Gorgon Reviews

I have been told by my peers that Shaun the Sheep is a pretty popular kids television show. About a sheep! And shenanigans! Sheepanigans!

So these people were excited that a movie was coming out. But much like my recent review of The Unbeatables, Shaun the Sheep Movie came out a long time ago in the UK. The delay wasn’t as extreme, but it came out in theaters in February for the British and obviously early August for America. Unlike the last animated film, they didn’t even have to replace the voice actors with Americans, because it is a movie has no words! That makes me feel like it is just petty on their part. Booo pettiness!

This is also one of those movies I knew nothing about going in. It has that classic looking stop animation that the Wallace and Gromit studio is known for, which makes sense given that it is the same studio behind this film. Hell, apparently Shaun is a spin-off character from that franchise. I am seriously behind on my stop motion British genre films.

But I am strangely up to date on my sheep based films.

How do you describe a movie like Shaun the Sheep? Well, hopefully with good grammar and real human words.

Shaun the Sheep lives on a farm! He has an owner, who raises the sheep, a cow, some pigs, and has a dog too, Bitzer. Bitzer runs things around the farm. Sometimes he herds sheep too.

Well, their life is pretty standard. Wake up, eat, get herded, go back to sleep. Not a lot changes and everyone finds it dull. Duller than a pair of kids scissors covered with tape.

So Shaun gets the idea to have a “Day off”, by sort of tricking their owner to think it is still night time, locking him away so they can do whatever they want all day! No one will get hurt, just a few tricks and sheepanigans. But of course like all well laid our plans, something goes wrong. Now Shaun and the sheep and Bitzer have to go on a journey, AWAY from the farm their home, into the big city and you know, do things. Things!

And look! A dog that is actually more dog than human! There are levels of humanization in the animal kingdom!

My review of Shaun the Sheep is going to be short and straight to the point (despite all my fluff already). Shaun the Sheep is a funny and witty stop claymation film. I am always awed by clay/stop motion work, given the extreme amount of time and dedication it takes to getting it all done and done well. One of those things I tried to do as a kid because of all my free time and getting no where fast and giving up after an hour. The camera work despite the just very small sets is also well done, given a few types of shorts I couldn’t even imagine were doable for the genre.

Given the lack of dialogue outside of human mumblings to sounds like words, all of the jokes take place as sight gags or slap stick, and it is great that it leans a lot more in the sight gag department. There is almost always something happening in the background that is interesting, making it a movie you definitely have to pay hard attention to in order to get the full experience. (Which should technically be true for all movies. It just happens to be more true in this film).

If there is one main disappointment I had it would be its length. It sort of seems too long because of the no dialogue. About a third of the way into the film I was fighting back sleep. I was entertained from the movie, but not enough variation in sound was making it hard to fight back the tiredness. After the movie was halfway through, I had no problems anymore. That is when stuff started getting hectic to appease my millennial mind that always needs things exploding to keep my attention.

Despite this, Shaun the Sheep movie will most definitely end up nominated for Best Animated film, but as of now, it will also lose to Inside Out.

The Unbeatables, aka Underdogs, aka Metegol. You might know this movie by one of its names.

It was of course first called Metegol in Argentina, where the film was made and released back in July of 2013! It had the distinction of being the most expensive Argentinian film ever at $21 million, and most expensive animated film in all of Latin America. Given the American budgets on these things, that is a pretty crazy fact.

Needless to say, it did well enough to release internationally. The Unbeatables came out in the UK in August of 2014, same plot and everything, just nice English voices to make the populace happy.

And that is why I am watching this version of the movie. Despite being available for a long time, it isn’t hitting USA theaters until mid August 2015, a whole year after the British counterpart. It was pushed back several times over a year. Well, screw that. If I can legally watch and buy a movie already out, many months before it comes out here with just more American voices instead of British voices, there is really no reason to wait.

No matter the nationality, we can all agree on their fabulous hair.

In a small village in, I dunno, let’s say Mexico, there is a boy who really loves foosball. Young Amadeo (Rupert Grint) works at a small cafe/bar where he cleans and plays foosball all day long. In fact, he got pretty dang good at it. He can score in so many ways, can flip the ball through the air, and you know, other shenanigans. Others do not share his passion, so he gave all of his players a name and personality and often puts them in their own soccer based stories.

