Tag: Sean Penn

When they first announced The Angry Birds Movie, you couldn’t have paid me to see the prescreening of it. That is because I was steadily employed when it was first announced. Now, when the actually prescreening occurred, I would have gladly accepted money to go to it. Alas, if I went I would have had to go for free and that still wasn’t good enough.

Now I played Angry Birds before. Yeah, like, in 2010, really early after it came out. I had an Android phone and it was 100% free, with a lot of components to it, so yeah, I played the shit out of it. Then I eventually stopped caring. I hated the space game, hated the star wars one, and well, just stopped caring, and never looked back.

At the same time I was annoyed by all the clothing and merchandising that was suddenly existing. It was just a small phone game, why would someone want a backpack with them on it? Oh well, I ignored it and then hey, six years after the game, a movie appeared.

Needless to say, waiting for it on DVD was always a safe bet for me.

Oh yeah, they really captured his anger there.

Red (Jason Sudeikis), is a bird, and he is angry. Everyone else on this island is happy, but not him. He is pissed off. All the minor things really piss him off. And after a series of incidents, he has found himself face first in an egg, so now the chick thinks he is its daddy. So the family goes to court over the incident and the judge (Keegan-Michael Key) sentences him to Anger Management class, the harshest sentence!

At the class, it is run by a white bird named Matilda (Maya Rudolph). He also meets a yellow bird who is incredibly fast, Chuck (Josh Gad), a big black bird who explodes sometimes, Bomb (Danny McBride), and a very, very large red bird who doesn’t talk a whole lot, Terence (Sean Penn).

But wait! A ship appears over the ocean. On it, a large pig named Leonard (Bill Hader), bringing gifts and technology to their small area. Everyone loves them, except for Red, because his house gets damaged in their arrival and he doesn’t let it go. All of the other birds get annoyed at Red’s anger and basically make him leave. Red decides that something must be up, as more and more pigs are arriving every day. He decides to bring Chuck and Bomb with him on a quest to find the Mighty Eagle (Peter Dinklage), famed super bird who can FLY to help save the day.

And if that doesn’t work, well, then maybe they will have to fix things on their own before everything goes sour.

Also featuring voice work from Kate McKinnon, Tituss Burgess, Hannibal Buress, Tony Hale, and Ike Barinholtz.

Oh, that pig is a king too. Royalty. King Leonard, the majestically hammy.

If you couldn’t tell, I went into this movie expecting to hate it. A franchise that has become both forgettable and annoying, about a game with not a lot of plot. It seemed like a cash grab (and regardless of quality, it is still that). Judging from the animation style, I expected it to be just as annoying as most of the Minions movies have been.

And then I laughed. I laughed quite a few times. I was surprised at how much humor they actually smushed into the film. It has a pretty standard 90 minute-ish run time, but there are so many things going on, almost at all times. It was made for the ADHD crowd. Background jokes, frontground jokes, puns, double meanings, and more. And of course globs of reference humor. The last time I saw this many jokes in an animated film was Cloudy With A Chance Of Meatballs 2.

Despite how quick everything went, it still also took its time, surprisingly. It took almost a whole hour into the film before the pigs finally went bad and did the bad stuff, leaving just the last act to chase them down and tear down their city in retaliation, aka, the angry birds game part. Normally that would be an issue but time surprisingly flew by.

Heh, like the birds when you sling them.

The Angry Birds Movie has a shitty title and a shitty franchise, but damn it, it was a pretty funny film and a decent experience. It won’t change the animated world, but it will make you giggle.

The first trailer for The Secret Life Of Walter Mitty is probably one of the best trailers of the year. Watch it, if you haven’t.

The next one was far more typical of a trailer, but it was still decent. Even better, the song in the trailer was actually used in the movie, a rarity these days.

The only thing I knew about this movie is that it took forever to get made, and it is based roughly on a short story written by James Thurber in the 30s. The next decade, it actually had a movie adaptation as well. I am pretty sure this is nothing like the short story, but eh, who gives a shit.

