Tag: Action

Oh how I wish Breakout was actually a movie version of the classic video game of the same name.

How cool and abstract would that be? I mean, they made Battleship, which sucked, but why not a game that is actually fun.

That’s right. Here at Gorgon Reviews, we think the board game Battleship sucks. I am sorry to take up space in this Breakout review to spread anti-Battleship propaganda.

Because we got “Action stars” to talk about!

In this movie, Jack (Brendan Fraser) is an…environmentalist/activist? What? Well, he lives in a forested area, way up north. When his daughter Jen (Holly Deveaux) was younger, she made him promise that he wouldn’t let anyone do anything bad to their home. So he said sure and really took it to heart. Little later, he is leading a group of protesters right to the bulldozers, get off our land, raw rawr!

Well, jee wilikers, he gets involved in an altercation and gets put in prison. In fact, he can only get out later if he agrees to serve as an adviser for that same company. That stands against his ideals!

All of this has really nothing to do with the main plot. Just minor character points, that are overblown in the movie.

No, the main plot appears when two brothers, Tommy (Dominic Purcell) and Kenny Baxter (Ethan Suplee) are released from prison and on their way to Canada, to live free from the law. They may have killed a man, and it also may have left Kenny mentally scarred in the process. Things don’t go the way they expect them to, so Tommy ends up killing another guy. Damn. Protecting your brother apparently leads to killing other people quite often.

Well, Jen and her younger brother Mikey (Christian Martyn) see this event happen while they are out kayaking. Sucks. Now Tommy is out to get them too, willing to kill some kids and others in their way just to protect their identity. These guys are really serious.

But it is up to nature boy Jack to save the day!

Basically him versus a guy with a gun and his morally and mentally confused brother is all.

I’ll keep this one short and sweet. I have no idea why they added all that protester stuff to the Jack character early on. Just to make him also a criminal kind of? Even though he was only protecting someone else who was getting hurt? Seriously no fucking idea.

But he is never shown to be bad either, just pissed off at people digging, and I am pretty sure that doesn’t change by the end of the film. It is all just a cluster fuck of extra story that ruins the main plot line.

Which on its own is decent. I liked the acting from Purcell, as protective brother, and Suplee, who is super thin, as mentally handicapped brother. He has a voice that is just very believable, and I guess, kind of just similar to his character from My Name Is Earl. They were great. I loved the tension.

The resolution went as expected, but that was fine. What really ruins this movie is all that extra stuff added on top. Also, I wish it was based on the video game. Shh.

2 out of 4.

The initial trailers for The Counselor quickly caught my eye, but one thing really bugged me: I had no idea what the movie was about. It looked like some combination of drugs, sex, high life living, and death, I guess.

In fact, if the trailer was just a tad bit more artsy, I would compare it ahead of time to the very strange Killing Them Softly, but from the trailer it looks like it might just be another Savages.

Unfortunately, I was wrong. It is worse than both of them.

And they didn’t even have Pitt in a cowboy hat. It turns out that this movie is indeed about drugs, sex, high life living, and death. I guess the trailer told me all I really had to know, for once.

The main character goes by Counselor (Michael Fassbender), so try not to get confused. He is a lawyer, a decent one, but lawyering doesn’t pay the bills. Not if he wants an extravagant lady like Laura (Penelope Cruz) in his life.

So he dabbles in the drug trade a bit, doing some smaller deals to get extra funds. His hook up for these trades is Reiner (Javier Bardem), who loves to show off his wealth and posessions. He is currently with Malkina (Cameron Diaz), a sex crazed woman, who owns two pet cheetahs.

Well, the Counselor decides he is only going to do one more deal, a much bigger deal than normal, worth over $20 million. He wants to marry Laura, so he wont be able to keep up his secret lifestyle.

But when has “one last job” ever worked out for anyone? Brad Pitt has a small role in this as well, as Westray, a middleman between Counselor and the drug king pins.

Some people will watch the movie for the plot. The actors in this movie are all fantastic professionals at their craft. Thankfully, they all act wonderfully in this film and I won’t think less of them because of their roles.

No, this mess of a film has to be blamed on Ridley Scott and Cormac McCarthy. Strong words, I know. Scott is a fantastic director, but this movie is no where close to his finest work. McCarthy is a great writer, and most of the films based on his novels have been excellent, but this is his first time writing a screenplay. Somehow the two of them managed to mess up a great thing and produce a film that feels like a waste of time and talent.

