Tag: 3 out of 4

I am definitely really late getting to see Dear White People. Hell, I didn’t even know what kind of movie it was going in to it. I literally thought this was a documentary.

Well, despite being a real movie and not a documentary, it took me too long to see it because clearly this movie was made for me. As a white person, having this title means that it is like a letter to me and other white people. That’s good. Gives me something to relate to right off the back.

Basically, this is almost the exact opposite of For Colored Girls.

If they think that review is terrible, they should see my review for Jane Eyre!

Dear White People takes place at an IVY league school that is undergoing some change. There are specific houses that individuals can live in and some have developed themes. Some are party houses, some are for business type folks, and then there is the Armstrong/Parker house, predominantly black.

The administration (Peter Syvertsen) wants to make houses a random process and mess up these themes to induce diversity throughout their mostly white campus. Sam White (Tessa Thompson) believes it is just an attempt to quell the social rustlings of the black students, making it harder for them to organize and protest. Sam also runs a radio show called Dear White People, calling out race issues along with appropriate music, and wrote her own book. She is pretty good at race issues.

She surprisingly wins the election for House Head against her ex Troy Fairbanks (Brandon P Bell), son of the dean (Dennis Haysbert). The elitist type.

Our other main characters are Lionel Higgins (Tyler James Williams), a gay black man journalist/writer who doesn’t feel like he belongs to any group, Coco Conners (Teyonah Parris), a student video blogger who is willing to create drama to rise to the starlight, and Kurt Fletcher (Kyle Gallner), son of the President who feels untouchable and organizes the hip-hop/blackface party.

Also featuring Brittany Curran, Marque Richardson, Malcolm Barrett, and Justin Dobies.

I found him. I found the white person!

Dear White People is an increasingly rarer satire comedy drama. Although the film is clearly fictionalized, it is inspired by actual parties around the united states and actual discrimination that people go through. It presents a lot of good arguments, including lots of social science theory at almost every opportunity. It also showcases clear examples of how the world works in the film.

But also, also, it makes it very clear this is a complicated issue with no clear solution. The entire world is not just black and white (heh). Every person is different with different experiences and what they think and say in public might not reflect their actual feelings. Sometimes people do what they are expected to do.

As for the acting, Tessa Thompson does a great job carrying this movie. She was very believable in her role and is clearly knowledgeable on the talking points. The other lead, Tyler James Williams? Well shit, his fro was so distracting I couldn’t even recognize him as the best part of the short lived Go On. His journey in this movie is the most interesting, followed closely behind Tessa’s, but more importantly is that they are both different and very realistic.

The only thing I could really want more out of this movie is even more issues brought up, or even more perspectives thrown into the mix. But hey, they might need material for a sequel.

Besides wanting to watch every movie ever, I have other goals too. Like you know, movies nominated for Oscars. Wild wasn’t given best picture nominations, but it did get honors for Best Actress and Supporting Actress! Yay, woman power!

The reason it took me so long to see it is because the pre-screening was during my honeymoon. Not much you can do about that!

I had to hit this one in theaters before it left though, before we get an even bigger onslaught of shitty January movies.

“I’m not sure which way to go, but let’s just pick the left path?”

This movie is set back in the mid 1990’s, which really just means that there are no real cell phones. A true story based on a book by the person who did the events, so we know we probably can’t trust it. It is about Cheryl Strayed (Reese Witherspoon), who wants to hike the Pacific Crest Trail, or the PCT as the locals call it. If we call it the PCT too, they will know we are cool and in.

I don’t know a lot about West Coast things, but the trail itself is over 2,500 mi long and mountainous. But Cheryl wants to hike it and hike it all. ALONE. As a woman! Bananas!

Why? Well, she needs to clear her mind and she thinks this is the best way to do it. She has had some shit happen in her life, and the whole point of this movie is to find out what!

I can say her ex husband is played by Thomas Sadoski, which gives some hints, and Laura Dern as her mother.

“No, in retrospect, I think the right is the best path.”

This movie could almost be classified as a thriller! That is a joke obviously, but there were some scary and intense moments along her height. Not wild boars, or bears, or poisonous flowers, but people. People are the scariest of entity, and again, I felt scared when she felt scared due to her being a woman alone. Now, I am not saying I completely understand the very real fear people can have about getting raped or taking advantage of, I just thought they did a good job of showcasing that fear.

And now I feel uncomfortable.

