Tag: 3 out of 4

In 2009, Neill Blomkamp changed the world.

Okay, that is an exaggeration. But he did release the movie District 9, a beautiful, very detailed, sci-fi movie, with great acting, plot, and messages associated with it. More importantly, it was his first major film as a director and it was an independent movie. That’s right, they found out they could make big epics without breaking the bank at the same time.

This is why four years later, most people are excited about Elysium and wondering if it can repeat his earlier success.

I’d want to live there too. Shit’s dope, even if the Earth was fine. In the year 2154, Earth is left in shambles. Not from an alien attack or war or mole people. No, from just straight up over population, pollution, and an ever growing lower class. To fix this issue, the rich people decided…to leave Earth completely! They made a giant spaceship habitat to orbit Earth (called Elysium!), to live out their lives in luxury. They got everything there, green grass, fine dining, and of course the ability to heal any ailment, disease, or virus. Aw yeah.

On Earth,people are dying from these diseases a, the high costs and a strict robotic police force. It is hard not to be a criminal. Like Max (Matt Damon). Sure he used to be a criminal, but now he wants to earn money the right way. Too bad the man ain’t letting him get on his feet! In fact, at work, he gets bombarded with a lethal dose of radiation, leaving him with only five days left to live! So they fire his butt, and leave him in his misery.

Yeah. Max really needs to get to Elysium.

A man with five days left to live will go through a heck of a lot to try and survive. Even if it involves attaching a permanent exo skeleton power suit to his body, kidnapping the CEO of the company that fired him (William Fichtner), and teaming up with members of his old criminal team (Wagner Moura). It would also be nice if he could bring his lady friend Frey (Alice Braga) and her daughter with them to Elysium.

It won’t be a cakewalk either. He has to deal with the Elysium head of security (Jodie Foster) and a sociopathic sleeper agent (Sharlto Copley) who will stop at nothing to bring him to “justice.” Poor Max. Why couldn’t you just be born rich?

I wonder if in 2154 they have classified at what constitutes a cyborg. Officially. The best sci-fi films have always been those that offer great social commentary. Actually, I’d say that most sci-fi films and stories offer some form of social commentary. What better way to “secretly” criticize government or policies than by setting it hundreds of years in the future?

This one really isn’t even that subtle about it. Basically it takes the rich getting richer to extremes, along with some elements of overpopulation and immigration.

Sometimes films can feel a bit too preachy, but this one does a good job of providing enough entertainment at the same time for it to be acceptable. Most of the film I’d describe as “action light.” There are only really two action scenes: a robbery, and the ending, which is exciting enough to make up for the slower parts of the film.

Strangely, I think the films main issue comes with not making everything clear enough. No one likes to be spoon fed, but they could definitely fleshed out more details to enrich the world, and answer some more questions. The dialogue of the film could have also been better. Jodie Foster’s character felt underused to me, which might have been on purpose.

But overall these points are pretty minor. It was a really well done story, and Sharlto Copley was fantastic in it. Probably the best acted character in Elysium. His character was so exciting and vivid, I almost had a hard time cheering for Matt Damon at the end. I think we can all agree that we need more Sharlto Copley in our movies.

 

3 out of 4.

Watching the trailer for We’re The Millers, it is clear that it could be hit or miss. There are moments in there that make me laugh every time I see it, and those that make me think it will be the worse film ever.

I like Jason Sudeikis as a comedy actor. The problem is, he hasn’t proven himself yet as a leading man in a comedy movie. He is fine as a side kick, or part of a trio, but his only real venture as leading man was in A Good Old Fashioned Orgy, which ended up being less than stellar.

If anything, this film might just cement Eustace from The Chronicles of Narnia: The Voyage of the Dawn Treader as a young comedic genius. Stranger things have happened.

“We’re not even a real family. She is just a washed up actress from a 90s Sitcom!” Whoa, Jason. That’s cold.

David (Sudeikis) is a guy in his mid thirties, still dealing pot. It’s a good life for him. But when he gets robbed of his stash, cash, and back up cash, he finds himself in a pile of trouble. His boss Brad (Ed Helms) doesn’t care and sort of wants to kill him! Unless he heads down to Mexico, grabs a shipment of drugs for him, smuggles it across the border. Sounds easy when the other option is death. Plus, he will earn an extra $100k. Nice!