Then he met Laura (Eve Posonby), who likes things, and likes foosball, and even maybe likes Amadeo. Then he met Flash (Anthony Head), a pompous boy who never loses and is a soccer star. Well, he sees Laura and also wants to impress her, so he challenges the loser Amadeo. And sure enough, Amadeo wins. This is Flash’s first real loss in anything, so he runs from the town.

Now years later, the town is close to dying, but Amadeo is still there playing foosball and Laura is about to leave. WAIT JUST A SECOND. Flash is back, now a world famous soccer star. The BEST star. Rich beyond imagination. Rich enough to buy his birth town and build the biggest stadium ever there.

Well, the villagers don’t want their town to get demolished. And so eventually Amadeo challenges Flash to a game. If Amadeo wins, he will leave the town forever. Great! Just they aren’t good at real soccer which is what Amadeo has demanded to enact his revenge.

If only…if only there was some nice tear magic out there, that would bring his foosball players back to life, and help him solve his many problems and save the day. If only.

Featuring the voice work of Rob Brydon, Ralf Little, Alistair McGowan, Peter Serafinowicz, and Alex Norton.

Basically, everyone is Pinocchio, but no where close to being real men.

“You can trust me I used to work with FIFA.” That’s an actual quote from this movie and it really made me laugh. I know there has been talk about FIFA being corrupt for years, with the Qatar mess, but it still feels even better to hear that joke after all of the indictments.

The trailers for the US version, Underdogs, are shit. I have seen two of them and they made me immediately hate the film. The animation was odd, the plot was pretty dumb, and, well, yeah. It was very stupid sounding, no way around those words. Surprisingly and thankfully, there was a lot more to the movie than the trailers showcased. That is usually the case, but there are also trailers who show everything and it really felt like one of those moments.

The animation at first bugged me as well, but while watching it, they had clear distinction between the foosball players and people, making them both feel unique in their world. The players had a completely different clunky style that made their existence a bit jarring, but something that made a lot of sense in the film.

Again, a lot more happens in this film than just the “play soccer for the town”, and I am a bit worried some of the other side plots or jokes will get cut from the American version of the story. I might edit this review in the future after watching the new version to see if it deserves the same grade, so as for now, The Unbeatables and not Underdogs is surprisingly worth a watch.

If there is one thing I like talking about on this website, it is me. Yes, movies too, sure, whatever. But I am far more important, because a review has to give his/her thoughts on the movie, and knowing how they felt on previous films of that nature is the only way to know if you are compatible with that reviewer. Not only that, but you should know how they feel about other topics too. Like sharks. Or potatoes. Or that bitch Sally from the sixth grade.

You should know everything about that person, even their deepest and darkest secrets. The movie isn’t important, it is clearly whoever does the talking.

So a movie called Welcome To Me just makes sense to me. That is what the website is secretly about. Me me me me me me.

And swan rides.

Alice Klieg (Kristen Wiig) has borderline personality disorder. That is very serious and not a joke, although it can lead her to doing weird things. She is living on government benefits, is very selfish, always has a TV on in her home (for infomercials and Oprah!), and spends a lot of money on the lottery. She even has only one real friend, Gina (Linda Cardellini), despite her quirks. Then Alice wins about 86 million dollars in the lottery.

Well shit yeah. Time to go live in a casino and do whatever she feels like! Like stop taking her meds despite her doctor (Tim Robbins) strongly discouraging the act. She is a bit peeved her planned speech was cut off on the air after winning due to talking about masturbation, so she goes to hijack one of the late night shows hosted by Gabe (Wes Bentley), who sells weird shit. They think she is nuts and cut her off too. But she is rich now. So after a long discussion, with their company losing tons of cash, the main owner Rich Ruskn (James Marsden) allows her to have 100 two hour long episodes of a TV show she calls Welcome To Me, since she is paying for all the costs up front.

And what we really get is a terrible show, where she cooks food, talks about whatever is on her mind, and has reenactments of past events in her child hood in order to get back at mean people. Don’t worry, this is not at all like Holy Man.

Also featuring Joan Cusack, Alan Tudyk, Thomas Mann, and Jennifer Jason Leigh.

