Tag: Family

Marry Little Batman was watched early as a screener. It comes out on Prime Video on Friday, December 8th!

Batman! Nununununununununun. I did not count if I put the right amount there, nor do I care.

This Christmas Batman movie is set in a Gotham where…Batman had finished the job! Like, the crime is all gone. Woo. So Batman (Luke Wilson) has been more settled down, and has a son, Damien (Yonas Kibreab). Mother? No idea, I don’t think it is brought up. Maybe it was a mitosis thing.

Either way, Damien is super young and likes to play, but generally in a mansion only has his dad and an Alfred (James Cromwell). There are toys, gadgets, and bat caves. Oh yeah, he knows about Batman.

Anyways, long story short, around Christmas, Batman gets in a jam, appears to be missing or dead, so Damien thinks he needs to done the costume before all of these villains come out and steal Christmas, or whatever.

Also starring Brian George, Dolph Adomian, Therese McLaughlin, and David Hornsby as the Joker.

Why does Alfred look like the world’s wrinkliest long penis? From the very first frames, it became incredibly clear that this is not a movie for me.

Style wise is the first indicator. The animation style was absolutely gross in my mind. Not because of a penis joke I made above, but the style instead just felt like, I am not sure, an early 2000s Cartoon Network show? Something that is super quick and easy? I don’t think animation needs to break the bank every film with futuristic drawing technology, classic is fine, but this isn’t even something appealing to me. It feels like a television show, in the worst way, but goes on for 90 minutes.

The next glaring category was the voice acting. I am not some purist that thinks a certain voice actor is the best actor for the job and should keep doing it. Changing people up is great. (Unless it’s Mario, then they should get an impersonator). But almost no voice really hit for me. Sure, Kibreab as the kid? Fine. Wilson is a great actor, but he never felt like Batman to me this whole film. Just felt like a silly dad. The catalog of villains were all forgettable, except for Hornsby as the Joker. He had some giggles, sure, and it just still felt really off and like I was getting the most reject version of his character they could have made. Something left at the bottom of the bin and ignored.

And finally, the story. It is wild a little bit that part of this plot would have the kid thinking his dad was dead for a large part of this film. And he is hearing his voice on the bat belt. It is played for comedy, and we know that Batman isn’t, but damn, this kid, whose size makes him look like he is 5 years old or younger (look, the animation style is BAD), but it is fucked up. I never feel compelled about any part of this story. I don’t get scared, or excited, or confused. I just watch in boredom, apathy, and a bit of disdain.

I am not saying some people out there might think this is just a cute Christmas movie. The good news for you if you like it, is that it is also turning into a Prime show at some point next year which, well, explains a whole lot more in that regard.

0 out of 4.

Candy Cane Lane was watched early as a screener. It comes out on Prime Video on Friday, December 1st!

Christmas is the best season to be and exist in, according to Chris Carver (Eddie Murphy). Now, it is debatable if he married his wife just because her name, Carol (Tracee Ellis Ross), fit in with the season so well, but his three kids, Joy (Genneya Walton), Nick (Thaddeus J. Mixson), and Holly (Madison Thomas) were certainly named that way for Christmas.

Except this Christmas things are shit. Chris just got laid off. His wife might get a promotion, but he feels bad. And his street always has a giant contest for the best decorated house. He loses to his neighbor (Ken Marino) a lot, who just fills his lawn with inflatable crap, whereas Chris has hand carved wooden sculptures and lights. Well, for some reason, this year there is a cash prize of $100,000 to the best house. That is a chunk of money that can save Chris. And so he wants to make this Christmas the best he can before his oldest runs off to college.

Long story short, he ends up spending a lot of money on a giant Christmas Tree themed after the the 12 Days of Christmas, that is wooden and robotic and spins. And through more plot (eventually), that stuff all comes to life to terrorize his life until he can reclaim all of the golden rings, least he get turned into a toy. Turns out making a deal with an elf (Jillian Bell) is more like making one with the devil.

Also starring Nick Offerman, Robin Thede, Chris Redd, and David Alan Grier as Santa.

Only people with Christmas Sweaters can win Christmas decorating contests, fact.Ah, Christmas movies. What is their goal overall? To make you excited about a holiday that you likely are excited about already? To make you feel a certain way? To make you remember it is coming up? To make you realize some people do holidays way better than you?

Hard to say. Having a main character as an adult just really love Christmas is an interesting idea. Hallmark movies do that all the time.

