Month: May 2015

Day 5 of Yay Women Week! Wait, what. This is about MAD MAX. And how FURY the ROAD is. That doesn’t sound go power women ya ya ya at all. But hey, what do you know. You probably haven’t even seen it yet.

After all, early reports about Mad Max: Fury Road is that it actually passes the Bechdel test. So take that haters. Let’s say it fits the theme.

I admit my experience with Mad Max is slim to none. I haven’t been able to see any of the previous three movies (and apparently they don’t matter to this one either).

No, my experience with the franchise are the obvious pop culture quotes, and the NES video game. It involved driving around a barren landscape, looking for gas I think, and getting shot at by cars. In reality, it was about me playing it for like, a minute and dying and stopping. That game was hard.

“Calm down, viewer! Now’s not the time for fear. That comes later.”

Max (Tom Hardy) is pretty crazy. Mad you might say. A loner, roaming the Australian barren plains on his own just trying to survive. He lost everyone close to him. His only care in the world is his survival. You see, the world sucks now. Oil became scarce. Wars, environment, all of that collapsed society. Shit, even water is hard to find.

But you don’t need to know a lot about Max. You just need to know that he has been captured by King Immortan Joe (Hugh Keays-Byrne) and his army of skin head pale War Boys. He has his own huge water supply, so he rules the world. The only reason Max is able to escape is thanks to Imperator Furiosa (Charlize Theron). She has decided to do the right thing and smuggle the Five Wives (Zoe Kravitz, Riley Keough, Abbey Lee, Rosie Huntington-Whiteley, Courtney Eaton) away from Joe, who wants to breed future war leaders.

And that’s all you need to know! Women get stolen, Max and Furiosa on the run throughout a wasteland, trying to get the ladies and themselves to safety. On their tail is several large war bands, with guns, flame throwers, bombs, and crazed thugs who are basically all suicide bombers. Here you might find some high octane dudes, like, Nicholas Hoult, Josh Heman, and Nathan Jones.

Metal as fuck.

Fuck fuck fuck fuck. The hype train is real. The. Hype. Is. Real.

I didn’t believe it and I didn’t want to believe it. This was my second choice to see this week after Pitch Perfect 2, and if I didn’t go to a screening I would have waited until DVD release. But I am glad I saw it on a giant screen. It helped blow my mind. Here is the thing. The acting? It is pretty darn good. Hardy and Theron were excellent as always and they were completely believable in their roles. Hoult was like an entirely different person and I would have never expected him to do so much. And hell, some of the actresses I saw associated with the film, namely the Five Wives, I felt very questionable towards but even they did a good job. It turns out that with a majority of our escape party being women, this actually fits the theme pretty well.

The plot also is a very decent one. Miller does a fantastic job at world building and creating so many unique elements to really make you realize how much effort went into this movie.

And the action. Hot damn. Most of the action of course takes place on dusty roads with armored dudes chasing each other on cars, but it doesn’t ever feel repetitive. The final chase/action sequence goes on for so long, it is probably longer than the final train scene in The Lone Ranger. And it just keeps on coming at you. Action, explosions, fighting, great choreography. I was amazed. Don’t worry, the film isn’t 100% action, there are quieter times. So let’s just say 85% action. When the action is going, it is going to 11.

I can’t even describe that enough. This is so far the best action movie of the year and one of the best of the last few years. I would say in terms of pure action, The Raid 2 is better, but in terms of extreme brutal violence, Mad Max: Fury Road is miles ahead of the competition. Man, all this bro talk, I feel like the dudes on Harold and Kumar Go To White Castle. I’m gonna go listen to Wilson Phillips.

It has taken me awhile to watch Twenty Feet From Stardom, which is silly. It has kind of been sitting on my “reserve list” on Netflix for when I really had no idea what to do for a review that week. I had no reason to delay watching it either, given that it totally won Best Documentary Academy Award for 2014. Pretty fucking baller.

But hey, I am glad I did wait. Because everyone knows for the most part that backup singers are women. Yes, men are backup singers are men too. Sure. But the most famous ones, the most influential ones, they are women. Why not honor them with a spot in my Yay Women Week, I say? Yay women who can sing and don’t always get the spotlight!

