Tag: Horror

If it wasn’t for indie movie theaters in my area, I would have never heard of Tragedy Girls. It is the type of film with the type of name that is just so easy to ignore. If I saw it on a list of DVD releases in the future, I would have just assumed it was a Lifetime or CW film and just actively ignored it.

Back in the day I would have watched everything, but now I find myself with a semblance of a life, certain sorts of films just get ignored.

Thankfully I was given a screener and had enough free time to throw it on. Although to be honest, I wanted to watch the documentary 78/52 instead, but technical difficulties led me to Tragedy Girls (which again, I was only given an invite due to an indie film in the area).

Nowadays in school they don’t fight the cell phone problem but apparently just let it all run wild.

Two girls, one twitter account. Sadie Cunningham (Brianna Hildebrand) and McKayla Hooper (Alexandra Shipp) have dreams of one day being famous. They also have dreams of finding out who a local serial killer is in time, and using that knowledge to get them famous. They have a twitter account, called @TrageyGirls to post rumors and news or videos about death in their town, but no one will take them seriously.

And you know what they do right away? Catch the serial killer (Kevin Durand)! But a caught serial killer isn’t too interesting, if he goes away, how will they continue to talk about new deaths?

So the two ladies keep him tied up in a hidden shack and decide the best way for them to get famous is to keep killing in his name. Their task is a hard one, as they have to not get caught and make the kills look like real kills, not just accidents. The good news is, they can kill anyone they want, whoever is trying to get in their way to success. Or just anyone who takes the spotlight away from them.

Also starring Josh Hutcherson, Craig Robinson, Jack Quaid, Timothy V. Murphy, Savannah Jayde, and Rosalind Chao.

The most surprising stats are their cameos and how many of them were also in The Hunger Games.

Tragedy Girls seemingly came out of nowhere. A film I never heard about, with leads I have seen barely before, with smaller roles from legit stars, and it stood its own ground.

A bit satire/parody, a bit comedy/horror on its own rights, Tragedy Girls felt really fresh through a majority of the movie. Its gore never reached the level of Tucker and Dale vs Evil, but it had some very creative deaths to keep you shocked and amused. The leads are really charismatic and easy to cheer on their bad deeds.

The film is only a little bit creative though. The ending wasn´t too hard to determine, or where the plot would take the viewer. It is creative in how modern it made it, its take on serial killers, and a little bit of woman power. It is definitely refreshing in that it isn´t just a slasher, and the jokes are dark in nature and not just bullshit slapstick or references.

Tragedy Girls will probably become a cult classic at some point. Really, the only thing that could have made it better would have been some musical scenes. Or at least a tap dance number.

From the title alone, I understand that Friend Request will make you think of Unfriended. It is about social media, teens, and horror.

Unfriended was hated by basically everyone except for me. I enjoyed how creative it was and well, that is it. It was creative. I am fine with movies pushing their mediums further. It was cheesy a bit, but at the same time, it had me terrified. I was on the internet too much.

Friend Request did not make me rethink social media at all, it just made me rethink the choices that made me go and see Friend Request.

“So the evil is INSIDE the computer?”

We are going to examine Laura (Alycia Debnam-Carey), a popular girl on Facebook, with 800+ friends. Which yeah, is just your regular college girl amount really. She hangs out with her BFFs (Brit Morgan, Brooke Markham), doing college stuff. Laura is a Psychology major, so you know she is serious about her education as well.

And in her psychology class, there is Marina (Liesl Ahlers), a girl who wears black and looks weird. She has zero facebook friends, until she sends a request to Laura, and Laura just accepts anything. This makes Marina happy. She also sends Laura messages all the time, but she has creepy Facebook posts and is a bit unsettling. So of course Laura unfriends her, and surprise, Marina flips her shit and kills herself.

