Tag: Comedy

In case you haven’t been keeping count, The Do-Over is movie #2 of the Sandler-Netflix collaboration. Netflix has said they don’t care about having the best movies, they just want a very diverse set of films, films that reach many different demographics and personality styles.

So they don’t always care about the critics. Which is why they offered Adam Sandler a four movie deal, because some people really like his brand of comedy, including the overseas market. Go figure.

Movie #1 was The Ridiculous 6, which I found very disappointing. The Do-Over seems to be going in a very different direction, both in terms of style, genre, and size of the cast. So there is a chance that this one ends up much better.

Holy crap, the promo images for this film are crap!

Charlie (David Spade) doesn’t like his life. And no, its not because the actor hasn’t had a hit in a long time. He is at his ten year high school reunion, watching his constantly cheating wife (Natasha Leggero) get down with the old high school prom king (Sean Astin). He is a bank manager, but the bank is inside of a grocery store. There are two step kids who treat him like shit. But then he sees Max (Adam Sandler).

Max has changed and seems really chill and cool now. And when his life goes on a vacation with him, Charlie decides to hang out with Max on a boat and have a great bro weekend. Then the boat explodes, Charlie is drugged, and Max takes him away.

Why? No, not to kill him. Max thinks that Charlie hates his life, so he decided to fake their deaths taking the identity of two people who recently died. They had a lot of money, a sweet vacation home, and they can just get away from it all and get a second chance at life. Or, you know, a do-over.

But there are problems with their plan, especially since the two men were murdered and those who are after them are going to come after them too. But that is a problem for later. Right now it is time to party party party.

Also starring Paula Patton, Kathryn Hahn, Nick Swardson, Catherine Bell, Michael Chiklis, Luis Guzman, and Torsten Voges.

Seriously, what do I do with any of these pictures? So generic.

The Do-Over just may very well be one of the okayiest movies I have ever seen this year. Almost on every front the film just feels average. The acting is as expected, the jokes are average, the twists are too many and the plot a little bit stupid. But some of the action scenes are entertaining, some of the jokes made me smile, and some of the twists were actually decent.

but taking it as a whole, there are a lot of stale moments. The intro goes on for too long. Too many fake identities for Sandler, and just too many twists overall.

It isn’t super strong on comedy or action, making the jokes and shots seem like after thoughts.

But when compared to the last 15 or so films, it is at least better than 12 of them. That is saying a lot about Sandler’s recent film career, but what it really says is that I loved You Don’t Mess With The Zohan and didn’t think Just Go With It, Pixels, or That’s My Boy were that bad. These comparisons still probably don’t sell the movie for you, and honestly, they really shouldn’t.

Would not super recommend.

2015 (which feels like a long time ago), had a few horror comedies all released in the span. You know, October-ish.

There was Cooties, the only one I ended up watching, that didn’t blend its horror and comedy well enough to warrant a rewatch ever.

There was Scouts Guide to the Zombie Apocalypse, which I didn’t see, still haven’t seen, so I am not sure why I brought it up.

And Freaks of Nature, which didn’t even get a theatrical release as far as I can tell. And of course, I decided to watch it before Scouts Guide, because it has my second favorite character from Sky High.

This movie unfortunately doesn’t have Bruce Campbell.
I unfortunately say that about most movies I see.

The town of Dillford is a strange place. Here, and maybe elsewhere in the United States, humans, vampires, and zombies live in peaceful coexistence. Sure, there are things that bother people, and you have bigots, but for the most part they can live and not kill each other.

That is until the aliens come. Because a fourth entity can only mean trouble. Everyone begins to fear the other side, and soon, all out chaos erupts in the town, with friends fighting friends and no one knowing what the aliens are up to. It is up to three teenagers to save the day. Who I will talk about so I can tag a lot of actors.

Dag (Nicholas Braun) is our human hero, and a bit of a lame dude. He is super in to Lorelei (Vanessa Hudgens), but she just uses him to store weed in his house. His parents (Bob Odenkirk, Joan Cusack), think he smokes as well (like them!) but no, he doesn’t.

He used to be good friends with Ned (Josh Fadem), a smart guy. Ned is pissed off at his family (Ian Roberts, Rachael Harris, Chris Zylka), who are into sports and meat and hate smart kids. So eventually he decides to say fuck it, and let a zombie bite him. Less pressure that way.

And then there is Petra (Mackenzie Davis), a girl who was called a slut despite never really having sex. And she thinks she is about to have sex with a Edward Cullen looking dude (Ed Westwick), but he actually wants to make her a vampire. And well, screw it you know. He wants to be with her forever. Well, let’s just say he is a dick.

