Tag: 3 out of 4

After the very recent disappointing musical that I saw, I quickly began looking at the other musicals to come out this year that might be of interest.

So Begin Again is a smaller musical coming out this year. I am not getting my hopes up that it will be a traditional musical in any way, because it is begin directed by John Carney. Carney brought us Once about five years ago, and although it was turned into a Broadway musical, the movie version is very musical lite. Just a few songs and a lot of emotion.

I can only assume this will be similar.

Try to say the movie title five times fast. Hell, just try to say it once.

Begin Again is a story about love, music, and losing it all.

Like Dan (Mark Ruffalo) who has lost it all, his love and music. He is getting outted at the record company he made with friend Saul (Mos Def) for not being able to bring in a successful act for several years. He also is living alone, his ex wife (Catherine Keener) has custody of their teenage daughter Violet (Hailee Steinfeld). He has lost everything he has ever loved, until he hears a sound…

Like the sound of Greta (Kiera Knightley) reluctantly performing on an Open Mic night because her friend (James Corden) forced her too. She is having a rough time as well. She moved over to New York with her boyfriend Dave (Adam Levine). Dave and Greta are song writers together, but a song Dave sang was featured in a popular movie, so now they want to sign him to a contract. Yay success, but boo the price that fame brings.

Dan hopes that Greta will be able to get his life back on the right track in every direction.

Maybe they will also make some sweet and sexy music too, along the way.

Also, CeeLo Green is in this movie for a small part, so we can have half of the original The Voice judges in here.

Just like how they totally didn’t make this scene for Apple product placement, I am using this picture for the same not reason.

As expected, in this movie music plays a central role in almost every scene, but it isn’t a standard musical. No one is singing and dancing throughout the streets (kind of). Although, there is copious amounts of singing, dancing, and listening to music in the streets, it is all completely natural. All performances are performances, whether on a stage, in a “sound studio” or at home with a small recording device.

The music is also really fucking good. I don’t remember how much music was in Once, because I mostly just remember that one famous song, but Begin Again has a crap load of songs. And it is more than just artsy fartsy indie music too! I am not saying it is completely diverse, but it is there. Each song felt great. The soundtrack of regular background music also felt pretty unique.

Basically, I am saying that I am mad the soundtrack isn’t out yet because I want it hard.

The acting was pretty good as well. I mean that in regards to Knightley/Ruffalo/Steinfeld mostly. I am happy that Steinfeld is finally in a good role that can showcase her talent, unlike her last few movies. Ruffalo did give off a kind of creepy vibe for about half the movie to me. And this is completely different side of Knightley that we haven’t really seen before. I mean, singing songs!

I wouldn’t describe anyone else as being that spectacular. Most of the other side roles could have been anyone, including Levine’s character.

Overall, this is a fantastic movie, and personally, I liked it a lot more than Once. But then again, I only saw Once once, and I was way more immature then.

It is clear from the trailers of Earth To Echo that it is going for a modernized, new ET feel. Kids find an alien, government wants to get it, they want to help it get home.

But wait? Didn’t we just have another movie try that? Yeah, a few years ago, Super 8 tried to make a similar claim. And I loved Super 8, it just didn’t make a lot of money an people forgot about it, despite it being a very well shot film.

So instead I won’t think about it like a new ET. Mostly because I didn’t find ET enjoyable in the slightest. Let the alien + kid genre stand on its own, I say!

Kids these days. Playing outside with technology. What’s the world coming to?

Out of all the themes present in Earth To Echo, the largest and most pronounced must be the theme of friendship. This story is about three childhood friends who have grown up in a neighborhood together.

The three friends are Tuck (Astro), a guy who has an active youtube page so he makes sure to record a lot of his activities for hits. Aka, the reason we get a movie out of this. We have Munch (Reese Hartwig), a “weirdo” / mama’s boy who is into a lot more nerdier things and electronics. And we have Alex (Teo Halm), a foster kid who doesn’t come out of his shell too much. They have been best friends for many many years, and now they have to move away.