And now, Laura’s Facebook is basically haunted. She can’t delete messages, she can’t send anything, and she can’t delete it. The Facebook begins to post things on its own, pissing off her friends and making her alone. Oh yeah, and her friends start dying as well. Looks like there is a curse on Laura and it is one she cannot unfollow.

Also starring William Moseley, Connor Paolo, Sean Marquette, Shashawnee Hall, Susan Danford, Nicholas Pauling, and Lee Raviv as young Marina.

You know those new girls, always…posting videos of dark woods, mirrors, and baby dolls to the internet.

There was a technical issue in my theater when I watched this movie, so the first five minutes had no sound. And with no sound, the movie gave a clear picture of where it was going and how bad it would be on the way there. It also looked hilarious with over exaggerated gasps and zoom ins on our main characters face. When it was restarted with noise, the damage had been done, and I knew too soon that this movie was a piece of shit.

Friend Request is one of the modern horror films where no one is bad or deserving of their problems and people just go and die. I am not saying horror films need morals, but really, I need some sort of motivation or anything for this film to exist. This story is that Laura gets suddenly unlucky for no reason, there is nothing she can do to stop it, and her life is now fucked. Hooray! Hard to get behind that concept.

As for the deaths? They also blow. A lot of them are done in excessively dark light, so viewers cannot build suspense. Scary sounds and not being able to tell what is happening is not scary, especially when it screams out being a budget reason and we have to use our own imagination to fill in the gaps. Nothing is rewarding out of this film. It doesn’t even have any strong messages about the technology age, bullying, social media, nothing. Just a cash grab on getting people in by having Facebook references.

The story of It affected my childhood, without ever seeing it. I recognized it as a scary movie with a clown based on its advertising. But I heard other things about the miniseries. First, that it was an incredibly long movie! It had TWO VHS tapes, and I didn’t know it was made for TV and over two nights. The idea was unheard of for me (because at that young age, I didn’t know there were movies over 3 hours long).

I was also told that It wasn’t really a clown, but a spider. I don’t know if I can verify that still, I just still believe it because I was told it and fuck, spiders are scary.

And I almost read It. Or at least audiobook’d it, planned on doing it after The Hitchhiker’s Guide to the Galaxy books, but had such a disappointing time with them that I switched to authors that I knew and it was on the back burner. Now, in retrospect, I am glad I never read It, because now It is now a new movie, and I don’t need some silly source material mucking up my experience. With the sequel coming out in a few years, I will just have to hold off on that book for a few more years, and then, maybe, I will finally give Stephen King a chance.

I didn’t grow up in the gutter like this clown thing, but I did once go to a night club called Da Guttah.

In the small community of Derry, Maine, a sinister entity lives and preys on children, much to the apathy of the citizens there. Poor little Georgie (Jackson Robert Scott) is his first victim, and he just wanted to play with a boat in the rain. Well, after that, our film flashes to the end of that school year, with Georgie’s older brother, Bill (Jaeden Lieberher), still shook up by his brother’s disappearance, but his family seems to have already moved on. And it isn’t just Georgie. Other kids have started disappearing, at a seemingly alarming rate, but again, the community just shrugs its shoulders.

And with this summer vacation, Bill wants to use this extra time to map out some sewers or the nearby quarry to search for his brother. His friends include Richie (Finn Wolfhard), a smart ass with a loose mouth, Eddie (Jack Dylan Grazer) a hypochondriac thanks to his mother, and Stanley (Wyatt Oleff), who is Jewish, and that is his characteristic that matters I guess. They are quickly joined by a few other “misfits” in their community, Ben (Jeremy Ray Taylor) who is fat and a new kid, and Beverly (Sophia Lillis) a girl who lives in an abusive home and who is rumored to be a slut. It takes a lot longer in the film before we are also joined by Mike (Chosen Jacobs) who is home schooled and black, but completes their little posse.

