. Groot? Everyone will also love Groot. He is powerful, sweet, and awesome. And Drax? I knew the least about Drax going in, as each regular trailer didn’t really do much for him outside of showing him as a big strong guy who likes to kill. But his character has a lot of depth and a lot of funnier moments, so he was the biggest surprise for me. Really loved Drax.

So all the characters are good? Great! Nice supporting people too. Unfortunately, my biggest issue with the film is the main man, Ronan, Lee Pace. He had…just no personality. He felt extremely one dimensional, and until over halfway through the movie, he was just all talk. They talked a lot about how evil and the bad stuff he had done, but they didn’t do a good way of showcasing it until closer til the end. The big baddie was a disappointment.

The Collector was also a bit wasted in this film to me.

But the graphics? The laughs? The plot? The soundtrack? The synergy? All of it worked so well together. The scenes with the main guardians just talking were some of the better conversational pieces I have heard all year.

Guardians of the Galaxy is a great movie, just not the best Marvel movie that has come out of their studios. I have a hard time believing anyone could leave the theater feeling disappointed.

How exciting. In this documentary, I am not looking at anything controversial, mind blowing, or society changing. I am just looking into the lives of three(/four) people. The lives of a few Indie Gamers.

In Indie Game: The Movie, we discuss three games in particular. Fez, Super Meat Boy, and Braid, which is exciting, given that I actually own all three of these games. And have played two of them. And have beaten one of them!

All big names in their own right in the indie game industry, I got these games through various Humble Bundles in the past and they are all pretty damn unique. They were all also in different stages of the process.

Braid during filming was one of the first really big critically acclaimed indie games and sort of set the bar for indie games to pass in the future. Super Meat Boy in this documentary is working on finishing up the game and goes through their release on Steam and XBox and the nerve wracking wait to see how they did.

And Fez. Oh Fez. Fez who in 2008 won an award for best game design based on a demo, and then spent years in development hell, always tweaking and fixing. Fez wasn’t released when the movie was, so with Fez we got to see part of the development process and what it can do to a single person with all this pressure.

Thankfully they work in an environment where pants are optional.

I was actually impressed that I found this documentary interesting. I thought it would involve a lot more technical elements and show coding and how things were done. That worried me a bit. But no, it was all about the people behind their games and their genuine reactions to the events unfolding around them.

The creator of Braid was known to search the web for message boards where they talked about his game, responding to people. He was upset that people didn’t see what he saw when talking about the best features and the meaning of his game.

The creator of Fez almost had a nervous breakdown on camera it looked like, as he talked about a business deal with an ex partner that could ruin the chances of his game being released.

The two creators of Super Meat Boy lead me down a nostalgic past and seeing their success with their friends and loved ones was awesome.

Basically, it is a feel good documentary, and even better for people who know of those games or have played them. It delves into some theory (just a bit) about some hypocrisy in the gaming industry, and what really will make an indie game unique (and how to design a level, sort of), so it isn’t just human interest stuff.

It tells a nice story, but if anything, it lacked the other side of the coin. Someone who failed at making a game, either financially or through just making a bad game. It would have been nice to have a more “complete story.”

Hell, by the time this review is published, I will have hopefully played Fez.

Brendan Gleeson is one of those actors who took a really long time to get noticed. He had nice dramatic roles and a sweet Irish accent, but lets face it. His looks probably held him back. But now that he has a distinguished old guy look, his talents are more noticed and he is getting leading roles.

A few years ago, he got The Guard, and now he gets the movie Calvary. Both black comedies / dramas in a way too. I guess it is okay to have a genre niche.

I am surprised the “Movies With Scenes In A Meat Locker” genre hasn’t taken off more fully, either.

Let’s pretend you are Father James Lavelle (Brendan Gleeson). You are an old man, running a small Irish Catholic church in a tiny community. There are only a few other priests in the area, like Father Leary (David Wilmot). That means a lot of soul saving falls on one man.