Why? Because they are building an interstate through their subdivision, and nothing can be done about it. So all of their parents are packing up to leave their Nevada home and never see each other again. But wait! Something weird is happening in the area. Phones are messing up and breaking. Actually, it seems as if the phones are showing a map to a location in the desert some 20 miles away.

Well, if they are all about to move, why not spend their last night together going on a treasure hunt and building lasting memories. Yay, memories.

Unfortunately, they get into a situation much greater than they bargained for, when they find alien life.

Don’t worry, this isn’t just a dude adventure (or a dudeventure). We got a chick, eventually, with Ella Wahlestedt, and the big bad government guy played by Jason Gray-Stanford.

Hey look! They almost made it so he could’t be easily turned into a toy. Almost.

The idea of a “shaky cam” movie scares a lot of people who think it is just a cheap gimmick. In this case, it adds a lot to the movie and only feels uncomfortable a few times near the beginning. Maybe a little bit too much bike offroading action, but other than that, it was really well done.

My main issues with Earth To Echo (outside of camera work) involve mostly technical issues. The timing of events in this movie seems to be all over the place, where they cram almost a whole day’s of activities into one night somehow. It took me out of the experience on more than one occasion.

But the film has a lot of positives!

First of all, it was actually pretty funny. The boys had great chemistry with each other, tons of jokes and amusing moments occurred throughout the film and I was laughing out loud on several occasions. Because their chemistry was so great, it of course awakened the nostalgia of hanging out with your neighborhood friends back in the day, doing dumb things to pass the time. Good times, and good feelings.

The film also had the necessary tense moments once things began to get too hard for the few kids to handle. With over half of the film set during the night time, it does certainly help for the scarier moments, and thankfully it never feels too dark to not see what is going on.

Overall, it ended up being pretty entertaining. The fact that it was about friendship first, and aliens second kind of give it a more personal and relatable feel. I guess I liked it better than Super 8, despite the ratings. Mostly because I haven’t watched Super 8 since I saw it for the first time (and it is still very pretty), but I can see myself seeing Earth To Echo over and over.

James McAvoy is a fun Scottish man. He has risen pretty well into fame territory, but he doesn’t let that get to his head (I think). He still does the indie movies. In fact, it seems like half of his movies are big Hollywood numbers, and the other half are indie. He really loves that shit. He is a man who loves to get into a character, a man who will work with a low budget, just to tell a story.

Maybe he was just humbled after Wanted though, who is to say.

But despite his recent performance as Professor X, again, he has now given us Filth, which is a perfect name to describe this bat shit insane movie.

How insane? Well, let’s just say you wouldn’t want to smell his finger anytime soon.

Bruce Robertson (James McAvoy) is a man who knows what he wants, and gets what he wants. He is a Detective Sergeant in the Edinburgh police force, but there is a new spot opening for Detective Inspector, a big promotion. There are quite a few people competing for the spot (Jamie Bell, Imogen Poots, Brian McCardie, Emun Elliott, Gary Lewis), but they all have faults. Exploitable faults. Faults that Bruce can use against them, playing a massively deceptive game to showcase their faults to his boss (John Sessions), making them all inept to fill the highest role.

The good news is he has been tasked with finding out who killed this Japanese student, who was beaten mercilessly on the streets. Great. Shouldn’t be too hard, and will allow him to set up his multiple schemes to destroy the lives of everyone around him.

Even his friend Clifford (Eddie Marsan), who he tends to bully. He has been calling his wife harassing her sexually, just to get a ruse out of them. What a guy right?

A lot of this can be “blamed” on the fact that his wife, Carole (Shauna Macdonald), took his daughter to visit families during the holidays. Because of course this is around Christmas time. If there wasn’t a lot of pressure for Bruce to solve the case and get promoted, he’d be able to take a vacation and all. Blamed is sarcasm here guys. Because he is a scumbag, he does scumbag things.

And Jim Broadbent is in here, so you know he has some sort of comical zany role.

No, nothing about this looks comical OR zany.

I am trying not to fill this review up with adjectives that all mean the same thing, so instead I will reiterate how insane this movie felt. The Bruce character seemed to have no rhyme or reason for most of his actions. He was rustling jimmies just for the heck of it. But this movie isn’t just some sick guys fantasy about hating his coworkers or something. No. There IS a point to the madness, and it was explained very well with hints throughout the end. I really enjoyed the ending. In fact, the ending actually has a similarity to Wanted, go figure.

