Tag: Comedy

Let’s all take a moment to cry about the fact that we lost James Gandolfini this year.

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Are you feeling better? No, me neither.

It does suck. He played a similar character in most movies, but there was some talent there too. Even if he didn’t do anything else, he at least gave us The Sopranos, and that is all we can ask for.

So that is why I went to see Enough Said, his last major role/film release, before, you know. Let’s just get into it.

We will always remember him as a man who loved to eat.

Eva (Julia Louis-Dreyfus) is a massage therapist, and living a lonely life. She has a daughter, but that daughter is about to graduate high school and move off somewhere to college, and she her ex husband is now newly married while she hasn’t found anyone.

So Eva goes to a party, that her friends invite her to, where hey she can hopefully meet some new clients or a guy, even if none of them look attractive to her. At the party she meets two unique people. Marianne (Catherine Keener), a real life poet for money, who might need a masseuse. And Albert (James Gandolfini), a single man, works at a TV history museum, and live a quiet and simple life.

He asks her out on a date. Aww.

Eventually Eva realizes that her two new friends/lovers aren’t strangers, but ex husband and wife as well. All she can hear from Marianne is negative thoughts and attributes of Albert, which seem to be affecting her own relationship with him! Of course she also keeps this knowledge a secret, as she feels bad for Marianne not having any friends. Coupled that with her daughter leaving, she reaches out to the younger friend of her daughter to really bond with, quite awkwardly.

Also featuring Ben Falcone and Toni Collette as her friends.

What? He also loved movies I guess. That’s good. He used to be in them.

Damn it. His final starring role, and it is not the best movie of the year.

It is awkward sure, awkward enough to make a decent movie. But it follows a pretty obvious path, and there aren’t many surprises in store. The plot line with her daughter never really felt finished, but once it got to the weirdest point, it just stopped mattering I guess?

The acting was good from the three main leads, everyone was a basically normal human being, so it wasn’t too difficult. I guess it is worth noting that Gandolfini wasn’t a gangster, so he must have been acting here too right?

The story is a decent one, but it basically just stays there. Just a decent, okay movie, nothing special. I guess, I have said enough about this movie now. Har har har.

Without a doubt, Her was one of my most anticipated movies of 2013 to watch. That is why I was disappointed I had to wait until 2014 to see it! It is one of those rather annoying ideas by the guys trying to win Oscars. They release a movie on a limited run near the end of the year, then wide release in early January after it has built up steam.

Living in the middle of Iowa, where they have zero movie previews, you will always get the short end of the “limited release” stick.

Despite the wait, Spike Jonze has made some great movies in the past (Being John Malkovich/Adaptation), so I was hoping he could deliver on his first major release that he both wrote and directed.

Especially with a topic as serious as this one.

Her is set sometime in the distant future. In this world, human interaction is basically nonexistent. Everyone is attached to their computer devices that they carry around with them, more extreme than it is now. In fact, Theodore (Joaquin Phoenix) works at a job where he writes hand written letters for people, because people really don’t know how to do that anymore. They’d rather leave their intimacy to strangers.

He is also going through a divorce with Catherine (Rooney Mara), but he is reluctant to sign the papers because he doesn’t want that part of his life to end.

Regardless, Theodore decides to upgrade his computer’s operating system, as it comes with a new artificial intelligence software that will adapt and learn over time. His new operating system, which gives herself the name Samantha (Scarlett Johansson), immediately makes his life more organized and better. In fact, he now has someone he can talk to who seems real. Yay, human-ish contact!

Then, Samantha and Theodore fall in love.

The only other main character is Amy (Amy Adams), his long time friend (who he once dated), who is also currently married (Matt Letscher). She provides an actual human constant experience to his life. Chris Pratt and Olivia Wilde also make appearances.

I bet overall, Theo is actually in love with himself.

The basic concepts of Her are not entirely unique. Futuristic society and very smart computers who have human personalities. See, even Disney had a made for TV movie, Smart House along the same lines. But rarely is love touched upon.