During mass on a Sunday, in confessional time, a person says that they were abused by a Catholic priest when they were younger and goes into great detail. The priest has since died, but the man is still angry. He wants to get back at the Catholic Church, and to do that, he wants to kill a good priest to send a strong message. He wants to kill Father James Lavelle. In exactly one week he will come back to kill him, in order to get his affairs in order. Then he leaves.

Huh. That is terrifying. There are only a few people in the area, so it can only be a few people. But who?

Here is a vague list of actor names of characters, instead of talking about all of them individually. I even threw in a woman, too. (Chris O’ Dowd, Aidan Gillen, Dylan Moran, Isaach De Bankole, M. Emmet Walsh, Domhnall Gleeson, Marie-Josee Croze).

Oh yeah. Let’s not forget that he also has a daughter, Fiona Lavelle (Kelly Reilly), as part of his marriage before he became a priest.

As the story gets closer and closer to Sunday, more and more sinful activities seem to take place in his town, as if the whole world is going to Hell, and there is nothing the Father can do about it.

In true Irish fashion, his daughter of course is a ginger.

Despite the similar genres, The Guard and Calvary aren’t very similar. This film is much heavier on the drama and symbolism, while The Guard has more comedy, lewd behavior, and shooting of guns.

Gleeson puts on a heck of a show though, and even though I recognize his face in plenty of sinful characters from the past, I feel like it fits the best in a Catholic suit garb. Whatever those robes are called. He fit the character really well, including the few times in the movie where he broke down and did non Priesty things.

The supporting cast was especially up there for me, especially Dowd and Moran. Moran in general was just impressive with his character, and Dowd was impressive being in a more dramatic role which is rare for him. I have only seen Gillen in Game of Thrones, but his character is also pretty great. It is also nice to see Reilly in a controversial role after her last terrible role in Heaven Is For Real.

Overall, this is a really great and powerful movie. It might be pretty easy to get lost in some of the symbolism, or really figuring out where it is all going. I know I didn’t understand the whole thing without some additional research (and some of that research feels bullshit). Definitely a movie you might have to watch more than once to get the full impact of it.

It took a few years, but today I finally get to finish a trilogy of reviews on this site. I don’t know why it took me so long to see The Way Back, as I got it probably two years ago. Just needed the right moment.

Although un-officially, The Way Back is the second movie of a trilogy. The other two are of course The Way and then The Way, Way Back. I know I watched them out of order, my bad. But those two movies made me really excited about this one, mostly for the fact that I gave them both 4 out of 4.

I don’t necessarily enjoy watching bad movies (despite the number that I do see), so anything to give me hope that a movie might be amazing is fine in my book. Even if the logic is absurd.

If I remember correctly, no other movie in the “Trilogy” uses the word Gulag.

Life during WW2 was probably hard. Not too much Freedom in Europe, people dying, and if you were really unlucky, you might have been sent to the middle of nowhere Siberia to live in a Gulag. A Gulag was a nice labor camp where people had to work and eventually die. You may have saw one in Muppets Most Wanted. They aren’t too hard to get out of either, because there is generally no way someone could survive the harsh weather and get anywhere safe. There are many animals who would kill you, and communities all around know they will get a bounty if they return any escaped criminals.

But that’s not to say that people didn’t try anyways.

Like Janusz Wieszczek (Jim Sturgess), a Polish POW who was sent to the gulag and definitely doesn’t want to be there. After some cruel conditions, lack of food, and harsh weather, he finally gets a group of people to escape with.

We have an English engineer Mr. Smith (Ed Harris), an actor Khabarov (Mark Strong), Zoran (Dragos Bucur) a Yugoslavian accountant, Voss (Gustaf Skarsgard), a Latvian Priest, Tomasz (Alexandru Potocean), a Polish artist, and Kazik (Sebastian Urzendowsky) a Polish man with night blindness. Hmm. Who else who else. Oh of course, Valka (Colin Farrell), a Russian criminal.

