Tag: Ben Affleck

Triple. Frontier. Triple the normal amounts of frontier. What designates multiple frontiers?

Like, in the USA, we only really have one frontier I think, and that is one way to describe the West.

Are they just going into three different big areas? Is this a metaphor meaning three times the number of normal plot twists?

All I really know is that I hate spelling frontier. My natural instinct is to spell it as fronteir, and this movie may be my downfall.

Five people, maybe they will split into three groups?

South America apparently has a lot of drug lords, as movies like bringing this to our attention. And thanks to Santiago ‘Pope’ Garcia (Oscar Isaac), one of them might finally get taken down. Gabriel Martin Lorea (Reynaldo Gallegos) has been wrecking havoc for years, and Pope has been working the area trying to get him. And finally, he is in his reach. He has found his compound, he has scouted it, they are ready.

But he needs a team. Sure he works for the military already as special ops, but the pay is shit and the danger is high. He wants his team to be his old team, who all retired and are struggling. His old team (Ben Affleck, Charlie Hunnam, Pedro Pascal, and Garrett Hedlund) have all moved on, but why would they risk their lives again? Apparently, the government will give them a percentage of the cash they recover, assuming they also take down Lorea.

That will pay for college. That will pay for lots of things. That is worth the chance.

But a simple heist of a drug lord will of course cause a lot of issues, maybe some death, and maybe some twists. How much is actually worth the cost?

Also starring Adria Arjona.

Just a couple of bad ass mercenaries, trying to harass the locals.

Triple Frontier is actually a film by J.C. Chandor, who brought us Margin Call and A Most Violent Year, the former that I loved a lot and the latter which was highly praised. I was excited to see him constantly changing his style and genre, to see what he could bring to the action genre.

This film is a bit of a messy one, but I found it still to be highly entertaining. I love it when Affleck gets to play more asshole characters, we know it was his bread and butter back in the day with Mallrats. I think the whole team worked really well, and Hedlund was my surprise standout. They gave him a lot of personality for someone who was probably the lowest billing of the group. Isaac also kicked butt and I appreciated the effort he gave to the project.

I still don’t understand the title. But I appreciate the scenery and the struggles the group went through. They all felt like a real team, not stereotypes, but people trying to get by who also happen to be great at shooting guns. A strong and unique film in this genre type.

Justice League promised to be The Avengers, but for the DCEU. Obvious comparisons are obvious.

Unfortunately, unlike Marvel, most of the films that led up to Justice League were either shit or average. The only one to break the mold a bit was Wonder Woman, but it still couldn’t fully escape the terrible grasps of these franchises by having a completely shit and eye sore ending.

So I didn’t go out of my way to see Justice League. One of those fool me four times, shame on me sort of things. It didn’t help that it had behind the scenes director changes, a lot of issues with reshoots, and extreme studio interference. Clearly another great film to fit the theme week of ones I should have watched last year.

Is this the whole team? Eh, close enough.

Batman (Ben Affleck) really wants to bring all these super people together, to fight off giant threats that they cannot do on their own. Remember Superman (Henry Cavill)??? He totally died, but didn’t die as they made clear at the end of the last movie, so they gotta work together to beat future gods.

Wonder Woman (Gal Gadot) is generally on board. They just have to find more people. These people beings who will eventually go by their names of The Flash (Ezra Miller), Cyborg (Ray Fisher), and Aquaman (Jason Momoa).

Unfortunately, the next biggest threat is just some god dude from the Wonder Woman mythos. His name is Steppenwolf (Ciarán Hinds), who is maybe where the band got their name from. He was here a long time ago, got defeated by the races of men, Amazons, and the Merfolk. There were some power cubes that they all split up to defend, and now he is back, wanting all three cubes, to have so much power.

So their goal is to prevent him from getting all the cubes, and once he still gets them, then hopefully defeat them and split up the cubes. Pretty basic plot.

Also starring Amber Heard, Amy Adams, Joe Morton, Jeremy Irons, J.K. Simmons, Connie Nielsen, and Diane Lane.

It was hard to find a good picture of the villain. Clearly I still failed.

When it comes to Justice League, there are so many places you can point to in order to determine what went wrong. And you’d be right! All of those reasons are why this movie was so poor!