It was hard to look away for most of the film, a definite plus, mostly because the viewer would have no real clue with where it was going. Thankfully, when it had to be dramatic, it did a decent job at those scenes as well.

Outside of McAvoy, I am a bit surprised at how well Eddie Marsan did. He is generally a side character in most movies, much like this one, but this performance of his was quite different from his other roles. He also had enough make up that it took me awhile to even recognize his (normally) very recognizable face.

Overall, Filth is definitely a unique movie, telling a unique story, but not something everyone may appreciate. Still not even sure if it is the type of film I could comfortably watch again. Well, maybe once. But no more after that.

I knew something was up when I went to my screening of Obvious Child. Two things were of note.

One, I was invited to a free screening of a film, that technically was already released in theaters the week before. Most of the time free screenings are before they are out, to build hype and stuff, but this could just be an indie movie thing.

Two, the tickets I had were sponsored and given out by a Pro-Choice group. Huh. That is an oddly specific group to sponsor a show time. I guess…this movie…is about abortion?

That isn’t an issue or something. But it is basically all I knew about the movie going into it. Like Citizen Ruth.

Obviously.

This movie is about a few months in the life of Donna Stern (Jenny Slate). She is a stand up comic, works at a hipster book shop in NYC, and isn’t doing too much with her life. Just telling jokes about how it is. Well, her boyfriend doesn’t like this path and doesn’t like to be talked about in front of strangers. So he breaks up with her. And then she finds out her book store that she works at is closing.

So she does what anyone would do, get really drunk and avoid her problems. If by avoid her problems, I mean talk about it on a stage, of course. Either way. She sexes up a guy, Max (Jake Lacy) who is very nice, and apparently the rubber wasn’t used. She gets pregnant, has a few panic attacks to add to her problems, and wants an abortion. The abortion isn’t even the scary part. It is the telling of her mom (Polly Draper) and getting the money together when she is already losing her jobs. At least she has friends (Gaby Hoffman, Gabe Liedman) for support.

But why does that fucker Max have to be such a nice guy?

Richard Kind is in here as her dad and David Cross as an old friend.

I think this scene is a metaphor for birth. But I think that about all boxes.

The main selling point for Obvious Child is its realness, and it really excels at that point. Really.

Everything in this story feels like something that could actually happen. That is where it gets all of is charm and humor from. The humor is pretty funny, both in a “ha ha funny” way, and a “I am uncomfortable by their awkwardness” kind of way.

And really, there isn’t much more to say about it? The film is funny and incredibly awkward. It is about abortion, but doesn’t make it a big life changing event, just turns it into something that has to happen. And hey, it involves that guy who joined The Office for its final season, so that was cool too.

Richard Ayoade is most well known as being the not Chris O’Dowd character from The IT Crowd.

He has had the occasional other gig, but that is where most people know him. But hey, he also wants to be a director, so for his (up to this point) biggest release, he has given us a movie called The Double, which is lighting up the indie film circuit.

The Double is described by some people as a black comedy. But fuck that, this is a drama thriller.

Which is shown clearly by the use of camera lens and creepy stalking.

Let’s talk about Simon James (Jesse Eisenberg). He is a nice guy, does his job, does it well, but rarely gets acknowledged in his company. His boss (Wallace Shawn) practically ignores him despite his record, but whatever.

But a series of events leave him feeling a bit frazzled. He loses his ID badge, and gets a lot of crap for it. He has to tutor the bosses daughter. And a new hire at the work, James Simon (Jesse Eisenberg) looks identical to him. Even his voice. Other people don’t seem to notice, but it is uncanny.

James Simon, the new guy, is good at social skills which Simon James is not. However, Simon James is good at the job and doing his job. They do some of that twin switcheroo stuff to help each other out, but when James Simon starts to take things for granted, Simon James is going to find himself struggling just to feel like he exists.

Also, there is a girl involved too, of course. Mia Wasikowska, an employee at the company.

Just two dudes, not talking to each other in a public restroom. As it should be.