I would like to thank Wikipedia for giving me their ethnicity and work information because there is damn no way I would remember most of that.

Unfortunately, after traveling through the winter storm areas, with some men dying along the way, they find that Mongolia seems to be under Communist command. That is just escaping into more enemy territory. No, it looks like they might have to walk even further from Siberia. They may have to walk to India, through the Himalayas and Tibet, through a grueling desert and treacherous mountains. Oh boy. That is a long way back.

Also, at some point they meet Irena (Saoirse Ronan), a young Polish girl with questionable back story.

My theory is that she used to be that stick.

The Way Back is not run of the mill action escape movie. It also isn’t necessarily about the initial escape either, so there isn’t an hour of lead up before they break out. The movie is about the journey after they escape and their long walk to freedom.

It could be considered an Epic of sort, because it is literally a hard drama about people trying to survive in harsh conditions. Everything felt so realistic with their journey as well, from blisters and swelling, to dry caked lips. It was hard to watch at times, knowing that if I was in a similar situation I probably wouldn’t have made it out of Siberia.

I see it was nominated for an Oscar for Best Makeup and it was extraordinary. That, coupled with the excellent cinematography and scenic views really draw you into the film and make it a memorable experience.

At the same time? Eh, it lulled a few times in the movie. I can’t tell really if this is supposed to be a true story, but it is inspired by a book. I think the film suffered from too many characters early on. They might have needed them just to kill some people off and showcase more the harsh conditions, but it became a bit harder to tell who was who (when they were all bundled up and frost bitten) and who would just be movie fodder.

Overall a really well done film though.

In the summer of 2013, there was a horror movie that ended up being surprisingly good. No, not The Conjuring. That was expected to be good and delivered.

I am talking about The Purge, which created its own unique concept for a movie and ran with it. What we got was a house survival type film, with some tense moments and a lot of twists. But more importantly, it created a world with a lot of potential. The Purge was just one families story, but they could set it in any number of settings, with any number of character types, and get completely different films and experiences out of it.

The possibilities are endless. Which is why I was excited to see The Purge: Anarchy, which is set in a city, and looks like it will feature a few different story lines that may intersect. A nice way to do it. Unless this one bombs, I hope they set one in a rural community next. A 500 person city or something. Maybe an island. Or a college campus. Classic settings for horror movies, but these ones have the twist that they involve “normal people” committing the crimes. Or whatever they want to do, as long as it makes me uncomfortable to watch.

Jimmies are definitely getting rustled here.

Set a year after the first film, The Purge: Anarchy gives us a few different groups of people with different reasons for being outside. Like Leo (Frank Grillo) who has a decked out armor car and intentionally went out into the city for some Purge action. He has his reasons. He wants revenge.

Or let’s take Eva (Carmen Ejogo) and her daughter Cali (Zoe Soul). They definitely don’t want to be outside. But thanks to some soldiers invading their complex, taking people into the streets to be prisoners, they really don’t have a choice.

Or even the young couple Liz (Kiele Sanchez) and Shane (Zach Gilford). They had plenty of time to get home, even took the back roads to avoid the busy highways. But when a group of mask men tampered with their vehicle intentionally to leave them stuck in the city, well, they have to learn to flee or fight back as well.

All three groups meet up rather quickly in the film, allowing them safety in numbers to try and survive the twelve hours. Also featuring Michael K. Williams as a resistance leader, trying to get the poor to seize the moment and topple the rich and elite, who he claims use the Purge to secure their own positions in life.

These are the real consequences of P. Diddy‘s Vote or Die campaign.

Not only were my jimmies rustled from the early on pictures, but they literally were rustled almost the entire length of the movie. Let’s say five minutes in or so until the credits rolled. This isn’t disgusting like The Human Centipede is disgusting. It is disgusting on a more primal level, given that these are just regular average people of various ethnicities and backgrounds. That is what really makes these movies. If you don’t accept the movies premise on the basic level, you won’t be able to get into the atmosphere it creates and you probably won’t enjoy it.