The problem is, he looks like a drug dealer and in no way can smuggle it across the border on his own. Until he realizes that white middle class families on vacation never get searched! He just has to rent and RV and a group of people to play his family.

He hires the weird kid downstairs, Kevin (Will Poulter), the homeless girl on the street, Casey (Emma Roberts), and the stripper down the hall, Rose (Jennifer Aniston) to play the various roles of the Miller family. Nothing could go wrong!

Sure they get to Mexico, and find out that they are actually stealing the marijuana from a Mexican drug lord (Tomer Sisley). Sure, the amount of drugs is several thousands of pounds worth. But they can probably still pull it off.

Hitmen, spiders, engine failure, dogs, DEA, and another RV family (Nick Offerman, Kathryn Hahn, Molly C. Quinn) are just some of the other problems they will face on the road.

I’d let Nick Offerman sexually wet willy my ear any day. Even Tuesday.

After viewing We’re The Millers, I think that Jason Sudeikis was able to run this movie like the comedy veteran I always knew he could be. It works. It really does.

Yes, this movie has a lot of foul mouthed humor. Cursing, sex jokes, genitalia jokes, incest jokes, it has them all. The unfunny scenes I alluded to in the trailer mostly turned out pretty decent, which is a big relief.

Almost every time Will Poulter was on camera, I found myself laughing. He used to be an annoying asshole kid in a bad Narnia movie. But now he plays the awkward teenager so well, that everything the put him through just tickled my gills.

It wasn’t a perfect movie. Sitting there, a lot of character actions and decisions seemed illogical. If the script was stronger overall, they could have avoided those type of moments. I don’t think they really knew what to do with Emma Roberts as her role in comparison was really limited. Such a shame.

Now if you excuse me, I am going to go blast my old TLC records up and start planning my own fake family vacations.

3 out of 4.

Fruitvale Station is the true story of the last day of Oscar Grant’s life in 2009. Who is Oscar Grant and why should you care?

Good question.

This Wikipedia article sums it all up nice and…well in great fucking detail. So much detail. Not an easy read at all.

Basically in an arrest, police officers were being rougher than usual early on New Year’s Day. One of the officer ended up firing a shot into the back of Oscar, killing him later. Thanks to technology, a lot of videos quickly surfaced on the internet, and brought the case to the national spotlight. Then, you know, this movie.

SPOILER. Someone dies in this movie. Side note, this movie is hard to explain. You know what happens at the ending. Hell, if you didn’t read this review, you know how it ends? Why? Because this is how it starts:

Actual footage of Oscar Grant at the Fruitvale train station. One of the cell phone cams, about a minute long, a brief altercation, and the shot. Then the movie starts.

This is a pseudo-fictionalized last day for Oscar (Michael B. Jordan). December 31st also happens to be his mother’s (Octavia Spencer) birthday, so a lot of the day is prepping for dinner at her house and then plans in the city for midnight.

He recently lost his job as a butcher, and has gotten back into dealing drugs, but he wants to turn his life around. He has been in prison twice before, but just got out again a few months ago. He has a daughter, with his long term girlfriend Sophina (Melonie Diaz). He has a big family and a nice support network.

Shit, what else do I say? I don’t. He had a rough life, then he got shot. Kevin Durand also made a surprise small appearance as a cop. Not the asshole cop, just one of them.

Plenty of imagery to make sure you got the full emotions out of it too.Some movies are just hard to describe, for sure. And after all, with a movie like this one where you KNOW how it ends, the experience is the entire point. But what kind of point was it trying to make?

Anytime someone dies, it is a tragedy. The death is worse if the age is low (he was 22) and the circumstances unjust (shot in the back during an arrest) and even worsier if it has authority overstepping their bounds. The timing of this movie couldn’t be better, with a different famous death just finishing its trial, with the George Zimmerman / Treyvon Martin case.

This only feels relevant because it is a movie distributed by The Weinstein Company, who are well known for advertising. Aka, the best money spent on advertising is free advertising. Just look at their Bully nonsense.