The Double is one of those film titles that is pretty common. This is the second The Double, I have reviewed, the first one being an absolutely terrible thriller and should promptly be ignored.

So. The first The Double is like Simon James, and this The Double is like James Simon. I am doubling up on The Doubles.

Regardless, this The Double is an incredibly weird movie. Not zany antics weird, but all of it. Everything was done deliberately in this film, from the lighting, to the camera lenses used, the angles. You can tell a lot of work went into it.

This is also the type of movie you can’t half-ass while watching it. A lot will fly right by you if you do, and you might not understand the ending in the slightest. But for those of you who are diligent, overall this movie is a very rewarding experience with some interesting twists. Might even be the type of movie you want to watch…twice.

If there is one thing that has been made abundantly clear over the last few years, it is that teenage based romance novels turned into movies make a lot of money. Why? Fan girls, mostly. But as long as it is teenage and romance, then it will make money. Most of them have seemed to do well, assuming they actually have a big following, unlike random shit like Vampire Academy.

Which is why it should come to no surprise that The Fault In Our Stars was breaking presale records.

Even if the movie ended up being shitty, I can’t get mad at it being made. Because after it gets made, then it is done and over. This is not a trilogy that will have the third book getting broken up into ten parts. Just one complete story, no cliff hangers, no bull shit. And really, that makes this feel a little bit more special for me.

I can see they are also showcasing the Hillary Rodham Clinton look in this movie.

Speaking of being special, Hazel (Shailene Woodley) is a girl who had cancer when she was thirteen, got over it, then had some lung issues. Now she has problems breathing, has one of those oxygen tanks by her at all times, going into her nose. Kind of hard to be a normal teenage girl like that! She can’t make friends, or even a boyfriend.

Until she goes to a support group. There she meets Isaac (Nat Wolff), a guy going blind from his eye cancer. But he isn’t important. His friend, Augusts Waters (Ansel Elgort), who is there to support Isaac is the important one. He had some cancer stuff, lost half of his leg, but now he has survived and wants to live life to the fullest. No worries. No problems. And he wants to do it all with Hazel.

Hazel is of course unsure of this boy. How could anyone like her? She has plastic in her nose!

Well, after finding out he is also pretty smart, willing to read the same book she likes and discuss death in a nice way, then yeah, she kind of likes him.

They have some goals. Like figuring out a way to go to Amsterdam, not for debauchery, but to see a recluse author (Willem Dafoe) and his assistant (Lotte Verbeek) to figure out what happened to the characters after the book ends and to talk about life and death. Augustus wants to be remembered when eventually goes away. Hazel just wants to be loved before she goes away even earlier.

Also starring Sam Trammell and Laura Dern as her very optimistic parents.

It is good to see Dr. Ellie Sattler still getting work. Even if it is awkward.

The first half of this movie, I was sitting in the theater wondering what is the point? It felt extremely basic, and almost a shitty non realistic love story. Bordering on disliking the film entirely.

Then the second half happened.

If there is one thing you hear about this book/movie ahead of time, it is probably that it is sad and to bring Kleenex. Well, that seems to be absolutely true. I can’t actually point out the number of times I cried, just that it happened on multiple occasions, sometimes for scenes that were pretty long. They just kept happening, both from being sad and beautiful/sweet.

And that literally is most of the reason I have to talk about this movie. Very touching and sad and beautiful. A first half that drags, and a second half that is a tear jerker. Does that mean it is great? On its own, it just means it knows how to tug on our emotional strings. Yet at the same time, I loved it for doing so.

I didn’t think the acting was anything special. I hated a few of the plot points. But at the same time, I think this is the type of movie I could watch multiple times and still feel an emotional connection with it, knowing what happens or not. That is a solid enough reason for this rating, in my eyes.

The first time I saw a trailer for Deliver Us From Evil, it definitely scared me. It was simple and basic, but it did the trick. They made a more plot based trailer eventually, but I never saw it.

It should have been of no surprise that I found the trailer terrifying, because the writer/director of this movie also wrote/directed Sinister from last year, which I loved. He seemed to have a real knack for the build up and tense moments, with the occasional jump scare to poop thine pants.