Like all recent action movies, orange and blue also feature heavily in this film.

First thing of note, this movie does not make fun of people who actually have borderline personality disorder. That would be mean and awkward and not something that happens a lot nowadays. I think. No, this movie instead shows the reality of the disease, which can put people in weird situations. Yes it is a comedy, but you best believe it is also a drama. There are many melt downs where Alice’s character loses it and does the unthinkable. During these Wiig shows herself to be a gifted actor.

Any comedian could be completely exaggerated in their roles to make fun of a serious condition, but for Wiig in the film it all feels so real and natural. She gives the role proper care and restraint. She is also completely 100% full frontal naked in this movie too. So you know it is a serious role for her, and not some throwaway straight to DVD quick cash job.

I thought the movie had a nice balance of drama/comedy. The comedy in the film isn’t the type that will make you laugh every second, but it is still quite amusing at points.

Overall, this movie won’t be enjoyable for everyone. Just make sure you are in a weird mood before hand and it might surprise you.

Ian McKellen and Michael Fassbander have an interesting thing in common. Fassbender has played two different roles that McKellen has more famously played before him. They were both Magneto and they were both Macbeth.

This is all technically irrelevant, since Fassbender has never played Sherlock Holmes. But Benedict Cumberbatch has played him! And they are basically the same person.

This is a bad intro, in that I am now going to hope that Ian McKellen will play a second role that Cumberbatch had famously played before him. We can’t see McKellen as an older Alan Turing, unfortunately. That’d be preferable. Honestly, most of Cumberbatch’s roles are not super famous, so we might have to wait for McKellen to play a very old Julian Assange. I assume time travel will be involved to get this done.

Either way, that nonsense aside, I think Mr. Holmes is the first time anyone has looked at the Holmes character, super old and near death. The only one attempting to give a closer look into the man behind the myths, the man without a Watson.

They meant a literal closer look of course.

Sherlock Holmes (McKellen) is now very old, in his 90s, and living far away from Baker Street. Watson had finally left him after getting married, leaving Sherlock to continue work on his own. But something happened that caused him to retire from detective-ing altogether. He instead wanted to move to the coast, in a nice house alone, to become a beekeeper and read books all day long.

He isn’t alone though. No, he is too old to be alone. He has a housekeeper (Laura Linney) and her son (Milo Parker) living with them to take care of the day to day needs. And of course he has regular doctor (Roger Allam) visits for his ever declining health. Did you know he is losing his memory? He can’t remember simple things, such as the names of people he used to interact with or even just interacted with. He even forgot the boys name at one point!

Thanks to his failing memory, he has to do things before it goes away. Like stalling, with plot of him going to Japan to meet basically a stranger (Hiroyuki Sanada) to eat a flower to help with his memory. And finally reading all those damn books that Watson wrote about him, turning him into a caricature of his actual self. He sets off to write one of the famous mysteries down in his own words, one without all the pomp and circumstances, because he himself can’t remember how it ended, just that it was important. All the while passing on some wisdom to the boy in his home and hopefully stop being such a smart asshole to everyone he meets.

Also featuring Hattie Morahan and Patrick Kennedy.

I assume he is actually telling the kid about his inherent X-gene and how to exploit others.

If anything, Mr. Holmes gets points for trying something different with a character who has had dozens of film and TV iterations. We don’t even have a Watson in this film! No Watson at all! It is just one guy losing his mind. I can always appreciate it when they take an established work or character and give it a completely new flavor.

That being said, despite its originality the story ended up being a weak point. There were two stories being told through flashbacks while Holmes is hanging out in his cottage trying to remember them. The Alzheimer based plot allowed for things to take their time and force the stories to pace themselves out. It just felt lazy though watching it. It is not interesting to watch someone slowly remember events, especially if the events aren’t life threatening in any way. Memento was about a guy slowly remembering events, and it was a well done crime thriller. This one the stakes were no where near as high, so it made me wonder what the point was.

The good news is that it was for the most part well acted. Everyone played their parts well, even though it felt like McKellen was literally dying in front of the camera as the movie went on. Playing an old and enfeebled person will not get you on the cover of any magazines. It was also a gorgeous movie with its set pieces, costumes and cinematography. It just also featured a mostly forgettable story with only a bit of the wit I have come to know and love from a made up detective character.

