Tag: Drama

Ah yeah, a completely random movie I have never heard about it. Sexy.

Racism aside, the cover of Somebody’s Child had two black men and one woman on the cover. I will say I figured it would be some sort of baby daddy drama. Nope. Wrong again. I also got it because I knew the star was great at kicking ass and taking names, so there could be a fight scene or two!

Needless to say, this movie offered none of this, and I was just as confused as these two men.

No baby drama. No fight scenes. So much sadness.

Douglas (Michael Jai White) is a simple man. He is a single dad, who also lives with his mom, Constance (Lynn Whitfield). Well, she lives with him. He owns a restaurant and believes in giving people second chances. No time for love, not yet. Especially with his mom needing a Kidney, and waiting for a match.

Alright, so that isn’t any good. But they know they will get through it. They just have to believe and trust God.

Well, at the hospital they see another man, Benjamin (Byron Minns), and she convinces him to offer him a job at the restaurant instead, knowing for sure he must be a felon working on getting his life back on track. They were right! He is on a path of redemption too.

And uhh. Then some redemption happens. Secrets. Everything kind of works out for the best and the movie ends.

Douglas also starts dating Hope (Nadine Ellis), their travel agent, but that plot isn’t important to the story.

What the fuck is this? Why in the hell is there a painting of a scene from this movie? Or super weird lighting?

I think I accidentally watched a lifetime movie. That would explain it. IMDB tells me it was made for TV. It must have been lifetime. Or Hallmark. Because not a lot happened in this film.

There was one twist roughly near the end, but something pretty easy to figure out way before hand. The bigger part of the twist was more confusing. But I don’t want to spoil it.

Fuck it, spoilers, here we go. Benjamin and Douglas are brothers, the mom had to give Benjamin up for adoption and his life was rough. So karma eventually brought them together because they all did good stuff for strangers. Yay. Benjamin also donated the kidney to the mom, out of the goodness of his heart, before he knew they were related. Yay being friendly to strangers! Yay Jesus!

So yeah, very basic inspirational made for TV movie, that teaches us everything works out kind of. Even if your life is shitty and in foster care for many years, causing you to circumstances that might end up with someone dying. Even then.

Damn it Michael Jai White, no more movies where you don’t fight anyone.

Oh Kristen Bell. You are a big star. Why are you in this movie, The Lifeguard, something I have never heard about and went straight to DVD?

Is it Dax Shepard‘s fault? I bet it is Dax’s fault. He is a jerk. Don’t let him put you in bad movies. You are lucky you avoided Brother’s Justice. I swear, if Hit and Run had been horrible, those two movies would have killed his career.

Just saying. Watch out Kristen.

“No, you watch out! No one talks bad about MY MAN!” – Kristen, if she were a proud black woman.

Leigh (Kristen Bell) is going through a midlife crisis. She went to college, was valedictorian, but ended up quitting her New York job and moving back to Connecticut, her home, where she last felt happy. By mid life crisis, I should note she is less than 30, so this is just some other weird event in her life. Or she is not going to live past 60. Shit.

Either way. Sad times, so she goes to live with her parents again, and rekindle with her old friends (Mamie Gummer, Martin Starr, Joshua Harto).

Heck, she even gets a job as a lifeguard. Her old high school job. Making over 9 bucks an hour. Hooray!

But then something strange happens. During her identity crisis, she finds comfort in another individual. Someone who goes by the name of Little Jason (David Lambert), son of Big Jason, the pool owner. They start a fling unexpectedly, and have copious amounts of sexual intercourse. And he is only sixteen.

Yep. Sixteen! True love, yo.

Sometimes it is a good idea to do that gender reversal thing for romance movies. Does it still work if an older man was the lifeguard and it was a sixteen year old girl? No, heck no. That’s bad. Very bad. Kristen has a really creepy character it turns out, and no one around them realizes it until one individual does by the end. Good ole society, being programmed into thinking that is at least a bit okay. She just represents someone in society.

The movie took awhile to get to the love interest between her and the kid, slowly building up, as she just wandered around her home trying to find stuff to do. And guys to do, I guess.