And hey, eventually they all start getting strange events happening to them. Visions of a clown who wants to eat them, or other fears rising out and seeming so realistic. Good old Pennywise (Bill Skarsgård), with his clown makeup and sharp teeth. He took Georgie! Through some research they find out that something terrible happens in their town every 27 years or so that takes out a lot of kids. It is surprising that no one has connected the dots. But they need to work together and over come their fears to stop this terror, if they want to survive and protect the future of Derry, Mai

Also featuring a few chaps as older kid bullies: Nicholas Hamilton, Logan Thompson, and Jake Sim.

And in this scene, the kids recreate their favorite movie from the future: Sinister!

By the time you are reading this review, It has already been out for a few weeks and you have already heard good things about It. You know It is good, you have statistically probably already seen It. The film is fresh, well shot, scary and ominous when it needs to be, and it feels like there are really kids running the show.

And kids running the show leads to a few of the small issues I had. Kids are stupid, so we are allowed to accept it when they do something stupid during a scary situation. That is the worst part of horror movies, watch a character who has shown to be one who uses their brain, who throws it all out of the window when they get a spooks or when they choose to investigate something odd. So much of the plot moves just due to characters being dumbasses that it is frustrating.

The film is decently scary, and again, great to look at. The Georgie scene to start the film really set the tone and also would quickly position itself away from the previous iteration for those who loved the original. With a large cast of characters, I am surprised that so many actually felt like real people. Unfortunately some of the lesser group members, namely Mike and Stanley, feel like they are limited by their obvious differences instead of actual personalities or story lines.

I am still excited for a sequel and thought it was a lot better than a lot of other recent horror films, but at the same time, it is limited in scope based on the story of the book I guess. I just want people to do the right/smart thing every once in awhile.

What a month for horror. And to think it is September, not October.

It came out a two weekends ago and is smashing September box office records, which just means that people love being scared by clowns or feel nostalgia from the previous TV adaption.

But then we get mother! just a week later. Which advertising for has been all over the place. One thing for certain, we know it is a Darren Aronofsky film, so we can expecting something fucked up and hard to explain.

Or not?! mother! is getting a wide release and has a huge star attached, maybe this will just be a run of the film horror movie. Schyeah, and maybe David Lynch will make a straightforward film as well.

And maybe this wall is just a wall and not a metaphor about bees or some shit?

This film is about a woman (Jennifer Lawrence) and a man (Javier Bardem), living in a house in a field on their own. She is slowly rebuilding it after a fire some time in the past, and he is a poet who hasn’t written in awhile. They are both always working and their love is straining, but they are alone and they are alive.

And then a man (Ed Harris) appears at their door. He is old, sickly, and he thought their house was a bed and breakfast. The poet is a generous person and lets him spend the night, despite being a stranger. And the man is sickly and coughs throughout the night, but in the morning he is fine. And also in the morning, his wife (Michelle Pfeiffer) shows up at the door. Huh, he didn’t mention anything like that, and now there is two of them. The poet is still generous, and fuck it, who cares what his wife thinks? They can stay too, because they like his work and he likes their approval. But house guests who make themselves at home can be quite annoying.

Especially when their sons (Brian Gleeson, Domhnall Gleeson) come over as well, arguing about estate and will disputes, and one son kills the other in their house. Holy shit, these are terrible guests.

Things get worse from there as more and more strangers enter their home, making our “mother” feel more distant from her husband, but that is all just the vaguest details I could get out about this film. Because in reality, it is a lot stranger, darker, and twisted than anyone should expect.

Oh, and of course, Kristen Wiig. Can’t forget about her.

“And no one is fucking using coasters!”

I wish I could have just sat in the theater after mother! and just reflected on the experience that unfolded in front of my eyes. But it was late and I had to rush home to pass out, needing sleep before work.

Days later when finally writing this review, it is still fresh on my mind. Partially because of the graphic nature and story in a story that it told. And partially because I knew that this film would have a hell of a shit storm from the regular movie going community. This is not the sort of film that should have gotten a wide release and marketed as some sort of home invasion horror. It is an art house film and it is being exposed to people who are going to expect something completely different and be upset about being bamboozled.