So I think it is unethical to release this movie around that trial for more money and exposure, but I think the movie itself is worthy of being made on its own merits. I don’t like lumping the two things, because the situations are very very different. I won’t get political, I will end it there.

The movie itself is VERY well acted, especially Michael B. Jordan. Everyone else is fine, but he is the only character basically on the screen 100%. The middle of the film had its boring moments, but that was necessary for the buildup. I think it was strange for them to show the actual footage at the beginning. It really took a lot out for me, since they recreated it at the end of the movie anyways. It seems like it could have been better incorporated somehow. Random scenes had extreme elements of shaky cam, just from walking through a room, or a quick run down a street. Those were annoying, not helpful.

I hope some of the smaller details were actual events. They had nice graphics for every phone call and text he made, all of which are records that could easily be gathered, so it would be nifty if they were the actual texts and phone calls he made that day.

Good movie, sad ending, great acting, some dull parts and questionable advertising. Very excited for Michael B. Jordan to be in more movies, that is for sure, brah.

3 out of 4.

I almost saw Frances Ha two months ago. For real. I was going to drive an hour to see it and do some other things in the capital city.

It was the only movie at the indie theater that I hadn’t already seen, or knew I was going to see shortly after. It was all going according to plan.

Then I ran out of money and said nope. Also, the prospect of watching the movie didn’t appeal to me. I knew it had Greta Gerwig, who is in like, every indie movie now. But it was also in black and white. Ehhh, black and white…

Frances Hi!

Frances (Gerwig) is a 27 year old woman living life in the NYC! Yah! She lives with her best friend, Sophie (Mickey Sumner). They are basically the same person in different bodies and hair colors. Good times are had by them all. Until Frances has to leave her boyfriend and also can no longer live with Sophie.

Shit.

This movie takes place roughly over a year. It is her trying to survive in NYC, without her confidant, as they drift farther, and closer, and farther apart. No one likes losing a friend. But she is getting less work at the dance company, and times are tough.

She ends up finding a room with two men, Lev (Adam Driver), who tried to sleep with her and every other woman, and Benji (Michael Zegen), who would describe Frances as undate-able. She lives temporarily with a fellow dancer Rachel (Grace Gummer, currently on season 2 of The Newsroom). She also will have to move back to California, live in another country, and live in the woods and her old university before she gets back on her always dancing feet. Maybe.

At the same time, Sophie is getting very serious with her boyfriend Patch (Patrick Heusinger) who may be a good guy. Not really sure. We see everything from Frances’ point of view.

Frances Ho?

Fun fact. Greta Gerwig cast her parents as her parents! Ahh! What fun!

Description for the movie was hard. A woman in NYC. But the plot moved really fucking fast. The movie itself is under 90 minutes, so it has a short time frame, but it feels even shorter than that. It flies by so fucking fast.

Why is it fast? The way the movie was cut. Many short scenes, all spliced together to show a passing of time. That’s right. It is basically a shit ton of montages. Without the sports. Whether it be awkward dates, or awkward dinners, everything is quickly paced, and still conveys the appropriate emotions to the viewer.

You will feel awkward, uncomfortable, and sad. Which is great.

It didn’t end up being super artsy. The art direction and black and white was some sort of love song to Woody Allen probably. More importantly, I think that most people who watch this will find their time well spent.

3 out of 4.

Trance came out in theaters in late March, but apparently never came close to my area, so I had to wait until the DVD Release.

You’d think a college town would be able to justify more indie and lesser known releases. But then again, you’d think a college town would also have trivia nights at their bars.

More importantly, Trance was directed by Danny Boyle. Surely the man who did 28 Days Later…, 127 Hours, and Slumdog Millionaire has earned post-indie status by now.

When he rubs his temple that way, my mind feels raped. According to this movie, stealing art used to be easy. You kind of just pranced into a museum, took it and ran, then went home and hid. Shit gets stolen, and a museum gets fucked. Nowadays, it is way high tech and almost impossible without a huge plan to do it. Okay, that isn’t true. Just read the beginning of this Cracked article which states basically the opposite with facts.

But let’s say for this movie art is hard to steal. Simon (James McAvoy) works as a dude who protects art in case someone tries to steam them when they are getting stolen. Guess what. Some people try to steal a famous painting, Witches In The Air, valued at over $25 million.