Look at all the fucks I give about the short story.

Walter Mitty (Ben Stiller) manages the negative assets of the Life magazine department. I don’t know what that means, really, but it involves receiving the print rolls of cameras, and using the negatives to put in the magazine. He only has one employee, Hernando (Adrian Martinez), so it is pretty slow, and only one photographer still uses an actual camera. That photographer is of course Sean O’Connell (Sean Penn), a freelance photographer, and one of the best in the biz.

However, when the announcement that Life magazine is switching to an online only format, with some asshat manager Ted Hendricks (Adam Scott) coming in to handle the downsizing, it is unfortunate that Sean sends what he calls the epitome of Life magazine and an image that must be on the front cover. Especially since he telegrams the heads of the office and inform them of it too. The only reason it is an issue, of course, is because the picture in question seems to be missing from the film.

So what is a constant day dreamer to do? Why, go and find Sean in person of course, even if it means traveling halfway around the world to do so. At the same time, he is trying to build up his online dating resume, to do something cool with his life, to win the interests of one of his coworkers, Cheryl (Kristen Wiig).

Starring Shirley MacLaine as his mother, Kathryn Hahn as his sister, and Patton Oswalt as an overly helpful E-Harmony customer service representative.

I mean, I am a huge Adam Scott fan, but this beard is terrible.

Well, as expected, this movie sure was purdy. It had scenery from Greenland, Iceland, Afghanistan and more. Beautiful as fuck, really.

Not only was it pleasing on the eyes, both in terms of his fantasies and actual exploits, but it had a great soundtrack as well. Every time a new song played, it felt perfect.

Ben Stiller gets a lot of flack amongst my friends, but I always tend to enjoy him. I mean, did you see him in Heavy Weights? He treated this movie like a child, it being only the fifth movie he has directed. Everything really works together in this movie, and one of the best parts is that once the missing picture is found, it isn’t disappointing.

Sean Penn has only a small role in this movie, but his character was amazing in his only few scenes. Incredible impact for such little screen time.

As the film progressed, the day dreams became fewer and farther in between, and you get spoiled by most of them from the trailers. During the long fight scene between Ted and Walter, the CGI was a bit shaky, I am guessing because there weren’t any other action shots to worry about.

Overall, The Secret Life Of Walter Mitty is a great feel good movie, about living in the moment, and doing something important with your life. Yay happiness!

It took me a long long long time to finally watch Milk. Which is stupid, because I am also trying to watch movies nominated for Academy awards, and it was the last film 2008 for me to see. I wasn’t sure why it took so long originally, but now I definitely know.

Last year for Thanksgiving I reviewed the movie Butter, because it made sense in my head. So clearly I was meant to review Milk, for Thanksgiving this year. Arguably Milk has less to do with thanksgiving than Butter, but fuck it. Milk at least goes in the Mashed Potatoes y’all.

Basically, I am saying I have no idea what I want to review for 2014 Thanksgiving. Come on, we need some more food-ish based titles. Get your act together Hollywood.

We also need more movies set in a time where hair ruled all.

Harvey Milk (Sean Penn) was the first openly gay man elected to a public office, in 1978 in San Francisco, California. In terms of a biography, the movie starts eight years earlier, when Harvey meets Scott Smith (James Franco), his first big love, and their decision to move to San Francisco. As soon as they do, they buy a property on Castro street and open up a camera shop, but they find that they are still not really welcome in the area.

Over time, Harvey becomes more and more of a political activist, and his shop becomes a sort of center of the gay community in the area. The police harass them though, despite no law breaking, so he decides it is the last straw and he must do something about it. He wants to run for City Supervisor, and introduce change in the area, and end the discrimination against gay culture.

But becoming an elected officially isn’t actually that easy. Since its a biography, you know he achieves it eventually, but you don’t know how hard it was to get to that point.

