Tag: 4 out of 4

Foreign movies are so hard for me to finally get to watch, but there are sooo many of them that I have to see for the Oscars. Booo. And it isn’t even just things nominated for Best Foreign Film! We have things that are foreign nominated for best Animated Film (which I will review in the next week), and we have Two Days, One Night, of which had Marion Cotillard nominated for Best Actress.

Best Actress! My weakest category! And this was literally the last one I had to watch to get all of the acting categories down. So of course I made this a priority outside of all the foreign movies.

So I grabbed my tissue, and prepared for the worst. After all, foreign movie nominated for Oscar and straight drama? I assume someone is going to make me cry.

Even the ice cream looks depressing.

Sandra (Marion Cotillard) has an issue. She might be losing her job. She works at a plant that only has 17 employees. They make solar panels for whoever wants solar panels. Sweet gig I guess. But Sandra has been having some emotional and psychological issues lately. She had a nervous breakdown and took time away from her job, spending time at home with her kids and husband.

But the company employees have found out they totally don’t need her at the job. Everyone overall works roughly 3 hours more a week, but they still get the job done, and it isn’t a big deal that she isn’t there. They can do it with 16. So the higher ups put it to a vote for the remaining workers. They either vote to keep Sandra as a member of their company, or they vote to receive their yearly bonus. Yep, they put her against about 1,000 euros. That’s pretty hardcore.

So it comes to no surprise when the vote goes 14-2 against her. However, they say that the company man being at the vote and it not being secretive influenced it heavily. They convince them that Monday there has to be a re-vote, a secret ballot, without outside influences in the room. So Sandra has the weekend to find her co-workers, appeal to their better nature, and hope they will keep her around too.

Also with Fabrizio Rongione, Catherine Salee, Olivier Gourmet, and Shaun Weiss. And obviously more, but some people have smaller roles or only one scene.

Trying to save your job while being silently judged. That is probably worse than sad ice cream.

Great acting alert, great acting alert!

Fuck. Cotillard did so good. I haven’t seen her in most things, like a lot of people, but I was super impressed. She lost a lot of work and constantly felt like she was on the verge of another break down. She was also incredibly realistic. And a good person. Which made her easily relatable. Her heart break and her sadness was our heartbreak and our sadness. The film itself is such a simple concept yet entirely captivating. It helps that they present you with such a simple goal too. She just needs to convince 7 coworkers to vote for her on Monday. Simple as that.

She doesn’t want to be an inconvenience, she doesn’t want to guilt trip people too much. After all, other people have their own problems and families to look over and had plans for that money. They don’t deserve to lose their bonus, yet she also doesn’t deserve to lose her job. It is real, it is relevant, and it is has a lot of gripping human drama. Man. Those French/Belgian people really knew how to connect to me on levels I didn’t even expect before.

Fuck, I guess I should watch The Immigrant now?

If you are just catching up, I am attempting to hit all the documentaries nominated for the Oscars. Something I have never really attempted before (and still haven’t done for any year). Last week I did Virunga, courtesy of Netflix.

Today I review Citizenfour, courtesy of the NSA. This is not to be confused with Citizen Koch, also from 2014, which was too muddled to make a good point.

No, this one is about a different man who has affected the world, Edward Snowden. More importantly, it is about him BEFORE and after he affected the world. If you can’t remember, Edward Snowden is the whistle blower who gave out tons of information of illegal activity that the NSA was doing, namely spying on its own citizens.

Whereas documentaries spy on people with their knowledge.

How did it get the information before? Well, Snowden realized this was a big deal, so he contacted Glenn Greenwald through encrypted means. He wanted to give him information. He also knew this information was so important, that they began filming the decision in Hong Kong, before the information officially became leaked.

So what does this documentary offer? Watching a man make one of the biggest life changing decisions of his life. You also get to see how much effort went in to protecting him and the journalists involved. How much time was spent being paranoid (for good reasons) and time to make sure their routes to the airport, to embassies, and all would not end with him getting put in jail.

It was pretty intense. And in fact, at times it felt a lot like a thriller. Which is pretty amazing for a documentary.

Like him or hate him (you SHOULD like him, by the way), Snowden was one of the biggest news stories over the last year, and did a lot to help world see what kind of fucked up things our government was doing.

Basically, he is basically a tech-Jesus. And this is the story of how it all went down, along with other information that you might not know about some of the shit the government did. Very informative, very intense.