Franck (Vincent Cassel) and his crew (including Danny Sapani) steal the shit out of that painting, while also knocking out Simon for trying to be a hero. But when they look at their new score, they find that the painting is gone. Shit. What did Simon do!?

Too bad Simon doesn’t remember what he did with the painting. The men who tried to steal it are pretty pissed off, and have tortured him and tore up all of his things. But still, he just does not remember.

So they get a hypnotist, Elizabeth (Rosario Dawson). However, when she begins to work her mind magic, she discovers secrets that none of the individuals thought possible.

Rosario Dawson shows a lot of her…acting talents in this movie. First things first, for you fucking perverts out there. Rosario Dawson for the first time is completely nude in this movie. Like full frontal, lower and upper, multiple times, no body double nude. She is also shaved. Which is relevant to the plot of the movie. I feel dirty saying all of that, but not really.

There are only three main characters in this movie, but Danny Boyle makes sure you have to work to earn the story. There are twists, there are turns, there are mind fucks. If you stop paying attention, you might not be able to keep up, so it really rewards those people who don’t have short attention spans. It assumes the watcher is intelligent, and will take you on an (often really loud) journey.

I think by the end the story might have gotten a bit too ahead of itself, making too many leaps and bounds. Despite that, it was still a great story, another fantastic movie from Danny Boyle, and another reason why I hate the local theaters.

3 out of 4.

Alright, look, I am sorry it took this long to review District 9.

Most have you have already seen it by now, I bet. Which is great. It was fantastic when I watched in theaters in 2009. Shit, that is like, four years ago. FOUR YEARS AGO PEOPLE. Fuck. It seems so new, even now. Still, I am reviewing it now for two reasons. One, Neill Blomkamp. District 9 was his first directed movie, and it is an indie one at that. Insane. More importantly, he has another movie coming out in a couple of weeks, Elysium, you might have heard of it.

Reason number two? I said I would review this movie once I finally rewatched it again. Needless to say, that shit took awhile.

Yeah. Aliens AND politics. My kind of entertainment! You already know this is a positive review, look how highly I talked about it before.

This takes place in modern day time, 2010 or so, but in an alternative history. South Africa has always been known for its rambunctious nature and high levels of racism. But did you know in 1982 an Alien Spaceship landed above Johannesburg? Of course not, it is a movie, ffs.

Well, they checked out the ship that wasn’t attacking them and found hundreds of malnourished aliens on board that they now call Prawns, a racial slur against them. They were put into a government campsite outside of Johannesburg, named District 9 and given tiny shacks and junk yards to live in. There is constant pressure from those in Johannesburg, who hate the shit out of them, and internal struggles in their poor neighborhoods, so eventually the government wants them to be moved.

These aliens have rights though. They have to be evicted first, before they can be put in a new location much farther away (And a lot more shittier).

Wikus Van De Merwe (Sharlto Copley), a random bureaucrat, has been assigned to give the notices. There is a lot of eyes watching the process, to make sure they don’t harass the prawns, so many news organizations have sent representatives. They also have a small armed force, lead by Koobus Venter (David James). But what happens when they find more than just a few homes smuggling alien weaponry, and discover something even bigger is forming?

Even more quizzical, what happens when they discover the black goop?

The feels. The feels. Oh my goodness, the feels.

One thing I certainly forgot in the four years since I saw this movie in theaters? It is kind of gross. The attention to detail is high, and that leads to some cringe worthy scenarios in my stomach area. Lot of violence. People die. Aliens die. People die in weird ways. Other things happen that are gross that I can’t really describe without spoilers. But seriously, gross gross gross.

However, at the same time, it is just so fucking well done. The plot, the intrigue, and the acting. Only one actor really matters in this movie, good ole Sharlto, who had basically his first role with this film. He carries it on his back, despite being a big unknown. Especially when a lot of the movie deals with him interacting with aliens and Nigerians, he really stands out (racist?).

However, there is one thing that keeps me from giving it a 4. Part of the reason I would give a 4 comes from rewatchability. I can watch a great movie, and love its acting, but if I don’t think I would want to watch it again in a few years, it can’t be a 4 for me. Now, this one took me about three years to finally watch after buying it, which is a huge amount of time. I didn’t finally watch it because I wanted to, just had to before Elysium.