Don’t look too closely at the calendars, but roughly 4-5 months after the Oscars, I can say I finished another category! A few categories ended up being extremely elusive, namely Best Original Song, Best Documentary and Best Foreign Film. I have made zero headway on finishing any of those three categories (And just downright ignoring the shorts categories), until this moment. With this review of The Salt of the Earth, the documentary category will finally officially be finished.

What makes this better is that it didn’t win. If it had won the category, this would be almost embarrassing for me. But since it didn’t, it is a loser, and taking your time is expected, right?

Right!

But in reality, I didn’t get to watch it because I couldn’t find a copy. It took forever to be released in America, and I didn’t even let the fact that it would be a completely foreign and thus subtitled movie get in my way from watching it ASAP.

Alright, here we go, a documentary about a photographer named Sebastião Salgado.

ART, motherfucker, do you speak it!?

It turns out that Mr. Salgado is a pretty damn good photographer. He traveled the world, an adventurer of sorts, and he would talk to people and connect to them on a personal level. If you have a chance, google his name and art. They are mostly black and white and, well, really fucking good. Sorry for the language, I just don’t know how to describe artwork.

He knew how to tell a story in a single shot. He also knew how to tell a story with words, which is what the bulk of the documentary is about. Just listening to an old man telling stories about some of his more iconic sets of work. Like, a lot of detail. Good memory he has, but he also probably had to tell these stories before.

It should be obvious this is a very well done and beautiful documentary. However, I feel like I am personally missing out on it by not speaking the same language as Salgado. According to the subtitles, he spoke quite eloquently, but I found myself almost saddened by the fact that I didn’t get to understand it. I head to read along. I think a lot of the beauty was lost in the transition. Yes, I am sort of advocating for dubbing here. We would still get the wonderful visuals, and get to hear the great story, and I’d be able to get lost in everything.

But as it is, it was hard to feel connected. Which is a shame. Still, a great film for photography lovers, art lovers, and old people lovers.

There isn’t much new to say about the Mission: Impossible series that I didn’t already say in my Ghost Protocol review weeks ago. I watched the other four movies in the series, some were good, some were bad. More importantly, the last one was good, so the series is on an upswing and I can be excited!

Tom Cruise puts out exciting movies. He can be a bit crazy, but by damn does the man know how to entertain an audience.

Part of me secretly hopes that this time, in Rogue Nation, the mission actually ends up being impossible and they lose. That would be a nice plot twist and a fantastic way to end the franchise. A bit of a downer, but man, what IDGAF attitude they would have!

Your mission should you choose to accept it: Die in the movie and NOT return for a sequel.

Remember the Syndicate? Of course you don’t! They were mentioned at the end of the last movie but vaguely and that they were bad people. Turns out they are very, very bad people. So bad that Ethan Hunt (Cruise) got captured by them relatively early on in the movie, with innocent people being killed. He doesn’t know a lot about them, they are a very secret organization, led by some guy (Sean Harris) that he of course knows next to nothing about.

All he knows is that he only is able to escape thanks to the help of a woman (Rebecca Ferguson). But just like previous films, due to all of the chaos of events going around the IMF, they officially get disbanded. The head of the CIA (Alec Baldwin) has brought all usable resources into his division, including Benji (Simon Pegg) and Brandt (Jeremy Renner). Luther (Ving Rhames) figured he’d rather retire than work for the CIA.

And now Ethan is on his own, being hunted by the CIA and the Syndicate, the latter of which no organization actually believes exists. A typical Tuesday for him I’d imagine.

Also featuring Jens Hultén as henchman who speaks and Saif Al-Warith as henchman who doesn’t speak, but has a nice beard.

If you look closely, you will notice reversed gender roles!

M:I 5, if I can call it that, was an action movie done right. We don’t have lamely on a mission killing an entire island worth of henchmen, or people running around just yelling shitty puns. No, the action scenes in this film have depth. It helps that a lot of the stunts are done by Cruise himself, which just adds to his action star credibility. The plane scene is the famous stunt scene, which is funny in context of the film based on how little it matters. The underwater scene was one of the best scenes, as well as the motorcycle/car chase.

