Tag: 3 out of 4

Did you read my review of Detropia? No? Of course not. And don’t worry, it wasn’t the best review.

Because when I wrote that review, my heart wasn’t into it. Into the film or the writing. It just was there. I watched it a month ago, saddened, because I was hoping to see a new documentary that caught my eye instead. Audrie & Daisy. Just something I found by googling new documentaries on Netflix, except I was a month early. Argh, but the topic was interesting to me!

What is the topic? Well, sexual assault of course!

Oh, erm. Technically not the topic to get very excited for, but given certain documentaries recently like The Hunting Ground and The Invisible War, they tend to hit hard and be really well made.

Audrie & Daisy is a documentary trying to slow it down a bit. We aren’t going to talk about a dozen different stories, just mainly two stories. Audrie Pott and Daisy Coleman, two girls who were both in high school with unfortunately very different results.

One again, a documentary where I have to basically just use the poster/cover because everything else would be boring.

I won’t tell you the details, but yes, things don’t end well. Like, at all. First of course there is rape involved. Not really a good start to any story. Alcohol was involved, they were both underage and consent could not be given in their conditions, but people took advantage of them.

They also decided to not just hide their case either. They went public about it, to the cops, and their lives were practically ruined because of it. Online harassment, friends harassment, people calling them names in school because the boys involved were athletes. The police not believing them, working slowly, or not giving correct results maybe because a boy is related to a politician. You know, the usual terrible stuff.

And guess what? This documentary will make you feel bad and make you feel angry. Angry at a whole lot of people, but also angry that women everywhere have to put up with this sort of stuff if they want to bring up transgressions against them.

Again, keeping it vague so you can find out the whole story, but it is worth a watch and the details will piss you off. Even when people serve time, it isn’t enough and too late.

My only issue with the documentary as a whole is that by making it about two people, yes we got very good details on their case and yes we got how they were “related,” but it feels like it is just missing more. More statistics, more talk with people who are experts, just something. I need more than people just talking about terrible events and offering temporary solutions to make it a truly great documentary.

But it is worthy of a watch, and being straight on Netflix, everyone will have an opportunity to see it before awards season.

It has been well noted that for every movie, there is an at least equal if not better movie out there that would exist if Dwayne “The Rock” Johnson was included in that film. Just look at any franchise that didn’t have The Rock in it, then added The Rock to it. It is pure, unadulterated science, like Mathematics.

At the same time, films that add Kevin Hart as a co-lead tend to suffer. Sure, maybe they make some money, but basically everything that has Hart at co-lead has been mediocre at best, and generally terrible. The only films that excel with Hart are those that limit the Hart to a supporting actor role.

So this begs the question. What about a movie that has both Dwayne Johnson and Kevin Hart in it, as co-leads? Which side will win out? Can Johnson elevate it to greatness, or will Hart drag it down to mediocrity?

Central Intelligence was made just to answer that one question.

Just imagine averaging the two and seeing whose size is more extreme.

Back in 1996, The Golden Jet, Calvin Joyner (Kevin Hart) was king. Homecoming King and the coolest kid ever, and a nice guy. During a final pep rally, some bullies threw a fat kid, Richard (Dwayne Johnson), naked into the gym and everyone laughed at him. But Calvin gave him his coat to cover him, Richard ran away and was never seen again.

Now, twenty years later, Calvin didn’t go and do anything sexy. He is an accountant (a good accountant), but not one that leads his own company or anything. He is still with his wife, Maggie (Danielle Nicolet), but they never had kids. And tomorrow night is his 20 year high school reunion. He is just not feeling it though.

Then he gets a Facebook friend request from someone named Bob Stone. Turns out it is Richard, from high school, and he wants to hang out! Sure! But now Bob is ripped as fuck. Quirky and weird, sure, but he got fit and he got tall.

But it also turns out he is in the CIA. Or used to be. He might have killed a man. He might be framed, he might be crazy. Either way, Calvin is now involved with Bob, and they are on the run, finding clues, and dealing with international finances. All before the reunion!