Honestly, at this point, I think I am just over Jillian Bell as a villain. She was also in the recently straight to streaming, Good Burger 2, as the bad guy. And has been the bad guy before in the past. And it has lost all meaning at this point. Kind of like Ken Marino playing a smug asshole. The side characters don’t do anything for me, which is more important given that Bell is in this movie a lot as a weird vengeful elf.

But what about the main family? Well, they just never really seem to deal with the issues the characters are going through. Murphy lost his job and is now spending a lot money, for a cause, and not looking for something else. That is an issue. The son is failing school class. The main plot line dealt with is the oldest daughter wanting to go to school out of state (and she is a senior, and this is December, so I guess it makes sense for this to be a last second conversation. Although she was also doing Track and Field for high school, which we all know is not in December).

Sorry, I am getting technical.

In terms of the actual plot, it is actually really bad. Collecting the golden rings in 24 hours. Is it figuring out clever puzzles? No not really. It is just aggressively themed ornaments who come into the families life at various points, and they just succeed when the challenge comes to them. They don’t have to go out from their normal activities to find them. No puzzles. Just…rings. Only a little bit of shenanigans, at the end, but hey, it is solved by counter-shenanigans so again, no worries.

Honestly, out of the side characters? I did love David Alan Grier as Santa. I wish he had a bigger part of it.

Candy Cane Lane is a safe movie, that maybe some kids will like the slight zany-ness of the situation that comes up. But it takes a long time before that even starts, and it is spread out slowly through the other slower family plots. There was potentially a good idea here, but it was played safe and slow.

1 out of 4.

When I first found out about Secret Magic Control Agency, I figured I was definitely not going to watch that movie. Its poster/images just screamed a straight to DVD, low effort, low budget, animated film. I loathe those types. They always make me so angry. They are extremely basic on story, and hide behind the fact that they are a kids film in order to say they don’t have to stand up to the quality expectations of an adult.

Fuck that noise. Kids deserve quality too. Should we only ever feed our kids hot dogs, and never let them try pork roasts, or steaks, or turkey? No. Kids can know good stuff exists too, even if it means coming to terms with the fact that a lot of basic stuff out there is, in fact, basic, and not worth their time.

So why did I watch it? Because it actually released on Netflix. A much bigger platform than expected, so I need to check it out quick to see if it is worth time before people get stuck wasting their own time potentially. Or you know. maybe it was great and I needed to spread the word.

Corgis, by definition, are low effort as well. 

In this magical kingdom based on (checks notes), ugh, fairy tales, we have kings and queens and magic users and all of that. But because of shenanigans in the past, magic is now regulated by the Secret Magic Control Agency. I guess they are like the CIA force of this world. I don’t know what they actually do most of the time (make sure people doing magic have the appropriate bureaucratic paperwork? Capture people using magic like a villain?) but right now they have a very important job. The king was kidnapped!

Led astray by some mysterious food. Oh no. So the agency is going to get one of their top up and coming agents on it. Gretel (Courtney Shaw)! Why just one person? No, the powers that be think they need to get a thief as well to join her, someone who knows how to lie (something that the agency should be able to handle given their normal job functions…?) and they specifically search out Hansel (Nicholas Corda / Alyson Leigh Rosenfeld). Yes. Siblings.

But they are grown up, one is a charlatan, the other a law enforcer. And they want them to work together to get the king back before everyone realizes he is gone. So they have to put away their differences and you know, do that.

Also featuring the voice work of Erica Schroeder, Johanna Elmina Moise, Marc Thompson, Mike Pollock, and Tyler Bunch.

Captured but unlimited dessert? There are worse places to be. 

Low. Effort. Films. That could be enough of my analysis and end, but I guess I will be specific.

This could have been a generic fantasy film about completely new entities. But they decided no, we NEED this to be Hansel and Gretel. Why? WHY? The fact that they are these characters doesn’t do really anything for this story. They make a bread crumb way back home reference. There is one line about the Grimm Brothers writing up their shenangians, but in charge of changing the details to make it sound like a story instead to…hide the truth? From who? Is this set in the past in this world? This has a lot of advanced stuff in here, and wouldn’t make sense to be set in our own world, let alone the past. That is a bad joke and they should feel bad.

The only thing they needed for the plot would be to have a brother and sister. Almost all of this is new material. Just because something is on the public domain, doesn’t mean it has to be used. No child is going to be picking movies and be iffy about this film, but see that it has H&G and go “Oh shit, hold on momma, this got my favorites in it lets get it!”. No one cares and it just makes an already lazy movie feel more lazy.