Reese did pretty good in this movie. Way better than her role in The Good Lie. Glad to see her in the spotlight again because I honestly couldn’t remember the last movie I saw her in before those last two. Lara Dern did a pretty good job too, and her role is definitely the definition of a supporting actress. I just don’t think it was one too special by the end of the day.

A decent movie telling an okay story. Well acted and it keeps it interesting through its flash backs. I definitely was surprised by a few things.

Normally when movies get pushed back, I wonder and worry. Sure, sometimes it is as simple as not being able to compete with a bigger movie coming out that same day. Sometimes it is due to a production company not wanting to compete with its own product.

I have no idea why Kingsman: The Secret Service got moved from November 2014 to February 2015. February/January are generally deader months where a lot of shit goes, so it feels like the studio just didn’t think it would be good enough to make it. So they put it at the beginning of the year to hide it.

That is clearly what is going on with Jupiter Ascending, which got pushed out of Summer to February, which means they don’t think it will succeed as a blockbuster.

But this is Kingsman, and the trailer actually looked interesting. Damn it. WHY DID THEY MOVE IT?

I can only hold on to my butts so long in anticipation!

Back in the day, Great Britain decided it needed to protect the world. That is a bit of paraphrasing. Either way, they made a secret service, based on the Knights of the Round Table. Each soldier is incredibly well trained, combat, spy gadgets, code names, Gentleman as FUCK, and lives a thankless life as they can never let their existence be known.

Galahad (Colin Firth) didn’t notice a bomb one time, and one of the new recruits died saving his life. He wanted to help out his family, so he gave them a medallion with a number on it to call if he ever needed help.

Now, seventeen or so years later, Eggsy (Taron Egerton) is in trouble. Sure, he is a smart lad (British terminology), but he has wasted his life living on the streets. His mom never got over his dad’s death and is now dating an alcoholic. He is involved with gangs. He runs from the cops!

And guess what, he needs help. Quite obviously, Galahad thinks he has what it takes. They need a new member as one of their own was slashed down by rich tech billionaire Valentine (Samuel L. Jackson) and his assassin Gazelle (Sofia Boutella).

So you know, training, spy stuff, gadgets, a shit ton of action, and everyone talking super funny.

Also with Jack Davenport as Lancelot, Mark Strong as Merlin, Michael Caine as Arthur, Sophie Cookson as the female main lead/training rival, and Mark Hamill as a professor. I normally wouldn’t even bring him up, but I mean, come on. Mark Hamill.

“I came here to drink tea and give someone a good going over, and the Americans dumped all of my tea.”

Right before the movie started, I found out it was 129 minutes and thought it was way too long. Now that it finished, I found myself only wanting more.

Kingsman is based on a comic by Mark Millar, the same man who wrote Kick-Ass. Hey. Matthew Vaughn, the director, also did Kick-Ass! How quaint! Matthew Vaughn had to leave Days of Future Past to do this movie, and that is fantastic, because it made it so we got two pretty awesome movies instead of maybe two terrible ones. I can’t believe how entertaining Kingsman ended up being. The action was high octane and firing on all cylinders, and the movie built a bigger body count than you would probably expect.

Samuel L. Jackson was in it, and of course he kicked ass as the villain. He had so much personality, I was almost rooting for him by the end. Colin Firth is usually fantastic when he isn’t in a super serious role as well, and I wonder if he backed out of Paddington to build up his R-Rating persona. Another movie with questionable things going on.

I mean. Honestly, the only thing I found super disappointing, was some really awkward stuff that happened at the end. It just felt so forced and childish. It felt like a 13 year old wrote the last minute, almost. It will be very off-putting to people, even if they enjoy it.

Kingsman may be truly the first very entertaining movie of 2015, and it helped kick start my hope for some unique things to come through the pipeline this year.

Time to start a movie with some controversy. Maybe two levels!

First of all, I remember when the book American Sniper came out. I remember a lot of people getting it and loving it too. Biography of Chris Kyle, the deadliest sniper in military or something like that. I also remember all the controversy after that about all the lies in the book. He lied about several things, Jesse Ventura even won a lawsuit about the lies in the book, and the fact that he lied about seemingly random things, brings the whole truthfulness of the book into question.

How much of it is exaggerated? Apparently there isn’t even a stat of confirmed kills, so that part might have no merit either. Basically, a curve ball into the biography thing if it is based on a fictional book.