For the plot, it has the normal twists and turns that the franchise tends to offer, but I think it falls apart a bit near the end. Things get almost too convoluted. Thankfully it doesn’t completely ruin the film which spends the rest of the time before it building up your good graces with cool scene after cool scene.

Ferguson plays the best Mission: Impossible lady star of the five films. She is a kick ass, bad ass woman, who has her own motives for doing everything. She isn’t just a lame plot device for Hunt, like a Bond girl.

Mission: Impossible – Rogue Nation is definitely one of the best action movies of the year at this point, and probably one of the better non Superhero action movies from the last few years. Go and see and be entertained.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

Like a lot of people, I am beginning to mistrust Paul Feig and Melissa McCarthy.

Paul Feig did give us Bridesmaids, sure, but The Heat didn’t feel right with me. He also has his strange obsession with McCarthy, so when it was announced he would do a Ghostbusters reboot, it was obvious he would be casting her in it. McCarthy has had a few terrible movies, namely Identity Thief and Tammy, where it seemed through all her work she could really only play one type of character.

So of course when you see a trailer for a badly named movie like Spy, you assume it is going to be one long running fat joke. Where it is absurd that she should be in the position she is in and you know, more fat jokes. It isn’t an absurd assumption, given that is what Tammy was, a movie McCarthy even wrote for herself, unable to get herself out of her own type casting.

If this was a gif, you all would hate me.

Being a spy is a tough job, but thankfully you have a handler back at HQ who helps you out on each and every mission. Bradley Fine (Jude Law) is a spy, and a damn good one at that. But he wouldn’t be anywhere without his handler, Susan Cooper (McCarthy). She helps protect him from surprising bad guys, helps him escape, and just keeps him aware of all of his surroundings! Things can still go wrong, sure, like when Bradley accidentally kills Tihomir Boyanov (Raad Rawi), who is supposed to be the only one alive who knows about some tiny nukes that he wants to sell. Whoops. Oh well, other than that, they are a great team!

Until he dies. She wasn’t too helpful then. He was killed by Rayna Boyanov (Rose Byrne), daughter of that other dead dude. Looks like she knows where the nukes are! She also knows every single spy that we have on record, names and what they look like, so it is incredibly unlikely of any of them being able to get close to her. Now Elaine Crocker (Allison Janney) has no idea what to do, so she agrees to let Susan go undercover to find out more information, with her best friend Nancy (Miranda Hart) serving as her handler. She is supposed to avoid Rayna and instead follow Sergio De Luca (Bobby Cannavale), but, you know, shit happens.

On top of the whole, being a spy thing, she also has to deal with the fact that some of the agents have quit. Namely, Rick Ford (Jason Statham), one of their best, and he wants revenge on Rayna since knows all about him. Too bad she also is the only one who knows about the nukes! Can’t let her be killed as well. Oh golly gumdrops.

Also, hey! We have Will Yun Lee and Zach Woods.

I normally only comment on facial hair, but come on, this is astounding.

Good news, everyone! Spy is not just one long fat joke. Sure, independently, on your own, you could giggle when a larger person does something athletic, but that is on you buddy. No, these jokes come from a deeper level. A lot more of them are based on how she has the body of a middle aged cat lady and the like. Way better than fat jokes.

In all honesty, Spy ended up being a pretty funny movie. Byrne still seems to have come out of nowhere in the comedy world, but she is still knocking it out of the park. Statham was in this movie and he was able to play a very Statham character. And yes, McCarthy of course carried it very, very well.

The action was also pretty decent. I didn’t know how it would end either, because they set it up pretty early that anyone could be killed, not to mention them wanting to earn the R rating.

One thing the film lacks is rewatchability, as in, I don’t ever see myself buying the film because I know I will never be in the mood again. But our female leads are fantastic, even Hart, and Statham provides some nice laughs as well.

Last summer I watched two really good teenage romance films that involved death based on books. The Fault In Our Stars and If I Stay. I was surprised at the quality of both films and how I was able to still connect with them despite not being in the target demographic.

Of course, John Green wrote The Fault in Our Stars and wrote a few books besides that one. Before that one, he wrote one called Paper Towns, which my wife has assured me is fantastic.

Really, as long as it avoids the normal cliches, it will probably make me happy. And knowing my recent track record with any sort of romance film or drama, it will probably just end up making me cry in public again.