What is wrong with the movie? Basically everything.The editing, the plot, the dialogue, and the resolution.

I only cared about one character, Laura, and that was because she was too naive to realize what she was getting in to. Or she chose to ignore it all. Yeah, the rest o the cast members are all immoral people, but many movies have made me at least hate those bad characters and want them to face justice in some way. In this movie, I don’t care if they get out alive or not. The development doesn’t give me any reason to care.

My biggest problem with this film is that it doesn’t end up making a lot of sense. The plot has holes everywhere and the only major scenes only happen due to coincidence. Things go badly for this drug deal but because the movie doesn’t explain a lot of important details, it took me awhile to realize that any characters were actually in danger. In a movie about drug deals gone bad, you should be able to realize when the deal has officailly gone bad (and that the deal has even started).

The Counselor won’t tarnish the good names of Ridley Scott and Cormac McCarthy any time soon. No, this film will instead be swept under the rug quietly in a few weeks and promptly ignored.

 

1 out of 4.

I might have heard of Valhalla Rising a few years ago. Those two words I definitely know exist, so I think I knew this movie existed.

But it wasn’t until it was requested by a friend and found on Netflix did I actually finally get around to it. Here is my knowledge going into it: Violent violent violent!

What? This doesn’t look violent at all!

Valhalla Rising is told in six parts: Wrath, Silent Warrior, Men Of God, The Holy Land, Hell, and The Sacrifice.

Really, that by itself probably serves as an adequate plot outline. Just imagine those sections and vikings and your probably get the whole movie.

Our story is about One Eye (Mads Mikkelsen), the only character who really gets a name. He has one eye, because the other got slashed away. He is also mute. But he is a bad ass warrior. But a prisoner, until he was able to escape and kill his captors. One Eye wants to head home, and won’t let anyone get in his way. What about The Boy (Maarten Stevenson), who fed him as a slave? He can follow, sure. Why not.

Eventually they meet up with some Crusaders, journeying to Jerusalem. Free boat ride.

Oh, yeah, One Eye totally has visions too of the future, and has been using that to decide which path to take, as his visions continue to come true.

Valhalla Rising: Norse and Christian spirituality, combined with violence.

Based on the earlier description, this film is way different than I imagined. In fact, it reminded me of another film I watched recently. Only God Forgives.

Shit. It is Nicholas Winding Refn, the same director of that and Drive. Basically, he has shown to make movies many would consider very violent (but this one didn’t feel that bad), while also avoiding names, having high levels of cinemetography, and slower parts to really draw out certain emotions and feelings.

Basically, it could be hard to watch. You won’t get to simply half ass watching it, or else you won’t get anything out there. Yes, some of the fights and conflicts are violent, but they are not the main focus of this story. It is kind of a story of redemption, but not really, of one mysterious figure.

I think too much of this story is left up to the viewer, and not a lot happens besides it. It bugs the shit out of me. Yes it is pretty, and yes the acting is decent, but not enough happens.

Overall, I liked it more than Only God Forgives, because I understand this one more, but not as good as Drive. It’s on netflix, might be worthy of a watch. It is okay overall, just…I thought it could have been more entertaining in the long run.

2 out of 4.

Arnold Schwarzenegger must be living a good life. Look at how he has aged, fantastically. He is a fit guy, he was Governor (of a now failing state), and now he has all this free time for chilling, making movies, and spending loads of cash.

Because of that, I have decided to talk about Escape Plan from the point of view of Arnold, not the actual main guy in the movie. That’s right. Fuck the police.

I am mostly doing this because I love his beard in this movie.

Rottmayer (Arnold Schwarzenegger) is current locked up in a beyond illegal prison somewhere in the world. He really doesn’t know. But the prison is not your standard prison. They live in glass boxes, and they are suspended along stair cases, not in a normal rows and columns. There are a plethora of armed guards, who all wear masks so that they are not identifiable. Their isolation rooms are tiny boxes with bright hot lights, not dark rooms like the normal. No, just a little bit in that room will teach you to fuck around again.

But then, this Porthos (Sylvester Stallone) character comes waltzing into his prison. He notices him instantly, always looking at the guards, inspecting shit. Rottmayer considers himself a favor guy, so he offers to help Porthos out, see why he is being weird. According to Porthos, he gets paid to get put into prisons, look for weaknesses, and break out of them. But something is wrong this time, all of his normal criteria is off, things have changed, his evacuation code isn’t working. Someone has set him up to fail and get locked away for ever.