It is a hard goal, but I figure I should also check out the best documentary nominees. I was really hoping that I would have seen a few of them before they were nominated, but apparently the ones I thought looked interesting weren’t good enough.

I really should have seen Virunga, because it was a Netflix documentary and has been made available for awhile. My bad. Either way, I can totally get these documentaries done ahead of time, I think.

Virunga! It is about the Congo! The only stuff I know about the Congo are from the movie, Congo, and apparently it grossly misrepresents what is going on over there.

Kind of. Because there is a big military presence ever. And there are definitely gorillas, which is really the point of this documentary in the first place.

Well, the love between a man and his gorilla.

Virunga is a national park in Congo. The gorilla there only lives there and is being hunted. They want to protect them and the land from being messed up like the rest of the Congo. But also, we have an oil company there who wants to determine if there is oil under the large lake and in the area. They aren’t allowed to drill there or extract anything, but they just want to “see”.

Apparently they might be doing more than that, too. Secret meetings, bribes, and mercenaries and fighters. Oh boy.

Virunga at points plays out like an action movie, as they had people recording the events happening right before people would get attacked or fights would break out. It was definitely a bit scary and intense. I was also really impressed by all the moving parts. A lot of different sources of information, from park rangers, to journalists, to everyone in between. They really branched out with their work.

I think what is best about this documentary is that it is set in the NOW. This type of stuff is happening, here are recent events, and we should be outraged about it. I would be, but I can’t muster it up. But I know I should be which is even more important. Great source of information coming from many different angles, and not very biased. Nice.

You’ve seen the worst, now prepare for the best.

I had a lot of movies that I really liked this year too. And unlike the worst list, everything on this list I gave a 4 out of 4 too. This is the cream of the crop.

Some films I didn’t get to see yet from 2014 that may have made this list. I have heard good things about A Most Violent Year, The Disappearance of Eleanor Rigby, many documentaries, and Two Days, One Night. I won’t update this list either, just know it in case you think one of these should be at the top.

Honorable Mentions: Fury, Joe, Whiplash. There were probably more 4 out of 4s, but these would have been the next in line I think.

The One I Love is one of those surprises to make my list. This film flew by me completely under the radar, only found it because I was looking up Mark Duplass movies in boredom. And hey, it was an incredible indie flick that was also very simple in nature.

The entire performance is resting on the shoulders of our two main leads, and their performances are incredibly realistic for this situation. It is a Science-Fiction movie without outer space or rockets or gadgets. Just love, romance, philosophical debate, and many questionable situations after another in a very morally gray way.

For those of you who read my The Muppets review, I thought the movie was okay. I didn’t grow up on the TV show, never watched it, but understood most of the pop culture references to it. I think I ended up watching more Muppet Babies, which I don’t think is canon. But the sequel? Muppets Most Wanted? I smiled from start to finish.

The music was basically done by Flight of the Conchords and it showed. Everything felt witty and original. I don’t think there was a single disappointing song in the whole picture. Which is why, awkwardly enough, this was my highest rated musical for the entire year. There were a lot of movies that should have been contenders, but some failed miserably, some were pretty good, but none made me this happy and excited.

Now my list might start looking like other “real reviewers”, but I warn you not to get used to it. The Imitation Game was actually nominated for Best Picture and there are many reasons why. Benedict Cumberbatch is awesome, generally taken as fact. It is about one of the most exciting non combat parts of World War II, the solving of the German Enigma Code.

Now, I don’t care too much if a movie takes historical liberties with the past, as long as we get a good story, and I am pretty sure that is what occurred here. I think a lot of the drama may have been exaggerated or created, but the important truths are still in tact, and it sucks what happened to Alan Turing. I didn’t think it would make me cry, but sure enough, the drama always wins in the end.

Comic movies?! It is hard to imagine that the same studio who makes The Wolverine and other shitty X-Men movies can put out a masterpiece like Days of Future Past. On its own, it is an ambitious title, because time travel is always a tricky subject. First Class was a good movie and a step in the right direction, but I couldn’t have imagined the sequel jumping this many leaps and bounds to give an incredible comic book movie experience.

Although not my favorite comic book year, it did help give some faith to Fox Studios and pump me up for the next X-Men flick, Apocalypse. I hope this leads to even more ambitions films in the future and willing to break the mold of a typical super hero plot line.

Yes, back to the “what? really?” aspects of my list. 21 Jump Street surprised me, mostly because it seemed like such a bad idea, the cast didn’t make sense, and the reboot felt unnecessary. I was wrong. The idea for the sequel, 22 Jump Street, I also thought was terrible. And I was wrong again, but more.