This documentary talks to several women who are in the industry. Women who were there when the idea of a backup singer started with rock and roll music. We have women who are back up singers now. We have women who wanted to just stand behind the stars and those who tried to make it big on their own. And we get to hear all of their stories.

And the colored girls say, “Doo do doo do doo do do doo…”

Darlene Love is probably the main focus of this movie. She is a pretty well known name, started as a backup singer, released some albums with some success, got screwed over by contracts. But in 2011 she got put in the Rock and Roll Hall of Fame, so people knew about her talents and her abilities. That is the good thing.

Twenty Feet From Stardom refers to two things in this documentary. Literally, like standing on a stage, pretty dang close to the stars topping the charts. And of course referring to a few of these women’s journey as they usually get very close to their goal of being a super star, but landing right outside of it in the backup singer spot.

I basically explained everything that happens in this already and the types of stories we get. And most of them are sad. But they all have hope and it is pretty inspirational.

What I liked more is that in this documentary it is constantly playing music. All of which feature the background singers of course, either the recorded version or live concert versions with video of them going to town. It made the entire documentary just fly by as I got to jam to the music. And it had new performances from the background singers singing together even though a few of them are quite old.

A few touching moments as well, although this one didn’t make me cry personally. I liked the stories told and the music and it is an easy way to pass the time overall.

1350 may be the least significant number in human history that is divisible by 50. Maybe. But it is my number and that’s why I like it.

Because today is my 1350th movie review, meaning it is time for another Milestone Review! I have now switched to the format of “Well known bad/awkward movies” from the past 10-15 years. And hey, maybe they aren’t actually that bad! Maybe they weren’t given a fair shake.

Maybe. And this is double exciting, because it is Yay Women Week, so I am able to showcase something like, Catwoman, and have it fit a theme and be a milestone at the same time. Literally the best.

But also, I am doing this because of regrets. This should have been my last Milestone Review. I ended up reviewing Sky Captain and the World of Tomorrow last time, on a week full of movies that only had 1 word titles, all beginning with C. Jeez. I dropped the ball on that one.

“If I was a cat, I would never drop a ball ever again…”

The movie begins with our “hero”, Patience Phillips (Halle Berry) dying and drowning. This is alledgedly also the day she finally started to live. You know, one of those movies that spoils some shit.

So instead leads go back to before and man, Patience really really sucks. She is a graphic artist for a make up firm. Really good it, but a beta bitch so she doesn’t try for much. She has a friend, Sally (Alex Borstein), and I am honestly already done talking about her.

She is a Meek little woman. For instance, she will mumble at people across the big ally to turn off their music. Mumble at them to stop and then get all sad when they don’t.

She works for some place called Hedare Beauty (yawn), and they are going to release some new skin cream, Beau-Line (bigger yawn), which can reverse the effects of aging. Allegedly. That’s right. This movie is about fucking skin cream.

AND CATS TOO. Jeez. We will get there guys. Calm down.

Needless to say, there is something weird with this skin cream. Apparently if someone stops using it, they will start to eventually develop huge rashes on their face. Clearly the solution is to never ever stop using this skin cream. Problem solved. Dr. Ivan Slavicky (Peter Wingfield) wants to pull the plug on it, BUT NO. THE HIGHER UPS NEED IT TO HAPPEN.

Somehow, Patience gets lost trying to turn in a presentation update and finds herself in the factory with the scientist and overhears the negative effects of it. Great, now they have to kill her. Not really seeing her, they rush to kill her anyways. She escapes down some big tubes, which they “flush” out. And of course this involves filling them completely with water and going over a cliff HUNDREDS of feet into the air into the ocean. If anything, this company should be brought to justice for their clear inability to not pollute the ocean at extreme levels.

Either way, she washes up onto the shore and the cats start surrounding her and meowing at her with extreme prejudice. And you know. she comes back to life.

Extreme. Prejudice.

