Tag: 3 out of 4

Oh hey look, a young adult book about death getting turned into a movie!

When I first saw the trailer to If I Stay, I had two thoughts.

1) The song choice, ugh.

2) Holy shit, did I just watch the entire movie?

That is how I feel after seeing only two minutes. Because in the trailer I got a beginning and a middle and a whole lot of other stuff. The only thing I don’t have is the very end. That is a lot of movie it seems to have spoiled. Unless the event we see takes place like, 20 minutes into the movie, I think I got the entire gist of it already. Fuck you, trailer makers.

Hell, I can even draw a bunch of similarities to the Carrie remake.

Mia’s (Chloe Grace Moretz) life is about to get turned on its head. You know. Because of a car crash. Icy roads can be deadly, especially when two cars crash into each other on them.

Mia finds herself outside of her body, watching the ambulance crew work, a car on fire, people running around. Shit. Is she dead? Is she dying? What in the flying fuck is going on?

Well, since we are here, might as well flash back to the last few years of her life. Finding out how her parents (Mireille Enos, Joshua Leonard) changed since she was a young girl. How they became responsible adults when her younger brother Teddy (Jakob Davies) was born.

And of course, her first and only real love. The sweet rocker Adam (Jamie Blackley), who played the guitar and sang in a band, while Mia is a solo cellist! He likes the punk scene, she likes books and not the punk scene! He likes being alive and she is, well, you know.

With her family all banged up, her relationship in maybe turmoil, and her future uncertain, does she even have a reason to fight back out of the coma?

Also Liana Liberato as her best friend and Stacy Keach and Gabrielle Rose as her grandparents.

Finally. Finalllyyyyy. This is the moment I live for. Seeing a movie that, for all intents and purposes, looks terrible to me from the trailers. And then it being great.

Okay, more than that I love finding a random movie no one has heard of that ends up being amazing. But this is the second main reason I watch all the movies. I never know what might actually be good or bad and finding the good is wonderful.

I thought If I Stay was surprisingly spectacular. Not like, best movie ever spectacular, but really emotional at least. It jerks. It tear jerks hard.

The parents may be the cutest/funniest parents of a high school movie since Easy A. Chloe did really great as the lead role. Jamie Blackley, as the boyfriend, was also surprisingly great. He is one of the main concerns I had after seeing the trailer. But he pulled it off and didn’t look 30 the whole movie.

The movie is told mostly through flashbacks, which explains how the entirety wasn’t spoiled by trailers. After all, most of the trailer events would have had to happen before crash. And they do! Just not before the crash in the film. Still, it does show case a lot more of the cuter moments I would have liked to experience. The ending might surprise some people, but I loved how it ended, giving us everything we needed to know.

If I Stay is the kind of movie I would gladly buy in the future and suggest it for a nice romance cry night in the future. I heard there was a sequel book and when I heard the plot it pissed me off. Do not do a sequel to this movie. It would be shit. Please. Please listen movie makers. Don’t do it.

Shortly after I posted my review of God Bless America, a friend of mine told me I should watch World’s Greatest Dad. Apparently it had the same director and was surprisingly good/dark despite the recent trend of Robin Williams movies, like RV or Man Of The Year.

So why did it take me more than a year despite at least two other people telling me to watch it? Well, I just needed the right time to do it. And unfortunately that time had come.

With the passing of Robin Williams, I felt a huge sense of sadness that I haven’t felt from a celebrity in a long time. Yes, Philip Seymour Hoffman‘s death was also sad, but I and many others didn’t grow up with PSH always in our lives.

So without further ado, finally I am checking this movie out and will try to catch up on his back catalog over the next few months.

World’s Biggest and Wettest…

Being a dad can be hard business. Especially if you are a single parent and your son is the douchiest of all douches.

That is what is going on with Lance (Robin Williams). For all intents and purposes, Lance is a failed writer, he wrote several books but no one would publish them, so he is stuck being a high school English teacher. A lame English teacher too, as no one seems to be taking his poetry class and he might lose that. His son, Kyle (Daryl Sabara), is a sick fucker. He only has one friend Andrew (Evan Martin), he only talks about sex, he is rude to his dad, he doesn’t do homework, he gets into fights, and is just a general dick.

But yet, Lance is still surprised and saddened when he finds his son dead, an accidental suicide in an embarrassing fashion.