Honestly, if this was an original story that wasn’t relying on name recognition of aspects in order to tell a story, it would fall easily in the 1 out of 4 territory, because at least there was effort. But the lack of effort just pisses me off, especially when the makers would probably acknowledge that this film isn’t great themselves. They would just mark it off as a kids movie and say it works for that level, and that is unacceptable.

0 out of 4.

I don’t think there is a lot that has to be said about the movie Yes Day before going into the movie Yes Day. We know what it is about, and a lot of people can probably assume the hijinks involved.

So let’s talk about the director. Miguel Arteta. He has previous family film experience with Alexander and the Terrible, Horrible, No Good, Very Bad Day, where it also featured Jennifer Garner in the mom role, and a lot of shenanigans happening to a family during a day. Looking at other films, there are a lot of misses. Youth in Revolt, Cedar Rapids, last year’s Like a Boss (which was pretty bad, but didn’t make my worst of the year list, but almost did). Not a great track record, for a movie I am already sus about.

Glitter and costumes are a plus for Yes Days. You know who used to be cool? Allison (Jennifer Garner).  She used to go skydiving, travel the world, and say yes to lots of things. That is how she got married, by saying yes, to Carlos Torres (Edgar Ramirez). But now they are older, and they are parents. Allison has to say no a lot of the time, to make sure her kids are safe and don’t die. She hates that. Carlos has to say no at work at lot, as a lawyer and head person, and he hates that too. So he makes sure to be more fun at home and let his wife take all the heat.

And sure, now their kids (Jenna Ortega, Julian Lerner, Everly Carganilla) all hate their mom. Two of them submitted this information as school assignments and projects too, which is pretty fucked up. And because of a school counselor (Nat Faxon), Allison determined to be the cool person agrees for a Yes Day.

This is a day where the kids can’t be told, outside of some agreed upon ground rules. Like distances and costs. And they make an additional bet with the oldest daughter, that if the mom ever cracks, then the 14 year old daughter can go to a local music fest with friends and no parents. Yuck.

Oh what golly shenanigans will there be?

Also featuring Fortune Feimster and Arturo Castro.

I believe three of these outfits already surpassed their proposed budgets.The reason for the Yes Day is for the kids to feel like there is autonomy over their lives. A holiday for them for kids. And I immediately take some issues with that, because most holidays are already for kids. The pageantry of Easter and Christmas and Halloween and all of that is just kid fun frenzies. Even the more adult oriented holiday’s have kid appropriate activities to get them hooked young. So we are starting with a sort of gross representation on what kids can do for holidays.

Secondly, as mentioned in the second photo, holy shit, the rules are a lie. They tell us the budget constraints (and later on in the movie she gets rid of the rules yes), but the scene with the outfits takes place before anything was lifted. They gave a dumb excuse for how so many people were gathered for the event to. They could have just made it a real thing already going to happen with them joining in on that day, that would make sense. But to get hundred people, and outfits for all of them, and the family? Damn that is dumb. And the game didn’t seem to make much sense either? People could be eliminated if hit I think, but only if the ref saw and felt like calling it? I don’t get it.

Going to Magic Mountain was a bad twist too. Ain’t no body trying to go to a theme part in the afternoon, when the lines are the worst. Why would any child be happy with that? They know they’d get there and get on two rides and their day would be over. Why the hell is the mom freaking out about a regular rollercoaster when she used to skydive?

A lot of unplanned shenanigans also occurred at the end. We got dad trying to bail. We got theme park. We got jail. We got unaccompanied minors. The house party was fine. But I have never seen a kid every give a shit about some foam coming out of a tiny or large volcano. Ever. Anytime it is done in real life it is disappointing. But they love have little kids in movies and shows think it is the coolest thing ever.

The final concert scene was kind of cute. It took too long to be very effective I think, and apparently H.E.R. is a real artist?

More things that annoyed me. In the beginning of the movie, Carlos didn’t stand up for his wife at all. Holy shit, the video made about her was terrible, and he like reluctantly told the kids to apologize or say it wasn’t true. They didn’t, wife left sad, and he did jack shit. Damn man, time for some Hulk energy. Be the goddamn bad guy (no, his stint at the end of the movie did not give him any credit). Feel bad for Garner. She gave up 100% of herself for her kids and family, and even her husband walks all over her after 14 years of kids.