Also featuring Denis Leary, Mae Whitman, Keegan-Michael Key, Patton Oswalt, Pat Healy, and Werner Herzog.

Gotta get those website clicks somehow.

For a straight to DVD, probably low budget, comedy horror, I found myself laughing way more than I expected. It was never scary, because horror just means “has vampires and zombies in it” sometimes. And that is okay. Clearly this is a movie not meant to be taken seriously and provide a good time.

And damn it, it does. While also giving me the necessary high school angst that is necessary for movies set in that age group. Sex scandals, bullies, sports, drugs, and teachers being dicks. We get all of that plus zombies and vampires! And sure, an alien or two.

There isn’t actually a whole lot to say about this film as a whole besides it being a good time. Our leads are okay, in particular I am becoming a decent fan with Mackenzie Davis. I’ve seen her now in two movies with a lead, the other being That Awkward Moment, and enjoyed the crap out of her characters. Her side characters have been fine too. Out of everyone in this cast, I hope she breaks out soon.

Braun, you are a funny dude too, but keep to the smaller movies. You thrive in them.

I want more silly movies like that. Let’s make a sequel folks. But you know, more horror tropes.

As a big man, I would like to think I was an expert on big splashes. It kind of just comes with the territory. Now, my belly flopping days are definitely over, as any attack to my stomach has me keeling over, but there is still a lot of back and ass available to turn your regular pool into a tidal pool.

That being said, I had no fucking clue what A Bigger Splash movie was about going in.

From the cast, it looked weird. From the director, it looked foreign. From the quick synopsis it looked pretentious.

However, had they told me there would be dancing, I would have watched it even sooner!

In this world, you would have heard the name Marianne Lane (Tilda Swinton). She was a big time rock superstar and world famous. Man could she sing. You just won’t hear a lot of that in this film, because she had some vocal problems and had to have some surgery. So now she is staying in a nice villa in a small island village in Italy to rest and get away from it all. She is staying with her long time boyfriend, Paul De Smedt (Matthias Schoenaerts).

This vacation is perfect for gratuitous amounts of sex and just being naked. But then they get found out. An old friend, Harry (Ralph Fiennes) figured out where they were staying. Old friend meaning producer and former boyfriend of Marianne. Despite his outgoing personality and awkward party past, they invite him to stay in their house. He also brought his 22 year old daughter, Penelope (Dakota Johnson), whom Harry just found out even existed.

A troubled past, the vacation setting, and not really knowing everyone lead to some very awkward circumstances. Especially when characters feel the past has not yet been fully settled.

Also featuring Corrado Guzzanti as a police officer, who looks like an older Italian Michael Shannon.

Shit, even I’d be willing to eat outside if ti looked like that.

First thing I learned is that A Bigger Splash is not just some weirdly Italian original film, it is a remake of an actual Italian film from 1969, La Piscine. Typical Hollywood, always remaking shit. (This is a joke, because this is not a Hollywood movie and no one fucking knows about La Piscine.)

Secondly, look at all the naked people. There are four famous people in this movie, and you will see them all. Some more than others. I got to see Ralph Fiennes’ Lobby Boy, if you catch my drift. I feel like everything Dakota Johnson has been in lately involves her just being naked half the time. It is almost ridiculous. If you hate the site of a naked body, you will not want to see this film.

Thirdly, Fiennes danced incredibly and I wish it was more of the film.

Those are all the weird points I had to make. If I had to talk about the movie itself, I would probably mention that the cinematography is gorgeous. And by gorgeous, I of course mean the setting. But also the camera was just straight up weird and all over the place in the film, almost a fifth main character.

The acting is top notch. The situations are awkward. The soundtrack and sound effects were on top.

I think my biggest problem is that it just felt so incredibly long. It is a little over 2 hours and the last 20-30 minutes seem to drag. Based on this type of movie, after the climatic events, I expected almost every scene after it would be the last. But no, it kept going and it really brought down the film for me.

You would be hard pressed to find a weirder movie this year, that also takes place in a realistic setting with realistic circumstances.

Comedy sequels have gotten a bad rep lately. Like Zoolander 2 and Dumb and Dumber To. Okay, those had many years between sequels, but like…The Hangover Part III and Horrible Bosses 2.

So I went into Neighbors 2: Sorority Rising with a skeptical face. I enjoyed Neighbors and rewatched it the morning of the screening, still holds up decently.

But the problem with comedy sequels is the direction you take it. Do you give them more of the same? If so, then it isn’t original any more. If you give them something completely unrelated, then why even make it a sequel and not an original movie?

