Tag: Foreign

Lesbians!

Oh boy, did I start this one on the wrong note. I am supposed to be doing serious movie reviews and all. But all I can think about is lesbians, you know, what the movie Blue Is The Warmest Color is about. I guess.

Originally called Adele: Chapters 1 & 2, it was obviously put together to make one longer 3 hour movie, and is really just a coming of age story.

Heh. Heh. Coming of age. I get it.

Adele (Adèle Exarchopoulos) is your average French high schooler.

But after finally going on a date with a good looking boy, and giving herself up, she didn’t feel excited, she didn’t feel love, she felt absolutely nothing.

Maybe, boys aren’t her thing? That is when her life begins to change, where she sees the blue haired woman in the distance who captures her fancy. Adele would never consider herself a lesbian, but there is something about this blue haired woman that she can’t get enough of. Well, eventually Adele wanders away from her friends and goes into a lesbian bar, to check it out. She claims it was an accident, but when the blue haired girl actually talks to her and shows interest, she can’t resist.

Emma (Léa Seydoux) opens up Adele to a world she had never really imagined before, opening her up mentally and sexually. Adele will soon realize that even though she is happy, the rest of the world might not be 100% okay with her relationship, and “simple tasks” like telling her parents about it.

Blue Is The Warmest Color clocks in at 3 hours, roughly two 90 minute segments, basically the initial meet of the two, and then a few years into their relationship.

I am positive no drugs were taken during this film.

So, right off the bat, I can say this movie felt far too long. It goes over a lot of the detail in her life, her day to day activities, so we get a full picture of what its like to be Adele. Unfortunately, most of that isn’t why I watched the movie. I wanted to see the relationship start, unfold, and maybe even reach a conclusion. I don’t need to see her miserable at a job teaching kids for like, 20 or more minutes of the movie (maybe an exaggeration? It felt like the majority of the second half).

The acting was real and great sure. So was the story.

It is just all the extra fluff and shit that got to me. They could have easily cut an hour or so from this movie, and it would have made it an amazing experience for me personally. So I can say this is a good movie for sure, but not an amazing movie that everyone told me it would be. Shit’s long, yo.

Stop getting excited this instant. The Deep Blue Sea is a different movie than Deep Blue Sea. Note the The. This movie is not about sharks or shark attacks or smart sharks or Samuel L. Jackson.

No, but it does have something else you might enjoy. The potential for Loki jokes.

Some would argue that Loki in a bar is a type of shark…

Turns out this movie is actual a remake of a movie that came out in 1955, and when that came out, it was actually topical. Based on a play only a few years earlier.

The story takes place in the 1950s in England. Hester Collyer (Rachel Weisz) has found herself stuck between a rock and a hard place, (or, I guess, the British expression being the Devil and the deep blue sea. That expression is dumb). She is the younger wife of Sir William Collyer (Simon Russell Beale), a judge of the British High Courts. Very stable lifestyle, decently wealthy, but dreadfully boring.

Which is why she becomes infatuated with Freddie Page (Tom Hiddleston), formerly a member of the Royal Air Force during World War II. He is young, and impulsive, and full of sexual energy. That makes sense, of course Hester falls for him, and eventually gets discovered by her husband.

But after leaving her husband, it isn’t just puppies and rainbows. She may regret her choice to follow lust. What is better: stability or affection?

Or even reflection, if you are looking into a mirror.

Drama drama drama. This film comes at you with its hardcore stance about drama. There are no amusing moments in it, only dramatic. Of course overall it is a sort of Romance as well. Just don’t come in expecting a lighthearted tale.

The acting from the main two lovers is much better than I expected, only knowing Tom as Loki and a smaller role in War Horse. Who knew he could be such a hopeless romantic and also messed up individual? (Clearly it is all just a ruse, his trickster persona).

The only thing that really bothers me about the movie is that I do find it quite hard to really get in to. The story is a powerful one, probably more powerful though in the 1950s when it wasn’t as popular of a story subject as it is now. Because really, my biggest issue with this remake is that it doesn’t offer anything new. The entire plot line of the story I can kind of see coming a mile a way, I know how it will end, and I know what bad decisions the characters will make.

Knowing a train is going to wreck doesn’t mean you can stop it.But eh, the experience is I guess what matters for movies. The acting is good. The story is tragic. But to me there isn’t enough else going on for me to really enjoy it all.