1 out of 4.

I’ve noticed that since 2016, (so five years ago), I have rated Disney Animation Studios higher than Pixar Studios movies. It is an average of 2.8 versus 1.8 out of 4. That is a whole number grade! Here is my table for comparison.

Now sure, Pixar has churned out more, but it has the only zero, and has a lot of 1s. The only reason Disney is so low due to disappointing sequels. Pixar also has disappointing sequels, but also disappointing for me original movies.

That is all. We will see how the charts look after Luca comes out this year.

But for now, as you can see, I loved Raya and the Last Dragon, a new Disney princess (maybe?) movie, that also features zero songs, which is not just rare, but a first.

You see that dragon? It won’t sing at all. Shocking. Raya (Kelly Marie Tran) is your typical daughter of a chief. Her father, Chief Benja (Daniel Dae Kim), is training her as a warrior to protect a magical orb. What does this orb do? Well, lets go back into the history.

Five hundred years ago, there were these evil spirits named Druun that multiplied quickly and turned people into stone. There was also a lot of dragons. This was not fun. So all of the dragons banded together, made this cool orb thing, and it banished all of the Druun! And somehow, turned all the dragons into stone in the process. Very sad times.

Anyways, the orb still does its thing, but the other tribes think that the orb gives the Heart tribe extra power and success for their lands and people. They want the orb for themselves. Chief Benja wants to reunite all the tribes to one glorious nation, and not continue with this otherism.

Well, sure enough, something bad happens, the orb breaks! Each tribe grabs a piece, but now the Druun are now back and that makes things worse. Raya is going to have to fix the orb, and get her people back to normal, and maybe even find a dragon along the way. You know, the last one (Awkwafina).

Also featuring the voices of Benedict Wong, Gemma Chan, Sandra Oh, Izaac Wang, Lucille Soong, and of course, Alan Tudyk, as an animal that only makes sounds.

If you train for hours to fight, then you are going to want to fight. Raya and the Last Dragon has music, but is not a musical. Did that take away from it? Well, fine, probably not. But I would have loved some songs regardless. But I can’t take away points because I would rather a movie be a musical. I would rather all movies to be a musical.

Raya still kicked ass. She is definitely the strongest fighter of any “Disney princess” before her. Not sure if she is a princess yet officially, but she was the daughter of a chief, so, you know. There isn’t a lot of competition amongst the princesses who can fight or do magic,  but Raya is like a goddamn ninja (yes, different cultural term than this film, but I don’t know a better word). She is quick, and arguably deadly, but doesn’t always use her fighting skills to get out of jams. But that is almost always her plan A.

And having her so driven and technically violent is great, because throughout the film it is technically seen as a flaw, especially from the dragon’s point of view. Why not try friendship, and trust, and things that involve stabbing someone? (No, we don’t see a lot of dead people in this movie who get stabbed, mostly statues. We can’t have a Disney film with a high body count for real).

I love Raya, she is strong and flawed. I am fine with the dragon. She is consistent and not just a humorous sidekick. What I didn’t expect is all of the other side characters that along the journey would also show up and be important to the rest of the story. Great side characters, all full of personality and interesting. They made me cry at the end. I did cry I believe twice, or just one long slow cry, depending on how you break them apart. I will go with two cries.

The movie becomes a bit typical, when it comes to “go to next region that is very different, and then find the next piece.” But each one does have new characters and the orb fragment is protected in different ways. And the ending, while a little predictable, I think is done in a nicely unpredictable way, at least when it comes to the order of events.

Bring on all of the Raya Halloween costumes.

4 out of 4.

Flora & Ulysses is the latest movie released straight to Disney Plus, and maybe would have gone to theaters if it didn’t exist? Hard to say.

This one is based on a popular book series, so it has a following already, but it is not a giant franchise everyone knows about.

It also involves superheroes. So Disney wants to win at the superhero game, so it is probably why they picked it up. And hey, now they can easily make references to Wolverine in the film and it doesn’t have to go through any weird legal loopholes.

Gotta be good to control everything.

Maybe feels better than being a little girl with a squirrel in a box. Flora (Matilda Lawler) is a superhero lover and a cynic (that latter fact she will say over and over again). She is pretty smart too. Her mom (Alyson Hannigan) is a romance novelist in a funk, probably due to her recent divorce. Her dad (Ben Schwartz) is a comic illustrator and creator, but he can’t get any of his work published and is going full midlife crisis and doesn’t know how to even.