Like it or hate it, those are the only two options people will have from this movie. Anyone who said they thought it was okay is probably just lying. Despite its polarizing attributes (Which again, are going to amplify to the negative), people WILL be talking about it and remember it for a long time. That is not always a good thing, because being infamous for being really bad or gross doesn’t make a great film.

But in all honesty, this is a pretty great film. It did incredible things inside of a one location suit. It should make the viewer feel claustrophobic and a whole lot of other emotions. It should leave the viewer thinking and change their perspective on a few things. Or it will just be considered some strange torture snuff shit and have people walk out of it, especially when it ramps up even further near the end.

Good on Jennifer Lawrence for doing a project like this. She breathed hard and panted her face off in this film to make us uncomfortable, and it really worked.

This is part of Fantasy and Sci-Fi Week at Gorgon Reviews!

Fucking finally. Resident Evil: The Final Chapter. It has final in the name, so there will be no more without a reboot, those are the rules. Ignore whatever happened between Saw: The Final Chapter and Jigsaw, those guys are liars, they totally won’t be liars here.

If you read my long milestone review on Resident Evil franchise, there is a common problem with the films. Each film would end with a cliff hanger and a goal! Okay, fine. But the next film will either ignore the cliff hanger and have it resolve off screen and ignore the “goal” set by the previous film. It was especially egregious in films 4 and 5, where they decided to go a completely different route, creating their own excuses that were shit for changing the plot. It was fucking stupid. Although sure, the second film continued after the first where you would expect it to, so that is the only one that really felt connected.

Anyways, if that happens again, I might flip my shit. Also another reminder, one stuntman died during filming of a scene, and a stuntwoman had a shit ton of injuries, 2 week coma, and had her arm amputated off. Holy fuck, that is bad. That is not a good start to a movie, especially a movie no one asked for.

But that’s okay, because at least Milla was able to dangle on her own.

At the end of the last film, Alice (Milla Jovovich) and crew had to head to Washington, DC, ready to take on giant waves of zombies at the White House. Wesker (Shawn Roberts) sent them there and was a good guy now, after being a bad guy.

Well this film begins with a backstory, which is different than backstory from previous films, and then jumps over the other films to bring us to now. Which is actually in DC! But some time has passed. Alice is now alone again, for reasons. Also apparently Wesker turned on her and the crew and is a bad guy, again. Seriously, all off screen pre-movie, they were like, lets make him bad again and do none of this DC plot, and let’s put it in a new direction, again. Fuckers.

So after some fighting with a goddamn zombie dragon creature, Alice gets contacted by the Red Queen (Ever Anderson, real life daughter of Jovovich and Paul W.S. Anderson) and gets an earfull. Apparently the Umbrella Corporation developed an antidote before this whole outbreak thing occurred. They wanted the world to fall to ruin, yes like a Biblical flood, then they would release the antidote into the air, killing anything with the T-Virus inside of them

The Red Queen wants Alice to get to the cure before the last human settlements are wiped out. She has about two days. And of course, the cure is at the bottom of The Hive facility underneath the now wiped out Raccoon City, where there are going to be some zombies, and fucked up shit inside. Hooray!

Also featuring Iain Glen, Ali Larter, Eoin Macken, Fraser James, Ruby Rose, William Levy, and Rola.

At some point in the franchise, the zombies just become Alice’s biggest fans and always follow her around town.

Resident Evil: The Final Chapter is a bad movie on almost every front.

First of all, it continues a story only in name, because it literally once again, tells a different story than the previous film implied. Characters have different motivations suddenly. Characters who were at the end of the last film are now gone and not mentioned. The entire backstory is changed at the beginning, just so they can do different things with this film. Yet at the same time, this is just another film where the goal is to go into an underground bunker, do a thing, then escape the bunker. A nice giant open world long fight, implied by the end of the last movie, would have been great.

