Gorgon Reviews

I decided to watch Stolen because sometimes I hate my life.

Also, an editor friend told me he heard that it was advertised as “Taken, but with Nicolas Cage!” That seems like a stretch. So then I had to watch it just to be sure. Because surely it wouldn’t be the same plot as Taken, with a title that basically means the same thing. They wouldn’t do that.

Taken, but with a stuffed animal instead of a daughter. Will Montgomery (Cage) is a big time criminal, and he is going to rob a bank at night. Oh yeah. So hot. Too bad the FBI (Danny Huston) are on his trail, and staked out outside of a jewelry store to catch them. Also because they think he is going to rob a jewelry store, not the bank. Clever Montgomery.

So he is off stealing cash with his team Vincent and Hoyt (Josh Lucas, M.C. Gainey) and even a girl, Riley (Malin Akerman).

Well, things go badly. Montgomery gets caught, but he burns the money so they have nothing to pen on him. Eight years later, he is out of prison on parole!

Turns out some of his former team mates are a little upset. So is his daughter, Alison (Sami Gayle). She thinks her dad is an asshole who left her for prison. Whatever that means.

Long story short, one of his former buddies is pissed off that he never got paid that day. So he kidnaps the daughter, has a big plot to get the money back, or you know, he will kill the kid.

Hooray blackmail! Of course that means Montgomery will have to find the money, within half a day, while also avoiding the cops and other people who want him dead.

They are going to have to do a cavity search for that bear. [Holy shit, I didn’t finish this review. I really think I typed it up, but apparently it got lost. Whoops. Here is a quick analysis because I don’t give a fuck anymore.]

Either way, this movie was not entertaining. Yes, another action movie that has fighting, chasing, explosions, and guns. But fails to entertain.

The story is bad, the acting is whatever, and the plot twists are also bad.

My goodness, that man was hideous.

This is nothing like Taken, that is a fact. But maybe if they make a ridiculous sequel to Stolen it will accidentally be good?

1 out of 4.

I might have picked Deadfall solely from the Blu-Ray cover. Not saying that I am judging the whole thing on the cover, just saying that it helped me choose the movie. When there are so many random ass movies to choose from, you can’t just put them in a hat and pick randomly. Stores get mad at you when you do that.

From the cover, it was clear that it was some sort of thriller. A thriller that took place in the snow! Yeah snow! Maybe a quirky Midwest thriller, like Fargo, or Thin Ice, a more recent film that no one watched! Yeah! Well, with a name like DEADFall, it is probably not quirky. Perhaps there will be accents though?

“It’s a nice shooter, don’t cha know?” Liza (Olivia Wilde) and Addison (Eric Bana) are brother and sister and looking pretty luxurious. They are in a limo after all. Which of course crashes on those icy Michigan roads, killing their driver. A state trooper comes to investigate, and Addison shoots him in the head. Whoa!

Turns out these two are on the run from the law. They took part in a casino heist that has gone wrong, and are trying to reach Canada as soon as they can. Kind of difficult now though. After wandering the woods, they reach a fork in the road and agree to split up to reach Canada faster. No, doesn’t make too much sense.

But lets talk about other plot lines. Jay (Charlie Hunnam) just got out of prison, a former boxer, who is mad at his coach for “betraying him”. So he accidentally hurts him bad, so he too goes on the run, thinking he killed him. He just wants to get home for Thanksgiving, really close to the Canadian border, with his parents (Kris Kristofferson, Sissy Spacek).

Finally, we have Hannah (Kate Mara), a young police officer, who also happens to be the daughter of the chief (Treat Williams), who gives her crap and is way too protective. Typical story. So when there is news of a cop killer in the woods, he totally won’t let her help. But will she listen? WILL SHE?

No. Those are not “Fuck me” eyes, because she is looking at her brother. Don’t be gross. Deadfall would have been a better movie without Olivia Wilde. That sounds harsh.

It would have been a better movie without her character. The most interesting plot line in this movie was of course Eric Bana in the woods alone, doing whatever he can to survive the harsh cold, and yeah, it might involve killing some people, and taking a cabin or two hostage. That was great. Having Jay find Liza and them hanging out in a bar all night because the roads are closed?

Whatever. Don’t care.

Which is probably why I found the ending of the film so disappointing. Characters do change in this movie, but too fast, and it doesn’t make sense their actions by the end. I am kind of just left pissed off. Like the ending to Law Abiding Citizen. Except that movie was wickedly awesome up to the ending, while this one kind of pitter pattered around due to the several plot lines, most of which were meh.