Phoenix, like we have come to expect, did phenomenal in this role. He was a dreamer, but alone, a lover, but afraid. The movie is mostly dialogue based, most of which is between Theodore and Samantha, leaving the camera on Phoenix for most of the film to react and talk. Since Samantha doesn’t have a face, the film just falls on his shoulders. Despite his crazy good performance, he will probably fall short of Best Actor Oscar thanks to Leonardo DiCaprio and Chiwetel Ejiofor.

I thought the writing and dialogue in the movie felt incredibly realistic for what was going on. It was also quite beautiful. You could tell that the main character had a lot bottling up inside of him, so every time he started to talk with Samantha, he could let it all out and be real to himself. The love between him and the operating system was by far one of the more heart felt performances of the year.

Because the subject matters of Her are so serious, I can say that after one viewing I don’t think I was really able to understand and get everything I needed out of the movie. This is the type of film that might require multiple viewings, not because of plot twists or surprise endings, but to really capture and appreciate everything that happens subtly through facial expressions and dialogue.

Her is by far one of the more relevant films of 2013. I don’t even have to go into detail about how it relates to modern day life. I’d suggest watching with an open mind and an open heart.

Sometimes, the best publicity for a movie is a battle with the MPAA. Just ask Harvey Weinsten and the movie Bully. That is what (intentionally/unintentionally) happened with The Wolf Of Wall Street. It was supposed to come out on November 15, but after being given an NC-17 rating by the board, Martin Scorsese had to go back and cut some more material out of his three hour biopic of of one Jordan Belfort.

Which is why it was pushed back to Christmas (pushing back Jack Ryan: Shadow Recruit to January 17. Same distributor, didn’t want to compete against itself). I couldn’t be happier that it got pushed back, either. Compared to last years Les Miserables and Django Unchained, this year’s releases needed a kick in the butt to be anywhere close as good.

A raunchy, naked woman filled hard kick in the butt.

Jordan Belfort (Leonardo DiCaprio), for all intents and purposes, was a self made man. His parents were accountants, and he wanted to go to Wall Street in the late 1980s to become a stock broker. He quickly got a job, became good buddies with the boss (Matthew McConaughey), and was taught all of the ins and outs of the business. Including the not so legal ins and outs.

Well, his first actual day as a stock broker, Black Monday happens, and the firm he works for quickly goes under. Back to being on the bottom, Belfort finds out about “penny stocks,” companies too little to be sold on the actual stock market, where the commission for a broker goes from 1% of the sale to 50% of the sale. If he can land some big fish on these worthless stocks, he could probably make fat cash quickly, with everyone none the wiser.

But that illegal activity is just the tip of the iceberg. Drugs. Money laundering. Drugs. Drugs. Prostitution. Tax fraud. Bribing officials. You name it, this guy did it. With the help of his very awkward buddy, Donnie Azoff (Jonah Hill), there ain’t nothing they can’t accomplish, or at least nothing that can’t be bought.

The Wolf Of Wall Street has a huge cast of characters, most of them actually quite important and memorable. Rob Reiner plays his dad, an angry accountant, and Kyle Chandler the FBI agent trying to bring him down. Cristin Milioti plays his original wife, and Margot Robbie plays his new wife. Jon Bernthal plays a drug dealer, and Jon Favreau his lawyer. Finally, last but not least, P.J. Byrne, Kenneth Choi, Henry Zebrowski, Brian Sacca and Ethan Suplee play his original start up friends and workers who carry him to the top.

I don’t think I need to say anything for this one.

The Wolf Of Wall Street can best be summed up by three words: Unforgiving, Real, and Amazing.

I initially groaned at the three hour run time, and although it can be difficult to make it through if you drink a lot of fluids during the movie, the viewings at home when you can pause will be easy peasy. The three hours are full of so much tension and energy (while also constantly moving the story forward) that it all flies by in a jiffy. In the last twenty minutes or so, the extreme length became noticeable as the movie slowed down. But slowing down makes sense at that point in the movie, to fully understand that Belfort’s bubble had finally been burst.

