Tag: Ken Watanabe

Fantastic Mr. Fox came out in 2009. It was not my first Wes Anderson movie, but it was the first Wes Anderson movie I really, really loved. Not saying I hated everything before it, no. In fact, at that time, I only had seen one of his movies which was The Royal Tenebaums. I maybe saw it too young and was not ready for its quirks, and still haven’t seen it for redemption, but I didn’t love it. The fox though? Yes. Every one of his movies since then? Yes.

But this is something different and special. This is 9 years later, and another goddamn animated stop motion movie. Can he recreate the magic of Fantastic Mr. Fox but with Isle of Dogs? More talking animals?!

At least with his last one, it was based on a previous book. But this is a new idea, based on dogs, a culture that isn’t his, and a sort of throwback to a cinema that he loves. I was certainly excited again, especially given how much shit 2017 gave us for the animated category.

Can I have all of these doggos? Please tell me no doggos actually die.

Set in the fictional future of some world that is similar to our own, we have to go to Megasaki City to find our story. In this city, the new mayor, Kobayashi (Kunichi Nomura), is from a family with a long hatred of dogs. They are cat people and want to get rid of dogs forever! Well, that is great, because these dogs are gaining some sort of dog virus and snout flu, which has the ability to transfer over to humans! He declares that all dogs in the city must be sent over to Trash Island, in order to quarantine them until a cure can be found. Speaking of cures, Professor Watanabe (Akira Ito) thinks he is really close to getting a cure and hopes everyone will wait. But mobs be mobbin’, yo. And the dogs start getting sent that very night.

And now, a few months later, the island gets a non furry visitor. Atari Kobayashi (Koyu Rankin), a young boy who is ward of the mayor, has crashed a tiny plane in the island, in hopes of finding his old dog Spots (Liev Schreiber) location. Although dogs cannot speak any form of human language, we the viewer are happy to note that the film translates their language into English! Yay!

He finds a group of alpha dogs to help him on his quest. These dogs include Chief (Bryan Cranston), Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray), and Duke (Jeff Goldbloom).

Can these dogs find the missing dog for this little human boy? Can they also cure the dog flu, and put an end to this corrupt mayor? Well, maybe. I don’t know. Or if I did, I wouldn’t tell you.

Also starring the voices of Courtney B. Vance, Tilda Swinton, Yoko Ono, Ken Watanabe, Akira Takayama, Greta Gerwig, Frances McDormand, Scarlett Johansson, Harvey Keitel, and F. Murray Abraham.

The human has thumbs so he can do some interesting things with them.

I loved, loved, loved Isle of Dogs. A lot, very much so. Before I get into those details, lets talk about the controversy.

You see, there is a lot of talk of white savior complex, cultural appropriation, and more going on with this movie. It is set in a fictional future dystopian-esque Japan, or at least one city in Japan. And coming from a place of white privilege and all of that, I can honestly say I really don’t see it at all. The white savior thing just seems like it would be assumed by people who read a plot outline, not watched the film, because it is no where close to the normal problematic levels. The other issues I just also really can’t see well. I can’t say that they aren’t true, because I certainly don’t speak for Japanese people or their culture, but I can say that I didn’t really get that vibe at any point, and didn’t affect me negatively either for this movie.

Back to the film! Holy shit dogs!

What a totally immersive story. There were little quirks here and there that could remind you of it being a film, especially when it came to the various translation methods, but I just wanted to live there and run around and frolic despite all of the bad things that were going down. The dogs in particular all have their own personality and jokes that surround them, for good quick laughs.

I really enjoyed that I couldn’t understand the entire film. The Japanese characters spoke Japanese, and didn’t always have a reason to be translated or subtitled, and during those times, well, if you knew Japanese you could follow 100%. The audience was required to watch the facial expressions and to hear obvious key words to make sure we could follow. It was great to not get everything super dumbed down.

Isle of Dogs is an interesting adventure, a unique tale, and a story that just seems to have so many tiny perfect details that it would be fun to watch over and over again. Until though, I will just settle for a rewatch of Fantastic Mr. Fox.

Could it be? Could we have a year with not one but TWO films involving the Aokigahara forest at the base of Mt. Fuji in Japan? The name itself of course means The Sea Of Trees, thus the title of this film.

Normally when you have doppelganger movies they are pretty close in genre. Sure, for example, we might have Olympus Has Fallen vs White House Down, where one is more humorous, but they are both action movies still.

In this case, we have The Sea Of Trees as a serious drama film vs The Forest, a horror movie. Not just a horror movie, a JANUARY horror film, the worst of the bunch usually.

And The Forest was bad, but not worst of the year bad. Just really bad and not worth further discussion. So it should be easy to actually make a good drama film about this subject. It should be.

Oh no, look at all these talented actors.

The film begins with Arthur Brennan (Matthew McConaughey), looking disheveled with no carry on, buying a ticket to Tokyo without a return flight planned. A very dialogue light beginning, he makes his way in the city, and heads of course to the suicide forest. A camera shows him enter the entrance, many signs in English and Japanese telling him to think of what to live for. Eventually he sees the many strings from the path, picks a direction and finds a place to kill himself.

