Author: Admin

“No, there is no way…” you might be thinking to yourself. “The website just hit 1500 reviews not that long ago. Why would he still do a big weird review every 50? It’s getting old now, he should just do it every 100. That makes sense.”

Man, you are thinking a lot. But yes, I am indeed doing another Milestone Review. Maybe after I hit 2000 I will switch it up, but frankly I love doing them which is why I am willing to celebrate number 1550.

So, why The Love Guru? Simple. It is just another supposedly awful movie that I have never seen. I need to see the classic bad movies and make sure they are bad damn it. It makes me a stronger human being.

But even more so, it is rumored that this movie killed Mike Myers‘ career. It makes since when you look at his IMDB, after this film he had a small cameo in Inglourious Basterds and then no other feature film roles. Just voice work, mostly Shrek, and some shorts. He must really be devastated by this film.

Also, it is two days before Valentine’s Day, it is fate. Plus I heard it has a lot of celebrity cameos!

Hey everyone, it is former NHL Defenseman Rob Blake!

Guru Pitka (Myers) is the number 2 Hindu love guru in the world! That damn Deepak Chopra is always on top. He is the one everyone loves and gets all the money.

Do you know why? Because Chopra was on Oprah, and Oprah’s reach is vast and powerful.

Pitka was the son of missionaries to India, where Pitka received training from (sigh) Guru Tugginmypudha (Ben Kingsley). Pitka made it clear that the only reason he wanted to be a guru was so that women would love him. Makes sense, honesty is good. Tugginmypudha (sigh again) took this knowledge and put a chasity belt on him, until he could learn that loving himself was more important than being loved by others.

Get it? That’s a masturbation joke!

So how’s a Guru gonna get on Oprah? By helping a big time celebrity do something great!

I’m about to talk hockey. The Toronto Maple Leafs haven’t won the Stanley Cup for a long time. Over 50 years. It is a joke now. But they finally have a great and dynamic player in Darren Roanoke (Romany Falco). He has gotten them to the Stanley Cup Playoffs! But recently his wife, Prudence (Meagan Good) has left him.

She hasn’t just left him to be single. She left him for another man. Another hockey player. Jacques “Lè Cocq” Grande (Justin Timberlake), goaltender for the LA Kings. He is French Canadian and he has a big dick.

That’s funny because black dudes usually have the biggest dicks.

Now Roanoke is heart broken over his love life, but he won’t admit it. He won’t admit to being that love struck. So his play begins to suffer and it has for awhile.

But now it is almost the Stanley Cup Finals! They need him to win!

So the owner, Jane Bullard (Jessica Alba), a fan of Pitka, wants him to come down and save the team. She is also worried about a curse that is attributed to her dad after they bought the team, as they haven’t won since. But that is a side issue.

Thanks to Pitka’s manager, Dick Pants (John Oliver), Oprah is also going to put him on her show if he can help the Maple Leafs win the cup! Hot damn.

I think the real joke is that his entire body looks like one large erect male penis.

Pitka has a plan. He wants to put Roanoke on his DRAMA program. Pitka loves acronyms, most of his presentations feature them.

The D stands for Distraction. He wants to distract Roanoke from his issues first, to see if he will play better. If he isn’t thinking about the lady, maybe he can just naturally kick butt again.

And it works! However, it also leads to him getting a two game suspension. The Maple Leafs lose game 1, and now Roanoke won’t be there for games 2 and 3! Shit, you only need 4 to win.

This lands him in hot water with his coach (Verne Troyer), whom he also physically assaulted during the game to earn the suspension. Not that it matters, because they need him.

Can’t even.

R stands for Regression for some reason, and Pitka hears that Roanoke’s mother (Telma Hopkins) never goes to the games. There must be an issue there, so they visit and well, Roanoke is just afraid of his mom. They have some issues and whenever she comes to the game he gets all nervous and sucks it up.

But that problem is moot. Pitka needs to fix the problem and fast or else he won’t get Oprah! So fuck the rest of the AMA.

So he solves the love problem, not the mom problem, a temporary fix. This allows Roanoke to get his groove back and help win the next 3 games for the Maple Leafs. That means they have come back to force a game 7, and everything is now on the line! Nothing can go bad!

Just like Katrina wasn’t so bad.

Let’s take a break to talk about hockey. Mike Myers is Canadian and he clearly likes the sport. I have seen pictures of him at games! Never Kanye though. So it makes sense for him to want hockey in a movie he has made with his own hands and toes.

But for someone who actually likes the sport, there is so much they got wrong that annoys the crap out of me. And I am taking in the fact that this movie came out in 2008, rules are still rules.

Lot of illegal things happneed during the game with no calls at all. Many penalties ignored, making Hockey seem much more thuggish (which was made apparent when Roanoke was told to not fight, but he said that all hockey players fight).