Second controversy? Oscars. American Sniper got nominated for a lot of awards and people are angry for some reason. Mostly people clamoring for diversity. Or that the Academy is old pro-war people. I dunno. I think it was mostly people who hadn’t seen the movie. Like me, until now.

Guns, America, Yee-haw, and patriotism!

Chris Kyle (Bradley Cooper) came from humble beginnings. Texas. His dad told him he needed to help and protect others. He was a cowboy in the rodeo, but thought about going into a more noble career after seeing war news on TV. No, not 9/11. Some 1998 U.S. Embassy attacks in Africa.

He became a Navy SEAL, which lead to him becoming a sniper, and he went off to fight some wars. Namely, four separate tours of duty, which I have been told is quite a lot. He had a few important missions there and had to kill a lot of people, but he also saved lives. And some he did not.

Hey, and between these, he also met his future wife, Taya (Sienna Miller), who he had kids with. Being away a lot really caused a strain on the family, but at least he was doing something America.

Also with some other bros, like Kyle Gallner, Sam Jaeger, Luke Grimes, and Jake McDorman.

And here is the now infamous fake baby scene!

Since them movie is based on a book based on lies, it is probably okay not calling this a biography. Right? Yeah, if we just examine this as a work of fiction, it becomes easier to judge and biases can be ignored.

Nice and simple. On its own, it is actually a pretty good war movie. It has the training, the motive, the childhood story. We have several different war plot lines with some moral ambiguity. It isn’t just about “getting the brown people!” and never even gets close to implying that. It examines PTSD and ways to work through it. It covers the whole spectrum.

I didn’t get super emotional near the end, especially since I knew kind of how it was going to end, but I can see how it tear jerks.

Cooper still looks like himself, but like, a fatter, slightly more buff version. He also has a killer Texan accent. I can say he definitely acts really well in this movie. I can understand why he is considered for Best Actor, but he has no chance of winning. At least three or four people I can think of who acted better, unfortunately only a couple of them also got nominated for that category.

Despite the controversy, despite the lies, Clint Eastwood makes a pretty good modern war movie with a character people might find relatable, that examines a lot of issues with war. It also isn’t inherently pro or anti war. Just pro soldier. That is a fine enough message.

Honestly, there is a good chance of me never seeing The Guest until probably…well, never, if it wasn’t recommended to me by at least two other people.

It is just such a busy schedule, so many movies, only so many days a week, I would have ignored it like some straight to DVD trash on the bottom row at Wal-Mart.

Even the plot line is out of a cliched, over done pile of crap. But these people told me not to worry, just go into it and let the plot happen.

So I made sure I was loose and relaxed and watched The Guest on a Saturday night alone. You don’t have to watch it the same way if you don’t want to, but I am just setting the mood up for you all. Can you dig?

Unrelated: How do they shoot scenes with mirrors? And even harder with tons of mirrors? TELL ME!

The Peterson family is pretty sad because the oldest son died, fighting for the best country in a war overseas. David (Dan Stevens) was a member of his unit who just shows up one day. All he has on him is a duffle bag, but he came by to pay his respects to the family because Caleb was one of his best buddies and he promised him he would help look out for his family. He doesn’t want to impede, but Caleb’s parents (Leland Orser, Sheila Kelley) insist that he stay for awhile, free of charge, before he heads out again.

Cool, it is like he is Caleb. But not really.

Also, how much do they know about David? Basically nothing. What if he has those PTSDs and decides to kill everyone one night? That’d be crazy right? Right?

Heh. Heheheh. Hehhhh.

The other members of the family are daughter Anna (Maika Monroe) and son Luke (Brendan Meyer). Also featuring a daughter’s best friend (Tabatha Shaun), government agent (Lance Reddick) and two other dudes (Chase Williamson, Joel David Moore).

At least the guest can help with the interior decoration.

The Guest is clearly a spiritual successor of Houseguest. They took their time on it in order to not tarnish the memory of Phil Hartman.

Also, everything about the plot and idea behind The Guest seems cliched. Did I already mention that? It is amazing though that somehow the movie doesn’t feel cliched. It feels fresh and actually remains interesting throughout. David is an interesting individual and his layers of madness creep out pretty slowly though out the film, so it is exciting to see just how dark it can go by the end.

The action is also very smooth. Like butter. Yes.