Lance didn’t want his son to go out like that. So he cleaned him off, changed his position, wrote a suicide note for him and thought that would be the end of it. But when Kyle’s “final words” start touching other students and gets recognition for being great writing, Lance can’t help helping himself to some of that fame and glory. Right? No. No, that would be scummy.

Also starring Henry Simmons, Alexie Gilmore and Geoff Pierson.

“Yes. Kyle’s note cured that boys AIDS, don’t cha know?”

Wow. So, I can tell you I didn’t know the movie would be dealing with the actual subject matter of suicide. I think I would have still watched it, but I definitely didn’t see that coming.

This is now an incredibly hard movie to judge. I teared up a little bit during the scene where he found the body, I think more due to the topicalness of it all. It hit all sorts of hard. That happened multiple times during the movie. Separating the real life from the movie is just at this point impossible, I am forever biased.

I still liked the movie overall. A good black comedy can be hard to come by as they tend to not be the most popular genre to take over. The camera style was definitely similar to God Bless America, as was the subject matter.

I mean shit. If you wanted to cry about Robin William’s death, you’d probably want to pick between this one and Jack, given the storyline of that one. I am sure there are plenty more to pick from, but screw you, I want to just throw out Jack.

The film picks a dark subject matter and really gets deep into the subject so it earns chops from that. A little bit more in the ending might have been good to add on, but other than that, a well done movie. You will be missed Mr. Williams.

Yay disaster movies!

They are a very polarizing. For the most part, they will never really be scientifically accurate. They also have been getting further and further into B-Movie territory, thanks to The Asylum and SyFy making intentionally shitty disaster flicks. But for the most part, it is has been awhile since an actual disaster movie has been released.

Before Into The Storm, maybe 2012 was the last one? At least natural disasters based on natural occurrences. None of that zombie disaster movie shit. Just straight up angry weather and earth.

I will admit, for the pre-screening of Into The Storm, they did throw a little party together. Free food (and it was good), drinks (alcohol too), a lot of prizes for tweeting things, and a “4D” experience. Basically, they had a 2 minute scene from the movie turned into a video game thing, hooked up to an Oculus Rift, with fans blowing hard at you. And honestly, that was really cool. I would like to think this event didn’t effect my bias any, but throwing it out there just in case. And here is me looking cool in the booth.

I need some sort of sucks joke here. Scott, don’t forget to put a joke here.

Silverton, Oklahoma. A nice place to visit, but I wouldn’t want to live there. Not just because of what happens to it in this movie, but because it’s a made up town and I don’t want to live in LA-LA land.

On this tragic almost end of Tornado season, a high school graduation is taking place! This doesn’t effect our main family too much, in that the boys are in Junior and Sophomore years. Donnie (Max Deacon) is our closest thing to a main character, so let’s start with him. He is shy and nerdy, likes a girl Kaitlyn (Alycia Debnam Carey). Kaitlyn is freaking out about an internship, her video for it is corrupted, so she has to reshoot it TODAY. Donnie is supposed to record it with his brother Trey (Nathan Kress), because their dad is the vice principal (Richard Armitage). But hey, he has a chance to help a hot girl out. So hell yeah, abandoned old factory time.

We also have storm chasers!

Led by Pete (Matt Walsh), a storm documentary guy who has gone almost all season without a single tornado. Pete has made a tank on wheels, bulletproof glass, steel plating, braces that can help stabilize the vehicle up to 170 mph winds, and a 360 turret camera. His goal is to record the inside of a tornado. But his hired meteorologist, Allison (Sarah Wayne Callies) has been miss after miss. They have lost their funding, but he is willing to try one more. There are two storm fronts that seemed to have merged and Allison’s gut is telling her Silverton. They also have camera crew people / helpers with various personalities (Arlen Escarpeta, Jeremy Sumpter, Lee Whittaker).

But that isn’t enough comedy, damn it. So we have two local rednecks, one a self proclaimed dare devil (Kyle Davis) and his brother who forced that title upon him (Jon Reep). Yes I know what I just said. Fuck danger, they are going to be famous on YouTube.

“Johnson! How are we going to make this tornado movie more threatening?”
“I don’t know, make a tornado 1000x its normal size?”