He is making it simple. He has some water, some pills, and he will do it that way. But while taking the pills, he hears a voice. It belongs to Takumi Nakamura (Ken Watanabe), a businessman lost. Sure, he has cuts on his arms, but he changed his mind while in the forest and just wants to find a way out. He was dishonored at work (classic Japanese way to die), but realized he cannot leave his wife and kids. Arthur agrees to help him find the path back of course, and in doing so they get more and more lost together.

Speaking of wives, Arthur has one, Joan (Naomi Watts). Their relationship is difficult at times, but don’t worry, we will get flashbacks of events while they are wandering the forest, looking for help, to see just why Arthur came here in the first place. And yes, it is the obvious reasons.

Because they look so uncomfortable together in sweaters.

Well, it happened. At almost two hours long, they did the unthinkable. They made a film about a famous suicide location worse than the horror film about the same location. The Forest wasn’t good, but it had its moments, some decent lines, and at least I was interested in it every once in awhile.

The Sea Of Trees is drawn out and melodramatic. It tells the story in the longest way possible. Most of it can be figured out early in the film, so when the film finally reveals all of its twists, it does nothing for the viewer. You can imagine the movie being some pompass ass, standing over you, proud of what it achieved, not realizing it achieved shit.

Watanabe’s character is unfortunately a stereotype. There is no saving it, but they should have done something better than suicidal Japanese businessman. It is almost insulting. By dragging out McConaughey’s story too, the viewer is left assuming he is there for mostly superficial reasons. But in the end once we see his whole back story, we see that he is actually there for indeed, superficial reasons.

None of the critically acclaimed actors in this film give a strong performance. It takes a serious subject but doesn’t seem to be handled with actual caring hands. The entire thing feels like a long drawn out shallow story, meant to be something significant, but really being worse than most other films this year.

Transformers. Michael Bay. Cash Money.

That is some of the reviews in a nutshell. I didn’t check up on what people said about Transformers: Age of Extinction ahead of time, because I knew I would probably agree with them. I figured the film might be full of inaccuracies that I would find painful, but I’d rather go in and see what I can find on my own without researching afterwards. Like the cringe worthy Washington, D.C. desert in Transformers 2.

But this is a start of a new “trilogy” because we can’t have things not in trilogies anymore. Not when they print so much money for the companies. Our lead human has an upgrade, no longer Shia LaBeouf who is doing some sort of joke on public with his awkward break downs. I mean, no Shia? That is great news on its own. This movie can’t be that bad for that reason.

It should be noted that I am not a Bay hater. In fact, his movie last year Pain & Gain I gave a 4 out of 4. But with some of the advertisement material, I can say that it looks like the Transformers franchise might be running out of gas.

Heh. Hehehe.

This film takes place let’s say, I dunno, five-ish years after the last Transformers. The Autobots are now on the run, because public opinion has somehow turned against them. Sure they fought with our military and helped us defeat people, but the government says they are bad now, so, they are bad now. After all, they fucked over Chicago completely, taking out about half the city and millions. Millions? Did I say millions? Well, just kidding. The media said (I think) 1300 died at the end of Transformers 3, which we know to be ridiculous.

Either way, Cade Yaeger (Mark Wahlberg) is a tinkerer, who invents gadgets in his garage. He is behind on all bills, but who cares, he will make it one day. His daughter Tessa (Nicola Peltz), the 17 year old sex symbol for this movie, is graduating soon and they need college money. As luck would have it, Cade finds a Transformer (Prime) who they could sell to the government for lots of cash.

Needless to say, government is corrupt. The hired assassin (Titus Welliver) tries to kill them too, so they escape and a man hunt begins. This man hunt involves at least three or four different plot lines that are wrapped up in the very short 2 hour and 45 minute movie. But trying to explain them all would just take up time and energy that isn’t necessary. But Kelsey Grammer plays a high up in the CIA, Jack Reynor as Tessa’s secret Irish boyfriend, T.J. Miller as a guy who works with Cade, and Stanley Tucci as the head of a science corporation in Chicago.

Chicago? Yes. Because apparently despite its huge widespread destruction, they basically rebuilt it all up very quickly exactly the same way it was before. We only know that because we go back to Chicago and the bots fuck up a lot of it again.

We still have more characters though. More women, like Sophia Myles, a “geologist” who doesn’t do any exciting geology, and Bingbing Li, a scientists from China who allow the film to end in China so that this movie can make a lot more money over there. Which is what a lot of films are trying to do now, including Iron Man 3 which literally had extra scenes in the Chinese version to get more cash. Blah.

Let’s not forget our voice actors. We have Optimus Prime (Peter Cullen), a man made Transformer Galvatron (Frank Welker), a Samurai-bot? (Ken Watanabe), some evil bad guy Lockdown (Mark Ryan), a Trenchcoat-bot (John DiMaggio), and literally a Transformer that just appears to be John Goodman (John Goodman).

