Tag: Comedy

Joss Whedon is a sly bastard.

While working on post production for The Avengers in 2012, he had to take a vacation via his contract. What did he do on his vacation? He fucking filmed this movie, Much Ado About Nothing, in twelve days. TWELVE! A WHOLE MOVIE! In secret!

Who makes a film in secret? That guy does.

For those of you who don’t know, Much Ado About Nothing was also a film in 1993, but it had stars like Denzel Washington, Keanu Reeves, and Robert Sean Leonard (when he was known as that guy from Dead Poet’s Society, not Wilson FROM House M.D.).

That version wasn’t bad in any real way. It was super Shakespeare. It was done well, and everyone did good. Yes, even that guy.

Basically the best actors the world had to offer us in 1993.

Ah love. Love is grand. And sometimes leads to marriage. That is the goal of one Don Pedro (Reed Diamond)! He has fallen madly in love with Hero (Jillian Morgese) and has vowed to win her hand in marriage, but he needs some help from his friends.

Oh wait. That goes on as planned pretty easily (minus some second act shenanigans and mix ups). That is because they are not the main characters of the play/movie! No! It is Benedick (Alexis Denisof), friend of Don Pedro, and Beatrice (Amy Acker), friend of Hero! Both are known for their wit and their disdain for love and fairy tale endings. Nonsense all of it! Well, weddings take some time to plan, so Don Pedro, his friend Claudio (Fran Kranz) and the others get a bit bored with the wait and decide to play a game. They will make Beatrice and Benedick fall in love with each other!

Ha ha, emotions! Hilarious!

Well, yes, other things happen in the progress. But who cares. We got people being tricked into love! Who cares about the rest? Sean Maher plays the mean spirited Don John, Clark Gregg plays Leonato, Hero’s dad, and Nathan Fillion plays Dogberry, the constable.

Oh yeah, it is filmed differently too.

So, why did Joss Whedon choose to make this secret movie? I have a theory. I think he just really likes this story, and damn it, he wanted to do a modern Shakespeare movie. Simple as that. This is one of the clearest definitions of a pet project I have ever seen. He made his first black and white movie, a movie with a script he didn’t write (technically. He wrote a screen play…but you know. Not really), it has a lot of his actor friends, and it was done in secret. I seriously still can’t believe that.

Now, the question I ask is…did this movie need to get remade already? There are a lot of Shakespeare plays, and many that don’t have plays. We are about to get our fiftieth film adaption of Romeo and Juliet (roughly). The answer is no, it didn’t have to get made, but no movie has to get made.

For me to really enjoy this, I would hope that this film offered something new. Well, new wise, it is filmed in black and white, and in a modern setting. There is also one subtle big difference, alluding to the past of Beatrice and Benedick, that I am pretty sure has never been done before. But honestly, it doesn’t feel like enough. Modernizing this really didn’t mean much when it is just a big house party, really. Unlike Coriolanus, which was definitely changed for a modern way, and Romeo + Juliet, which was beyond weird.

The acting was decent. It was a bit weird seeing all these people we know from other things doing Shakespeare, but that is to be expected.

I just don’t think this was different enough or unique enough to be considered really great.

2 out of 4.

I am now a man on a mission. I really do want to watch all of these shitty dance movies no one has heard of. The only reason is because Stomp The Yard was a better movie than I gave it credit for.

So I had been judging all of these movies, some of which I have heard and most of them I never knew existed, just because of the genre, dance. They can make a good dance movie. I believe in them. The dancing just has to be amazing, and a plot that isn’t stupid. That’s all we want, people.

Which is why I found a list of dance based movies over the last few years, and the first one on that list is Battlefield America. Wow. That movie sounds super intense. I cannot wait.

Wait. Uhh. Erm..What? Kids?

Sean Lewis (Marques Houston) is a lawyer, and pretty good at his job. In fact, he is going to make partner soon! Unfortunately, he gets into some trouble. He has to do community service. He also thinks he is better than just picking up trash, so he wants a better community service.

Well, the judge has officially changed his mind. He can teach kids how to dance. What? He doesn’t dance himself, either. Apparently they just need a leader. Because they are bad on their own.