After he did something bad, the ref kicked him out and said he was suspended for a game. Changed his mind after he did something worse and called it a 2 game suspensions. Refs don’t have the power to suspend, only in Soccer. It was awkward.

They messed up the playoffs for some reason. For hockey, the home team has a 1 home game advantage. They play 2 at home, 2 away, 1 at home, 1 away, and the final one at home if it goes to 7. Instead of 2-2-1-1-1, they did 2-3-2, which is what the NBA does for their finals. They made sure to get the arenas right, except for in game 3 in LA, when they switched back to show people in the Leafs press box or something similar.

Timberlake’s goaltender wears an illegal old mask for some reason. The Maple Leafs coach at one point calls “his last time out” when there is only one time out in hockey. It is technically true, but no one words it that way.

And finally, Rob Fucking Blake, celebrity hockey cameo. He plays defense, and they put him at forward.

Get that cotton candy grin off your fucking face. Hockey is serious business.

Guess what? Roanoke’s mom shows up to game 7, causing a catastrophe. But thanks to Pitka coming back to save the day and a lot of people working together, Roanoke comes back and saves the day. Yay.

And guess what? Pitka learns to love himself! So his chastity belt can come off and he can sex up Jane and they can do fun Hindu things together. I couldn’t figure out how to mention that Manu Narayan was in this movie as Pitka’s assistant. So here you go.

If you expected this song to not end in a Bollywood song and dance number, then you probably don’t even know how to put on pants.

One foot at a time, until all five feet are in.

I also forgot to mention cameos! Stephen Colbert and Jim Gaffigan are the sports announcers. Rob Huebel and Daniel Tosh play tough guys in a country bar, leading to the worst bar fight I’ve seen in a movie. Val Kilmer, Jessica Simpson, and of course Kanye West play themselves. And Mariska Hargitay is in here, which is a joke that I did not get at all.

The Love Guru, as it turns out, is just not good. This could never be a case where it turns out everyone hated it before watching it and judged it by the trailers. Sure, that could have happened. But since in real life land, Myers hasn’t really worked since, it physically has to be a real turd burglar.

The biggest issue is that this movie has one main type of joke that it just runs into the ground. Sex! That is all Pitka really wants, and thus jokes about, and it gets old quickly.

Sure, they throw in some other humor, race, height, whatever, but it all comes out as juvenile. The only scene that actually made me giggle was seeing Myers/West together as fans. Good, they poked fun of the real life situation that was awkward only two years prior. But that is a one off moment and isn’t relevant to the film in any way.

I feel like Pitka lacks a real personality. Austin Powers was amazing, as the films were parodies sure, but Powers had a voice, had a reason, and made sense in the world he created. Pitka was something that felt like a never ending SNL skit with nothing below the surface.

I imagine most people working on this project saw this as the next Austin Powers, a budding franchise that everyone would love. Well, maybe if this one came out in the early 90’s. Because the humor was over a decade late and it just feels never ending.

People have been waiting years for a Deadpool movie. At least a little bit over one year.

Remember X-Men Origins: Wolverine? Of course you don’t, because any sane person has blocked it from their memory. But that is when we finally got a Deadpool on screen, played by Ryan Reynolds, and he was barely in it. Hell, he became a final fight, but his mouth was sewn shut, and he is known for his talking mouth.

So people went on the internet and bitched and complained, which is the number 2 thing people do on the internet. And no one listened. Until finally, in 2014 “test footage” of Deadpool visual effects made in 2012 was “leaked online.” Oh no! The internet went wild and shared it, showing there would be interest, and guess what, interest finally existed for them to go full on with the movie that had been in development hell for at least a decade.

Now that it is here, my only worry is that it is actually going to suck. Because the Wolverine solo films suck and the advertisements everywhere make the film look like it is trying too hard.

Heh. Hard. Like a penis. Hey, is that a boner!?

Ryan Reynolds is DEADPOOL, aka Wade Wilson, aka not Deathstroke or Wolverine. A weird guy, excessively violent, speaks graphically and honestly, a go getter, can heal exceptionally fast, and breaks the fourth wall.

That is basically everything you knew if you were already on the internet, because that is what is he known for now.

Did you know before he had the hideous face he was just a fucked up mercenary with a twisted sense of honor? Did you know he loved a woman (Morena Baccarin) almost as fucked up as him? That he frequented a bar of tough guys where his friend Weasel (T.J. Miller, not Pauly Shore) worked? That he developed cancer in multiple parts of his body, and to try and cure it, he underwent secret scary surgery that promised to make him into a super hero?

But no, it was a bad place run by Ajax (Ed Skrein), who was turning these people into super soldier slaves! He is the main bad guy, super strong and fast, with no nerves so he doesn’t get a fuck about no pain.

Yeah! So Deadpool really wants him to kill him. Or get him to fix his ugly body that is gross now, then kill him!