The beginning scene in the movie is great though. It pumped me up, just unfortunately went down hill after that.

Also, there totally were accents. But from Bana/Wilde, who were from Georgia. So that was unexpected I guess.

1 out of 4.

Honestly, I don’t know the real name of this movie. Sure, All Superheroes Must Die is the title on the cover. But IMDB really, really, really wants it to be called Vs. Who knows why. Maybe IMDB doesn’t want to let the title go. Maybe it has special value in that title, and just can’t see it drift off into the night.

Whatever the reason, I am going with the better and sexier looking title. I also am only watching this because of seeing The FP. Same guy wrote and directed both, so I am hoping it is a big subtle parody on the whole genre. You know, because director/writers never change genres in film. Right?

Oh, here are all the superheroes, that must die.

Our story begins with four heroes, waking up in a strange place, feeling woozy. They are weak! Stripped of their powers!

We have The Wall (Lee Valmassy), Shadow (Sophie Merkley), Cutthroat (Lucas Till), and Charge (Jason Trost), who still found a way to sport an eye patch in this movie.

They have lost their powers! They are all in some strange abandoned town, with a creepy vibe. Finally, the television pops on and of course it is their Arch Nemesis Rickshaw (James Remar) who wants to play a game with them. Yes, very Saw-esque. Even better if you recognize James Remar as the dad on Dexter.

Either way, he has joined these superheroes together, who have a history, to play a series of games. There are over a hundred townsfolk tied up around the town, with explosives. So if they refuse to play, he will explode and kill everyone. Their only chance is to try and work together, to attempt to pass his tests and save the lives of the innocent.

Unfortunately, sometimes the only way to win, is to die.

Insert nefarious cackle here.

The FP was a strange movie, but I allowed it, given the context, and clearly they were doing a parody. All Superheroes Must Die, however, was not a parody, and it seems they were going for a legitimate, serious movie.

The concept is a good one. No boring back story to lead up to the moment, just drops you right in the games. In fact, it is less than 80 minutes long, so they can literally just tell this one story, make it awesome, and not worry about the consequences.

Unfortunately, despite the short time? We still get a lot of back story in the form of flashbacks. Ugh. Far too much of this movie is bullshit back story, that the rest feels like a waste. Speaking of waste, the villain makes the games seem like such a big deal, with all these mini challenges. Well, it is just three rounds. And they are boring. Bah.

Yeah. A good concept, but unfortunately the entire movie is boring. It could have had a lot more action, much better acting, and just some level of entertaining. Thankfully it didn’t waste too much of my day to get through it.

1 out of 4.

I’d argue that there are two really “big” coming of age indie movies competing for top dog status this summer. The bigger of the two is The Way, Way Back, as it was written by the same guys who brought us The Descendants a couple years ago. The lesser known movie is The Kings of Summer, written by Chris Galletta, who is writing his first movie.

If you are surprised that we have a first time movie writer, stop it. They are called indie films for a reason.

Indie films tend to include forest dance scenes and drum solos, right? Being in high school can suck. Why? Well, your life is changing, you feel like an adult, but you still live with your parents. You just might lash out against your parents. Like Joe (Nick Robinson). His mom died a long time ago, and his dad (Nick Offerman) is now dating. He is also a bastard and has become very strict in his single parent raising. His sister (Alison Brie) has already moved on, but he is stuck with him for at least three years more.

Patrick (Gabriel Brasso, from The Big C) has a different problem. His parents (Marc Evan Jackson, Megan Mullally) are over bearing. Not in any mean way, just nice. Way too nice. Really fucking nice. Also they are ridiculous, it is just hard to feel alive under their care.

Eventually, Joe has the idea to build a house in the woods. Not just some lame tree house either. A real house, with two stories, multiple rooms, and they can live there, by their own rules, live like MEN. You know, hunt their own food, boil their own water, the whole nine yards. Biaggio (Moises Arias) is there too, neither of them really know him, but they are afraid to tell him to leave.

We have a few kids, building a house in the woods, and attempting to live on their own. They of course will also discover a bit about themselves, their family, and maybe what it means to be a man. Potentially with the help of Kelly (Erin Moriarty), a fellow high school buddy. We also have Mary Lynn Rajskub (most well known as Heartfire from season 4 of Arrested Development) and Thomas Middleditch as the head cops on the missing kids case.