It does feature some amateur level hallway creepin’ though, so that’s a plus.

Quentin/Q (Nat Wolff) has always lived a typical lame boy life. He does what he is supposed to, does good in school, has nerd friends and no love life. He does have love in his life, however. He loves Margo (Cara Delevingne), who moved across the street from his house when they were both kids. Back then they hung out and started to do adventured, but she did it way more and eventually they lost touch. Still, he hoped and dreamed.

Then one night, she appeared at his window! She needed someone to drive her around Orlando, get revenge on her ex boyfriend and so called friends. A night of adventure and a night to remember!

And then? The next day? Poof. Margo was gone. She ran away again, Q thought they would start to hit it off, so soon to finishing high school. But luckily, Margo always leaves some clues for her friends when she leaves so that they know where they can find her. Now it is up to Q to put himself out there for once and do something out of his comfort zone! With the help of his two best friends (Austin Abrams, Justice Smith), the old best friend of Margo (Halston Sage), and the girlfriend of one of his best friends (Jaz Sinclair), he will hopefully find true love and happiness.

Also featuring the amazingly accurate kid versions of our leads, Hannah Alligood and Josiah Cerio, and Cara Buono as Q’s mom. Seriously, I am willing to believe they just filmed the kid scenes many years ago and decided to give them fake imdb credits and names so that people wouldn’t think it was weird.

Jokes on you, I think everything is weird!

Alright, before the movie I had two hopes. First of all, I can say that Paper Towns definitely avoided cliches. It had a huge “nice guy” boner going throughout it, but by the end it was certainly not your standard story. Which was fantastic!

Unfortunately, it didn’t make me cry. No tears at all, not even a little. Come on John Green. You destroyed me with your last film, this one only gave me chuckles and contemplation.

Here’s the thing. Our two leads were fantastic. Wolff and Delevingne felt like real people for the most part with genuine expressions and appropriate reactions to everything. They made their characters awesome. The supporting cast however is not able to get on their level. I thought the chemistry between Wolff and friends felt real, but the other two actors just didn’t feel real. One character in particular was more annoying than funny.

Again, I am all for surprises along the way, and in fact, the twists in this film are generally good overall. It just didn’t resonate with me as much as I had hoped. Thankfully the leads were still great and oh so charismatic.

Hold up your hands. Now bend your hands back a little bit and curl your fingers. Then use this hand position to hit someone in the face, with the bottom part of your palm. That is what I thought Southpaw was before this movie.

Southpaw didn’t actually teach me what a Southpaw was, I had to find out after the fact. Apparently it is just a mainly left handed boxer though, instead of the normal right handed boxer. Oh well.

Either way, the main reason I was interested in this film was to see a buff Jake Gyllenhaal. We had glimpses of it in Prince of Persia: The Sands of Time, but no one wanted to see that movie for some reason. The best part about the muscles put on by Gyllenhaal is that he did it right after starring in Nightcrawler, where he famously lost a lot of weight and has scrawny body.

Look out everyone. Gyllenhaal is now willing to do potential future harm to his health to give it his all in these roles.

And he is excited to do it!

Billy Hope (Gyllenhaal) has got it all. He is undefeated, over 40 wins to his name! He is the lightweight champion of the world! He has friends, a loving wife, Maureen (Rachel McAdams), a daughter, Leila (Oona Laurence), a mansion, a lifelong manager friend/promoter (50 Cent), and fat filthy stacks of cash.

But he wasn’t given these things. He had to work hard. He was an orphan, raised in the foster care system. So was his wife! So were all his friends. From nothing they created something great, and now with all the hits to the head, there is a chance he could lose it all if he keeps taking a beating. His wife wants him to live to see their daughter grow up, a fair request. So sure, maybe he should retire.

Not everyone is down with his retirement though. Miguel Escobar (Miguel Gomez) claims he is the best at the sport, but Billy won’t give him a chance. Miguel needs to beat the best to claim he is the best, so he starts a public taunting event to get Billy to commit. But when the taunting gets too personal, events quickly escalate and a pretty bad thing happens. I honestly don’t know if the bad thing was said in the spoiler, so I will avoid saying it.