Notice how I didn’t really mention that tornadoes fuck up some shit? Mostly because that is obvious. Figured telling you the plot, because this movie surprisingly has plot, would be way more informative.

I will say that I don’t think the type of things that happened in this film are scientifically accurate at all, but then again, I don’t study bitchy weather. If there had to be one big issue with the movie it is that it is rated PG-13. With that rating, the death count ended up being a lot smaller than one would expect. Now there were some pretty awesome and well shown deaths, don’t worry on that. Just. The number was small.

The film is also highly entertaining. Only about 90 minutes in length, but for the most part it is action packed. Outside of character introductions early on, and one particular touching moment from Max and Alycia mid movie (which yes, I might have shed a tear for), there was always some sort of panic/danger/tornado to cause some thrills and drama. And what more can I want from a disaster movie?

I will note that Richard Armitage is supposed to be a 65 year old man in this movie. What? He looks like he is 40 at most. Regardless, his career path is terrible if he is still just some high school VP.

Here is an additional note. A lot of people seem to complain about this style of film. Hand cameras and what not filming the entirety of the scenes. However, just because a movie is filmed that way does not make it Found Footage. Complaining that the footage is never found our pieced together afterwards is stupid, if the movie never claims to be a found footage movie. It is just a different style of film making that can be incredibly unique. Remember that.

Introducing a new genre type to Gorgon Reviews. The Horror Documentary. One part documentary, one part bump in the night, and one part magic.

This is not a genre I could even imagine existed. Sure, maybe documentaries about scary subjects? But this one also has some tense moments in it as well, with looking at places at night, scary images, and of course, scary stories.

Killer Legends wants to talk about four urban legends in particular, discovering why they became popular, where the truth really lies, and why people still talk about them today.

The hosts are Rachel Mills and Joshua Zeman, two nobodies basically. Just the movie makers and inquires.

There were some cameos from some clowns and wolf heads too, of course.

The documentary looks into four urban legends. The Hook, escaped mental patient, going after lovers lane people. The Candy Man, the man who ruined Halloween, and how often your treats have poison and razor blades in them. Then the call from your own place, babysitters getting found and killed while they are watching (or not watching) the kids. And of course, killer clowns. Or at least clowns driving around Chicago neighborhoods in white vans, trying to abduct kids.

Some of these stories you may already know the inspiration behind, because who doesn’t know John Wayne Gacy? But I thought each section was very well researched, if not super editorialized with some awkward and unecessary statements. It put a lot of great info out there, in particular with the Hollyween candy. This is important information, so people can stop living in so much fear. It is the worst hearing about people bemoan about “society these days” and such. All of them just being falsely nostalgic.

Either way, I thought this documentary was informative and every so creepy. Learning about the legend of the hook was the most informative for me, and gave me new movies to look out for in the upcoming future.

Killing Legends is a very new documentary and an exciting one in my book.

What is going on with Chadwick Boseman?

For the most part, he is relatively new to the movie scene. He has had a bunch of temporary roles in TV shows, mostly one offs. But then he got to play Jackie Robinson in 42. Then he got to play a highly sought after draft pick in Draft Day. And now? Now he is doing another biography, but this time not an athlete.

He is going to play James Brown, because of course, Get On Up is his story.

Damn Chadwick. James Brown and Jackie Robinson? Who will he play next, Oprah Winfrey?

James mother fucking Brown (Boseman). A cultural icon from the 1900s, a man who seemingly was around and performing forever, and in the news for sometimes less than glorious reasons. He came from humble beginnings, living in a small shack in the woods with his mom (Viola Davis) and dad (Lennie James). After that, he was working for Ms Honey (Octavia Spencer), a madame. After that? Prison.

That is where he met Bobby Byrd (Nelsan Ellis), not a prisoner, but a local singer, and James impressed him with his own unique sound. Next thing you know, he is part of a gospel group dabbling in that R&B, and eventually the dabble takes over and James Brown and the Famous Flames become a thing. The rest? Well, you know. Drugs. Wars. Marriage. Kids. Drugs. Friendships. Drugs. Egos. The story basically writes itself.

Featuring a bunch of people, who I will try to write in order of importance: Dan Aykroyd, Jill Scott, Craig Robinson, Fred Melamed, Brandon Smith as Little Richard, and two small cameos with Allison Janney and John Benjamin Hickey.

And this isn’t even his final form.