The race to grow the best pedo-stashe is on. Coming of age films tend to be hit or miss with me. They are popular for both indie and mainstream movies, so to have a great one nowadays, you really have to offer up something new. Not just another misunderstood kid with big dreams.

The Kings of Summer takes the running away story, and well, runs away with it. For the first time movie writer, his dialogue was pretty top notch. Full of memorable quotes, I found myself looking for a piece of paper in the theater just to write some of the absurdly funny things I heard.

Witty comedy doesn’t make a complete film however, so the plot has to also stand on its own. I was afraid I would be dealing with a lot of teens who thought they were god’s gift to suburbia, the standard definition of first world problems. Thankfully, I found myself agreeing with Patrick and Joe, at least a little bit, and thought leaving home made sense for both characters.

It wasn’t perfect though. No, I would have changed the ending a lot. It was a bit too cliche at that point, which made it feel off from the rest of the movie. I am also pissed off by the romance element in the film, although it is more at the naivety of youth, and not for being actually bad. In other words, it hurt me square in the feels.

But despite that, The Kings Of Summer is wickedly funny and unique. For sure, it is worthy of at least one viewing, if not two in your summer line up.

3 out of 4.

For those who have the time, please watch the Trailer for Phantom. Did you? No? Too lazy? Fair enough.

Well, it is short, less than 90 seconds, and extremely crappy. Like, seriously, the quality is very low, it looks like a made for TV movie. Or a strange episode of Last Resort. I had to sit through this trailer multiple times in theaters, just for it to not even touch the state of Iowa (I think). Normally when I review a DVD movie, I try to have it within a week of coming out, but this one took several. I didn’t take me awhile to watch it, saw it the next day it came out. Just apathy after the fact. Super deep apathy.

About as apathetic as an old Russian on a submarine in the winter, I’d imagine.

Demi (Ed Harris) is an old Russian naval commander. He has done it all, and only a little bit with submarines. After all, this is only the Cold War now, and submarines aren’t that old yet. Well, he has had some problems in the past, and just got back from a voyage. He can only have one mission left before he retires, and it involves using an older submarine as well. Literally the day after he got back. Shit. Same crew. Sucks to suck. Also, some KGB agents are going to join them as well. Bruni (David Duchovny) have a secret mission on the sub, and can’t tell anyone about it. Yet.

Well, eventually it is made clear. The Russians have developed a new technology, that when turned on, will reflect a different signature when other objects use sonar against them. So when a USA submarine comes near, the sub thinks they are some commercial ship. Whoa. Phantom technology, lets them have stealth submarines. That is useful, but why is that important?

Oh, because they want to pretend to be a Chinese sub, send Nukes against America, and start a new war while being in the clear.

Aww yeah. Wait what?

William Fichtner plays the second in command. Will the crew do the unthinkable, or turn against their own government for a task they feel is wrong?

Who is that on the line David? Your agent? Your life has sucked since The X-Files? Huh, go figure.

I don’t want to spend a lot of words on this movie. It hurts my psyche. It was boring and dull. Submarine movies tend to be at a disadvantage, because the viewer tends to be stuck in a small vessel with them. So there is no change in scenery. Small amount of actors, limited drama, limited threat.

It was strange to find out they were Russians. I normally don’t care about accents, but because the whole thing is in English (thankfully not a Russian movie), I am surprised there are literally no accents. Everyone talks as they normally do. I couldn’t even fathom they were all Russian because of that. At least trying for an accent is better than nothing, I’d say.

Simple film, maybe worse than a made for TV movie.

1 out of 4.

Despicable Me 2 might make the most money out of any CGI movie this summer, so it is kind of a big deal. But does it deserve that money?

The kid vote does not count, damn it. Despicable Me 2 starts us off soon after the first film. Gru (Steve Carell) is no longer a big bad villain because he has three kid to take care of, and he has had a change of heart. In fact, he has turned his whole secret laboratory into a secret jelly making factory, complete with free minion workers. With overheads that low, he can really make a splash in the market.

Unfortunately, the change in operation has left Dr. Nefario (Russell Brand) with no joy in his life, so he leaves Gru to pursue other opportunities. Speaking of pursuing other opportunities, Gru gets kidnapped by the Anti-Villain League. Silas Ramsbottom (Steve Coogan) wants Gru to lead an investigation on a disappearing arctic base that is researching chemicals that can cause ordinary creatures to become terrible beasts.