The acting performances by everyone involved was incredible. DiCaprio, despite looking like himself, felt like a completely new man. Every time he got up on the microphone, I was in awe at the intensity and heartfelt that he showed. The second “chest bumping song” scene is unforgettable. On the other side, Hill didn’t look or sound like his normal self at all. Dare I say, he has actual acting talent?

The movie definitely earns its R rating, and it is pretty clear why originally it was given the NC-17. It was incredibly dark and funny, so much that I couldn’t tell if I really wanted to laugh or run and hide from the screen. It is a twisted version of the American Dream, a train wreck that somehow rampaged through the country side, and something that I could not take my eyes off.

Although I doubt it will be considered the best film of 2013, it can certainly be considered the most ambitious.

Every year on the Christmas releases, there tries to be that who gives a fuck “family”-ish film. Last year it was Parental Guidance. A movie that everyone can enjoy without thinking much.

Unfortunately for this year, two movies tend to fit the family genre, with one of them clearly leagues above the other. Sure, The Secret Life Of Walter Mitty requires some thought, but all the families are going to flock to it over Grudge Match.

I mean, sure, take the guys from Raging Bull and Rocky and make them box. Sounds like a good idea, but oh man, the execution.

Why do movies have to show montages whenever a video goes viral? That shit is dumb.

Basic premise: Razor (Sylvester Stallone) and Kid (Robert De Niro) were both Pittsburgh area boxers, who used to be a big deal in the 1980s. Their first match against each other went 15 rounds, with Kid coming up on top. They battled again a few years later, when Razor knocked out Kid in only 4 rounds. Before a rematch could be made to give them the best 2 out of 3, Razor mysteriously retired from boxing, and left Kid without a chance to redeem himself.

Now, many years later, they are both hurting. Razor financially, and Kid with his ego. They agree to pose for a video game from business man Dante Slate, Jr. (Kevin Hart), but once they meet, their feelings take over and they fight it out on the spot. The video goes viral, and there becomes a demand for them to finally have their rematch, 30 years later, despite their age and condition.

Their rivalry goes deeper than just a few boxing matches, when it is found out that Kid also slept with Razor’s girlfriend at the time (Kim Basinger), knocking her up. So Razor wanted to get back at him by never giving him the chance to fight him again. The reason this matters so much is because their son, B.J. (Jon Bernthal) finally learns the identity of his real father, and wants to help Kid train to get in shape for the big game, and introduce him to his grandson.

So who is going to win? A man fighting for the love of his life and money, or the man fighting for redemption and his new family?

Alan Arkin plays Razor’s old and trusty trainer, while LL Cool J plays a very successful trainer.

The supporting cast deserve their own video, for saving this accidental disaster flick.

During the very cliche and simplistic ending, the entire theater was booing at the screen, almost in anger at how much it felt like a cop out. It didn’t give us a real ending, is how it felt. Of course, I was the only one in the theater, so I can say things like “everyone there agreed with me” and it be correct.

Let’s compare it to another recent fighting rivalry movie…Warrior! Warrior was an incredible movie, one of the best of its year, great acting, and had more than one fight to watch. Both people had reasons they needed to win, like in “Grudge Match”, but they didn’t sugar coat the ending. They fought and a winner was chosen without either side backing down or doing anything but fighting to win. It was emotional and great, and fuck, I really want to watch Warrior now.

Grudge Match went the safe and boring route, and it should be judged as such.

Alan Arkin and Kevin Hart were pretty funny at their roles, but the ending of the movie sickens me enough to not care about any of that.

Get out of here wannabe emotional fighting movie. Just, just go away.

I remember back in the day when I got Straight A’s. Then, I went to a smart residential public boarding school. There I learned that I am not always the smartest person, and learned to accept the B. Unfortunately, that lazy attitude went with me to college, and here I am today, writing movie reviews for you.