Too slow. This movie dragged on, for a story that ended up being pretty simple. The thing that gets me is that none of the characters really feel believable. They try to explain why she quit her job and moved home, but it just didn’t seem correct. I couldn’t believe it. It is like they had the idea of someone move back home, but not a great reason why and it was an after thought.

The later scenes between her and David Lambert were pretty steamy, I will give it that, but at the same time, it felt incredibly weird. Damn gender reversal analysis. It ruined a potentially good thing.

No, I am not saying the movie would have been good without it. Too slow, too much meh acting, too much nothing over all. An easy one to skip over and really I’d rather pretend it didn’t exist.

Something happened to Keanu Reeves while he was filming The Matrix. In one pivotal scene, Morpheus ingrained fighting skills into his head, causing him to wake up and give the famous line, “I know Kung Fu!”

I think that one moment in 1999 changed Keanu Reeves’ life forever. He actually had to learn martial arts for that role, so he probably became obsessed with it. Obsessed enough to finally show off some of his talents by directing his own movie. Man of Tai Chi is the directorial debut of Mr. Reeves, and he isn’t even the main character! If you want to see Keanu star in a martial arts movie, you will have to wait a few more months for 47 Ronin.

Can you believe that this is the first time I had to tag Keanu on my website? What have you been doing the last few years Keanu?!

Instead, this film is about Chen Lin-Hu (Tiger Hu Chen), a student of Tai Chi. His master, Yang (Yu Hai), is thrilled at his progress, but is concerned with his power. He is worried he might succumb to a dark way of using Tai Chi and use it for evil. Psha. Evil.

Well, Chen is hurting for money right now. He enters a regular martial arts tournament to show his worth, and prove that Tai Chi can be used for more than just exercise, while also showcasing the greatness of his temple. Unfortunately, that doesn’t put food on the table. Which is why he accepts a job interview from Donaka Mark (Keanu Reeves), an American security company to help pay the bills. What he doesn’t realize is that this interview is for a secret underground fighting ring…to the death! It pays extremely well, puts Chen against many different kinds of fighters, while also being kept secret from his friends and family.

But Sun Jingshi (Karen Mok), captain of the Hong Kong police force, has been chasing Donaka for months, and Chen might be her ticket to finally bringing him down. He just has to wade through some morality issues, as his mind slowly becomes corrupted by Donaka, who might have ulterior motives.

The actor was a stunt man on the Matrix movies. Huh. I wonder how he first met Keanu.

The most remarkable thing about Keanu’s first directed movie is that he chose to direct a movie in 90% Chinese. He may know the language, but it is not his native tongue, so I assume there were a lot of struggles with it. I don’t speak Chinese, so I cannot confirm if the language was clunky or unnatural, but I have heard reports saying so.

The plot itself for the first half of the film isn’t very unique. However, through few twists and turns, I think this movie becomes not your average martial arts flick, with a much more powerful story than what the trailer and plot description promise.

Every fight was filmed and choreographed beautifully. They were both captivating and entertaining. They were also varied enough to not feel repetitive, through the use of different fighting styles and locations. The final fight in the film itself was over eight minutes long, in a classic setting and felt like the perfect way to end this film.

It was strange watching Keanu as the villain, a role he doesn’t often take. The oddest part was his deep voice, kind of an eternal business grunt. Because he was the arbiter of so many fights, he had to say phrases like “Finish Him!” and “Fight!” constantly. I want to assume they did that as a Mortal Kombat reference, as it sounded pretty close to the real thing.

Man of Tai Chi is not the best martial arts film out there, but it does have its own unique style, and is probably one of the best ones that will come out all year. Definitely a great first effort from Keanu, but I hope he doen’t just stick to one genre, like RZA.

The title Runner Runner at first glance is a strange one. Initially I figured the film would be about people who were always getting chased, on the run, or cowards. Or a combination of the three!