Looks like these two masterminds, one a criminal, the other not, have to work together to beat the system. But can they really trust each other?

Jim Caviezal plays the warden, and you may remember him as Jesus from The Passion of the Christ. Amy Ryan, Curtis “50 Cent” Jackson, and Vincent D’Onofrio play members of Stallone’s team (member, tech guy, accountant, respectively), Sam Neill plays another doctor, Vinnie Jones is head of security, and Faran Tahir as another prisoner.

Note the bar code on their shirts. They…really didn’t explain any of that.

Wait, 50 Cent?! Yesss, another movie where I have him in it. This one was purely an accident! Note to self, review more 50 Cent movies. He should be the highest tagged actor on this site, damn it.

Sorry, I keep getting distracted by the actors in this movie.

Well, strangely enough, I had fun with this movie. It wasn’t meant as a comedy, but having Stallone/Schwarzenegger in a situation where we have to assume they are smart comes with a few laughs. Especially when they both deliver their normally cheesy lines. The difference between the two is that in this film, Stallone says it all with a serious face, like he is the BAMFest BAMF, while Arnold is willing to grin more with his character and enjoy the moment.

I am saying Arnold was the better of this two in the film. His distraction scene in German in the film is almost worth it for the chaos it produced alone.

In terms of twists, some of them are obvious, and I think the film even makes fun of how obvious they are, but not everything is obvious. This is more of a thriller action movie, with most of the violence comes near the end when they actually attempt their escape. Accidentally hilarious moments like sudden waves of armed guards, more than should be at the prison, getting mowed down with a machine gun make this movie worked.

I am not sure if I really liked this movie, or if I just liked it more than Carrie and The Fifth Estate, which also came out this weekend. Even if that is the case, fuck it, it was more enjoyable than Stallone’s recent work.

3 out of 4.

Machete started out as a fake trailer in front of the Grindhouse movies, Death Proof and Planet Terror. Robert Rodriguez decided that the fake trailer needed to be made into a real movie and Machete was born! A movie that was made on purpose to be bad, it had plenty of potential, but to me just felt boring. I wasn’t impressed.

I basically forgot about the franchise until they announced both a sequel and a third film coming down the pipelines. The sequel, Machete Kills just hit theaters, but the third film really caught my eye thanks to its title of  Machete Kills Again…In Space. With a name like that, this franchise can’t be that bad!

Yeah, it looks like he is about to kill it here.

After the death of his partner (Jessica Alba), Machete (Danny Trejo) finds himself at the wrong end of the law, blamed again for a murder he did not commit. To get out of the jam, the President of the United States (Charlie Sheen / Carlos Estivez) has asked him to go on a suicide mission into Mexico. His mission? To stop revolutionary/mad man Mendez (Academy Award Nominated Demian Bichir) from sending a nuke straight to Washington DC.

Sure, a simple enough mission, but there are a lot of factors that stand in his way. Million dollar bounties, crazed heart monitors, multiple personality disorders, priests seeking redemption, a hitman called El Camaleon, brothels, space scientists that know the future, a madam with a grudge, former friends, and clones stand between him and his goal.

There are so many celebrities, trying to list them all would be insane, but I will do it anyways. Telling you their role in the film almost seems like a disservice, and plus, you probably wouldn’t believe me. The movie includes Mel Gibson, Amber Heard, Michelle Rodriguez, Sofia Vergara, Lady Gaga, Antonio Banderas, Walton Goggins, Cuba Gooding Jr., Alexa Vega, and Vanessa Hudgens!

One of the best “jokes” in this movie is having Alexa Vega in close to nothing. Since he worked with her on Spy Kids 12 years ago.

As I mentioned before, Machete was trying to make a good/entertaining “bad movie,” in honor of all the poor quality B-movies of the 70s/80s. It is pretty hard film type to make correctly, the last one I really enjoyed being Black Dynamite. The first film had a lot of appropriate jokes for genre, but the overall plot and tone bored the crap out of me.

Machete Kills corrects these mistakes and more. First off, it was actually entertaining. Over the top action from start to finish and nonsensical plot lines that will cause you to stare at the screen in confusion. Normally that would sound terrible, unless terrible was the goal, in which case it sounds great! Machete Kills put a lot more detail into purposefully editing the film in a sloppy way to increase its humor potential. The film has a rampant disrespect for obeying the natural laws of our reality: where a broken car can drift 500 miles in mere hours, and where several days can pass in only 20 minutes.