Also starring Jason Bateman as old bully Trevor, Amy Ryan and Aaron Paul as CIA people, Ryan Hansen as office coworker asshole, and Thomas Kretschmann as potential terrorist.

A moment of silence for the CGI crew who lost their lives to create this fat Rock.

And who won in the Rock Hart showdown? Well, apparently a positive beats a negative and I laughed an unreasonable amount of time in this film. That Johnson is just so damn entertaining. And since he played against his normal tropes, it was better than normal. Yes, it was technically the same joke over and over again. Big strong guy, but nerdy and super optimistic and putting Hart on this pedestal. But he went to the extreme and kept it and it totally worked.

And as a comparison, it reminds me of Terry Crews‘ character on Brooklyn Nine-Nine, but only in the strange strong man role.

Hart wasn’t terrible either, because despite being the main character, he still felt limited. His character was just along for the ride (not like Ride Along), so he was a very supporting lead character.

The plot? Not the best, but it wasn’t terrible. I was incorrect with my guess on the twists technically, so it got me there.

This isn’t a movie you watch for that. You watch it for laughs, decent action, and because everyone has a crush on that big manly Rock like man.

Anne of Green Gables, Little House on the Prairie, and Sarah, Plain and Tall are all books that were about women living in farming communities, simple lives, and totally kid friendly.

Sunset Song is not one of those things. It is about a girl, sure, a farm, yeah, but it isn’t American and it isn’t a nice and easy kid friendly book. It was a realistic novel and it is considered one of the greatest Scottish novels of the 20th century. Source: Wikipedia.

It is the type of thing that one would have imagined as a film thirty years ago but hey, better late than never.

Life doesn’t give a shit about your strength, there is still work to be done.

Chris Guthrie (Agyness Deyn) is almost a woman and living with her family. Her brother Will (Jack Greenlees) often comes to blows with their father (Peter Mullan), and by that, Will gets whipped still. They also have two younger siblings. Oh wait on that as well, despite her age, the mom (Daniela Nardini) is now pregnant again, with twins!

Now the family has to go and move to a bigger house and plantation. And with more space comes more problems. Depression and loneliness are a big part of it, and after a few events, it is just Chris, Will, and her father. And times are hard, money is scarce, people are jobless.

If I kept talking about the plot, I would describe more worse and worse situations. Including the start of World War I, yay!

So let’s just cut the chase, say life is hard, and introduce some more actors. Like Stuart Bowman, Douglas Rankine, and Kevin Guthrie.

Don’t be mad, just fill in the blanks and you can probably imagine all the bad stuff.

Sunset Song had a lot going for it. Apparently a great source material, a good an authentic feeling cast, gorgeous land and shots, and very uncomfortable moments. Because no one wants to see life on the farm if it is ordinary and boring. We need that bad stuff to happen to our cast in order to see some struggles and see heroes grow before our eyes.

Deyn knocks it out of the park in the leading role. She grows from an obedient oldest daughter to someone capable of running everything on her own. She is just a woman trying to suffer in a man’s world. And it is a terrible story to watch, which is why I love it so. I never got fully cry emotional, but I was still right there on her journey with her.

It is a long movie with a lot of scenes. It reinforced some aspects of World War I that I had recently learned, making it feel even more awesome. The soundtrack was also a delight, featuring some nice Scottish songs.

But what I didn’t like? The ending. It felt rushed (in a 140 minute film), and it ended on such a weird note. I have come to learn that the book is the first of a trilogy and in book form it might make sense, but as a film it just feels blah. “Is that it?” I asked my computer screen. I had felt like our main girl was suddenly no longer acting like herself. And it didn’t give any nice conclusion or anything.

So if there are more movies in the future? Fantastic, I would watch them. But I hate it when a movie doesn’t want to tell a whole complete story.

Werner Herzog is kind of a big deal.