Very Wrong.

How Wrong?

This much Wrong.

Wrong is a film brought to us by Quentin Dupieux, who is famous for the movie Rubber. Rubber is famous for being completely absurd, and a strange movie, but I ended up liking it. Knowing that, you should know that he is going for a very similar style to Rubber. So if you hated Rubber, just don’t even try this one.

Same thing happens to me when I listen to Michael Bolton at work.

Poor old Dolph Springer (Jack Plotnick). Sure, he has a bitchin’ mustache. But he woke up to a very not good day. His dog ran away! Or was kidnapped. Either way, his dog is no longer there, and the world he lives in appears to be quite bizarre. Like his neighbor, Mike (Regan Burns), who goes on daily morning jogs, now refusing to admit to it. He hates running, why would he ever do that?

That isn’t the only thing. Police officers are unnecessarily rude, which might be a normal real world thing. His work office has a downpour going on in the inside, but that is apparently normal too. He might not even work there.

But his dog is missing. That is what is important. Not his conversations with a lady working a new pizza place (Alexis Dziena), or his gardener (Eric Judor). It turns out that the dog may have been taken by a group who randomly steal peoples pets, to make them truly love them. Strange. Yes. But Master Chang (William Fichtner) insists that it makes peoples lives better in the end. Unfortunately, mid kidnapping, the driver got into an accident, and died, and the dog escaped. So the stolen dog is lost.

They hire a private detective (Steve Little, aka Stevie Janowski) to get on the case, and Dolph just has to keep on living.

The hardest thing to believe in this movie is that he would write a novel, on a type writer, by water.

At this point, I am not sure if absurdity is really a film genre, or if I like it. Anyone could come up with an “absurd” movie, and call it art, even if it makes no sense, with weak plot or acting, and just bizarre antics. I am not saying that is a good description of Wrong, but close. I would say Napoleon Dynamite was an absurd movie, and one I dislike for its lack of real plot.

I definitely think I got less out of this movie than with Rubber. Rubber draws you in with the strange sounded plot, and I believe, delivers an even stranger movie. The plot description for Wrong just sounds pointless, and probably the only thing drawing people to this movie is knowing he made Rubber. It definitely has its extreme moments of weirdness, but not enough for me to love the movie. There were some great scenes. I loved the scenes with the Private Investigator. The gardener had an interesting arc, but the ending of it felt a bit weak to me too.

For all I know, the entire movie was just made to troll people. It might be a test to see what people can draw from it, calling it a highly intelligent movie, so that Mr. Dupieux can come out in two years and go “hah, just kidding.” That would be fun.

Where will you be, when the zombie apocalypse hits?

That is the question Stalled decides to ask. How I found out about it was basically just dicking around on Netflix though. It’s good to know there are still movies with toilet humor in them, on the internet.

I’ve definitely had poops like this before.

There are many bad places I can think I wouldn’t want to be during the apocalypse. Like, wherever ground zero is. I probably wouldn’t want to be in a super big city population wise. Just means more zombies. I definitely wouldn’t want to be on an island, unless there was a way to block the virus.

Basically, there are a whole lot of places worse than a woman’s restaurant, but not a whole lot weirder. Especially if you are W.C. (Dan Palmer), a janitor for a company, who happens to be in the restroom cleaning/working during the breakout. In a strange twist of fate, while hiding in the stalls because two women came in, one bites the other and it is extremely bloody and awkward for W.C.

What is even more unfortunate is that his tool box that he brought in doesn’t have any of his tools in it, just fat stacks of euros. This totally takes place in the UK, by the way. Strange. Money is good. But super useless now.

So now W.C. has to figure out how he is going to escape from this building, which has a holiday office party going on. At least he has company. It turns out a girl Eve (Tamaryn Payne) was also in a stall the entire time, hiding from when W.C. walked in. At least he has someone to talk to as the zombies prattle on outside of his toilet area. Also starring Mark Holden, as Jeff from IT.

Jeff from IT is pretty much a baller.

Shit. The idea behind this movie was brilliant.

Zombie movies keep trying to find new ways to spice things up. Sometimes they involve never done before locations, but a lot of them now are just changing either the fundamentals of the zombie, making it not really a zombie movie, or changing the genre into something else. Obviously comedy/zombie movies have been around for awhile, but Stalled ends up picking a location and idea never really thought of before. The number of potential sequels is astronomical.