Phil Lord and Christopher Miller must have been completely bonkers to write this movie, as they took the idea of a comedy sequel, and went meta as fuck with it. Channing Tatum is secretly a comedic mastermind. That has to be it. I was cackling in the theater, almost to the point of pain. I am excited for the next 20 sequels they produce.

2014 was also an incredible year for animated films. A lot of heavy hitters this year, definitely more than the last few years when there tended to be one film above the rest. Big Hero 6 was this years submission by Walt Disney Animation studios, who gave us Frozen, Wreck-It Ralph and Tangled. But it was also partnered with Marvel Studios, given the ownership and all, to give us an incredible animated movie.

What I remember the most about this movie is the color and imagery went into creating this futuristic cross-cultured city. Oh, an the fun action scenes. And the humor. And yeah, it is just a wildly fun movie. The studio keeps putting out incredible work, and honestly, I can imagine this taking best animated film just as easily as any other movie nominated.

Which brings me to How To Train Your Dragon 2. Me and Dreamworks have not been getting along, giving me mostly crap or only okay stuff for the last few years. For the first How To Train Your Dragon, I mostly just hate how lazy the ending riding conflict felt, and thought it could have done a lot better.

I actually don’t know what I like more, between this and the last movie. They are by far my favorite animated films of the year. The only reason I am giving HTTYD2 an edge is due to its vast improvement over the original. They both went to some dark places, both made me cry, and both were beautiful in every way. But a great story that wasn’t afraid to get dirty and wasn’t afraid to set the franchise up for bigger and more intense things.

Look, if you had told me I had to watch a movie about a guy on the phone for an hour and a half, I would have been probably upset with you. I get enough of that by riding public transportation every once in awhile. Unless that film was Phone Booth, I probably wouldn’t care.

But despite the plot, Locke is about Tom Hardy on a phone, driving along the interstate, making the hardest decision of his life. And that is it. And I was floored by how invested I became in his story and the choices he made. This plus The Drop cemented Tom Hardy as a wonderful actor, but we already knew that from Warrior, right?

The third and final comic book movie on my list, Captain America: The Winter Soldier started off the summer blockbusters right. And in April at that! Marvel is doing great things by making their different movies into different genres under the Superhero subtext. This one is spy/espionage/political action movie, with a few comedic elements as well to keep us guessing.

Before this movie, like most people, I would have said Avengers was the best Marvel film, but this felt like Avengers 1.5. Guardians of the Galaxy was a great movie, but not one that I thought was super great. Chris Evans is making himself the most important actor to the studios and I hope he gets a sweet ass pay check to represent what this film did to the MCU.

At first I was upset that Nightcrawler wasn’t about the X-Man. And then I was upset that Jake Gyllenhaal turned down his role in Into The Woods to do this movie. Then I watched it and I smacked my past self right in the mouth.

Gyllenhaal is also doing the best work of his career and it is amazing what he did with this role. Probably the best portrayal of sociopath in a long time, this Thriller/Drama explored the dark side of human nature and how just an individual with no schooling and a lot of can do attitude can become a success. No matter what.

I wouldn’t want to make a best list without featuring at least one foreign movie! And that same foreign movie is probably the best action movie in the last 10 years. That number is picked at random, I can’t think of a better action movie 11 years ago. I can only think of The Raid 2. You don’t even really need to see The Raid: Redemption to understand this one.

Admittedly, the plots of these films are a bit weaker. But if you want well choreographed and insane fight scenes, there is literally no better action movie to pick. Over two hours long, and slightly more plot, this movie has more action into its pinky than the entirety of Sylvester Stallone‘s last ten flicks.

David Fincher is probably one of the more celebrated actors of our generation, so whenever he has a new movie, you know peopl are going to rush and see it. I personally was more excited to see Gone Girl because of Ben Affleck. He was the bomb in Phantoms, he was the bomb in this movie. Hell, everyone was the bomb in this movie.

Rosamund Pike gave one of those terrifyingly creepy performances that don’t come along very often. Hell, the last time I saw anything remotely similar would probably be…Nightcrawler. Ah yes, the year of the crazy. But if a movie can feature even Tyler Perry and think he did a great job, you know something magical has happened on your screen. Ever twisting and turning, the wild book turned into a wild movie.

