Tag: Comedy

It is clear from the trailers of Earth To Echo that it is going for a modernized, new ET feel. Kids find an alien, government wants to get it, they want to help it get home.

But wait? Didn’t we just have another movie try that? Yeah, a few years ago, Super 8 tried to make a similar claim. And I loved Super 8, it just didn’t make a lot of money an people forgot about it, despite it being a very well shot film.

So instead I won’t think about it like a new ET. Mostly because I didn’t find ET enjoyable in the slightest. Let the alien + kid genre stand on its own, I say!

Kids these days. Playing outside with technology. What’s the world coming to?

Out of all the themes present in Earth To Echo, the largest and most pronounced must be the theme of friendship. This story is about three childhood friends who have grown up in a neighborhood together.

The three friends are Tuck (Astro), a guy who has an active youtube page so he makes sure to record a lot of his activities for hits. Aka, the reason we get a movie out of this. We have Munch (Reese Hartwig), a “weirdo” / mama’s boy who is into a lot more nerdier things and electronics. And we have Alex (Teo Halm), a foster kid who doesn’t come out of his shell too much. They have been best friends for many many years, and now they have to move away.

Why? Because they are building an interstate through their subdivision, and nothing can be done about it. So all of their parents are packing up to leave their Nevada home and never see each other again. But wait! Something weird is happening in the area. Phones are messing up and breaking. Actually, it seems as if the phones are showing a map to a location in the desert some 20 miles away.

Well, if they are all about to move, why not spend their last night together going on a treasure hunt and building lasting memories. Yay, memories.

Unfortunately, they get into a situation much greater than they bargained for, when they find alien life.

Don’t worry, this isn’t just a dude adventure (or a dudeventure). We got a chick, eventually, with Ella Wahlestedt, and the big bad government guy played by Jason Gray-Stanford.

Hey look! They almost made it so he could’t be easily turned into a toy. Almost.

The idea of a “shaky cam” movie scares a lot of people who think it is just a cheap gimmick. In this case, it adds a lot to the movie and only feels uncomfortable a few times near the beginning. Maybe a little bit too much bike offroading action, but other than that, it was really well done.

My main issues with Earth To Echo (outside of camera work) involve mostly technical issues. The timing of events in this movie seems to be all over the place, where they cram almost a whole day’s of activities into one night somehow. It took me out of the experience on more than one occasion.

But the film has a lot of positives!

First of all, it was actually pretty funny. The boys had great chemistry with each other, tons of jokes and amusing moments occurred throughout the film and I was laughing out loud on several occasions. Because their chemistry was so great, it of course awakened the nostalgia of hanging out with your neighborhood friends back in the day, doing dumb things to pass the time. Good times, and good feelings.

The film also had the necessary tense moments once things began to get too hard for the few kids to handle. With over half of the film set during the night time, it does certainly help for the scarier moments, and thankfully it never feels too dark to not see what is going on.

Overall, it ended up being pretty entertaining. The fact that it was about friendship first, and aliens second kind of give it a more personal and relatable feel. I guess I liked it better than Super 8, despite the ratings. Mostly because I haven’t watched Super 8 since I saw it for the first time (and it is still very pretty), but I can see myself seeing Earth To Echo over and over.

James McAvoy is a fun Scottish man. He has risen pretty well into fame territory, but he doesn’t let that get to his head (I think). He still does the indie movies. In fact, it seems like half of his movies are big Hollywood numbers, and the other half are indie. He really loves that shit. He is a man who loves to get into a character, a man who will work with a low budget, just to tell a story.

Maybe he was just humbled after Wanted though, who is to say.

But despite his recent performance as Professor X, again, he has now given us Filth, which is a perfect name to describe this bat shit insane movie.

How insane? Well, let’s just say you wouldn’t want to smell his finger anytime soon.

