Tag: Comedy

The Unbeatables, aka Underdogs, aka Metegol. You might know this movie by one of its names.

It was of course first called Metegol in Argentina, where the film was made and released back in July of 2013! It had the distinction of being the most expensive Argentinian film ever at $21 million, and most expensive animated film in all of Latin America. Given the American budgets on these things, that is a pretty crazy fact.

Needless to say, it did well enough to release internationally. The Unbeatables came out in the UK in August of 2014, same plot and everything, just nice English voices to make the populace happy.

And that is why I am watching this version of the movie. Despite being available for a long time, it isn’t hitting USA theaters until mid August 2015, a whole year after the British counterpart. It was pushed back several times over a year. Well, screw that. If I can legally watch and buy a movie already out, many months before it comes out here with just more American voices instead of British voices, there is really no reason to wait.

No matter the nationality, we can all agree on their fabulous hair.

In a small village in, I dunno, let’s say Mexico, there is a boy who really loves foosball. Young Amadeo (Rupert Grint) works at a small cafe/bar where he cleans and plays foosball all day long. In fact, he got pretty dang good at it. He can score in so many ways, can flip the ball through the air, and you know, other shenanigans. Others do not share his passion, so he gave all of his players a name and personality and often puts them in their own soccer based stories.

Then he met Laura (Eve Posonby), who likes things, and likes foosball, and even maybe likes Amadeo. Then he met Flash (Anthony Head), a pompous boy who never loses and is a soccer star. Well, he sees Laura and also wants to impress her, so he challenges the loser Amadeo. And sure enough, Amadeo wins. This is Flash’s first real loss in anything, so he runs from the town.

Now years later, the town is close to dying, but Amadeo is still there playing foosball and Laura is about to leave. WAIT JUST A SECOND. Flash is back, now a world famous soccer star. The BEST star. Rich beyond imagination. Rich enough to buy his birth town and build the biggest stadium ever there.

Well, the villagers don’t want their town to get demolished. And so eventually Amadeo challenges Flash to a game. If Amadeo wins, he will leave the town forever. Great! Just they aren’t good at real soccer which is what Amadeo has demanded to enact his revenge.

If only…if only there was some nice tear magic out there, that would bring his foosball players back to life, and help him solve his many problems and save the day. If only.

Featuring the voice work of Rob Brydon, Ralf Little, Alistair McGowan, Peter Serafinowicz, and Alex Norton.

Basically, everyone is Pinocchio, but no where close to being real men.

“You can trust me I used to work with FIFA.” That’s an actual quote from this movie and it really made me laugh. I know there has been talk about FIFA being corrupt for years, with the Qatar mess, but it still feels even better to hear that joke after all of the indictments.

The trailers for the US version, Underdogs, are shit. I have seen two of them and they made me immediately hate the film. The animation was odd, the plot was pretty dumb, and, well, yeah. It was very stupid sounding, no way around those words. Surprisingly and thankfully, there was a lot more to the movie than the trailers showcased. That is usually the case, but there are also trailers who show everything and it really felt like one of those moments.

The animation at first bugged me as well, but while watching it, they had clear distinction between the foosball players and people, making them both feel unique in their world. The players had a completely different clunky style that made their existence a bit jarring, but something that made a lot of sense in the film.

Again, a lot more happens in this film than just the “play soccer for the town”, and I am a bit worried some of the other side plots or jokes will get cut from the American version of the story. I might edit this review in the future after watching the new version to see if it deserves the same grade, so as for now, The Unbeatables and not Underdogs is surprisingly worth a watch.

If there is one thing I like talking about on this website, it is me. Yes, movies too, sure, whatever. But I am far more important, because a review has to give his/her thoughts on the movie, and knowing how they felt on previous films of that nature is the only way to know if you are compatible with that reviewer. Not only that, but you should know how they feel about other topics too. Like sharks. Or potatoes. Or that bitch Sally from the sixth grade.

You should know everything about that person, even their deepest and darkest secrets. The movie isn’t important, it is clearly whoever does the talking.

So a movie called Welcome To Me just makes sense to me. That is what the website is secretly about. Me me me me me me.

And swan rides.

Alice Klieg (Kristen Wiig) has borderline personality disorder. That is very serious and not a joke, although it can lead her to doing weird things. She is living on government benefits, is very selfish, always has a TV on in her home (for infomercials and Oprah!), and spends a lot of money on the lottery. She even has only one real friend, Gina (Linda Cardellini), despite her quirks. Then Alice wins about 86 million dollars in the lottery.

Well shit yeah. Time to go live in a casino and do whatever she feels like! Like stop taking her meds despite her doctor (Tim Robbins) strongly discouraging the act. She is a bit peeved her planned speech was cut off on the air after winning due to talking about masturbation, so she goes to hijack one of the late night shows hosted by Gabe (Wes Bentley), who sells weird shit. They think she is nuts and cut her off too. But she is rich now. So after a long discussion, with their company losing tons of cash, the main owner Rich Ruskn (James Marsden) allows her to have 100 two hour long episodes of a TV show she calls Welcome To Me, since she is paying for all the costs up front.