Victor Gerber plays the mayor, Josh Brolin another city supervisor named Dan White, Emile Hirsch plays Milk’s protege of sorts, Diego Luna another of Milk’s lovers, and Alison Pill as a lesbian campaign manager.

His name is Harvey Milk, and he is here to recruit you. For his army.

I am a bit disappointed that this movie didn’t feature Sean Penn drinking milk, like, at all. It seems like the obvious scene to have. But I guess this is a serious film, honoring a man’s life, so they don’t want to do shit like that.

At the start of the movie, it took me awhile to really get in to it. A lot of events happen quickly to get the story set up properly, with Harvey, talking about his earlier life. But once the political activism started, that is truly where it got interesting for me. Where you see a man who knows he is doing the right thing fail over and over again, each time getting stronger after every loss. Getting smarter too, some of the tactics used were amazing. I am a bit surprised that the community kept going for Harvey after he failed a few times, because it shows many different individuals who probably would have been just as good as him, but they must have believed in him that strongly.

Sean Penn acted really well in this role, as he tends to do, so I guess at this point it is just standard.

The film also used actual footage of real events spliced into the real ones, normally I find it pretty tacky, but it was extremely well done this time. Footage of riots and interviews. At the end, they did the standard thing of showing what happened to the real individuals later on, and they spliced actual footage of the actors with their real life counter parts, which just looked great.

Milk is a great story, with great acting, and a great part of history that a lot of people might not know about.

Not going to lie. When I first saw the trailer for Gangster Squad, I thought it might be interesting. But I was worried based on the dialogue given it might all be cheesy. But I do love vigilantism. Especially real vigilantism. But above all of that, the thing I liked most was just the music featured in it. Made me all sorts of pumped up. But I learned long ago that if I hear a song in a movie trailer, it most definitely won’t be in the movie.

Bitches, yo.

It is amazing that he picked such a diverse group of guys too. I had my money on all white all middle aged!

In the late 1940s, the city of Los Angeles is under siege. Not by the Russians or Germans. Nope, by Mickey Cohen (Sean Penn). From New York, he is now the most powerful criminal in LA, having bought cops, judges, you name it. No one can touch him, not even the mobsters in Chicago. Not everyone is corrupt though. Once Chief Parker (Nick Nolte) sees that Sgt. John O’Mara (Josh Brolin) has brought down an illegal brothel by himself, he enlists him on a secret mission.

There is no way to get Mickey Cohen legally. Killing him wont do anything, someone will just take his place. No, he needs to leave his badge at home, recruit a team (or squad, if you will), take down his entire infrastructure, and sure, maybe kill a bunch of gangsters.

Fuck the law, do what is right!

Well, he gets a team of mostly cops, people who aren’t as worth being bought off who all have special skills. Conway (Giovanni Ribisi), an intelligence expert, Coleman (Anothony Mackie), who grew up on the streets and is one of the few who cares to fix them, Max (Robert Patrick), a fabled cop who has quick hands and can hit anything, and Navidad (Michael Pena), his Mexican partner who is willing to do anything.

Oh, and of course another detective Jerry Wooters (Ryan Gosling) who has a personal vendetta against Cohen, and not just because he is sexing up his current fling (Emma Stone).

Cohen is going to get those coppers, so hard they don’t even know it yet.

Whew. Well, if you watch the trailer, you are going to get exactly as it shows. The lines are unfortunately mostly cheesy. The “No Ma’am, I was just hopin’ to take you to bed.” Imagine a whole film of that.

I think the movie is a bit of a shame. A lot of great actors involved, but it felt a lot like a no emotion cartoon. I didn’t feel sad when they wanted me to, nothing really resonated. The chemistry is really what was missing here. Between everyone, but especially between Stone and Gosling, who had an unbelievable romance going on. We know they can do that too, since they were together in Crazy, Stupid, Love. So I guess it is a director issue?

Another reason it felt cartoony to me was the filter they used to film it. I don’t know what it was, but look at the second picture. It has a yellow/orange tint almost, but something about it just really turned me off from the whole movie.