Neighbors 2 might just be Neighbors with more women.

But you know, regular, chill, want to kill you women.

After Neighbors, Mac (Seth Rogen) and Kelly (Rose Byrne) returned quiet to their neighborhood. But now, Kelly is pregnant again, so they want to move to a new house with more rooms and with less neighbors. They put an offer on a house and they were accepted! However, their current home isn’t sold yet. It is on escrow. So the buying couple has 30 days to check it out and do tests and can back out at any time.

And at that moment is of course when some new people move in. Shelby (Chloë Grace Moretz), Beth (Kiersey Clemons), and Nora (Beanie Feldstein) want to start their own sorority, that can party and smoke weed and promote their own feminist values of sisterhood. They just have issues getting enough money to rent the place for their dreams to come true.

That is where Teddy (Zac Efron) comes in. He is feeling pretty pathetic, everyone in his life is becoming successful except for him. And Pete (Dave Franco) is now totally gay and about to get married to Darren (John Early), which means Teddy needs a place to stay. He decides to become a sort of sorority consultant to the girls in order to find value, and maybe screw over the people who gave him a criminal record and all.

Woo, prank wars!

Some smaller roles are played by Selena Gomez, Clara Mamet, and someone called Awkwafina. Also returning, albeit briefly include Hannibal Buress, Chistopher Mintz-Plasse, Jerrod Carmichael and the best friends Ike Barinholtz and Carla Gallo.

This is how I dress up when I want to look young.

Neighbors 2 actually does a good balance of keeping things original with appropriate call backs. The picture used right above ended up being one of the funniest scenes in the film and was entirely new and fresh material. My second and third favorite moments were both call backs to airbags. There are several great humorous scenes that really carry the film and overall make this film a good time while watching it.

But when comparing it to its predecessor, it doesn’t hold up as well. My main faults lie with the chemistry between Moretz, Clemons, and Feldstein, the leaders of the new sorority. It is practically non-existence. Yes, before the events of the film, they didn’t know each other, but most of their comedic scenes together never really feel too funny. Their logic and reasoning for wanting to create their own sorority is actually a good one. The film delivers a real message about sorority culture and the need for change. They just failed to make it funny.

Most of our humor is reserved for our old people roles and Efron, while the sorority side remains mostly serious in their own goals. It is a strange dichotomy in this movie.

And honestly, the ending tried to tie everything in a nice bow, but the solutions that were found don’t make a lot of sense when you examine it for just a few seconds.

Again, some great funny scenes in this movie, and strangely enough, some character growth, but they are unable to deliver their message while maintaining the funny throughout.

Is Kindergarten Cop good? I honestly don’t remember. My memories of it are fond, but that is based entirely on the 2-3 jokes I can actually remember. It came out 26 years ago and is probably objectively bad, but since it starred Arnold Schwarzenegger and was directed by Ivan Reitman we can look back on it with some sweet ass nostalgia glasses.

So why the sequel? Fuck if I know. The rights were there, the plot was easy to put forward, and it would involve a large man dealing with kids. Basic 90’s comedy gold. I mean, that is when we also got Mr. Nanny! Nothing funnier than seeing someone with muscles do woman work and deal with shit head kids.

Despite everything, Kindergarten Cop 2 now exists. It is of course not at all related to the first film, straight to DVD, and we have to go on with our lives knowing this to be true. Barring time travel, Kindergarten Cop 2 will now always exist, and maybe even one day a Kindergarten Cop 3.

This would be the world gone mad should there ever be a KC3.

Agent Reed (Dolph Lundgren) is your typical tough guy, no nonsense, detective. His current worries involve getting a Zogu (Aleks Paunovic) into jail. Just your normal bad guy. They have someone in witness protection, Katja (Rebecca Olson), who was a part of his organization and is going to tell everything to put him behind bars.

Thanks to some Zogu shit, we find out that the servers may have been hacked in some way, and now a flash drive exists with the names and locations of everyone on the witness protection program. Zogu wants that flash drive to kill Katja and then no case can be made against him (outside of him killing Katja). But the flash drive was in the possession of a kindergarten teacher who is now dead.

Apparently the kids would know where it was, but after interviewing a few of them they find nothing. So they feel the only thing they can do is for Reed to go undercover and find the flash drive by interrogating them in a friendlier setting. But those darn kids are just so damn annoying.

Argh! Worst assignment ever, am I right?!

Starring Bill Bellamy as his partner, Fiona Vroom, Sarah Strange, Darla Taylor, and sure, let’s list some kids, Raphael Alejandro, Tyreah Herbert, and Abbie Magnuson.