Also featuring on his side, Colossus (Stefan Kapicic, just the voice), and Negasonic Teenage Warhead (Brianna Hildebrand)! Angel Dust (Gina Carano) is Ajax’s main lackey, and a guy named Warlord (Michael Benyaer) also exists. Other characters are played by Karan Soni, Randal Reeder, Jed Rees, and Leslie Uggams plays Blind Al.

Colossus could make a good case for being blind as well.

I am afraid the internet will hate me. Deadpool has received gallons of support from other early reviewers, and if I don’t like it they will cut me down like the people who for some reason believe Sylvester Stallone deserves awards from Creed.

But let’s get straight to the point. Parts of Deadpool are hilarious. Parts of Deadpool have great action. Parts of Deadpool make me smile. But all of them just feel like small parts, and I want more. It isn’t funny enough and there isn’t enough action.

Starting with the action, our bad guy is played by Skrein, who most recently did a terrible job with The Transporter Refueled. His character is also strong and can take a huge beating, but he is incredibly boring and dry. He doesn’t feel sinister, just almost like a normal gang member with some powers. Similarly, Angel Dust is just Gina Carano. She is super strong I guess? Another boring power.

But they are just two people who like like humans, going against Deadpool and Colossus, a 100% CGI man, and Negasonic, who is barely used. In super hero battles you expect both sides to have some sort of pizzazz. Without it, it is just Deadpool slaughtering gang members and a couple slightly stronger humans.

Similarly, there didn’t seem to be enough action. The intro action sequence plastered over the trailers was broken up by extremely long back story sequences. It ruined the flow of that scene for me. Outside of the final climatic battle, it just didn’t feel like there was a lot between them.

This is about as epic as any encounter gets unfortunately.

Now for the comedy. Again, there were great and hilarious moments. I tended to laugh at the smaller jokes. The crude and vulgar humor felt about as funny as it does in a teen sex comedy, so sparingly. T.J. Miller was usually good, but even his lines felt forced at times, not a lot of natural moments.

Meta jokes were usually good, as they were part of the fourth wall breaking. I tend to like that in movies in general, and the moments in here were all used nicely. But again. The back story didn’t have enough humor in it. The lines were witty, but they were too far and in between. Fuck, when he was getting tortured in the secret facility? I thought that would never end. It didn’t make the film feel dark and gritty, just made me checking my mental clock wondering when it would get to the good stuff.

I am just a bit disappointed. I got a bit hyped up from the internet storm, and I thought Deadpool could have been a lot better. More wall to wall action and comedy. Better villains so that something cool could have happened in the fight scenes. Hell, Colossus was completely underused and just became generic Russian strong guy.

I have high hope that sequel will end up being much better. But for now, this ended up just being okay, exactly what I was afraid would happen.

A Pigeon Sat on a Branch Reflecting on Existence was recommended to me months ago. But alas, it was a foreign film, and I put all of them in my “Get To Eventually” folder. And a couple months ago, it was even put on Netflix, making it even easier to watch it, but alas, subtitles.

And now I am finally forcing myself to watch it, not only because I love the title and want to know more, but because it was nominated for a Spirit Award for Best International Film! Didn’t get a pick for the Oscars, but hey, that’s harder.

Anyways. What the fuck pigeons, right?

Horses are notorious for their hatred of pigeons.

I have no idea what to say.

This is a weird movie with a lot of smaller plots. Most of them are pretty much on their own, but occasionally, some of them get connected.

The picture above is pretty sweet though? A lot of strange things going on there. We got a horse, we got uniforms, we got a bar, we have some scared women, and a dude in a mask. Just give it your full attention. It is strange, and it is meant to be strange.

The picture below is less exciting, but it was my favorite scene. Why? Well, the place burst into Norwegian song, and it was a great feeling. I stopped looking at the lyrics just to listen and watch, because song lyrics rarely matter.

If there was any story, it would be about Jonathan (Holger Andersson) and Sam (Nils Westblom), two novelty item salesmen who try to sell some items and wander around and have bad shit happen.

Ever feel like everyone in a restaurant is staring at you?

A Pigeon Sat on a Branch Reflecting on Existence is probably the weirdest movie of 2015. Take that American Ultra. And I mean weirdest by a mile.

It isn’t super absurd, like Rubber, it just has that strange aura throughout each scene. First of all, the camera doesn’t move or follow anyone around. Each of the pictures showcases a scene, and in the entirety of the scene, you will see it from that point of view. That makes the viewer feel disjointed from the action, like an outside observer. Like a…pigeon…staring through the window…or something.

Secondly, the characters are just weird people. The scenes are amusing just because they don’t feel normal. No one is extravagant with their emotions. They are all low key and living their monotone lives.

A very strange film to describe, so much that I have used that word five times already and this review is getting repetitive.