He would also get a new partner on the case, young and bubbly Lucy Wilde (Kristen Wiig). Oh yeah, she totally has the hots for him, too. This movie is mostly about Gru as a single dad and afraid to date. This provides many scenes of him avoiding the neighbors and awkwardly flirting with Lucy. Sure, maybe the world is threatened if this formula gets in the wrong hands, but love is also important.

Benjamin Bratt leads his vocals for El Macho / the mysterious Salsa Dancing restaurant owner who looks like El Macho, Ken Jeong as a mysteriously short wig salesman, and Kristen Schaal as a mysteriously well endowed blind date for Gru.

Spoiler, he does not choose the well endowed blind date by the end. Illumination Entertainment made the original Despicable Me in 2010, and is what they are most known for. That is because before Despicable Me 2, they have only made two other films, The Lorax and Hop, both ridiculous flops (and a bit terrible). So it makes sense they are already doing a sequel, and are releasing a spin-off titled just Minions in December 2014. What doesn’t make sense is how they have the rights to so many Dr. Seuss based movies down the pipe line, when they did so badly with their first chance.

Speaking of the Minions, did you love them from the first movie? They were arguably the best part of the first film, and quite cute. They have made sure that they advertise the fuck out of these minions for the sequel and eventual spinoff.

Basically, everywhere I look, there is a Minion based toy, gizmo, commercial, because “Hey, they are cute!” They recognize the best part, gave us a movie with potential for rich new characters, but then threw minions at our faces until we had to get new 3D Glasses. There is an overabundance of minions in this movie. They are in every scene, part of every plot point, and potentially in this movie more than Gru. It turns the entire movie into mostly slapstick based humor instead of witty jokes, which doesn’t help rewatchability or entertainment.

Basically I believe the main character is pushed out of the spotlight, similar to how Cars 2 was handled. At no point in the movie is he even considered despicable. In fact, he is rather admired and chased by women, loved by his family, and just a good guy. The plot is really straightforward, and you will figure out the main bad guy well before the reveal. The bad chemical itself was inconsistent with how it works, where it could have been fixed with a sentence of dialogue.

Long story short, Despicable Me 2 is not really about Gru trying to save the world from a threat (although he does that as well) it is more about Gru the single dad finding love. With minions. So many minions.

 

1 out of 4.

After I saw Tai Chi Zero, I was immediately excited for the sequel, Tai Chi Hero. I knew they were filmed around the same time, and part of a planned trilogy (of which the third has not been announced yet, peculiar, hmm).

I was a bit disappointed that the first film wasn’t a “steam punk martial arts” movie as advertised. Only very barely. But to recap the first movie, we got a guy, going to the Chen village, to learn a very special Kung-Fu. He defends the down, despite not knowing the Kung-Fu, and can sometimes turn into a demon when his tiny horn things get hit. Yeah boy. Let’s continue, damn it.

Aw shit. This movie has fancy beat sticks.

Yang Lu Chan (Yuan Xiaochao), formerly The Freak, is ready to learn the famous Chen Kung-Fu! But they still insist that only actual villagers can learn the martial arts, no outsiders. So they set up an impromptu wedding to marry Lu Chan to Chen Yu Niang (Angelababy), famed daughter of Master Chen Chang Xing (Tony Leung Ka Fai), who he is smitten by and totally saved last movie.

Why are they afraid of outsiders? Basically, back in the day, one or more of their former students went total asshole on another village, and hurt a lot of people. They came back pretty mad, embarrassed their students, and promised that if they ever taught any outsiders again, their village would be doomed. So teaching only their own family and kind was a way of protecting against that. So people are still afraid that Yang Lu Chan learning the art will kill their town.

Remember Fang Zi Jing (Eddie Peng)? Probably not, those are sounds that don’t sound familiar. Well he was the bad guy who was from the last movie. He is pissed that he got defeated, so he teams up with the East India Company and Duke Fleming (Peter Stormare), who is upset over the death of that one chick from the last movie. So he is now a governor, has an army, and lots of cannons.

Aw yeah. Can they defeat the threat that is bigger than the last one? Can he learn the Chen Kung-Fu? Because he would totally have to use it to beat a whole mess of new people, a gauntlet type of situation, to prove the fighting style’s legitimacy. That is kind of just tacked on to the end.

The scariest part of this movie is that Peter Stormare is in it. Who the fuck saw that plot twist coming?