Related? Who is to say really.

If I keep it up, this might be me in a few years. And I don’t mean a well paid actor.

If I have learned anything from movies, it is that sometimes brothers compete over the same woman, and it is generally deemed acceptable. This is kind of one of those movies.

Scott (Ryan Phillippe) hasn’t been home in forever, many many years, because he has spent the last decade or so in and out of hospitals. I’m talkin’ rehab. He left home due to everyone hating him for the drugs and alcohols and having a falling out with the rest of his family.

He was dating Katherine (Anna Paquin) at the time, but she wasn’t cool with that lifestyle, even if she was in love with Scott. So she stayed behind, not willing to accept his plane ticket, and decided to get involved with his brother, William (Luke Wilson). They also had many children.

Either way, why is Scott back? Because their Mom died, and a vision of her as a ghost appeared to him, and spoke to him to make amends. Too bad his brother is out of town on a work thing most of the week, so making amends is kind of hard. He only has his ex and her children to work with. And his dad (Powers Boothe), who doesn’t appear to want to talk either. But hey, if he befriends the oldest kid (Riley Thomas Stewart), maybe that will be enough?

Perhaps the hardest adult task: watching a kid perform and trying to pay attention.

I started this a few days ago, and I will admit, I don’t remember a lot of it anymore. I remember I didn’t enjoy it.

This is another issue where the plot might have been a good idea, but the delivery was pitiful. The ending, man, the ending was horrible. All of it felt unnecessary and a bit confusing.

The cool uncle was supposed to help the kids out, and make them do fun things. He wasn’t even that cool. The things they did weren’t cool either.

The chemistry between the leads was basically missing.

I am done talking about this movie. It is dull and lame.

The first trailer for The Secret Life Of Walter Mitty is probably one of the best trailers of the year. Watch it, if you haven’t.

The next one was far more typical of a trailer, but it was still decent. Even better, the song in the trailer was actually used in the movie, a rarity these days.

The only thing I knew about this movie is that it took forever to get made, and it is based roughly on a short story written by James Thurber in the 30s. The next decade, it actually had a movie adaptation as well. I am pretty sure this is nothing like the short story, but eh, who gives a shit.

Look at all the fucks I give about the short story.

Walter Mitty (Ben Stiller) manages the negative assets of the Life magazine department. I don’t know what that means, really, but it involves receiving the print rolls of cameras, and using the negatives to put in the magazine. He only has one employee, Hernando (Adrian Martinez), so it is pretty slow, and only one photographer still uses an actual camera. That photographer is of course Sean O’Connell (Sean Penn), a freelance photographer, and one of the best in the biz.

However, when the announcement that Life magazine is switching to an online only format, with some asshat manager Ted Hendricks (Adam Scott) coming in to handle the downsizing, it is unfortunate that Sean sends what he calls the epitome of Life magazine and an image that must be on the front cover. Especially since he telegrams the heads of the office and inform them of it too. The only reason it is an issue, of course, is because the picture in question seems to be missing from the film.

So what is a constant day dreamer to do? Why, go and find Sean in person of course, even if it means traveling halfway around the world to do so. At the same time, he is trying to build up his online dating resume, to do something cool with his life, to win the interests of one of his coworkers, Cheryl (Kristen Wiig).

Starring Shirley MacLaine as his mother, Kathryn Hahn as his sister, and Patton Oswalt as an overly helpful E-Harmony customer service representative.

I mean, I am a huge Adam Scott fan, but this beard is terrible.

Well, as expected, this movie sure was purdy. It had scenery from Greenland, Iceland, Afghanistan and more. Beautiful as fuck, really.

Not only was it pleasing on the eyes, both in terms of his fantasies and actual exploits, but it had a great soundtrack as well. Every time a new song played, it felt perfect.

Ben Stiller gets a lot of flack amongst my friends, but I always tend to enjoy him. I mean, did you see him in Heavy Weights? He treated this movie like a child, it being only the fifth movie he has directed. Everything really works together in this movie, and one of the best parts is that once the missing picture is found, it isn’t disappointing.