There is technically action in this film, but good luck figuring it out. Even scenes of very little important are cut so rapidly I found myself barely watching the movie. It was hurting my head and eyes. It is one of those ways to cover up good action scenes by having quick cuts and to hide stunt actors. No good amount of choreography, just cut cut cut with flashing lights and confusion.

Acting is weak. The plot is extremely weak, with twists you can definitely see coming. There is nothing profound about this film, even with Biblical elements. You will just find yourself waiting for it to be over.

HOWEVER. Guess what! It is never over. It. Is. Never. Over. This movie ends on a cliffhanger. The story isn’t over. This is probably not going to be a final chapter. Meaningful conclusions are bullshit. Sure, the story seems like they finally finished the Umbrella Arc. But you know as well as I do that if there is another movie within a decade that there will be Clones or something of the important people, another hidden sect, and a story that just won’t die.

Like zombies.

This is part of Fantasy and Sci-Fi Week at Gorgon Reviews!

Look, I am a big fan of all of these classic board games being turned into movies. Clue is the golden standard, and that was over thirty years ago. So why not a movie about the board game Life?

The good news about Life is that it is so expansive of a game, you can basically make it about anything, as along as it involves growing up, getting a job and family, a career, and eventually retiring. Anything could happen to you in between that. You could win a Nobel Prize! You could play the stock market. You could just not at all do anything worth while.

As long as you don’t set it in a fantasy realm, or in outer space, or anything like that, it could count as a movie about the board game.

What the fuck is this? Is this in Millionaire Estates?

Aboard the ISS, we got a lovely crew of people, crewing around, doing science, being astronauts. They grab a probe returning from Mars, hoping to analyze some soil and maybe see if they can find life. And guess what! They do! A tiny tiny microorganism, but it is life not from Earth. Hooray science!

Everyone is stoked, the world is stoked, some kid wins a contest and names it Calvin, big celebration, we are not alone! But maybe w should be alone?

Things start to go wrong on the space station. Calvin starts to grow, Calvin starts to show intelligence, and Calvin needs to eat to survive whatever he can on the ship. And you know who that means.

It means these people! Hiroyuki Sanada, Jake Gyllenhaal, Ariyon Bakare, Olga Dihovichnaya, Rebecca Ferguson, and Ryan Reynolds.

The poor ISS gets destroyed and fucked up in so many different movies.

Obviously this has nothing to do with the board game, that is just a joke, but this film still has a shitty title. Life is too vague, has certainly been a title before, and isn’t as ominous as they had hoped.

I first avoided this film because it came out on my birthday, and everyone knew that Power Rangers was the bigger story there. Also despite having actors I knew in it, I thought there was not way it would be a good film.

And guess what? I actually did enjoy it. Sure, on the surface, it is basically just the movie Alien, but with a different Alien and not in deep space. Actually, it is extremely similar to Alien, including having people ignoring quarantine rules in order to doom everyone. However, we don’t get a badass female protagonist, we just get people continually sacrificing themselves for the greater good of humanity.

Despite its lack of originality, I still enjoyed it. The ending had me very tense and on the edge of my seat. The acting from Gyllenhaal and Ferguson was decent enough, and Sanada’s character made me feel incredibly sad.

I would say objectively it is not a bad thriller/horror film at all. It does get a bit messy at points, a little bit confusing not being familiar with the layout or everything they are talking about. There are plenty of worse films out there that won’t scare you, so might as well give Life a shot.

So many January films, so little time. In January, most of my reviews were of Oscar quality films, trying to catch up before the Awards ceremony of everything that would be nominated. So I missed a lot of January releases, and to be fair, a lot of them didn’t even have prescreenings.

The Bye Bye Man had a prescreening, it just wasn’t worth me leaving my house for.

January horror films can be some of the worst things to sit through. For some unknown reason, they really want to make January the second scariest movie after October. They really don’t have to try that hard though, given the quality of the movies that come out in that month.