And what we really get is a terrible show, where she cooks food, talks about whatever is on her mind, and has reenactments of past events in her child hood in order to get back at mean people. Don’t worry, this is not at all like Holy Man.

Also featuring Joan Cusack, Alan Tudyk, Thomas Mann, and Jennifer Jason Leigh.

Like all recent action movies, orange and blue also feature heavily in this film.

First thing of note, this movie does not make fun of people who actually have borderline personality disorder. That would be mean and awkward and not something that happens a lot nowadays. I think. No, this movie instead shows the reality of the disease, which can put people in weird situations. Yes it is a comedy, but you best believe it is also a drama. There are many melt downs where Alice’s character loses it and does the unthinkable. During these Wiig shows herself to be a gifted actor.

Any comedian could be completely exaggerated in their roles to make fun of a serious condition, but for Wiig in the film it all feels so real and natural. She gives the role proper care and restraint. She is also completely 100% full frontal naked in this movie too. So you know it is a serious role for her, and not some throwaway straight to DVD quick cash job.

I thought the movie had a nice balance of drama/comedy. The comedy in the film isn’t the type that will make you laugh every second, but it is still quite amusing at points.

Overall, this movie won’t be enjoyable for everyone. Just make sure you are in a weird mood before hand and it might surprise you.

Like a lot of people, I am beginning to mistrust Paul Feig and Melissa McCarthy.

Paul Feig did give us Bridesmaids, sure, but The Heat didn’t feel right with me. He also has his strange obsession with McCarthy, so when it was announced he would do a Ghostbusters reboot, it was obvious he would be casting her in it. McCarthy has had a few terrible movies, namely Identity Thief and Tammy, where it seemed through all her work she could really only play one type of character.

So of course when you see a trailer for a badly named movie like Spy, you assume it is going to be one long running fat joke. Where it is absurd that she should be in the position she is in and you know, more fat jokes. It isn’t an absurd assumption, given that is what Tammy was, a movie McCarthy even wrote for herself, unable to get herself out of her own type casting.

If this was a gif, you all would hate me.

Being a spy is a tough job, but thankfully you have a handler back at HQ who helps you out on each and every mission. Bradley Fine (Jude Law) is a spy, and a damn good one at that. But he wouldn’t be anywhere without his handler, Susan Cooper (McCarthy). She helps protect him from surprising bad guys, helps him escape, and just keeps him aware of all of his surroundings! Things can still go wrong, sure, like when Bradley accidentally kills Tihomir Boyanov (Raad Rawi), who is supposed to be the only one alive who knows about some tiny nukes that he wants to sell. Whoops. Oh well, other than that, they are a great team!

Until he dies. She wasn’t too helpful then. He was killed by Rayna Boyanov (Rose Byrne), daughter of that other dead dude. Looks like she knows where the nukes are! She also knows every single spy that we have on record, names and what they look like, so it is incredibly unlikely of any of them being able to get close to her. Now Elaine Crocker (Allison Janney) has no idea what to do, so she agrees to let Susan go undercover to find out more information, with her best friend Nancy (Miranda Hart) serving as her handler. She is supposed to avoid Rayna and instead follow Sergio De Luca (Bobby Cannavale), but, you know, shit happens.

On top of the whole, being a spy thing, she also has to deal with the fact that some of the agents have quit. Namely, Rick Ford (Jason Statham), one of their best, and he wants revenge on Rayna since knows all about him. Too bad she also is the only one who knows about the nukes! Can’t let her be killed as well. Oh golly gumdrops.

Also, hey! We have Will Yun Lee and Zach Woods.

I normally only comment on facial hair, but come on, this is astounding.

Good news, everyone! Spy is not just one long fat joke. Sure, independently, on your own, you could giggle when a larger person does something athletic, but that is on you buddy. No, these jokes come from a deeper level. A lot more of them are based on how she has the body of a middle aged cat lady and the like. Way better than fat jokes.

In all honesty, Spy ended up being a pretty funny movie. Byrne still seems to have come out of nowhere in the comedy world, but she is still knocking it out of the park. Statham was in this movie and he was able to play a very Statham character. And yes, McCarthy of course carried it very, very well.

The action was also pretty decent. I didn’t know how it would end either, because they set it up pretty early that anyone could be killed, not to mention them wanting to earn the R rating.

One thing the film lacks is rewatchability, as in, I don’t ever see myself buying the film because I know I will never be in the mood again. But our female leads are fantastic, even Hart, and Statham provides some nice laughs as well.

Last summer I watched two really good teenage romance films that involved death based on books. The Fault In Our Stars and If I Stay. I was surprised at the quality of both films and how I was able to still connect with them despite not being in the target demographic.

Of course, John Green wrote The Fault in Our Stars and wrote a few books besides that one. Before that one, he wrote one called Paper Towns, which my wife has assured me is fantastic.