After I saw my first Wes Anderson movie, I was weirded out, didn’t get it, and thought I wouldn’t watch any more of his movies. Just like earlier, I was glad to be wrong, and I have definitely loved his last three movies. The Fantastic Mr. Fox and Moonrise Kingdoms were both top films the year they came out, but The Grand Budapest Hotel has to be the best movie he has ever made. He has always been great with his cinemetography and quirky characters, but he elevates his directing game to new heights with this picture.

At this point in the article, I am running out of things to say without sound repetitive. GBH is funny and dark, and a great performance from Ralph Fiennes. I think this movie will inspire a whole generation of youths to become Lobby Boys and Hotel owning enthusiasts.

Admit it, you probably figured out what the top two films were a couple movies ago. And that is because they have probably been the most talked about out of all the movies from 2014. I think Richard Linklater is one of my favorite directors. The Before trilogy is probably one of the best and most realistic trilogies ever produced. When I heard he was making a movie that took TWELVE YEARS capturing a boy growing up from 6 years old to 18, I could barely believe it. When I finally got to see Boyhood, the 2.5 hours seemed to flow by.

His journey was the audiences journey. I don’t know if I found it more relatable because I too am a white male or what, but it was like a nostalgia filled journey that I wish would never end. I demand a sequel, but from 18-35. Make this the closest thing I get to having a real life The Truman Show. A crowning achievement of film and directing and one that makes me feel like I gained a friend who I have known my whole life.

Ah Birdman. What a movie. 2014 has some of the most unique films of the decade, and it is a shame that they all had to come out months of each other. When I first saw Boyhood, I thought there was no way a movie would top it for me. It was such a great concept and just felt like the epitome of the movie experience. And then Birdman came along.

Birdman had everything. Deeply dramatic monologues. Comedy. Beautiful visuals. Many ways to interpret the movie after seeing it. Fantastic fucking acting. A great story line. Very meta at the right time. I was blown away with the “single shot” feel of it. Single long shots are some of my favorite things in movies, so making the entire movie with that experience blew every ounce of my mind. ALL OF THE OUNCES. Not to mention making the actors really know their stuff. Having to actually act, like people in a play! Which is what the movie is about! Agghhh! Even the soundtrack rocked.

Even. The soundtrack. Rocked.

And there you have it! The best of the best. Did I leave off anything you think should have been up here? Do you disagree with anything at all? Am I the stupidest person ever? Be sure to let me know and yell obscenities while doing it!

Whiplash snuck into theaters way back in October was a limited release and I obviously didn’t get to see it. It left theaters quickly, and I was left on the internet cold and sad. You see, people kept talkin’ ’bout Whiplash. About how good the acting was. What a surprise. How cool it was.

And I was all like “But, but, but, but…I don’t know anything about this movie! :(“. And then they laughed at me of course.

But now I am back, having seen Whiplash, before I compile any sort of top of the year list for myself. It feels good to watch things before awards season. It must be similar to how people feel reading a book before it was even announced that a movie version was going to come out. Pretty intense, I do say.

You can tell you are being intense if you have your mouth open.

Andrew (Miles Teller) is a drummer. He likes to drum, he is in a great music school for bands, and he thinks he is decent. But he is his biggest fan, and who cares what his opinion is.

You see, there is an elite jazz group at his school, led by the legendary Terence Fletcher (J.K. Simmons). Everyone is crisp, always finely tuned, always with the right tempo, and always winning awards.

Andrew wants to be apart of that band, but Fletcher is mysterious and only has surprise auditions in the middle of other classes. And somehow, Andrew is able to win himself a spot.

Fletcher seems nice to him at first, but it turns out he is kind of a hard ass. He yells, he screams, he demands perfection and he can tell who is the best after only a couple of seconds of play. He wants to develop the next great star by forcing people to move out of their comfort zones and become an elite player. He also likes to mind fuck people, which I am sure is very helpful.

(Zany announcer voice) It looks like Andrew should have been careful what he wished for!

Also with Paul Reiser as his dad, Melissa Benoist as his girlfriend (and yes, she was on Glee), and Nate Lang/Austin Stowell as other drummers.

The closed mouth next to the open mouth amplifies the intensity levels.

Intensity is the key word of the review, because getting whiplash is an intense injury. Not as intense as a broken bone or falling off a cliff or anything, but it exists. The film is called whiplash for the feeling and the jazz song which is one of the main two pieces their group ends up playing.

And it is also the only way to describe J.K. Simmons’ character. I could listen to him yelling at teenagers every day of my life. His voice is why he became J. Jonah Jameson and is why this role was made for him.