Bruce Robertson (James McAvoy) is a man who knows what he wants, and gets what he wants. He is a Detective Sergeant in the Edinburgh police force, but there is a new spot opening for Detective Inspector, a big promotion. There are quite a few people competing for the spot (Jamie Bell, Imogen Poots, Brian McCardie, Emun Elliott, Gary Lewis), but they all have faults. Exploitable faults. Faults that Bruce can use against them, playing a massively deceptive game to showcase their faults to his boss (John Sessions), making them all inept to fill the highest role.

The good news is he has been tasked with finding out who killed this Japanese student, who was beaten mercilessly on the streets. Great. Shouldn’t be too hard, and will allow him to set up his multiple schemes to destroy the lives of everyone around him.

Even his friend Clifford (Eddie Marsan), who he tends to bully. He has been calling his wife harassing her sexually, just to get a ruse out of them. What a guy right?

A lot of this can be “blamed” on the fact that his wife, Carole (Shauna Macdonald), took his daughter to visit families during the holidays. Because of course this is around Christmas time. If there wasn’t a lot of pressure for Bruce to solve the case and get promoted, he’d be able to take a vacation and all. Blamed is sarcasm here guys. Because he is a scumbag, he does scumbag things.

And Jim Broadbent is in here, so you know he has some sort of comical zany role.

No, nothing about this looks comical OR zany.

I am trying not to fill this review up with adjectives that all mean the same thing, so instead I will reiterate how insane this movie felt. The Bruce character seemed to have no rhyme or reason for most of his actions. He was rustling jimmies just for the heck of it. But this movie isn’t just some sick guys fantasy about hating his coworkers or something. No. There IS a point to the madness, and it was explained very well with hints throughout the end. I really enjoyed the ending. In fact, the ending actually has a similarity to Wanted, go figure.

It was hard to look away for most of the film, a definite plus, mostly because the viewer would have no real clue with where it was going. Thankfully, when it had to be dramatic, it did a decent job at those scenes as well.

Outside of McAvoy, I am a bit surprised at how well Eddie Marsan did. He is generally a side character in most movies, much like this one, but this performance of his was quite different from his other roles. He also had enough make up that it took me awhile to even recognize his (normally) very recognizable face.

Overall, Filth is definitely a unique movie, telling a unique story, but not something everyone may appreciate. Still not even sure if it is the type of film I could comfortably watch again. Well, maybe once. But no more after that.

Looking over the musicals that were coming out in 2014, I figured that Jersey Boys would be the clear favorite for the entire year. I saw the Broadway version of the musical and it was fantastic. It had everything: music people already knew and enjoyed, exciting stage work, humor, drama, gangsters, you name it.

It is one of the easier movies to make too. Slap on some period piece appropriate clothing, get some guys who performed the musical already, and record that puppy. I was first weary when I heard that Clint Eastwood was directing it, but then I figured if the people who made the initial musical are helping, Eastwood can just focus more on getting the singers to act the drama parts better and really amp up the crime element to a higher potential.

Now, after seeing the film? Well, maybe Muppets Most Wanted will be the best “musical” of the year.

Don’t even get me started on the new Annie and Into The Woods.

The original story is based on the (at the time) three surviving members of the Four Seasons, Frankie Valli, Bob Gaudio, and Tommy DeVito. They gave the information to the musical writers, who put on the show, with the first two having veto rights if they didn’t like what was going down. So presumably a lot of the events are actually true.

This is a story about how a few guys from Jersey were able to make it out of their home cities without joining the military or joining the mob. Just kidding, the mob is here too, with the local boss played by Christopher Walken.

It is about how Tommy DeVito (Vincent Piazza) and his buddy Nick (Michael Lomenda) helped teach a then Frankie Castelluccio (John Lloyd Young) how to train his voice to perform like an angel. Then their eventual finding of Bob (Erich Bergen), who could write them hits, play the piano and sing as well.