It turns out it is a Texas Hold ‘Em term. It is when you don’t have anything good in your hand or the initial three cards on the table, but gain a better hand after the fourth and fifth cards have been laid down. It is a risky situation that most poker players do not rely on, because that would be ridiculous and more often than not, a waste of money. Let’s just call it synonymous with extremely lucky and stupid.

Enough foreshadowing? Alright, plot time.

“I’m not sure what to do with my hands..”

Richie Furst (Justin Timberlake), besides having a very strange name, is a masters student in finance at Princeton. He used to work on Wall Street out of college, and was about a year away from reaching that seven figure income, before it all blew up in his face and he lost everything with the economic crash.

Because of his past, he cannot receive financial aid, and has to literally gamble his life savings to pay for tuition. Until he loses it all on the website Midnight Black. According to his data and math skills, he clearly got scammed out his money, and he wants it back, so he decides to fly down to Costa Rica and talk to the website owner personally.

Ivan Block (Ben Affleck) is wanted by the FBI and world famous for his online poker sites, but he does enjoy making his business better through smart Princeton students. He ends up offering Richie a job, and Richie starts earning the money he thinks he deserves.

Hooray money! Money of course never comes at a cost, and there is surely nothing illegal at foot down here! Gemma Arterton plays the one woman who has a speaking role in this film, and Anthony Mackie a hardass FBI agent who really wants to take Ivan down, no matter the cost.

Here is a picture of these men walking. You know, not running, and for sure not running running.

It turns out my original guess about this movie wasn’t entirely incorrect. By the end, a lot of characters do go on the run: whether it is from the law (US or Costa Rican), from Ivan Block, or from other thugs. There is definitely a lot more running in this film than fighting or relaxing.

What I will say positively about Runner Runner is that it started out with an interesting concept and had a lot of potential. Who doesn’t love a good story about corruption and money?

The problem lies with how fast this movie moves, basically too fast to care about any of the characters and too fast to really feel the fear of the situation they have placed themselves in. At most I would describe the film as mildly entertaining, but I didn’t get any real value out of it due to how it was set up. All of the problems presented in the film were either solved instantly, or kept hidden like a Scooby-Doo plot point until they happened. I am not complaining that they kept some information secret, just that when the reveal happened, it was met with some mix of confusion and boredom.

The acting wasn’t spectacular, nor were any of the twists or turns. But I think both of those instances can be blamed squarely on the directing/editing. The last movie the director did was The Lincoln Lawyer, which I enjoyed. Unfortunately, Runner Runner seems to be a step in the wrong direction.

I did like watching Affleck as a man too rich to know what is good for him. It is a good stepping stone before he plays Batman, another man too rich to know what is good for him.

Yay, a sequel! I literally don’t know a single movie about step dancing other than these two. The first one, Stomp the Yard, I didn’t know was about stepping until I saw it. It was okay. So of course I was excited for the sequel, Stomp The Yard 2: Homecoming. Sequels to dance movies are always bigger and badder, with sweeter movies and, well, shittier plots usually.

So hopefully, it is sexy. Because if not, I have a whole bunch of other never heard of dance movies to get through to find the secret amazing one..

Holy crap, this guy has a weird face in this picture. How unfortunate.

Hey, this sequel actually takes place at the same place! Truth University. Shit, it even has the same two frats vying for attention, with the good guys being the same frat, and the bad guys being the same frat. How edgy.

Well, DJ from the first film has long graduated. Despite being made a few years later, this actually occurs many years later. The thetas are on another losing streak, and they are the number 2 team, again. How familiar. This time, Chance (Collins Pennie) is their new recruit in training! He doesn’t have as many cool new friends as DJ either, so he is really the only guy that matters. He for sure wants to step too, unlike DJ, despite both originally being street dancers. Oh yeah, Chance isn’t as good as DJ. We see him lose his first battle. He just isn’t that good.

But he will be the hero. Sigh.

Good news about Truth University. They get to host this years national tournament, so they don’t have to travel, I guess. Even better, for the winning team of the tournament, their whole team will receive free scholarships to their university. What? How does a national tournament about step dancing have that sort of dough or like…ability to just do that? I got nothing.