So, with that, that explains the 3. Very good, watch it at least once and be happy.

3 out of 4.

Hey, did you read my review of Quartet? Probably not. Well, long story short, it wasn’t good.

I also noted my confusion over thinking it was a different film, called A Late Quartet. Realizing there were two different films of similar themes and titles around the same time cleared up all my confusion. It totally isn’t my fault I thought they were the same thing, but I will take the blame like a real pseudo-anonymous internet person.

It is dvdsreleasedates.com‘s fault, I swear! I am innocent!

The Fugue Quartet is a pretty big deal. That is two violins, a viola, and a cello, for you music noobs out there. For those music experts, they are also a made up quartet, so don’t go looking for them. They were made decades earlier, and have been kicking ass for a long time.

But poor Peter Mitchell (Christopher Walken), the quartet’s founder and cellist. But he is developing Parkinson’s disease, so his playing days and living days are both soon to be over. After telling the group, certain issues and drama arise, which can break apart the very fabric of the group.

Robert (Philip Seymour Hoffman) and Juliette (Catherine Keener), second violin and viola, met via the group, fell in love, got married, and had a daughter Alexandra (Imogen Poots). Well, Robert is thinking about asking the group if the two violinists can split shift their duties, apparently a big no no in music groups. Even worse, his wife thinking the other dude is better than him.

The other dude being Daniel Lerner (Mark Ivanir) a very talented violinist, who they get to also teach Alexandra some tips while she finishes high school. Unfortunately, he decides to give her a different, extra tip.

Can they find a replacement for Peter? Can love survive the marriage or the strange agely different affair? Can Daniel let Robert play some better violin? WILL THE EARTH CRASH AND BURN FIRST? Why is Wallace Shawn in this movie?!

They are about to perform? MY BODY IS READY!

What happens when you take four incredible actors and make them act in a movie? You get good acting! Okay, I never heard of Mark Ivanir before, but he was just as vital and good in this movie as the other big three.

For Christopher Walken, he is still in tons of movies, but it seems more often than not they are making him play a joke version of his actual self. It gets kind of annoying, and you can tell he isn’t trying too hard. In this film, he gets to play a real role and act, and does it well. He had a very emotional moment near the end in particular.

Philip Seymour Hoffman had to play a man realizing he isn’t the best, and that everyone around him knows it. He doesn’t want to be the best second violinist in the world, he wants to lead the group darn it.

Catherine Keener had an amazing scene with Imogen Poots, mother to daughter, and it was so shockingly realistic, it hurt me so.

This movie lets classical music be the back drop and score, making it a bit fancy. It also created an atmosphere making the viewer feel as if they have known the group their whole lives, instantly knowing everyone personally.

More importantly, it shows the group playing music as well. Quartet didn’t really show the people singing. Obviously the actors didn’t play the songs themselves, but it looked like it. We didn’t just get a big tease for a grand show, and then you know, not get it. Fucking Quartet.

3 out of 4.

Giant Robots Fighting Giant Monsters.

That should be a good enough review for this movie.

If you are like me, the first time you heard about Pacific Rim (Trailer) you bounced around with joy. Sure, some of you maybe bounced on the subject matter alone, which is fine. But I was even more excited about the fact that Guillermo del Toro was set to direct the film. Guillermo means quality in Spanish, I am pretty sure. Just examine the last two films he directed! Hellboy II? Pan’s Labyrinth? This guy knows how to tell a story, while also kicking major ass.

Spoilers: These robots are here to fuck shit up. Monster shit. In the year 2025, we are currently in the twelfth year of fighting the Kaiju. Kaiju are larger than life mythical beasts that come from a dimensional portal at the bottom of the Pacific Ocean. The first one to appear took over five days to kill while it rampaged the California coast. The world realized it would have to stop fighting and work together to stop this threat from taking over completely, which started the Jaeger program.

The Jaegers are giant robots equal to the size of the Kaiju that can be deployed to fight the beasts before they cause more harm. Initially they prove to be quite successful, but the Kaiju have started to appear in increasingly shorter intervals, bigger and badder than before.