Most of the jokes are smaller references or in the background, outside of the absurd characters themselves. Despite how outrageous everything is, the characters themselves for the most part are incredibly serious. After all, their lives are on the line. The movie sports a lot of death and violence, which is all packaged in creative ways.

Machete Kills improved a lot from the first film, but I think it still has a lot of untapped potential that it just hasn’t reached yet. Assuming the third film actually gets made, it might finally cross into the “So Bad, It’s Amazing!” territory that the series is striving for. As for now, it is not a must watch, but more of a watch eventually (maybe) type of movie.

2 out of 4.

My initial thoughts on seeing the trailer for Captain Phillips:
“Hey, wasn’t that a real story a few years ago? Probably. Is there enough for a whole movie?”

My next thoughts on Captain Phillips after seeing three different trailers:
“Come on, this is already a true story,sure, but why’d they give away the entire movie in these trailers? There is nothing left to tell!”

My thoughts when I saw the run time:
“133 minutes? For fucks sake. It’s just a boat capture and rescue mission. This going to be super drawn out.”

My initial thoughts after watching the movie:
“Fuck. That was good. Even the bad guys were good!”

Bad guys = good. Stay with me here.

Travel back in time with me kiddos to the year 2009. Yes, very far back indeed. Somalia was all sorts of fucked up. Civil war, strife, there are no rules there anymore, just warlords, and they have turned towards piracy. A lot of boats sale around Somalia, and those boats can either A) Have lots of money of valuables on them, or B) be taken ransom to gain money and valuables.

Captain Phillips (Tom Hanks) has a big cargo ship, full of crates, but it is a lot of aid to give to countries in the area. They are big, they are alone, they are a target.

Led by Muse (Barkhad Abdi), his crew of three others (Barkhad Abdirahman, Faysal Ahmed, Mahat M. Ali) storm the boat to try and get rich or die trying. Like 50 Cent.

And you know. Shit eventually happens. They stall for as long a they can, and try to keep everyone safe and not injured, then the Somalians take Phillips in a life boat and sale back to Somalia for ransom time. This becomes a big national story in America, the president gets involved, and eventually the Navy SEALs are called in. Then stuff really starts to hit the fan.

I feel awkward explaining the story. Im going to stop that. Michael Chernus is the second in command, and Catherine Keener plays Phillips’ wife, but she only has like, one scene in the film.

What’s that you see, Tom? Is that an Oscar for Best Actor you see in the distance?

As you can see, I went into the film thinking it was overhyped. I mean, it just didn’t look appealing. Despite it being a cool story, I thought the story would make for a poor film. And, I was worried about the historical accuracy. We get to see the pirates before they even leave Somalia, when they decide which groups will go out searching for ships, and all of that jazz. Well, one of the four pirates did survive the attack and is currently in prison. I guess he could have told the story and filled in the gaps from their point of view, but I doubt it. Most likely, the movie makers filled in their own gaps to tell a better story. Which is fine, but curious.

Obviously it is so that we realize that these people were humans too, who had their own reasons for doing this, and they aren’t inherently evil. Always a good message to reiterate.

I didn’t go into the movie thinking I would cry, but that sly mother fucker Tom Hanks acted his way into my heart. To me, the movie did start a little bit slow. I was intent on looking for areas to cut, and I think some scenes early on weren’t too helpful and weren’t that interesting. The acting from Hanks looked like it would just be him doing a funny voice and being a panicky older gentleman.

But the second half. Dat second half. Oh man. Basically just after the pirates made it to the ship, the acting from everyone was kicked up a serious notch. I loved the captain of the pirates a lot, who displayed great emotions of fear, anger, and guilt. But Tom Hanks when he was in the lifeboat just crushed every hope I could ever have of being happy again. Okay, that is extreme, but I felt that when it was close to the climax. I was scared. I was sad. I was even sadder after he was rescued and realized he is finally safe. He just. He just acted so fucking well, damn it.

Really, I am not sure how much I liked this movie, but I will give it the 3 just to be on the safe side. It is probably 4 territory, but there is enough small stuff early on to limit it a bit. Still worth the watch solely for Tom Hanks’ ability to pull on those heart strings.

3 out of 4.