Ah, kids! Still yelling! Ahh!

To be fair, this movie is probably very similar to the first one. I don’t remember. KC ended with the night scene at the radio tower or something right? Only one kid mattered. In this film the whole class was involved at the end, because then you can see little kids pummeling a bad guy. Hilarious!

But I found out the point of this movie. It was to complain about kids these days. That is about it. Schools coddling kids, not allowing things like peanut butter, or chocolate, and being nice and equal and shit. That is where half of the jokes come from. Like it was written by some old geezer who just doesn’t understand change.

The action? Not important or exciting. The Lundren/kid interactions? Not too great. Predictable. Standard.

Kindergarten Cop 2 isn’t even the type of film you would want to put on Netflix while cleaning your house. It is the type that you never watch. Ever. Just don’t.

Nice guys have gotten a lot of bad press lately. And that is because of the “nice guys” trying to take advantage of women by befriending them and expecting sex and berating them and being not nice people. So calling someone a nice guy is a pretty big insult.

And The Nice Guys movie happens to be coming out the same day as The Angry Bird Movie, what a whirlwind of emotions!

Fun fact, if you look at the last names of the leads of this film, you will realize that they are also, in fact, birds, making this seem like something more than a coincidence.

A gosling is a baby goose, for those uninformed shitters out there!

Holland March (Ryan Gosling) is a private eye, raising his daughter, Holly (Angourie Rice), alone. He mostly works sex jobs and things involving the porn industry, and screwing over old ladies into getting paid for working cases. Jackson Healy (Russell Crowe) is a hired muscle, paid to beat up stalkers, people messing with young women or daughters, just creeps in general.

And life is good for them both in the late 1970’s. That is until Healy is paid to beat up March, for “stalking” some chick named Amelia (Margaret Qualley). Except March wasn’t even looking for Amelia. He was paid to find Misty Mountains (Murielle Telio), a porn star who died a few days earlier, but whose aunt swore she saw her later.

Everything seemed to be going great after the beat down, until Healy headed back home and found two thugs (Beau Knapp, Keith David) trying to kill him. They too are looking for Amelia, whom Healy hasn’t seen in quite a few days. Something bigger is going on with this girl, and if he wants to feel safe at his home, he has to find her. So he might as well get some help. And he only knows why investigator who has any sort of luck finding her. You know it.

And then some shit goes down.

Also starring Kim Basinger, Yaya DaCosta, Matt Bomer, Jack Kilmer, Ty Simpkins, and Hannibal Buress as a giant killer bee.

Don’t stare. I did just fucking say a giant killer bee.

Ever here of this guy Shane Black? He actually wrote/directed Iron Man 3 and Kiss Kiss Bang Bang, while also writing a bunch of Lethal Weapon movies and more action things. He loves action, and now he has written The Nice Guys, which has been in development hell. Him and his buddy, Joel Silver, a producer, have been just trying to write and rewrite it for years, and eventually they got the actors involved and made it as quick as they could.

And to Mr. Black and Mr. Silver, I would like to say, hey, thanks for keeping up the faith.

The Nice Guys was a hilarious movie. Gosling and Crowe have an incredible chemistry despite their age differences and in general very different film history. The comedy and timing between them as practically perfect. And even better than their characters had big flaws, not just strange stereotypes. After watching them in this film, I practically demanded a sequel, but the theater worker claimed he had no control over that.

The only other person worth noting is Angourie Rice, who plays the daughter, and was in the very terrible Walking With Dinosaurs. She was basically a third member of their group and really tied the film together. That also means that that for the most part, the rest of the cast weren’t really notable. And there are some decent names. Bomer felt robotic, Basinger/DaCosta didn’t feel natural, and Qualley as Amelia was forgettable.

A great action comedy for the leads and one that I hope spawns a future movie. It is still a film worth watching in theaters, but equally a good idea to watch with a group of friends at 3 am on a Saturday morning.

Captain America: The Winter Soldier before 2016 was the best Marvel movie to date. It was solid all around, had the best action, the biggest stakes, and was nearly perfect. Before that, Captain America: The First Avenger was probably the second most solid solo film of Phase 1, behind Iron Man and also behind The Avengers.

Despite the resounding success of Captain America films and the Russo Brothers at directing, I was worried about Captain America: Civil War. Like, really really worried.

First of all, it is one of the only full plot lines I have actually read the comics for, so it holds a special place in my heart.