The story of four guys, rising to fame, how certain songs were conceived, and how they all began to crack and break apart thanks to home pressure, mob pressure, and money pressure. And two women who Frankie apparently slept with, played by Erica Piccininni and Renee Marino.

I like my lines of men like I like my computer. Shining and playing music.

Ahhh, musicals. What better way to put that song in your step as you leave the theater and go about your day? I love them so.

However, this movie really isn’t a musical. Sure, there are songs in it, but it is definitely feels a lot more like a generic biography film of a band, that features music the band did, than a musical. Something VH1 might have quickly thrown together. Only one real element of the movie is like a standard musical at the very end. When the story is over, but they sing and dance to two songs while walking down the street before the credits role. That is where we finally get to hear one of the more famous songs by The Four Seasons. A song that takes place much sooner in the story/broadway version, but they cut it out to save it. A time where they can actually use a song to help tell the story, instead of just being the guys singing in a club, and they push it to the end.

If that isn’t proof of them trying to take the musical out of the Broadway hit, then I don’t know what is.

I am not saying Jersey Boys ended up being terrible, it just ended up terribly disappointing as to what it could have been. So many things just felt off while watching the film. The story and plot were good. The music was good. Maybe the acting was off? They at least had the original Frankie Valli from the play reprise his role for this film, just none of the other guys.

They decided to go with a shitty brown filter over the whole film, to give it an old style, 60’s look. But it felt distracting to me. I would have definitely preferred instead a really nice polished looking movie, not the fake grittiness that made me compare parts of the movie to a Lifetime special.

I feel as I am being really hard on the movie, but it is just harder to point out the amazing parts versus its flaws. In all honesty, I think this is completely Clint Eastwood’s fault as a director. He meddled far too much in the musical side, making this into a more generic feeling movie. A lot of the charm was lost in the film making process, but thankfully this story had an over abundance of charm to work with.

So there are still fantastic moments to go along with the story, and not just the musical performances. For example, Lomenda did fantastic as the role of the bassist, really made it easy for the audience to feel his frustration and get on his side.

It just. It just could have been so much more.

If I told you four years ago that not only would a 21 Jump Street comedy be made, but that Jonah Hill would be involved, and they’d have a sequel called 22 Jump Street, you would have kicked me in the nuts. Then publicly shamed me for being a terrible person. You also may have been slightly confused at the oddly specific-ness of that foretelling.

For all intents and purposes, 21 Jump Street should not have done as well as it did. But it ended up being funny, making a lot of money, and here we are. And this time, they don’t care what you think.

Picture speaks for itself.

College! That is where our heroes, Jenko (Channing Tatum) and Schmidt (Jonah Hill) are going. Same aliases. There is a new new drug that has its own list of side effects that killed a girl. So they are going to infiltrate the dealer, find the supplier and take them down. Hmm, same plot too.

But this time it is different. Because in College, people can be free thinkers. You also don’t need a hall pass.

This time, Jenko is going to try out for football looking for dealers, where he meets the quarterback Zook (Wyatt Russell), who is basically Jenko’s clone and instant best friend.

Schmidt is going the art kids route, looking for drama and poetry geeks who might be hitting the WHYPHY up hard. That is where he meets Maya (Amber Stevens) and gets a girlfriend out of it. It isn’t creepy like the last movie, because she is of age.

But no! It is not just the same! After all, their bosses are still played by Ice Cube and Nick Offerman. Because that makes sense. But the new thug bad guy is Peter Stormare. That is different. Not to mention we have people from Workaholics, like Jillian Bell and uhh. That might be it.

Basically, what is important though is that they have the same blanket set as I do in real life.

After viewing, I determine that 22 Jump Street was like one very long and elaborate inside joke. That would be annoying normally, but here is the good news. You are in on the joke, too. It all makes sense, because you are a person who saw the first film and understands that everything probably has an extra layer of meaning to it.