It would be hard to find someone that isn’t scared of how bad things like I, Frankenstein are.

Yeah, still not as scary as The Legend of Hercules.

A long time ago, some weirdo with a rifle decided to kill his friends and family in a small suburb, then he killed himself. He kept saying “Don’t Think It, Don’t Say It.”

Now lets fast forward to the now times. A group of kids in college, ready to take over the world. We got Elliot (Douglas Smith), his girlfriend Sasha (Cressida Bonas), and their friend John (Lucien Laviscount). They get a house together off campus, you know, for college things.

Eventually, Elliot starts seeing some weird things occur with a coin they find in a night stand. This night stand is something they just bought in a sale and brought over to furnish the place. It is full of strange writing, erratic, “Don’t Think It, Don’t Say It,” like a crazy person.

Blah blah blah, a seance happens in their place, from another friend (Jenna Kanell), and things get even more trippy. The friends start to hallucinate, thinking of this Bye Bye Man fellow (Doug Jones), with a dog, and train sounds. Just acknowledging his existence is enough to get him to mess with your life, and so the more people you talk to about him, the more people who will die or get killed. Hooray!

Also featuring Carrie-Anne Moss, Erica Tremblay, and Michael Trucco.

This part is amusing if you imagine Abe Sapien from Hellboy coming at you instead.

You know what, if I was just analyzing the plot, or the acting, or the characters themselves, this would be an easy 0 out of 4. But I was intrigued by one, and only one aspect of the movie. The camera work was top notch. The opening scene really sort of drew the viewer in, with a few longer takes, having this random guy take a rifle and shoot his family and neighbors.

I really enjoyed the opening, which had a tragic moment happen in the bright sunlight, it felt fresh. And when it got modern, the film got darker. More scenes took place at night, or with tinted lenses to really give that…modern edgy look or whatever to them. Because now we are dealing with college students, living on their own, party party! The film got notably uglier, but the camera work was still pretty decent from my point of view.

And yet, that is the only positive notes. As I already said, plot bad, acting bad, characters bad. Tone was bad too. Mythos for The Bye Bye Man was all over the place. It really made writing the whole movie quite easy when you can just say the characters hallucinate whatever with extreme detail to get them to do anything. It feels lazy.

Also our star, Douglas Smith? Honestly, he has such an uncharismatic face, it is annoying to watch him for most of this film. Which is mean. I don’t hate you as a person Douglas Smith, but you don’t match the role that you were given.

This film is an easy pass, but it will probably have thirty sequels, because YOLO.

Havenhurst came about on my radar because, like at least 50 reviews on this website, my flashdrive was left at home and I needed something.

But I will admit I liked the name. It could technically be considered a calming or warm sounding place, but at the same time, the opposite of all that. It brings up the idea of a haunted house, thanks to those double H’s. It could really draw up some fears of isolation or claustrophobia.

Then again, the main draws for me for this film were the short run time and the fact that I recognized a lead. I am but a simple sheep, at the end of the day.

Havenhurst harks homeless hotties and heinous harbingers of hazard. .

Jackie (Julie Benz) loooooves her alcohol. In fact, she is an alcoholic. But she is trying to get beyond that, going to those meetings and getting her life back on her feet. Thankfully, there are many opportunities for her.

One of them is Havenhurst, a hotel/apartment esque building that offers homes and rooms for those working on recovery. They can stay there as long as they need, unless they return to their vice, whatever it is. Then old Eleanor (Fionnula Flanagan) will evict them, no questions asked, and they are on their own to make mistakes, never again to return.

Well, Jackie had a friend there, Danielle (Danielle Harris), but she went missing. She might have been evicted and gone somewhere else, but she hasn’t seen her in so long she suspects maybe some foul play.