But Flora is surviving it all. And she believes heroes might be out there. Not from hope, but through observations. And when she saves a squirrel from a vacuum cleaner that was behaving weirdly with straight up squirrel based CPR (yes, imagine it, yes), she thinks this might be his radioactive vat. Especially because he is strong, can maybe fly, and can type in English.

So Flora wants him to prove himself and find his purpose, but it seems like everyone is out to get her having a squirrel companion. Especially an animal control agent (Danny Pudi) who has a specific vendetta against squirrels.

So, is he really a superhero squirrel? Or was the real superhero squirrel the friends they made along the way?

Also starring Benjamin Evan Ainsworth, Anna Deavere Smith, Bobby Moynihan, and Kate Micucci.

I apparently was living just to eventually see Abed wrestle a CGI cat. DuckTales! Whoo-ooo! I have barely seen any of the new franchise that I know is ending soon, but it has had good reviews from kids and adults alike. And did you know that most of the main cast is in this film? Pudi/Schwartz/Moynihan/Micucci all have roles big or small. The only big name missing is David Tennant. It is a weird ole Disney Umbrella reunion.

Flora & Ulysses is an ideal family film. It has slapstick comedy and verbal comedy. It has good natured characters for the most part. People want others to succeed and want the best for everyone else. The squirrel is cute and destructive. It has references and jokes that only older people will get, without them being like “oooh adult jokes”. It was good fun for me and my kids of all ages.

I definitely enjoyed Pudi playing a cartoon villain like role. It was weird and fun to see Schwartz as just a good guy dad trying to protect his daughter. It was good to see Hannigan really just doing anything outside of host work since How I Met Your Mother. A fun cast with an interesting topic.

There is not much negative to say about the movie at all. I agree it probably wouldn’t have made a lot of money in the theaters, but seems like a perfect one to watch on screen at your home. It is a movie that I just gave a chance and it definitely hit those good feels throughout the run time.

3 out of 4.

When it comes to cartoons that needed a live action remake, Nickelodeon knows where it is at, not Disney. In a year where Disney did it four times, Nickelodeon did it one time, and off a tv show, not a previous film.

Dora the Explorer? Loved by trillions.* It also involves going on an adventure, following maps, doing puzzles? Shit, this is just going to be Tomb Raider but for kids.

Dora and the Lost City of Gold is exactly what we deserve at this point for putting up with these Disney remakes.

And let’s hope it doesn’t get ruined by creepy pedos.

Dora (Isabela Merced) wants to be an explorer! Like her parents (Eva Longoria, Micahel Peña), she has lived in the jungle most of her life, learning its ways and wanting to find more new things! She is not a lousy treasure hunter, she is an explorer, damn it.

But her parents send her off to the city for high school to socialize. Ugh. She can reunite with her cousin Diego (Jeff Wahlberg), but school is weird, people are mean. And in a museum trip, she is tricked by the staff into getting shipped back to the jungle! Some bad people want to use her to find her parents an the lost city of gold! So now, with the help of Diego, her friends (Madeleine Madden, Nicholas Coombe) and a friend of her parents (Eugenio Derbez), she is going to have to combine their wits, outsmart the baddies, and not allow any more swiping.

Also starring Natasa Ristic, Christopher Kirby, Temuera Morrison, Pia Miller, Joey Vieira, Madelyn Miranda, Malachi Barton, and Danny Trejo as Boots the monkey and Benicio del Toro as Swiper the Fox.

Tenn power can solve all problems in the world!

Dora was a great family film, with jokes for everyone to get involved with. Some quick fart sounds when necessary, but the scene didn’t last too long. Some songs and many show references for those who have seen it, but still a cute adventure story for teens to get behind.

It points out problems of movies like Tomb Raider, keeping it all tongue and cheek, while also doing a lot of its own thing. The puzzles are in the way to be solved quickly by our heroes, and just a stepping stone. The real purpose is the adventure and the jokes.

Many times I was laughing out at scenes different from my own kids, while they got enjoyment from more of the slapstick stuff. And hey, whatever works.

I think the next appropriate follow up for Nickelodeon is to make a movie about Stick Stickley. If Forky can get big, why not their OG piece of trash?

3 out of 4.* – No source to back up this stat. 

Christmas Break-In seems to be a straight to Netflix movie that they released, without really wanting to let people know it was released.