If you aren’t familiar with his name, you have probably heard of some of his work. He directed Grizzly Man, Into The Abyss, and Cave of Forgotten Dreams, among many many many documentaries. He has been around for awhile and puts out some high quality work.

So I was ecstatic to be given a screening of his latest documentary. And half of my excitement came from the name itself. Lo And Behold, Reveries of the Connected World. Shit that is powerful. I don’t even know what it is about but I was right there with him.

It turns out this is Herzog’s attempt to tackle this crazy newfangled thing called “The Internet” and no, not the inner netting used to line swim trunks for a comforting snugness. No, the regular Internet we all use and love to read reviews on this website.

Of course he starts quickly with how the internet came about and thus, how our movie title came about. Apparently the first message sent from a computer to another computer was in fact, Lo and Behold, a great message for what they knew at the time meant something great.

But history schmistory, where are we at now?

Monks on twitter, yeah, that makes sense.

And without going into extreme detail, we then get to look at people who have revolutionized the simplicity of the internet and gone on to do great things. The people who are attempting to do better things. The people who are changing the world every day.

But also the negative aspects of the internet, sort of how fast a photo can spread, but not the lame way kids try to do it. In regards to graphic dead photos, because dead people have no rights (yay America!)!

And honestly, this is not the type of documentary one can really talk that much about. They are just stories about the extremes and future of the internet. Honestly, based on the description, I thought this documentary would be something completely different. I thought it would involve how small village communities in Asia and Africa had become connected, and how the internet is changing everything.

It covers some of that, but not in as much sexy detail as I would have liked. And sure, some of these people and stories I have already heard, as a denizen of the internet myself. And eventually I might have paid a bit less attention, but only for a bit, as they jump around enough to new topics to keep my interest.

This is a pretty good documentary and highlights a lot of aspects of the internet that people probably don’t know. Is it as good as his other works? No, of course not. But it is still high quality and worthy of at least one viewing.

When I heard about the movie Southside With You, my first reaction was to laugh. The plot, about Barack and Michelle Obama first’s date just sounded so oddly specific.

But at the same time, technically, I didn’t know anything about them when they were younger. Did they have lofty political ambitions? Were they jerks? Why did their first date make them fall in love? Was their first date actually a good story.

Shit, the hook actually worked. I wanted to find out more. And I also based it off the assumption that there is no way they would make a movie like this unless it was an interesting first date. Sure, some liberties would be taken, but the real life story has to be a good one. My first date with my wife would be terrible as a movie, but maybe the second or third date would be better.

I also find it funny that, outside of documentaries, this is the first movie about Obama’s life. Our last president was stuck with the unflattering W. as his legacy, but Obama gets a romance flick. Better PR team I guess!

Also, I was secretly hoping that this would basically be like Before Sunrise, but more Obama-y.

Technically, this film takes place before sunrise. Technically every film does.

The year is 1989, the season is summer, and the city is Chicago. To put that into more perspective, I would have been a few months old only at the time, because I am still a young little whippersnapper.

Michelle Robinson (Tika Sumpter) is a second year associate at a law firm. She went to Ivy League schools for her degrees and has succeeded in a white and male dominated field. And yes, she still lives with her parents, because her father has MS. She doesn’t really date, but today…well, that is still true.

Because today she is going to a meeting with Barack Obama (Parker Sawyers). He is a summer intern at the same law firm, while going to Harvard for his own law degree. He invited her out to a meeting about local community problems that he figured she would be interested in. And that is all it is, according to Michelle. Certainly not a date, that would be inappropriate, she is his adviser.

But it turns out that when he picks her up in his beaten down car early in the morning, the meeting isn’t actually until 4. What a ruse! He wants to take her to a museum first to see an Afrocentric art exhibit. And some food in the park. But if she doesn’t want it to be a date, then hell, they can just be friends. Just talking, getting to know each other, friends.

You sly little so-and-so Barack.