So he hires a choreographer, and hangs out with them.

So what kind of dance is this? Ballroom? No. Swing? No. Tango? No.

Street battle hip hop. You might be asking yourself, why in the fuck do 10 year olds need to learn that? Yeah. Exactly. Well, in this alternative universe place, there is some competition called Battlefield America, where it is for kid groups to battle dance each other…

…And it is popular and people watch it? And find it exciting?

…

…

I just. I just don’t know really what to say anymore. Tristen M. Carter and Chandler Kinney play two of the main kids, Mekia Cox works at the community center, and Christopher Jones plays the coach of the best dancing crew over the last three years.

In case you were curious, the main star was of course this kid in Sister, Sister.

The whole time I watched this movie, something felt inherently wrong. It took me awhile to figure out what it is.

For a dance movie, it does show a lot of dancing, just of other crews. At least four times throughout the film, they have these 1 on 1 dance battles, each one featuring the crew that always wins the last three years. They are on the left side of my picture up above, and the underdog crew this film is about on the right. Each of these dance scenes were actually really long, with constant changes from the crowd, back to the dances, to the other dances. It flashed around a lot. It would have been cooler to see it all in one fluid motion, but whatever. The main point is the camera angle for the dance was always placed super low, and aiming up, because these are all kids. It had to be really low.

It felt awkward. It felt uncomfortable. It was a bunch of young kids doing dancing that they shouldn’t be doing yet, pre puberty.

Then I came to the realization. This is a movie for pedophiles. That is literally all I could think about. Seriously. Here is the opening credits scene, about three minutes long. Tell me you can watch it and don’t feel uncomfortable and potentially nauseated.

There is so much of that in this movie, outside of the shitty cliches and similarities to The Mighty Ducks. I am giving it the 0 because of how uncomfortable and awkward it made me feel. I wanted to burn the movie when I took it out of my player, but I didn’t want to have to pay for a new copy at the rental store.

Watching these dance movies is apparently going to take me down a really fucking strange and creepy path, one I don’t know if I am ready for anymore. Just. Just holy fuck, was this movie awkward.

out of 4.

Fright Night 2: New Blood.

Why? Why not, I guess. I mean, I liked the Fright Night remake. I also liked the original Fright Night. It is crazy how that can happen.

The original had a sequel to, called part 2. Did you know that? Of course not, I think no one knew that. I don’t think this is a remake of the sequel though, because the sequel at least had the same characters. This one is completely new out of left field.

But a similar sized and shaped field overall. Just the left side of one.

Honestly, I might mess up some of this plot. Charley Brewster (Will Payne) and his best friend, ‘Evil’ Ed Bates (Chris Waller) are in some strange college program in not-America. They start with a night class, and oh snap, their history teacher is Hottie McHotterson, Gerri Dandridge (Jaime Murray). Charley claims he saw her doing some lesbian stuff across the street before class, but no one believes him.

Well, the pervert continues to look out of his window, and eventually he sees some weird shit, so he goes over to investigate. Oh no. She is a vampire and some fucked up ritual shit is happening.

Even his somewhat new girlfriend, Amy Peterson (Sacha Parkinson) doesn’t believe him. I mean, why would they?

It isn’t until he can finally convince Evil that they decide to get Peter Vincent (Sean Power), famed vampire and unusual being hunter to investigate the teacher. He hosts the show Fright Night, so maybe he can get to the bottom of this. Unless he is a fraud. And unless the teacher doesn’t kill them first.

Please turn to page 7 for a detailed analysis of why this scene pissed me off.

I am having a hard time figuring out what is up with this movie. It has elements that are very similar to Fright Night, yet it is very different plot wise than fright night. Like the vampire is a chick, different. There is a famous vampire hunter guy who isn’t as cool as he seems, same. There is a best friend obsessed with the guy, who later becomes a vampire, same. But everything else is different. So I feel like it was supposed to be a reboot. But they labeled it as a sequel to a remake? My head hurts. Oh, let’s not forget that the main character, his friend, and the vampire hunter share the same name? What in the fuck is going on?