Really, as long as it avoids the normal cliches, it will probably make me happy. And knowing my recent track record with any sort of romance film or drama, it will probably just end up making me cry in public again.

It does feature some amateur level hallway creepin’ though, so that’s a plus.

Quentin/Q (Nat Wolff) has always lived a typical lame boy life. He does what he is supposed to, does good in school, has nerd friends and no love life. He does have love in his life, however. He loves Margo (Cara Delevingne), who moved across the street from his house when they were both kids. Back then they hung out and started to do adventured, but she did it way more and eventually they lost touch. Still, he hoped and dreamed.

Then one night, she appeared at his window! She needed someone to drive her around Orlando, get revenge on her ex boyfriend and so called friends. A night of adventure and a night to remember!

And then? The next day? Poof. Margo was gone. She ran away again, Q thought they would start to hit it off, so soon to finishing high school. But luckily, Margo always leaves some clues for her friends when she leaves so that they know where they can find her. Now it is up to Q to put himself out there for once and do something out of his comfort zone! With the help of his two best friends (Austin Abrams, Justice Smith), the old best friend of Margo (Halston Sage), and the girlfriend of one of his best friends (Jaz Sinclair), he will hopefully find true love and happiness.

Also featuring the amazingly accurate kid versions of our leads, Hannah Alligood and Josiah Cerio, and Cara Buono as Q’s mom. Seriously, I am willing to believe they just filmed the kid scenes many years ago and decided to give them fake imdb credits and names so that people wouldn’t think it was weird.

Jokes on you, I think everything is weird!

Alright, before the movie I had two hopes. First of all, I can say that Paper Towns definitely avoided cliches. It had a huge “nice guy” boner going throughout it, but by the end it was certainly not your standard story. Which was fantastic!

Unfortunately, it didn’t make me cry. No tears at all, not even a little. Come on John Green. You destroyed me with your last film, this one only gave me chuckles and contemplation.

Here’s the thing. Our two leads were fantastic. Wolff and Delevingne felt like real people for the most part with genuine expressions and appropriate reactions to everything. They made their characters awesome. The supporting cast however is not able to get on their level. I thought the chemistry between Wolff and friends felt real, but the other two actors just didn’t feel real. One character in particular was more annoying than funny.

Again, I am all for surprises along the way, and in fact, the twists in this film are generally good overall. It just didn’t resonate with me as much as I had hoped. Thankfully the leads were still great and oh so charismatic.

I feel like it was just yesterday when I finally reached the elusive 1050th review for my website. I know, an awkward number to be nostalgic about, especially since it is the milestone after an actual big one of 1000.

But you see, my Milestone Review for 1050 was the movie, Teen Beach Movie, a Disney channel original, which could be or might be the next big thing after High School Musical. Which of course also had its own big review.

Well, apparently TBM (acronym, bitches!) did do well enough to warrant more praise. I mean, I gave it a 2 out of 4, and was surprised I didn’t end up hating it! So sure, why no do another. Although, the second HSM film is the WORST by far. The camera work is terrible, it looks like it was all done second handed and rushed and none of the songs were good. And unfortunately that one was about summer time and swimming. So I am a bit worried for Teen Beach 2, which is my 1400th review (woot woot). I hope the sequel doesn’t drastically reduce the quality of the first, rushing out a movie to get people all sex nuts.

Just give me some good old fashioned satire. Please and thank yous.

Dancing in front of the screen to your favorite movie in sync with the actors is kind of cool.

Last day of summer! Mack (Maia Mitchell) and Brady (Ross Lynch) are enjoying some anniversary of meeting each other. How so? By watching the same damn movie they probably watched a thousand times on the beach before school starts. And hey, it is a song about how it was the best summer. Nice. Convenient.

But it turns out school is hard. Brady is a bit of a slacker that cares mostly about surfing. Mack keeps really busy, lots of clubs and organizations and wants to get into a good college. When they start to hang out with their older friends (Raymond Alexander Cham Jr., Piper Curda), it is clear that they might not have enough time for each other.

Maybe they were just a summer fling!

Brady can’t spend time focusing on this generic college application. He doesn’t even know his full name!

They quickly break up later that day. Brady forgot to meet her for college fair, and so she went with hunky tall asian kid Spencer (Ross Butler, even shares the same first acting name, oh noes!) instead. It takes 24 minutes into the movie post breakup for us to get another song, which is an incredibly long time for a musical. That song, On My Own, starts out good, but then goes extremely poppy real quick, and suddenly Brady is singing it into a microphone in his room. Does he record songs all of the sudden?

While this is going on, in the Wet Side Story world, Lela (Grace Phipps) is turning away from the script. She wants to save the day too and not be a damsel. Somehow this turns into them finding the magical necklace, where Lela and Tanner (Garrett Clayton) decide to run off into the ocean, taking them to the real world, not the movie world!