Is it good? Debatable. I would say it is unique and well made and it did what it was going for. Not really anything I’d suggest to most people, nor would I ever watch again. Norway. You crayyy.

Hayao Miyazaki, remember that guy? Famed animated director at Studio Ghibli who made a shit ton of great animated films and then retired after The Wind Rises?

Well, Studio Ghibli was basically all up on that Miyazaki hype train, so the didn’t really know what to do. Yes, they did The Tale of the Princess Kaguya which was incredibly different (and still amazeballs), but they decided they should take a break to figure out what the hell they were going to do.

Right after When Marnie Was There, which was already in development. Yes, after that, THEN they would take their break and figure shit out.

So here we are. Ho hum. Feels like a filler movie knowing these details.

When Marnie was there, Anna was still a good steps from the finishing line.
That slow running bitch.

Anna Sasaki (Hailee Steinfeld) is a 12 year old girl, a bit of a loner, and a lot of a tom boy. She isn’t going to the mall or teeheehee-ing it up with the other girls. She just wants to draw and be left alone (thus my use of the term loner). Either way, she has an asthma attack, so her Foster mom (Geena Davis) sends her to her relatives over the summer to get a refresher on life.

There she stays with Setsu (Grey Griffin) and Kiyomasa Oiwa (John C. Reilly), still feeling weird. Anna gets in a fight with a girl about her blue eyes (not knowing her real family), so she runs off to the mysterious mansion across the Marsh that used to have foreigners live there. It is not abandoned. JUST KIDDING. Marnie (Kiernan Shipka)is there, and so is her whole rich family. Funny, it used to look abandoned and shit.

Marnie and Anna agree to keep each other secret, so they can be friends but let no one know.

Overtime, with Marnie, Anna is able to find out the truth about her life and her family, even though she doesn’t know it yet.

Also having the voices of Ava Acres, Vanessa Williams, and Catherine O’Hara.

When Marnie was there behind the bushes, we could see everything. EVERYTHING.

Just so we are clear, I totally watched the English Dub, thus the actors/actresses tagged. I couldn’t even find a subtitled version if I wanted it.

And just so we are clear again, this film was nominated for an Oscar for Animated Films, as the Studio Ghibli movies tend to be. But this one just doesn’t do it for me on any level.

Ghibli in recent movies have had the sexiest animation, although going in many different directions (see the two movies I tagged in the intro). This one just felt so bland and old. It felt stylistically like a step back in the wrong direction. It wasn’t completely shit, it just wasn’t up to the standards that I have become accustomed to.

The voice acting from the English cast felt pathetic. The first half of the movie, everyone seemingly just talks in a monotone voice. It makes the story drag on and on. By the end, I didn’t give a crap about the mystery of who Marnie was. It felt like the characters were bored with it all, and the emotions were just pitiful. I wonder if the voice work was all done in one take with never any context.

As I already mentioned, the story was a big meh from me. It could never grasp me or make me care about those involved. It felt way too long, without enough happening to push the mystery closer to its conclusion. The entire mystery is told by the end of course, but if there were clues along the way to let you know what was happening, I didn’t see any of them.

Ghibli is taking a break to figure shit out. This is good. I am sad they ended the note on this film, which I almost feel like was nominated because the Academy is used to their films being so much better.

Growing up, I never really felt like a girl. No, I didn’t skip from toddler to womanhood. I am just a dude. But still, I don’t know what it feels like to be a girl.

I never found someones diary and betrayed their trust by reading about their deepest and darkest secrets. Except for Anne Frank, but apparently she was cool with it since she was dead and all.

Thankfully, I have movies that tell me what it means to be a girl. And I also now have The Diary of a Teenage Girl, so I can get those few years of middle and high school. That is definitely the years I understood girls the least, given my friendship and dating record.

What? Oh this is getting too personal. Sorry, I confused a prestigious movie reviewing website for a Live Journal again. Ahem.

Now let me put the rest of my secrets on audio. No one can get to them then.

Minnie (Bel Powley) just had sex for the first time and she is only fifteen. Whoa. This is already getting too personal for me.

She has been wanting to explore her sexuality for awhile, but she is sort of shy, not the best looking girl and lacking confidence in her breasts. But she had sex finally after seducing Monroe (Alexander Skarsgård). For those who can read actor names in the parenthesis, you will realize that he is not a high school aged boy, he is a super adult. That is because he happens to be the boyfriend of Charlotte (Kristen Wiig), Minnie’s mom. Oh boy. That’s a rape.

Except they get super into each other. Like. A lot. And I do mean into each other. This ups Minnie’s confidence to walk down her school’s halls and know she can take on the world.

But again. This relationship is not appropriate and bad. He is manipulating her. Or fuck. Is she manipulating him? No, that’d be crazy…

Also starring Abby Wait as Minnie’s younger sister, Miranda Bailey as Minnie’s friend, and Christopher Meloni as Minnie’s father.