(The plot was worse than Fright Night and the movie was no way near as humerous or cheesy. Lame).

So basically, a generic vampire movie that is just cashing on the…okay success of the last movie.

But what really really bugged me maybe more than it should have was the long ending in a big fountain of blood. It was in a cathedral like area. Either way, cool big fountain of blood, that is feet deep that involves lots of fighting and thrashing about in it? The blood doesn’t look real, it looks like cranberry juice, or red colored water. The blood doesn’t stain any clothing or skin either. It just comes off in small red clear drops…like water. It took me out of the element completely, and I felt like there was nothing that could be done to make up for it. And honestly, I was right.

Just fuck it. Strangely enough, this is the second movie in a week I have reviewed that had nakedness in it, but not from the main female character. That isn’t the weird part. The main female character in both have been naked before in Dexter. THAT is the strange coincidence. The other one was Humans Versus Zombies. (Sorry for perving, it was just really weird).

1 out of 4.

Yeah. We got a movie called Humans Versus Zombies.

Yeah, it was inspired by the live action game played on college campuses around the (world?) US.

Yeah, it was low budget and went straight to DVD. Well then, shall we?

But they know their audience. Bring on the nerd jokes!

This movie takes place, surprisingly, around a nondescript university. Something else nondescript happens in the world, and some homeless people might end up biting some people. But that doesn’t matter. Because it is Humans vs Zombies week at this university.

Cool, they can use nerf guns too! Our movie opens up with some rule disputes, but they are pretty pathetic.

Well, actual zombies start to appear, much to our main characters surprise. Who to we have? Random hot party girl Amanda (Melissa Carnell) who normally wouldn’t hang out with these guys. Virgin nerd who predicted zombies first and plays MMOs Danny (Jonah Priour), and he likes Amanda. Internet gamer girl who has a webcam show about games, causing nerds to send her free shit, Tommi (Dora Madison Burge). A jock-ish guy who actually likes her and her show, James (Jesse Ferraro). Dude who really fucking loves killing zombies and this whole thing, Brad (Chip Joslin). And of course, war vet turned campus security guard who is really good at killing zombies, Frank (Frederic Doss).

Yeah, fuck you, you just get humans, no zombies.

Ho hum. Well, like most low budget comedies with some horror elements, this one failed to entertain for long. To be fair, it had its moments, namely from the “nerdy virgin” character. One area, near the end, he developed a huge strategy for getting his group out of the hardware store to a more safe location using knowledge he learned from MMORPGs. They had a tank, DPS, healer, range, and wild card. Alright, the Wild Card might be more of a It’s Always Sunny in Philadelphia reference. But still.

But one interesting scene does not fix the bunch. Most of it is so low budget feeling, the zombies are never scary, just ridiculous.

Having the college game component was such a non important addition to the film, this could have been any generic bad zombie movie. It maybe mattered for only five or so minutes, and used it as an easy way to introduce extra characters. That is it.

The ending almost left it open ending, so I also maybe got a laugh of it’s last minute decision to bring closure.

Basically, this movie has more in common with a shitty B movie straight horror movie trying to make money with sex and gore. They have some sex parts in it, and some gore, but not much of either. Definitely not with Dora Madison Burge. To see that, you’d have to watch season eight of Dexter. But then you’d have to watch season eight of Dexter. Not worth it, yo.

1 out of 4.

Puns. Puns are an often overlooked humor tool that are wildly taken for granted. In fact, some people respond to puns with groans!

Those groaners I have to imagine would not enjoy Cloudy With A Chance Of Meatballs 2 which has more puns than the number of acupuncturists who also happen to be backstabbers.

I wonder how many animated dicks could fit in his mouth. For research.

CWaCoM2 takes places immediately after CWaCoM, with the town of Swallow Falls in disarray and covered with food. Flint (Bill Hader) and his friends are excited for the rebuild, but they are forced to temporarily move to San Franjose, California, while Live Corp cleans up their island…for science! After all, Live Corp is run by Chester V (Matt Forte), Flint’s hero since he was a kid and the coolest scientist ever. It is usually a good idea to let trained professionals take care of a job.