I thought the movie was extremely tense. Despite common thought, having guns as a main killing weapon doesn’t turn a horror into an action.

The acting of course isn’t something to be admired. No Oscars will be won by any of it, of course.

Overall, I enjoyed the movie. Obviously. They are setting up bigger and crazier events in the future, pretty nicely. This franchise can have a lot of life left in it. But if you hated the first one, no way you’d enjoy this one.

After the very recent disappointing musical that I saw, I quickly began looking at the other musicals to come out this year that might be of interest.

So Begin Again is a smaller musical coming out this year. I am not getting my hopes up that it will be a traditional musical in any way, because it is begin directed by John Carney. Carney brought us Once about five years ago, and although it was turned into a Broadway musical, the movie version is very musical lite. Just a few songs and a lot of emotion.

I can only assume this will be similar.

Try to say the movie title five times fast. Hell, just try to say it once.

Begin Again is a story about love, music, and losing it all.

Like Dan (Mark Ruffalo) who has lost it all, his love and music. He is getting outted at the record company he made with friend Saul (Mos Def) for not being able to bring in a successful act for several years. He also is living alone, his ex wife (Catherine Keener) has custody of their teenage daughter Violet (Hailee Steinfeld). He has lost everything he has ever loved, until he hears a sound…

Like the sound of Greta (Kiera Knightley) reluctantly performing on an Open Mic night because her friend (James Corden) forced her too. She is having a rough time as well. She moved over to New York with her boyfriend Dave (Adam Levine). Dave and Greta are song writers together, but a song Dave sang was featured in a popular movie, so now they want to sign him to a contract. Yay success, but boo the price that fame brings.

Dan hopes that Greta will be able to get his life back on the right track in every direction.

Maybe they will also make some sweet and sexy music too, along the way.

Also, CeeLo Green is in this movie for a small part, so we can have half of the original The Voice judges in here.

Just like how they totally didn’t make this scene for Apple product placement, I am using this picture for the same not reason.

As expected, in this movie music plays a central role in almost every scene, but it isn’t a standard musical. No one is singing and dancing throughout the streets (kind of). Although, there is copious amounts of singing, dancing, and listening to music in the streets, it is all completely natural. All performances are performances, whether on a stage, in a “sound studio” or at home with a small recording device.

The music is also really fucking good. I don’t remember how much music was in Once, because I mostly just remember that one famous song, but Begin Again has a crap load of songs. And it is more than just artsy fartsy indie music too! I am not saying it is completely diverse, but it is there. Each song felt great. The soundtrack of regular background music also felt pretty unique.

Basically, I am saying that I am mad the soundtrack isn’t out yet because I want it hard.

The acting was pretty good as well. I mean that in regards to Knightley/Ruffalo/Steinfeld mostly. I am happy that Steinfeld is finally in a good role that can showcase her talent, unlike her last few movies. Ruffalo did give off a kind of creepy vibe for about half the movie to me. And this is completely different side of Knightley that we haven’t really seen before. I mean, singing songs!

I wouldn’t describe anyone else as being that spectacular. Most of the other side roles could have been anyone, including Levine’s character.

Overall, this is a fantastic movie, and personally, I liked it a lot more than Once. But then again, I only saw Once once, and I was way more immature then.

It is clear from the trailers of Earth To Echo that it is going for a modernized, new ET feel. Kids find an alien, government wants to get it, they want to help it get home.

But wait? Didn’t we just have another movie try that? Yeah, a few years ago, Super 8 tried to make a similar claim. And I loved Super 8, it just didn’t make a lot of money an people forgot about it, despite it being a very well shot film.

So instead I won’t think about it like a new ET. Mostly because I didn’t find ET enjoyable in the slightest. Let the alien + kid genre stand on its own, I say!