Everything is wonderful here, outside of the lack of singing. But don’t worry, they can make people sing in dance, because they are movie characters. They sing “Right Where I Want To Be,” not knowing their movie-ness, but just thinking they are in the future. They have other super powers as well. Like, their hair and clothes don’t get wet under the water.

I was legit going to complain about this picture and bad CGI until they made it a plot point. 🙁

Either way, Brady and Mack now have to work together. Totally sucks, since they hate each other now since it is not summer. They each take the same gendered movie character to their homes to help them blend in. Their plan is simple, make the real world seem terrible, and they will leave on their own free will. That way if anything bad starts to happen, like their world disappear, it isn’t such a big deal to fix it.

You know. Showing them things like calculus. And introducing them to their best friends. Those BFFs who totally love the new friends too, quirks and all. Another fun movie power is that they can’t not be in 1960’s clothing. They put on a new outfit, and magic, that shit looks old.

Nothing seems to be working, so instead they make them go to the cafeteria alone to find a place to sit. This cafeteria is apparently 100% outside and full on high school cliche. Instead of dealing with that negativity of goth kids and cheerleaders, they turn their frowns upside down. Like, literally. They sing a song about how wonderful smiling is, to get everyone to smile and sit with new people.

There is a such thing as smiling too hard though.

I feel like I have to talk more about this scene. It ended up being my favorite song, because it was the perfect satire/parody-ish musical song that I wanted and liked about the first. Most of the songs up this point were pretty shit, or failed to make the right points. But this one. This one went full on weird and 1960’s musical.

Just look at the picture below this one. Look at it in wonder and realize that it is totally in this movie, fully embracing the weirdness that is this now franchise. Musicals in the real world would totally be as awkward as this. I need awkward to thrive, and this is what I needed in the movie.

The more you look, the more weird stuff you will notice.

Hey what about movie world? Well they are all bored, not sure how to move the plot forward. They still have biker Butchy (John DeLuca), biker chick CheeChee (Chrissie Fit, now way more famous for being in Pitch Perfect 2), the shimmy girl Giggles (Mollee Gray), and other dude Seacat (Jordan Fisher). Well they also notice that people are starting to disappear and go away, mostly background characters. Still scary. Thankfully they find the necklace to go to the real world too and can get their friends back!

Back in the real world, Lela and Tanner are adapting way too quickly. No longer do they have their movie powers. When Tanner smiles it doesn’t necessarily produce the cool shiny sparkle! Since idea #1 didn’t work, they decide to instead hype up why life in the movies is better. And of course, they now try singing to them, because that is the only way this shit works.

But then it still doesn’t.

It is very impressive for them to have all these sets on a beach ready to go!

Well shit. Now that the friends arrive and tell them that people are disappearing and presumably dying, they think it is a good idea to go back to movie world. They don’t want death on their hands.

But Mack and Brady are still not back together! I know, it is pretty fucked up. So it is a school dance night, and they aren’t dancing together. That is the saddest of all the things. Turns out the movie gang didn’t go back after all. No, they needed to save the relationship. And the best way to do that is to force a song at this strange dance, where they sing about how they just gotta be themselves you know? And they can’t change who they are. A classic musical trope, that features all the boys and girls dancing at each other on their respective halves of the school gymnasium.

So that basically works, but holy fuck, they really gotta get these movie guys back home. So they run to the beach, and literally all the people with speaking lines blow up and fizzle out of reality, leaving just Lena and Tanner from the film. They don’t go into details, but I imagine if they go back, they will be alone and confused. Unless going back magically saves the day and everyone pops back all easy-peasy. There is no real reason to assume that though.

Being your own unique person involves doing mirror like dance sets and singing the same chorus.

Brady and Mack sing a song to get back together. Mack also finds out that Brady has been designing super sweet surf boards on his spare time and he has been afraid to tell her, because Brady is a fuck face. They also realize that if Lela and Tanner pop away, apparently the movie will not exist and they will never meet. Which is awkward. Before Lela goes, she is told by Mack to make her own story and not give into the preconceptions of her movie world. Be her own woman!

They save the day! Yay! Wait what, Brady and Mack don’t know each other. Apparently Wet Side Story still doesn’t exist. Instead it is called Lela, Queen of the Beach. Instead of an awesome Romeo and Juliet musical beach movie it is a movie with even less plot, about Lela being awesome at the beach? Talk about a down grade. Somehow this erases the last few months of history, despite the movie not even mentioning this possibility.

But don’t fret. Brady and Mack now meet for the first time at a screening of this new movie on the beach, at a big party! For whatever reason, everyone knows the movie but Brady. This is some strange flip of the first time they meet, conversations and all. Thankfully, everyone dances and sings along to the movie on the screen, in time with the movie again, letting Brady and Mack fall in love. Or something. Hooray they still end up together, but…differently.

Again, singing and dancing along with the screen is THE coolest.

Obviously, this sequel is worse than the first film. The first film was an average parody of the old fashioned musicals and it was over the top on purpose. This film barely crosses the over the top moments, outside of the song I talked a lot about halfway through the review. I was disappointed with most of the songs. The school dance song could have been better if it didn’t have a generic as fuck chorus about marching to their own beat. It made it terrible. Not even the final closing song was good, because it has a nonsensical chorus for no reason at all.