When I left Get On Up, I felt good. I didn’t know that I would. I felt nice too. Not sure how to describe the nice feeling, maybe sugar and spice? Hard to say.

Either way, if I can say anything about Get On Up it is that it is certainly entertaining. A lot of energy was put into the film, especially early on where it seems to go everywhere hard and fast. The movie isn’t told in a linear order, splicing in scenes from his childhood through a slight narrative of events, and finishing those events when the film felt like it. It also featured some breaking of the 4th wall, allowing Brown to narrate his own story to the audience and explain things.

But the real stars of the film are, well, the stars of the film. Chadwick Boseman and Nelsan Ellis. Holy shit. First off, Boseman, knocked it out of the park (its a baseball metaphor, get it?). When he was Mr. Robinson, I thought he did okay, but it didn’t seem like a lot of acting going on. He acted the shit out of James Brown though. He had the voice, he had the moves, he had the charisma. I was a little bit skeptical, but he did a really amazing job.

Nelsan Ellis? I don’t watch True Blood, so I don’t know a lot about him, but the amount of heart in his role was incredible. He looked so sincere about everything and my emotions tended to match whatever he was feeling versus Brown’s emotions.

Some aspects of the film were disappointing of course. All of the music in the film is actual James Brown recordings, so no we don’t get to hear Boseman try out that voice. Probably impossible, I guess.

It didn’t go a lot into his troubles with the law in the last decades of his life, but gave you enough to figure it out.

This film doesn’t make out James Brown to be a saint (probably because everyone knew he wasn’t) and mixes the good with the bad and a whole lot of soul.

Good news! The Marvel Cinematic Universe is finally taking bigger risks with its movies! No longer now is each film headlined by a big and famous cartoon character.

Sure, I thought their first risk would actually be Ant-Man, but who knows if that will ever happen now.

With Guardians of the Galaxy, we are given a franchise that will make a lot of casual comic fans go “Huh?” They are definitely not the biggest or baddest property Marvel still has, which is why it is surprising they are making this movie.

Unfortunately, that risk has come at a terrible price. Backed by Disney, they had a lot of money to throw around. All of this money went into advertisements. Since before Captain America: The Winter Soldier came out (of which I only saw two trailers for), I think I have seen a GotG trailer at least once a week for new releases. They advertised the fuck out of this movie. I kind of got sick of it.

It wasn’t just trailers though. TV spots, giveaways, extended looks. They even had one of the biggest bullshit things I had ever heard, showing 17 minutes of the movie, and advertising it like a special pre-screening. Who the fuck wants to watch 17 minutes of a movie?

They are over saturating the market to help ensure their risky gamble doesn’t fail. Which just pisses me off more. I am still excited for the movie, but honestly I also feel like I am more excited to stop seeing advertisements for it soon.

Except for the poster of this scene. It is hanging above my toilet.

Space. Like, Seriously deep space. Like far from Earth so don’t even pretend that we are dealing with any space shit you are aware of.

Peter Quill (Chris Pratt), aka Starlord, aka an Earthling thought is totally far away from Earth. He was picked up from the planet when he was just a boy, just randomly. And now he is a space pirate! Well, just a junk yard ravager more like it, but also pseudo outlaw-ish. But after going after a mysterious space ball, Peter has found himself in quite a stick situation. A lot of people want this ball and he is hiding it hard to sell.

For instance, Ronan (Lee Pace), the Kree warrior madman wants the ball for some reason, probably to destroy a planet he has some serious ancient beefs with. Gamora (Zoe Saldana), adopted daughter of Thanos is sent to retrieve the ball. Because Peter decided to abandon his ravager crew, the leader Yondu (Michael Rooker) puts a 40,000 bounty on his head. This causes Rocket (Bradley Cooper), totally not a raccoon but a raccoon, and his tree companion Groot (Vin Diesel) to seek him down for that sweet money.

Well, these four get caught up in shenanigans, and they are eventually introduced to Drax the Destroyer (Dave Bautista), who would like to kill Ronan for killing his wife and daughter.

Oh swell! A group of rag tag anti-heroes who, through eventually working together, might have to do the right things.

Also featuring Karen Gillan as Nebula, another Thanos daughter, Djimon Hounsou, a high ranking general for Ronan, Benicio Del Toro as The Collector, Glenn Close as the head of NovaCorp and John C. Reilly as a Nova captain.