Sean Penn has only a small role in this movie, but his character was amazing in his only few scenes. Incredible impact for such little screen time.

As the film progressed, the day dreams became fewer and farther in between, and you get spoiled by most of them from the trailers. During the long fight scene between Ted and Walter, the CGI was a bit shaky, I am guessing because there weren’t any other action shots to worry about.

Overall, The Secret Life Of Walter Mitty is a great feel good movie, about living in the moment, and doing something important with your life. Yay happiness!

A lot of hype went into American Hustle and rightfully so. After all, it is the third movie from David O. Russell in four years, with the last two (The Fighter, Silver Linings Playbook) being wildly successful and nominated for numerous awards.

Not only that, but he took the two best people from each of his previous two movies (Sorry Marky Mark), and put all four of them together in this to create some sort of mega-moviestar-zord.

Featuring Bale, who has once again recklessly warped his body for a role.

One reason why I really enjoyed American Hustle is that I could never tell what was going to happen next. They had very descriptive trailers, but the plot was left vague so you could still experience the movie. So I will try to be vague here as well.

Ever since Irving Rosenfeld (Christian Bale) was a boy, he was a con man. His dad owned a glass company, and he broke windows. So he grew up gaming the system and perfecting his craft. Next thing you know he stealing money to give out make believe loans to the crooked and desperate. Easy cash for the late 1970s. But then he meets Sydney Prosser (Amy Adams), and he realizes she is special.

Soon they start scamming together, but eventually they get too big and reach too far and get busted by the FBI. Next thing they know, they are taking orders from rambunctious FBI agent Richie DiMaso (Bradley Cooper), who has big lofty goals of getting even more criminals taken down. The only way Irving and Sydney walk, is if they help out. But Richie has big dreams, can ever really be satisfied?

Oh yeah, and Irving has a wife (Jennifer Lawrence) and kid. That is important, I guess.

Jeremy Renner plays a small town mayor who gets mixed up in the bribing network, with Michael Pena as another FBI agent, and Louis C.K as a local head of FBI. Yeah, really, Louis C.K.

Cooper in Silver Linings Playbook was my Halloween costume in ’13.
Will this be my Halloween costume in ’14?

American Hustle truly was an experience. Despite the fact that it was over 2 hours in length, I still am a bit surprised at how much material was fit into that movie. Tons. A lot. I remember a specific scene that felt like the final climatic show down, that actually ended up being the halfway point of the movie. It blew my mind, in the best way possible, that it continued to go and tell the story. I was shocked that the story continued to build and reach new heights. That somehow, I couldn’t for the life of me guess correctly what would come next.

After all, this is a con movie at its core, so you are going to expect a lot of twists and turns of the plot. The biggest problem with a con movie is that if it all relies on a twist, sometimes future viewings are dampened, already knowing what to expect. American Hustle feels like a film I could watch over and over again, never getting tired of it, thanks to the brilliant acting and writing that went into the movie.

It is based on/inspired by/whatever by the actual Abscam operation that occurred in the late 1970s, for those history buffs out there.

For those of you out there who already like David O. Russell movies, you will probably like this one too. For those of you a fan of any of the actors/actresses mentioned, you will definitely find their role awesome. If you don’t like David O. Russell movies or the actors/actresses involved in this one, well, your opinion is wrong and you will like this movie too.

Before this week, I had never seen Mary Poppins. Classic movie sure, and I of course knew songs and scenes from it, but I never watched it in its entirety. Blame the parents. While watching the movie as an adult, I did find it very odd. The message was clear: money is evil, family is great, but why they chose to enforce that message in the 1960s was beyond me.

That was my main goal for watching Saving Mr. Banks: to figure out what the money and banks ever did to the Mary Poppins author. Oh, and to figure out why she was behaving like a huge bitch.

I didn’t think anyone could be mean to a face like that.