I only found it accidentally, going deep into one of the genre lists. When I saw it, I was surprised that it carried a 2019 label with it. They didn’t put it on any sort of recommended list that I could find. I am not sure how people would know it is there?

Well, based on the description, it would probably pop up for people who searched for Home Alone and were sad to find it not on Netflix. That is my only guess. I also imagine that the list of people looking up Home Alone is relatively high.

“Oh, this is like Home Alone but a school? Fine, that’ll do.”

It turns out no, it will not do at all!

The Red vs Blue series has gotten very realistic.

Izzy (Cameron Seely) wants one thing in her life for Christmas. An electric guitar. She dreams of being a rock star, and she has been taking lessons. The lessons have come from her school’s janitor (Danny Glover), who in his free time (and in her class time??) has been teaching her cords.

And you know what? Her parents (Denise Richards, Sean O’Bryan) are totally cool with it too. They are going to get her a guitar the day before Christmas when the local shop has a big big sale. It just happens to be on the same day as a big winter storm coming in, so they have to be right on time.

But apparently, Izzy’s parents are extremely forgetful of her all of the time and often forget about plans no matter how hard she reminds them. They will just work work work. What is a rich house without caring parents? So she is left at school, everyone gone, and who should arrive? Why, three criminals (Jake Van Wagoner, Katrina Begin, Douglas Spain) who are looking for shelter overnight after stealing bags of coins from a charity.

Guess she is going to have to hide from them and stop them, while hoping eventually she gets picked up.

Also starring Dawson Ehlke as the caring older brother.

Got a phone, and you are a genius now, eh? 

Christmas Break-In would be like Home Alone, if Home Alone had some burglars knock on the door, the kid tell them to go away there’s people here, and then the cops arrest them.

It feels like almost nothing happens. It does take forever to just get us to the point in the story, where we have girl and criminals in the school at the same time. It requires a lot of coincidences. Her parents work together in the same building, and both forget? The snow storm hits right then? The criminals were dumb and went the wrong way for awhile? The phone dies? Everyone fucking leaves the school knowing she is sitting there waiting? Unrelated, when the hell does she have time to learn guitar from the janitor during school? I can’t imagine they are all fine with her skipping classes so often for that, especially if they are paying the janitor (the only janitor in the whole school) for a different job.

Anyways. Once the criminals get there? She does like, two things. There aren’t fun traps, there isn’t a lot of ingenuity, there is really basic stuff that wouldn’t trick…well, anyone.

And eventually, this ends, the day is saved, and hooray, guitars.

Just a complete waste of a film. They could have made it fun and cool, but they went for pointless and dull.

Lastly, no one would ever believe that Denise Richards and Sean O’Bryan could be married.

0 out of 4.

A long time ago, director Sergio Pablos set up an animation studio in Spain, in his homeland. He had worked for Disney in the 90’s, on such films like Hercules and Tarzan as an animator. He believed in 2D animation still, and didn’t want to make CGI movies, so he decided to focus his studio on just that. 2D, hand drawn, animation, but with upgrades from the technical side to make other parts easier.

And from his mad, Amish brained body came the movie Klaus.

They wanted dynamic backgrounds and characters, and not just one or the other. They wanted to capture the magic of animation again and really pour their heart and soul into the picture.

And hey, if you want to capture magic, why not start with a little bit of Santa action?

Pictured: A little bit of Santa action.

Jesper (Jason Schwartzman) is a piece of work, I tell you what. He has lived a privileged life, his father in charge of the post offices around the world, and he hasn’t had to do much. So when he is put into the postman program for training, he doesn’t take it seriously and he slacks off. Despite this, his father still decides to send him to Smeerensburg, a tiny island far, far North, away from everything.

Jesper’s goal is handle at least 6,000 letters within a year, in the city or our of the city, and get the post office up and running. It sounds bad, but it is actually worse than he imagined. In this city, very few people are out and about. In fact, they are a town known for holding grudges and fighting.

There are two ruling families, the Ellingboes and the Krums, who have been fighting for decades, and won’t be nice at all. This means they don’t go to school. They don’t do nice things. They don’t frolic down the streets. And they definitely have no need to send any letters.

Well, thanks to circumstances, a child’s picture makes its way to Jesper and the lone woodsman in his cabin (J.K. Simmons), who decides that the picture needs a gift. So he demands that Jesper deliver the child a toy that he has created.