First of all, Steppenwolf. What a goddamn terrible villain for us care about. Some CGI’d dude who is just super strong, and oh no, he might destroy the world. He has no great backstory, and he doesn’t even feel threatening on any scale. Sure, they show he is strong, but also, he doesn’t feel like a real threat. Not one bigger than Ares in Wonder Woman at least.

The CGI is a travesty. And so much of the film is just drenched in it. From the terrible Amazon horse fight scene, to the climatic battles, this one just reeks of cheap graphics.

Our characters come together and never feel like a team. It is clunky. Aquaman is shown as badass and strong, but never really embraces the powers unique of Aquaman. I have no idea if I care about Cyborg still, which is less a human with powers and more a…robot. But then again, Batman is on this team, so whatever.

And fucking Superman is in this movie. Once he finally shows up, he basically does most of the work on his own. They point out that he is indeed faster than The Flash, and the strongest, and can do no wrong. Steppenwolf is a villain who can kick most of the Justice League’s ass. Unfortunately, the one he cannot can also do it on his own.

Justice League is just a farce of a great movie. It is amazing how the DCEU just hates its characters so much that it continuously pumps out these mediocre or worse films.

I am thankful that I waited to review The Accountant. If I reviewed it months ago when it came out, it would have been so less…relevant.

What? Reviewing a movie when it comes out in theaters is LESS relevant? How crazy.

But yes. Because now I can say that regardless of the films topic and plot, this film should actually be about the 2017 Oscars. The two men responsible for the envelopes, the accountants at PricewaterhouseCoopers, have lived their lives up to that night probably in perfection. Never flubbing a number, never getting BBQ sauce on their beards, just perfection.

And then they fucked up at the biggest award and took a little bit of time to fix it. It wasn’t a smaller technical award (which would have been equally devastating for those involved), but the Best Picture, which affects large groups of people.

Just fucking insane. I want their story. But this one will have to do.

Ah good, numbers, now we know it is an intense mystery film.

A lot of threads in this film, so I will try to keep it simple and brief.

Ray King (J.K. Simmons), some head of a treasury department, is looking for this Accountant dude, who might behind all these various…accountant things. And crimes. He gets some underling, Marybeth Medina (Cynthia Addai-Robinson), to look into it. Some blackmail was involved too.

Chris Wolff (Ben Affleck) is of course our Accountant in question. He is a high functioning autistic dude, so he is good with numbers, but he was also trained to fight and stuff as a kid by his dad, because why not.

He is called into some company to look up financial irregularities. Turns out a lot of shenanigans are going on, we get some action, we get some mystery.

Starring Andy Umberger, Alison Wright, Anna Kendrick, Jon Bernthal, Jeffrey Tambor, John Lithgow, and Jean Smart. The A’s and J’s of the Hollywood complex.

He punched those numbers so hard they turned into tiny booklets and the room emptied.

A couple of days after I watched The Accountant, I realized something powerful. I don’t remember a whole lot about The Accountant.

The experience while watching it had some okay moments, but for the most part, nothing anymore stands out. It is a completely forgettable film, and that is not a good thing at all. If I wrote this review right away after watching it, it would have still only been a 2 out of 4.

But at this point, a die hard Ben Affleck fan, I am just wondering what happened? Is it worth ever seeing again? Shit, should I even watch Live By Night? I feel like I am automatically going to get the exact same reception for that film, and I can’t handle that happening right now. Another recent movie is Batman v Superman: Dawn of Justice, and I don’t think I can handle that much shitty Ben Affleck in a row. I cannot go back the early 2000’s. Gone Girl was supposed to help lead to better roles, not worse!

I am just worried about my friend. Most of his upcoming films involve DC and I don’t want him to lose his acting career. He is lucky he even has one after all those shitty movies in the before time, here is no way he can survive a second falling out.

The Accountant is a forgettable action thriller. It might have smart moments, but it is not anything that I will care about discussing in the future, unfortunately.

I love Ben Affleck. Wait let me rephrase that.

I love Ben Affleck. Oh, apparently that is what I meant. I am not saying Affleck is perfect. He had the bad stretch in the early 2000’s. But he is making a hell of a comeback and I have been cheering him on the whole time.

I was excited to hear he was playing Batman from the get go. Finally, a Batman from Boston. Obviously he won’t be from Boston in this film, so one dream was crushed, but I still feel he has the look and power to pull it off.