That’s right. This film is really aware of itself/meta/whatever you want to call it. And it will beat you over head with the jokes and at least for me, it didn’t get stale at all. Not only did it just keep building and building, along with an increase in action, but they didn’t even stop when the movie ended. It had to be one of the more amazing/funny credits I have ever seen. And they didn’t even fill the credits with dumb outtakes or anything.

Tatum might just be a comedy guy. Hill’s character had its moments, mostly dealing with one fight scene near the end and his interactions with Ice Cube, but Tatum had so many laugh out loud lines and moments. Only a few were shown in the trailer. The “lightbulb” scene with Tatum might be the funniest thing I have seen in a movie in over a year. Just thinking about it makes me laugh.

I feel like I am giving out this rating far too much over the last few weeks, but seriously, movies are really earning their keep this summer. Phil Lord and Christopher Miller are comedy gods and they should be worshiped as such.

I knew something was up when I went to my screening of Obvious Child. Two things were of note.

One, I was invited to a free screening of a film, that technically was already released in theaters the week before. Most of the time free screenings are before they are out, to build hype and stuff, but this could just be an indie movie thing.

Two, the tickets I had were sponsored and given out by a Pro-Choice group. Huh. That is an oddly specific group to sponsor a show time. I guess…this movie…is about abortion?

That isn’t an issue or something. But it is basically all I knew about the movie going into it. Like Citizen Ruth.

Obviously.

This movie is about a few months in the life of Donna Stern (Jenny Slate). She is a stand up comic, works at a hipster book shop in NYC, and isn’t doing too much with her life. Just telling jokes about how it is. Well, her boyfriend doesn’t like this path and doesn’t like to be talked about in front of strangers. So he breaks up with her. And then she finds out her book store that she works at is closing.

So she does what anyone would do, get really drunk and avoid her problems. If by avoid her problems, I mean talk about it on a stage, of course. Either way. She sexes up a guy, Max (Jake Lacy) who is very nice, and apparently the rubber wasn’t used. She gets pregnant, has a few panic attacks to add to her problems, and wants an abortion. The abortion isn’t even the scary part. It is the telling of her mom (Polly Draper) and getting the money together when she is already losing her jobs. At least she has friends (Gaby Hoffman, Gabe Liedman) for support.

But why does that fucker Max have to be such a nice guy?

Richard Kind is in here as her dad and David Cross as an old friend.

I think this scene is a metaphor for birth. But I think that about all boxes.

The main selling point for Obvious Child is its realness, and it really excels at that point. Really.

Everything in this story feels like something that could actually happen. That is where it gets all of is charm and humor from. The humor is pretty funny, both in a “ha ha funny” way, and a “I am uncomfortable by their awkwardness” kind of way.

And really, there isn’t much more to say about it? The film is funny and incredibly awkward. It is about abortion, but doesn’t make it a big life changing event, just turns it into something that has to happen. And hey, it involves that guy who joined The Office for its final season, so that was cool too.

Today I review a movie called Words and Pictures, which are the exact two things that make up my reviews.

For all intents and purposes, that is also probably the best sentence in this review, so you might as well stop reading these words and looking at these pictures now.

“Oh shit they kiss? But they are such rivals throughout the film! Why would you spoil that?!” – GorgView reader.

Somewhere in the North Eastern part of the USA lies a high school where people have to wear uniforms and is somewhat special. How special? I dunno. Special enough to feature two teachers who work there. One is Jack Marcus (Clive Owen) who teaches English, is an author, and an alcoholic. He hasn’t written in awhile, is late a bunch, and thinks his students don’t care anymore. He also has an estranged relationship with his son (Harrison MacDonald).

But we have a new teacher at the school! Dina Delsanto (Juliette Binoche), a famous artist from NYC who is moving here to teach advanced art instead. Why? Because she got that rheumatoid arthritis, so making great art that she is used to kind of sucks. She is also a mean lady, for that reason.