I’m a Groot, he’s a Groot, she’s a Groot, we’re all Groots, hey!

Ahhhh, excitement!

There is a lot that really works in this movie and combined, all of the elements make this one of the funniest Marvel movies yet. Let’s talk about individual characters. Starlord? Pratt knocked it out of the house. Felt like a real pseudo-leader and had some emotional moments as well. Gamora? Probably my favorite role that Zoe Saldana has done, felt a lot more believable than most of her characters. Rocket? Hell yes Rocket. Who wouldn’t like Rocket? I couldn’t even recognize Cooper’s voice. Groot? Everyone will also love Groot. He is powerful, sweet, and awesome. And Drax? I knew the least about Drax going in, as each regular trailer didn’t really do much for him outside of showing him as a big strong guy who likes to kill. But his character has a lot of depth and a lot of funnier moments, so he was the biggest surprise for me. Really loved Drax.

So all the characters are good? Great! Nice supporting people too. Unfortunately, my biggest issue with the film is the main man, Ronan, Lee Pace. He had…just no personality. He felt extremely one dimensional, and until over halfway through the movie, he was just all talk. They talked a lot about how evil and the bad stuff he had done, but they didn’t do a good way of showcasing it until closer til the end. The big baddie was a disappointment.

The Collector was also a bit wasted in this film to me.

But the graphics? The laughs? The plot? The soundtrack? The synergy? All of it worked so well together. The scenes with the main guardians just talking were some of the better conversational pieces I have heard all year.

Guardians of the Galaxy is a great movie, just not the best Marvel movie that has come out of their studios. I have a hard time believing anyone could leave the theater feeling disappointed.

How exciting. In this documentary, I am not looking at anything controversial, mind blowing, or society changing. I am just looking into the lives of three(/four) people. The lives of a few Indie Gamers.

In Indie Game: The Movie, we discuss three games in particular. Fez, Super Meat Boy, and Braid, which is exciting, given that I actually own all three of these games. And have played two of them. And have beaten one of them!

All big names in their own right in the indie game industry, I got these games through various Humble Bundles in the past and they are all pretty damn unique. They were all also in different stages of the process.

Braid during filming was one of the first really big critically acclaimed indie games and sort of set the bar for indie games to pass in the future. Super Meat Boy in this documentary is working on finishing up the game and goes through their release on Steam and XBox and the nerve wracking wait to see how they did.

And Fez. Oh Fez. Fez who in 2008 won an award for best game design based on a demo, and then spent years in development hell, always tweaking and fixing. Fez wasn’t released when the movie was, so with Fez we got to see part of the development process and what it can do to a single person with all this pressure.

Thankfully they work in an environment where pants are optional.

I was actually impressed that I found this documentary interesting. I thought it would involve a lot more technical elements and show coding and how things were done. That worried me a bit. But no, it was all about the people behind their games and their genuine reactions to the events unfolding around them.

The creator of Braid was known to search the web for message boards where they talked about his game, responding to people. He was upset that people didn’t see what he saw when talking about the best features and the meaning of his game.

The creator of Fez almost had a nervous breakdown on camera it looked like, as he talked about a business deal with an ex partner that could ruin the chances of his game being released.

The two creators of Super Meat Boy lead me down a nostalgic past and seeing their success with their friends and loved ones was awesome.

Basically, it is a feel good documentary, and even better for people who know of those games or have played them. It delves into some theory (just a bit) about some hypocrisy in the gaming industry, and what really will make an indie game unique (and how to design a level, sort of), so it isn’t just human interest stuff.

It tells a nice story, but if anything, it lacked the other side of the coin. Someone who failed at making a game, either financially or through just making a bad game. It would have been nice to have a more “complete story.”

Hell, by the time this review is published, I will have hopefully played Fez.

Brendan Gleeson is one of those actors who took a really long time to get noticed. He had nice dramatic roles and a sweet Irish accent, but lets face it. His looks probably held him back. But now that he has a distinguished old guy look, his talents are more noticed and he is getting leading roles.

A few years ago, he got The Guard, and now he gets the movie Calvary. Both black comedies / dramas in a way too. I guess it is okay to have a genre niche.

I am surprised the “Movies With Scenes In A Meat Locker” genre hasn’t taken off more fully, either.