The hotel seems to change over time, some of its hallways, and she hears screams occasionally. Thankfully she has a foster kid sidekick (Belle Shouse) and a cop friend (Josh Stamberg) to occasionally have them listen to her theories.

Also featuring Toby Huss, Douglas Tait, Dendrie Taylor, and Jennifer Blanc-Biehn.

“Oh no a bad guy, get him little girl!”

Havenhurst opens with a death of a character. Sometimes horror films take awhile to get scary, Havenhurst said no, death first, then plot, then more death. The death just felt silly though, without context, putting me in a mood ripe for making fun of the film. It doesn’t help that this film attempts to maintain some levels of mystery so that the viewer can sort of play along with our hero, except that right away we know that yeah, there is some murders afoot, so she isn’t crazy.

And a film has an uphill battle if it wants to maintain some suspense while also basically letting the viewer know a whole lot more than the characters. Usually mysteries are from the point of view of the protagonist with a few teasing moments.

I am annoyed at how un-seriously I took this film. Because when it revealed a bit more information (in a pretty silly way), I loved the idea they presented. Again, it was presented in a bad way, in more ways than one, but the connection to American lore was top notch.

Havenhurst has below average plot, acting, thrills, and more. Thankfully it is short and we can all move on from this film.

Every year, the world is seemingly blown away by a new art-house horror film that really drives into our subconcious. Every year there are arguments about this new art-house film actually being a horror film, or some sort of thriller drama instead. And every year, I write a review of one of these films, and have to talk about the films of the previous years that fit that bill.

But I will save you some time. Last year we had The Witch and I LOVED The Witch. It felt evil to the core, it felt authentic, and it drove the genre to new places.

And now, It Comes At Night is hoping to be the new art-house horror that everyone is talking about. So what do you think? Do you think it will truly be a horror, or more of a dramatic thriller? Do you think it will have a lot of critical acclaim but no one will watch it? Will the meaning behind the whole thing cause internet debates for a long time?

Yeah, probably.

Ah cool, a mask man and some duct tape. Horror staples, for sure.

Set in a year that is like our own, in the future or the past, lives a family, on the edge of disaster. The world is different now, there isn’t any technology that is not battery powered. And the family is about to bury the grandfather (David Pendleton). Paul (Joel Edgerton), his wife Sarah (Carmen Ejogo), and their 17 year old son Travis (Kelvin Harrison Jr.) are survivors in a world with not a lot of people. Their grandfather has the disease, so he has to be put down, burned, and buried to protect their lives.

They live in a boarded up house in the woods with a lot of strict rules, and their dog, Stanley. But soon after the death, a stranger comes to their door in the middle of the night. His name is Will (Christopher Abbott), who claims he was only doing it thinking the home was abandoned. He needs water for his wife (Riley Keough) and child (Griffin Robert Faulkner), who are many miles away, waiting for his return. And Will says they have food, animals for eggs and milk, to trade for water.

Or it is all a lie, and he wants to kill them. Who knows.

Sarah wants to bring the family to their house, have more people to defend the place, live in harmony. It is a big trust exercise. What with the virus, the creepiness at night time, and people who just make their world a brutal place to live in.

Travis just wants to stop having nightmares and waking up in the middle of the night.

Sometimes they call the entrance to their house L Street.

Oh I feel so terrible, so dead, on the inside. I rarely due this, but here is an exact quote for what I put on my comment card. They have us fill out quick thoughts so the studios can get initial reactions before longer reviews come out.

“I feel so empty inside 🙁
Great acting, great story, and a never ending sense of dread. Fuck”

And that is still how I feel, days later writing this review. Are there scary moments? Yeah, a few. But most of the horror comes from a personal level, deep deep down inside of you. You know what is PROBABLY going to happen, so there isn’t a lot of surprises. But still, to watch it unfold in front of you just builds the tension and of course, the dread.

Dread is this movie’s official review word. If you don’t want to feel dread for prolonged periods of times, then don’t watch this movie. If you want an emotional experience that will rock you to your core? Then watch It Comes At Night.