You may be wondering why the cats did this. Well, it turns out they tested her earlier on in the movie, and it took twenty minutes to get to this scene. But I wanted to hurry and get there. The cat in the picture, went to her apartment and went on a dangerous part of railing. For whatever reason, Patience went out to try and save her. In reality, it looked like she just wanted to jump. Which is how she met the cop, Tom Lone (Benjamin Bratt), who a character I won’t talk about anymore calls a “Man Sandwich”. saves her instead. Aw, true love maybe.

But also, we all should realize there is no way that man should be considered the most attractive man ever.

Either way, back to the cats. They gave her cat powers. You know, a love of milk and fish. Jewels and shiny thigns. Apparently the ability to climb really well and some dexterity. Magical cat shit.

She even follows one and finds out they belong to our resident crazy cat lady (Frances Conroy). They thought she was worthy of their cat powers, and have been doing it for thousands of years. So hey, she can be the next Catwoman. Or something.

The cats also convince her to cut her hair and be more daring!

Either way, Patience loses her job for reasons, so starts doing whatever she wants. That is apparently stealing jewels and stealing hearts. You know, she goes into a jewelry store to steal stuff, all cat like in her new leather outfit, and OTHER CRIMINALS ARE ALREADY STEALING. She is all “What a PURRRRRFect idea!” because she hates the viewers of this movie.

She also wants to get her dating on. You know, with the cop. So they do fun date things, like volunteering at youth areas. And the kids might demand things of them, like watching them play one on one.

ONE ON ONE BASKETBALL. LET’S ALL WATCH.

Did you watch? You better have. Only two minutes. It is probably the worst scene of the movie, which is full of these. They basically have awkward feel up moments on there. And the scene is full of bad music and quick cuts, but the music only gets worse and the cuts get even quicker the rest of the movie.

Hell, now she has confidence to break up the party across her ally! And she is wearing leather, well, even LESS leather than before. And motorcycles!

Sickest basketball moves I have ever seen.

Now that Patience has found out that less is more with her outfit, she goes night clubbing to find the first guy who tried to kill her in the factory to get some revenge. And she discovers a whip, and she is good at using the whip to beat his butt! Hooray!

But let’s get back to romance. They go to the carnival. And hey, the ferris wheel starts to break while they are on it. Good thing hunky cop can climb down to try and stop things, and Patience can sneak down and save a kid with her cat-abilities.

Their romance works out fantastically. So that is good news.

But hey back to the other plot. Evil corporation owner George Hedare (Lambert Wilson) and his wife, Laurel (Sharon Stone) are having marriage problems. She used to be the face of the line but she is getting old, so there are new younger girls. And he is probably cheating. Catwoman thinks she can trust Laurel because she is mad and has helped her get details on the bad people. Turns out, Laurel was just framing Catwoman. How so? Well, Laurel decided to kill her husband because she wants to own the company, wants to get rich and get back at him and also, fuck Catwoman. Amirite?

Oh yeah, not only does the framing pretty much work for putting a bad spin on Catwoman, but her cop man figures out the connections so Patience totally goes to jail.

I am sure at some point she is breaking some public indecency laws tto.

Needless to say, everything is about to hit the fan. She is jailed, the company is about to release bad skin cream, and she is in jail. Somehow she is able to convince the cops to let her go and investigate the company. Well, that is good news.

So Catwoman goes back to the factory, wanting to find evidence to shut it down before silly women everywhere get rashes on their face, or worse. You know, they actually get the benefits of the product and Laurel gets filthy rich on them. Before I talk about the ending, let’s look at another Catwoman pose.

The pose makes it so she can pounce, bite, and bat at yarn.

Guess what, it turns out Laurel has been using the project almost forever. Well, longer than any test subject. So her skin has actually kept the youth but also is as hard as marble. Yeah. Bet you didn’t see that one coming. Now Laurel and Catwoman can fight without it just being an awkward gun fest. No, the cop can handle the gun fest. Instead we get our Catwoman scratching and clawing Laurel and not really leaving a mark. Because you know, Marble.

Seriously. The main villain gets to just be a rich woman who has hard skin and is kind of mean.