If you look closely, you will see this picture is very inappropriate.

I have never felt so much like a teenage girl in my life before. That should be apparent given the introduction. Powley did such a fascinating job as the lead. Powley herself is 23 years old at this point, but she was a teenage girl before and frankly looks very young. So along with acting the shit out of being an actual teenager, it made me feel quite uncomfortable. Uncomfortable enough to look up Powley’s age.

The film was rated R for a variety of reasons, including GRAPHIC NUDITY, but surprisingly no actual male dick. The only penises you see are drawn/animated. Lot of boobs though. And a lot of very uncomfortable sex. Sex sex sex.

Moving on. The rest of the film, outside of the awkward teenager ness and great acting from Powley, was also good. The supporting cast felt realistic, the plot felt realistic. It was all just about a girl finding herself. There a quite a few films that fit into this genre, but this feels like it should go directly to the top tier.

This film happens to be up for several Spirit awards, including Best Actress and Best First Feature, meaning the director hadn’t done a film before this one. Pretty crazy to think about. Marielle Heller, not only directed for the first time, but also wrote the screenplay, which is also her first. It clearly takes a woman to really understand all the weirdness it takes to be a woman.

Now, I am not trying to be sexist here. But let’s think about The Lady In The Van. Is it creepy? Maybe a bit. I imagine a cat lady, even though if you live in a van, you probably don’t want cats in there as well. That’d be poopy.

But if this was titled The Man In The Van, most likely it would be some sort of scary horror film. Lady is intriguing. What is she doing in the van? Man is sketchy. What is he doing in the van? He should stop it immediately regardless!

I guess I should be thankful this is about a lady. Early year horror films are janky, but dramas early in the year might not be.

Overall, this babble is brought to you by: Genders. Men are scary, yo.

How British in this movie you may be asking? Well…

Miss Shepherd (Maggie Smith) is just a really old lady, and she needs help. Sure, she lives in a van, but she is self employed selling pencils and notes on the street. Not a beggar, no sir. People wouldn’t take too kindly to that. This is 1970’s England, and it is perfect! She parks her van in a nice suburb area. Where the people are relatively well off and in that range where they will help her out and let her use the water closet, to make themselves feel like they are doing good in the world. And Alan Bennett (Alex Jennings) just moved in.

Alan is a writer of plays and, of course, mildly successful. He has finally moved away from his Mam (Gwen Taylor), who might need to be put in a home herself soon. He is our narrator as well, and he describes that he has two halves. The one who writes, and the one who lives. Sure enough, he befriends this lady in the van, who has lived an apparently long and complicated life. He already writes a lot about old ladies, thanks to inspiration from his Mam, and he has to figure out if he wants to write about Miss Shepherd as well, or just experience her like a normal person would.

Miss Shepherd is also very secretive about parts of her life. She hates it when anyone plays music and will rant wildly if it occurs. She is being blackmailed by a cop (Jim Broadbent) for maybe killing a person. Yeah, that is important.

Guess how long this old lady stays on the street/ in his driveway? Guess! Over a decade, that is the only hint I will give.

We have a lot of neighbors who are in the story, played by Frances de la Tour, Roger Allam, and Deborah Findlay. There were also quite a bit of cameos. People who I thought were way too famous to be in this movie for one line or one small scene and never seen again. They include Dominic Cooper, Sam Spruell, James Corden, and Russell Tovey.

And this is the lady sneaking out from behind her van.

It turns out all the people who had small cameos in this movie were there for a reason. And no, it wasn’t because James Corden is a douchebag who only gets 1 line in British films and doesn’t deserve a Late Night talk show program. The director, Nicholas Hytner, also directed The History Boys about 9 years ago. It was his last film and all of these random famous people cameos came from that film. The more you know!

Also, this movie is technically a 2015 film, despite getting released in America so late. So it was up for all the fancy awards and it was nominated for…one golden globe! It was also nominated for some British awards, as expected, given it has Maggie Smith in it, who is basically the British Meryl Streep. They love nominating these ladies.

Speaking of Smith, she was fantastic in this role. I have never seen her so old or decrepit. I was getting worried about Smith herself, given how pale and old she looked. Thankfully I remembered that make up departments in a movie were a thing and she doesn’t actually look like she is one step away from death. But damn do they pull it off in this movie. She is funny and naggy and cantankerous. Everything you’d hope for in a movie old lady, but not in someone you actually know.

The rest of the movie leaves something to be desired. Jennings plays an incredibly closeted British man well, but as a narrator and co-lead he is never really exciting enough. He is basically playing the audience half the time, just watching things happen around him, due to his timidness (or Britishness, really). The split personality thing was confusing for the most part, never really enjoyed how they had that play out. It was made weirder at the ending when they tried to explain it a bit more in the conclusion, too. The many other characters give an occasional smile, but don’t do a lot outside of show up once in awhile to be nosy.