It takes a lot of acting balls to want to play someone real, let alone real and super famous. The President and First Lady are really high up there in terms of famousness and some pretty big shoes to fill. And with that, I want to say that Sumpter as Michelle reminded me constantly of Suzanne Cryer‘s character on Silicon Valley. Just the way she talked and where she placed pauses, that is all I could think about. I also can say that I have absolutely no idea what the hell Michelle Obama talks like now or did back then. I assume it is an accurate portrayal, but it was definitely jarring throughout the whole film.

On the same side, I know what Barack Obama sounds like. I have heard many of his speeches. The mannerisms that Sawyers gave clicked really well with my view of the president and it was awesome to see. By the end, I accepted Sumpter’s Michelle as well and figured they were both spot on. Because damn it, why else would she use that voice?

Enough about the voices, Sumpter and Sawyers also remarkably had enough of the look down to make this film very believable. It was just about two young, highly educated and motivated people, trying to make the best out of their lives and help others along the way. It is a great propaganda piece, very in your face to some of the more vocal arguments about Obama. They talked about his family, his birth, his religion and more.

Sure, it wasn’t Before Sunrise, but very few films are. Instead, Southside With You is a nice romance flick. It feels real, it is full of wonderful smaller moments that build up into something bigger than the sum of its parts. The leads are charming. And it will really humanize two individuals that are somewhat hard to relate to.

For those avid readers of Gorgon Reviews, you might think this documentary sounds familiar. Well, first of all, thank you to the three of you. Second of all, you are thinking about Schooled: The Price of College Sports, which was about the exploitation of college athletes for profit.

This is The Business of Amateurs, which is about the exploitation of college athletes for profit and other reasons!

Now obviously this is a subject I am already immensely passionate about it. I have gotten into arguments about it in real life. I have even read a book on the subject, which is a big commitment for me. There is no good reason for people to be brought to colleges, controlled 100% of their time, make the college millions, while not earning a livable wage, getting educated, or being able to have other jobs or use their success for their gain.

And yeah, The Business of Amateurs is another documentary about the subject. But like I said, it is different. It is more than just the moral reasons why people shouldn’t be exploited that way. They go into some science. And the documentary is written, directed, and narrated by Bob DeMars, a former college football player, so it is also a bit more personal.

Looking closely at the cover, I found myself a little bit moved.

Remember the movie Concussion? The film that was supposed to shake the NFL and bring the truth, but was extremely watered down, if not well acted? Well, this documentary goes a lot into health as well.

We have players who are not making money, who have to practice daily for hours, play in games, hitting their head over and over again. The majority of them are not going to the NFL, will not be making big bucks, and they are potentially setting themselves up for brain damage, depression, and a young death.

Couple that with scholarships that can be taken away if you are injured, and you got a system that cares not at all for the athletes that show up. They drop you as soon as you are hurt, and won’t help you when you have bigger problems in the future for work you did for them.

But I don’t want to get too specific into all of the details.

This documentary has a lot of interesting information and I don’t want to go over all of it. I clearly loved it, but it had some minor issues. It is very clearly an amateur film (about amateurs!), some scenes aren’t well polished, some just scream out indie. This is only important in that other scenes are very well, so the disconnect is felt as it goes back and forth.

Additionally, the documentary doesn’t talk about sports outside of Football and Basketball, the big money earners. We get to hear about how some real life athletes outside of the top two are affected after their education, but they don’t go into how those programs are funded and how they could survive if the players earned some damn income relative to the income they bring in. It was more noticeable thanks to going to the NCAA museum where they showed many sports, but again, didn’t really talk about them.

Either way, this is another documentary, and many more people, explaining why the current system is fucked up, and maybe, eventually, more people will realize it.

When they first announced The Angry Birds Movie, you couldn’t have paid me to see the prescreening of it. That is because I was steadily employed when it was first announced. Now, when the actually prescreening occurred, I would have gladly accepted money to go to it. Alas, if I went I would have had to go for free and that still wasn’t good enough.