What more can I say? The Guest entertained, and hey, good job Dan Stevens.

Ah, I do love a good controversy to start a review off.

This movie is called Pride. For most of you, you can take a good guess at part of the subject matter of the movie. For others, it might come to a shock to you that this film deals with gays and lesbians.

In fact, it is about a true story in the 1980’s in Britain! But the US distributors of this film don’t want you to know that. Which is why they have seemingly gone out of your way to mention the gay/lesbian presence in the pictures and description of the film, despite being the main point.

Welcome to 2015, bitches.

And shout it from a megaphone!

1984, and Great Britain was under attack against the scary Iron Lady. Or at least that’s how I picture it.

Movies tell me nothing but bad things about Thatcher, and this one is another one of them. 1984 had a Great Britain Great Miners’ Strike. Thatcher was super anti-Union and so the miners went on strike to make more money. Well, this thing lasted a long time, with whole communities having no income. Kind of harsh, but they had to fight for what they believed in.

Which is what the gays and the lesbians were doing too. Mark Ashton (Ben Schnetzer) decides that they should support the miners openly. They even want to start an organization LGSM, Lesbians and Gays Support The Miners. Sure, the Miners stereotypically would be people who used to beat them up for being “perverts” but Mark knows that a group who people hate should partner with other groups that people hate in order to make bigger noises towards bigger and better changes.

So it is that simple. They will start collecting money for them so that they can afford food and pay the bills, as long as they will accept their money first.

Starring as the perverts, George MacKay, Faye Marsay, Freddie Fox, Andrew Scott and Dominic West. Starring as the pits, Bill Nighy, Imelda Staunton, Paddy Considine, and Jessica Gunning.

The stereotypes are entirely true. The gays dance better than the miners, every day.

A feel good story about overcoming differences between two groups of people to kick ass together! That is what Pride is about. Not just one side or the other, but both.

I’m sure you could tell all of that from reading the description, no matter what country release you had. And hey, sure, it felt a bit standard at times. There were moments that felt like a made for TV film, and then other moments that made sure you knew it was rated R. I wasn’t sure what I would give it rating wise until the very end, when sure enough, they messed with my emotions enough to give me a little bit of a tear or two. Dicks.

And we had a few stand out performances, namely Dominic West/Andrew Scott, and Bill Nighy/Imelda Staunton. Both play couples and both amazing in different ways. Namely also that Dominic West looks like some strange version of Richard Branson in this movie. (I say that about anyone with an accent and long man hair).

Of course, more importantly, I learned a lot about one year in Britain. I have more reasons for movies to tell me why I should dislike Thatcher. And I got to talk about a controversial movie but not in the way it should have been controversial. Diary, today was a good day.

I’ll be honest, when I first heard of the movie Selma, I had no idea what it was about.

When I found out it was a pseudo-biographical film about a moment in MLK’s life? I assumed Selma was his wife.

Nopers, I was way wrong. Selma is actually a city in Alabama! Yeah, who knew? Not only that, but it was a huge staging ground for civil rights in the mid 1960s, and it had nothing to do with sit-ins, busses, or fire hoses. That is pretty exciting on my part, because that means I will actually learn something new instead of the same few tales they teach us about in school. As it deals with race relations, it will probably end up being topical too in some way.

Not sure how, but I am sure someway it could be topical. Hmmmm.

Martin (David Oyelowo) (We are on cool enough terms for me to just use his first name) had just received his Nobel Peace Prize in 1964, but he wasn’t done yet. This was after his I Have A Dream speech. There was a big issue with Jim Crow laws in the south. Sure, technically, everyone now had the right to vote. But people were getting in the way of that.

Poll taxes, literacy tests, inconvenient hours, and rude as shit clerks made things like that hard. Not to mention the general threat of violence for those who might attempt if they were black. Martin wanted LBJ (Tom Wilkinson) to make fixing this issue a priority, but LBJ wouldn’t have it. He had other issues like poverty he wanted to work on. So Martin and his comrades (Common, Andre Holland, Wendell Pierce and more!) found the staging grounds for their next battle in Selma, Alabama.

A student group (Stephan James, Trai Byers) was already working there, building up community support, and of all the registered votes, only 1% were black despite about equal numbers. It was a great battleground. Even had a super racist sheriff (Stan Houston)! Martin just also has family issues with his wife (Carmen Ejogo) while all this is going down, so, pretty intense stuff.