Second, I had seen a few trailers and I was worried about a lot of things. If the trailers gave too much away. That the plot felt forced (unnatural) and the big fight between the two groups would be cheesy. That the previous films didn’t set things up enough for the resentment to be believable.

A huge list of worries. I only need to state them out clear so I am not shown to be a fanboy. Especially after Batman vs Superman: Dawn of Justice, I was ready for disappointment.

And no matter what happened, I would be Team Cap all the way.

This movie will make more sense if you saw Avengers: Age of Ultron and Ant-Man. I assume you did, because come on, Marvel.

The film actually starts out, after some flashbacks, in Lagos, Nigeria! Some current avengers (Captain America (Chris Evans), Falcon (Anthony Mackie), Black Widow (Scarlett Johansson), and Scarlet Witch (Elizabeth Olsen)) are staking out important buildings, looking for Crossbones (Frank Grillo). Needless to say, not everything goes perfectly and some civilians get hurt. Namely, a group of missionaries!

Based on those events, the events in NYC, in Sokovia, and more, the world has decided to stand up in unity and demand action. Over 100 countries have signed the Sokovia Accords, which states that the Avengers will now only act if they have permission from a UN Panel, and of course, have to act if they deem it necessary. A few of the Avengers agree with these accords. Iron Man (Robert Downey Jr.) is feeling guilty and War Machine (Don Cheadle) is on his side. Hell, even Vision (Paul Bettany) feels it is necessary to avoid problems in the future.

But not Captain. He has trust issues with these sorts of groups now, and doesn’t want to be forced to step aside if he sees wrong doing, or be forced to do something he sees as wrong. So he doesn’t sign the papers. The papers are led by the King of Wakanda, T’Chaka (John Kani), who is especially pissed that their primary export was used to make Ultron. And sure enough, more bad things happen. Apparently The Winter Soldier (Sebastian Stan) is at it again!

Fuck, so much shit. Captain believes Bucky is just brainwashed and wants to protect his old friend and not let the government kill him. So yeah, there is some conflict here. Captain and a few others agree to help him out, to get to the bottom of all of this, while the other guys have to stop them for negligently doing bad things to the UN and other officers. Fuck, who is right, I don’t know?!

Also featuring the return of Hawkeye (Jeremy Renner), Ant-Man (Paul Rudd), and Agent 13 (Emily VanCamp). And of course, introducing Chadwick Boseman as Black Panther, Tom Holland as Spider-Man, Marisa Tomei as Aunt May, and Daniel Brühl as Baron Zemo. William Hurt plays the Secretary of State and Martin Freeman as the head of the UN Avengers Council thing.

Shit Spider-Man, why do you gotta go and steal my boy’s shield like that?

Captain America: Civil War is two and a half hours long, but I found myself wanting more. I needed more. More of everything! I could spend the next 500 words just comparing it to BvS, but that wouldn’t be a review of this film, it’d just be a shitty comparison. So I will keep it short: Civil War did a lot of things right that BvS did not.

Civil War turns out to be a fanboy’s wet dream. The action is incredible throughout most of the film. For each and every spout of athleticism, you can understand the fight. There aren’t a thousand quick cuts or shaky cameras. You will not only see well choreographed fighting skill sets before your eyes, but each character fights true to their persona and powers, so no one ends up fighting the same. Of course, a lot of heroes end up fighting and battling with other heroes. We also get tons of team ups you haven’t seen before. All of this creates for some intense scenes with a whole lot of fan service.

Now now, I know what you are thinking. If basically everyone is a good guy with future films, the tension can’t be real. Well, for the most part you shouldn’t expect people to die. Because it is a comic book movie and all that reason. I am not saying people don’t die, but I am saying for sure a lot of people do get hurt, both physically and emotionally. This is not a movie that wraps up everything with a nice big bow, it changes the future landscape of the films…much like The Winter Soldier did.

On another note, Civil War doesn’t go the obvious route throughout the plot. It didn’t go the typical Marvel movie route. It didn’t just keep escalating the odds to ridiculous levels. It had emotional backing behind it, on every side and even on the villain side. Some can complain that the villain is too calculating, but when I compare his plan to someone like Lex Luther’s (fuck I did it again), his makes a lot more sense without ridiculous stretches.

Thank’s Black Panther. You are clearly just aggressively giving the shield back here.

Now here, allow me to hype things.

Black Panther HYPE! What a great introduction to this guy. He was shown to be strong, agile, moral with conflicting issues given his royal upbringing. His inclusion in this film was well written and explained, along with why he chose to fight. He is in this film a bunch, more than most of the other Avengers. I am so excited for this eventual film and future roles.