Kids these days. Playing outside with technology. What’s the world coming to?

Out of all the themes present in Earth To Echo, the largest and most pronounced must be the theme of friendship. This story is about three childhood friends who have grown up in a neighborhood together.

The three friends are Tuck (Astro), a guy who has an active youtube page so he makes sure to record a lot of his activities for hits. Aka, the reason we get a movie out of this. We have Munch (Reese Hartwig), a “weirdo” / mama’s boy who is into a lot more nerdier things and electronics. And we have Alex (Teo Halm), a foster kid who doesn’t come out of his shell too much. They have been best friends for many many years, and now they have to move away.

Why? Because they are building an interstate through their subdivision, and nothing can be done about it. So all of their parents are packing up to leave their Nevada home and never see each other again. But wait! Something weird is happening in the area. Phones are messing up and breaking. Actually, it seems as if the phones are showing a map to a location in the desert some 20 miles away.

Well, if they are all about to move, why not spend their last night together going on a treasure hunt and building lasting memories. Yay, memories.

Unfortunately, they get into a situation much greater than they bargained for, when they find alien life.

Don’t worry, this isn’t just a dude adventure (or a dudeventure). We got a chick, eventually, with Ella Wahlestedt, and the big bad government guy played by Jason Gray-Stanford.

Hey look! They almost made it so he could’t be easily turned into a toy. Almost.

The idea of a “shaky cam” movie scares a lot of people who think it is just a cheap gimmick. In this case, it adds a lot to the movie and only feels uncomfortable a few times near the beginning. Maybe a little bit too much bike offroading action, but other than that, it was really well done.

My main issues with Earth To Echo (outside of camera work) involve mostly technical issues. The timing of events in this movie seems to be all over the place, where they cram almost a whole day’s of activities into one night somehow. It took me out of the experience on more than one occasion.

But the film has a lot of positives!

First of all, it was actually pretty funny. The boys had great chemistry with each other, tons of jokes and amusing moments occurred throughout the film and I was laughing out loud on several occasions. Because their chemistry was so great, it of course awakened the nostalgia of hanging out with your neighborhood friends back in the day, doing dumb things to pass the time. Good times, and good feelings.

The film also had the necessary tense moments once things began to get too hard for the few kids to handle. With over half of the film set during the night time, it does certainly help for the scarier moments, and thankfully it never feels too dark to not see what is going on.

Overall, it ended up being pretty entertaining. The fact that it was about friendship first, and aliens second kind of give it a more personal and relatable feel. I guess I liked it better than Super 8, despite the ratings. Mostly because I haven’t watched Super 8 since I saw it for the first time (and it is still very pretty), but I can see myself seeing Earth To Echo over and over.

James McAvoy is a fun Scottish man. He has risen pretty well into fame territory, but he doesn’t let that get to his head (I think). He still does the indie movies. In fact, it seems like half of his movies are big Hollywood numbers, and the other half are indie. He really loves that shit. He is a man who loves to get into a character, a man who will work with a low budget, just to tell a story.

Maybe he was just humbled after Wanted though, who is to say.

But despite his recent performance as Professor X, again, he has now given us Filth, which is a perfect name to describe this bat shit insane movie.

How insane? Well, let’s just say you wouldn’t want to smell his finger anytime soon.

Bruce Robertson (James McAvoy) is a man who knows what he wants, and gets what he wants. He is a Detective Sergeant in the Edinburgh police force, but there is a new spot opening for Detective Inspector, a big promotion. There are quite a few people competing for the spot (Jamie Bell, Imogen Poots, Brian McCardie, Emun Elliott, Gary Lewis), but they all have faults. Exploitable faults. Faults that Bruce can use against them, playing a massively deceptive game to showcase their faults to his boss (John Sessions), making them all inept to fill the highest role.