Here is the main differences between the two films. The first film is pretty silly, with crazy fighting, video game references, and it was entertaining. The plot was weak. In the sequel, they want to expand the plot, the universe, and so many back stories. There is a lot more drama in this one, enough for me to take out the Comedy tag.

The problem is that this film almost feels like a strange rehashing of the first film. The ending is completely rushed, and unfortunately the most entertaining part. The final fight scene on top of the…small tiny walls (I am not sure what to call them. Partitions?) was excellent.

Now, I did not know that this (eventual) trilogy was meant to talk about the beginnings of Tai Chi, when it was apparently first just a variant of Kung-Fu. So this is supposed to be a very exaggerated and crazy, true story. Kind of. I guess that is interesting, but it is not something made clear at all in the first film.

I think this is definitely a weaker film than the first, in terms of entertainment. The fight scene at the end was dope. They also decided to get rid of his cool, demon crazy fighting ability half way through the movie. Not sure why. I guess because they never really used it at all. I feel teased. Super teased. Still decently well done though. Hopefully part three is a musical.

2 out of 4.

Sync up your William Tell Overture Finale folks, it’s The Lone Ranger time.

Although I never listened to the original radio series, or watched the TV series, or other movies, The Lone Ranger himself is pretty ingrained in American Pop Culture. A hero to the old American West, and a franchise that Jerry Bruckheimer has decided to take under his wing. After all, if it proves to be a success, he could release a new Ranger movie every three years, similar to his current Pirates of the Caribbean trek. Just think of how much money Johnny Depp will make from both franchises, too.

If explosions were dollar bills…

In Colby, Texas, the great American Railroad is coming through, bringing prosperity and happiness to the small town. Their goal is to connect the East with the West. John Reid (Armie Hammer), a district attorney from the big cities, is returning to his hometown to reconnect with his brother and brother’s wife, Rebecca (Ruth Wislon).

What poor John did not know, is that also on that train was famed bandit cannibal Butch Cavendish (William Fichtner), who is finally going to be hanged for his crime. There is also this Indian named Tonto (Johnny Depp), but he is a bit more mysterious. After a train robbery, Butch is back on the run, and it is up to John Reid, his brother, and a gang of lawmen to bring him back for justice.

Until something goes wrong. Terribly, deadly wrong. Somehow, John is saved, and Tonto explains to him that he is a spirit walker, who cannot be killed according to his beliefs. Tonto also wants to bring Butch to justice, so they team up to right wrongs and save the day! Speaking of trains, Tom Wilkinson plays Cole, the railroad tycoon, and Helena Bonham Carter a bordello mistress. Fun fact, this is the first time Carter and Depp have been in a film together that was not directed by Tim Burton.

It is also the first time Depp has worked with this horse.

After watching The Lone Ranger, I really just want to listen to famous, old classical music. Major props to Hans Zimmer for rocking out another great movie soundtrack, something I don’t bring up a lot in my reviews.

I will start with the negatives first. This movie is 149 minutes long. What! A lot of the film is set up, in order to introduce us to the character before he dons the mask, a little bit about Tonto, and a whole lot about his brother and his old town. It is necessary, I guess, but it could have easily been shortened. The film uses the method of unreliable narrator, as a much older Tonto is telling the story on how he first met John. The idea itself is a neat one (and allows for more crazy situations) but the method of delivery just feels hokey to me.

Thankfully, the positives far outweigh the negatives. Hammer and Depp have great chemistry. Tonto is not just a secondary character but an equally important one. They have the appropriate throw backs to the original series while also doing their own thing.

But the best part of the movie is by far the climactic train ending. The final chase is incredibly long, but so meticulously planned and detailed that it was hard to stop smiling the entire time. The director had many gorgeous shots of the landscape, like a classic western, including setting parts of it in the Monument Valley as a different type of throwback.

The movie will also give you plenty of screen time with Armie Hammer, who is currently rumored to be the new Ant-Man or Dr. Strange, upcoming heroes/movies Phase 3 of the Marvel Universe.

Although this film has had many negative reviews, I’d say give it a chance. Especially if you have three hours (movie and preview) to waste on these hot summer nights.

 

3 out of 4.

Bieber Bieber Bieber.

I found myself surprised that Mr. Bieber had a second documentary coming out to DVD. The first one was pretty big news, Justin Bieber: Never Say Never. Hell, it made me tear up a bit, and was in 3D. It made over $10 million in the box office, I am pretty sure (which is a lot for that type of movie). A lot of mother fuckers saw it. A lot of them probably saw it multiple times.