That is why I am excited to see Batman v Superman: Dawn of Justice. I hope that it is better than the mediocre Man of Steel. I am also glad that the slate of DC movies is now determined for the next decade or whatever. After MoS, they initially said there would be a Man of Steel 2 like, a year later, then Justice League film to bring in everyone. I guess MoS2 turned into this, a Justice League prequel. A much smarter move.

God damn, look at those dreamy blueish Batfleck eyes!

Metropolis got fucked over by Zod and Superman (Henry Cavill). You might remember it because it was a big source of frustration for many film goers at the lack of consequences. So in this film, they decided to make consequences.

Like by pissing off Batman (Ben Affleck). One of his financial buildings was destroyed in the fight, with many people who used to work for him killed and one worker (Scoot McNairy) lost his legs. His legs!

So now, two years later, Superman has been around for awhile and generally doing good. Lois Lane (Amy Adams) and the rest of the newspaper seem to be on his side and write good stories. Batman has been a vigilante for a long time as well, long before Superman arrived.

But now, two years later, a large source of Krptonite has been found in the ocean, and thanks to research by LexCorp and Lex Luther (Jesse Eisenberg), they have found that it can damage Kryptonian skin. Ooooh. He wants to build a Superman deterrent, just in case. You know, that is something that Batman can get behind.

And then a whole lot of other things happen. Like Wonder Woman (Gal Gadot)! She is here too, damn it!

Also starring Jeremy Irons as Alfred, Diane Lane as Martha Kent, Tao Okamoto as Luther’s assistant, Laurence Fishburne as head of the newspaper, Holly Hunter as a senator, and Callan Mulvey as a generic bad dude.

Shit, does everyone have glowing eyes?

Batman v Superman, because the s in “vs” is one too many characters, is a bit over 2 and a half hours. And if you haven’t heard, there will be a directors cut with the Blu-Ray release that is about 3 hours and rated R. Yes, they made the bold decision of announcing a director’s cut before actual theatrical cut, something that is mostly unheard of. I think it was to mostly announce the R-ness, after the success of Deadpool.

With a long run time, there is of course a lot going in. Even though everyone in the world knows about Batman, they still have to give us a bit of an origin story for him. For the majority of the film, it is implied that Batman has been Batmanning for a long time, perhaps even 20 years at this point. He has a lot of history that they don’t get into, but it is something I will believe, because it implies past Joker interactions, everyone involved in Suicide Squad, and more. But if Superman has been here for almost two years, you’d think the two of them would have interacted at some point before now, given Gotham and Metropolis being across a bay from each other.

I am coming from a very pro-Batfleck back ground, but I think he knocked it out of the park as our caped crusader. And not just because of his chin. We have a lot less material to work with still, but I think he is definitely better than Nolan’s Batman (Batlan?) already. He is raw, he is angry, and he is calculating. Jeremy Irons does a wonderful Alfred, but I’d be honest, I think I liked every Alfred.

Wonder Woman was also very exciting. We really only get to see her for one fight scene, but when she appears, she commands the screen. She shows no fear, fights like a god, kicks ass, and even uses one of her trademark weapons. I wanted more Wonder Woman, hell, I wanted all of the Jusice League, but the other characters were only teased.

Cavill as Superman is more of the same from Man of Steel. Nothing too drastically different here, although his 6th sense of detecting if Lois is in trouble gets a bit ridiculous. He is a bit more of a tragic character in this film, with the Christ allegations no longer being subtle.

Lastly, in terms of characters, Eisenberg as Luther I am still mostly unsure about. A lot of the character seems to be similar to half of Eisenberg’s other characters. Smart aleck, talks fast, etc. By the end, it almost seemed like they wanted to turn him a bit into the Joker with a sort of madness behind him. Let’s call him passable.

No cool glowing eyes, but hey, one group shot so I don’t show favoritism.

Back to the movie as a whole. This film is all over the place. And honestly, early on the plot feels a bit convoluted. Most of the Lois Lane plot in retrospect feels a bit pointless. Everything is supposed to connect by the end, in a shower of brilliant planning, but it feels instead like it is full of holes and unnecessarily complicated. (“Hey, that’s what convoluted means! You already said that!” – Gorgon Reviews reader complaint).

The actual Batman v Superman fight scene was really cool, but in all honesty it just seemed like it was mostly to showcase how awesome Batman was. Superman never really went “full Superhero” during it, and the ending of the fight seemed sudden and a bit tacky.