The good news is he has been tasked with finding out who killed this Japanese student, who was beaten mercilessly on the streets. Great. Shouldn’t be too hard, and will allow him to set up his multiple schemes to destroy the lives of everyone around him.

Even his friend Clifford (Eddie Marsan), who he tends to bully. He has been calling his wife harassing her sexually, just to get a ruse out of them. What a guy right?

A lot of this can be “blamed” on the fact that his wife, Carole (Shauna Macdonald), took his daughter to visit families during the holidays. Because of course this is around Christmas time. If there wasn’t a lot of pressure for Bruce to solve the case and get promoted, he’d be able to take a vacation and all. Blamed is sarcasm here guys. Because he is a scumbag, he does scumbag things.

And Jim Broadbent is in here, so you know he has some sort of comical zany role.

No, nothing about this looks comical OR zany.

I am trying not to fill this review up with adjectives that all mean the same thing, so instead I will reiterate how insane this movie felt. The Bruce character seemed to have no rhyme or reason for most of his actions. He was rustling jimmies just for the heck of it. But this movie isn’t just some sick guys fantasy about hating his coworkers or something. No. There IS a point to the madness, and it was explained very well with hints throughout the end. I really enjoyed the ending. In fact, the ending actually has a similarity to Wanted, go figure.

It was hard to look away for most of the film, a definite plus, mostly because the viewer would have no real clue with where it was going. Thankfully, when it had to be dramatic, it did a decent job at those scenes as well.

Outside of McAvoy, I am a bit surprised at how well Eddie Marsan did. He is generally a side character in most movies, much like this one, but this performance of his was quite different from his other roles. He also had enough make up that it took me awhile to even recognize his (normally) very recognizable face.

Overall, Filth is definitely a unique movie, telling a unique story, but not something everyone may appreciate. Still not even sure if it is the type of film I could comfortably watch again. Well, maybe once. But no more after that.

I knew something was up when I went to my screening of Obvious Child. Two things were of note.

One, I was invited to a free screening of a film, that technically was already released in theaters the week before. Most of the time free screenings are before they are out, to build hype and stuff, but this could just be an indie movie thing.

Two, the tickets I had were sponsored and given out by a Pro-Choice group. Huh. That is an oddly specific group to sponsor a show time. I guess…this movie…is about abortion?

That isn’t an issue or something. But it is basically all I knew about the movie going into it. Like Citizen Ruth.

Obviously.

This movie is about a few months in the life of Donna Stern (Jenny Slate). She is a stand up comic, works at a hipster book shop in NYC, and isn’t doing too much with her life. Just telling jokes about how it is. Well, her boyfriend doesn’t like this path and doesn’t like to be talked about in front of strangers. So he breaks up with her. And then she finds out her book store that she works at is closing.

So she does what anyone would do, get really drunk and avoid her problems. If by avoid her problems, I mean talk about it on a stage, of course. Either way. She sexes up a guy, Max (Jake Lacy) who is very nice, and apparently the rubber wasn’t used. She gets pregnant, has a few panic attacks to add to her problems, and wants an abortion. The abortion isn’t even the scary part. It is the telling of her mom (Polly Draper) and getting the money together when she is already losing her jobs. At least she has friends (Gaby Hoffman, Gabe Liedman) for support.

But why does that fucker Max have to be such a nice guy?

Richard Kind is in here as her dad and David Cross as an old friend.

I think this scene is a metaphor for birth. But I think that about all boxes.

The main selling point for Obvious Child is its realness, and it really excels at that point. Really.

Everything in this story feels like something that could actually happen. That is where it gets all of is charm and humor from. The humor is pretty funny, both in a “ha ha funny” way, and a “I am uncomfortable by their awkwardness” kind of way.

And really, there isn’t much more to say about it? The film is funny and incredibly awkward. It is about abortion, but doesn’t make it a big life changing event, just turns it into something that has to happen. And hey, it involves that guy who joined The Office for its final season, so that was cool too.