Something happened to Keanu Reeves while he was filming The Matrix. In one pivotal scene, Morpheus ingrained fighting skills into his head, causing him to wake up and give the famous line, “I know Kung Fu!”

I think that one moment in 1999 changed Keanu Reeves’ life forever. He actually had to learn martial arts for that role, so he probably became obsessed with it. Obsessed enough to finally show off some of his talents by directing his own movie. Man of Tai Chi is the directorial debut of Mr. Reeves, and he isn’t even the main character! If you want to see Keanu star in a martial arts movie, you will have to wait a few more months for 47 Ronin.

Can you believe that this is the first time I had to tag Keanu on my website? What have you been doing the last few years Keanu?!

Instead, this film is about Chen Lin-Hu (Tiger Hu Chen), a student of Tai Chi. His master, Yang (Yu Hai), is thrilled at his progress, but is concerned with his power. He is worried he might succumb to a dark way of using Tai Chi and use it for evil. Psha. Evil.

Well, Chen is hurting for money right now. He enters a regular martial arts tournament to show his worth, and prove that Tai Chi can be used for more than just exercise, while also showcasing the greatness of his temple. Unfortunately, that doesn’t put food on the table. Which is why he accepts a job interview from Donaka Mark (Keanu Reeves), an American security company to help pay the bills. What he doesn’t realize is that this interview is for a secret underground fighting ring…to the death! It pays extremely well, puts Chen against many different kinds of fighters, while also being kept secret from his friends and family.

But Sun Jingshi (Karen Mok), captain of the Hong Kong police force, has been chasing Donaka for months, and Chen might be her ticket to finally bringing him down. He just has to wade through some morality issues, as his mind slowly becomes corrupted by Donaka, who might have ulterior motives.

The actor was a stunt man on the Matrix movies. Huh. I wonder how he first met Keanu.

The most remarkable thing about Keanu’s first directed movie is that he chose to direct a movie in 90% Chinese. He may know the language, but it is not his native tongue, so I assume there were a lot of struggles with it. I don’t speak Chinese, so I cannot confirm if the language was clunky or unnatural, but I have heard reports saying so.

The plot itself for the first half of the film isn’t very unique. However, through few twists and turns, I think this movie becomes not your average martial arts flick, with a much more powerful story than what the trailer and plot description promise.

Every fight was filmed and choreographed beautifully. They were both captivating and entertaining. They were also varied enough to not feel repetitive, through the use of different fighting styles and locations. The final fight in the film itself was over eight minutes long, in a classic setting and felt like the perfect way to end this film.

It was strange watching Keanu as the villain, a role he doesn’t often take. The oddest part was his deep voice, kind of an eternal business grunt. Because he was the arbiter of so many fights, he had to say phrases like “Finish Him!” and “Fight!” constantly. I want to assume they did that as a Mortal Kombat reference, as it sounded pretty close to the real thing.

Man of Tai Chi is not the best martial arts film out there, but it does have its own unique style, and is probably one of the best ones that will come out all year. Definitely a great first effort from Keanu, but I hope he doen’t just stick to one genre, like RZA.

3 out of 4.

One thing I can say about Rush going into it, is that it sure had a lot of trailers. At least three, maybe more, in theaters. They were also very long. This gave me two thoughts.

1) There are a lot of events in this film that just seem like a more serious Talladega Nights: The Ballad of Ricky Bobby. Dude gets burned, big rivalry, one is more foreign than the other one, lots of jealousy, comeback, whatever.

2) The trailers gave…a lot away. Sure, this is a real story, but I can tell you that most people do not know this story. It is different than Lincoln, in which we all know what happens. I am afraid I know everything that happens just from the trailers, which bugs me. Could be a cool story, but I want some mystery still you know.

Besides the mystery wondering why someone with such lush hair could think about dirtying it up.

I was wrong. The trailers didn’t give a lot away, at all. Sure, some major points, but fuck, a lot happened in this film.

The movie takes place in the 1970s, roughly 70-76. In 1970, James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl) were both Formula 3 racers with big dreams to race in the Formula 1. Both outcasts by their family, they took different approaches to racing. James lived life every day as if it was his last, laughed in the face of danger, and burned out a lot on races. Niki was intelligent, not a risk taker, but good at driving. He was also a bit of an asshole, because he was honest, and cared most about winning.

Years later, both men were in F1 and constantly at the top of the pack, a fierce rivalry between the two, although both racers definitely respected each other.