“Bubble bubble bubble-a, popple popple popple-a
Sparkle sparkle rattly-doo
Fizzle fizzle fizzle-a, whizzle whizzle whizzle-a
Boom-a, boom-a, that’s how we do.” (Repeat x2 each time).

I want to say that song and a few other scenes may be references to Grease, but they do them poorly and just end up looking like shit.

I am also pretty annoyed that the ending doesn’t make any sense. Let alone the danger of them disappearing and somehow just changing their world as they knew it. This isn’t even a time travel movie. This is people going from a movie into the real world and vice versa. They equate their issues as if they were being transported back to the 1960’s, which is not at all how movies should work. Having them suddenly not meet at all earlier in the summer because a movie changed is also terrible, because it came out of no where with no explanation. Related, the fake movie in question always looked bad, but the new movie it became somehow looks far worse.

The only redeeming quality, outside of the awkward smile song, are the biker characters of course, who don’t get as much time to shine. Tanner and Lela have some decent jokes in the real world, but when they become real, those jokes fade.

It is disappointing that they brought in an awesome Asian male to be fawned over, and he ends up with another Asian character at the end, losing some potential sweet romantic diversity.

Teen Beach 2 went for the shitty sequel to make cash quickly route, instead of developing a story as smart (ish) as the original. It practically changed the genre from parody to…just regular not so good original Disney Channel movie. Such a shame. And it will probably develop into a trilogy, maybe with this one also going to theaters?

In conclusion, Ross Lynch is no Zac Efron.

The original Paul Blart: Mall Cop came out very early in 2009, which was a weird time in America. A lot of people lost their money and jobs, so they wanted entertainment to take them away from this brutal thing called life, to help them pass the time until something good finally happened.

That movie was just another kick in the nuts for America. In fact, it was so bad, no one even noticed when Observe and Report came out two months later. That ended up being the better film, but no one wanted to watch something with another mall security guard.

Now, six years later, the movie gods have decided that we have forsaken them over and over again, with shitty film after shitty film. So they have decreed there would be a sequel, aptly named Paul Blart: Mall Cop 2!

And unless we change our ways, they have even threatened us with a television show for his story to continue, guaranteed eight seasons. This news blurb came to me in a deep theater based prayer.

Bow down movie watching mortals and repent! For he acts for your sins!

Paul Blart (Kevin James) was lucky. That is what we have learned since the first film. Six years later he is still working the same crappy mall security job, doing what he loves. However, his wife that he met in the first film left him after six days. And then his mom died after getting hit by a vehicle while checking the mail. Yep. Everything is shit for Paul. At least he still has his daughter, Maya (Raini Rodriguez) who loves him. However, she got accepted into UCLA, and that would have her move far from home. Best to ignore that until a critical moment later in the film.

Thankfully, there is the perfect distraction. Paul gets invited to a security guard conference in Las Vegas, very exclusive, only for the best of the best!

Unfortunately, bad things are also afoot at the conference. Vincent Sofel (Neal McDonough) is there with a bunch of bad guys! They are going to steal works of art from the hotel that are worth millions! Mwhaha!

Too bad they are going to underestimate the small security guard conference sharing a hotel with them. Typical bad guys, ignoring mall security. Have they learned nothing in six years?

A lot more people here, but none of them are really important enough to talk about their characters. But they are played by David Henrie, D.B. Woodside, Nicholas Turturro, Loni Love, Gary Valentine, Ana Gasteyer, Eduardo Verástegui, and Daniella Alonso.

This picture makes it look like Kevin James has a tiny mouth under his real mouth.

I don’t hate Kevin James, I actually like him. I am not saying he is a great actor, but he can be a funny dude. Remember Hitch? Hitch wasn’t that bad. And I thought Here Comes The Boom was way better than it had any right to be. My first media intake of James was actually his stand up special Sweat the Small Stuff (I never watched The King of Queens) and loved it for years! It just seems that no one outside of Adam Sandler is giving him any work to do which is sad. Everything is also super family friendly. He could do great with some more at least upper teenager material.

Unfortunately instead we get shit like Paul Blart: Mall Cop 2, where everything is a fat joke, slap stick, or just awkward in the worst ways.

The acting is bad, the plot is worse, the characters are boring and not funny. Nothing works in this movie. Sure, technically it tells a mostly cohesive story, but it does it in the lamest ways possible. It doesn’t even want to treat its hero correctly. Watching his mom get killed by the car and the divorce so soon into the film, it was clear this was a movie to make fun of a man and shit all over him and not to laugh with him. Those things felt mean, not funny, and set the tone for the entire rest of the movie.

Kids might find this movie funny, but I would never show it to my own. I try to only show them good material and not just the lowest common denominator film for the cheapest laughs. That is why they will never see Planes under my watch. And hopefully they won’t even have to live in a world where a third one of these films gets made.