Saving Mr. Banks is supposed to tell the true-ish story of Walt Disney (Tom Hanks) acquiring the rights to a film version of Mary Poppins, from the author P.L. Travers (Emma Thompson). Of course because it is a Disney movie about the creator of Disney, don’t expect that much actual truth in the movie.

The one thing that does appear to be truthful is that Travers was very very hard to work with. She was granted script rights, and she used the heck out of them. She didn’t want animation, didn’t want music, didn’t want Dick Van Dyke, didn’t want a lot of things. She was very peculiar over her character, and didn’t want Disney to mess it up.

Everything else that occurred in the film is whatever they wanted to say, presumably to rewrite history. For instance, Disney was a chronic smoker and he never hated it, despite it leading to his death. They made a few tiny references in the movie (a cough every once in awhile) but made sure they never showed him doing the deed. In fact, he had a line calling it a disgusting habit and one he was trying to quit. Riiiiight…

The movie is spliced with the tale of Travers’ early life, when she moved to the middle of no where with her family. She lived in a small house, but had a loving (yet alcoholic) father (Colin Farrell), and a quite annoyed mother (Ruth Wilson). Her stories were based on an actual nanny sent to clean up their home, after a few unfortunate events leaving it in disarray.

It should be obvious that most of her complaints with the original script, end up getting included in the final project. So something has to change by the end of the movie, but is it change that all parties actually agree on?

Also featuring Paul Giamatti as an optimistic driver (strange role for him), Bradley Whitford as the writer, and B.J. Novak and Jason Schwartzman as the song writers.

What? You didn’t want a farm story during a Mary Poppins movie movie? Too bad!

After watching the movie, I am unsure how much of it is true, and how much of it is just revisionist history. I mentioned a few discrepancies above, but I also don’t know if the back story on Travers’ early life is accurate. I loved the back story, loved it far more than the other part of the film. It was sweet and it was tragic. It made Mary Poppins make a heck of a lot more sense and give it a more powerful meaning. But given all the other changes, I can only doubt that the past problems are somewhat fabricated as well.

This film is also meant to be a pseudo-biopic for Walt Disney, but since it is such a small part of his wildly successful life, and full of inaccuracies, I wouldn’t be willing to label it as such.

My favorite actor from the movie is surprisingly Colin Farrell, playing the “real” Mr. Banks who needs saving. His performance was incredible, despite being a minor role. But hey, he has impressed me a lot over the last few years with a few of his role choices.

What this film taught me is that the real Travers was indeed really hard to work with, for potentially tragic yet inexcusable reasons. If our current pop culture network existed back then, there would have been tons of negative press thrown her way, with hardly any sympathizers.

Saving Mr. Banks itself will probably mostly just apeal to those who grew up with Mary Poppins in their lives and want to relive the magic in a completely different way.

Part of me was hoping at the end of the movie, when they did the premier of Mary Poppins, that they would show the entire film. You know, secretly turn it into a Double Feature. That would have been truly surprising. But Saving Mr. Banks on its own plays a relatively safe story: one that is very powerful, but also full of deceit.

Actor names can be hard to remember. In particular, Ellen Page is somehow a name that can constantly leave my memory. She is just Juno to me. Why would she dare have a different name than Juno?

I have talked before about watching a movie, thinking Ellen Page was in it, and then bam, its actually Juno Temple and I am not a smart man.

SO, when I saw Touchy Feely, really the only reason I decided to watch it as fast as I did was because Ellen Page was in it. A sort of redemption for my past dumb self. This may be one of the silliest intros I have done for a movie.

Don’t blame me, blame my very blurry hands.

As you may have guessed, this is a movie about touching. Kind of sexy, right?

Abby (Rosemarie DeWitt) is a successful massage therapist, so she touches people a lot. She believes in all that energy stuff to go with it, taught to her by her friend mentor Bronwyn (Allison Janney). She is a free, fun loving spirit.