Optimus Prime’s sword is voiced my Sir Swoosh-A-Lot.

Did you notice I didn’t mention a specific Transformers based entity that was heavily featured in all of the advertisements? The Dino-Bots? Yeah, they are in this movie I guess. They don’t talk, their plot lines are questionable, and they are in at the end to help fight bad guys. So, they do exist, albeit for twenty or so minutes. And to be fair, their action scenes are pretty bad ass. They are just grossly underused based on the advertisements and felt like a let down.

Speaking of annoying. More technicalities. A plot point puts them in Beijing. A big bad bot wants to blow up a bomb in the biggest city on Earth. Beijing is 2, so that is close enough. One of our characters knowing this goes on the run with the bomb. To Hong Kong. What in the fuck? First they make it seem like Hong Kong is a few hours away, and its really fucking far. But Hong Kong itself is a giant ass city with millions of people too. How is that better? There is literally thousands of miles of empty space all around China and they do the riskier thing?

This movie, like the third one, features tons of human casualties that they decide to brush aside and ignore. Early on it also does its best to ignore the Transformers completely. Like during a chase scene and a battle, they show mostly the humans running away from humans, than Prime fighting Lockdown. One of the biggest complaints of the franchise is too many humans (and too many women just around for their looks) and this film has that going on too. It is hard to understand why this keeps happening. It is of course also a giant advertisement for GM and other sponsors, such as Beats and Victoria Secret, which have moments that stand out in the worst way.

Some parts of the movie are delightful. Some of the fights are kind of cool. But the dialogue is terrible, acting is whatever, and there is just far too much going on for not enough payout in this movie.

Who doesn’t love an older franchise getting a reboot? Well, older Godzilla fans for one. They probably wouldn’t even consider this movie a reboot, just a continuum in the long storied history of the Godzilla franchise. But me? Sure, it is a reboot. We all remember the 1998 Godzilla. Even you in the corner probably remember it. I don’t care how many movies came out since then in Japan, if any. I only know there was a sixteen year gap between this one and the old one, and no characters are the same.

Well, one character is the same, I guess.

But fuck those older movies. This one is newer! With graphics!

State of the art Robot Graphics!

The year? 1999. Probably to mess with the other movie a bit. Joe Brody (Bryan Cranston) is working at a nuclear reactor in Japan as a head Engineer, noticing some seismic waves, when holy crap, big disaster occurs! People die, questions are raised, and maybe, the whole thing is covered up.

Fast forward to now! Fifteen years later! Ford (Aaron Taylor-Johnson), Joe’s son is now a grown up, just a lad during the incident. He is in the armed forces, a bomb diffusion-er. I guess you can say he is good at calming high intensity situations. He is just arriving back home to see his wife (Elizabeth Olsen) and kid when he has to go BACK to Japan to get his father out of jail.

He is now a conspiracy junkie and snuck back into the heavily radiated area they had to leave. Well, Ford joins his dad on a mission to go back to the plant, when holy crap, big disaster occurs! People die, questions are raised, and maybe, the whole thing is covered up. Just kidding, video footage gets out, at least one giant monster exists and it is about to fuck up a lot of shit!

But what do these creatures have to do with the mysterious Monarch group, lead by our only major Japanese character Dr. Ishiro Serizawa (Ken Watanabe) and his three lined assistant (Sally Hawkins).

Also, the role of Godzilla is played by Brian Posehn.

It has often been prophesized that Posehn given enough radiation could cause this must destruction.

I think I have admitted to past to not really caring about the large raging lizard known as Godzilla. I can’t get into those movies, despite having multiple friends who have been raving about them and awaiting this movie for a few years.

However, I am a fan of really well done, exciting and entertaining movies. So, I guess I am a pretty huge damn fan of this movie. Godzilla is only right around two hours and never really has any pacing issues. Do you get to see giant creatures battling in the first thirty minutes? No, of course not, but the build up and the human drama early on really set the tone for what was going to go down. Shit, Bryan Cranston’s role isn’t that big in this movie, but he damn near made me cry with his own intensity.

Aaron Taylor-Johnson has had a pretty good movie career over the last few years, some good movies, some bad ones, but usually solid acting. In this one, he mostly displayed a calming silent attitude when faced with near death situations, but I think it worked out well.

But who cares about HUMANS when we have giant monsters FIGHTING? Were the fights great? Yes. There are fights rhgouhout the movie, although some of them are teased or kept intentionally dark to only give you snippets, but by the end it is definitely worth it. A lot of fan service here for Godzilla junkies along with chances for easily made sequels in the future.

Even more exciting is the science! Obviously it isn’t 100% correct, because we’d probably have Godzilla-esque things now. But for the movie, it seemed to work out pretty well in my mind. Yay reasonable science in a movie!

Looking at the summer schedule, Godzilla is likely to be the best “disaster film” of the next few months.