This entire movie is like a Bottle Episode. But on purpose.

Dan Palmer also serves as the writer of this film, so it makes sense why he got the main lead. Overall, the character isn’t really likable. He seems somewhat scummy early on, lying to Eve and doing some pretty deplorable things in that bathroom out of selfishness.

But the movie itself is not only entertaining, but unique and different. And weird. Really, some of the only things I care about in movies. A random watch turned into a very interesting 90 minutes.

Snow Queen? A CGI film? If you got to see the film cover, it had a tagline at the bottom that states “A Magical Adventure in a FROZEN Land!”

It also states that it is “From the Legendary Hans Christian Andersen, Author of The Little Mermaid.”

I haven’t reviewed a cheap knock off Disney movie yet, unless you count Chop Kick Panda, but Dreamworks isn’t Disney. But this one clearly has to be right? It capitalizes the word Frozen in its ad, and also makes a true but misleading claim about where the story comes from.

I can’t wait. I can’t wait.

Eh. Maybe I can wait a bit.

For those of you who actually know the original Snow Queen story, this one basically seems to follow that exact same plot. Down to a letter. Nothing new about this one, just an animated tale of a famous story. So I guess, its like any book to film adaption. Since I don’t know the Snow Queen story, it is basically a new plot for me.

Basically, mirrors be crazy. This woman got so mad, she became a Snow Queen (Cindy Robinson) and tried to put the world into an endless winter. She also wants to destroy all art, for some reason. She really hates this glass maker dude, who has mirrors that reflect the soul. So she kills them. Whoa.

Well, he had children too, so the threat to her rule isn’t gone. Boy, Kai (Marianne Miller) and girl, Gerda (Jessica Straus) become orphans and don’t even remember each other. Eventually, the Snow Queen realizes that they are a threat, and sends a troll named Orm (Doug Erholtz) who has the power to turn into a black weasel only, to kidnap the boy so she can presumably kill him too.

Gerda, just realizing she has a brother, gets rightly pissed off, and journeys across the land, with the troll and her own weasel, to try and save him.

On the way they run into land pirates, crazy plant ladies, and just bitter harsh cold.

I am now going to imagine that as the face of every troll on the internet.

Alright, turns out I was wrong. This movie is NOT a cheap Disney knock off. Besides the fact that it is a movie of the actual story, it also was made by Wizart Animation. Who are they? A new CGI film company out of Russia (making this film foreign), and this is their first release. It came out last year and was in development for awhile, so the Frozen thing is basically a coincidence. Obviously not their advertising of it, they are still trying to latch on to its fame, but the idea wasn’t a copy cat. Heck, they also are already working on a sequel.

Unfortunately, the animation was the worst part of the movie. Something seemed off about it the whole time, it is pretty obvious it isn’t using state of the art / new technology to bring us this movie. Probably pretty old technology, graphics wise. Reminded me of a video game.

I actually enjoyed the story line and some of the visuals in the film though. By the end, I was getting a bit tired of it, sure, but the early parts of the movie kept interest for awhile. The crazy plant lady came out of no where, but looked really cool as it went down.

Nothing I will say will convince you to watch this film, and honestly, there is probably no reason to. But if you are forced to watch a newish animated film, there are a lot worse you could pick.

Oh man, diversity.

I do believe, with Instructions Not Included, this is the third mostly Spanish movie in the same number of weeks on my website!

Too bad I totally won’t keep that going. I literally don’t know of any other that are about to come to the US, and we have a shit ton of new releases to look forward to. So, uhhh, don’t get used to it, que?

Shit, did I not do that Spanish part correctly?

Valentín Bravo (Eugenio Derbez) is a coward. He is afraid of small problems, medium problems, big problems, and the biggest problem of all, committment. A different woman every week, living life with no job, no responsibility, no worried. Until Julie (Jessica Lindsey) visits him with a 8 month year old baby. Looks like cheap condoms aren’t full proof, but she also leaves it in his living room after a ruse, and runs away back to LA. Well shit. Babies.