Let’s pretend you are Father James Lavelle (Brendan Gleeson). You are an old man, running a small Irish Catholic church in a tiny community. There are only a few other priests in the area, like Father Leary (David Wilmot). That means a lot of soul saving falls on one man.

During mass on a Sunday, in confessional time, a person says that they were abused by a Catholic priest when they were younger and goes into great detail. The priest has since died, but the man is still angry. He wants to get back at the Catholic Church, and to do that, he wants to kill a good priest to send a strong message. He wants to kill Father James Lavelle. In exactly one week he will come back to kill him, in order to get his affairs in order. Then he leaves.

Huh. That is terrifying. There are only a few people in the area, so it can only be a few people. But who?

Here is a vague list of actor names of characters, instead of talking about all of them individually. I even threw in a woman, too. (Chris O’ Dowd, Aidan Gillen, Dylan Moran, Isaach De Bankole, M. Emmet Walsh, Domhnall Gleeson, Marie-Josee Croze).

Oh yeah. Let’s not forget that he also has a daughter, Fiona Lavelle (Kelly Reilly), as part of his marriage before he became a priest.

As the story gets closer and closer to Sunday, more and more sinful activities seem to take place in his town, as if the whole world is going to Hell, and there is nothing the Father can do about it.

In true Irish fashion, his daughter of course is a ginger.

Despite the similar genres, The Guard and Calvary aren’t very similar. This film is much heavier on the drama and symbolism, while The Guard has more comedy, lewd behavior, and shooting of guns.

Gleeson puts on a heck of a show though, and even though I recognize his face in plenty of sinful characters from the past, I feel like it fits the best in a Catholic suit garb. Whatever those robes are called. He fit the character really well, including the few times in the movie where he broke down and did non Priesty things.

The supporting cast was especially up there for me, especially Dowd and Moran. Moran in general was just impressive with his character, and Dowd was impressive being in a more dramatic role which is rare for him. I have only seen Gillen in Game of Thrones, but his character is also pretty great. It is also nice to see Reilly in a controversial role after her last terrible role in Heaven Is For Real.

Overall, this is a really great and powerful movie. It might be pretty easy to get lost in some of the symbolism, or really figuring out where it is all going. I know I didn’t understand the whole thing without some additional research (and some of that research feels bullshit). Definitely a movie you might have to watch more than once to get the full impact of it.

It took a few years, but today I finally get to finish a trilogy of reviews on this site. I don’t know why it took me so long to see The Way Back, as I got it probably two years ago. Just needed the right moment.

Although un-officially, The Way Back is the second movie of a trilogy. The other two are of course The Way and then The Way, Way Back. I know I watched them out of order, my bad. But those two movies made me really excited about this one, mostly for the fact that I gave them both 4 out of 4.

I don’t necessarily enjoy watching bad movies (despite the number that I do see), so anything to give me hope that a movie might be amazing is fine in my book. Even if the logic is absurd.

If I remember correctly, no other movie in the “Trilogy” uses the word Gulag.

Life during WW2 was probably hard. Not too much Freedom in Europe, people dying, and if you were really unlucky, you might have been sent to the middle of nowhere Siberia to live in a Gulag. A Gulag was a nice labor camp where people had to work and eventually die. You may have saw one in Muppets Most Wanted. They aren’t too hard to get out of either, because there is generally no way someone could survive the harsh weather and get anywhere safe. There are many animals who would kill you, and communities all around know they will get a bounty if they return any escaped criminals.

But that’s not to say that people didn’t try anyways.

Like Janusz Wieszczek (Jim Sturgess), a Polish POW who was sent to the gulag and definitely doesn’t want to be there. After some cruel conditions, lack of food, and harsh weather, he finally gets a group of people to escape with.

We have an English engineer Mr. Smith (Ed Harris), an actor Khabarov (Mark Strong), Zoran (Dragos Bucur) a Yugoslavian accountant, Voss (Gustaf Skarsgard), a Latvian Priest, Tomasz (Alexandru Potocean), a Polish artist, and Kazik (Sebastian Urzendowsky) a Polish man with night blindness. Hmm. Who else who else. Oh of course, Valka (Colin Farrell), a Russian criminal.

I would like to thank Wikipedia for giving me their ethnicity and work information because there is damn no way I would remember most of that.