Oh and a whole lot of people are in here as smaller or villainous roles as cameos. We have Tim Roth, Giovanni Ribisi, Cuba Gooding Jr., Martin Sheen, Dylan Baker, and Oprah Winfrey.

People walked a lot more back then, just a matter of fact.

Thinking back on it, I don’t think I have ever seen a high quality film about MLK and his life. He has appeared in other movies I have seen, like Nelsan Ellis last year in The Butler. But filmmakers seem to be afraid of his life, despite clearly being a popular figure. I wonder if people are afraid of doing him badly and not living up to his larger than life persona?

Well, if they were afraid in this movie they shouldn’t be. David Oyelowo did an INCREDIBLE performance. His walk, his talk, his power, he had it all. His looks weren’t perfect, but man were they believable. And when he did his speeches or sermons in this movie? Yeah, his voice carried it hardcore, and not in the same stereotypical way people normally do Martin’s voice. It had its own uniqueness and similarity that made it seem just as awe inspiring and just as real. Shit, the final speech he gave? I was almost certain it was an actual recording instead of Oyelowo, but I was wrong. It almost made me tear up.

My only issues with the film is that despite its superduper lead, the supporting cast didn’t seem to catch up with him. I think this is the worst ever portrayal of J. Edgar I have ever seen. Out of no where it all seemed more comical instead of serious. Roth was awkward as the evil Governor and he also felt quite cartoonish. I couldn’t take these guys seriously, limiting the seriousness of the film.

I learned a shit ton about the subject though and it is an incredible story, even if certain aspects are fabricated. A very nice watch to learn about a very overlooked yet important event in American history. And damn Oyelowo. You good, you good.

Here it is, 2015, and documentaries are still a thing. And some of the supposed better ones from 2014 are making their way for us to finally watch, just in time for awards season.

I picked Whitey: United States of America v. James J. Bulger…mostly by accident. Was looking for something else, got lazy, and settled on this one. I knew it was new and I heard positive things, so it fit the bill well enough to just run with it.

Who is Whitey? James ‘Whitey’ Bulger used to be number 2 on the FBI’s Most Wanted List after Osama Bin Laden! Jeez! He was a crime boss in South Boston. Apparently killed dozens of people, racketeering, gambling, drug deals, sex stuff, you name it. He has been on the run for a long time too.

The only issue is, he also might have had permission from the FBI to do it all.

You know he is the real deal because he was once locked away in Alcatraz.

Informants are a tricky thing, so if Bulger was used by the FBI to tattle on other people and the FBI knew everything he was doing and didn’t take them in, that makes the government look bad too.

But the documentary does a far better job of explaining everything, way better than me of course. Because this documentary is LOADED with information. About two hours long, it has more information than it knows what to do with. I assume. I don’t know what they know about using information.

So one aspect of this whole thing is you definitely have to pay attention. It does its best job of walking the viewer through the clues and help draw its final conclusions with the craziness that ended up being this trial. A trial that I had no idea even happened.

But hey, apparently Jack Nicholson‘s character from The Departed was based on this guy, if that tells you anything.

Either way, a well put together documentary with a lot of information that I didn’t know a lot about, and one that might make you think.

Tally-ho!

It is really hard to find a time to properly use the exclamation Tally-ho, so when I find an appropriate time, I kind of go all out. For those not in the cool kids club, tally-ho was a cheer for Fox hunting, a noble British sport about sitting on a horse while a dog finds a fox and you kill it.

Err yeah, not as popular nowadays I guess, but a sign of someone who has a lot of money back in the day.

Foxcatcher, taking a similar approach, is about rich people and men’s wrestling. Yeah, that makes sense.

I do believe that shirt is NSFW.

Mark Schultz (Channing Tatum). Dave Schultz (Mark Ruffalo). Brothers, both of them gold medal winning Olympic wrestlers. That is pretty good, especially since they almost kicked wrestling out of the Olympics for 2020 games and on, but those guys fought hard to keep it in, so we are still good. They both won gold in the 1984 Olympics, and they also won medals at World Competitions, World Championship games, and Pan American games. They were the cream of the crop.

Dave actually won a bit more than his younger brother Mark, so Mark usually felt like he was the lesser of the two, even if technically he was a bigger and stronger guy.