Despite his best attempts, he can not keep up with her, and by the time he sneaks into LA, she has moved to NY. He is super stuck with this child, which means he has to do things like get a job, care for another human being, and try to stop being such a coward. Due to those intense parental instincts, he somehow gets a job as a stunt man and befriends a a director (Daniel Raymont), and next thing you know, seven years have flew by, and he is the coolest dad ever. Stunt work pays well, and it all goes towards making her life awesome. He even has fake letters sent from the mom to keep his daughter, Maggie (Loreto Peralta) happy.

Unfortunately, life is about to get more difficult when Julie (Record Scratch) returns home. And she is a lesbian (with Alessandra Rosaldo). And a lawyer. And she wants the kid back. And there is a disease that there is no cure for, which will also potentially ruin this happy arrangement. Well fuck.

Maybe, he should have done something different with the baby early on. Then no heartache now, right?

So this guy, Eugenio Derbez, I have seen him before. He was in Girl In Progress, and it was terrible, but he had the best part in it, even though his role was small. But not only did he star in this film, he also directed it, and helped write it, so this is definitely his baby. The girl above is most likely not his actual baby.

Well, his facial expressions were pretty great in this film, just like Girl In Progress, but it seems like everyone else was made to over act and just made this movie feel like a soap opera. A less dramatic, entirely frustrating soap opera. The beginning felt super rushed, pretty chaotic, but interesting. His life in LA just felt ridiculous, and the events that happened to him, both in his career, with his kid, and with Julie kind of started to just piss me off. Not in the “Oh, this incredible acting is pissing me off and making me feel emotion!” way, but the “This stuff is shitty, what the hell is going on, I am mad at this movie for sucking!”

But it also had heart. And at the end, thanks to a few sudden scenes, I was crying. Stupid movie. Making me rage. Interesting story. Emotional ending.

Gah.

I got very excited about watching Pulling Strings in theaters. Why? Because I had no idea what the movie was about. Zero. Never heard of it. But there it was, just a movie, screening in front of a boy, asking him to love it.

Mostly because I was the only one in the theater. Looks like no one else heard of it either. I was even more excited when I found out it was not rated. What hijinks might this movie provide? Sex on sex? Drugs on sex on crime? Who knows.

Wait. Or it could just be foreign. They don’t rate those movies always. If so, it’s probably just PG or something. Lame.

Foreignness confirmed.

Alejandro (Jaime Camil) is the lead singer of a mariachi band in Mexico City, Mexico. There are a lot of mariachi bands there, but he is the best singer, so really no competition at all. He used to write a lot of original songs too. Until, the incident.

This is actually a real incident, his wife died. Very sad. Now he is a single father, and he is failing at it. Because he works at night, the catholic church school feel like he is being a bad influence on his daughter. He is also in debt to some bad people. So he wants to send her away to her grandparents in Arizona, he just has to get a visa first. Well Rachel (Laura Ramsey) ain’t having none of his shit. He has none of the required forms, no stable income, a non official lease for his house. Nothing. No visa. She barely even looks at him or listens to him.

Speaking of Rachel, she is totally getting transferred to London, but her mother (Stockard Channing) disapproves and wants her to come home. The mom character annoys the piss out of me this movie, even though I think they were going for sympathetic, so I am done talking about her.

Anyways, she gets super drunk at her going away party (which Alejandro performs at), tries to sleep on a bus station, but Alejandro won’t allow that. She won’t tell him her address, because she doesn’t want to go home drunk to her mom, so he just takes her to his house. But she freaks out the next morning when she can’t find a laptop from her boss (Tom Arnold), which has important government data on it. Alejandro finds it in his house, but decides to lead her on a multi day ruse first, where he helps her find it through the back alleys of Mexico, with “scary people” just played by his friends. This will show him as dependable, hard working, smart, and get him that visa! He is …pulling her strings, and also pulls strings on his guitar. Get it?

Alejandro’s best friend comes along for the ride (Omar Chaparro), and also Rachel’s best friend every once in awhile (Catherine Papile).

All in the sexiest van known to man. What an adventure this will be!

For those wondering, this movie is not 100% Spanish. Heck no, we got at least four American characters in here, and they are all embassy people or mothers, so when they interact, all English baby. Also, Rachel doesn’t know Spanish fluently, so she mostly speaks in English to Alejandro. So there is that.