I have never been one of those geeks super into the Alien franchise. After all, that shit is scary, and I didn’t watch horror for the longest time.

I can understand the appeal, but after Alien and Aliens, the only other film in that series I have seen was Prometheus, so there is that. Allusions and references will mean nothing to me.

So I am not excited to go into this film, but I am a bit excited it isn’t just “Prometheus 2” or anything. Because I want my scientists to be smart and not watch the opposite of that. I do want nice scares as well. But mostly, I want a shit ton of Danny McBride.

I hope this isn’t Danny McBride.

Alien: Covenant is set about ten years after the events of Prometheus, aboard the ship named Covenant. It is a colony ship, with a ship ton of bodies on board while asleep. There are also hundreds of embryos frozen and about 15 or so crew members to run the thing if problems arise or when they get close to the new planet. Lastly, they have a lovely robot helper to run their ship while they sleep in Walter (Michael Fassbender), who is totally different than David from Prometheus!

Sure enough, some bad stuff happens, their voyage gets stopped, they have to make repairs, and their captain dies! Oh no! Now Oram (Billy Crudup) is in charge, and he wants them to get back on schedule asap before more bad stuff happens. Daniels (Katherine Waterston) is the new second in command, and she was also in a relationship with the captain so she is pretty upset. Tennessee (Danny McBride) is their pilot/tech guy or something and Lope (Demián Bichir) is some sort of head of security, maybe.

While doing repairs, they received a faded distress beacon from a place not too far away, and according to scanners it is ALSO a perfect planet for them to live at. They decide it is their duty to check it out, saving them 7 years on a different awesome planet would be sweet. Once they get there though, spores, aliens, a lot of problems. But hey, they also meet David, so we get to find out what happened after Prometheus. Ain’t that swell?

And here is a bunch of the crew actors! Alexander England, Benjamin Rigby, Uli Latukefu, Tess Haubrich, Carmen Ejogo, Jussie Smollett, Callie Hernandez, Amy Seimetz, and Nathaniel Dean. With maybe, MAYBE, about 2 minutes of screen time for James Franco.

Front chest bursting is so 30 years ago.

Alien: Covenant is a film that wants to explore some pretty deep questions in a hypothetical setting. It wants to talk about Rogue AI. It wants to talk about where we came from (like Prometheus before it). It wants to talk about the next stages of evolution for beings. It wants to talk about what it means to be a creator of life, a mother, without necessarily giving birth in the traditional sense. It wants to play on human emotions at the loss of a loved one (because straight up every crew member is apparently in a relationship with another crew member). A lot of good discussions and themes can arise from this film, some of which is subtle and some of which is blasted across the screen into your faceholes.

But you know what Alien: Covenant does not feel like? An Alien movie. Oh, we get a least one Xenomorph in this film, but it kind of sucks. It is defeated easily, with the smaller aliens seemingly posing a bigger challenge. And this movie isn’t scary. We got some gross scenes? Yeah, a bit, but I have seen a lot worse. We have some people flipping their shit of course. And we have a lot of crew members make terrible decisions over and over again, a big problem with Prometheus. But I never really felt scared. I never really felt the tension.

The best elements from Covenant would fall under the Drama Genre, which would be fine if that was the goal of this film, to make it a drama. This is a franchise known for changing its genre between films, and it could have really fucking worked (although, admittedly, people would probably still be disappointed). But it still tries to hype up its action and horror moments which for the most part just fall flat.

The best part of the movie is Fassbender and Fassbender, including the best scenes where he has to act with himself. I probably said something similar in the last movie about the “best parts”. But the twists feel obvious, McBride isn’t even used as a comic relief, it is setting up for a future movie (which I will note I have no idea where it really wants go with), and above all, just not as good as most people would have hoped.

But hey, Ridley Scott wants to make like, six more of these, and he is super old, so I guess that is what will happen.