Needless to say, post “bad thing”, Billy won’t get to live out the rest of his life as planned. Depression, loss of wealth, drugs, all of these things bring Billy down. After he loses everything, then, maybe then, he can turn his life around with an old gym owner (Forest Whitaker) and living on the streets.

Also featuring Naomie Harris, Skylan Brooks, and Beau Knapp.

Billy was eventually defeated by a KO from his daughter, quite embarrassingly.

Southpaw left me an emotional wreck. Notably important, I have a wife and I have a daughter, so despite not growing up on the streets or being athletic in any way, I found myself relating really heavily with the main character. All the bad things that happened to him I could imagine happening to me, so I was on the same wavelength from minute 1 and on.

Southpaw isn’t a revolutionary story. It has some normal boxing movie moments, maybe even cliches if you will. It wasn’t going for Warrior (shut up, I know it wasn’t boxing, close enough). But what elevates Southpaw is in the incredible acting.

Everyone was on point in this film. Gyllenhaal gave a complete performance, transforming himself into a new person. The film was originally going to star Eminem as the titular role, as a spiritual sequel to 8 Mile. Obviously Eminem wasn’t a champion boxer, but the whole film would be a metaphor for what was going on in his life and his own struggles. It was actually easy to imagine him playing the role early on, but I don’t think he could have pulled off the more emotional and intense parts of the film in the middle and end.

McAdams is in a lot of movies that make me cry, but she is never the reason for the tears. This time McAdams made me cry, who gave one of her best performances. It took awhile to get used to it, but it worked. Whitaker also gives his best performance in years, doing well on the drunk ramblings. It was nice to see after a few pretty bad and cheap movies in a row. And of course, Laurence as the daughter did an amazing job. She conveyed emotions through her eyes like a seasoned pro, with only one of her scenes feeling a bit cheesy.

Southpaw is a movie about a family and boxing. Broken down it is awkward: Boxer’s life turned upside down due to boxing, only way to fix it is more boxing. But the acting and characters make it an incredible film experience.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

I have been waiting to see the documentary Merchants of Doubt for years. Technically. Kind of.

Let me back track. When I was an undergraduate at UNC, I was also a security guard. Paid well, and I got to do homework/watch movies during shifts. During one desk shift at a building, there was a talk from some lady. Apparently there was a gun nut in attendance who disagreed a lot with her and asked a bunch of awkward questions, noting he had a gun and then left. I of course wasn’t anywhere near it, but was told after he left to be on the look out.

The speaker was Naomi Oreskes, one of the authors of the book. The talk she gave was probably wonderful, but I wasn’t able to see it obviously. So I bought the book instead, Merchants of Doubt, telling myself I would totally read it. This was back in 2010 or 2011.

Obviously I never read the book. But last year I found out that a documentary would be made of the same name! Hooray! Now I don’t have to read the book I bought so many years ago! I can just spend a little over an hour and a half, getting all of the same information in easy to digest form! So although when I bought the book I didn’t know it would become a documentary, I somehow knew then I wished it was the whole time.

Either way, long intro aside, this documentary has one main point: The same science fucks who sided with the smoking companies saying there was no evidence of smoke being bad / cigarettes being addictive are the fucks who are also denying climate change.

This is one of those fucks right here.

Of course it isn’t as simple as that. First of all, the title comes from the strategy that tobacco companies used once there began to be evidence of bad things. They used doubt. People went on the TV, to spread confusion. They told people that scientists didn’t know, some say yes, some say no, no real proof yet, but they are working on it. This worked for a long, long time. So other companies began to use it as well. Oil, pesticides, pharmaceutical companies, you name it.

And again the fact that the scientists involved to back these claims up also tend to be on the “company side” more often than not sounds beyond sketch. Because you know, it is in fact sketch.

This documentary goes into great detail through both the history and how it affects today’s scientific and political landscape. Long story short: think tanks, ran by corporations secretly, to make it seem like things like climate change are controversial and not completely agreed upon. They even help make reports look identical to the IPCC report, with opposite conclusions, to confuse people further.

Shit’s fucked up, and now Republicans all disagree with man made climate change (despite most saying it was real back in ’08) because that is where the money is. End of story.

A very informative documentary, one that should be watched by more people to see the shady shit that happens in politics, in order to make money.