And because we are dealing with a mariachi singer, we totally get a lot of mariachi music. And shit, that Jaime Camil guy can really sing. They gave us subtitles during that part, but I chose to ignore them, because reading lyrics is stupid. I just wanted to feel the music, and the music felt good.

Like any romance movie, this one is based off of lies. They will fall in love, but when she finds out he was lying for two days, she won’t like that. We do get other cliches, we even get the rush to the airport to stop her one. Thankfully, the cliches it seems to openly acknowledge, so we end up getting changes from the norm at the same time.

Overall, I thought this was a really cute movie. It had music, it had a budding romance, it had comedy, and it had a cute ending. 100% of the people in the theater with my agreed with this rating.

I really like hockey. Definitely my favorite sport to watch and cheer for. I also really like movies (you see where this is going?) So generally, hockey movies I am pretty fond of. Goon was fan-fucking-tastic, and Score: A Hockey Musical was so ridiculous, I couldn’t not enjoy it.

Well, the streak of great hockey movies is coming to an end tonight, unfortunately. Because I watched Breakaway.

I know what you are wondering. Yes, they do have helmets that can fit around turbans.

Rajveer Singh (Vinay Virmani) likes hockey. But he is Indian. Indian’s don’t play hockey. That is a fact! But her is actually good. All he does is play pick up with his friends, also all Indian, and they are looked down on by others. No, not by white people, just other older Indians. Indians don’t play hockey. Or Soccer. That is a movie reference of a movie with a similar plot, guys. Don’t make me spell it out.

Anyways, Rajveer had to leave college to work for his father (Anupam Kher), who really hates this hockey thing. He wants him to rise up in the family business that he created when he moved to America, but all Rajveer seems to want to do is play hockey and be a truck driver. No drive.

When Rajveer tries out for a local technically amateur but almost professional team in Toronto, he isn’t given a fair chance at all, despite being a great player. So he gets the idea. Why not just make a team with his friends? Then they can compete in the local tournament, win the cup, beat that other team whose name I can’t remember, and be heroes! Heroes to themselves at least.

Unless…unless the local Indian culture actually finds their tale inspirational and bands behind them? Just don’t tell Rajveer’s dad about it. No, the Speedy Singhs want to prove they can play hockey too. Also starring Camilla Belle as his love interest, Drake as the actual Drake (he likes Hockey, so what?), Russell Peters, and Rob Lowe as the local janitor turned their hockey coach.

Rob Lowe is LITERALLY the most famous person in this movie.

Oh goodness, the cliches.

Before anyone makes the claim, no I am not giving the movie a low rating just because of the first scene. Where our main character was imagining he was on the Toronto Maple Leafs and about to score the game 7 OT winner for the Stanley Cup against the Detroit Red Wings. Not the reason at all, but I did dislike it.

Unfortunately, this film is filled with all the cliches, even ones that are not about sports. There are other plot lines in here, outside of just Indians wanting to play hockey, but they weren’t as important, and just in general side plots. Because all the cliches happen, you will know already how it ends, and yeah, it does. There is even a chance when they might not get to play anymore due to a rule, but hey, they find a way around it. They even found an enforcer. They got it all!

The hockey in this movie isn’t really exciting to watch, and the story isn’t original. There was also a lot of Drake in this movie, more than I expected (which was around zero, I guess). It had some amusing moments, but not enough to make it worth ever watching again.

Uh oh. This is the second movie I have reviewed with the name Aftershock. The first one, Aftershock, was an amazing Chinese drama film from 2010, over two hours long, on netflix, fantasticles. I could not say enough good things about it.

This one? Well, it was made 2 years later, and is a disaster/horror film, written by Eli Roth. You know, the Bear Jew on Inglourious Basterds. I mean, technically this one is foreign too, kind of. So maybe it will be just as good?

Maybe, just maybe, this one will make me cry?

Hooray, parties!

Apparently Chileans really love to party. That is why Gringo (Eli Roth) is hanging out with his two “Friends”. I actually don’t know why he knows them, but he came down from California to visit and live it up. Maybe even get laid. Ariel (Ariel Levy) and Pollo (Nicolas Martinez) are is guides around town. The only thing I really know about them is that Pollo is disgustingly rich, and has a famous dad, who is also rich yo. So they get all of the hookups.

Later, they are at a literal underground nightclub. Seriously underground, with all of the cool kids. There they meet up with some chicks they talked to earlier, some of which are siblings, models, and friends. Monica (Andrea Osvart), Irina (Natasha Yarovenko) and Kylie (Lorenza Izzo).