There is some random drama. Chance’s uncle (Keith David) runs a restaurant and wants him to work on Homecoming weekend! Despite the fact that he could win free college. Oh yeah, Chance wants to add more modern hip hop dancing to the step dancing. That sounds similar.

He has a love interest (Tika Sumpter), a frat leader (Pooch Hall), and a frat leader enemy (Stephen Boss).

Oh god, another weird face. Everyone in this movie has a weird face.

So much similar. So much the same. Yet oh so different.

Let’s see, the plot for this movie, although similar, is a lot worse. The whole movie is darker. No, not skin color. No, not evil. Just literally darker, like they added bull shit filters.

The dancing is a lot worse. The ending was more painful to watch than anything, as their final final performances lacked like, any actual stepping. Just a whole bunch of weird ninja and weird shit. What?

Columbus Short from the first film made a cameo, that was cool. What wasn’t cool was everything else. This movie barely had any dancing, let alone stepping in it. Pitiful plot, poor drama, shitty acting for everyone. Even Keith David. Poor Keith David.

So much shit. So much worse than the first movie. So much fucking disappointment.

I first heard about Gravity a few months ago, and it scared the shit out of me. Floating through space, darkness all around you, no one to talk to, just alone?

Yeah. A mountain of nope. Then I heard talented actors were at the helm? Aw hell yeah, time to do this movie so hard.

How hard? Harder than sex in space suits.

This film takes place in…Space! Dr. Ryan Stone (Sandra Bullock) is on a short mission with a tiny crew, to install some hardware. She is up there for her first time ever, after six months of training. Doesn’t matter. Going home tomorrow. She has help of course, like Matt Kowalski (George Clooney), a very experience astronaut who loves to talk, and would probably live in space if he could.

Well. Bad things happen. Then more bad things happen, and gosh darn it, we got our selves a movie. Ed Harris supplies his voice for mission control, but other than that, no other real characters. How lonely.

“I’m floating in a most peculiar way, and the stars look very different today…”

Well, first off, if you go to see this in theaters, and don’t see it in 3D, then Fuck You.

Secondly, if you buy this on DVD and not Blu-Ray, then fuck you again.

There are many things that can be said about Gravity, but the one main thing that everyone can agree on is that it is a CGI space extravaganza that can cause eyegasms. It is possibly the BEST thing I have ever seen with 3D glasses on, in terms of “worth it ness” for the extra ticket fee. If there is an IMAX in town, I’d suggest watching it in 3D on that. The bigger the screen, the better. Just go all out. That will get you the full experience.

But I digress. A movie needs to have more than extreme sexiness for me to love it, or else I would have loved Avatar. Right?

I can say that the fear and the conflict are incredibly real. Not just because there is shit flying in your face. Thanks to the cinematography of this movie (which is extremely creative and diverse for every scene, by the way), when a character is alone floating through space, you will feel alone as well. Shit, depending on your screen, you might feel like you are in space as well. Everything is working together so well to give you those feels, including the excellent sound mixing. After all, in space, sound doesn’t really travel.

The plot is scary, and I will admit, parts of this film just feel like coincidence after coincidence. Everything works out so perfectly for the film to happen, but technically most movies fall that way. It is just a bit exemplified because, you know, space. I can’t say all of the science is correct either, but those are factors I am willing to forgive for the excellent story told.

The film is just under 90 minutes long and honestly it works really well in a film like this. I might go crazy if they packed in a lot of extra time just to make you feel extra lonely. Gravity made me laugh and cry, and affected me so hard in such a short time. Highly recommend it.

I am now a man on a mission. I really do want to watch all of these shitty dance movies no one has heard of. The only reason is because Stomp The Yard was a better movie than I gave it credit for.

So I had been judging all of these movies, some of which I have heard and most of them I never knew existed, just because of the genre, dance. They can make a good dance movie. I believe in them. The dancing just has to be amazing, and a plot that isn’t stupid. That’s all we want, people.