They were also living paycheck to paycheck, wherever they could make money at. Inspirational speeches, teaching camps, whatever. So when John du Pont (Steve Carell) invites Mark over to his mansion, of course he goes. du Pont is loaded, from a rich family of horse breeders, and for whatever reason really likes Olympic wrestling. Namely, he would love it if American could whoop Soviet Russia. So he wants to invite Mark down and a whole lot of other hopefuls for the Olympics to train at his facilities, live rent and utility free, AND earn a bi-weekly pay check at the same time. They can train for qualifiers and then hopefully the Olympics.

He wants Dave too, but Dave doesn’t want to uproot his family and move from his home. Other than that though, seems sweet.

But du Pont has a lot of secrets. He is already a very eccentric and strange guy and he acts like he is maybe fulfilling some weird fantasy that he never got to experience as a youth. Or maybe something even darker! Who knows!

Goodness gracious I think his nose can be used to literally catch foxes in!

So, this story is based on a story written by Mark Schultz of his life with du Pont. It was taken by another guy, written better, and the movie was based on that book. Originally, Mark Schultz was all about this movie. Loved how much of it was based on his notes and scenes he saw were based off of things he directly wrote about.

But now? Mark Schultz really really really hates this movie. He went crazy on facebook and twitter, click the link if you want some spoilers. He is all sorts of pissed about how it made him look and implied scenes that went on the film.

Despite this, he still wants to make sure the actors win some stuff though. And that is because the acting was definitely the best part of this movie.

Steve Carell is not Steve Carell in this movie. He also isn’t Michael Scott, and he definitely isn’t Brick. He is a completely different person, with a prosthetic nose, mannerisms, walk, voice, everything. I LOVE it when comedic actors go serious, and it is definitely an incredible performance.

It is a good story, but I feel like too much of it is focused on the not so important aspects of du Pont, and not the really really bad stuff. The really really bad stuff seems rushed and time wise, it makes it seem like in real life they happen quickly after the rest of the movie, when in real life, it is many years difference.

And you know, not knowing the real life stories of the Schultz and the du Pont brothers, it took a long time for me to realize just what the point of telling this story all was. It could have definitely been improved by some telling out of order, I think I would have had a deeper emotional level connection to the film.

But despite the issues, it is still a very well acted movie, and an interesting black spot on the sport of Olympic Wrestling.

The Skeleton Twins is a dreary sounding title, if any. The last thing a lot of people want to think about is decayed bodies, and knowing that the decayed body has a copy out there is creepy.

But what do I know. For all I know, the movie is titled that because the leads are relatively skinny/thinny people. Bare boned individuals. You know. The non fatties.

Either way, this film stars two very recent SNL Alums who some show made the show great the last few years, and I know it is not a straight up comedy. When comedians do serious roles, usually the results can be pretty incredible.

I am willing to take the leap that these two are even related for this chance of greatness.

Suicide normally affects a lot of people. But for Milo (Bill Hader), his failed attempt only affected a handful. Namely, it directly affected his twin, Maggie (Kristen Wiig), who got the phone call about the news right before swallowing a bunch of pills herself. How selfish of him.

They haven’t talked in like, a decade really, so this reality is kind of awkward. Maggie invites him to move from LA temporary to NYC, to live with her and her husband (Luke Wilson). She is a lot different than he remembers. I mean. Married, yeah. But they are also trying to have a kid? And she is taking scuba diving classes? What in the effin what.

Milo being back home has his own problems. Like interacting with a high school teacher he had a relationship with when he was 15. And both now have to deal with their general dislike of their “Free spirited” mother (Joanna Gleason).

Either way, a lot of serious shit is going down, and these twins have to adult up handle it all. Or not. Also with Boyd Holbrook and Ty Burrell.

This is how I would handle being an adult, too.

If you are expecting a lot of laughs, prepare your disappointment goggles. There are definitely laughs though, because in real life, there are humorous moments. But the drama for the most part takes the reigns early on and never lets go. And it works out really well.

It isn’t a standard dark comedy type of film either, but one that is able to tackle the serious issues with an occasional smile.

The best part about all is that because Wiig and Hader have worked so long together on SNL, they had fantastic chemistry together as brother and sister. It worked, it really did, despite the clear differences in looks. I feel like they spent a child hood together and I am glad it showed so nicely in movie. It also showcased a good side to their acting that I haven’t seen in awhile.

My words fail me, but The Skeleton Twins pretty good movie. It’s about being an adult, and suicide, in case you missed those points.