Unfortunately, the clean up isn’t going as smoothly as they had hoped. The FLDSMDFR device was not destroyed after the first film, and it has created animal food hybrids to take over the island! They are also learning how to swim, and if they do, they will spread out and attack the rest of the world! Scary!

So it is up to Flint, with the rest of his crew to save the day. Sam Sparks (Anna Faris), girlfriend and meteorologist, Tim (James Caan), father, Brent McHale (Andy Samberg), former bully and current idiot, Manny (Benjamin Bratt), jack of all trades, Earl (Terry Crews), security guard, and Steve (Neil Patrick Harris) the monkey.

We also get introduced to Barb (Kristen Schaal), the ape. The fact that she is an ape, and not a monkey, is a very important difference.

Charles V reminded me a lot of Professor Hawk from Dexter’s Laboratory.

When I saw the trailer for CWaCoM2, I knew there would be an overwhelming amount of puns, but I still somehow underestimated how many they would actually throw at the viewer. At one point, the PPM (Puns Per Minute) value had to be greater than 10. Just constant puns, one after another, with hardly any time to comprehend them all.

Personally, I think the film was a bit too short to tell the story it wanted to tell. A lot of the movie felt rushed, especially once they first got to the island. In order to appease the kid viewers, they must have moved quickly to keep their interest. That has to be the biggest negative, not giving enough time to really flesh out the island and “foodimals.”

At the same time, I was equally impressed with the film’s ability to include “background jokes.” Once I saw the first few, my eyes were constantly watching the edge of the screen and I was surprised at how often they appeared. Heck, Joe Townee from the first film was snuck into this film twice. Unfortunately he had no lines this time, because his voice actor, Will Forte, was now voicing a new major character.

This film is filled with its fair share of low brow humor jokes, but an almost equal number of intelligent-ish jokes. I guess the point I am really trying to make is that this film has a lot of jokes, and they vary across the whole spectrum (outside of the adult themed joke territory). Despite the new writers and directors, I think it is a very worthy sequel to this franchise, and I would definitely watch a third one should it ever get made.

3 out of 4.

Don Jon is the first film written and directed by everyone’s favorite boyfaced actor. After having a few very strong years (Inception, 50/50, The Dark Knight Rises and Looper), Joseph Gordon-Levitt took a long break in order to work on this pet project of his.

Of course based on the character of Don Juan, JGL is hoping to add a very unique, and potentially controversial, spin to the tale.

JGL wrote this movie just to have movie sex with ScarJo a lot. Fact.

Jon (Joseph Gordon-Levitt) is a charismatic twenty something Jersey Boy. Jon is nicknamed the Don by his friends (Jeremy Luke, Rob Brown) for his ability to bring a woman home every weekend. Not average woman either, but 8s, 9s, and even 10s. He only cares about a few things in life: his body, his pad, his ride, his family, his church, his boys, his girls, and his porn.

What? His porn? Yep, turns out Jon has a little addiction going on.

Why does he like porn so much if he can always get “the real thing” in person? Well, that seems to be the million dollar question in this film. Jon just finds the real thing a bit disappointing compared to what he can find quickly on the internet. It is as if the women in these films aren’t like women in the real world.

That is, until he meets Barbara (Scarlett Johansson), the woman of his dreams, a perfect 10. He is willing to change for her too. Take her on actual dates, stop the playboy lifestyle, start taking night classes, you name it. But can he give up porn? Is she the one? She definitely disapproves of the practice, because she grew up sheltered and doesn’t accept that “everyone does it!”

Jon’s family (Tony Danza, Glenne Headly, Brie Larson) are both very supportive and destructive in his life, but he still cares about them as well. He also meets Esther (Julianne Moore), a strange older woman in his night class who has sage advice and is way too nosy about what he watches on his phone.

Hold me closer, Tony Danza.

Watching “Don Jon,” I bet Joseph is tired of being associated with the movies and TV shows he did when he was younger. That is probably he chose to write and direct a movie with such an intense subject matter. In America, it is pretty easy for a woman child star to break away from those chains, and it happens pretty often (and each time it is met with outrage) but it is practically impossible for a guy. I think we found it, folks.