Something must be in the water, because this is my second “made for TV” movie in a few weeks. Not to spoil the surprise, but I have a third one next week as well.

To give 7 Days In Hell some credit, it is at least an HBO movie, so it won’t be restricted by what stay at home moms want to call the network to complain about if it gets too violent, sexy, grotesque, or angry. They can do what they want!

The release of the film of course is due to Wimbledon about to finish, so why not have a quick mockumentary about a game that never happened. This film is of course inspired by the Isner-Mahut Wimbledon match up in 2010, that went for over 11 hours over 3 days, and was the real game that would never end. It is not based on the Wimbledon romantic comedy from 2004, which (screw you haters!) is actually one of my favorites of the year.

Paul Bettany just needed better hair, like these folks.

This historic match took place in the early 2000s, but before one can find out why they battled hard enough to play tennis for 7 days straight, one has to see where the men involved came from.

Aaron Williams (Andy Samberg) had a reverse Blind Side situation, where he was a white kid on the streets and he got adopted into a black family. Note the last name, yes, he was the adopted brother of the Williams sisters. So it is no wonder he too became great at tennis. Never great enough unfortunately. Because after a huge accident one serve away from winning Wimbledon in the 90’s, Aaron has never been the same. His game was off, he had to turn to other careers and eventually wound up in prison. His hot head personality is missed on the court for many years until he gets out of jail.

On the other side, we have Charles Poole (Kit Harington), a child prodigy, starting to play tennis at the age of three. Some say his maybe abusive mom (Mary Steenburgen) forced him to be the star he is, but it worked and he became the youngest pro ever. He is also the best chance of a British person actually winning Wimbledon in a long time, coming into the tournament at the 2nd overall seed. He is also close to retarded, having no real schooling outside of tennis and graduating from a truck driving school.

Needless to say, due to (plot), these two gentlemen find themselves playing each other in the first round, Aaron to get back to the top, and Charles for his country and to be the very best.

But then rain delays were just the beginning of the issue, in this back and forth match where a player could rarely hold an upper hand, until, you know, it finally ends and stuff.

Any documentary of course has people to tell the story, so we got a few of those! Including a few tennis historians (Will Forte, Fred Armisen), a Jordache Executive (Lena Dunham), the girlfriend of Charles’ at the time (Karen Gillan), and a creepy TV interview host (Michael Sheen). But that isn’t it, the story is also told by David Copperfield, John McEnroe, and Serena Williams!

This is bullshit, they should be playing overnight as well. Who gave them breaks?

I tend to try and have some sort of time criteria for a review. If a movie isn’t an hour long, is it really a movie? Or is it a strange television episode? This in particular has made documentary watching harder, because there are a lot of made for TV documentaries that include commercials leaving the viewer with 40-45 minutes of material. Most notably in this group would be the ESPN 30 for 30 documentaries, which this mockumentary is actually styled after. So it makes sense for the movie to only be about 43 minutes in length, and hey, I will let it pass, because the teaser for it made me giggle. Damn it.

I was surprised at how many jokes it could cram into one tiny documentary. A lot goes on with their lives and with the game, and it feels good not really spoiling any of it. In particular, after Samberg, Forte and Armisen provide the most laughs as the historians.

This is a tiny project and it definitely works for what it is. If anything, Harington is actually the most disappointing aspect. I don’t think it is him, but they gave him a lame character to play. Either way, I hope they do more movies in this style in the future, as they can provide easy entertainment probably relatively cheaply for the channel.

Me and Illumination Entertainment don’t get along. They had one of the most racist kid movies in recent history with Hop, a bad Lorax, and the Despicable Me series. I thought the first film was bad, but at least I liked the minions.

Then Despicable Me 2 came out. They heard we liked minions, so they gave us a bunch more minions. It ended up being bad as well, full of shitty humor and too much minions, not enough good story.

But that made Universal, the distributor, a shit ton of money. More money than any other film they had distributed, so of course we needed MORE. More what? More Minions of course! “Fuck Gru, give us Minions!” They are now super advertised, with tiny shorts before movies, awkward commercials, lunchboxes, pencils, everything. They are printing money by having tiny yellow creatures on them that speak gibberish and sing gibberish covers of famous songs.

This film was also pushed back, but not for delays. Originally scheduled for end of 2014 release, they went with the mid-summer release instead because it had been making them pretty dang good money.

Enough money to take down Disney World? We will see…

Minions is a prequel to the Despicable Me movies, about how the large group of minions (Pierre Coffin, all of them) came into existence and how they eventually met Gru. Turns out they are basically large single celled organisms, and never really evolved into bigger and better things. Instead they were followers. Instead of looking for just the biggest and strongest creature to protect them, for whatever reason they looked for the most “despicable” person to follow, because the minions are apparently evil as fuck, despite never doing anything evil.