This spreads throughout the village kids, and they also want to make letters for toys. This is a good idea, thinks Jesper, this will get him back home to his luxury.

Also featuring the voices of Rashida Jones, Joan Cusack, Will Sasso, and Norm MacDonald.

Pictured: Not home in his luxury. 

Klaus blew me away on so many levels.

The first, worthy of talking about, is the animation style. It was a breath of fresh air! Much like how Spider-Man: Into The Spiderverse changed the animation game last year, from American movie releases, Klaus is doing the same thing. The traditional 2D animation is so gosh darn full of visual pleasure that every frame feels more than a painting. The backgrounds, the characters, the details, everything is so full.

The story, a re-imagining of the story of Santa, is also a lot more unique. It isn’t a guy just trying to bring toys to kids who banned fun, or whatever those older stop motion cartoons said. It is creative, so despite hearing about Santa all my life, it was refreshing to see a new take on it. A legit, new take.

The voice acting was really well, although Schwartzman sounded liked David Spade at parts of the film (probably just because of MacDonald’s voice to get me in that 90’s SNL mood).

This film had a lot of darker moments early on, and so the transition from dark to gushy Christmas spirit was a nice and welcome one, instead of starting high and Christmas and leaving us sick of it. This feels like a new holiday classic to me. Something that can pair nicely with A Nightmare Before Christmas.

The only way it could be better is if it was a musical as well. Or maybe not. I’ll take it the way it is.

4 out of 4.

Out of all of the Disney remakes this year, I think Aladdin got the worst rap before it came out. Specifically, no rap at all. Didn’t Will Smith used to make a song before starring in movies? I want the 90’s back. (The 90’s that gave us the Aladdin original).

The people did not like Smith as the Genie. But he had the impossible task of doing what Robin Williams did, in live action with graphics, and not just voice acting. And Williams was crazy good at what he needed to do.

I think a lot of hate came from people who knew nothing of the Broadway version of Aladdin that already existed, where the Genie was typically played by a black man and done in a way like Smith is likely to do.

And hate by people who don’t know about Broadway is hate we can ignore.

This is Smith, ignoring the haters.

Prince Ali, mighty as he, and technically not real. Because that’s not how this story starts.

Instead, we have a street rat named Aladdin (Mena Massoud) with his monkey, Abu. They steal, they give to the poor, and they live lavishly in the city in secret. Well, not rich, but the sites are sweet.

One day, he meets a princess in disguise, Jasmine (Naomi Scott) and they hit it off. He doesn’t know she is a princess though, and it is a surprise to him when he finds that out in the palace! Well, this also gets him arrested, led by the royal vizier, Jafar (Marwan Kenzari), who really just wants to use him to steal a magical lamp from a fucking tiger head sand cave. Whoa.

Anyways, lot of crazy stuff started happening. A genie in a lamp (Will Smith), wishes, and trying to pretend to be a prince to get with a pretty and smart lady. Oh yeah, magic, and lies, and singing.

Also starring Nasim Pedrad, Billy Magnussen, Numan Acar, and Navid Negahban.

This whole knew world has a lot of beards!

With remakes, we are allowed to compare to the originals. This has all of the songs from the original, plus about 2 more given specifically to Jasmine. This film does a great job of expanding Jasmine. In the cartoon, Jasmine feels trapped and then uses her body to help defeat Jafar as a distraction. In this film, she is seen as smarter, wanting to get out, but also doing a lot more shit on her own. She tries to take the lamp, causes more distractions, and just makes sure everyone knows she is here to kick ass. Jasmine is much improved in this version.

Another plus is the Genie. He isn’t improved, but he is different and still fun. The references are nice, the jokes and callbacks work, and he is a fresh face in this film.

Unfortunately, the rest of our leads aren’t as great. Massoud never seems to capture the thrills of the cartoon or whimsy, although I did laugh at his jam jokes. Jafar is so much worse than the cartoon. He barely feels conniving and never that threatening. Iago is completely pointless in this one. The Sultan is really just a body.

The city and palace are full of color, but also seem to feel like cheap imitations. They feel and act like a movie study, and don’t reach any level of realism I’d expect with those Disney budgets. It looks like something they could have made for a TV movie.

Overall, it could have been a lot better. It didn’t have to feel rushed or so fake. It could have made the male leads like, better or at least as good as the cartoon. But the improvements to Jasmine and extra songs are worth admission alone and the best Disney remake of the year.

2 out of 4.