What I am most impressed with for this movie is its sense of realism, especially amongst his family. The dialogue and arguments he faced with his father (Tony Danza, excellent in this role) and mother were just so natural, I feel as if they’ve known each other for years. All of my favorite scenes came in their household.

I will admit, I did find the subject matter very awkward to watch with a bunch of strangers in a dark crowded theater. I understand why a few people left early on, with a lot of scenes taken directly from Pornhub. . Scarlett Johnsson, despite being in a role I hated, definitely acted in a way I have never seen her in before, which was both exciting and frightening at the same time.

“Don Jon” also had a pretty unique ending. Joseph took it in a way no one would expect from the trailers. Despite being unique, I couldn’t call it fantastic or terrible, just an overwhelming meh. It definitely could have been better.

Overall, I’d say “Don Jon” is worth watching for a few reasons: the topic itself can lead to interesting discussions amongst your friends and loved ones, the sound “advice” it eventually churns out, and the great acting amongst the leads. Besides, when is the last time you saw Tony Danza in anything relevant?

3 out of 4.

I can say with most certainty, that two months ago, I definitely had no urge to watch Stomp The Yard in my life. Ever. I forgot it existed, and my life was fine with that. But then two things happened.

1) One of my students said it was their favorite movie. Out of 48, only 5 students picked a movie that I hadn’t seen before, and that was one of them. Grrr… Kind of have to watch it now.

2) I saw Battle of the Year, made a joke about this movie, and realized I should hurry up and watch it.

I am not expecting really anything, some sort of college dance movie. Let’s do it. I mean, shit, I liked Drumline.

Hey, at least we have people doing flips. Like a cheerleading movie!

DJ (Columbus Short) and his brother Duron (Chris Brown) used to be street battlers. They had a crew who would battle other crews in clubs for cash. They also used to be alive.

After the battle at the beginning, they go cocky and accept a double or nothing offer. They win, pissing off the local crew even more, who want revenge. In the fisticuffs, Duron is stabbed and killed (Yes, Chris Brown dies). Well, that kind of puts a damper on things, so DJ quits the crew, moves out of LA and into Atlanta to live with his Aunt and Uncle (Harry Lennix, Valarie Pettiford), who got him into Truth University.

He gets a roommate, Rich Brown (Ne-Yo), and a new group of friends, but he doesn’t care about anyone. He just misses his brother.

Anyways, long story short, Truth University has two fraternities who are on top and great at stepping, both making it to the nationals every year. Unfortunately, one of them has won seven years in a row, and the other always comes up short. Guess who DJ ends up choosing? Well, after he is convinced that stepping isn’t just some pussy dance stuff.

He picks the underdogs, lead by Sylvester (Brian White), mostly because the girl he wants, April (Meagan Good), is dating Grant (Darrin Dewitt Henson), second in command of the other frat, and a total douche.

Then dance movie stuff happens, predictable plot turns like his past coming back to haunt him. You know. Normal stuff. Jermaine Williams is also in this movie, with a face that looks like I have seen him everywhere, but basically just in Fat Albert.

This movie is about step team dancing and colleges. Holy shit, why did no one tell me about this before?

I love watching step teams perform. Going to college in NC, I was actually able to see fraternities do this kind of stuff live. Probably not the high quality presented in this film, but it is still cool to see live. Honestly, only mainly black fraternities do this, so if you don’t live at a place with them, you won’t really know much about them. There are zero step teams in Iowa, for example. Just a guess.

As it is a dance movie, I must judge its dancing. Early on, when they were battling? That first part of the movie was horrible, a mess. The camera was all shaky, you couldn’t tell what was going on, just ugly. When they started stepping? Hell yeah. It got good then. But it could have been a lot better. The camera shouldn’t cut away as much, because part of it is watching the unison and everyone working together.