Which is why I found a list of dance based movies over the last few years, and the first one on that list is Battlefield America. Wow. That movie sounds super intense. I cannot wait.

Wait. Uhh. Erm..What? Kids?

Sean Lewis (Marques Houston) is a lawyer, and pretty good at his job. In fact, he is going to make partner soon! Unfortunately, he gets into some trouble. He has to do community service. He also thinks he is better than just picking up trash, so he wants a better community service.

Well, the judge has officially changed his mind. He can teach kids how to dance. What? He doesn’t dance himself, either. Apparently they just need a leader. Because they are bad on their own.

So he hires a choreographer, and hangs out with them.

So what kind of dance is this? Ballroom? No. Swing? No. Tango? No.

Street battle hip hop. You might be asking yourself, why in the fuck do 10 year olds need to learn that? Yeah. Exactly. Well, in this alternative universe place, there is some competition called Battlefield America, where it is for kid groups to battle dance each other…

…And it is popular and people watch it? And find it exciting?

…

…

I just. I just don’t know really what to say anymore. Tristen M. Carter and Chandler Kinney play two of the main kids, Mekia Cox works at the community center, and Christopher Jones plays the coach of the best dancing crew over the last three years.

In case you were curious, the main star was of course this kid in Sister, Sister.

The whole time I watched this movie, something felt inherently wrong. It took me awhile to figure out what it is.

For a dance movie, it does show a lot of dancing, just of other crews. At least four times throughout the film, they have these 1 on 1 dance battles, each one featuring the crew that always wins the last three years. They are on the left side of my picture up above, and the underdog crew this film is about on the right. Each of these dance scenes were actually really long, with constant changes from the crowd, back to the dances, to the other dances. It flashed around a lot. It would have been cooler to see it all in one fluid motion, but whatever. The main point is the camera angle for the dance was always placed super low, and aiming up, because these are all kids. It had to be really low.

It felt awkward. It felt uncomfortable. It was a bunch of young kids doing dancing that they shouldn’t be doing yet, pre puberty.

Then I came to the realization. This is a movie for pedophiles. That is literally all I could think about. Seriously. Here is the opening credits scene, about three minutes long. Tell me you can watch it and don’t feel uncomfortable and potentially nauseated.

There is so much of that in this movie, outside of the shitty cliches and similarities to The Mighty Ducks. I am giving it the 0 because of how uncomfortable and awkward it made me feel. I wanted to burn the movie when I took it out of my player, but I didn’t want to have to pay for a new copy at the rental store.

Watching these dance movies is apparently going to take me down a really fucking strange and creepy path, one I don’t know if I am ready for anymore. Just. Just holy fuck, was this movie awkward.

Don Jon is the first film written and directed by everyone’s favorite boyfaced actor. After having a few very strong years (Inception, 50/50, The Dark Knight Rises and Looper), Joseph Gordon-Levitt took a long break in order to work on this pet project of his.

Of course based on the character of Don Juan, JGL is hoping to add a very unique, and potentially controversial, spin to the tale.

JGL wrote this movie just to have movie sex with ScarJo a lot. Fact.

Jon (Joseph Gordon-Levitt) is a charismatic twenty something Jersey Boy. Jon is nicknamed the Don by his friends (Jeremy Luke, Rob Brown) for his ability to bring a woman home every weekend. Not average woman either, but 8s, 9s, and even 10s. He only cares about a few things in life: his body, his pad, his ride, his family, his church, his boys, his girls, and his porn.

What? His porn? Yep, turns out Jon has a little addiction going on.

Why does he like porn so much if he can always get “the real thing” in person? Well, that seems to be the million dollar question in this film. Jon just finds the real thing a bit disappointing compared to what he can find quickly on the internet. It is as if the women in these films aren’t like women in the real world.

That is, until he meets Barbara (Scarlett Johansson), the woman of his dreams, a perfect 10. He is willing to change for her too. Take her on actual dates, stop the playboy lifestyle, start taking night classes, you name it. But can he give up porn? Is she the one? She definitely disapproves of the practice, because she grew up sheltered and doesn’t accept that “everyone does it!”