Basically, I was kind of excited, is what I was getting at, despite my dislike of being scared.

Who actually likes being scared anyways? Who? Who? Who?

The story mostly takes place in the distance past, 2013, with Sergeant Ralph Sarchie (Eric Bana, sporting a pretty accurate to me Bronx native accent) rolling around his turf, stopping bad guys. He has had a rough couple of cases recently, some dead babies, a dude who beat his wife, a lady who threw her baby into a lion pit.

Whoa now. Let’s go back to that. A Jane Crenna (Olivia Horton), mysteriously threw her baby over the side, then the lights went out in the whole park, causing everyone to flee. She was found later in the park, digging holes and singing The Doors very quickly. There was also a mysterious painter (Sean Harris) who was seen at the lion den, but got away, also mysteriously.

Things just are not going Ralph’s way. He is getting angrier at all of these stranger events, affecting his home life with is wife (Olivia Munn) and daughter.

But things don’t really get weird until he starts to see the connections between a few of his weird events and things I didn’t say. Unfortunately, it might even take a priest (Édgar Ramírez).

Also starring Daniel Sauli, as a mean man, and Joel McHale, as a character who is a cocky asshole. But this time the cocky asshole has a slight accent and a bit more relevant character traits than normal. Oh, he is also Ralph’s partner.

Man, that painter really doesn’t understand his job description.

First things first, yes, I did indeed get scared during the movie. There were a lot of jump scares too, a significant amount to say that they might have been a majority of the scares, which is annoying. But some of these came at such random times, just out of no where, that they did shock me. There was also fear in the build up and scene building, as I mentioned above that Sinister had. So despite the jump scares, the fear is real.

The plot? I actually enjoyed the plot. There is obviously an exorcism in this movie. Why else would we have a priest? They kept it mostly fresh and action packed. The fact that this was a sort of crime/mystery + horror movie really got you invested into the plot. Eric Bana was at his best and really flourished during this movie to I thought. Good job Bana. Everyone else? Eh, take it or leave it.

However, there was something incredibly terrible with this movie. Sound Editing/Mixing/Whatever. Holy crap, it was terrible. I feel like a real reviewer using these words, yes. Okay first off, yes, the main character began to hear things that other people could not hear. It was static noise, kids playing most of the time (and the kids playing used a very recognizable sound clip, so it was awkward every time it ran). But the rest of the movie’s sound was all over the place, screams out of nowhere as part of the music basically, despite nothing making the noise. Not just normal movie horror noise. Just very loud, all over the place, disjointed. It took me out of the movie numerous times.

There were a few cheesy moments too. The detective who was watching the exorcism from a distance made snide “OMG” like comments every now and then, un-tensing one of the final important moments of the film. Minor things like that. But mostly the sound editing.

So I don’t think it is as good as Sinister. But it wasn’t also trying to be inspired by a “True story” so that is another good bonus for Sinister over Deliver Us From Evil. Still very watchable.

Live. Die. Repeat. That is the slogan of Edge of Tomorrow, which people were quickly to point out that it looks like Groundhog Day, but more sci-fi/action and a lot less Bill Murray.

The title is kind of strange, but way better than its original title of All You Need Is Kill, the title of the story that the film is based on. I mean. Just seriously, what the hell does that mean? The time traveling element allows Edge of Tomorrow to make some sense. But All You Need Is Kill? I can’t even begin to unawkwardize it.

Tomorrow? Tom, you might first have to worry about the edge of your face, first.

In Future Earth, Aliens have invaded, landing in the middle of Europe, and kind of just fucking up everything. Things are going bad. These “mimics”, as they seem to adapt to military strategy pretty well, are just destroying and taking out battalions, always knowing what is going to go down. Until we design awesome battle suits, and they seem to crush the mimics. Special Forces soldier Rita Vrataski (Emily Blunt) is able to kill 100 mimics by herself in a battle, helping turn the tide of war. So now they are going to organize a massive attack from different flanks, thousands of soldiers in battle suits, to help turn the tide of war!