The plot was predictable, and some major drama moments just came up short. The overall story wasn’t too original. Pretty typical of a similar sports movie, about a kid getting off the streets. So there are no bonus points for the story. Only bonus points for the really fun dancing to watch and every once in awhile, a joke that actually made me laugh.

2 out of 4.

There is a serious problem happening in America. Right now! All around us! Unfortunately, most of us have closed our eyes to this problem.

We are no longer the best country at breakdancing, or “b-boying” despite the fact that we invented it. Hip-hop is losing its appeal in America, and it is sad. Grr, I hate it when we don’t win everything!

Because of these true indisputable facts, the movie Battle of the Year 3D was created. Sure, their trailer had the wrong release date until a few weeks before coming out (listing January instead of September) and looked entirely like a parody, but the director hopes to bring light to this definitely real tournament through exciting dance sequences, flashing lights, and Chris Brown.

Basically, the exact same thing he did six years ago with his documentary Planet B-Boy. (Except that one didn’t feature the internet’s most hated man.)

Step 1 to making a big movie? Cast this guy!

The movie starts off quite serious. A boardroom meeting lead by Dante Graham (Laz Alonso), a big hip-hop record executive who is worried about a decrease in sales. Why? Because no one in America cares about B-Boying anymore. Why? Because there is a big international tournament that we haven’t been able to win in 15 years (fact).

So he decides to bring in a coach this time to whip these young boys into shape. How about Jason Blake (Josh Holloway) who used to coach basketball successfully until he lost his family in an accident? Don’t worry, he isn’t some random scrub. He also used to B-Boy in the 80s with Dante.

Yeah. This will go well.

After hiring random office guy Franklyn (Josh Peck) as his assistant coach, he decides the only way to win is to get rid of the current team, and start from scratch. He wants to make a B-Boy Dream Team, the best dancers from the best crews across America. Then he will only have nine weeks to train them, make them a cohesive unit, and make very difficult cuts the entire time.

Of course during this time he has to go through almost every sports team problem in the history of sports movies. His two best dancers, Rooster (Chris Brown) and Do Knock (Jon ‘Do Knock’ Cruz) are at each others throat over a girl from years before. They have an openly gay dancer (Richard Maguire) and people who are pretty homophobic (Sawandi Wilson). They have players who sneak out at night consistently, last minute disqualifications, last minute injuries and a whole lot of ego that stands between them and the gold.

Let’s not forget the coach has a drinking problem! Crap, our hopes lie within a bunch of entitled young adults. At least they have a choreographer (Caity Lotz)? That will make a difference? Maybe?

“How do I reach these keeeeeds?“

Battle of the Year 3D is an interesting movie, in that you know the director actually cares about the subject matter, given he made the documentary a few years back. He also uses a a real event and real details. Of course the idea of the dream team crew is completely fictional, so I almost think that it is his own personal idea for bringing the gold back home.

At the same time, I feel like he also is just trying to promote his own stuff. There are many scenes in this film of the characters watching his own documentary, which one refers to as “The Bible of our culture!” Whoa now, Benson Lee, calm yourself down.

I learned that Chris Brown is actually a great dancer. Sure, I knew he was in Stomp The Yard, but who actually watched that movie? The majority of the actors in this film are actual B-Boyers so you know the dancing you get will be quality. The problem with this film is that it tries too hard to be a generic sports film instead of a dance movie.

What do want and expect out of a dance movie? Lots of dancing, of course! Unfortunately, most of the film is spent in the training, so instead of great dancing, we just get working out and small dance moves. Most of the dancing doesn’t happen until the end, leaving us only with sport cliches, and that is unacceptable. Also, the actual format of the competition means that the coolest dancing we see happen well before the finale, in the preliminary round.

A dance movie without a lot of dancing? What a mistake.

The crowd at the Battle of the Year events must be pretty bored. I think there was five shots of them throughout the film just standing around doing the wave.

Wait. This is a hip-hop competition that takes place in France, with the audience constantly doing the wave? Damn, that country is literally living 20 years in the past.

1 out of 4.

#900. Hooray. Not technically an important number, but it is 100 from 1000, which is sexy as shit.