Jon’s family (Tony Danza, Glenne Headly, Brie Larson) are both very supportive and destructive in his life, but he still cares about them as well. He also meets Esther (Julianne Moore), a strange older woman in his night class who has sage advice and is way too nosy about what he watches on his phone.

Hold me closer, Tony Danza.

Watching “Don Jon,” I bet Joseph is tired of being associated with the movies and TV shows he did when he was younger. That is probably he chose to write and direct a movie with such an intense subject matter. In America, it is pretty easy for a woman child star to break away from those chains, and it happens pretty often (and each time it is met with outrage) but it is practically impossible for a guy. I think we found it, folks.

What I am most impressed with for this movie is its sense of realism, especially amongst his family. The dialogue and arguments he faced with his father (Tony Danza, excellent in this role) and mother were just so natural, I feel as if they’ve known each other for years. All of my favorite scenes came in their household.

I will admit, I did find the subject matter very awkward to watch with a bunch of strangers in a dark crowded theater. I understand why a few people left early on, with a lot of scenes taken directly from Pornhub. . Scarlett Johnsson, despite being in a role I hated, definitely acted in a way I have never seen her in before, which was both exciting and frightening at the same time.

“Don Jon” also had a pretty unique ending. Joseph took it in a way no one would expect from the trailers. Despite being unique, I couldn’t call it fantastic or terrible, just an overwhelming meh. It definitely could have been better.

Overall, I’d say “Don Jon” is worth watching for a few reasons: the topic itself can lead to interesting discussions amongst your friends and loved ones, the sound “advice” it eventually churns out, and the great acting amongst the leads. Besides, when is the last time you saw Tony Danza in anything relevant?

I can say with most certainty, that two months ago, I definitely had no urge to watch Stomp The Yard in my life. Ever. I forgot it existed, and my life was fine with that. But then two things happened.

1) One of my students said it was their favorite movie. Out of 48, only 5 students picked a movie that I hadn’t seen before, and that was one of them. Grrr… Kind of have to watch it now.

2) I saw Battle of the Year, made a joke about this movie, and realized I should hurry up and watch it.

I am not expecting really anything, some sort of college dance movie. Let’s do it. I mean, shit, I liked Drumline.

Hey, at least we have people doing flips. Like a cheerleading movie!

DJ (Columbus Short) and his brother Duron (Chris Brown) used to be street battlers. They had a crew who would battle other crews in clubs for cash. They also used to be alive.

After the battle at the beginning, they go cocky and accept a double or nothing offer. They win, pissing off the local crew even more, who want revenge. In the fisticuffs, Duron is stabbed and killed (Yes, Chris Brown dies). Well, that kind of puts a damper on things, so DJ quits the crew, moves out of LA and into Atlanta to live with his Aunt and Uncle (Harry Lennix, Valarie Pettiford), who got him into Truth University.

He gets a roommate, Rich Brown (Ne-Yo), and a new group of friends, but he doesn’t care about anyone. He just misses his brother.

Anyways, long story short, Truth University has two fraternities who are on top and great at stepping, both making it to the nationals every year. Unfortunately, one of them has won seven years in a row, and the other always comes up short. Guess who DJ ends up choosing? Well, after he is convinced that stepping isn’t just some pussy dance stuff.

He picks the underdogs, lead by Sylvester (Brian White), mostly because the girl he wants, April (Meagan Good), is dating Grant (Darrin Dewitt Henson), second in command of the other frat, and a total douche.

Then dance movie stuff happens, predictable plot turns like his past coming back to haunt him. You know. Normal stuff. Jermaine Williams is also in this movie, with a face that looks like I have seen him everywhere, but basically just in Fat Albert.

This movie is about step team dancing and colleges. Holy shit, why did no one tell me about this before?

I love watching step teams perform. Going to college in NC, I was actually able to see fraternities do this kind of stuff live. Probably not the high quality presented in this film, but it is still cool to see live. Honestly, only mainly black fraternities do this, so if you don’t live at a place with them, you won’t really know much about them. There are zero step teams in Iowa, for example. Just a guess.