They butt heads and argue, but also flirt kind of. They set off a war at the school, debating which is more important, words or pictures. Mostly because Jack is trying to save his job and remain relevant, and Dina is the type who always wants to win.

Also starring some people as teachers (Bruce Davison, Navid Negahban, Keegan Connor Tracy) and some students who have a plot line in this movie too (Valerie Tian, Josh Ssettuba, Adam DiMarco).

It only takes about ten minutes I think for a Dead Poets Society reference.

Hearing about the plot, I thought the movie might be okay. It sounds like a terrible competition, especially since I knew it would involve high school students, which are like non cool college students. Speaking of high school students, the side plots involving the girl and the guy were kind of terrible. It was awkward to watch, even more awkward at how people reacted to it, and took away from our leads. So it kind of just made the movie overall weaker for having basically all of it go down. In my reviewing opinion of course.

Owen and Binoche however do fantastic at their roles. Owen has an advantage, where he was given an really charismatic character to work with (After all, he knows a lot of words in the English language and loves to use them), so he was incredibly entertaining to watch. Binoche seemed to have real chemistry as well. Very real feeling characters.

But at the same time, this felt like a pseudo-intellectual euro-trash movie, that thought it was better than everyone else, while not really ever elevating its game. Just because it is set in an elite setting, doesn’t mean it is an elite movie.

Good acting, kind of shitty plot. Okay for a watch, then probably wont see it again.

For those with a lot of courage, you may have seen my review for How To Train Your Dragon. Why courage? because that review is old and weak and it certainly shows. It is weak because it was one of my first 100, which I made in like a month by adding words from my facebook status reviews that they came from. And because I tried really hard to avoid spoilers that basically didn’t exist.

Basically, parts near the end bugged me so much it lowered an overall fantastic movie to a meh movie. I still haven’t rewatched it for that reason.

But now we have the sequel, How To Train Your Dragon 2. This one perfectly allows for the crap that happened in the first to not happen again, because now we are based with the assumption that dragons are awesome, and we should train them.

Yeah. So you can stoically sit on top of them doing zero tricks. Good job, guy.

Set five years after the events of the first film, Hiccup (Jay Baruchel) is still a god amongst mortals in his small Viking town. Although technically not immortal, he does have cyborg parts now and a flame sword. So I mean, basically. He has his dragon, and now he is exploring more and more areas outside of the small town. After all, with dragons they now have the ability to explore, because Vikings rarely explored on their own.

While exploring he finds…dragon nappers! And giant sheets of unnatural ice through a fort. The nappers are lead by Erit (Kit Harington), who is collecting dragons with his crew for the great and powerful Drago Bludvist (Djimon Hounsou). A mad man who claims to be able to control all of the dragons and wants to use them to take over the world. Your typical desires from an awkwardly darker skin character than everyone else in an animated movie.

Oh no!

It becomes up to Hiccup to use his excellent cyborg dragon abilities, and excellent sized human heart, to save the day. Especially if he can use the help of the mysterious dragon lady (Cate Blanchett), who you already know everything about if you watched the trailers. But in case you didn’t, you are welcome.

A lot of returning characters, such as his dad (Gerard Butler), the smithy (Craig Ferguson), his lady friend (America Ferrera) and his other friends (Jonah Hill, Kristen Wiig, Christopher Mintz-Plasse, T.J. Miller). And of course, dragons.

And that is how I met and trained your dragon master’s mother.

First off, after the success of the first movie, DreamWorks starting thinking long term about this as a new franchise. So they put into development this sequel and a third film, at the same time. Which is why there was a four year delay between 1 and 2 (heavy CGI movies take a long time if done right (meaning not Planes)), but only two years before the third movie comes out.

Speaking of DreamWorks, I have hated or thought meh towards their last six movies. That is insane. Literally haven’t had a winner since Kung Fu Panda 2. Thankfully, How To Train Your Dragon 2 turned that downward spiral around. And I don’t just mean clockwise to counterclockwise, I mean up. Like a daring dragon flying maneuver.