They try to split them up for hooking up, but drama blah, OH FUCK BIG ASS EARTHQUAKE. Shit starts falling everywhere, people dying under the rock, and lots of people getting trampled. Ariel is such a good guy, he helps a girl escape from the bar, but loses his hand in the process. His mother fucking hand!

It turns out, getting out of the club into the open isn’t actually too hard. Surviving on top, however. Shit. Looting, turned over buildings, transportation all but gone, no phone service, and the aftershocks which knock down even more shit. Is that a tsunami warning? You bet your ass it is! What is that? The prison in the area had its walls knocked down, so prisoners are running around town, killing and raping things? Shit. That is bad.

Good luck random group of unlikable people! Watch your holes.

Beard guys is the rich guy. He literally has everything going for him.

What can you say really about a disaster horror movie? Well, the only thing you can really hope for, is that it is entertaining enough, and people die in creative ways.

And boy do they!

So many people die, a variety of ways. Crashing infrastructure, fire, bullets, axe to the back, falling from long distances, and of course drowning and pounding.

I felt dirty writing that sentence.

Needless to say, the acting is kind of shit, and it takes maybe too long for the earthquake to occur, but once it does, it is kind of entertaining. Also pretty gross and graphic I am surprised how far they went. They made tons of allusions at the beginning of the film, and by golly, did they deliver them later.

So it gave me what I can hoped for. I wish the jokes they attempted worked out better. Maybe less subtitles too, but I am just lazy. It was decent for what it was going for, and entertaining just a tad bit. But I do work on earthquakes for my job, so maybe I just find the subject appealing.

When I put Kon-Tiki in my Blu-Ray player, I found out that Norway is a cocky country. Look at this picture. I took it myself. (No it is not my penis).

I won’t describe it because I want you to see it. But Damn, that is some serious ego shit. Who would do that to start a film? Someone who has too much pride in a language, I tell you what.

Or just pride in their original movie. Ohhhh, pretty.

Thor Heyerdahl (Pål Sverre Hagen), besides having a bad ass name, grew up to be a scientist. He is an ethnographer, so basically he helps figure out how humans moved throughout history, and where certain cultures evolved from. In a nutshell.

He has spent a long time in Polynesia, working on his theory that the culture came from South America. There are many similarities in statues, and they have a tale of a tribe who came from the sea. He has all this evidence! No one will publish his work, because no one would believe it. No way could primitive people have gone from Peru to Polynesia. No way. And he can’t prove that they could, either.

Or could he?

He decides to build a boat, calling it Kon-Tiki, and sailing the journey himself with a small crew, just as they would have built it 1500 years ago without the aid of technology. No, it will be strictly ancient. Can he make it across the ocean in a small raft, over three months? Yes.
Yes he can. Some of the other crew members were played by Anders Baasmo Christiansen, Tobias Santelmann, and Gustaf Skarsgård. Shit, those are all super Scandanavian.

I haven’t seen this many bearded Norwegians since prom!

So I found out why the DVD menu went super egotistical and language-ist. The mother fucking Weinstein Company did it again. They cut out like, 17 minutes of the original movie for the English movie. What?

To make matters even worse, every scene that needed it was filmed in both Norwegian and English, so that they could release the same thing in both places. They are identical. It isn’t bullshit dubbing. The words that come out of their mouth are English. So yes, I watched it in English, not knowing that so much was cut out, and I just feel wronged.

It is the exact same thing they are going to do for Snowpiercer. They want to remove 20 minutes of material to make it so the people in “Iowa and Oklahoma” will go see it. Fuck you fuckers. They are calling Americans stupid. And I live in Iowa.

That all has nothing to do with this movie, but everything. Since I haven’t seen the Norwegian version, I really cannot compare.

What I can say is the version I watched felt lacking in some way. Sure, it was beautiful as fuck. Gorgeous. Well shot. Sexy almost. So many beards. But it wasn’t completely interesting. Their story basically paved the way for many adventurers back in the 50s, and probably helped inspire the journey to the moon. But their accomplishment isn’t as powerful feeling because we have already done crazier things to surpass it.

It is still an interesting and awe inspiring story. But not as exciting as I would have hoped.