Her brother, Paul (Josh Pais, who voiced Raphael in Teenage Mutant Ninja Turtles…what?!), is a dentist at a failing clinic. His daughter, Jenny (Page) is his main assistant. But he is uptight and super serious.

The good news for Paul, is after Jenny brings a friend over for a free cleaning, somehow Paul is able to heal a condition he has. Just with a regular cleaning. Word gets out about Paul and his magical touch, and suddenly business is booming, despite no guarantees that he will fix anyone.

The bad news for Abby, is that somehow she has gained an aversion to bodily contact. It suddenly sickens her for any skin on skin contact. Not only is that extremely bad for her business, but also puts a strain on her relationships with friends and lovers.

Also starring Ron Livingston and Scoot McNairy.

I am now betting they did all these hands scenes on purpose. I see you, film maker.

Touchy Feely has a decent story, but its extreme “indie-ness” kind of ruins the story for me. Indie meaning independent or low budget release, which stereotypically means the movie will move a lot slower and let the fantastic acting carry it through. This movie is incredibly slow, with a lot of silent and thought provoking scenes. Or at least, they are meant to be thought provoking.

I really like the idea of the switch of luck for these two, and the dentist part I find even more bizarre than the massage therapist part. But the rest of the movie is just blah to me.

If only I could talk more about it, but I already ran out of things to say. This movie moves far too slow, with not enough substance, for me to really care. Oh well. Another day, another movie.

Very Wrong.

How Wrong?

This much Wrong.

Wrong is a film brought to us by Quentin Dupieux, who is famous for the movie Rubber. Rubber is famous for being completely absurd, and a strange movie, but I ended up liking it. Knowing that, you should know that he is going for a very similar style to Rubber. So if you hated Rubber, just don’t even try this one.

Same thing happens to me when I listen to Michael Bolton at work.

Poor old Dolph Springer (Jack Plotnick). Sure, he has a bitchin’ mustache. But he woke up to a very not good day. His dog ran away! Or was kidnapped. Either way, his dog is no longer there, and the world he lives in appears to be quite bizarre. Like his neighbor, Mike (Regan Burns), who goes on daily morning jogs, now refusing to admit to it. He hates running, why would he ever do that?

That isn’t the only thing. Police officers are unnecessarily rude, which might be a normal real world thing. His work office has a downpour going on in the inside, but that is apparently normal too. He might not even work there.

But his dog is missing. That is what is important. Not his conversations with a lady working a new pizza place (Alexis Dziena), or his gardener (Eric Judor). It turns out that the dog may have been taken by a group who randomly steal peoples pets, to make them truly love them. Strange. Yes. But Master Chang (William Fichtner) insists that it makes peoples lives better in the end. Unfortunately, mid kidnapping, the driver got into an accident, and died, and the dog escaped. So the stolen dog is lost.

They hire a private detective (Steve Little, aka Stevie Janowski) to get on the case, and Dolph just has to keep on living.

The hardest thing to believe in this movie is that he would write a novel, on a type writer, by water.

At this point, I am not sure if absurdity is really a film genre, or if I like it. Anyone could come up with an “absurd” movie, and call it art, even if it makes no sense, with weak plot or acting, and just bizarre antics. I am not saying that is a good description of Wrong, but close. I would say Napoleon Dynamite was an absurd movie, and one I dislike for its lack of real plot.

I definitely think I got less out of this movie than with Rubber. Rubber draws you in with the strange sounded plot, and I believe, delivers an even stranger movie. The plot description for Wrong just sounds pointless, and probably the only thing drawing people to this movie is knowing he made Rubber. It definitely has its extreme moments of weirdness, but not enough for me to love the movie. There were some great scenes. I loved the scenes with the Private Investigator. The gardener had an interesting arc, but the ending of it felt a bit weak to me too.

For all I know, the entire movie was just made to troll people. It might be a test to see what people can draw from it, calling it a highly intelligent movie, so that Mr. Dupieux can come out in two years and go “hah, just kidding.” That would be fun.