This sequel has a lot going on for it. The CGI is extraordinary, which is probably too fancy of a word to describe it, but it really is gorgeous. They spent a lot of time and detail on every character, every scene, every dragon. Speaking of detail, the backgrounds of scenes are rarely pointless. They either showcase great scenes, or have hidden jokes and tomfoolery going on in the background as other characters are talking. It was awesome.

To avoid this wall of text, here is a bonus picture. Just. No. Bonus. Joke.

There is a lot of humor, there is a lot of character growth, there are more than one touching moments, and there is a lot of daring fight scenes. In fact, there were some terrifying scenes, and some darker moments, including some potentially heavy material for a PG movie. One drowning scene in particular still makes me shudder.

I will say there are some issues I found in terms of messages they are trying to convey. I think some parts of the ending directly contradict information said earlier in the film, a similar message given to us by Pokemon: The First Movie – Mewtwo Strikes Back.

But overall? Shit, this thing is enjoyable. Minor moral issues aren’t a big problem. The 3D only seemed blurry in the first scene of the film, so that is good.

For those who have saw it, I made a theory halfway through the movie on how the third one might go, and the ending seemed to solidify it. I’d love to talk to anyone in private about my theory, but if it goes the way I hope, then yeah, it will be epic. But this is all jibberjabber at this point. Awesome flick, and probably going to be one of the top 3 animated movies this year (to go with The LEGO Movie, and The BoxTrolls, based on its fantastic trailers alone).

I am already starting to get overwhelmed with these movie screenings that are available to me. Too many a week, with too much of a time commitment. Why the review of Think Like A Man? Why, because it’s sequel, Think Like A Man Too is coming out shortly, of course! I missed the first one from 2012 some how, probably because I lived in the farming midwest and it never came to a local theater.

But then I move down South and I got the tickets to see this movie early. I would have, too, but first I had to watch the previous movie, damn it. Also, I didn’t want to drive 75 minutes, to wait two hours in line, to watch a two hour movie, and drive 75 minutes back home. No, that sounded dreadful.

But it gave me time to relax and watch Think Like A Man, without staying up super late at night to get it done!

I also had sports to watch watch.

This movie, based on the book, is about four relationships, and a few other people around them. All of the guys are part of a group of friends who play basketball together, which include Bennett (Gary Owen), “the Happily Married Guy” and Cedric (Kevin Hart), “the Happier Divorced Guy”. Thankfully, the four couples that exist are all presented in a nice way to split this review up into parts.

“The Mama’s Boy” vs. “The Single Mom”

Michael (Terrence Jenkins) is a man who listen’s to his mother (Jenifer Lewis) and helps her out with everything. He is about to start seeing Candace (Regina Hall), who has a son, the father is out of their life for good, and really wants someone that won’t just leave at the first sign of trouble.

“The Non-Committer” vs. “The Girl Who Wants the Ring”

Jeremy (Jerry Ferrara) and Kristen (Gabrielle Union) have been living together for awhile now and everything is just cool. Hell, Kristen likes everything Jeremy likes and doesn’t care that their relationship doesn’t seem to be going anywhere. Psyche!

“The Dreamer” vs. “The Woman Who Is Her Own Man”

Dominic (Michael Ealy) has problems keeping jobs and relationships, because he has goals, but he never sets out to accomplish them all the way. He is about to meet Laruen (Taraji P. Henson), a young black woman CEO of a large company, successful, rich, and someone who doesn’t need anything from a man, but still would like one in her life.

“The Player” vs. “The 90 Day Rule Girl”

Finally, we have Zeke (Romany Malco), a guy who hits the clubs and sleeps around, who runs into Mya (Meagan Good), who is tired of “giving up her power” and sleeping with men just for them to forget her name and not return phone calls. So she decides to resist the temptation, and make this new guy wait.