Guess who dies during the fight? Yeah, of course, Laurel. She gets a bit scratched up, and almost falls to her death, but Catwoman tries to grab her hand and save her. Too bad Laurel sees the scratch marks in a reflection, is so disgusted by her outer looks, that she shrieks and falls to death. Not a normal fall, but into a neon light thing, allowing her to fry up after the fall as well.

So Catwoman gets cleared of all charges and decides to become a good guy super hero! Just kidding, fuck the cops, she just wants to do what she wants to do. So yah. End of movie. Catwoman will now no longer roam the streets until she appears in The Dark Knight Rises, completely unconnected to this movie.

In case you missed it, the film ends with a cat fight.

This review gave this film way more courtesy to the plot than the actual screen writers must have done. It took only four minutes or so into the movie before I had already hated it, and I still had 100 minutes to go. Things were not looking great.

I couldn’t even get through the basketball scene without pausing and taking a nice break. Even if it is the worse scene, the other scenes were not much better. The last time I have seen that many quick and headache annoying cuts, it was thanks to the film Getaway (which honestly might have been worse in that department, but I don’t want to throw up again just to find out if it is true). The puns weren’t even enjoyable puns.

The ending was atrocious (Word of the day, sorry), and of course the CGI was bad. The movie came out in 2004. Almost nothing good came out in 2004 in terms of CGI. Outside of Harry Potter 3. Spider-Man 2. The Incredibles. Oh okay, no, it was just bad shit thanks to whoever made this movie.

This film single-handedly ruined Halle Berry’s future. She had the occasional spark after it, but nothing that would get her into any award territory. Let that be a lesson for everyone. Catwoman is terrible, and can kill your job.

Day 2 of Yay Women Week. I think it works as a theme title, so I have decided to keep it.

Everly came out a couple weeks ago and I picked it to review from both a suggestion and because it looked like it offered something different. I haven’t gotten to do the weirder movies as much as I had wanted recently and it is always good to shoehorn my viewings into the schedule. I blame the fact that too many movies hit theaters clearly. We should just cut out a third of them and make it so they were never made. Everyone would be happier, and more weird shit could get reviewed. Like, when is the last time I watched a shitty sex comedy B-Movie?? Exactly.

Everly is not that, although it does get suggestive at some points. I think the only thing that keeps Everly from qualifying as some sort of exploitation movie is the fact that the lead star people actually recognize.

Ah yes, the star of Fools Rush In.

GUNS AND NAKEDNESS. BANG BANG BOOM. SCREAMING.

That’s how we enter the bathroom of this apartment, where Everly (Salma Hayek) is beaten and freaking out. But hey, she has hidden a gun in her toilet, which she is able to claim and kill several men in her apartment. Da fuq?

Everly is a prostitute apparently. She lives in a complex with a lot of other prostitutes, working for one criminal overlord Taiko (Hiroyuki Watanabe). For whatever reason, he has sent men to kill her. That didn’t work. Guess he is going to have to offer a cash reward to the building to take her out.

This includes other prostitutes, other assassins, some sick motherfuckers, and the boss himself if it comes down to it.

Everly, mostly on her own, just wants to survive and leave the building. And to get in contact with her mother (Laura Cepeda) and daughter (Aisha Ayamah)!! who also end up at the place. Oh fuck.

And then some more guns and violence and guns. And a sadist (Togo Igawa).

Guns a blazin’, and we aren’t talking about the one with the bullets.

Arguably, there is not a lot going on in this movie plot wise. But neither did The Raid: Redemption. It also drops your off RIGHT in the middle of a bunch of shit going down and it makes you keep up. A very hectic movie, constantly moving, with a lot of fucked up scenes.

That is the TL;DR I guessed. It is actually quite lowly rated on IMDB. Surprisingly so. I think that it is just because it is a weird and non standard movie, most people just shrug it off immediately. One of those, “Well, it wasn’t in theaters, so it must suck and can’t win awards!”. One of those is true. No awards will be won.

But will you be entertained? Highly probably. If not you will be just grossed out and kind of hate it. I guess it could go either way.

If you think it is the type of thing that sounds exciting, you will in fact enjoy this movie. If you are iffy, then definitely don’t watch it. You will probably hate it. Simple enough!