Now I played Angry Birds before. Yeah, like, in 2010, really early after it came out. I had an Android phone and it was 100% free, with a lot of components to it, so yeah, I played the shit out of it. Then I eventually stopped caring. I hated the space game, hated the star wars one, and well, just stopped caring, and never looked back.

At the same time I was annoyed by all the clothing and merchandising that was suddenly existing. It was just a small phone game, why would someone want a backpack with them on it? Oh well, I ignored it and then hey, six years after the game, a movie appeared.

Needless to say, waiting for it on DVD was always a safe bet for me.

Oh yeah, they really captured his anger there.

Red (Jason Sudeikis), is a bird, and he is angry. Everyone else on this island is happy, but not him. He is pissed off. All the minor things really piss him off. And after a series of incidents, he has found himself face first in an egg, so now the chick thinks he is its daddy. So the family goes to court over the incident and the judge (Keegan-Michael Key) sentences him to Anger Management class, the harshest sentence!

At the class, it is run by a white bird named Matilda (Maya Rudolph). He also meets a yellow bird who is incredibly fast, Chuck (Josh Gad), a big black bird who explodes sometimes, Bomb (Danny McBride), and a very, very large red bird who doesn’t talk a whole lot, Terence (Sean Penn).

But wait! A ship appears over the ocean. On it, a large pig named Leonard (Bill Hader), bringing gifts and technology to their small area. Everyone loves them, except for Red, because his house gets damaged in their arrival and he doesn’t let it go. All of the other birds get annoyed at Red’s anger and basically make him leave. Red decides that something must be up, as more and more pigs are arriving every day. He decides to bring Chuck and Bomb with him on a quest to find the Mighty Eagle (Peter Dinklage), famed super bird who can FLY to help save the day.

And if that doesn’t work, well, then maybe they will have to fix things on their own before everything goes sour.

Also featuring voice work from Kate McKinnon, Tituss Burgess, Hannibal Buress, Tony Hale, and Ike Barinholtz.

Oh, that pig is a king too. Royalty. King Leonard, the majestically hammy.

If you couldn’t tell, I went into this movie expecting to hate it. A franchise that has become both forgettable and annoying, about a game with not a lot of plot. It seemed like a cash grab (and regardless of quality, it is still that). Judging from the animation style, I expected it to be just as annoying as most of the Minions movies have been.

And then I laughed. I laughed quite a few times. I was surprised at how much humor they actually smushed into the film. It has a pretty standard 90 minute-ish run time, but there are so many things going on, almost at all times. It was made for the ADHD crowd. Background jokes, frontground jokes, puns, double meanings, and more. And of course globs of reference humor. The last time I saw this many jokes in an animated film was Cloudy With A Chance Of Meatballs 2.

Despite how quick everything went, it still also took its time, surprisingly. It took almost a whole hour into the film before the pigs finally went bad and did the bad stuff, leaving just the last act to chase them down and tear down their city in retaliation, aka, the angry birds game part. Normally that would be an issue but time surprisingly flew by.

Heh, like the birds when you sling them.

The Angry Birds Movie has a shitty title and a shitty franchise, but damn it, it was a pretty funny film and a decent experience. It won’t change the animated world, but it will make you giggle.

I wanted to see Sausage Party, I honestly did. I loved the first trailer, avoided all other spoilers, and wrote it on my calendar. But then real life made me miss it and I had to wait weeks to see it. Having kids doesn’t help.

But I didn’t mean to see Sausage Party for today’s review. No, I went to the theater to see Hell or High Water, everyone told me I had to! Well, word of mouth is powerful and it was in a small dinky theater and sold out. Thankfully, Sausage Party was roughly the same time starting, so I easily went ther and just moved it up my schedule a couple weeks.

Hey. Sweet. Now I can have some laughs and review two animated films in a row this week! And also dick jokes. Dick jokes, sex jokes, death jokes, stoner jokes. Hilarious.