Overall, you can probably watch this for Smith as she gives a wonderful eccentric performance. But this is not something you would want to watch ever again.

Oooh, something about Ukraine. In Ukrainian!

I didn’t know what to expect about Winter On Fire: Ukraine’s Fight For Freedom. If I had to guess, maybe about how Russia was fucking it over? Technically, that happens all the time, so it wasn’t so specific. But I meant when Russia came and took Crimea from Ukraine, like, last year or whenever.

But no! It takes before that!

You see, Ukraine has a lot of problems since its independence in 1991. But damn it, they were a free country. They just had some kinks to work out. Their eventual goal would be to join the EU, which is why in 2013 they voted in a President Viktor Yanukovych. He ran on a campaign to get them into the EU.

Unfortunately, the President in November of 2013 refused to sign the agreements that he promised. Partially due to Russia, who was laying down some harsh trade restrictions against Ukraine, because Russia is a dick. Either way, public opinion on him quickly turned. That night, hundreds of college aged Ukrainians in Kiev went to the Maidan Nezalezhnosti central square. They peacefully protested and demanded that the government sign the agreements and start them on their journey to join the EU.

And then the police got involved. Most notably the Berkut, which is like the police special forces there who work for the government. They attacked the peaceful protesters because the President told them to, which really caused everything to escalate.

I assume you remember the documentary had fire in the title?

From there, the protest moved to a cathedral where they could block the gates from the police and seek sanctuary. Word got out of the protests and more came. Food was donated, clothes, medical supplies. Doctors donated their time to help those hurt. And then they went back to the square.

Needless to say, the police kept trying to fuck things up. The same night UK/US delegates came to Ukraine to try and find a peaceful resolution, the Berkut launched a late night sneak attack to wipe everyone out of the area, which now had barricades and a lot of set up.

And of course, eventually the protesters fought back. They marched peacefully to the Parliament, and of course were fucked over, which started an almost war between the two sides. The protesters weren’t just college students by now. They were kids. They were old people. They were average blue collar workers. There were just a shit ton of police/Berkut and hired Thugs to try and fight the spirit out of the protesters.

Needless to say, I won’t describe it any more, but the protest lasted almost 100 days, with a lot of violence, death, and hopelessness. This documentary has footage throughout their protest, taken and compiled to show the story of how some youths decided to hold a revolution. After all, these kids were born in a free Ukraine, and they refused to let their freedom go.

The documentary is not for the faint of heart. There is a shit ton of footage of police brutality, people getting critically injured, and I am guessing I saw people get killed as well. It was so powerful and hard to look away. Which is good, since it was subtitled, and looking away would be detrimental to your viewing experience.

After this, I only have one more documentary that was nominated for Best Doc, but as of now, this is my favorite documentary of 2015 and I sure hope it wins.

Fuck yes. I am hyped. I am beyond hyped. I am too hyped.

I am hyped because I am excited to see Hail, Caesar!, potentially the first great movie of the year. We are out of January, and things can start to look up, if only for a little bit.

But hold the fucking phone. Two years ago, on the first Friday of February 2014, a different movie came out that I was super hyped for. That was The Monuments Men. I assume everyone knows that The Monuments Men ended up being one of the most disappointing films of that year, given that it had such an excellent cast and potential, but it was entirely squandered.

And George Clooney starred in both of them. Arguably there is more talent behind the scenes this time, but he has let me down before almost two years to the day.

So I am going in a bit timid. Excited, hoping for the best, but weary nonetheless.

BUT CLOONEY IS THE GREATEST ACTOR OF ALL TIME.

In the 1950’s, Hollywood was a rough place. It was chaotic. There was no CGI. The sets were big and the egos were bigger. Heck, people were talking and singing in movies now. In color. Everything is splashy and outlandish.

Eddie Mannix (Josh Brolin) is a man who loves his wife and kids and is a devout Catholic. But he is a hard ass and he knows what needs to be done. He is one of the heads of Capitol studios, the biggest studio in Hollywood, and he is a fixer. He works long hours, looks at the film dailies, and make sure everything goes according to plan. That means makes sure the actors are where they are, finding replacements, protecting the image of everyone working there from a potential disaster. He is a one man wrecking crew, but like, the opposite of wrecking, because he saves everything.

So when Baird Whitlock (George Clooney) goes missing from his set of Hail, Caesar!, a giant historic epoch of a Roman general who met Jesus before he was crucified and became a believer, Mannix was on the case.

Mannix will also have to deal with a western actor being forced into serious drama (Alden Ehrenreich), the acclaimed director who cannot stand it (Ralph Fiennes), a singing swimming starlet whom is pregnant but unmarried (Scarlet Johansson), gossip columnists (Tilda Swinton), and maybe leaving this job behind for a similar, better paying, easier job in the tech industry. He doesn’t have to worry about Burt Gurney (Channing Tatum) though, he’s perfect.