What do they all have in common besides basketball? The women have all found and read Steve Harvey‘s Book, Act Like a Lady, Think Like A Man, which is a real book in which Steve “sell’s out his gender” and gives women advice on how to secretly control their men and get what they want out of the relationship. However, two can play that game, as the men also find the books, to play on defensive.

BATTLE OF THE SEXES, GO!

Steve Harvey is Public Enemy #1. How could you Steve?! How. Could. You?!

Well, I will just say that I think there were far too many characters involved with this film. Four couples, means eight people. Some have additional characters like friends, parents, children. Then we have Kevin Hart, Steve Harvey, and Gary Owen too. I guess Gary was mostly ignored, but Kevin Hart was butting into most of the friend’s lives, so there was just so much going on.

I am not going to say it would have been better without Hart, because he was decently amusing, mostly serving as a good narrator. Just. There was so much going on, in two hours, to make it not confusing, they had to make the narrative structure very simple to follow in order to not get lost.

So, it is good that it was super simple to prevent us from getting lost, but at the same time, it was still super simple and didn’t break too much new ground in the making of this movie. It is like four different romance/comedy plotlines, only two of them which could probably stand on their own legs as their own film (dreamer/OwnMan, and noncommiter/wantaring), but then, they have been done before too.

The film had some amusing moments in it, and it also had some lame moments in it. Overall, it was adequately average.

Live. Die. Repeat. That is the slogan of Edge of Tomorrow, which people were quickly to point out that it looks like Groundhog Day, but more sci-fi/action and a lot less Bill Murray.

The title is kind of strange, but way better than its original title of All You Need Is Kill, the title of the story that the film is based on. I mean. Just seriously, what the hell does that mean? The time traveling element allows Edge of Tomorrow to make some sense. But All You Need Is Kill? I can’t even begin to unawkwardize it.

Tomorrow? Tom, you might first have to worry about the edge of your face, first.

In Future Earth, Aliens have invaded, landing in the middle of Europe, and kind of just fucking up everything. Things are going bad. These “mimics”, as they seem to adapt to military strategy pretty well, are just destroying and taking out battalions, always knowing what is going to go down. Until we design awesome battle suits, and they seem to crush the mimics. Special Forces soldier Rita Vrataski (Emily Blunt) is able to kill 100 mimics by herself in a battle, helping turn the tide of war. So now they are going to organize a massive attack from different flanks, thousands of soldiers in battle suits, to help turn the tide of war!

And Major William Cage (Tom Cruise) is being asked to join them. Storm the beach with a media crew, to show the good tidings and have them give hope to the world. Cage isn’t a real soldier, he is just in media, doesn’t even know how to fight. So of course he refuses, but well, higher ups demanded it and now he found himself waking up a day before the invasion at an airforce base, with papers saying he is a private and a deserter. Oh, poor Major.

Needless to say, the invasion fails, and after getting covered in alien blood goop, the Major dies and wakes up…back at the airforce base! This can’t be! But you know this part of the plot. It appears the Major is now stuck in some sort of time loop causing him to relive this day over and over. That could drive a man mad. But maybe it can help them save the day?

Bill Paxton plays Master Sergeant Farrell Bartolome, Brendan Gleeson as General Brigham, and Noah Taylor as a alien biology scientist. Of course he also got soldier friends in his unit, but I don’t remember them individually enough to type out character names (Tony Way, Kick Gurry, Franz Drameh, Charlotte Riley, Jonas Armstrong, Dragomir Mrsic).

In a world of do-overs, there is rarely a need for emergency kits.

As an additional note about this movie, I got to see this one in IMAX 3D, my first time watching a film this way, and oh boy were the fight scenes something else. Spectacular, pretty, explosion heavy. So much going on. Without sounding cliche, I was often near the edge of my seat because it was so exciting to watch it all.