What up Pitches!!

First of all, I accidentally themed this week. I present to you, Yay Women Week. It should be self explanatory.

I was excited for Pitch Perfect, for like, the year before it came out when I first heard about it. I love it when people make music with their mouths. And I liked a lot of the people in it.

So of course I was excited about Pitch Perfect 2. Well, assuming they had a plot that made sense. I was excited about the additions to the cast and the fact that Elizabeth Banks was directing. But I didn’t understand why certain cast members, who should be gone and out of the picture, have returned.

Rawr. Don’t make a nonsensical movie for familiarity sake! It is a big problem with high school and college movies or shows. I am looking at you Glee. You needed to let your members move on not take it away from high school.

But again, I will forgive it if the plot makes sense. But only then.

Or if I really like the music. That trumps a lot of potential bad other things.

The Bellas are back, Bitches! Like literally, most of them are still on the team (Anna Kendrick, Rebel Wilson, Hana Mae Lee, Ester Dean, Alexis Knapp, Shelley Regner, Kelley Jakle) and even Chloe (Brittany Snow) who refuses to graduate. The only newish member is Flo (Chrissie Fit), who is an immigrant and thus fulfills a lot of new joke material, offensive or otherwise.

Three years later, this is their senior year, and they totally won the next two years of competition too. However, while doing a nationally televised performance, some bad things happen, and the Acapella committee is going to disband their group to make sure everyone knows that things are bad. They can’t recruit, they can’t compete in the national title, nada.

Well, apparently every four years, there is a world competition though. And the winner of the American National always gets to go the next year, so they at least get that right. And sure, if they win, they can keep their team. If you follow the film time line, that means the Treble Makers would have competed in it the year Aubrey (Anna Camp) blew chucks, but you know, continuity things. They do get a new member in Emily (Hailee Steinfeld), because her mom was a Bella. She likes to sing her own music.

So there you go, a very simple plot. Beat all the other countries at singing, especially those very sexy, very well choreographed and amazing German singers in Das Sound Machine (Birgitte Hjort Sørensen, Flula Borg). Oh, but maybe there is more? Maybe Beca also has to worry about her life after college and actually becoming a music producer with intense internships? Yeah, jobs are still important!

And you know, this movie features a shit ton of people. Of course John Michael Higgins, Skylar Astin, Ben Platt and Adam DeVine. But also Katey Sagal and Keegan-Michael Key! And some of the Tonehangers with new people! And other cameos I don’t want to spoil or tag! And that Pentatonix group! And the Green Bay Packers!

I assume everyone in this picture is Aaron Rodgers.

I am officially flooded with actors, I think I can avoid tagging anyone in my next two.

Let me start off by saying that I am a bit disappointed that I didn’t get to give this a 4 out of 4. So when I talk about negatives, remember I still enjoyed the movie overall. It is hilarious. For the most part the songs are good. Sure, a few songs features I might absolutely hate in real life, but I got over it. I mean, fuck, the final song out of no where made me all teary eyed, just like the first time. I am actually mad I can’t get the soundtrack immediately to see if they messed up a few songs like he first movie. The friendship chemistry is fantastic. They “Expanded” on the Riff Off game from the last movie, in a new and probably better way. I laughed a ton. The analysts got even more dicey!

But my issues. Ugh. Most of my problems come from a misuse of the cast. Skylar, my favorite part of the movie, felt like he was barely in it. He got one main song, and was in the pseudo-Riff Off. But that was about it. He was so pointless, and he didn’t even talk about movies. Other Bellas, namely Cynthia-Rose, Lilly, and Stacie, felt like they barely had any lines or reason to be in the movie. The former got to sing a bunch, but their jokes went way way down and felt wasted. Even Ben Platt technically got less screen time. So many individuals who were there but didn’t seem to matter. THey tried to fit too much in the movie.

Hailee was wonderful though. Sure, they tried to force this weird Flashlight song down our throats. The original I kind of hate, but by the end of the movie, the few different versions seemed to grow on me. I am probably still going to grab this movie day one on Blu-Ray and watch it again and again, although arguably it is of some lesser quality than the first film.