As for the actual big crazy fight scene, which I won’t spoil despite the second trailer doing just that, it was occasionally nifty, while also often being messy. I really enjoyed the fight scenes between Zod and Superman in the previous film because it did a great job of showing how intense a fight between virtual gods would be, but this one takes place in the dark, with tons of explosions and flashing lights. It is harder to follow actually what is going on, which was only a problem in the Krypton pats of the first film. Basically every fight is in the dark and at night, making it annoying. We do get to see how the different characters fight and they aren’t just all bam bam pow.

Annoyingly, Batman seems to do something in the final fight that makes no real tactical sense. In fact, it seems like it is him doing something that he was angry at Superman for doing. They try to explain it off with a line, but as it was spoken, I could only shake my head wondering how something so stupid could be included in the film.

Favoritism, schmavoritism. Batfleck was clearly superior and everyone knows it.

The film doesn’t go about explaining a lot of smaller plot points. Sometimes it makes sense, as it assumes the audience is competent and knows a thing or two about these heroes. However, on Batman’s side, there are a lot of weird…dreams, moments, and references, that seem to mostly be teasing for the future and leaving me a bit perplexed at times. They tended to feel out of place and actually slow the movie down since they aren’t relevant yet.

And finally, FINALLY, the ending. Good news, it might be controversial again although not in the expected way. The whole time I was sitting there, I was confused. There were two routes it could have gone. One would have been really bold and a creative direction to take the future films, the other would be very obvious to any movie goer and thus have absolutely no impact. And yeah, it went the no impact route. The last 5-10 minutes seem to be almost cancelled out thanks to final scenes. On its own it will rustle at least dozens of jimmies.

Here is the good news. I think this film is a step in the right direction. There is a lot of good in there, just also a lot of meh to overall bring it down some. But it did still have me excited for Justice League and excited for Wonder Woman. As for Suicide Squad, the trailers still have me as mostly indifferent. This could be a fantastic film franchise and a nice foil to Marvel, it just will take a few more steps than The Avengers took to get there.

It is October, and apparently what that means is some highly anticipated films are finally coming out. I feel like every week of October that there is something I define as a must see.

Gone Girl has had a lot of buzz, rightfully so. After all, it is a David Fincher movie, and everyone fucking loves David Fincher. Fight Club, Se7en, The Social Network, Benjamin Button.

Okay, maybe not that last one.

But more often than not, he is hotter than hot, in a lot of good ways.

And yet this is really the only picture they gave us to advertise the bad boy ahead of time.

Nick Dunne (Ben Affleck) and Amy (Rosamund Pike) have been married for five years. How wonderful. They don’t have the perfect relationship, not anymore. Things have gotten bad and Nick is sick of her shit. She is miserable and judges him. He isn’t perfect either. But on this, the morning of his anniversary, he can only find himself bitching to his twin sister Margo (Carrie Coon).

Unfortunately, when he gets back to his home, he sees a table overturned, Amy missing, and a lot of confusion.

So of course he calls the cops, and based on the scene and some blood spatter, Detective Rhonda Boney (Kim Dickens) and Officer Jim Gilpin (Patrick Fugit) have determined that despite the little time missing, it is a full fledged missing person case. They want to do a press conference and get people on it pronto. Thankfully, Amy’s parents (Lisa Banes, David Clennon) are rich from a children’s book series, so they bank roll the entire thing. Flyers, advertisements, posters, websites, volunteer centers, phone lines. The whole nine.

But as the clues start to get unraveled, and secrets about Nick’s life get revealed, the signs begin to point that Nick did it and is undergoing a cover up. But did he? Did he?

Also starring Casey Wilson, Neil Patrick Harris, Tyler Perry, Missi Pyle, and Emily Ratajkowski.

Maybe she is just upset because she was cast in a movie with the main naked girl in the Blurred Lines music video?

I find myself at a loss of words.

Gone Girl was awesome, amazing, awesome, and amazing. Synonyms are hard.

The movie is about 150 minutes in length and the time flew by. It flew by so fast, I was left just wanting more. I went from edge of my seat to cackling in laughter to holding my hands over my mouth. You know, because it opened in shock and I couldn’t believe what was happening.