Exciting and amusing. They didn’t drown us in the same scene over and over, just a few minor ones to get the point. On his first repeat day, we didn’t have to see Cage freaking out the entire length of his first travel time. They knew how to keep it short when needed. When it was short, we often got blasted with different ways he died as he tried new things to make it further during the war. Sometimes it was hilarious, but when it was frustrating, they knew how to play that card as well.

So these are good first steps! Good action, good comedy, a nice sci-fi element. But how about the plot? That surprisingly was well done too. How the alien armies worked, the secret to taking them down, why Cage was stuck in a loop, all of it was given a nice rationale and well thought out to make it believable in that universe.

Literally, I don’t know how they could have made the movie better either. You get to see so much and it is a thrill ride, but it doesn’t feel like a 4 out of 4 film to me, which is sometimes all it takes to lower the rating I guess. A very exciting movie, despite what I went in thinking, and a nice notch to add to a list of recent well done sci-fi movies. I think it is going to bomb financially this weekend too, as audiences apparently don’t like Tom Cruise anymore, which is a shame, because it is strong showing still pretty early in this summer.

Hey boys and girls! Did you like Ted? Well, then you might like the next movie, A Million Ways To Die In The West!

That is what advertisements told me at least. But I only thought Ted was okay. Was entirely pop culture based humor, so it was a movie that won’t be as amusing in a few years because nothing will be relevant. Although it had a decent plot and Marky Mark, so that is fun.

But now we are going out west, back in time, and director Seth MacFarlane is actually going to star in it. Hopefully it is more than just a few dude’s hangin’ out.

Damn it, this looks like two dudes just hangin’ out!

Set in the 1800’s in Arizona, near Monument Valley (like every other western), lives our hero Albert (MacFarlane), a sheep farmer and a pussy. He doesn’t like to shoot a gun, because he never has, and thus he is bad at it. But somehow he keeps getting himself into shoot outs.

Albert starts to hate himself after his long term girlfriend, Louise (Amanda Seyfried) dumps him. Now he hates life. He also is a cynic, pointing out all the things that can kill him in the west. Thus the movie title. He does all this until Anna (Charlize Theron) walks into his life. Just kidding, he continues his moping ways, but now there is this mysterious woman who can shoot better than any he knows. Maybe she can change his life and stop him from getting into gun fights.

Just kidding. He does some stuff, getting him into fights with Foy (Neil Patrick Harris), the owner of the Mustacherie, and Clinch (Liam Neeson), an outlaw and the fastest hands in the West. Oh Albert, you are so silly.

Also starring Giovanni Ribisi, as his best friend, dating a whore Sarah Silverman.

“Huh? Why would Neil Patrick Harris every run a mustache store?” – GorgView Hate Commenter

I think I would rather watch Ted in four years than see A Million Ways To Die In The West.

The humor is very Seth MacFarlane, I will give it that. You can go in expecting that, and if you enjoy that enough, you will maybe have a good time. Maybe.

To me, this comedy had huge stretches of time without a joke. Trying to maintain some western tropes, there were scenes of traveling and just looking at the scenery. But that wasn’t the downtime. Literally just long periods of the movie moving on without very many jokes. It doesn’t help that quite a few of the jokes were in the trailer, most of which giving the entire set up and punchline so none of it was left to surprise. I am most disappointed in even the TV ads giving away one 1980’s related scene, which would have been amazing if kept secret.

Not that surprise is needed for comedies, no. A good comedy can keep you laughing through many viewings. The humor that was present just for the most part wasn’t for me.

There were some okay moments. I really liked the mustache song. Sarah Silverman ended up making me chuckle on more than one occasion. So I guess I thought the small side plot was more amusing than most of the film. That happens some times.

TL;DR, for the most part, A Million Ways To Die In The West just felt like 2 hours of boredom, with an occasional chuckle. Having the main character be a relatively modern man felt a bit half-assed. And I didn’t even get into how much of a unlikable character he was. Mr. Mopey. Ever have a friend who complains about everything, as if the experiences are unique to them? Yeah…