Final day of Blackweek which also means I can pick almost anything I want! After all, since Black Mass isn’t out yet, I don’t have any other super new 2015 movies to review.

And I really had no idea what I wanted to watch. So as I often do in this situation, I went to Netflix and just searched around. This time was a bit easier, as I also got to search for the word “Black” and narrow down my results pretty significantly.

The reason I settled on Black Rock is for a few reasons. One, I didn’t have any horror-esque movies this week, just a thriller. And honestly a lot of horror movies have “Black” in the title. Secondly, out of all five or so movies I could have actually picked from that fit all my requirements, this is the only one I had heard of. With people I knew in it. And it wasn’t made for TV!

And familiarity leads to happy reviews because I can name drop facts or past reviews the actors have been in! We call that movie synergy.

We call this boat workingy.

Girls just wanna have fu-un. That’s what they really waaa-a-aa-aannnt. And to not die. But back up a bit.

Sarah (Kate Bosworth), Lou (Lake Bell), and Abby (Katie Aselton) have been friends since they were kids. And when they were kids, they used to go to a local island to play games, build forts, do outdoorsy things, probably experiment sexually. I don’t know, I don’t know what kids do on islands. The only book I read about it was pretty fucked up though.

They have some issues now, but they want to put the past behind and enjoy each others company. Well, while out gallivanting and arguing, they run into three hunters (Will Bouvier, Jay Paulson, Anslem Richardson), and hang out with them. They party with them! These guys all fought in the war too, but they are back. And then they DRINK with them. Well, one of our ladies gets flirty and starts to make out with one of our dudes. But he goes farther than she wants, and won’t stop when she wants him to stop. So she flails and hits him on the head with a rock.

Fatally. A black rock, maybe. Who can tell, it was night time. Other two hunters don’t like this and beat up the ladies and don’t know what to do. Well, they end up escaping, so now dudes with guns are looking for them on an island and they don’t have anything to help them. Ruh roh. Fucking hunters.

This is how you all must feel, having received zero movie synergy after my tease up.

Wait wait wait wait wait let me check something. The rating. “Rated R for some strong violence, pervasive language, sexual references and brief graphic nudity”.

BRIEF GRAPHIC NUDITY MY ASS (heh). That means a flash of a body. There was about ten minutes of naked women in the last 30 minutes of the movie. Nothing was brief about that. Did the MPAA not watch that? It was a very surprising scene, needless to say. It was a scene that you’d imagine as being very quick but you know. Ten fucking minutes. It is an eighty minute movie. A huge percentage of it is just nakedness.

Speaking of how long this movie is, I honestly feel the biggest issue is that it should be even shorter. There was not enough story to make it last. The first part of the movie, the set up, the trip to the island, the chick bonding. I don’t remember how long that lasted, but it just seemed to drag. It obviously started to speed up once we introduced the dudes, but the intro was slow.

Overall, I was surprised by how brutal the whole movie felt. It wasn’t a normal thriller/horror, as it was going for a realistic vibe. And it showed. You see the ladies up there? Beat up, cut up, black eyes. It only gets worse. Simple things seem to take people down and nothing is super movie like.

It was so real, I definitely wouldn’t want to watch it again, let’s say that. But also, not fantastic enough to warrant a second viewing either.

Alright, I am kind of cheating here. Day 4 of Blackweek means documentary day, and well the documentary day is always the hardest to fit the theme. And I clearly reviewed Blackfish about two years early because it was the perfect fit for this moment. And a documentary about The Black Panthers isn’t out yet.

So no, I am stuck with Black Friday. A 35 or so minute documentary done by an indie lady about shopping. So a pretty short one, which makes me feel like I am cheating. Is this really an appropriate time investment for anyone? Nah. It is taking me more time to write this small review than it took to watch the short thing.

This documentary is brought to us by Cora Berchem, someone who is on a lot of tech crews, and her first shot at directing something. It is on Vimeo. I watched it here. You know, just so you know it is real.

Well, glad we have that descriptor of one of our interviewees. Very helpful!