1976 was the year when the most dramatic events occurred. Fiery crashes, a close finish for world championship, rain storms, disqualifications, you name it.

We also get some insight into their personal lives. Both had wives, James with Suzy (Olivia Wilde), Niki with Marlene (Alexandra Maria Lara). Pierfrancesco Favino played the role of a teammate of Niki’s, and he rocked the mustache well.

Our other star? No lush hair for him, so they can cover it up more.

Holy fuck. I really do mean it, a lot happened in this film and in this rivalry, and I didn’t feel like anything was really spoiled. Sure, that think that happened to Niki? That was kind of spoiled, but that was a big selling point to the movie, and they hinted about it right at the beginning.

I don’t know a lot about F1 racing, but I didn’t have to in order to enjoy this film. Major props to Ron Howard, who’s last film was The Dilemma and well, lame. I felt the fear that those riders must have felt during those difficult races. The way it was all set up really put you in the drivers seat at times. The dialogue was also really great, for both main characters, and I could hear them talk all day.

I think Daniel Brühl was the better actor of the two, putting his whole self into the role, although Chris did fantastic as well. Doing research, I was even more shocked to find out that Brühl was the main character in Good Bye Lenin!, one of the few German movies I own over ten years ago. The film was very graphic when it came to the crashes, accidents, and deaths, so when Niki got injured, it was incredibly cringetastic, yet I could not look away.

But here is the most amazing thing about this film. How close it matches the reality. These events were widely filmed in the 1970s, so I was able to actually watch a lot of the final race, of the race with the crash. I watched these soon after the film, and literally, the film filmed them EXACTLY as they happened in real life. The accident was like, frame for frame recreated the exact same way. How fucking nuts is that? Every race, I have to assume, was equally as correct and not made up. It is mind blowing that Ron Howard went into that much detail, and I am in awe of that ability.

The overall film experience is why it got the review. Sure, some parts I wish they explained better, like the different tire types, and other terminology. I had to ask a friend for some clarification, but holy fuck. Rush was an experience.

4 out of 4.

I was really excited for The Family, I really was. Luc Beeson, who gave us Leon: The Professional and The Fifth Element, was directing this movie, and Martin Scorsese was the executive producer. If anyone knows mob movies, it is Scorsese.

An all star cast, the only person really missing from it was Ray Liotta. What could go wrong?

Nothing could go wrong with his beard, that is for sure. Well, a lot could, apparently.

The Family starts off with the family moving to the wonderful land of Normandy, France. Why? Well, Giovanni Manzoni (Robert De Niro) used to live in NYC, working high up in the mob. But he is a snitch, and as we know, snitches dig ditches…unless they can’t be found. To reward his snitchiness, the FBI (Tommy Lee Jones) has rewarded him with witness protection for the rest of their lives. After all, if they let snitches die, then people won’t snitch, and they won’t arrest the bad guys. That would be sad.

Too bad Giovanni keeps causing too much of a scene wherever they go, so they have to keep finding new places across France to live.

Normandy, famous for getting invaded by the good guys in World War II, is now getting invaded by the “Blake” family. His wife, “Maggie” (Michelle Pfeiffer), daughter, “Belle” (Dianna Agron), and son, “Warren” (John D’Leo).

Of course, with a new town, comes new backgrounds. Hopefully Giovanni’s idea to become a writer, working on his actual memoirs, doesn’t come to bite him or his family in the ass.

Also featuring Jon Freda as the main hit man after the family, and Vincent Pastore as a mobster. Classic Vincent.

Tommy Lee Jones doesn’t smile. Tommy Lee Jones is not amused. The good news is that Ray Liotta is totally in this movie. For about a second, just his voice, and technically a cameo, but darn it, I am counting it.

The premise of the film is simple enough. Quirky characters trying to assimilate into a quiet community, but they’re not trying too hard. Each character has a unique plot line, however only two of them are really fleshed out, De Niro and Agron.

Pfeiffer’s side plot (getting involved with a church) has the fewest scenes actually associated with it, and D’Leo’s sideplot seems to be missing important steps. He goes from getting in trouble at school one moment to running away the next without a real explanation. Agron’s sideplot involved falling in love with her math tutor, and unfortunately, the love or the repercussions of that love all felt fake.

Strangely enough, the only person I really enjoyed in this movie was Tommy Lee Jones. His character wasn’t in large portions of the film, and he was incredibly sarcastic, but somehow it all worked.