However this documentary is a different beast. Justin Bieber: Always Believe. For some reason it isn’t called Always Beliebe. Missed out on the pun, fuckers.

Anyways, this one went straight to DVD. I am pretty sure it was made for TV, and probably was on TV first, but I literally cannot find out which channel made it or showed it. I really can’t find it. Finding info on this fucking documentary is basically impossible. Which is only the tip of the iceberg in terms of problems.

This picture reminds me of the Nick Cage rape eyes pic.

Holy shit. I might have been scammed. There is a different documentary called Justin Bieber: All Around The World that exists and came out last year. But this one I can’t even fucking find on IMDB. But I totally watched it. What the fuck is this shit?

I think this is a fucking fake documentary, trying to make money off of people, despite you know, not being sponsored by Justin Bieber in any way. Here is how I know. One: Justin Bieber isn’t even in this movie. I cannot tag him. He has created no new content, no special shows, no intereviews for it. The only way he is featured is fucking repetitive photos shown while people are talking (each photo shown at least 5-6 times probably, they keep popping up), and old interviews when he was like, sixteen.

Most of the documentary is how he has matured, how his music fits a wider audience now (not just little girls), and his love of hip hop in his new CD. But you know, features only interviews of him when he was 15. Not even Usher is in this movie, despite how much he is talked about.

What is talked about? Two things mainly, after his love of hip hop. How much swag he has, which was probably said over twenty times in 65 minutes, and his relationship with Selena Gomez. Unfortunately, they don’t talk about how they aren’t together any more, so it ends happily, unlike Katy Perry: Part Of Me. What’s even worse about the Selena Gomez section, is they show a clip of them on some random red carpet together, over five times. THE SAME FUCKING CLIP. AGGGH!

Speaking of fucking repetition. To make matters worse, they also repeat the clips the interviewers say. So these people I never heard of (random producers, internet bloggers, company people), don’t even have enough material for the 70 minutes to talk about. At least twice did I hear them repeat an interviewee clip. What. The. Fuck.

I can’t describe this documentary’s legality at all, but it made it on the “Coming Soon” June list for dvd releases at the local rental shop. Like officially printed by the company. Shit, maybe Family Video made it and that is why it exists? I wan’t to review the legitimate documentary that I missed, but I don’t want to see anything about Bieber for a long fucking time. This is seriously one of the worst things I have seen. Never Say Never looks perfect in comparison.

His Swag looks perfect in comparison.

0 out of 4.

Some people will assume I watched About Cherry only because of its provocative DVD cover, of which I will leave up to you to look up on your own.

Those people would be right.

Seriously, that’s the reason.

You see, she has been a naughty girl, and people need to acknowledge that fact in this movie.

Angelina (Ashley Hinshaw) has recently just turned eighteen, and you know what that means! Time to throw away all responsibility and do what you want. Who cares if your mom is worried? Who cares about money? Oh wait, Angelina cares about money. That is why she agrees to do a sexy photo sheet for some necessary cash. Oh yeah, it turns out she likes it too.

So she convinces her friend (Dev Patel) to move to San Francisco with her, where they share a room and an apartment with another boy. Angelina goes to work at a strip club, not as a skeezy dancer, but as a waitress. That is where she meets Frances (James Franco), a rich lawyer who totally wants her. Woo, sugar daddy.

Oh yeah, and she starts doing adult films too. You know, solo stuff, strip scenes nothing too dramatic. Until she does BDSM with other women only. Not with dudes, that would be strange. Until she progresses to dude stuff too. Oh yeah. Penetration. Either way, her life keeps going up, her friend starts to hate her, her man starts to hate her, but Heather Graham doesn’t hate her. Heather Graham plays a director, who thinks she really has the “Stuff” despite only being eighteen.

Franco knows whats up. He loves the young ones. Francos a sick man.

Guess what, this movie has breasts in it. Ashley Hinshaw’s and some other women. But that is about it, really. It is a movie with some boobs and little else. The drama seems fake and forced. The message is uncertain, and the characters are lame. The ending is also a let down.

But boobs? But nothing. National Lampoon movies have boobs, but also occasionally they are entertaining. Yes through humor, but dramas can be entertaining as well. This one just isn’t. It is boring, and although I never moved to California become an adult star (that you know of), I doubt it happens that way so casually. Short review, for basically a short waste of time. Ashley Hinshaw is hot though.

1 out of 4.