In fact, I am pretty sure this movie exists entirely to get him an award, because he was a huge asshat and acted his hatass off.

Whiplash on its own is also a very entertaining film. A lot of energy is put into what most people would assume is just a drummer in a jazz band, but the quest for greatness has its costs. Hell, even the cinematography was great. The ending is basically a giant ball of emotion wrapped that is looking to escape, and then does, and hey credits.

Nothing I just said makes any sense. So I should just use the word intense again.

2014 has been the year of the Doppelganger. Not Doppelganger Movies, that was just two Hercules movies.

No, 2014 gave us Enemy and The Double (which may have been 2013) and The One I Love. Clones everywhere.

But The Imitation Game, despite its clone sounding title, is totally not about clones! What’s up with that? No, instead we are getting a historical drama about Alan Turing, a British man who did things during World War II. Yes, this is another World War II movie, but instead of bombs and death, we instead get math and death.

“The square root of a bullet is still a bullet.” – Albert Einstein

You see, Alan Turing (Benedict Cumberbatch) was one of those very eccentric individuals who also did smart man things. Aka, the perfect type of person to make a movie about, because acting!

Alan Tuning is most famous for kind of leading the science way towards real life computers. Back in the 1940s, they didn’t even have the internet, so presumably all their free time went towards doing crossword puzzles. Especially Mr. Turing! A professor at Mathematics, he loved puzzles and solving cryptography. So he gets himself into an interview with the British Royal Navy to join their puzzle solving squad. Namely, trying to crack the German Enigma Machine.

The Engima was thought to be uncrackable. They had a copy of it, but they didn’t know the code. The code changed daily, right at midnight, and their first message intercepted would be at about 6 am. So they have to go back to square one, even if they solve that days code, every morning. It would be a tireless effort, but these men (Matthew Goode, Allen Leech, Matthew Beard) are up to the job! Just not with the anti-social awkward Turing. Who also doesn’t want to help their daily efforts, but instead build a machine that can crack the code almost instantly and help the Allied forces win the war!

Hurrah!

And he was gay. That is important, because homosexuality in the UK was illegal at the time, so his mere existence was causing him to be an outlaw, yet a huge savior of World War II.

Also featuring Keira Knightley as Joan, a WOMAN on the team (kind of), Charles Dance as the head of the Navy, Mark Strong as a MI6 agent involved as an overseer, and Rory Kinnear as a detective trying to find out what Turing is really up to.

Being a woman in a male dominated field of doing puzzles really makes you stand out.

I am pretty sure a lot of this movie was fictionalized to increase drama and make everything a lot more exciting…and I am completely fine with that. Man, was this film tense and exciting. And well acted! Not just the Cumberbatch either, but the other guys and gals, they did pretty good too.

As for Cumberbatch, it is interesting that in an episode of Sherlock, he referred specifically to Alan Turing’s life and issues they had after finally solving the Engima machine. It was a huge plot point and involved moral ambiguity (which I am always a fan of), and shit, now he is Alan Turing doing the same thing he talked about in another role! Crazy! And a bit eerie. But even more importantly, like a lot of his recent roles, this role was very different from his past jobs and you could tell a lot of fantastic acting was going on there. So good the acting. Acting that shows a love of the craft and maybe a love of the subject matter.

Is it the best at acting? Nah, probably not. But it is up there for sure.

I found the whole thing easy to watch and follow, and it was great that we also got a story of Turing when he was in grade school before he got his PhDs. It is great having WW2 movies that aren’t just about how war is terrible and people are dying and all of that. Which is I guess what The Monuments Men tried to do and failed.

Nightcrawler is everyone’s favorite X-Men, right? I mean, after Wolverine, Deadpool, Magneto, Cable, Bishop, The Phoenix, Gambit, Professor X, 1990s Cartoon Rogue, Longshot, Iceman, The Juggernaut, Apocalypse, and that pterodactyl dude, right?

Just kidding. Nightcrawler is pretty cool up there. Transporting around, being all blue and sneaky and shit. Give him a dagger and he is better than any thief in any roleplaying game. So it is about time Fox branched out on its solo movies, away from their Wolverine jerk fest,

Wait, what? It isn’t an X-Men movie? But that would mean we only got sweet Nightcrawler action in X2, and I am super tired of that movie (too much Wolverine Origin story).

Apparently Nightcrawler (outside of worm teminology), can also describe someone who usually is more social and comes out at night. Ah okay. So maybe a movie about a well liked party animal.