Also featuring Frances McDormand, Jonah Hill, Veronica Osorio, and Alison Pill. They all basically have only one scene. But Heather Goldenhersh has a bunch, still minor.

Every good film has a mermaid in it.

Oh you Coen brothers. You sly devils. I originally watched the trailer for Hail, Caesar! assuming it would be a period peace film. I love Ancient Rome things, and I would love it if they decided to put their hats into that ring. But it wasn’t about ancient Rome, it was about Hollywood and many film genres of the 1950’s. They decided to go meta with it, allowing multiple story lines and themes, providing a bit of satire along the way.

Well, I still hope in the future they give me a movie about Ancient Rome with George Clooney in it. I will be wait. Thankfully, Hail, Caesar! was a great movie to watch to help pass the time.

H,C! was hilarious. It really had my funny knee in stitches. I might be getting some of that terminology wrong, but I giggled quite hard many a time. In particular, I loved the religious round table, the scenes between Ehrenreich and Fiennes, and the song and dance numbers. Ehrenreich killed it in this film, despite still being relatively unknown. He has the same sort of vocal twang he had in Beautiful Creatures that made me so happy, so I was glad to hear it again.

Brolin did a nice job of carrying the film, although his character felt like a lot of his previous roles. Clooney and Tatum were also swell.

What can I say? The Coen brothers are a great team. They know how to write together and direct together. They consistently put out high quality entertainment, even though not everything is a guaranteed hit, you know there is a good chance it will at least still be zany.

Surprisingly this year I am far more caught up on Oscar nominated films than the years prior. Of the major categories, I am only missing two films, Trumbo and of course 45 Years for Best Actor and Best Actress.

Best Actress and Supporting Actress are almost always weaker categories for me. And so, damn it, I swore I would see 45 Years before Trumbo. The only sad part about that is thanks to release dates, my review of 45 Years will still come out after Trumbo, but I did see 45 Years first!

I am a bit excited about 45 Years because I only ever heard of it when it was announced as a nominee! I love surprises! Except for surprise parties. No one likes those.

Surprise love letters are also frowned upon.

45 Years is about three people, but only two of which have a person playing them.

Kate Mercer (Charlotte Rampling) and her husband, Geoff Mercer (Tom Courtenay) have been married a long time. Specifically, 45 years! They have no kids and mostly live by themselves in a loving marriage. They planned on having a big party for their 40th Anniversary, but a surgery came up and wrecked their plans. So instead they are going all out for 45. After all, they don’t know if they can make it to the next milestone

But then Geoff received some news. They discovered Katya’s body. Katya was Geoff’s girlfriend before Kate and she died 50 years ago. It involved mountain climbing and she fell off into a river or mountain or something. It was very tragic, but her body has finally been found and it is perfectly preserved.

That is weird and strange. It has been so long and it was so tragic, but Geoff has mostly forgotten about her. Obviously Kate never knew her, but she really doesn’t want to know her either. This is the week before their big party and they should be taking it easy and planning. But now Geoff wants to go and see the body for closure, at his age despite his health.

And that is only the first problem that comes up. Kate is noticing a change in her relationship and Geoff’s behavior over this knowledge, one that makes her feel like second fiddle despite their many many years together.

Time for awkward old people talk.

Shit, is he friend zoning her?!

Movies about old people are weird for me. I am still a relatively young adult male and so I haven’t necessarily had enough adult experiences to relate to everything. The passing of family and loved ones, for instance, is one thankfully I have yet to experience.

This one is still a bit different. This is about a death before a marriage occurred. Before the couple even met. And something that normally wouldn’t come up again so much later in life, but a missing body brings it to the for front. It is a unique occurrence and one that rarely anyone would ever experience

Thankfully, the two actors here do a phenomenal job together conveying years of anguish and loss over these events, almost entirely through their facial expressions and tone of voice. This isn’t a dialogue heavy film. It is a strict drama and it is slow (painfully at times).

If you want to see 45 Years, you will want to see it for its great, subtle and realistic acting. But as I just mentioned, it is slow and I question how much of some of the middle parts ended up being relevant to the plot. I can’t just watch a movie of people being old and sad. I do need changes to occur and plot to develop a bit more than what ends up happening.

The final scenes in the anniversary party are good though. Some long scenes of just straight up speeches and acting and it stays incredibly sad. Not a film I would ever want to watch again. But still sad and if it wasn’t such a stacked year for Best Actors, Courtenay probably would have been nominated too.

I am pining (Pine-ing, if you will) for a conspiracy here, so hold on to your butts, let’s see what I can do.

Chris Pine is a weird guy. He does a lot of weird movies. Did you see Stretch? You should go see Stretch. At the same time he is a bit of a Hollywood pretty boy, so Disney wanted to get him in some of his movies.