Everyone acted so well in it. I heard Affleck was chosen because he was used to public scrutiny from being Batman to J-Lo. I really liked the detectives. Neil Patrick Harris was interesting. Tyler fucking Perry did great as his role. And holy shit Rosamund Pike. That is some Oscar winning stuff right there, so expect to see her name being thrown around a lot.

I want to throw money at this movie. And awards. And watch it again and again.

This was a book first, so I can’t wait to read the book later. That’s right. Me. Books. Aggghhhh. Go see Gone Girl.

The title Runner Runner at first glance is a strange one. Initially I figured the film would be about people who were always getting chased, on the run, or cowards. Or a combination of the three!

It turns out it is a Texas Hold ‘Em term. It is when you don’t have anything good in your hand or the initial three cards on the table, but gain a better hand after the fourth and fifth cards have been laid down. It is a risky situation that most poker players do not rely on, because that would be ridiculous and more often than not, a waste of money. Let’s just call it synonymous with extremely lucky and stupid.

Enough foreshadowing? Alright, plot time.

“I’m not sure what to do with my hands..”

Richie Furst (Justin Timberlake), besides having a very strange name, is a masters student in finance at Princeton. He used to work on Wall Street out of college, and was about a year away from reaching that seven figure income, before it all blew up in his face and he lost everything with the economic crash.

Because of his past, he cannot receive financial aid, and has to literally gamble his life savings to pay for tuition. Until he loses it all on the website Midnight Black. According to his data and math skills, he clearly got scammed out his money, and he wants it back, so he decides to fly down to Costa Rica and talk to the website owner personally.

Ivan Block (Ben Affleck) is wanted by the FBI and world famous for his online poker sites, but he does enjoy making his business better through smart Princeton students. He ends up offering Richie a job, and Richie starts earning the money he thinks he deserves.

Hooray money! Money of course never comes at a cost, and there is surely nothing illegal at foot down here! Gemma Arterton plays the one woman who has a speaking role in this film, and Anthony Mackie a hardass FBI agent who really wants to take Ivan down, no matter the cost.

Here is a picture of these men walking. You know, not running, and for sure not running running.

It turns out my original guess about this movie wasn’t entirely incorrect. By the end, a lot of characters do go on the run: whether it is from the law (US or Costa Rican), from Ivan Block, or from other thugs. There is definitely a lot more running in this film than fighting or relaxing.

What I will say positively about Runner Runner is that it started out with an interesting concept and had a lot of potential. Who doesn’t love a good story about corruption and money?

The problem lies with how fast this movie moves, basically too fast to care about any of the characters and too fast to really feel the fear of the situation they have placed themselves in. At most I would describe the film as mildly entertaining, but I didn’t get any real value out of it due to how it was set up. All of the problems presented in the film were either solved instantly, or kept hidden like a Scooby-Doo plot point until they happened. I am not complaining that they kept some information secret, just that when the reveal happened, it was met with some mix of confusion and boredom.

The acting wasn’t spectacular, nor were any of the twists or turns. But I think both of those instances can be blamed squarely on the directing/editing. The last movie the director did was The Lincoln Lawyer, which I enjoyed. Unfortunately, Runner Runner seems to be a step in the wrong direction.

I did like watching Affleck as a man too rich to know what is good for him. It is a good stepping stone before he plays Batman, another man too rich to know what is good for him.

To The Wonder is another movie I accidentally waited a long time to see. It is that video on demand stuff, I tell ya. It came out in APRIL, and I realized a month later I could see it. Very exciting. After all, I knew the actors in it.

I also knew that it was Roger Ebert’s last review. Pretty fucking exciting. Then just like every other damn video on demand movie, I forgot about it and look where I am now. Reviewing it after it comes out on DVD, like a chump. Sigh.

Life’s a beach, and then you’re Ben Affleck.

The movie begins in France. Huzzah! Neil (Ben Affleck) is a non descriptive American traveling in Europe. While there, he meets a Ukranian woman, Marina (Olga Kurylenko), and her daughter Tatiana. They fall in love, kind of, especially at this place: the Mont Saint-Michel. Aka, where that picture from above is taken.

So he invites her back to the US with her daughter to the wonderful land of Oklahoma. Because when I think of the US, I think Oklahoma.

By now you will realize something about this film. There is a lot of beautiful imagery. There is a lot of voice over in another language (woo subtitles). There is a lot of not talking. Huh? Yeah. The characters don’t really talk. There is little to none actual dialogue in this movie. Ben Affleck almost has more words spoken in Clerks II, which is shocking.