Spider-Man HYPE! Spider-Man was in this film a lot more than I expected as well. We got to see him as Peter Parker a bit as well for an introduction. His fighting was very spider like, along with his normal combat quips. They also showed his age really well, when compared to the old ass fuckers on the team, giving a clear and distinct gap in knowledge bases and general attitude.

Future films HYPE! I can’t wait for more. Like I said originally, I wasn’t looking forward to Civil War. After BvS, I certaintly wasn’t looking forward to Suicide Squad. All of my hopes were riding with X-Men: Apocalypse, which I don’t see as being good as the last two, and Doctor Strange, which I am pretty excited for. But now I have higher hopes for the future of Marvel films. Higher than I already anticipated.

On a final note, despite the large cast and significance of the plot, Civil War was worthy of being called a Captain America film. It wasn’t just Avengers 2.5. His characters was largely the focus of the film, but at the same time he wasn’t a simple protagonist. Chris Evans is GOAT, hooray movies.

Originally, 2016 was looking to be a poor year for musical films. We would have movies about music, sure, but not enough musicals. Most of them are coming later in the year, up to this point I would say we have exactly 0 for the entire year.

But let’s take a step back and talk about John Carney. When I first saw Once I was disappointed, because it was hyped up as this wonderful musical, so I expected synchronized dancing and ridiculous situations. But it was raw and realistic. On later viewings, I understood it better, but still cannot fully appreciate it. Begin Again I have still only seen once, but thoroughly enjoyed it. It is a very different film, going from indie to main stream, both in theme and reality.

And now we have Sing Street. Another movie about people who just want to play music and make a living off of it. And hey, this one has street in the title, so you know this time the singing on streets is expected and not just a bonus. This time he is returning back to his indie roots and writing a whole lot more music. But this one isn’t about adults. Screw adults. This is about a boy making a band to impress a girl, which is how most bands ever got their starts.

And clearly they are the funkiest teenage group in Dublin!

Conor (Ferdia Walsh-Peelo) is just a teenage kid, the youngest in his family, and his parents (Aiden Gillen, Maria Doyle Kennedy) are going through a tough time. Hell, this is 1985 Ireland, everyone is going through a tough time. Jobs are getting lost and many Irish youth are flocking to London for work and leaving their homes in a worst state. And now due to their financial state, Conor is transferring schools to a much cheaper Catholic school, where the boys are rough.

And now Conor gets bullied by Barry (Ian Kenny) and the head priest, Brother Baxter (Don Wycherley). But then he sees her. Raphina (Lucy Boynton), a girl who looks like she belongs in on film, with wild hair and jewelry. She says she is a model, so Conor asks her to be in a music video. After hearing him sing a bit, she agrees once they figure out the details. Great, now he just needs to get a band together.

He gets Darren (Ben Carolan), our little ginger kid who knows people, to be their manager/producer/camera man and introduce him to other musical kids. Conor knows how to play the guitar a bit and sing, but they need more than that. They are introduced to Eamon (Mark McKenna), who plays basically every instrument and owns them all, because his dad is in a wedding cover band. They get Ngig (Percy Chamburuka), Larry (Conor Hamilton) and Garry (Karl Rice) to complete the rest of the band.

Great, he has a band! And now, with the help of his older stay at home stoner brother, Brendan (Jack Reynor), he can write some songs, so they can make the music video and maybe win the heart of a mysterious model. You know, while all the other problems are going down. Also featuring Kelly Thornton as his older sister, Ann.

Stoop girl afraid to leave stoop?

Feelings, this film is full of feelings, how can I express these, with a sonnnng?

Sing Street was good. It was really good. Carney is some musical directing genius, that is the only way all of this makes sense. I was extremely skeptical going into this film. Based on the description, I took the film to its most basic parts, and all of his movies just sounded the same. I wondered how long he could make similar movies before we stopped caring. Well, after watching Sing Street, I could easily take at least another half dozen of these, as long as the lyrics remain original with a different overall plot.

As advertised, this film is about a boy just trying to impress a girl by starting a band. But the film is more than that. Just like it is more than a comedy. It is certainly more comedy than drama, but it deals with some serious issues involving divorce, infidelity, abuse (sexual and physical), giving up and following your dreams. I technically only cried one and a half times, but I had another half cry on the way home from the film just thinking about some of the plot.

Perhaps the strongest subplot in it is the brotherly bond between Conor and Brendan. Reynor does an incredible job as his pseudo role model while they both live in a house with parents who just don’t understand. Reynor is a complete scene stealer and you can see all of the deeper issues he is working with, culminating with not just one but two powerful emotional climaxes. If it sounds sexy that is because it WAS sexy. Reynor, I judged you badly for Transformers: Age of Extinction, now I want you to become Han Solo and win a supporting actor award for this film.