Raleigh Becket (Charlie Hunnam) used to be a great pilot with his brother. Five years prior, a Kaiju took his brother’s life, so he left the program to become a drifter. Shockingly, the UN is thinking of abandoning their Jaeger program due to the amount of Jaegers that are now getting destroyed. Their idea is to build a giant coastal wall to keep them out (very dumb). With only few months left of funding, Marshall Stacker Pentecost (Idris Elba) brings Raleigh back in to the fold to attempt one last shot at ending this thing once and for all.

Damn, that was a really good plot description. But there are many more people who have important roles in this movie. Rinko Kikuchi is Raleigh’s new partner once he returns to the Jaeger program. Max Martini and Robert Kazinsky play a father/son pilot team who run the fabled Striker Eureka, the fastest Jaeger made. Charlie Day and Burn Gorman are the main two scientists working on solving the Kaiju problem, a biologist and a mathematician respectfully. Finally, Clifton Collins Jr. is the main control room operator for the operation, and Ron Perlman a black market Kaiju flesh dealer.

Spoilers: There is no giant version of this monster unfortunately. If you don’t like the idea of giant robots fighting giant monsters then I really don’t think you will enjoy this movie. Because the movie gives you exactly that, and just a little bit more.

First off, if you are going to see Pacific Rim (Which you should!), you should watch it in 3D. The fight scenes were so incredible, I thought my eyes would melt. The second fight scene in Hong Kong is probably the sexiest thing I have seen in film this year. They were filmed with 3D cameras, so you don’t have to worry about blurriness mucking up the great action.

The Hong Kong fight is actually better than the fight at the climax of the film. Some would consider that to be a big problem, but I can easily forgive it. The final fight gets points for taking place in a different environment from the rest of the film.

I love the casting choices in the film, in that most of the people are not big named stars. This really allowed the viewer to get involved with the story and not get distracted by the eyes of someone like Brad Pitt.

Sure, there are a few weak plot points, and the acting isn’t always top notch, but the stunning visuals, well choreographed fights, and complete bad-assery from start to finish well make up for it. My biggest plot complaints really come from what was NOT said by a few characters. I was disappointed that the movie didn’t delve deeper into some of the ethical implications brought upon by certain actions, but really, that just allows a sequel/prequel to ask those questions later.

Please. Give Guillermo del Toro your money. Go see Pacific Rim.

3 out of 4.

I’d argue that there are two really “big” coming of age indie movies competing for top dog status this summer. The bigger of the two is The Way, Way Back, as it was written by the same guys who brought us The Descendants a couple years ago. The lesser known movie is The Kings of Summer, written by Chris Galletta, who is writing his first movie.

If you are surprised that we have a first time movie writer, stop it. They are called indie films for a reason.

Indie films tend to include forest dance scenes and drum solos, right? Being in high school can suck. Why? Well, your life is changing, you feel like an adult, but you still live with your parents. You just might lash out against your parents. Like Joe (Nick Robinson). His mom died a long time ago, and his dad (Nick Offerman) is now dating. He is also a bastard and has become very strict in his single parent raising. His sister (Alison Brie) has already moved on, but he is stuck with him for at least three years more.

Patrick (Gabriel Brasso, from The Big C) has a different problem. His parents (Marc Evan Jackson, Megan Mullally) are over bearing. Not in any mean way, just nice. Way too nice. Really fucking nice. Also they are ridiculous, it is just hard to feel alive under their care.

Eventually, Joe has the idea to build a house in the woods. Not just some lame tree house either. A real house, with two stories, multiple rooms, and they can live there, by their own rules, live like MEN. You know, hunt their own food, boil their own water, the whole nine yards. Biaggio (Moises Arias) is there too, neither of them really know him, but they are afraid to tell him to leave.

We have a few kids, building a house in the woods, and attempting to live on their own. They of course will also discover a bit about themselves, their family, and maybe what it means to be a man. Potentially with the help of Kelly (Erin Moriarty), a fellow high school buddy. We also have Mary Lynn Rajskub (most well known as Heartfire from season 4 of Arrested Development) and Thomas Middleditch as the head cops on the missing kids case.