And Major William Cage (Tom Cruise) is being asked to join them. Storm the beach with a media crew, to show the good tidings and have them give hope to the world. Cage isn’t a real soldier, he is just in media, doesn’t even know how to fight. So of course he refuses, but well, higher ups demanded it and now he found himself waking up a day before the invasion at an airforce base, with papers saying he is a private and a deserter. Oh, poor Major.

Needless to say, the invasion fails, and after getting covered in alien blood goop, the Major dies and wakes up…back at the airforce base! This can’t be! But you know this part of the plot. It appears the Major is now stuck in some sort of time loop causing him to relive this day over and over. That could drive a man mad. But maybe it can help them save the day?

Bill Paxton plays Master Sergeant Farrell Bartolome, Brendan Gleeson as General Brigham, and Noah Taylor as a alien biology scientist. Of course he also got soldier friends in his unit, but I don’t remember them individually enough to type out character names (Tony Way, Kick Gurry, Franz Drameh, Charlotte Riley, Jonas Armstrong, Dragomir Mrsic).

In a world of do-overs, there is rarely a need for emergency kits.

As an additional note about this movie, I got to see this one in IMAX 3D, my first time watching a film this way, and oh boy were the fight scenes something else. Spectacular, pretty, explosion heavy. So much going on. Without sounding cliche, I was often near the edge of my seat because it was so exciting to watch it all.

Exciting and amusing. They didn’t drown us in the same scene over and over, just a few minor ones to get the point. On his first repeat day, we didn’t have to see Cage freaking out the entire length of his first travel time. They knew how to keep it short when needed. When it was short, we often got blasted with different ways he died as he tried new things to make it further during the war. Sometimes it was hilarious, but when it was frustrating, they knew how to play that card as well.

So these are good first steps! Good action, good comedy, a nice sci-fi element. But how about the plot? That surprisingly was well done too. How the alien armies worked, the secret to taking them down, why Cage was stuck in a loop, all of it was given a nice rationale and well thought out to make it believable in that universe.

Literally, I don’t know how they could have made the movie better either. You get to see so much and it is a thrill ride, but it doesn’t feel like a 4 out of 4 film to me, which is sometimes all it takes to lower the rating I guess. A very exciting movie, despite what I went in thinking, and a nice notch to add to a list of recent well done sci-fi movies. I think it is going to bomb financially this weekend too, as audiences apparently don’t like Tom Cruise anymore, which is a shame, because it is strong showing still pretty early in this summer.

I have been putting off watching Doubt for quite a long time. The only reason is, in 2007, before the movie came out, I ended up seeing the play version for free. The play version of Doubt has only four characters: priest, old nun, young nun, kid’s mom. That is it. No children at all in it, so side nuns, nothing. Just these four characters and it was a very powerful play. A play that asked a lot of questions, made a lot of assumptions, and did it in a very simple format.

So I never really wanted to watch the movie, as I would no doubt just compare it to the play. Who cares how many awards it was nominated for?

And then? Then Philip Seymour Hoffman died. I still haven’t reviewed a movie with him since his death, but was able to get a Paul Walker movie within two weeks of his death. Even had a shitty Cory Monteith tribute review, kind of.

But Mr. PSH was kind of special, and I knew I just would have to eventually go and watch this movie for him, before anything else of his came out. I just knew it had to be Doubt.

I guess you could say there was no doubt in my mind I would see this movie soon.

Doubt takes place in a land without cell phones, the past. I assume somewhere in the 1960’s, mostly because they are dealing with issues of segregation.

It also takes place at a Catholic Church / school, where nuns teach, and the word of God is rule. The most feared nun in the nunnery is Sister Aloysius Beauvier (Meryl Streep), who is the main nun and will have no shenanigans. She doesn’t want the church to get away from its traditional teachings, or give into technology, or all of that crap.

But then the school has its first black kid in its midst, a boy. They were worried the kids would be picking on him, but no one seems to care. No one, except Father Brendan Flynn (Philip Seymour Hoffman), who takes the boy under his wing, makes him an alter boy and protects him.

However, Sister James (Amy Adams), a fresh new nun, who doesn’t want people to fear her, notices something strange about the boy. He seems dejected. He seems to have lost whatever spirit he had. He seems to have…alcohol on his breath?