Heh. I said climax.

Ahem. Sorry. The acting from our lead was also good from Walsh-Peelo. In fact, basically the entire band and manager were all first time movie actors. Walsh-Peelo and McKenna were the main two that mattered, but the other boys held their own pretty good. Seeing the transformation of Walsh-Peelo as he learned about new bands was amusing and how he eventually coped with the failing home and school life that made up his current reality.

And finally, the soundtrack for this movie is just a blast. Both the original songs by our boy group and the 80’s music that inspires them create an overwhelmingly nostalgic experience. I have already listened to most of the original songs 3-4 times since watching the movie, thanks to YouTube. My favorite song is called “Up” and you should check it out if you are unsure if you will like the music in the movie.

Thank you Carney, you have given me a great pseudo-musical to give hope to this dry musical year.

Monkey Up is a movie I never planned on reviewing. I never planned on even knowing it existed. I could have gone my entire life and most likely I never would have heard about it in any situation. No one I know would have seen it, and know one I would meet in ten years would have seen it. It would have faded into obscurity.

However, extreme storms happened in the Houston area and it was suddenly rushed from the depths into my view. Streets were flooded, so I found myself unable to make it to the movie theater to see a screening of another film. So I had to literally drive myself back home, many hours early, suddenly finding myself needing to entertain kids.

So I turned to Netflix, like many a person under 40, and specifically set out to look for a shitty unheard of recent family movie. And there were a lot of great contenders. I wrote down some names, so maybe a few more of them will be coming your way soon. But eventually I found Monkey Up (my second choice, as my first one was a sequel, and I wasn’t ready for a series (or serious) commitment).

It was by Air Bud Entertainment, which I learned was a thing. Which makes sense, after all those films, and of course, the “Buddies” shit films.

No, this isn’t MVP and Dunston is not checking in.

Monty The Monkey (Crystal the Monkey) is a real, talking monkey in this world (voiced by Skylar Astin, technically the most famous person in this movie). He can speak English and everything, so you’d think he’d be everywhere. But nope, he is instead just the spokesman for Monkey Up, a banana flavored energy drink, which I would love to try.

His manager is Dessy (David Milchard) who first discovered him doing Shakespeare at the park. He isn’t too great at his job, since he cannot get Monty into serious roles, just shitty commercials for some quick fat cash. But the director (Chris Coppola) and owner of Monkey Up is a dick, so Monty is getting tired of it all. In fact, he heard about a famous director, Angelino Cappello (Danny Woodburn), making a film with a monkey as a lead, but he is doing it all with CGI! Oh no!

And yeah, Monty can’t convince him that he is a serious monkey actor ready for the big leagues. So he runs away and ends up in a giant doll house. That ends up in the room of Sophie (Kayden Magnuson), a present from her mom (Erin Allin O’Reilly) and dad (Jonathan Mangum) because they forgot her late after gymnastics. Also apparently everyone left the gymnastics place, fine with an elementary school girl by herself for like, many hours.

Sophie originally keeps him a secret, but then her brother (Caleb Burgess) finds out. Then the dad. Then eventually the mom. Monty decides that he wants to give this “family” thign a shot, to build up his potential as an actor to do more serious roles. He helps the brother learn Romeo and Juliet to impress a girl (Yasmeene Ball), the sister to do better at gymnastics, the dad to write his book, and of course in general do house hold chores and stuff.

By the end, Monty will learn what family really means. He will be able to reconnect with his own monkey family and maybe get out of these damn commercials. Also starring Jessi Cruickshank as an entertainment reporter, Christina Sicoli as an assistant, and John Ratzenberger as Sophie’s grandfather.

DRINK MONKEY UP! DO IT! DO IT! DO IT!

Seeing Crystal the Monkey in anything is very distracting. For whatever reason, almost everything makes her a male monkey. But I when I see Crystal, the first thing I think about is Annie’s Boobs. No, I’m not being weird and fantasizing about Alison Brie on a family film review. I mean the monkey on Community named Annie’s Boobs. That was my first Crystal role, even before The Hangover Part II and the Night at the Museum movies.

That’s enough monkey talk. This is a pointless movie. The story itself is one that has been told dozens of times in family films that it is almost painful to sit through. Outsider joins a family in turmoil, fixes things up, learns to be a better person, and stays with that family. Yawn, snore, writers need to try and be more original.