For this milestone review marker, I have decided to tackle a movie that definitely falls outside of my time range. It came out in 2003, but was such a bomb, that I am pretty sure no one ever saw it, and it was given the Gigli treatment. The movie you know was bad before it came out, and were willing to trash it without seeing it.

I mean, I am not saying this movie didn’t warrant that treatment, for so many obvious reasons. But just how bad was From Justin To Kelly?

I mean, these two kids look like they are at least clean right?

But first, let’s make sure you all understand where this film came from. In 2002, American Idol was born. A huge sensation and hit, it captivated audiences, because it honestly brought something new. The viewer was given the power, it was live, not some just random panel of judges. Oh, and that Simon, he was a mean one.

Well, our final two contestants were Kelly Clarkson and Justin Guarini and America was left wondering who would win, who!? Well, clearly we know the winner now. Kelly Clarkson is a big star. Justin Guarini is better known as Sideshow Bob from The Simpsons. Despite that, a year later, they decided to ride their fame to the ground and release a movie that probably cost $5 to make, to make America love them even more!

They also had two announcers that year. Did you forget about Brian Dunkleman?!

No, fuck that. It is movie time.

Spring break movie time.

Unfortunately, this movie is rated PG, so any closeness to Spring Break will be missing from this film. Either way, this movie takes place almost entirely in the sun, on a beach, where people sing dance and sing some more!

Where a bro, can be a bro.

First we have our guys! Of course we have Justin, who gets to play himself, from Philly originally but now lives in the beach area. He and his bud, Brandon (Greg Siff) are working on starting a business. A party business, and what better place to start than Spring Break. They can make cash and have fun at the same time. Justin is the type who has a different woman every night, so this is just more opportunity for hot passionate hook ups!

Brandon keeps getting in trouble with the law, a hottie cop (Theresa San-Nicholas) giving him ticket after ticket. The third friend is Eddie (Brian Dietzen), who is a nerd and has been dating a girl on the INTERNET. Hah, what a creep! He plans on meeting her over the break, but he just can’t find her.

She ain’t one of these ladies, that is for sure.

Then we have our girls, straight from Texas. Our main lead is Kelly, and she is a bit shy and doesn’t get out that much, so her friends are responsible for bringing them along. Kelly isn’t really looking for anything, just a break from the mundane. One of her friends is Kaya (Anika Noni Rose), falls in love with a random bus boy, gross. Her other “friend,” Alexa (Katherine Bailess), likes to reject boys and play a tease. Ah, teenagers.

If you haven’t noticed, despite the even numbers, no, we don’t have three friends hooking up with three friends. That is good!

I really am telling a picture with these stories. Look how alone Justin is. He hasn’t found Kelly yet!

Well, eventually Justin meets Kelly, and it is love at first sight. Just kidding, then the movie would be over. But there is some interest, so Kelly gives Justin her number.

Too bad he loses it somehow! Shit, she is also complaining about whipped cream bikini contests. He is totally running one of those later in the week. Oh well, might as well lie.

Oh no, she is also dancing alone. God, why can’t they find each other and have the best love of all the times!

Well, he tries to get her number again from Alexa, who agrees, even though she is kind of interested in him too. Except she gives him her own number just to fuck with him. Alexa is a bitch.

So he is texting her for days but she will not meet up with him, despite their in person conversation. What is up with that? Kelly is left thinking that Justin is a player who didn’t really want her, just a trophy number. Neither side is having any fun. Even when they do meet, they fail to mention the lack or awkward text communication, and end up having their own real life problems. Jeez, why can’t it just work out perfectly?

Well, there is progress here. At least they are dancing near each other.

Long story short, EVERYTHING WORKS OUT FOR THE BEST. Kelly finds out Alexa is a whore. Kira gets with the bus boy who also doesn’t lose his job. Eddie makes other friends and his online girlfriend is for real! Brandon, after shenanigan after shenanigan, is able to meat the cop in her off time and she totally digs him too.

Oh, and Justin and Kelly found out they love each other or something. Time to give up those player hater days and foster this love that will totally last forever, since they live in Texas and Pennsylvania. Also, singing!