“Wrong again, fuckface!” – Nightcrawler director

Louis Bloom (Jake Gyllenhaal) is a dirty rotten scoundrel. Or at least he seems that way, when he beats up a security guard (steals his watch) and steals some material to sell under the table for spare parts. Dude is just trying to get by and make a living. Something is clearly off about him. Kind of scrawny. Talks in a funny way. Always looking at people with those deep eyes, rarely blinking.

No one wants to hire a thief either, so he tends to work on his own, at whatever he does, doing some internet researching and jumping head first into his tasks.

So, when he sees a car crash, he is surprised to find a news crew really quickly on the scene. Apparently these guys just listen to police scanners, try to get great footage of crime, either in progress or with people hurt, and sell it to news stations for some quick cash. After all, these news stations want to have the most exclusive footage and first to get the better ratings!

Sounds cool. Louis should get into that business. Just needs a camera, a police scanner, and an ability to haggle just how hard could it be? Anyone can do it, right? Even that dude from American Psycho could pull it off. Also starring Bill Paxton, Rene Russo, and Riz Ahmed.

I will admit I only said that because of the resemblance in the picture, despite the fact that I still haven’t seen it (shh).

Trust me, this is one of those shitty reviews where I describe the plot in a terrible, vague way. That is just because I need filler and don’t want to really spoil anything that happens.

Nightcrawler is that good. I went in knowing close to nothing and boy was I surprised in so many ways imaginable. I heard that Jake was supposed to be the second prince in Into the Woods with Chris Pine, but had to cancel because he was doing this movie. That made me upset. I want to see Jake singing in agony, damn it!

But I am incredibly happy, in retrospect, that he went the Nightcrawler route instead. Gyllenhaal dropped over 30 pounds for this role, making himself a creepy skinny dude with big bulging eyes. Nothing like his ripped Prince of Persia self. BUT HE WAS SO GOOD IN THIS ROLE.

Shit. I thought this would be a lame drama. But it was captivating, tense, somewhat scary, good, and it didn’t go the ways I thought it would. Louis Bloom is a despicable character and creation, but I want to see him do a lot of things. I don’t want a sequel, that’d be weird. But maybe just side stories or something. I think I am just describing shitty fanfiction. Bloom is probably the best bad guy of 2014. And honestly, I feel like this film came completely out of nowhere.

Nightcrawler is just continuing the trend of great Gyllenhaal movies coming out. I feel like the only reason he has a bad rap at all is due to Bubble Boy, which is silly, because Bubble Boy rocks.

Still Alice is another one of those movies that got leaked from Sony ahead of time. But no one cared about Still Alice. They only cared about Fury and Annie.

Personally, I hadn’t heard of the movie at all. It sounds creepy I guess.

But then I heard about buzz for best actress and maybe supporting actress, so I figured I’d watch it earlier than planned. I need all the help I can get in the potential Best Actress category. For whatever reason (sexism?), the movies that get nominated for Best Actress don’t often get nominated for a lot of other rewards. Last year is a poor example, and I might be talking out of my ass, but I think it is true.

At the very least, when I look back on the nominations for Best Actress in the past, I notice that I have seen significantly less of them than others. That sucks. Maybe I am just not as interested in super great female acting performances? Hard to say.

Either way, I am ready to be wowed, way more than I was ready for Mr. Turner.

And more than I am ready for a walk on a beach. I am never ready for a walk on the beach.

This is a story about Alzheimer’s Disease. Some people argue it is the saddest of the diseases. It is sadder than Cancer, AIDS, and definitely sadder than Alcoholism. It definitely worked for Barney’s Version, which was a lot better than the cover gave it credit for.

Dr. Alice Howland (Julianne Moore) is some sort of Psychologist at some sort of university. She is big in career. She is married to Dr. John (Alec Baldwin), also a smart person, who also has some sort of university/scientist based job. They have a nice family too.

Three whole kids! None of them are half. A daughter (Kate Bosworth) who is infertile, sure, but married and going to get one of those science babies with her husband (Shane McRae). A boy (Hunter Parrish) who also is successful with college and all. And a third child. Ugh. A younger daughter (Kristen Stewart), who doesn’t want to do college and wants to be an actress. Gross gross gross.

Either way. Alice starts to forget shit. Sometimes blurry vision. She talks to a neurologist (Stephen Kunken), and yep. She has an early form of Alzheimer’s, rare genetic version. Which has its own complications.

And you know. Other sad things!