But they are original! This outsider is a monkey who can talk! With his own monkey issues with a similar talking family, that wears tiny monkey clothes at the zoo, and everyone is just cool with it. It is so awkward.

Overall the film can only be described as boring. I started to distract myself with cleaning and mindless walking around to get me through it. It isn’t badly filmed, or even terrible acting. It is just so mentally uninspired that it felt like torture to watch.

And here is the thing that pissed me off the most. The bad guy didn’t even get punished. To make everyone happy, he got a ridiculously amazing pay day. A stupidly large sum, that apparently the family could totally live without, because they are already rich and no biggie. And the bad guy gets money. Money and some monkey shit thrown at him, but who cares when he goes back home to start buying amazing new furniture.

I was forced into watching the trailer for The Huntsman: Winter’s War and I was confused. Based on the plot and what I remember about Snow White and the Huntsman, my timelines started to hurt. It said it was a prequel, but if events in the trailer happened in the prequel, how did we even get the first film? That was my main concern going in.

But before we get to that, it is hilarious that this movie even exists. Right after the first one came out, there was talk about a sequel but about The Huntsman instead of Snow White. The point of the first film was to give us a strong female lead character, so to kick her out for the sequel is just amusing.

Of course, there was also the scandal with the director, Rupert Sanders, and Kristen Stewart, having an extra martial affair thanks to the film. I wonder why they weren’t invited back…

There can only be so many queens in one picture.

Before the incidents of the first film, our Evil Queen (Charlize Theron) was marrying king after king, killing them, taking their kingdom, and moving on. She also had a family, namely, a sister. Freya (Emily Blunt) had no magical powers as she hadn’t unlocked them yet like the rest of her family, but after tragedy, sure enough, she had ice powers.

Freya runs to the North after losing her kids and decides if she cannot raise a baby she will raise an army (actual line from the film). So she begins to conquer nearby villages and kingdoms, stealing their kids so she could turn them into her own personal warriors. Her Huntsmen, as she calls them.

That is where we get to meet Eric (Chris Hemsworth) and Sara (Jessica Chastain), well, the kid versions of them. They are the best warriors, her cream of the crop, and they fall in love. But love is forbidden in her kingdom, for reasons. And if you remember the first film, you will remember that Eric was super drunk and depressed over the death of his wife Sara. It doesn’t take a genius to spoil what happens next.

Did I just spoil the whole movie? Nope. Because then it fast forwards to after the events of the first film. We have a prequel and a sequel. For the real plot of this movie, the magic mirror goes missing on its way to a Sanctuary to lock away its evil. So The Huntsmen is forced to go look for it to help end its evil. And on the way he has the help of some he-dwarves (Nick Frost, Rob Brydon) and she-dwarves (Sheridan Smith, Alexandra Roach).

Of course this might put him on a path to go against The Ice Queen, which is good since he hates her and all. Sam Claflin briefly resumes his past role and Sope Dirisu is also a Huntsman with speaking roles to make the cast more diverse.

You’re god damn right I’m reviewing The Huntsman and not showing The Hunstman in the pictures. #GirlPower

Off the bat, this film is definitely superior to the original, but it is still not a great film. The idea of having it as a prequel was weird to me as I couldn’t imagine a good enough story to take place pre-Snow White. And a sequel was weird because I imagined it would only dampen the point of the first film. So it did both and did the best it could to try to make a coherent story.

I have problems with the prequel, because if there is this terrible Ice Queen up North ravaging the country side, you’d think someone would mention it in the first movie. Maybe even that the Queen had a sister. The only part not shoe horned in is the fact that Sara was his wife and she dies. But even that was poorly done and didn’t seem like the type of thing that would drive him to years of depression and booze.

As for the sequel, yes it does cheapen the first film, but the first film was bad. The adventure wasn’t that great, the plans were still piss poor. The special effects were a bit better as was the humor, thanks to the dwarves and Hemsworth playing a happy Huntsman. The fight scenes in general were a lot better as well.

The film still suffers from a rushed ending with a lot of silly actions from the characters. I was pretty sure I heard the narrator say that Freya was betrayed by her sister early on, but apparently Freya didn’t know that? The betrayal came at the very end and the fact that it was supposed to be a surprise confused me.

Other minor notes: Yes, Blunt had to play someone emotionless, but it was terrible. Chastain and Hemsworth had great chemistry. Theron should not have been in this film. And this film has goblins, but these goblins are basically apes with horns with tar in their blood, reminiscent of fantasy trolls. Of course, the first film had a troll that was nothing like the fantasy troll, so they instead had to call them goblins.

The most ungoblin-y goblins I have ever seen.