The fact that this is based off of a true story seems like a farce as well. It might actually be that Mickey Cohen existed only, in which case, fuck your true story tag lines.

Action was okay, acting was mostly forgettable, except a few Sean Penn moments. It was weird seeing Giovanni Ribisi as a good guy finally, so I am glad he can not be type casted (so much) anymore.

Argh! Another sneaky “biographical” movie! Damn it!

HOW DOES THIS KEEP HAPPENING?

Not that I hate biographies or true stories. But still. I find it sneaky. I will admit that I wasn’t sure if they were implying all of this real, in Fair Game, because in the early 2000s I never paid attention to any news. News is for the birds. So are politics. So of course it makes sense for me to watch another political movie as well. But it ended with actual CSPAN clips of the main character, soo…yeah. You got me movie.

You got me.

Naomi Watts plays Valerie Plame. An undercover CIA operative, but the only people who know that in her real life are her husband, Joe Wilson (Sean Penn), and her parents. After a bunch of political stuff, and after Valerie has set up a mission where they will help scientists out of Iraq (you know, so they aren’t forced into building the supposed WMDs), the state of the union in 2003 happens. This causes Joe Wilson to freak out, because of one line that the president says that he believes to be a lie. Why? Because he was a diplomat in Niger, or something, and reported the exact opposite back to the white house. Oh okay.

So he writes an op-ed piece to a newspaper, trying to note the lie, and that causes the press to freak out and look to the white house with answers. The white house retaliates, saying they are right, while also noting that Joe’s wife is a CIA agent. Whoops? Not whoops. This movie says it is on purpose!

So that is what the movie is about mostly. Valerie gets released from the CIA, and shots are being taken from all sides. Through other stories that come out, people assume the couple are traitors and liars, they receive death threats, and general uneasiness, wondering if anyone is going to come and try and actually take her out.

Sean Penn does a good “I am a journalist and want the truth guys!”. Has the look down and everything.

If you just read the plot you might assume I don’t know a lot about what happened. There was a lot of smaller stories at first, and they eventually mattered. Again, political stuff is not my game. But the emotions? Oh the emotions were great. Between Penn and Watts, they both seemed so believable and honest. Also the yelling. They yelled very well. So the movie is kind of about a couple who get owned, and try to not get owned that much.

And even if I cant remember all the details, I still enjoyed it.

Wow. That is one of the easiest words to utter after seeing a movie like The Tree Of Life. To say anything else would be a surprise. I can assure you, if you watch this movie, it will be unlike any movie you have seen before. The movie is so ridiculously different, for people watching it, I doubt there is any middle ground. No one is going to watch it and go “Eh, was okay. Kinda good, kinda lame”. No, the only responses you could possibly get are very good, or very bad.

I am fully with the latter.

I hope my opinion isn’t universe shattering for you.

Alright. First off the plot is pretty loose. In real people time lines, I think it is about Sean Penn, an adult, thinking about his upbringing as a child. His parents were radically different, his mother a hippy, his dad, Brad Pitt, very stern and strict.

And uh yeah. Scenes of him growing up. Hanging out with friends. Getting into trouble. Being mad at the dad. Being mad at the mom. Being mad at siblings. Missing the dad. Etc.

Also, a couple times in the movie they switch to the universe. Being born. Making planets. Life beginning on the planet. Animals moving from sea to land. Killing other animals. And near the end, I think the sun exploding, earth ending. ANd other WoOOoOoOooooOoo space stuff.

Throughout the movie is a lot of operatic / religious music, and random people (narrators?) asking questions. This is true for both the real life and space scenes. The real life scenes are meant to like snapshots of life, small scenes, built together. Lot of camera angles changing.

Life?

Obviously the movies not about the actors in it. Also, not about making a traditional movie narrative. You either “get it” or you don’t. I didn’t get it. Probably just means I am not smart? I dunno.

This film is WAY TOO ARTSY. And out there. I just can’t imagine recommending it to any one of my friends for an enjoyable experience.