They got him a small role as a Prince to make him feel important in Into The Woods, offering him the lead roles in future movies. Which brings us to The Finest Hours. I guess I am teasing a bit, because, I won’t get to the point of this intro until after the second picture.

Chris Pine-spiracy.

This is one of those Disney true story period dramas that they do quite often, and half the time in Sports. So they picked a 1950’s Ship Disaster, where two large Oil Tankers near Massachustes were ripped in half during the same storm. And during this same storm, the local Coast Guards had to attempt to save the lives of as many people as possible.

Our hero is 23 or 24 year old Bernie Webber (Chris Pine), a guy who grew up in a small town near Cape Cod and who has been sailing most of his life. So he joined the Coast Guard to save lives. There was a big storm the year prior where he was unable to do that and it has haunted him. So it comes to no surprise that he is willing to risk his life to go out into a bigger storm to do it again. His commanding officer (Eric Bana) isn’t from the area and is inept, meaning that he shouldn’t have sent out anyone due to the waves and the shifting bar. But then we wouldn’t have a movie.

Webber and his crew (Ben Foster, Kyle Gallner, John Magaro) take a small 32 foot boat to find the half of an oil tanker that is apparently a few miles off the shore. They don’t have an exact location, it is night time, and of course en route they also lose radio communication and their compass.

Meanwhile, on the ship itself, it is a giant vessel, in half, floating throughout the big waves. The crew consists entirely of workers, with the captain and “real leaders” being on the other half and totally dead. The de facto leader goes to Ray Sybert (Casey Affleck) a quiet type who runs the bottom of the boat. I am sure there is a real name there. He has to stop the crew from trying to mutiny and turn on each other, while also have them attempt the possible: to steer half of the ship to a shoal or a beach somewhere so they can maybe get rescued. They do this with the constant flooding and fear their engine/power will go out, which means no lights on their boat and no whistle to call for help.

The crew is made up of over 30 men, including Graham McTavish, Michael Raymond-James, Abraham Benrubi, Josh Stewart, John Ortiz and Keiynan Lonsdale.

Also featuring Holliday Grainger as Webber’s new fiance to give us that love interest and pseudo Interstellar moment, and Matthew Maher, aka the Holy Bartender from Dogma, with a sizable role as angry tow truck driver.

And dozens of extras who only grunt and scream and work. Dozens!

Back to the beginning. Disney wanted to woo Chris Pine because they wanted him to be a superhero in the Marvel movies. It makes sense. He is a big actor, in Star Trek and all. So they offered him a gritty-ish historical film to woo him hardcore and play to his interests. But Pine was sleeping around. Pine is now signed on to play a role in the Wonder Woman! Sure actors have played both sides of the field, but not since it has gotten to its current big status. So, thinking that Pine has made his decision, they decided to make The Finest Hours not as great as it should have been. They don’t care about a flop. They have Star Wars money.

For a film with a lot of issues, I feel I need to mention to best parts first. Casey Affleck was wonderful in this movie. His character was unique and had a consistent personality and was a great watch. Well done Affleck! McTavish also did a good job of grizzled pseudo-assistant.

The rest of the film? Well, first of all, it probably should have had permanent subtitles throughout. We have accents all over the place, so many characters require a bit of a stretch to figure out their words. Add on a loud angry storm, with people trying to yell things, and shit. Half the movie feels almost inaudible.

The next sense that is betrayed have to be your eyes. The entire film is mostly ugly on the color scale. It is grey, dark grey, and occasionally white, but usually grey white also. An already dark movie is made worse with 3D, adding to the overall darkness. And yes, as you might have fussed, the 3D adds absolutely nothing to the film, making it an unnecessary hindrance. Every single wave looks fake, so it is hard to really get drawn into any of the tension. I spent good chunks figuring out where the green screens were and how much of the water was actually real.

I don’t think anyone is real in this picture.

As for the actual plot itself, the romance, despite real, feels incredibly shoe horned. They realized they made a very man focused film, so only one woman, a fiance, has any real screen time and has to do everything as a result. We have to see her be strong and do things that were unheard of at the time for women. Showing great women is movies is a good trend, but not if it is badly done and at the detriment of the film. Not every film has to have it.

These scenes just made the rescue more drawn out every time they cut away from the two groups. And the intro of the movie is entirely about their romance, which also feels overly long, while also not allowing the audience to feel emotionally connected to either of them.

As a final moment of disappointment, a big advertising/selling point of this film is that there were 32 survivors on the boat and the rescue boat was small with only room for 12. They made it seem like there would be a nice moral/ethical dilemma once the boat was found. In reality, it was entirely ignored and the issue was solved by just fitting everyone on the boat quite easily. More great potential suspense floundered.

The true story of The Finest Hours is great. It could have been a very inspirational tale. But it was filled with cheese and shoddily made, giving what feels like a half-assed feel good film.