As it is a dance movie, I must judge its dancing. Early on, when they were battling? That first part of the movie was horrible, a mess. The camera was all shaky, you couldn’t tell what was going on, just ugly. When they started stepping? Hell yeah. It got good then. But it could have been a lot better. The camera shouldn’t cut away as much, because part of it is watching the unison and everyone working together.

The plot was predictable, and some major drama moments just came up short. The overall story wasn’t too original. Pretty typical of a similar sports movie, about a kid getting off the streets. So there are no bonus points for the story. Only bonus points for the really fun dancing to watch and every once in awhile, a joke that actually made me laugh.

One thing I can say about Rush going into it, is that it sure had a lot of trailers. At least three, maybe more, in theaters. They were also very long. This gave me two thoughts.

1) There are a lot of events in this film that just seem like a more serious Talladega Nights: The Ballad of Ricky Bobby. Dude gets burned, big rivalry, one is more foreign than the other one, lots of jealousy, comeback, whatever.

2) The trailers gave…a lot away. Sure, this is a real story, but I can tell you that most people do not know this story. It is different than Lincoln, in which we all know what happens. I am afraid I know everything that happens just from the trailers, which bugs me. Could be a cool story, but I want some mystery still you know.

Besides the mystery wondering why someone with such lush hair could think about dirtying it up.

I was wrong. The trailers didn’t give a lot away, at all. Sure, some major points, but fuck, a lot happened in this film.

The movie takes place in the 1970s, roughly 70-76. In 1970, James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl) were both Formula 3 racers with big dreams to race in the Formula 1. Both outcasts by their family, they took different approaches to racing. James lived life every day as if it was his last, laughed in the face of danger, and burned out a lot on races. Niki was intelligent, not a risk taker, but good at driving. He was also a bit of an asshole, because he was honest, and cared most about winning.

Years later, both men were in F1 and constantly at the top of the pack, a fierce rivalry between the two, although both racers definitely respected each other.

1976 was the year when the most dramatic events occurred. Fiery crashes, a close finish for world championship, rain storms, disqualifications, you name it.

We also get some insight into their personal lives. Both had wives, James with Suzy (Olivia Wilde), Niki with Marlene (Alexandra Maria Lara). Pierfrancesco Favino played the role of a teammate of Niki’s, and he rocked the mustache well.

Our other star? No lush hair for him, so they can cover it up more.

Holy fuck. I really do mean it, a lot happened in this film and in this rivalry, and I didn’t feel like anything was really spoiled. Sure, that think that happened to Niki? That was kind of spoiled, but that was a big selling point to the movie, and they hinted about it right at the beginning.

I don’t know a lot about F1 racing, but I didn’t have to in order to enjoy this film. Major props to Ron Howard, who’s last film was The Dilemma and well, lame. I felt the fear that those riders must have felt during those difficult races. The way it was all set up really put you in the drivers seat at times. The dialogue was also really great, for both main characters, and I could hear them talk all day.

I think Daniel Brühl was the better actor of the two, putting his whole self into the role, although Chris did fantastic as well. Doing research, I was even more shocked to find out that Brühl was the main character in Good Bye Lenin!, one of the few German movies I own over ten years ago. The film was very graphic when it came to the crashes, accidents, and deaths, so when Niki got injured, it was incredibly cringetastic, yet I could not look away.

But here is the most amazing thing about this film. How close it matches the reality. These events were widely filmed in the 1970s, so I was able to actually watch a lot of the final race, of the race with the crash. I watched these soon after the film, and literally, the film filmed them EXACTLY as they happened in real life. The accident was like, frame for frame recreated the exact same way. How fucking nuts is that? Every race, I have to assume, was equally as correct and not made up. It is mind blowing that Ron Howard went into that much detail, and I am in awe of that ability.

The overall film experience is why it got the review. Sure, some parts I wish they explained better, like the different tire types, and other terminology. I had to ask a friend for some clarification, but holy fuck. Rush was an experience.