I haven’t seen food party this much since Foodfight!

Frank (Seth Rogen) is a sausage. Not just any sausage. A horny sausage, ready to fuck. He has some other wiener palls, like Carl (Jonah Hill), Troy (Anders Holm), and Barry (Michael Cera), who is a bit deformed and smaller than normal. His package is right next to a nice package of buns, including Brenda (Kristen Wiig), his soul mate.

Or fuck mate. They really wanna screw. They want to get picked together by one of the Gods to go into the Great Beyond, outside of the supermarket. And soon is “Red, White, and Blue” day, so their chances of getting picked are high! And of course, the Gods have spoken, and they were chosen together to live out their wildest fantasies.

But then the unthinkable happens. The Honey Mustard (Danny McBride) was returned and he went crazy. He said the Great Beyond was a lie. Everything outside was terrible. And he caused a cart accident. Food went flying, Disaster. Frank and Brenda were left outside the cart to survive on their own. With Sammy Bagel Jr. (Edward Norton) and Kareem Abdul Lavash (David Krumholtz), who keep fighting.

Can they determine the truth of the Great Beyond? Or were they punished by the Gods for touching tips? How will their friends survive in the outside world? Can I ask more questions about the food sex?

Also featuring Bill Hader as a Native American stereotype, Salma Hayek as a taco, Craig Robinson as grits, Paul Rudd as a nerdy sales clerk/jerk, James Franco as a stoner, and Nick Kroll as a big douche.

Some say a big douche is just the roll that Nick Kroll was born to play.

Sausage Party at its core is an insane film. Apparently it came out just wondering what a film would be like if food had feelings (something Pixar hadn’t touched on yet), and Rogen realized it would be an incredibly fucked up film. And a fucked up film is what we got.

It is basically the most adult animated film since South Park: Bigger, Longer, & Uncut and even has a musical number! And by adult humor, I don’t mean sophisticated tax jokes, but you know, sex, language and drugs. So 14 year old humor, if you will.

It will make you cringe, make you laugh, and maybe make you cry. The references are out of control, including an amazing visual from Saving Private Ryan. It was constantly surprising with the direction it went, including two different turn of events near the end. You know, when they fight for freedom and celebrate their potential freedom.

Because like I said earlier, they just wanted to fuck. That’s life in a nutshell.

Sausage Party is raunchy and honestly a film I can imagine watching and hiding from my own kids for years to come.

I haven’t talked a long time about the last spirit awards. You know, the independent film awards that takes place the day before the Oscars? Where most of the winners are actually movies up for Oscars as well?

I tried to watch a lot of them, but after the awards, yeah, I cared less. But I really wanted to see (T)error, one of the films up for Best Documentary. Title wise, it looked interesting, but I just had no way of seeing it. Thankfully, end of June Netflix added it to its roster. And yes, it took me a whole month still to watch and review it, but that is because I was hit with an influx of documentaries in theaters that sent me screeners.

Needless to say, when I finally made time to watch it, I was very excited. I didn’t even try to write another review during it. Hell, I didn’t even multi task and watch the Olympics during it. Just me and a documentary, full screen, subtitles up just in case, ready.

And also, just to be clear, about 20 minutes into it, I thought about stopping it for the night and reading instead. But I will get into that with more detail later.

Just what is (T)error about? Well the filmmakers were friends with Saeed Torres, and eventually, they found out that one of his jobs was actually as an FBI informant. He was a Muslim in real life and was very devout, but he also infiltrated specific Muslim sects in America when they needed him, to get information on suspected terrorists. Well, Saeed was thinking about finally stopping this job, he was tired of it. So sure, he let them film his perceived last “mission” and he didn’t tell the FBI he was going to do it.

This isn’t the face of terrorism, this is just a troll on the internet. Come on, FBI.

The man above is Khalifah al-Akili, American born, raised Protestant, and later turned Muslim and got really into it. Sure, he might have gotten a bit to into the Jihad side of it. He had a lot of books on guerrilla warfare, military tactics, and more, but was he a terrorist? Was he going to attack America?