Unfortunately, after traveling through the winter storm areas, with some men dying along the way, they find that Mongolia seems to be under Communist command. That is just escaping into more enemy territory. No, it looks like they might have to walk even further from Siberia. They may have to walk to India, through the Himalayas and Tibet, through a grueling desert and treacherous mountains. Oh boy. That is a long way back.

Also, at some point they meet Irena (Saoirse Ronan), a young Polish girl with questionable back story.

My theory is that she used to be that stick.

The Way Back is not run of the mill action escape movie. It also isn’t necessarily about the initial escape either, so there isn’t an hour of lead up before they break out. The movie is about the journey after they escape and their long walk to freedom.

It could be considered an Epic of sort, because it is literally a hard drama about people trying to survive in harsh conditions. Everything felt so realistic with their journey as well, from blisters and swelling, to dry caked lips. It was hard to watch at times, knowing that if I was in a similar situation I probably wouldn’t have made it out of Siberia.

I see it was nominated for an Oscar for Best Makeup and it was extraordinary. That, coupled with the excellent cinematography and scenic views really draw you into the film and make it a memorable experience.

At the same time? Eh, it lulled a few times in the movie. I can’t tell really if this is supposed to be a true story, but it is inspired by a book. I think the film suffered from too many characters early on. They might have needed them just to kill some people off and showcase more the harsh conditions, but it became a bit harder to tell who was who (when they were all bundled up and frost bitten) and who would just be movie fodder.

Overall a really well done film though.

In the summer of 2013, there was a horror movie that ended up being surprisingly good. No, not The Conjuring. That was expected to be good and delivered.

I am talking about The Purge, which created its own unique concept for a movie and ran with it. What we got was a house survival type film, with some tense moments and a lot of twists. But more importantly, it created a world with a lot of potential. The Purge was just one families story, but they could set it in any number of settings, with any number of character types, and get completely different films and experiences out of it.

The possibilities are endless. Which is why I was excited to see The Purge: Anarchy, which is set in a city, and looks like it will feature a few different story lines that may intersect. A nice way to do it. Unless this one bombs, I hope they set one in a rural community next. A 500 person city or something. Maybe an island. Or a college campus. Classic settings for horror movies, but these ones have the twist that they involve “normal people” committing the crimes. Or whatever they want to do, as long as it makes me uncomfortable to watch.

Jimmies are definitely getting rustled here.

Set a year after the first film, The Purge: Anarchy gives us a few different groups of people with different reasons for being outside. Like Leo (Frank Grillo) who has a decked out armor car and intentionally went out into the city for some Purge action. He has his reasons. He wants revenge.

Or let’s take Eva (Carmen Ejogo) and her daughter Cali (Zoe Soul). They definitely don’t want to be outside. But thanks to some soldiers invading their complex, taking people into the streets to be prisoners, they really don’t have a choice.

Or even the young couple Liz (Kiele Sanchez) and Shane (Zach Gilford). They had plenty of time to get home, even took the back roads to avoid the busy highways. But when a group of mask men tampered with their vehicle intentionally to leave them stuck in the city, well, they have to learn to flee or fight back as well.

All three groups meet up rather quickly in the film, allowing them safety in numbers to try and survive the twelve hours. Also featuring Michael K. Williams as a resistance leader, trying to get the poor to seize the moment and topple the rich and elite, who he claims use the Purge to secure their own positions in life.

These are the real consequences of P. Diddy‘s Vote or Die campaign.

Not only were my jimmies rustled from the early on pictures, but they literally were rustled almost the entire length of the movie. Let’s say five minutes in or so until the credits rolled. This isn’t disgusting like The Human Centipede is disgusting. It is disgusting on a more primal level, given that these are just regular average people of various ethnicities and backgrounds. That is what really makes these movies. If you don’t accept the movies premise on the basic level, you won’t be able to get into the atmosphere it creates and you probably won’t enjoy it.

I thought the movie was extremely tense. Despite common thought, having guns as a main killing weapon doesn’t turn a horror into an action.

The acting of course isn’t something to be admired. No Oscars will be won by any of it, of course.

Overall, I enjoyed the movie. Obviously. They are setting up bigger and crazier events in the future, pretty nicely. This franchise can have a lot of life left in it. But if you hated the first one, no way you’d enjoy this one.