Here is what the doc covers. Very brief history on the term Black Friday. Why it is good for business/the economy. And then it has a whole bunch of people getting interviewed, mostly people from the NY/NJ area. Definitely doesn’t branch off there.

These people are literally just complete randos. Maybe all friends or coworkers of the director, I don’t know. Maybe one person was qualified to really talk about anything in this documentary outside of personal opinions and experiences with the holiday.

And that is about it. It is literally just a few people spouting mostly just their opinions on what they like or don’t like about Black Friday shopping, the traditions. Documentary over.

Fuck, what a waste of time. I don’t know what I expected from such an indie first time effort. But I figured it would try to make a point about…something. Something at all. Oh well. Let’s call this a filler review for a not real thing.

The middle day of Blackweek and also the last expected review for this theme. I had said three movies came out in January with Black in the title, and you probably could figure them out. Day 4 and 5 are a mystery though!

Black or White is the first (and only? We will seeee) of the movies in this theme to actually have anything to do with race. Who the fuck even know what Blackhat was about, title wise. Some hacking shit.

This movie however does not feature the Michael Jackson song of the same name, nor a Macaulay Culkin cameo. Such a shame.

“If you’re thinking about my baby it don’t matter if it is while watching Black Or White!”

This movie isn’t about your ordinary child custody case. This one involves mostly grandparents. Elliot (Kevin Costner) and his wife Carol (Jennifer Ehle) have been looking after their granddaughter, Eloise (Jillian Estell). Her mom, their daughter, died during child birth due to complications. Complications that could have been stopped if hey were there, but she gave birth in secret hiding it from them, because the parents wouldn’t have approved of her relationship. Not just because it was interracial, but because of age differences and more.

Well, now Carol is dead too. So Elliot is over his head. He is also an alcoholic. Either way, he does the best he can, gets a tutor (Mpho Koaho), and takes time off work. But it might not be good enough. So, Eloise’s other grandmother, Rowena (Octavia Spencer) wants to sue for custody. She has a big support network, has culture and experience and believes has the better interest for the girl. Heck, she eventually even has the father (André Holland), out of prison and off drugs now, ready to be a daddy (maybe).

So let the digging up of dirt and lawyer shenanigans begin!

And maybe. Just maybe. Some life lessons along the way to learn to be good to people and not be racist. Or something.

Also with Bill Burr, Anthony Mackie, Gillian Jacobs, and Paula Newsome.

I am half tempted to give a tag to “sweet ass lawyer table.”

I will just go out and say it, Black or White was better than I gave it credit for. On the outside, it looks like a cliche family movie treading very lightly on the subject of race relations. I figured it would end with everyone hugging saying “Give Peace A Chance!” and warm happy rainbows. And hey it doesn’t have a 100% happy ending. It is more complicated. People get dragged through the mud and not everyone is a great person. Fantastic.

My other concern was Kostner. Last year at the beginning of the year he had Jack Ryan: Shadow Recruit, 3 Days To Kill, and Draft Day, all of various meh to lame movies. So when I saw he had multiple movies within a month or so of each other, I figured we were in for a repeat.

I am not saying his performance was fantastic by any means. It was okay. But the characters and the story made this a worth while movie, not Costner getting old.

Day 2 of Blackweek!

Day 1 featured Blackhat, so we are going to remove our clothing and take a dive in the Black Sea instead.

I’d make a corny joke about what this movie is about and act surprised when it is something different. But how could I do that? It is called Black Sea! That is a real place, right there above Turkey. Huge as shit, important to history. Can’t miss it.

If this movie doesn’t feature the actual Black Sea, I will quit my job as a movie reviewer!

And drive a submarine into the job territory known as “Film Critic Land”.

Under water salvaging can be a tricky job, but someone has to clean that ocean litter. I have been told prisoners are not up to the job, so instead, real people do it and get paid! Like Robinson (Jude Law). Or at least, he used to get paid. Now he is laid off, his company doesn’t want him anymore, his job “redundant.”

But the good news is, now that he is jobless, he has free time to do crazy things. Like get a crew together and search for a rumored Nazi gold! Apparently a U-Boat sunk off the coast of Georgia (IN THE BLACK SEA) with millions and millions of dollars worth of gold bars in it. Some shit involving Germany and Russia. No one has been able to find it, but no one has had Robinson’s skills.