That is what Saeed, or Shariff (his undercover name) had to find out. That meant moving into his community, going to his mosque, befriending him, and yeah, eventually finding out how serious he was about the whole thing. While the FBI prodded Saeed along, making him ask more and more invasive questions while also making harsher and more direct suggestions to Khalifah.

And well, I won’t go into any more of it. Because things started to get really crazy. Or upsetting. And shocking. And it went to 11 and at that point, yes, then I could no longer look away.

Like I suggested early, the documentary started off slow. And yes, it was one of my biggest issues with it and enough to knock it a point down the rating. It started out excited, but got bored with the early aspects of him heading to find Khalifah, with his past history, etc. But god damn did it get really good. Like, really really good. Like, more people should see this damn documentary.

We got shady government actions and more folks. If you are one of the people who binged Making a Murderer, you would love this documentary as well. It goes places I didn’t think possible, while maintaining its credibility as non involved documentary people. Sort of.

And yet, I almost stopped it earlier on to go read.

I have never read or heard The Little Prince book before, but that because I had an empty childhood. Just kidding, I had Pokemon and that was enough for me.

I did, however, play a board game The Little Prince: Make Me A Planet before though. Only once. And like, three years ago. But it apparently stuck with me, so that many elements present in the game I was able to remember and notice in the actual film version of The Little Prince.

But let’s get to the issue. This took way too long to get released in America. It was released in the summer of 2015 last summer in France! Agh! Not America! It was supposed to be released by Paramount in March in America, but a week before release they suddenly decided to drop it from their schedule as well. No news on distribution or eventually released. Sometime later, the pros at Netflix said they would handle it and gave it a nice worldwide release, finally in America and other countries. All hail Netflix, bringer of tales, singer of stories.

They took one long look at the script and declared the crazy old writer to be a genius!

As you would have guessed from the title, The Little Prince is a story about a girl. The Little Girl (Mackenzie Foy) is being pressured by her mom (Rachel McAdams) to get into a very good school for kids. The interview does not go well, so they decide to move into a house in the school’s neighborhood, getting in by proxy. The girl’s whole life is scheduled by the mom, to ensure future academic and financial success.

The reason they were able to get the house is because it was next to a shoddy house. In the house lived an old man, an aviator (Jeff Bridges). He was constantly fiddling with his plane and making a racket. Eventually The girl goes and talks to him, finds out he also is an artist. Over time, he tells her the story of his encounter with The Little Prince (Riley Osborne), a boy who lived on a planet barely big enough for a single person.

The aviator learns of his travels around the galaxy, learns some life lessons and so on. And you know what? The little girl is going to learn some lessons of her own.

Also featuring the voice work of Marion Cotillard, Paul Rudd, James Franco, Benicio Del Toro, Ricky Gervais, Bud Cort, Paul Giamatti, and Albert Brooks.

“Trust me little girl, I’ve got a beard!”

The Little Prince was unlike most other animated films. Yes, it is accessible to families and kids of all ages, but it seems like something an adult would learn more from than their kids. We have a story within a story, where the inner story is the normal The Little Prince story. The added elements of the overworked girl are completely original and the entire last third act is all about her and her own adventure.

I was worried that it would be too complex for kids but a 5 and 6 year old seemed to enjoy it throughout, despite the slower beginning. The layered stories kept me interested, but the ending wasn’t as good as the beginning and middle.

The animation was different for the different story parts as well, with the animation for The Little Prince segment being unique and fantastic. The rest of the animation is pretty standard CGI and a bit uninspiring. It makes sense for the animation to be different, but one would hope that the animation for the majority of the film was just standard.

The Little Prince is still worth your time, although book elitists may get annoyed at the extra material. My only real annoyance was that the new material wasn’t as interesting in the very end and that the animation was a bit uninspiring in an otherwise inspiring story.