Like Vests, the saddest articles of clothing I could imagine.

Ah shit. Sadness. Like man. I cried a couple times. Damn empathy. I used to not feel sad over getting older type stories. But here we go. Getting older. Having a family. Genetics. Diseases. Losing and forgetting memories.

I already mentioned that I liked Barney’s Version, for whatever reason the only Alzheimer’s based movie I could thing of. It was great for Paul Giamatti in the titular role, but it is not something I have ever tried to watch over the last three years. Maybe in another five I will watch it again. But man, Still Alice was really really damn good. The story itself shows the decay in a natural and fantastic way. Also a bit scary. Not a thriller, but man, losing the memories that you are trying so hard to maintain. Being such a smart individual and losing what made you feel unique and special? That is scary. I don’t want to get old and have that happen to me. I don’t want my parents to forget I exist.

Also, Julianne Fucking Moore. Before this movie, I could only guess that maybe Rosamund Pike might win it from Gone Girl. Despite how great she is in that role, Moore is so much better. I haven’t seen Wild. I haven’t seen Cake. But I can’t imagine any performance as good as hers (and I was equally vocal about Cate Blanchette eventually winning last year).

Kristen Stewart was in this movie, and I didn’t think she will win any awards, but she wasn’t terrible or anything. Some of you might be thinking that you are surprised she was in a 4 out of 4 movie before Robert Pattinson. But you’d be wrong, because I really really enjoyed Harry Potter and the Goblet of Fire.

For whatever reason, I know a lot of people who were upset when Disney bought Marvel Studios. They thought it was the end of the good stuff. They thought only bad could come. They said the same thing when they bought Lucasfilm.

I, however, was excited. They weren’t going to mess around with a good thing too much, they didn’t want to spend billions to not make billions more back! But I was even more excited about the potential of a full on, super good CGI Marvel/Disney flick. Yeah. Something with the cutting edge in technology, giving me full on super hero battles, with flash colors and everything the comics promised, and really that live action movies still can’t fully give. So when I found out it was Big Hero 6? Well, I obviously had to look up what the hell that was.

Big Hero 6 is a much smaller property that has a small following. It is most well known for having, at times, Sunfire and Silver Samurai from X-Men in it, but we know that Fox has those rights, so they had to work around it. Disney also wanted to be able to tell a new story and not feel super tied down to any mythos, so messing with a smaller property would work well with that. And hey, if they didn’t have the Big Hero 6 leader in it, they’d probably have to change a lot anyways.

And thus, this animated movie exists, presumably nothing like the (old) comics, and I knowing nothing about it couldn’t have been happier.

Yay surprises and happiness and sunshine flowers!

This story is about Hiro Hamada (Ryan Potter) and his trouble with ladies. That’s not true, he doesn’t have troubles, he just doesn’t care. He doesn’t care about ANYTHING really, outside of robots and robot fighting. You see, Hiro is only 14, but he already graduated high school. Bright kid. Has a bright older brother too, Tadashi (Daniel Henney), but he is in college doing boring stuff. Hiro just wants to illegally bot fight and make money that way.

But once he finds out that Tadashi is actually in a really fucking cool robotics program, with really cool people? Yeah, that is when he thinks college might be a good thing, and not just living at home with his Aunt (Maya Rudolph) in San Fransokyo (which you should be able to figure out what two cities were combined for this).

Well, Hiro is able to design super sexy nanobot technology to get himself admission to the school! But when disaster strikes and he loses his invention, he is sad again. Not even his new college friends can help: Go Go Tomago (Jamie Chung), Honey Lemon (Genesis Rodriguez), Wasabi (Damon Wayans Jr.) and Fred (T.J. Miller).

But when he finds out his invention was stolen and is being used for nefarious purposes, well, he cannot just sit idly by. He has to fight back. And he has to use Baymax (Scott Adsit), the soft robot helper and turn him into a fighting machine! And maybe he can fight back too. And his friends. Yes… Maybe they can be…super heroes.

Also featuring James Cromwell as Professor Robert Callaghan and Alan Tudyk as the seedy business man Alistair Krei.

Shake that sexy butt.

Color? Yes. Fantastic animation? Yes yes. Likeable characters? Yesx3. A plot about science and why knowledge is good and how science can change the world? Hells to the yes.

Watching Big Hero 6, the best way to describe it was having a blast. This Disney film is notable for not having a lot of songs, which might be their goal. They went Tangled, then Wreck-It Ralph, then Frozen, and now Big Hero 6. A lot more “macho” themed movie, if you go by outdated gender stereotypes, so there is no room for silly songs. Just action, humor, and sexy sexy graphics.