The minions went throughout time, following bad guys and always pissing them off or killing them from their ineptitude. Until they had to go into hiding where they made their own minion community! It was safe, but boring. It wasn’t until three minions, Kevin, Stuart, and Bob, set off to find a new big bad boss did anything change. Aka, the 1960’s. Their travels eventually introduce them to Scarlet Overkill (Sandra Bullock) and her husband Herb (Jon Hamm), who are about to steal the crown from Queen Elizabeth (Jennifer Saunders) and take over the country.

But if the minions want in on being her slaves, they gotta prove themselves first. You know, doing evil stuff and doing the job for her. Easy peasy. And if they fail, well, eventually they will find Gru right?

Also using the voice talents of Michael Keaton, Allison Janney, Steve Coogan, Geoffrey Rush as the narrator, and Hiroyuki Sanada as “Sumo Villain” because that is all they could give him, I guess.

If this was called Minion Pie, this scene could be the day that the minions died?

Watching the trailer for Minions, I had hope. It looked like it could actually be a funnier movie and maybe make me laugh. Not having to worry about the awkward bad guy + kids situation, we could focus on a better more interesting plot of shenanigans and tomfoolery. Tomfoolery we may have gotten, but not the kind of tomfoolery one would want.

The movie made me laugh just one time in 90 minutes, which is obviously a bad sign. The jokes weren’t clever. Their only attempt at appeasing the adult audience would be the several songs they included for the minions to gibberish sing, all of the songs older of course given when it takes place. But even that is incredibly lazy. That joke is more of a “Haha, do you get it? You know this song right? This is funny because it is something you know but minions singing!”

This is not to say that I am angry at the fact that they don’t speak any real language. That is part of their character design. But to have a movie focus so much on them talking to others and each other, feels terrible. We can assume everything they are saying, sure, due to the weird way their language works. But it feels more annoying than anything. They rely on side human characters and narrators to actually explain plot points, because for the most part their main characters cannot.

Additionally, having them focus on three random minions to give them some sort of personality just annoys me that the other dozens of characters are ignored. I would have rather seen them work as the cohesive group, going full on henchmen, not just a couple guys on a bad road trip.

I am surprised that it ended with them actually meeting young Gru. I figured it took place in the late 60’s so they could justifiably fit in 3-4 more Minion movies pre-Gru to milk the franchise more. A Minions 2 with young Gru would be annoying, because it gets rid of all of his character development (but maybe it would actually make him evil? That’d be a shocker). For now though, our next film with them would be Despicable Me 3 out in a few years, which promises more of the same, so it will probably suck.

I am a bit annoyed that this will probably make so much money, especially if it makes more than Inside Out, a superior film in almost every conceivable way. The success of the film just means that minions will still appear everywhere. Yes, that includes the strange memes going around that have the minions as the main picture, and then some random joke text, that has abso-fucking-lutely nothing to do with the franchise at all that old women and dumbasses share on your facebook page.

If you want a movie in production hell, then you want Ant-Man. Sure, Iron Man was technically in development since the 1990s, but those were with different studios before Marvel got it back in 2006. If you didn’t notice, they then pushed out the movie just two years alter.

Ant-Man, however, was also in development since 2006 and took just nine years to finally get released. That is a long time of trying to make a movie work and never giving up. Well, they technically gave up a little bit. Edgar Wright who was signed on to be the director since the beginning was fired early 2014 from the project which scared a lot of movie fans. Wright is well liked and has an awesome style. And the movie was roughly a year away! How could they do this? And with script re-writes as well!

I will admit that I too overreacted, expecting that Ant-Man would unfortunately be Marvel’s first real disaster of a movie in a long time, possibly meaning bad news for the other new franchises coming down the time lines. But as a not so secretive fanboy, I was also of course hoping for the best.

Thumbs up, seven new franchises up!

The movie starts in Taylor Swift’s favorite year, 1989, where some dude named Hank Pym (Michael Douglas) is upset over S.H.I.E.L.D. turning his science into weapons! He made a Pym Particle, but he refuses to let them have it for warfare, so he quits and starts his own company. It should be noted we get to see Agent Carter (Hayley Atwell), an older Howard Stark (John Slattery), and a random tool, Mitchell Carson (Martin Donovan).

Now, in the present day, Scott Lang (Paul Rudd) is just getting out of prison. He stole from his corrupt company who took millions from customers and gave it all back. He has a masters in Electrical Engineering, but he is also a pretty great thief it turns out. He has tried getting a regular job, but his crime history makes it hard. No job means no money, which means he can’t pay child support to his ex (Judy Greer), and thus he can’t really see his daughter (Abby Ryder Fortson). To make things worse, the ex is now dating a cop (Bobby Cannavale) which is all sorts of awkward.

So Scott gets with his friend, Luis (Michael Peña), who has a heist for them. With a few friends (David Dastmalchian, T.I.), they are going to rob Pym’s house who has the biggest safe ever. Unfortunately, the only thing in it is an awkward suit.