Boom. These pictures were a metaphor. And all basically the same bullshit beach.

Big cash cow organization makes a movie, and I am left wondering a few things.

1) Why the fuck did they not cast more members of the final six/eight. I know they have them all under contract, they signed most of them to deals and forced them to go on tour. They’d do anything to get their names out. Why cast even less well known people to star in the other roles. It’d make sense if they threw in a Matt Damon or someone real somehow, but this is just two formerly unknowns getting to sing and dance with a bunch of extras. That is it. How lame.

2) Half of these songs are not unique in anyway. The CD for the film didn’t even end up getting released, due to the large mass of boos and poor numbers. The only reason we know about some of them (because no one saw the movie) was their appearance on Clarkson fan sites and the main song, Timeless, appearing on Guarini’s first (and only?) album. Despite that, no one wants to hear a cover of That’s The Way (I Like It). No one. No one ever really wants to hear the real version either.

3) Where the fuck is my Ruben Studdard and Clay Aiken movie? They could have turned them into buddy cops who brought the southern soul to the streets of Memphis, or something. Fuck. I wish there was a movie for every season, especially because I’d watch them all.

The dancing was bad, the music was bad, the plot was pointless as fuck. The hate was well deserved, and we all knew it from the start. Time to go back to judging books by their covers.

1 out of 4.

I was really excited for The Family, I really was. Luc Beeson, who gave us Leon: The Professional and The Fifth Element, was directing this movie, and Martin Scorsese was the executive producer. If anyone knows mob movies, it is Scorsese.

An all star cast, the only person really missing from it was Ray Liotta. What could go wrong?

Nothing could go wrong with his beard, that is for sure. Well, a lot could, apparently.

The Family starts off with the family moving to the wonderful land of Normandy, France. Why? Well, Giovanni Manzoni (Robert De Niro) used to live in NYC, working high up in the mob. But he is a snitch, and as we know, snitches dig ditches…unless they can’t be found. To reward his snitchiness, the FBI (Tommy Lee Jones) has rewarded him with witness protection for the rest of their lives. After all, if they let snitches die, then people won’t snitch, and they won’t arrest the bad guys. That would be sad.

Too bad Giovanni keeps causing too much of a scene wherever they go, so they have to keep finding new places across France to live.

Normandy, famous for getting invaded by the good guys in World War II, is now getting invaded by the “Blake” family. His wife, “Maggie” (Michelle Pfeiffer), daughter, “Belle” (Dianna Agron), and son, “Warren” (John D’Leo).

Of course, with a new town, comes new backgrounds. Hopefully Giovanni’s idea to become a writer, working on his actual memoirs, doesn’t come to bite him or his family in the ass.

Also featuring Jon Freda as the main hit man after the family, and Vincent Pastore as a mobster. Classic Vincent.

Tommy Lee Jones doesn’t smile. Tommy Lee Jones is not amused. The good news is that Ray Liotta is totally in this movie. For about a second, just his voice, and technically a cameo, but darn it, I am counting it.

The premise of the film is simple enough. Quirky characters trying to assimilate into a quiet community, but they’re not trying too hard. Each character has a unique plot line, however only two of them are really fleshed out, De Niro and Agron.

Pfeiffer’s side plot (getting involved with a church) has the fewest scenes actually associated with it, and D’Leo’s sideplot seems to be missing important steps. He goes from getting in trouble at school one moment to running away the next without a real explanation. Agron’s sideplot involved falling in love with her math tutor, and unfortunately, the love or the repercussions of that love all felt fake.

Strangely enough, the only person I really enjoyed in this movie was Tommy Lee Jones. His character wasn’t in large portions of the film, and he was incredibly sarcastic, but somehow it all worked.

But in all honesty, for an action comedy, I barely laughed, and the action was pitiful. De Niro was charming at least. The film climaxed with a sudden blood bath, and then just sort of ended. No real conclusion and an unsure amount of character growth.

Basically, an overall waste of talent and my time. That is when I realized that The Fifth Element was 16 years ago, and Beeson hasn’t done too well since then. Clearly the man has lost his touch.

 

1 out of 4.