The race to grow the best pedo-stashe is on. Coming of age films tend to be hit or miss with me. They are popular for both indie and mainstream movies, so to have a great one nowadays, you really have to offer up something new. Not just another misunderstood kid with big dreams.

The Kings of Summer takes the running away story, and well, runs away with it. For the first time movie writer, his dialogue was pretty top notch. Full of memorable quotes, I found myself looking for a piece of paper in the theater just to write some of the absurdly funny things I heard.

Witty comedy doesn’t make a complete film however, so the plot has to also stand on its own. I was afraid I would be dealing with a lot of teens who thought they were god’s gift to suburbia, the standard definition of first world problems. Thankfully, I found myself agreeing with Patrick and Joe, at least a little bit, and thought leaving home made sense for both characters.

It wasn’t perfect though. No, I would have changed the ending a lot. It was a bit too cliche at that point, which made it feel off from the rest of the movie. I am also pissed off by the romance element in the film, although it is more at the naivety of youth, and not for being actually bad. In other words, it hurt me square in the feels.

But despite that, The Kings Of Summer is wickedly funny and unique. For sure, it is worthy of at least one viewing, if not two in your summer line up.

3 out of 4.

Sync up your William Tell Overture Finale folks, it’s The Lone Ranger time.

Although I never listened to the original radio series, or watched the TV series, or other movies, The Lone Ranger himself is pretty ingrained in American Pop Culture. A hero to the old American West, and a franchise that Jerry Bruckheimer has decided to take under his wing. After all, if it proves to be a success, he could release a new Ranger movie every three years, similar to his current Pirates of the Caribbean trek. Just think of how much money Johnny Depp will make from both franchises, too.

If explosions were dollar bills…

In Colby, Texas, the great American Railroad is coming through, bringing prosperity and happiness to the small town. Their goal is to connect the East with the West. John Reid (Armie Hammer), a district attorney from the big cities, is returning to his hometown to reconnect with his brother and brother’s wife, Rebecca (Ruth Wislon).

What poor John did not know, is that also on that train was famed bandit cannibal Butch Cavendish (William Fichtner), who is finally going to be hanged for his crime. There is also this Indian named Tonto (Johnny Depp), but he is a bit more mysterious. After a train robbery, Butch is back on the run, and it is up to John Reid, his brother, and a gang of lawmen to bring him back for justice.

Until something goes wrong. Terribly, deadly wrong. Somehow, John is saved, and Tonto explains to him that he is a spirit walker, who cannot be killed according to his beliefs. Tonto also wants to bring Butch to justice, so they team up to right wrongs and save the day! Speaking of trains, Tom Wilkinson plays Cole, the railroad tycoon, and Helena Bonham Carter a bordello mistress. Fun fact, this is the first time Carter and Depp have been in a film together that was not directed by Tim Burton.

It is also the first time Depp has worked with this horse.

After watching The Lone Ranger, I really just want to listen to famous, old classical music. Major props to Hans Zimmer for rocking out another great movie soundtrack, something I don’t bring up a lot in my reviews.

I will start with the negatives first. This movie is 149 minutes long. What! A lot of the film is set up, in order to introduce us to the character before he dons the mask, a little bit about Tonto, and a whole lot about his brother and his old town. It is necessary, I guess, but it could have easily been shortened. The film uses the method of unreliable narrator, as a much older Tonto is telling the story on how he first met John. The idea itself is a neat one (and allows for more crazy situations) but the method of delivery just feels hokey to me.

Thankfully, the positives far outweigh the negatives. Hammer and Depp have great chemistry. Tonto is not just a secondary character but an equally important one. They have the appropriate throw backs to the original series while also doing their own thing.

But the best part of the movie is by far the climactic train ending. The final chase is incredibly long, but so meticulously planned and detailed that it was hard to stop smiling the entire time. The director had many gorgeous shots of the landscape, like a classic western, including setting parts of it in the Monument Valley as a different type of throwback.

The movie will also give you plenty of screen time with Armie Hammer, who is currently rumored to be the new Ant-Man or Dr. Strange, upcoming heroes/movies Phase 3 of the Marvel Universe.

Although this film has had many negative reviews, I’d say give it a chance. Especially if you have three hours (movie and preview) to waste on these hot summer nights.

 

3 out of 4.