Turns out it was all a test. (I swear I am not spoiling the whole film). Pym’s company is no longer in his hands, and his protege Darren Cross (Corey Stoll) is about to discover the shrinking secret. Once he gets the formula right, he is going to sell the Yellow Jacket suits to the highest bidder, making an unstoppable army at whomever’s disposal. Their only person on the inside is Pym’s daughter, Hope (Evangeline Lilly).

So it is simple. Break into an extremely secure facility, destroy the science and the suits, save the day. A nice heist. Perfect for someone who can shrink and control ants, right? Also Wood Harris! Fuck, I couldn’t fit him in naturally!

Super powers are overrated, you da real MVP!

Again, it looks like I told too much, but I think I told the basic motivations of our main characters and also threw in most of the side players as well. You got to see the two good guys, where they are coming from, and of course the bad guy.

And I fucking loved it.

Ant-Man had everything I wanted in a Marvel super hero film. It wasn’t ever super drama serious, but it had its touching moments. It was funny, and then it was also hilarious. Many characters brought the charm in. And the action was exciting. The CGI ants I thought would be cheesy, but they worked really well in the context of the rest of the film. Going back and forth between small and large to fight everyone was very slick. There was a wonderful montage and we even got a pretty significant Avenger cameo.

I really need to acknowledge Michael Peña, who was the best part of this movie and for all I know, not based on any comic book character. He was hilarious and I hope he gets to be in future Marvel films.

There was a weak part though. The relationship between Pym and Hope was supposed to be strained, but the actors didn’t act it well and it instead kind of just sucked. I am more incline to place the blame onto Lilly, but it could be that she was just given a weaker character with terrible lines and development.

Ant-Man has it all. It even has a villain who seems realistic and isn’t just a dark brooding figure. He has his own real motivations and a backstory and his arc makes a little bit of sense. Their fight scenes were wonderful. And on paper he may seem like a minor bad guy, but I think he is the best villain since Bucky and Loki.

Bring me more Ant-Man.

If I had a nickle for every time I decided to not yet watch The Best Exotic Marigold Hotel, I’d probably have at least $1.50 by now. I remember seeing it in the movie rental store Family Video, back when rental stores existed where I live. I would walk by the B section, glance at it, and mumble “Not today.”

And then they announced the sequel. The Second Best Exotic Marigold Hotel. I saw a trailer, not actually knowing what the first one was about. Then I realized I had to hurry and watch the first one by early March, or else I wouldn’t get to see the sequel in theaters!

And here we are in July. I can say not getting to see the sequel in theaters was apparently a perfectly acceptable decision!

Much like my stereotype of the characters in the film, I would get to it when I get to it, dagnabbit.

Sonny (Dev Patel) has an idea. He is going to take his inherited family hotel and turn it into a lush amazing retirement home for Americans and British people to come to, to die. He is the third son and no one expects anything of him. His mom (Lillete Dubey) just wants him to come home for an arranged marriage, and doesn’t want him to marry Sunaina (Tina Desai). Too bad. He has dreams.

And this group of old people are his guinea pigs. That sounds sadistic, but really the film is about these gentle people ready to die.

Like Jean (Penelope Wilton) and Douglas (Bill Nighy), who have lost most of their money due to investing in their offspring and need some cheap place to go. And Evelyn (Judi Dench) who needs to sell off her house to pay off debts left by her late husband and needs somewhere cheap to go. She also is our blogger and narrator! And Muriel (Maggie Smith), who actually hates India but needs somewhere cheap to go for hip replacement surgery.

The theme here being people who want to go someplace cheap and far away for reasons.

Unless you are Graham (Tom Wilkinson), who retired suddenly and went back to India where he grew up for secret reasons. And finally we have Madge (Celia Imrie) and Norman (Ronald Pickup), looking for love and youth. But not young love, don’t be creepy.

This could be the most exciting falcon punch warm up.

The best part of The Best Exotic Marigold Hotel is that it went exactly as I expected and thus, my delay of watching the film seems justified. Sure, one could argue I forced the movie to be as good as my brain let it be, but I gave it as fair of a shake as I would give most films I know nothing about.

At times, the film was touching, at times I smiled a bit, but I didn’t find it to be great in either the drama or the comedy regards. Tom Wilkinson has the best plot, hands down, and some of the plots don’t feel like I should have even mentioned them in the plot details. But that would be harsh to ignore a couple of the main cast members. After Wilkinson, I enjoyed Patel’s story line and thought the Nighy/Wilton plot was unique enough. Everything else was closer to a miss than an barely hit for me.

If anything, this movie just has too much going on in it. There are eight residents of the hotel, only a couple that have overlapping plot points for their own journeys, AND the owner of the hotel with his own story. So much going on, crammed into two hours, and I couldn’t connect with all the characters. Having so many people makes it feel like they are shooting with a shotgun, hoping the spread would hit enough people to make enough people love the film.

I do think a sequel can be better though. We will have established characters, some with finished plot lines from the first film, so they are easier to understand allowing for even newer characters to take the spotlight. The movie finishes pretty damn average, but it does lay down enough foundation for better films down the line.