This was just a really great both super hero movie and animated family film. That is a hard one to pull off. A lot of great humor and it has a lot of similarities (based on my research) with the comics, but unique enough to make it its own thing. The only issue with it being in the animated field and a Disney flick, is I know that if we are going to get it a sequel, we have at least a four year wait. Can’t have one of these guys every two years, as it will make them compete with themselves for Best Animated Picture, and they don’t want that.

And can we get another shout out to science? Yay science! Some of the tech was inspired by real life advances too, making this futuristic tale also a bit modern.

It is too close to Halloween now, but I expect fully by next year that we will see a lot of Hiro and Baymax duos out and about. Not more than Elsa, but a fair number still.

I really wanted to do some clever parody of Spoonman to start this review, but those lyrics kind of suck. Didn’t give me a lot to work with, outside of obviously changing Spoonman to Birdman.

But let’s talk about this great title. Birdman or (The Unexpected Virtue Of Ignorance) is the full title and so we should say it every time in public as such. Such a provocative title on its own right, and given that some of the people in here play strange fake versions of themselves, it gets even crazier.

And the movie itself is very pseudo-meta. In the quickest description, it is about a man going through a midlife crisis, who used to play a very famous super hero, but stopped and hasn’t had great work since then. That person is looking for a comeback into the public fame and risking it all to succeed. Michael Keaton of course used to play Batman, and after Multiplicity, well, who cares? And now he is in a very similar situation. Awesome. I am stoked.

And Norton plays a great actor who others can’t stand and is hard to work with. Hey!

To reiterate, Riggan (Keaton) used to be a hot commodity. He played BIRDMAN, the best super hero, people loved him. But then he stopped. He didn’t want to do it anymore.

Now look at him, middle aged, divorced, and putting on a play. A play?? Yes. On Broadway, an adaption of a a short story that he is writing, directing, and starring in. Why? Hard to say, could be the crisis, could be because he likes the author, could be anything. But it is happening and soon. But at the same time, his life is falling apart. His relationship with his daughter (Emma Stone) is strained. He is putting all of his wealth into this production. His lead performers are either bad or egotistical. He might have gotten someone pregnant. He has to deal with critics with a vendetta. And bad things just seem to keep happening!

Did I mention mid-life crisis? Because Riggan is also having trouble, when he is alone, perceiving his own reality. He almost sees reality in a different light than everyone else. They just couldn’t understand.

Also featuring Zach Galifianakis as his lawyer, Naomi Watts, Andrea Riseborough, and Edward Norton as his actors, and Amy Ryan as his ex-wife.

Also starring that guy, played by some Harvey or something like that.

One of the coolest things a director can do is have a few “really long shots” in their film, where the camera never leaves the scene, where there are not cuts, just a lot of dialogue and a lot of acting. The Master had an intense one of those, Before Midnight had a few, Tarantino does it a lot. It is awesome and shows a lot of great acting during these sorts of scenes.

I don’t know a lot about the director, Alejandro González Iñárritu, except that I have reviewed only one of his films, Biutiful, but I am convinced that this man is a genius. The ENTIRE FILM is made up of incredibly long scenes. I’d say the camera must have only cut away under ten times the whole film, which is about two hours long. That is incredible.

And just so we are clear, this is not a movie with only a handful of locations where the camera is just watching a few people talking for 10-15 minutes at a time. No. People walk and people move from room to room of this tiny Broadway theater, from main stage to dressing room, to balcony, to the streets below. So the entire film is so meticulously planned that the whole thing is like a Rube Goldberg machine. Actors have to come into rooms at the right time, also props, sight gags, everything has to fit in correctly. Given that this is a comedy, timing is key for half of the laughs, so it was an incredible feat. It is almost as if they tried to convey this movie as if it was a play, where real acting had to occur.

Speaking of real acting, there were so much incredible talent in this film, but Keaton and Stone knock it out of the park. Obviously Keaton will get most of the fame, and rightfully so, most likely earning a Best Acting nomination nod for his work here. But I want to make sure that people know that Stone was also fantastic and had a monologue or two to convey intense emotions through.

The film had a great plot, it kept me guessing, and shit, even the soundtrack of “mostly just drums” worked really fucking well. Go see Birdman or (The Unexpected Virtue Of Ignorance) and then maybe go see it again.