But in all honesty, for an action comedy, I barely laughed, and the action was pitiful. De Niro was charming at least. The film climaxed with a sudden blood bath, and then just sort of ended. No real conclusion and an unsure amount of character growth.

Basically, an overall waste of talent and my time. That is when I realized that The Fifth Element was 16 years ago, and Beeson hasn’t done too well since then. Clearly the man has lost his touch.

 

1 out of 4.

Vin Diesel is living out every stereotypical nerds dream. Most people know by now that he loves roleplaying. No, not just acting in a movie, but pen, paper, and dice. Heck, he wrote the forward to a book celebrating 30 years of Dungeons & Dragons. So the Riddick character is basically living out his childhood fantasies, with him as the star, and kicking major butt the entire time.

The movie Riddick, follows Pitch Black and The Chronicles of Riddick, while switching genres once again. The first film was Sci-Fi Horror, the second film was Sci-Fi Action Adventure, and this new film is Sci-Fi Action Thriller. Basically a cross breed.

This third project was over nine years in the making, and has gone through financial woes and rewrite after rewrite. Diesel had to put up millions of his own money just to keep filming when the cash ran out and also leveraged his own house. Let’s just say, he really loves the Riddick character, and is willing to put all of his eggs in one basket.

“Take these shackles off my feet so I can dance.“

Another day, another fight for survival.

Riddick (Diesel) finds himself trapped again on a desolate and unforgiving planet, stranded and alone. Left for dead, the Necromongers betrayed their new leader after the events of the second film, and Riddick has no idea how he is going to get off the world. He soon learns to adapt on this new planet, figuring out the meanest creatures and their weaknesses, while also taking in a pet of his own.

But a storm is on the horizon. A literal storm, I mean. It is slow moving, but the water appears to awaken a force buried in the ground, one that he cannot survive on his own.

So he decides to lay a trap. He lets the universe know where he is hiding, so he can ambush the crew and take a ship before it is too late. However, two bounty ships appear, both with very different motives behind them. One ship is lead by Santana (Jordi Molla) with six men (including Dave Bautista), looking for the bounty. The other crew is lead by Johns (Matt Nable) and second in command Dahl (Katee Sackoff), and they are looking for answers.

Dude. Who gave him a cape?

The Riddick movie has two main acts associated with it. The first is his survival on a new planet, with little dialogue (but some voice over). It moves at a slow pace to really make us feel for his character. The second act introduces a variety of characters who bring with them guns, dialogue, and opposite motives for capturing Riddick.

Although the film attempts to give a few of them personalities, the only two bounty hunters who end up standing out are the leaders from both sides. I did get some chuckles out of Bautista, but I knew that was his sole purpose in the film.

I’d say I liked the first half a lot more than the second half. They took their time with combat and death felt like it was actually possible. The action became choppier and less scary when they introduce darkness and guns. Strange, I know. They probably had to rush filming the ending, along with the budget concerns, so that must be to blame.

On its own, I found the movie possibly more entertaining than the other two films in the franchise, but there is one drastic problem with it that cannot be overlooked, and something I don’t think I have harped on before.

Riddick has so much rampant sexism in it, that I almost got sick during the actual movie. That’s right, the excessive gore didn’t sicken me, just the Riddick-ulous amount of sexism.

There is only one woman character in the film who is given a name, and her name is Dahl. You might have realized on your own that it is pronounced just like Doll. I’d say over 90% of the lines said by her, or said to her, are sexual in nature. Literally, the character exists merely as a sex object. Sure, she is able to hold her own in combat, but she is also the only character to be given a small (and surprising) shower scene. With only one topic coming out of her mouth, it is hard to take any part of her role in the film seriously.

Her character also is a lesbian, because that is apparently the only reason she would be a mercenary and always talk about sex. However, it turns out her sexual orientation is no match for Riddick’s charm (And hornyness after being on a planet alone for a few years). Who does Vin Diesel think he is, Ben Affleck? (Affleck “turned a lesbian straight” in two films, Chasing Amy and Gigli).

I think if her character was more than some strange sexual fantasy, this movie could have been a lot better. The “brown filter” I thought would annoy me, but I was able to get over it. The not so amazing CGI I thought would annoy me, but I got over it. The rushed second half and treatment of women I really just can’t forgive or ignore.

 

2 out of 4.