For whatever reason (I guess we get to make one up), Neil is afraid of marriage, so eventually Marina gets sent back to France. Neil is left doing some vague environment work with problems that vaguely hurt the poor people. He rekindles with Jane (Rachel McAdams) who has had a recent rough past, and loves her up too. Just no marriage.

Marina has a bad time in France. Loses her daughter to her ex-husband, has no job. But eventually finds her way back in Oklahoma, with the man she loved before.

Also, there is a priest, Father Quintana (Javier Bardem). He is important? Somehow?

See? He gets his own cool artsy shots and stuff.

Fuck. What in the fuck. Artsy movies sometimes really piss me off, when they go all art and no…substance? I want to say substance. It seems harsh, but it feels appropriate.

I found out there wasn’t a real script for this movie. Just an idea. Which explains how the entire thing is void of any real dialogue, minus one scene between Rachel and Ben. The actors were told to use body language and act a much as possible. You know what happens when you only use body language? A lot of strange scenes where two people are standing near each other, but looking off to the sunset or the hills, and then back at each other, then back at the scenery. All spliced together with other imagery.

Gah. I should I have paid attention to the director. Terrence Malick. I’ve reviewed one other movie from him. The Tree Of Life. A very polarizing movie, with good imagery, that people either loved or hated. I wonder if this is the same? I’ve actually only heard negative things, but I still wanted to watch for Ben.

Yes. A lot of the movie is visually pleasing, but I don’t want to see characters stand around during voice overs for two hours in pretty scenery. It is just not worth it.

The fact that I could write that plot summary only came thanks to the wikipedia article on it. Without it being explained, a lot of it just seemed up in the air and for anyone to interpret as they would like. I interpreted it as a shitty movie.

Ben Affleck. Have you heard of him? He started as an up an coming actor in the 1990s, even won an academy award for writing, but then made a series of bad choices. He followed the Paycheck, got it on with J.Lo and became an easy laughing stock of Hollywood. Basically, he became synonymous with Canada jokes. Something that is joked about to seem cool, basically.

But then something happened. He directed a movie. Gone Baby Gone and The Town were both considered great hits. Now we haveArgo, and if it is any good, it could potentially cement himself as a great director (generally you need at least 3 good movies, in a row preferably).

And if it isn’t good, well then, Argo fuck yourself.

Back in the 1960s, Iran was fucked up. The film does a great explanation to catch you up to the events at hand though. Basically, the USA helped make a military coop, put a leader in charge who was horrible but loyal to the US. Eventually Iran gt their country back and the leader was brought back to US for protection, and was dying of cancer. Iran protested under their new leader, demanding the old one be brought back to be tried for his actions, but the US refused. They rioted at the US Embassy, eventually broke in and took everyone captive. Everyone, but six individuals who were able to escape (Tate Donovan, Scoot McNairy, Rory Cochrane, Kerry Bishe, Clea DuVall, Christopher Denham).

They find themselves in the house of the Canadian Ambassador, Ken Taylor (Victor Garber), and become stowaways. Unfortunately for them, the fact that they escaped puts them in more danger than those who were captured! The whole world is looking at those captured hostages, so Iran knows they cant have them killed. But people who escaped and have been hiding out? They are clearly spies and can be killed. Well, shit.

Two months later, enter the CIA. They are brought in to help extract the individuals from Iran, lead by their best man, Tony Mendez (Affleck). Unfortunately, their best idea is a long shot. He will head to Iran, pretending to be part of a Canadian film crew looking to shoot a new sci-fi movie, called Argo, there. He will teach the captives their roles and they will just leave hopefully. But first they have to make it seem real. With the help of some Hollywood big wigs (John Goodman, Alan Arkin) and the head of the CIA (Bryan Cranston) they attempt a rescue that basically seems like a suicide mission.

Tip 2 on how to be Canadian: Apologize always and often.

One thing people ask me a lot if what is my favorite movie, and every time I say Chasing Amy. Clearly I am a fan of Affleck as an actor usually, I just think he made some bad decisions in his life (the first half decade of 2000, specifically). Most people would agree that he was the bomb in Phantoms as well.