So he gets a backer, a mysterious Lewis (Tobias Menzies) agrees to fund the expedition for 40% of the profits. He gets a crew, half British (like him!) and half Russian (for reasons). They get a really shitty beat up sub and head on down!

But first, they have extra crew. Like Tobin (Bobby Schofield), a neighborhood kid who Robinson brought along for other reasons. And Daniels (Scoot McNairy), a representative of Mr. Lewis.

Our crew only has one translator though between the sets. And a whole lot of money on the line. People migh get all antsy and want to make their cuts a bit bigger. And hey, maybe there are even more twists and turns in line. MAYBE.

Also featuring Grigoriy Cobrygin, Ben Mendelsohn, and Konstantin Khabenskiy.

The movies initials may be BS but this Nazi gold sure is for real!

For the most part, I wouldn’t say I am ever really a fan of submarine movies. I mean, did you see Phantom? That totally was a real movie a couple years ago. Like a submarine itself, submarine movies are kind of limited in terms of what one can do with them. Only so many things can happen on a sub, so a lot of submarine stories end up using the same sort of events. There can only really be one Das Boot.

Despite this, Black Sea had a lot going for it. Enough unique members with a few different desires to make it not a complete one man Jude Law show. It wasn’t just a weird murder mystery thriller. That is what I was most afraid of. And speaking of Jude Law, he did a pretty swell job.

My main issue with it all is the ending. It was lame and cheesy and expected. I was getting pretty excited with how things were going, I was getting super into the story. Then the ending. Meh. I should also note the beginning of the movie is pretty dang slow. It takes awhile to get on the damn submarine, but once they do it, it goes up pretty quickly.

Welcome to Blackweek! Yes, that is the official name of the week, no you can’t make me change it.

It is simple. Every movie this week begins with Black. Part of the reason you may have realized is that in January, literally three movies came to theaters called Blacksomething. So all three of them are featured, plus two more! Boy, do I love me some theme weeks.

So we got Blackhat, a (shudder), January movie, one of handful of January movies I have yet to see. I was forced to see the trailer a long time before it came out, and was immediately turned off from it. It is a “hacker” movie but with more action than computers it looks like. It is directed by Michael Mann, which is a dude with a lot of followers for some reason. I can’t say I have any strong opinions on him one way or another.

But did I mention this movie had a terrible trailer?

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But a snazzy bullet proof vest.

Shit is going crazy everywhere. Some HACKER is hacking into technical mainframes of nuclear reactors and things and causing explosions. EXPLOSIONS! That is in China. In Chicago he is hacking into stock markets and changing the prices around. Oh man, we got a world villain here. So we need China to bring people over to investigate and work with the FBI. Yeah. So we got Chen Dawai (Leehom Wang) who was put in charge. That is good. His old roommate was a really good hacker. Nick Hathaway (Chris Hemsworth), currently in prison for hacking related crimes. He is so good, you know. But now they need his help to get this other guy. Who are the we? Oh well, Chen’s sister, Chen Lien (Wei Tang). I have no idea how Chinese names work apparently. Also our FBI person, Viola Davis!

And then you know. Shenanigans. Terrorism. More and more explosions and action action action!

That is literally all I can say about the plot.

Here is some more characters. John Ortiz, Holt McCallany, Andy On. Eh. I’m done.

We could easily make this a comedy if those escalators were going the opposite way.

My entire plot description wasn’t long so I will keep this part brief as well.

Blackhat wasn’t an entertaining movie. It wasn’t exciting action wise, character wise, or anything. It was a huge steaming pile of dull.

I was hoping it could actually be bad enough to find parts funny, but I didn’t laugh, just yawned. I mean, the entire thing is ridiculous as we already know, making some hacker also be an action star because why not. Of course they are involved. I think there is a really detailed plot description on Wiki. Read that instead of watching this movie.

Hemsworth is wasted. Wang was kind of interesting. Davis was giving us nothing new.

And yeah. Good start to Blackweek. With a yawn!