Doubt asks the age old questions, really. Is the Catholic priest conducting in inappropriate behavior with a student? If so, is their any proof? Viola Davis plays the kids mother.

Red hot Catholic bench action right up in here.

In honor of the play I obviously only tagged the four main characters.

For whatever reason, the movie felt very short. It was only 1 hour 40 minutes, but the first 20 or so are just character defining scenes to get you to know our cast, and the rest of it feels like only four or five scenes. The scenes are all very long with tons of dialogue (see: the fact that it was a play), and they are also incredibly intense. All four of the main cast members had their moments to shine in the movie, displaying a lot of emotion in a simple way.

Was Hoffman good? Yeah, he was excellent. Was Streep good? Yeah, she was excellent. So were Adams and Davis, in fact, this may now be some of my favorite roles for the last two, even if it was arguably Streep’s movie overall.

Great plays make great movies. Simple fact as that. A nice watch, although again, the timing on it felt a bit odd while I watched it. Large cast was necessary I guess, but they could have given the kids less lines and made them mostly background characters.

I can say for certain that I wasn’t looking forward to seeing Blended. It looked like feel good trash. This is like the fifth movie in a row where Adam Sandler is playing a father like figure, and the third time he has had Drew Barrymore as the love interest.

It kind of just felt like a money grab from the start, where the jokes are mostly just Africa jokes with a shitty plot behind it.

But yet at the same time, something compelled me to watch this movie as soon as I could.

Basic plot time! Jim (Sandler) and Lauren (Barrymore) are on a blind date. Lauren is recently divorced due to her husband cheating on her (Joel McHale). Jim unfortunately is recently widowed. But also, Jim seems to be a dick, taking his date to Hooters and stuff. Both are awkward. It is a bad blind date, they don’t want to see each other again.

Until they do. A lot. Mostly on accident. They are very similar. And due to strange circumstances, they are both able to take their families on a vacation to Africa! But they are also sharing a romantic getaway package. One meant for families made up of step-children/parents, half-whatevers. You know. Blended shit.

So now they are on a zany adventure, both in each others lives, with each others kids, and hey, maybe they will learn to love and trust again too?

Jim has three daughters (Belle Thorne, Emma Fuhrmann, Alyvia Alyn Lind) and Lauren has two sons (Braxton Beckham, Kyle Red Silverstein).

Who else do we got? Well, we got Shaquille O’Neal as a best friend and Wendi McLendon-Covey as a different best friend. Kevin Nealon is a guy on the trip, with his son Zak Henri who becomes a love interest to the older girl.

And last but not least, Abdoulaye NGom as the vacation host, and Terry Crews as a lead singer of an African A Capella group to serenade us the whole movie. Also, countless other guest stars, some from most of Adam’s movies and some that were only in one before.

Basically, here is most of the cast outside of a couple kids and best friends.

Sandler is such a jerk. He can do pointless ass movies involving as many cheap celebrity cameos as possible now, or a movie that actually has some heart behind it. I blame the director. The director did Click, The Waterboy, and The Wedding Singer before this. He knows how to make a decent Adam Sandler movie. Although this one didn’t have me cry like that sneaky movie Click, it did have a lot of touching moments behind it. All the asshole-ish behavior on both sides seem to get explained away with great excuses and reasons, and you can’t help but feel sorry for both sides.

But that is the surprise drama element of the movie! You don’t want that, you want the comedy promised to you in the trailers! Well, here are actually a decent number of laughs. I am a bit disappointed in how much of the funnier moments in the movie ended up in the trailers. Mostly since a lot of them were based on a surprise/sudden action. But thankfully the film had a few more surprises up its sleeve.

Funniest movie ever? No. Great drama/comedy? Debatable. Definitely at least decent. Crews was really awesome in his role, dude always gives it the 100%.

I am mostly thrilled this movie actually had a plot and a jokes derived from the plot and characters, and not just 50 sight gags with African related scenery. They have some, but a lot more is available than the “Random jokes” that I was afraid the whole movie would end up being.

Is it better than the last two collaborations between the two? Arguably not, but eh, it was still a pretty good experience on its own.