Thankfully, Affleck lived up to his hype and both directed an amazing movie, while also acting the shit out of it. First off, the way the movie set up and explained all the history before the hostage situation was really good. I was worried never hearing of the Canadian Caper before would lessen the movie for me, but they quickly set it up while also making it easy to understand. The entire film puts you into the late 1970s, everything from the looks of the actors, to the language just seems to fit.

Sure, it is true the Canadian involvement is incredible downplayed, but movies aren’t meant to be historically accurate, just entertaining. Historically accurate movies tend to be documentaries.

I think I would call Argo one of my favorite movies of 2012, which is an amazing accomplishment with all of the big movies that have already been released this year.

I forgot Extract had so many people in it. Oh man.

I had never heard of this movie before randomly walking by it. But hey, a giant picture of Jason Bateman‘s head on the cover, you take notice.

But then you see that it is a movie by Mike Judge and you watch that shit as soon as you can.

Especially when you find out a major character has some crazy facial hair.

Jason Bateman plays the owner and and founder of a flavor extract company. Clearly the amount of jobs left to have for movies is running dry. Either way, he is kind of successful and living it up. But he isn’t having sex with his wife, Kristen Wiig anymore. Which overall sucks I guess.

But not as much as losing a testicle! Which happens to a worker Clifton Collins Jr., who always felt underappreciated, and well, lost a nut on the job. He doesn’t even want to sue because he likes the company too much. But. He. Lost. A. Nut. Enter Mila Kunis, a con-artist, who doesn’t mind using her body to get that monies (not like a prostitute, but kind of). She gets a job in the factory, steals some stuff, and convinces him to sue for damages using the ambulance chasing lawyer, Gene Simmons.

She also tries to get it on with Bateman, but he doesn’t want to cheat on his wife. His bartending friend, Ben Affleck, tries to convince him to hire a prostitute to seduce his wife, so if she cheats on him, he can cheat on her. He also gets a bit drugged, so agrees and they hire Dustin Milligan.

Pretty fucked up yeah. But Mila is a good con artist in this movie. Eventually everything is found out, and appropriate actions are taken. Just kidding. David Koechner is also in thi movie as a rather annoying and talkative neighbor.

And by the end, someone may die, like all good movies.

Affleck gets to play a hipster Jesus as well.

I think this movie is very polarizing. Either you love it or hate it. So of course I say fuck that, and give it a 2. But I totally get it.

I liked the originality of it. I liked some aspects.

But at the same time there was very disappointing parts. Seemed to be missing something that I am used to having from Mike Judge. And it is hard to put a finger on it.

Usually that would be a 1 rating, but I somehow also enjoyed the ending. But still. Not the quality I’d expect overall? Very weird feelings with this movie.

So give it a shot, or not. Whatever

State Of Play was originally much further on my “to watch list”, but thanks to not getting the next shipment of movies in time, it became a quick backup plan. I just assumed it would be a lame thriller, but it turned out to be a lot more interesting.

But first you have to assume that Russell Crowe is supposed to be okay with looking like a hobo.

Hobo looking Crowe is some big shot journalist. Old school methods, has some sort of integrity. But the movie opens with deaths! The first thing you see him do is get extra info from the head cop, because oh boy is he sly. Ben Affleck plays a congressman who is in charge of a committee / task force brought together to investigate PointCorp, a Blackwater like group that appears to be profiting way too much from the war, and shady tactics with mercenaries.

Turns out that besides the deaths, a woman also committed suicide in one of the three areas of the Metro in DC that isn’t covered by cameras. Of course foul play is expected, especially when she is on the same committee and a secret lover of Ben. Oh noes!

Rachel McAdams is also a new reporter, former blogger, who is assigned to the case with Crowe (before it becomes the big deal that it is). Also involved in smaller roles are Jason Bateman, Robin Wright, and Jeff Daniels.

For the movie, you will follow the journalist and police investigations of this crime, as they work together, and try and unravel who is behind everything and why are the events happening. Along th heads Crowe and McAdams different philosophies on journalism but heads, and is a central plot. A lot of ethical lines are also crossed, in order for “justice.”

Of course, you could also just completely guess what happens by the end too, and be right. I kinda did.

My guess was that Affleck wears a tie. Cha-ching!

Although interesting, a lot of it went over my head. Talk of war, politics, journalistic integrity, these are not my forte. I just like movies. I think I’d really have to watch it twice just in order to get it all. Definitely a smarter movie too. So for that…